LSM Newswire

Friday, September 25, 2009

Koerner Hall Opens!


Kicks off Inaugural Season with Star-Studded Grand Opening Festival

Tonight is the night! The long-awaited Grand Opening of The Royal Conservatory’Äôs spectacular new Koerner Hall takes place on Friday, September 25, 2009 at 8:30 pm. The jewel in the crown of Toronto’Äôs Cultural Renaissance, Koerner Hall also represents the final phase in the transformation of The Royal Conservatory’Äôs national headquarters, the TELUS Centre for Performance and Learning.

’ÄúKoerner Hall and the TELUS Centre are critical components in inspiring audiences and connecting the world’Äôs greatest artists to our students.’Äù remarked Dr. Peter Simon, President of The Royal Conservatory.

The Grand Opening of Koerner Hall includes Spirits of the House, a world premiere by R. Murray Schafer, especially commissioned by Michael and Sonja Koerner for the opening, and a video commemorating Glenn Gould’Äôs 77th birthday. The all-Canadian roster of artists includes the Royal Conservatory Orchestra under the baton of rising star conductor Jean-Philippe Tremblay, Grammy-nominated ARC (Artists of The Royal Conservatory), Anton Kuerti, the Toronto Mendelssohn Choir, and vocal soloists Erin Wall (soprano), Wallis Giunta (mezzo-soprano), Colin Ainsworth (tenor), and Robert Pomakov (bass), all of whom have a special connection to The Royal Conservatory.

’Ä®The Grand Opening of Koerner Hall is just the beginning of an exciting and wide-ranging season of music at The Royal Conservatory ’Äì nine more concerts complete the Grand Opening Festival of Koerner Hall, which runs until October 17. ’ÄúThese first concerts will reveal Koerner Hall’Äôs exceptional acoustics while also reflecting our commitment to bring you some of the best classical, jazz, pop, and world music artists from around the globe’Äù, noted Mervon Mehta, The Royal Conservatory’Äôs Executive Director of Performing Arts.

On September 26, jazz giant Chick Corea takes the stage with bassist Stanley Clarke and jazz funk drummer Lenny White in a special concert that will also feature Juno Award-winning Toronto vocalist Sophie Milman.

On September 29, virtuosos Bˆ©la Fleck (banjo), Zakir Hussain (tabla), and Edgar Meyer (double bass) will present a concert blending classical, bluegrass, and world music, presented in association with Small World Music.

On October 1, the Emerson String Quartet, dubbed ’ÄúAmerica’Äôs best quartet’Äù by TIME Magazine, will be joined by Menahem Pressler, who wowed audiences during his recent appearance at the Toronto Summer Music Festival. He will join the Quartet in Dvo‰ôˆ°k’Äôs Piano Quintet in A, which they recorded together to great critical acclaim.

The Royal Conservatory will participate in the Scotiabank Nuit Blanche for the first time ever on October 3. Brian Current, Artistic Director of The Glenn Gould School’Äôs New Music Ensemble, will fill the entire TELUS Centre building with sound and light, as he leads musicians from The Glenn Gould School, the Univox Chorale, and the Penthalia singers in a 12-hour installation of James Tenney’Äôs In a large open space.

The Royal Conservatory Orchestra returns to Koerner Hall on October 9, this time under Toronto Symphony Orchestra Music Director Peter Oundjian, who will lead the orchestra in Respighi’Äôs Pines of Rome and Prokofiev’Äôs Piano Concerto No. 2, with Glenn Gould School 2009 Concerto Competition winner Sam Deason.

This Thanksgiving weekend, Torontonians will be thanking mezzo-soprano Frederica von Stade for stopping at Koerner Hall on her farewell recital tour. Canadian singing superstar and RCM alumnus, Isabel Bayrakdarian, will be making a special guest appearance at the performance, on October 10.

Two more singing sensations will appear on October 15 - Hong Kong superstar Frances Yip (perhaps best known for her song Shanghai Beach from TVB movie The Bund) and Cantopop star Anthony Lun, a classically trained pianist who has composed no less than 42 number one hits.

Keb’Äô Mo’Äô will bring the RCM down to the Delta on October 16, with his soulful blend of blues, rock, folk, and jazz. He will be joined by Hamilton-based blues man Harrison Kennedy.

The Royal Conservatory celebrates Diwali on October 17 with legendary sitarist Ravi Shankar and his daughter, Anoushka Shankar. These world music luminaries will be the perfect complement to the annual festival of lights.

Certain to become one of the world's great concert spaces, Koerner Hall represents a long-awaited addition to Toronto’Äôs cultural landscape ’Äì a world-class concert hall in the heart of the city. It will be used by many of the city’Äôs finest artists and performing arts organizations and will provide a performance venue for many students and faculty of The Royal Conservatory. The opening of Koerner Hall also completes the physical transformation of the RCM’Äôs national headquarters and culminates the vision of President Dr. Peter Simon to provide facilities befitting an internationally-renowned organization dedicated to developing the human potential of Canadians through excellence in performance and learning.

The Royal Conservatory acknowledges all of its donors and recognizes the remarkable generosity of:
TELUS Communications Inc.
The governments of Canada and Ontario
Michael & Sonja Koerner
Ian Ihnatowycz & Marta Witer
Leslie & Anna Dan
Wilmot & Judy Matthews

The Royal Conservatory’Äôs 2009-2010 Koerner Hall Inaugural Concert Season is made possible through the generous support of:

TELUS ’Äì official season sponsor of the 2009-10 Koerner Hall Concert Season
The Globe and Mail ’Äì Season media sponsor
Classical 96.3 FM ’Äì Classical Series sponsor (Chamber Series, Vocal Series & String Series)
Jazz FM ’Äì Jazz Series sponsor

GRAND OPENING FESTIVAL
Grand Opening of Koerner Hall: Friday, September 25, 2009, 8:30pm
Corea, Clarke & White: Saturday, September 26, 2009, 8pm
Bˆ©la Fleck, Zakir Hussain & Edgar Meyer: Tuesday, September 29, 2009, 8pm
Emerson String Quartet with Menahem Pressler: Thursday, October 1, 2009, 8pm
Nuit Blanche: Music Inside/Out: Saturday, October 3, 2009, 7pm - 7am
Peter Oundjian conducts the Royal Conservatory Orchestra: Friday, October 9, 2009, 8pm
Frederica von Stade with special guest appearance by Isabel Bayrakdarian:
Saturday, October 10, 2009, 8pm
Frances Yip & Anthony Lun: Thursday, October 15, 2009, 8pm
Keb’Äô Mo’Äô with special guest Harrison Kennedy: Friday, October 16, 2009, 8pm
Ravi Shankar & Anoushka Shankar: Saturday, October 17, 2009, 8pm

All concerts take place at The Royal Conservatory, 273 Bloor St West
Tickets are available online at www.rcmusic.ca, by calling 416.408.0208
or in person at The Royal Conservatory Box Office

Tickets for the Grand Opening of Koerner Hall range from $20-$250
Select any 4+ concerts and save 10%
Select any 7+ concerts and save 15%
or in person at The RCM Box Office, 273 Bloor Street West, Toronto

More information about the 2009-2010 Concert Season is available on The Royal Conservatory website at www.rcmusic.ca.

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NACO, Oct. 8-9: 40th birthday features first-ever performance of Mahler's "Titan" Symphony

Ottawa, Canada ’Äì The National Arts Centre Orchestra is turning 40 years old, and to celebrate the occasion, Music Director Pinchas Zukerman will lead the musicians in their first-ever performance Mahler’Äôs mighty ’ÄúTitan’Äù Symphony No. 1 in Bostonian Bravo Series concerts on Thursday, October 8 and Friday, October 9 at 8 p.m. in Southam Hall.

The special occasion will also be marked by two works from the NAC Orchestra’Äôs four-decade history. Pinchas Zukerman, also one of the world’Äôs most celebrated violinists, will perform Bach’Äôs Violin Concerto in A minor, a piece first performed by the Orchestra in 1971 with Szymon Goldberg as both conductor and violin soloist. Maestro Zukerman will also lead stellar Canadian baritone Russell Braun (who has been a guest artist with the NAC Orchestra since 1994) in Songs for an Acrobat, a work commissioned from Canadian Linda Bouchard in 1995 during the period when she was the Orchestra’Äôs Composer-in-Residence. The music is set to poems by Quebec writer Maurice Tourigny, a close friend of Bouchard. The NAC Orchestra’Äôs Marquis Classics recording of the work was nominated for a Juno Award. The NAC Orchestra will also perform Songs for an Acrobat at Roy Thomson Hall in Toronto later this season on January 16, 2010.

There will be Musically Speaking pre-concert chats both nights at 7 p.m. with music critic Jean-Jacques Van Vlasselaer. On Thursday, October 8 he will present the talk in English titled ’ÄúThe Beginning and Ending of a World’Äù, and on Friday, October 9 he will present it in French titled ’ÄúDˆ©but et fin d’Äôun monde’Äù.

Mahler’Äôs First Symphony is one of the most original and innovative in music history. With the sole exception of Brahms, and possibly Sibelius, there is probably no other composer than Gustav Mahler whose First Symphony represents such a towering achievement. Among the innovations one can point to are the largest assemblage of orchestral musicians hitherto required in a symphony, and the incorporation of cafˆ©, pop and gypsy music. And nowhere else are the sounds of nature so pervasively and integrally bound up with the symphonic thought than in the first movement of this symphony. Other things to listen for are the unusual rendition of ’ÄúFrˆ®re Jacques’Äù played by the double bass, and a finale in which seven horns ’Äì their bells turned up ’Äì proclaim the heroic ending.

The expanded NAC Orchestra for Mahler’Äôs Symphony No. 1 ’ÄúTitan’Äù is made possible by the Friends of the NAC Orchestra Kilpatrick Fund. The late William Kilpatrick was a longtime NAC subscriber who bequeathed funds to NACOA (now called Friends of the NAC Orchestra), the revenue from which is given to the Orchestra each year to help present a work that requires larger instrumental forces. The Friends of the NAC Orchestra are also celebrating their 40th birthday at this time.

The orchestral forces are also supplemented for this concert by the apprentices of the Institute for Orchestral Studies ’Äì five young string players chosen by audition to join the NAC Orchestra in rehearsal and concert, and to receive mentorship from NAC Orchestra musicians, on five different occasions throughout the season.

The concerts are being recorded by CBC Radio 2 for future broadcast on In Concert with host Bill Richardson, on Tempo with host Julie Nesrallah, and for Radio-Canada Espace Musique on Soirˆ©e classiques hosted by Michel Keable. Bill Richardson will also host an intermission interview with composer Linda Bouchard and baritone Russell Braun in the Main Foyer.

After the opening concert on Thursday, October 8, the audience is invited to join the musicians in the Foyer for birthday cake and coffee courtesy of Bostonian Executive Suites and Mark Motors Audi.

These concerts also mark the first of this season’Äôs ’ÄúExploration of the Symphony’Äù podcast series. You can go online to the NAC’Äôs website at www.nac-cna.ca/podcast to hear assistant principal double bass Marjolaine Fournier interview music critic Jean-Jacques Van Vlasselaer about Mahler’Äôs ’ÄúTitan’Äù Symphony in separate English and French versions.

Tickets for the NAC Orchestra’Äôs 40th birthday concerts on October 8 and 9 in the NAC’Äôs Southam Hall at 8 p.m. are on sale now at $19, $29, $39.50, $50, $60, $70 and $87.50 at the newly renovated NAC Box Office (Monday to Saturday from 10 a.m. to 9 p.m.) and through Ticketmaster (with surcharges) at 613-755-1111. Ticketmaster may also be accessed through the NAC’Äôs website at www.nac-cna.ca.

Half-price tickets for students in all sections of the hall are on sale in person at the NAC Box Office upon presentation of a valid student ID card. Live Rush tickets (subject to availability) for full-time students (aged 13 to 29) are $11 at the NAC Box Office from 2 p.m. the day before the concert to 6 p.m. the day of, upon presentation of a valid Live Rush card.

Groups of 10 and more save 15% to 20% off the regular price of tickets to NAC Music, Theatre and Dance performances. To reserve your seats call 613-947-7000 ext. 384 or email grp@nac-cna.ca.

Listen to more than 150 NAC Orchestra performances - FREE! - visit’Ä® www.NACMusicbox.ca

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The Met: Live in HD Kicks Off on Saturday, October 10 at Empire Theatre

A New Production of Puccini's Tosca
- Tickets for 2009-10 Season On Sale Now

HALIFAX, Sept. 25 /CNW/ - Tickets for the fourth season of The Met: Live in HD, the Metropolitan Opera's popular, award-winning series of live transmissions in movie theaters around the world, are now on sale at select Empire Theatres locations in Atlantic Canada. The 2009-10 season, featuring nine live opera transmissions, kicks off on Saturday, October 10 at 2:00 p.m. AT with a new production of Puccini's Tosca starring Karita Mattila. The production, directed by Luc Bondy in his house debut and conducted by Met Music Director James Levine, features Marcelo alvarez and George Gagnidze in the other leading roles.

More than 900 theaters in 42 countries around the world are participating in The Met: Live in HD this season. A record number of more than 1.8 million Live in HD tickets were sold last season.

Four other new productions are featured in the series, including Offenbach's Les Contes d'Hoffmann starring Joseph Calleja in the title role, with Anna Netrebko and Alan Held; Bizet's Carmen starring Elina Garanca and Roberto Alagna; Natalie Dessay and Simon Keenlyside in Thomas's Hamlet; and Rossini's Armida starring Renˆ©e Fleming. The HD season also includes Verdi's Aida with Violeta Urmana, Dolora Zajick, and Johan Botha; Maria Guleghina and Marcello Giordani in Puccini's Turandot; Richard Strauss's Der Rosenkavalier with Fleming and Susan Graham; and Verdi's Simon Boccanegra starring Placido Domingo, singing the title role for the first time at the Met. James Levine leads four of the HD transmissions. Complete casting and details of the season's Live in HD performances follows below.

All nine high-definition productions will be shown live worldwide on Saturdays through May 1 with an additional Saturday Encore presentation for each. Tickets are available online and at participating theatre box offices. For complete details visit www.empiretheatres.com/met.
The Met: Live in HD series is made possible by a generous grant from the Neubauer Family Foundation. Bloomberg L.P. is the global corporate sponsor of The Met: Live in HD. The HD broadcasts are supported by Toll Brothers, America's luxury home builder(R).

The Met: Live in HD has expanded its distribution in the 2009-10 season to include 42 countries. New countries joining the Live in HD network this season include Bulgaria, Chile, Lithuania, Malta, Slovakia, Slovenia, South Korea, and Uruguay. The Met: Live in HD returns in the following locations: Argentina (Fundacion Beethoven), Australia (presented by Sharmill Films), Austria (presented by ClasArt), Belgium (Kinepolis), Brazil (Movie MBZ), Colombia (Cine Colombia), Costa Rica (Centro Cultural), Croatia (presented by Aero Films), the Czech Republic (presented by Aero Films), Denmark (Nordisk Film Biografer); Estonia (Forum Cinemas), Finland (Finnkino), France (presented by CielEcran), Germany (presented by ClasArt), Hungary (presented by Aero Films), Iceland (Sam Films), Ireland (presented by Opera Ireland), Japan (Shochiku), Latvia (Forum Cinemas), Luxembourg (Utopia), Mexico (Auditorio Nacional), the Netherlands (Pathˆ©, CineMec Ede, and Foroxity Film Arena), New Zealand (Rialto Distribution), Norway (Bergen Kino, Oslo Kino and Tromso Film Festival), Peru (Radio Filharmonia), Poland (Arthur Rubenstein Philharmonic and Aero Films), Romania (presented by Aero Films), Sweden (FHP Sweden), Switzerland (CielEcran), South Africa (Ster Kinekor Theatres), the United Kingdom (City Screen/Picturehouse), and several UK independent movie theaters and performing arts organizations.


The Met: Live in HD 2009-10 Season

Saturday, October 10, 2009
TOSCA
(2:00 p.m. AT / 2:30 p.m. NL)
Encore October 31 -
A new production of Puccini's Tosca by Luc Bondy in his house debut, starring Karita Mattila in her first performance of the title role outside her native Finland, and Marcelo alvarez as Cavaradossi. George Gagnidze sings the role of Scarpia. James Levine conducts.
HD host: Susan Graham
NEW PRODUCTION

Saturday, October 24, 2009
AIDA
(2:00 p.m. AT / 2:30 p.m. NL)
Encore November 31 -
Daniele Gatti returns for the first time in 14 years to conduct a cast of powerful voices in Verdi's Aida. Violeta Urmana sings the title role, while Dolora Zajick returns in one of her most acclaimed portrayals as the Egyptian princess Amneris. Johan Botha is Radamˆ®s and Carlo Guelfi sings Amonasro.
HD host: Renee Fleming

Saturday, November 7, 2009
TURANDOT
(2:00 p.m. AT / 2:30 p.m. NL)
Encore December 5 -
Franco Zeffirelli's classic production of Puccini's Turandot features the Met role debuts of Maria Guleghina in the title role, Marcello Giordani as CalˆÝf, Samuel Ramey as Timur, and Marina Poplavskaya as Liˆ¼. Conductor Andris Nelsons makes his Met debut.

Saturday, December 19, 2009
LES CONTES D'HOFFMANN
(2:00 p.m. AT / 2:30 p.m. NL)
Encore January 23 -
Bartlett Sher, whose staging of Rossini's Il Barbiere di Siviglia was a hit two seasons ago, returns to direct his second Met production: Offenbach's Les Contes d'Hoffmann, conducted by James Levine. Joseph Calleja stars as Hoffmann, with Anna Netrebko as Antonia, Ekaterina Gubanova as Giulietta, Kate Lindsey as Nicklausse, Kathleen Kim as Olympia, and Alan Held as the four villains.
NEW PRODUCTION

Saturday, January 9, 2010
DER ROSENKAVALIER
(2:00 p.m. AT / 2:30 p.m. NL)
Encore March 6 -
James Levine conducts a stellar cast led by Renˆ©e Fleming as the Marschallin and Susan Graham as Octavian. Eric Cutler is the Italian Singer, Kristinn Sigmundsson sings the role of Baron Ochs, and Christine Schˆ§fer is Sophie.
HD host: Placido Domingo

Saturday, January 16, 2010
CARMEN
(2:00 p.m. AT / 2:30 p.m. NL)
Encore March 13 -
The new Carmen, starring Elina Garanca, who sang the title role of La Cenerentola at the Met last spring to great acclaim, will also feature the debuts of director Richard Eyre and conductor Yannick Nˆ©zet-Sˆ©guin. Roberto Alagna is the soldier Don Josˆ©, Barbara Frittoli is Micaˆ´la, and Mariusz Kwiecien is the bullfighter Escamillo.
HD host: Renˆ©e Fleming
NEW PRODUCTION

Saturday, February 6, 2010
SIMON BOCCANEGRA
(2:00 p.m. AT / 2:30 p.m. NL)
Encore March 20 -
Four decades into a legendary Met career, Placido Domingo makes history by singing the baritone title role of Verdi's Simon Boccanegra, conducted by James Levine. Adrianne Pieczonka, Marcello Giordani, and James Morris co-star.
HD host: Renˆ©e Fleming

Saturday, March 27, 2010
HAMLET
(2:00 p.m. AT / 2:30 p.m. NL)
Encore April 24 -
Last performed at the Met in 1897, Ambroise Thomas's Hamlet will be seen in a new production by Patrice Caurier and Moshe Leiser, conducted by Louis Langrˆ©e and starring Simon Keenlyside in the title role and Natalie Dessay as Ophˆ©lie. With Jennifer Larmore as Gertrude, Toby Spence as Laˆ´rtes and James Morris as Claudius.
HD host: Renˆ©e Fleming
NEW PRODUCTION

Saturday, May 1, 2010
ARMIDA
(2:00 p.m. AT / 2:30 p.m. NL)
Encore May 22 -
The season's final new production features Renˆ©e Fleming in Rossini's bel canto tour de force Armida, directed by Mary Zimmerman and conducted by Riccardo Frizza. Also starring Lawrence Brownlee, Bruce Ford, Josˆ© Manuel Zapata, Barry Banks, and Kobie van Rensburg. HD host: Deborah Voigt
NEW PRODUCTION

The Live in HD series was recently honored with a prestigious 2008 Peabody Award for its "vividly designed, smartly annotated productions of Hansel and Gretel, Doctor Atomic, Peter Grimes and other operas. The Met used state-of-the-art digital technology to reinvent presentation of a classic art form."

The Met won a special Emmy Award in January 2009 for "advancing technology through ongoing, live, global transmission of high-definition programming to movie theaters."

About Empire Theatres Limited

Empire Theatres Limited with its corporate headquarters in Stellarton, NS and regional offices in Halifax, NS, Toronto, ON and Calgary, AB, is a 100% owned subsidiary of Empire Company Limited. Empire Theatres owns and operates 50 theatres, with 374 screens across Canada (including one IMAX Theatre in Halifax) from Newfoundland to British Columbia.
Empire Theatres is Canada's second largest and fastest growing film exhibition company providing an exciting out-of-home entertainment experience including traditional film exhibition as well as other content using its digital and satellite capabilities.
With approximately 2,500 employees, Empire Theatres provides excellent employment opportunities for the youth of Canada in an exciting and energetic industry.

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De l'ˆÆle ˆÝ la mer / Le quatuor Saint-Germain ˆÝ l'honneur!

De l'ˆÆle ˆÝ la mer ’Äì rencontres culturelles entre Montrˆ©al et le Quˆ©bec maritime ’Äì est une vitrine sur le talent des artistes en arts visuels et en arts de la scˆ®ne en provenance de la Gaspˆ©sie, des ˆéles-de-la-Madeleine et du Bas-Saint-Laurent, prˆ©sentˆ© dans 17 arrondissements du rˆ©seau Accˆ®s culture de la Ville de Montrˆ©al.

Le Quatuor Saint-Germain : Projet Joseph Petric

Vous ˆ�tes invitˆ©s ˆÝ goˆªter au mariage inusitˆ© et magique de l'accordˆ©on de concert et du quatuor ˆÝ cordes dans un concert tout en ˆ©lˆ©gance, en dˆ©couverte et en passion. D'abord le cˆ©leste Adagio et Rondo de Mozart qui cˆ®de la place au quintette rythmˆ© et angulaire du quˆ©bˆ©cois Andrew MacDonald. Suit une deuxiˆ®me partie toute latine qui vogue entre Villa-Lobos et la romance du tango dans l'ˆ©criture en?ammˆ©e d'Astor Piazzolla. Un menu musical mettant en ˆ©vidence la virtuositˆ© de Joseph Petric, la sensibilitˆ© du Quatuor Saint-Germain et la rencontre exceptionnelle de ces deux mondes.

Le Quatuor Saint-Germain existe depuis 2004 et est formˆ© des musiciens rimouskois ˆâlise Lavoie et Hugues Laforte-Bouchard, violonistes, Steeve St-Pierre, altiste, et James Darling, violoncelliste.

Joseph Petric est reconnu comme l'un des plus ˆ©minents accordˆ©onistes de concert au monde. Son v‰ìu de faire de l'accordˆ©on un instrument soliste d'importance s'est concrˆ©tisˆ©, entre autres en 1997 lorsqu'il donna trente prestations en Europe et en Amˆ©rique du Nord, jouant des concertos commandˆ©s ˆÝ Peter Koprowski, Omar Daniel, Howard Skempton et Gunnar Valkare. Il a participˆ© ˆÝ de longues tournˆ©es de concertos avec le Toronto Symphony Orchestra, l'Orchestre Symphonique de Quˆ©bec, l'orchestre de chambre de Radio-Canada de Vancouver, le Nouvel Ensemble Moderne de Montrˆ©al, et le Concertante di Chicago. Collaborateur et commissaire prolifique de plus de 200 ‰ìuvres, Joseph Petric a ˆ©tˆ© honorˆ© et intronisˆ© par ses pairs en 2005 ˆÝ titre d'Ami de la musique canadienne. www.josephpetric.com

Maison de la culture Villeray/Saint-Michel ’Äì 9 octobre 2009
Chapelle historique du Bon Pasteur ’Äì 11 octobre 2009
Maison de la culture Notre-Dame-de-Grˆ¢ce ’Äì 14 octobre 2009
Maison de la culture Riviˆ®re-des-Prairies ’Äì 16 octobre 2009
Centre Henri-Lemieux ’Äì arrondissement Lasalle ’Äì 17 octobre 2009
Salle Saputo ’Äì arrondissement Saint-Lˆ©onard ’Äì 18 octobre 2009

Visitez le site internet De l'ˆéle ˆÝ la mer pour obtenir plus d'informations sur les artistes et spectacles et pour consulter la programmation complˆ®te.

Ce projet bˆ©nˆ©ficie du soutien financier de l'Entente sur le dˆ©veloppement culturel entre le ministˆ®re de la Culture, des Communications et de la Condition fˆ©minine du Quˆ©bec et la ville de Montrˆ©al.

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Pacific Arbour Tea and Trumpets Series

Light Classics in the Afternoon, with tea, cookies, and host Christopher Gaze

VANCOUVER, BC ’Äì The Pacific Arbour Tea & Trumpets series begins on the afternoon of Thursday, October 1st. Hosted by Christopher Gaze of Bard on the Beach fame, with most concerts conducted by VSO Assistant Conductor Evan Mitchell, Tea & Trumpets is a 6-concert series of light and popular classics on Thursday afternoons at 2pm, at the Orpheum Theatre.

The Tea & Trumpets series began in 1989 as the brainchild of Otto Lowy, the host of CBC Radio’Äôs long-running musical series The Transcontinental. His vision was to bring the idea of his radio show ’Äì a blend of European music and personal recollection ’Äì into a concert format. Lowy, who passed away in 2002, had passed on the torch to Bard on the Beach founder, Christopher Gaze. Lowy was inducted into the BC Entertainment Hall of Fame for his 50+ years of work in theatre and fittingly awarded a star at the Orpheum Theatre’Äôs Walk of Fame.

Since 1989, the series has grown from four concerts per season to six and is one of the VSO’Äôs most successful subscription series. Tea & Trumpets is truly a social experience, with tea and cookies presented in the lobby one hour before each concert begins; in fact, it acts as a communal gathering place and special event for concert goers from all over Greater Vancouver.

Behind the scenes of a Pacific Arbour Tea & Trumpets series concert is a complex event involving over 50 volunteers per concert responsible for front of house duties, tea and cookie service, clean up, and special assistance to patrons. The VSO is thankful to its many dedicated volunteers who help make this concert series possible.

The VSO is grateful to Pacific Arbour for their generous ongoing support of the Tea & Trumpets series. Pacific Arbour Group builds ideal communities for seniors ’Äì they create quality residences that provide safe, comfortable places for seniors to enjoy first rate services and amenities, within convenient neighbourhoods. Please visit them at: www.pacificarbourgroup.ca.

The VSO also thanks Tetley Tea and Peek Freans for the tea and cookies served at Tea & Trumpets.

CONCERT INFO

Pacific Arbour Tea & Trumpets

Thursday, October 1, 2pm, Orpheum Theatre
Mendelssohn & Friends: An Anniversary Celebration

Bramwell Tovey, conductor
Christopher Gaze, host
Mary Sokol Brown, violin
Andrew Brown, viola

Fanny Mendelssohn Overture in C Major
Bruch Concerto for Violin & Viola
Mendelssohn Symphony No. 4, Italian: IV
Mendelssohn The Hebrides, Fingal’Äôs Cave
Berlioz Roman Carnival

Celebrating Felix Mendelssohn’Äôs 200th Birthday! This concert features beautiful Classics, including Mendelssohn’Äôs Hebrides (Fingal’Äôs Cave), Bruch’Äôs Concerto for Violin and Viola, and more Classical favourites.

Series Sponsor: Pacific Arbour

Tickets: $36 (senior, student and subscriber discounts available)
Tickets available online at www.vancouversymphony.ca or by calling VSO customer service at 604.876.3434


Thursday, November 26, 2pm, Orpheum Theatre
Great Russian Classics

Evan Mitchell, conductor
Christopher Gaze, host
Kinza Tyrrell, piano

Shostakovich Festive Overture, Op. 96
Mussorgsky Khovantchina: Introduction (Dawn on the Moskva River)
Rachmaninoff Rhapsody on a Theme of Paganini, Op. 43
Tchaikovsky Swan Lake: Waltz
Stravinsky Firebird: Infernal Dance, Berceuse, Finale

Thrill to a program of full-blooded passionate Russian Classics. This concert features some of the very best in exciting Russian music, including Rachmaninoff’Äôs Rhapsody on a Theme of Paganini, Tchaikovsky’Äôs Swan Lake: Waltz, excerpts from Stravinsky’Äôs Firebird, and Shostakovich’Äôs Festive Overture.

Series Sponsor: Pacific Arbour

Tickets: $36 (senior, student and subscriber discounts available)
Tickets available online at www.vancouversymphony.ca or by calling VSO customer service at 604.876.3434


Thursday, March 18, 2pm, Orpheum Theatre
Lehar’Äôs Land of Smiles

Evan Mitchell, conductor
Christopher Gaze, host
UBC Opera Ensemble

Lehar The Land of Smiles

Franz Lehar was the King of Operetta. The Land of Smiles is one of his later works and tells the story of Lisa, a Countess in Vienna who meets a Prince from China, falls in love, and travels with his to his home in Beijing. What eventually happens? Come to the concert to find out!

Visit the UBC Opera Ensemble at: www2.music.ubc.ca/opera

Series Sponsor: Pacific Arbour

Tickets: $36 (senior, student and subscriber discounts available)
Tickets available online at www.vancouversymphony.ca or by calling VSO customer service at 604.876.3434


Thursday, April 15, 2pm, Orpheum Theatre
An English Country Garden

Evan Mitchell, conductor
Christopher Gaze, host
Melanie Krueger, soprano

Grainger Country Gardens
Vaughan Williams English Folk Song Suite
Gilbert & Sullivan Pirates of Penzance: Poor Wandering One
Delius Irmelin: Prelude
Gilbert & Sullivan Ruddigore: If Somebody There Chanced to Be (The Etiquette Song)
Elgar Chanson de Matin
Elgar Enigma Variations: Nimrod
Gilbert & Sullivan The Mikado: The Sun Whose Rays
Elgar Pomp & Circumstance March No. 1

An afternoon of beautiful, sentimental English music, including some of the best-loved Classics of any kind: the breathtaking beauty of Nimrod from Elgar’Äôs Enigma Variations, excerpts from Gilbert & Sullivan’Äôs The Mikado and Pirates of Penzance, and much more.

Series Sponsor: Pacific Arbour

Tickets: $36 (senior, student and subscriber discounts available)
Tickets available online at www.vancouversymphony.ca or by calling VSO customer service at 604.876.3434


Thursday, May 6, 2pm, Orpheum Theatre
Bach to Beethoven

Evan Mitchell, conductor
Christopher Gaze, host
Alicia Venables, violin
Colleen Venables, violin

Handel Solomon: Overture & Entrance of the Queen of Sheba
Bach Concerto for Two Violins
Mozart The Marriage of Figaro,K.492: Overture
Mozart Symphony No. 40 in G minor, K.550: first movement
Mozart Don Giovanni, K.527: Overture
Beethoven Fidelio: Overture, Op. 72a
Beethoven Symphony No. 5 in C minor, Op. 67: I. allegro con brio
Beethoven The Ruins of Athens: Turkish March

A beautiful concert that focuses on the most important era in music’Äôs development. You will hear selections from some of the greatest music ever written, such as Bach’Äôs Concerto for Two Violins, Mozart’Äôs Marriage of Figaro: Overture, the famous first movement of Beethoven’Äôs Fifth Symphony, and much more.

Series Sponsor: Pacific Arbour

Tickets: $36 (senior, student and subscriber discounts available)
Tickets available online at www.vancouversymphony.ca or by calling VSO customer service at 604.876.3434


Thursday, June 10, 2pm, Orpheum Theatre
Invitation to the Dance

Bramwell Tovey, conductor
Christopher Gaze, host

Weber Invitation to the Dance
Rossini William Tell: Pas de six
Saint-Saˆ´ns Danse Macabre
Satie Gymnopedie No. 3
Strauss Wine, Women & Song
Delibes Sylvia Suite: No. 3 Pizzicati
Berlioz Symphonie fantastique: Un Ball
Ravel Bolero

Maestro Tovey presents great Classical dance music from Rossini, Weber, Berlioz, Strauss’Äôs Wine, Women and Song, and a performance of Ravel’Äôs famous Bolˆ©ro.

Series Sponsor: Pacific Arbour

Tickets: $36 (senior, student and subscriber discounts available)
Tickets available online at www.vancouversymphony.ca or by calling VSO customer service at 604.876.3434

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City Lights starring Charlie Chaplin screened with live performance of original score

Victoria, BC ’Äì On October 9 at UVic Centre Farquhar Auditorium, the comedic adventures of Charlie Chaplin’Äôs 1931 silent film, City Lights, will be shown with live orchestral accompaniment by the Victoria Symphony. The presentation also features a special introduction by actor and artist Duncan Regehr and a Chaplin Look-a-like contest.

The Victoria Symphony makes it a movie night like no other when City Lights starring Charlie Chaplin is screened with the score performed live by the Victoria Symphony. With precise synchronization to the film Conductor in Residence Giuseppe Pietraroia will conduct the original score written by Chaplin himself.

The Chaplin Look-a-Like Contest will be held between 7:30pm -7:50pm leading up to the concert looking for the best Tramp character and Chaplin impersonator. Winners will be announced at the start of the performance and prizes will be awarded at the end of the film.

City Lights will also be the official launch date of the new vsSOUNDCHECK program, which connects 15 to 29 year olds to a Victoria Symphony concert for only $12. vsSOUNDCHECK allows members to purchase tickets online during the week preceding the concert, offering great value and access to extraordinary live music. Membership is free on www.victoriasymphony.ca .

The Victoria Symphony is Vancouver Island’Äôs largest and most active arts organization performing for more than 125,000 people each year, including 10,000 schoolchildren. Showcasing the outstanding talents of its musicians and guest artists, the Victoria Symphony’Äôs 2009-2010 season offers a diverse and exciting line-up of over 50 concerts led by its vibrant Music Director Tania Miller.

Duncan Regehr, actor and artist, was born in Alberta and raised in Victoria, BC. He distinguished himself as an Olympic boxing contender, champion figure skater, and classical Shakespearean-trained actor. In 2000, he was granted the lifetime appellation, 'Royal Canadian Artist' with honours by the Royal Canadian Academy of Art and the Queen's Governor General for his outstanding artistic achievements and in 2008 Regehr received the honourary degree of Doctor of Fine Arts from the University of Victoria.

The Victoria Symphony wishes to acknowledge the generous support of Concert Sponsor the Bay Centre.

City Lights starring Charlie Chaplin
October 9, 2009 at 8pm
UVic Centre Farquhar Auditorium
Tickets: $26 for adults, $21 for students, $12 for vsSOUNDCHECK members
250.385.6515 or 250.721.8480
www.victoriasymphony.ca.

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Concours au Conservatoire ou la terrible ˆ© preuve des piˆ®ces imposˆ©es’Ä®’Ä®

Le quintette ˆÝ vent Pentaˆ®dre / Louise Lessard, piano’Ä®
M Traiteur ’Äì Jean-Franˆßois Vachon, chef’Ä®’Ä®
Jeudi 15 octobre, 17 h
’Ä®Salle Tudor, Ogilvy’Ä®
1307, Ste-Catherine Ouest, 5e ˆ©tage
’Ä®’Ä®30 $ (buffet inclus)’Ä®
Billets : 514-790-1245 http://www.admission.com; ’Ä®
Rˆ©servations par Pentaˆ®dre: 514-270-2558 ’Ä®www.pentaedre.com

’Ä®Montrˆ©al, 25 septembre 2009 - Pour ouvrir sa saison 2009-2010, Pentaˆ®dre vous invite ˆÝ un concert qui fera renaˆÆtre auprˆ®s de certaines personnes les sueurs froides vˆ©cues alors qu’Äôils ont dˆª affronter la terrible ˆ©preuve des piˆ®ces imposˆ©es, le jeudi 15 octobre prochain, 17 h, ˆÝ la Salle Tudor du Magasin Ogilvy.’Ä®’Ä®

¬´ Lors de ma fin de 3ˆ®me cycle au Conservatoire de musique de Montrˆ©al, le nom de la piˆ®ce imposˆ©e en basson, La Fileuse de Jacques Castˆ©rˆ®de, m'ˆ©tait complˆ®tement inconnue. Inconnue ˆÝ moi ! Moi, le rat de bibliothˆ®que par excellence qui, du haut de ses 19 pommes, pensait connaˆÆtre la presque entiˆ®retˆ© du rˆ©pertoire franˆßais ! Non seulement la piˆ®ce m'ˆ©tait inconnue (tout comme ˆÝ mon professeur et ˆÝ tous les bassonistes que je connaissais), mais c'ˆ©tait l'oeuvre la plus difficile que j'avais vue. En ouvrant la partition vierge, mais tellement vieille qu'elle se dˆ©truisait presque au toucher, je me suis exclamˆ© en soupirant: "Mais... je ne serai jamais capable de jouer ˆßa !". Et la bibliothˆ©caire, presque aussi vieille et jaunie que la partition, de me rˆ©pondre sans aucune compassion: "Vous ˆ�tes supposˆ©, vous ˆ�tes en fin de 3ˆ®me cycle..." J'ai, ˆÝ ce moment et pour un instant seulement, sˆ©rieusement pensˆ© abandonner le conservatoire et recommencer l'annˆ©e suivante’Ķ Aprˆ®s les deux mois allouˆ©s pour l'apprentissage de cette piˆ®ce, malgrˆ© tous mes vaillants et vains efforts, la montagne ˆ©tait encore bien haute... Mon vieux professeur, dans sa grande sagesse, a dit ˆÝ ma pianiste: " Claude ! Joue fort pis met ben d'lˆÝ pˆ©dale !!!". Les juges n'y ont vu que du feu... ¬ª
- Mathieu Lussier, bassoniste de Pentaˆ®dre’Ä®

Chaque annˆ©e depuis 1824, les ˆ©tudiants finissants du Conservatoire national supˆ©rieur de Paris doivent interprˆ©ter une ‰ìuvre imposˆ©e en vue d’Äôobtenir le prestigieux diplˆ¥me de cette institution rˆ©putˆ©e. Depuis 185 ans, des compositeurs cˆ©lˆ®bres ou complˆ®tement oubliˆ©s se sont prˆ�tˆ©s au jeu de fournir des ¬´ piˆ®ces de concours ¬ª. Pentaˆ®dre prˆ©sentera cinq de ces piˆ®ces, ˆ©crites il y a un siˆ®cle pour les aspirants diplˆ¥mˆ©s de 1909 et 1910 en plus de deux quintettes ˆÝ vent rarement entendus.

Vins et bouchˆ©es ˆÝ la franˆßaise accompagneront le concert.

’Ä®’Ä®’Ä®Programme :’Ä®
’Ä®Albert Perilhou Ballade en sol mineur
’Ä®ˆâmile Paladilhe Solo’Ä®
Claude Debussy Premiˆ®re rhapsodie
’Ä®Florent Schmitt Lied et Scherzo’Ä®
Henri Bˆºsser Rˆ©cit et thˆ®me variˆ©’Ä®
Andrˆ© Souris Rengaines’Ä®
Adrien Barthe Passacaille ’Ä®’Ä®

***
Depuis ses dˆ©buts en 1985, PENTAˆàDRE se consacre ˆÝ la dˆ©couverte d'un rˆ©pertoire de musique de chambre variˆ©, original et souvent moins connu. Composˆ© de cinq musiciens talentueux, dont la technique et la prˆ©cision de jeu sont unanimement reconnues, Pentaˆ®dre effectue des tournˆ©es au Quˆ©bec, au Canada, aux ˆâtats-Unis et en Europe. Pentaˆ®dre collabore avec des artistes de renom et participe ˆÝ des crˆ©ations audacieuses, dont rˆ©cemment l’Äôopˆ©ra comique A Chair in Love ou L’Äôamour est un opˆ©ra muet avec les mimes Omnibus. Pentaˆ®dre a reˆßu deux Prix OPUS : Meilleur disque 2008, musique classique, romantique, postromantique, impressionniste pour son Winterreise avec le tˆ©nor Christoph Prˆ©gardien, qui s’Äôest attirˆ© de nombreux ˆ©loges internationalement, et Meilleur concert de l’Äôannˆ©e 2002, musiques actuelle, contemporaine, ˆ©lectroacoustique.

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soirˆ©e eXceptionnelle ˆÝ eXcentris

Montrˆ©al, le 24 septembre 2009 ’Äì Chloˆ© Sainte-Marie y a lancˆ© son nouvel album ˆÝ 18 h. Deux heures plus tard, le groupe Numˆ©ro # y faisait rˆ©sonner ses accords electro-pop avant de cˆ©der la place ˆÝ un invitˆ© trˆ®s attendu, Jay-Jay Johanson. Pas de doute, c'est sur les chapeaux de roue que le complexe eXcentris a entamˆ© hier soir sa nouvelle carriˆ®re multidisciplinaire. Salle comble et ˆ©motion comprises.

En plus des fans venus nombreux applaudir le chanteur suˆ©dois, le tout Montrˆ©al s'ˆ©tait donnˆ© rendez-vous sur la Main pour dˆ©couvrir l'amˆ©nagement intˆ©rieur rˆ©inventˆ© d'eXcentris et cˆ©lˆ©brer sa nouvelle vocation : des journalistes bien entendu, mais aussi des artistes, des producteurs, des diffuseurs, des promoteurs culturels et mˆ�me des politiciens.

Ouvert ˆÝ toutes les musiques et ˆÝ presque toutes les formes d'expression artistique, eXcentris accueillera dans les prochains jours Pol Pelletier (les 24 et 30 septembre), Irving Fields (les 25 et 26), Leon Fleisher (les 25 et 26), Gonzales (le 26) et Sayari (le 30). Une trentaine de concerts et d'ˆ©vˆ©nements sont aussi ˆÝ l'affiche pour octobre et novembre. Dˆ©tails et billetterie ˆÝ www.eXcentris.com.

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Till We Meet Again, Oct. 16-18 & Nov. 21, 22, at the Oscar Peterson Concert Hall


Exclusive & Limited Run! A Must-see Musical!


To see an inspired clip from Till We Meet Again please go to: Till We Meet Again

"Ladies and Gentlemen, you are listening to the Canadian Broadcasting Corporation coming to you from the Normandy Roof in Montreal this Tuesday, June 4, 1940. Welcome to 'Music of the Stars', a programme of music, news and light entertainment brought to you by Lucky Strike."

MONTREAL, September 2009 - No onstage sex or violence, but lots of love, hope and connections! The wartime musical production Till We Meet Again offers a true account of how a live CBC-based radio show connected a nation during the uncertainty and emotion of World War II. Based on playwright David Langlois' months of careful research, dozens of interviews with veterans, and analysing old radio recordings and letters, Till We Meet Again authentically recreates life in Canada in the 1940's; much of the dialogue doesn't just ring true, it is true. This musical brings audiences back to an era of live radio entertainment typical of what was presented at the Mount Royal Hotel, starting every night at 8:00 o'clock, Bulova time’Ķ.

Directed by Heather Markgraf Lowe and presented in the beautiful Oscar Peterson Concert Hall on Concordia University's Loyola Campus, the outstanding cast includes Pierre Lenoir, Amanda LeBlanc and Marian Siminski, who have been part of the show since it's first incarnation in 2003, Stephanie McNamara, Jane Hackett, Michael Daniel Murphy and Dan Jeannotte.

Split into three acts based in 1940, 1942 and 1944, Till We Meet Again is an historical journey. In each segment the audience experiences an entertaining and honest portrayal of the era through lively songs, dance, and ad jingles, contrasted with live news of the day, reports from the front and actual letters to and from the soldiers.

This timeless production is as relevant today as it was more than 60 years ago. For audience members who have experienced the early 1940's first hand, the story conjures up familiar refrains and heart-warming nostalgia. For those who haven't, Till We Meet Again provides a time capsule that gives insight to what it was like to live in this unique wartime era and spend an exquisite hour lost in radioland.

More than nostalgia however, for David Langlois the currency is palpable in our present day-to-day lives, "We've had young women and men going off to war in Afghanistan for the past 6 years. They have felt the thrill of the voyage there, the fear of the unknown, the terror of combat, the grief of losing a comrade in arms, and the angst, anger and ennui which comes once they return to Canada." He continues, "They too have dealt with families and friends who no longer know them or who don't understand why they jump at the slightest sound."

Heather Markgraf Lowe concurs, "The Canadian people hear of death and injury on the news almost every day and the toll it takes on our military is heartbreaking." Hope, however, is what ties the two eras together. Markgraf Lowe adds another angle connecting the show to today's audiences, "Till We Meet Again is set in the 1940's when thrift was important. I think we have come full circle and our throwaway society has realized that there are serious repercussions to consumerism. We are finally taking a page from their book and again reduce, reuse and recycle."

This production also brings families together as witnessed in the excitement of kids putting their grandparents into a context while watching them sing along to the songs. Till We Meet Again includes performances of nearly 30 of the most popular hits of the 1940's. Each one beautifully evokes the sounds and emotions of the World War II era. Songs like Boogie Woogie Bugle Boy and Lilli Marlene instantly bring back the struggle of Canadians trying to make sense out of a world in turmoil. The list also includes: White Cliffs of Dover, A Nightingale Sang in Berkeley Square, Bei Mir Bist Du Schˆ�n, There'll Always be an England and It's a Long Way to Tipperary; made famous by popular artists including Vera Lynn (whose We'll Meet Again is on Britain's Top 20 again!) and The Andrews Sisters. Filled with songs of romance, comedy, army life and hope, this musical leaves audience members feeling proud and inspired.

The Montreal Gazette named the musical one of the "10 Best Productions in 2005." Theatre Panache's Artistic Director Heather Markgraf Lowe (also founder of Hudson Village Theatre) is thrilled to restage Till We Meet Again, with a 36-performance tour beginning October 16th in Montreal, including a run in Mississauga, Ottawa, Markham and Oakville, before returning to Montreal to close out the tour on November 21st he performances in Ottawa will mark a memorable return to the Canadian War Museum. The all-Canadian cast and creative team will proudly perform there again this year following Remembrance Day. The talented team behind the show includes lighting designer Eric Mongerson, set designer Chris Brown, choreographer Lorna Wayne and costume designer Karen Pearce. Theatre Panache's entire company is excited to travel their home country with the largest tour to date for this professional production.

"The play provides an important message of hope and understanding at a time when despair is again on the rise." - Director Heather Markgraf Lowe

For background info on the play please visit www.tillwemeetagain.ca

Till We Meet Again ’Äì 8 shows only
Theatre Panache
At Oscar Peterson Concert Hall on Concordia University's Loyola Campus
7141 Rue Sherbrooke Ouest’Ä®(514) 848-4848 oscar.concordia.ca
Tickets available at the box office and from Admission - 514 790-1245 www.admission.com

Showtimes: Oct. 16, 17, Nov. 21 at 8:00 pm
Matinees: Oct. 16, 17, 18, Nov. 21, 22 at 2:00 pm
Regular price: $35-$65, taxes included
Seniors/students: $31.50-$58.50, taxes included
Veterans/military: $26.25-$48.75, taxes included
Group discounts available
(Service charges applicable- save money by purchasing tickets directly at the box office.

Directions (by public transportation or car) as well as the parking map to the Oscar Peterson Concert Hall: http://oscar.concordia.ca/en/index.htm

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Disney's Sonnenschein Express brings Oktoberfest celebrations to the Winspear - Oct. 6

Symphony Special
A family evening of Gemˆºtlichkeit with Sonnenschein Express

Oktoberfest!
Tuesday, October 6th ’Äì 7:30 pm

Edmonton, AB ’Ķ The Edmonton Symphony Orchestra (ESO) is proud to present the Canadian debut of Sonnenschein Express. A mainstay at Disney’Äôs EPCOT Theme Park, this Alpine / Oktoberfest show band joins the orchestra and conductor Bob Bernhardt at the Francis Winspear Centre for Music for one entertaining evening of folk songs, polkas, yodeling, and Schuhplattler dancing!

Whoop and whistle with these six lederhosen-wearing happy wanderers and celebrate the lively tradition of Bavarian alpine music. With the sounds of the Steirische harmonica (button accordion), singing carpenter saws, 20-foot long alphorns and more, concertgoers will be taken on a delightful trip across Germany and through the Austrian and Swiss Alps. Fueled by audience participation, Sonnenschein Express will round out the Alpine folk fair with a yodeling tutorial, foot stomping quicksteps, and clap dancing polkas that will get families singing and dancing out of their seats.

With a program that includes The Happy Wanderer, Hoi! Hoi! Hoi!, and the Ho La Di Medley, the band will also slip south of the Bavarian border by performing a selection of Viennese waltzes and marches.

Arrive early to meet Mr. Oktoberfest from the German Canadian Cultural Centre, and see a performance of The Bavarian Schuhplattlers of Edmonton in the lobby! Oom-pah your way down to the Winspear Centre Box Office for tickets. Ticket prices range from $20 ’Äì $69 (agency fees apply). All tickets for children 12 and under are $15. Purchase by phone at (780) 428-1414 or 1-800-563-5081, or online at www.edmontonsymphony.com.

The next ESO Special will take place on November 11th, 2009. Beloved Canadian singer John McDermott offers a heartfelt salute to those who have bravely served their country in Lest We Forget.

The Edmonton Symphony Orchestra, marking its 58th season in 2009-2010, has taken its place as one of Canada's foremost orchestral ensemble. Its current roster includes 56 musicians from Canada and around the world, performing a wide-ranging repertoire from the great classical masterworks to pops and children's concerts. The presence of the orchestra and its enrichment of the community's quality of life are key elements in the stature and profile of Edmonton on the national and international scene.

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The Plain Sense of Things

Toronto, September 24, 2009: Toronto’Äôs inventive Talisker Players launch their tenth anniversary season at Trinity St. Paul’Äôs Centre with The Plain Sense of Things, a program that explores the revolutionary cadences of American poets from the last century. Soprano Marion Samuel-Stevens, mezzo soprano Jennifer Enns Modolo, baritone Doug MacNaughton and actor Stewart Arnott join the Talisker Players for two evenings of words and music: Tuesday, October 27 and Wednesday, October 28, at 8PM.

American poets like Toni Morrison, Carl Sandburg and Emily Dickinson, despite the great diversity of their styles, share an idiom grounded in the language of common speech and the realistic depiction of the world. They also made it their mission to redefine the place of the individual in the world, free from the comforts and the restrictions of Old-World thinking. The rhythms and imagery of their poetry have proved irresistible to many composers.

The concert title is taken from a poem by Wallace Stevens, whose most famous poem Thirteen Ways of Looking at a Blackbird is featured on the programme, in a magical setting by the great American composer Lukas Foss, for voice with flute, piano and percussion.

Fittingly, The Plain Sense of Things features music by several other American composers. The iconoclastic Morton Feldman is represented with O'Hara Songs (poetry by Frank O'Hara) for voice with string trio, piano and chimes. Andrˆ© Previn is included with Four Songs of Toni Morrison for voice with cello and piano. And Libby Larson, a young composer renowned for her vocal music, appears with Saints Without Tears (poetry by Phyllis McGinley) for voice with flute and bassoon.

The programme also features How Slow the Wind, a setting of Emily Dickinson by the acclaimed Argentinian-American composer Osvaldo Golijov, and is rounded out with a long-overdue revival of Chicago Portraits by Toronto composer Alexander Rapoport. Commissioned by Talisker Players in 2001, this is a wonderfully idiomatic setting of Carl Sandburg poems for voice with strings and percussion.

Talisker Players’Äô concerts always include words as well as music. Readings for The Plain Sense of Things will be from First Loves, a collection of essays by contemporary poets about the poems that first inspired them. Many of them write movingly about the poets on the programme, and refer in various ways to the revelation of poetry in ’Äúplain English’Äù, with a deeply humane spirit.

An adventurous proponent of new music, soprano Marion Samuel-Stevens was a finalist in the 2008 Eckhardt-Gramattˆ© Competition. With her sweet, clear voice and committed performances, this young soprano is developing a growing reputation in opera, oratorio and recital. This marks her debut with Talisker Players. Mezzo-soprano Jennifer Enns Modolo is also debuting with Talisker Player. She has delighted audiences across the country with her clear, unaffected voice and expressive singing. Acclaimed as "a great singing actor", Doug MacNaughton is equally at home in standard repertoire and contemporary music, in opera, oratorio, chamber music and musical theatre. He has appeared with Talisker Players on several occasions.

Talisker Players welcome back actor Stewart Arnott, a much respected theatre artist for almost 30 years, who has acted and directed across the country.

The Plain Sense of Things
The revolutionary rhythms and imagery of American poetry
Featuring Marion Samuel-Stevens, soprano, Jennifer Enns Modolo, mezzo soprano,
Doug MacNaughton, baritone and Stewart Arnott, actor/reader
Tuesday, October 27, 2009 at 8 PM and Wednesday, October 28, 2009 at 8 PM
Trinity St. Paul’Äôs Centre: 427 Bloor Street West

TICKET INFORMATION
Individual tickets: $30 / $20 (seniors) / $10 (students)
Box office: 416-978-8849
Email: words.music@taliskerplayers.ca
Information: 416-466-1800
www.taliskerplayers.ca

Talisker Players Chamber Music offers one of the most imaginative and exciting concert series in Toronto. In collaboration with some of Canada’Äôs finest young singers, Talisker Players present the rarely-heard repertoire for voice and chamber ensemble. Their unique programming includes readings that illuminate the music and delight audiences with a stimulating, theatrical concert experience. The music, engaging and varied, includes both celebrated works and unknown gems from all styles and periods, with a strong presence of Canadian compositions.

’ÄúTalisker gathers a sterling corps of musicians, composers, and writers into an intelligent space, full of invention, and is willing to risk experimenting with their resources.’Äù The Live Music Report, November 2005

Talisker Players Upcoming Events at Trinity St. Paul’Äôs Centre: 427 Bloor Street West:

To the Sea in Ships: Tuesday, February 9, 2010 & Wednesday, February 10, 2010 ’Äì 8 pm
Tales of sailors, adventurers and fishers the world over
Featuring Vicki St. Pierre, mezzo soprano; Keith Klassen, tenor; Alexander Dobson, baritone

Illuminations: Tuesday, May 11, 2010 & Wednesday, May 12, 2010 ’Äì 8 pm
A window on the world of mystics, visionaries and seers
Featuring Meredith Hall, soprano; Lawrence Wiliford, tenor

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Chris Botti - Thursday, October 22, 2009 at 8 PM/ Massey Hall

Toronto, ON. Thursday, September 24, 2009 - The fastest selling American jazz instrumental artist, Grammy-winning trumpeter Chris Botti first drew international attention with the release of his 2004 critically acclaimed CD, When I Fall In Love. Though best-known as a contemporary jazz performer, Botti’Äôs lavish pop-infused sound and charismatic performances have earned him countless fans and recording credits that include collaborations with such notable artists as Frank Sinatra, Clark Terry, Sting and Andrea Bocelli. Chris Botti brings his remarkable virtuosic trumpet dexterity to the illustrious Massey Hall stage for a return engagement on Thursday, October 22nd at 8:00 pm.

A gifted instrumentalist and composer, Chris Botti has created a series of recordings which draw from the worlds of pop, jazz, classical and other genres. His instantly recognizable signature sound has garnered praise for the warmth and complexity of his tone and musical ideas, which combine a soulful ambience with naturally flowing improvisation. He has earned both critical acclaim and mainstream appreciation for a succession of best-selling albums including When I Fall In Love (2004, #1 Top Jazz Album, #37 Billboard Top 200), To Love Again: The Duets (2005, #1 Top Jazz Album, #18 Billboard Top 200), and Chris Botti Live with Orchestra & Special Guests (2006, #2 Top Jazz Album). In addition to receiving an RIAA gold-certification for When I Fall in Love and To Love Again, both produced by Bobby Colomby, "What Are You Doing the Rest of Your Life?" (with vocals by Sting) earned Botti a Grammy Award for Best Instrumental Arrangement Accompanying Vocals.

Botti’Äôs association with Sting dates back to 1999, when Botti joined the music legend's band as featured soloist on the "Brand New Day" tour, which lasted two years. In the studio and on stage, Chris Botti has also worked with such leading singer-songwriter/composers as Paul Simon and Joni Mitchell as well as renowned film composer John Barry, among others; as a sideman, he has appeared on dozens of albums, compilations and soundtracks.

Chris Botti’Äôs latest project is Chris Botti in Boston, a visionary expansion of his first PBS pledge drive special ’ÄúChris Botti Live with Orchestra & Special Guests’Äù. Originally aired on PBS during March Pledge Week 2006, Botti’Äôs first television special became a perennial pledge drive favourite in the US, while a DVD of that show achieved platinum status. It became a huge event on September 18 & 19, 2008, when Chris invited some of the most well-known and esteemed artists to perform with himself and the Boston Pops Orchestra under the direction of Keith Lockhart: Sting, Josh Groban, Steven Tyler, Yo-Yo Ma, John Mayer, Katharine McPhee, Lucia Micarelli, and Sy Smith. This concert was recorded and is available on the Columbia Records label in CD, DVD, and Blu-ray formats.

One of the world's most popular concert attractions, Chris Botti maintains one of the busiest touring schedules monitored by the industry. Performing more than 250 concerts this past year, Chris’Äôs 2008 concert itinerary included concerts at the Hollywood Bowl and New York’Äôs Carnegie Hall.


CHRIS BOTTI
Thursday, October 22, 2009 at 8 pm / Massey Hall
178 Victoria Street, Toronto
Tickets $69.50 - $49.50 - Call 416-872-4255 or visit the Roy Thomson Hall Box Office
www.masseyhall.com

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Le Conservatoire de musique de Gatineau et l’ÄôUniversitˆ© du Quˆ©bec en Outaouais, partenaires dans l’Äôenseignement supˆ©rieur de la musique

Gatineau, le 24 septembre 2009 ’Äî Le directeur du Conservatoire de musique de Gatineau, monsieur Marc Landry, et le vice-recteur ˆÝ l’Äôenseignement et ˆÝ la recherche de l’ÄôUniversitˆ© du Quˆ©bec en Outaouais (UQO), monsieur Denis Dubˆ©, ont annoncˆ© aujourd’Äôhui les termes d’Äôune entente de partenariat entre les deux institutions d’Äôenseignement supˆ©rieur.

Le Conservatoire annonˆßait en aoˆªt dernier que la ministre de l’Äôˆâducation, du Loisir et du Sport, Mme Michelle Courchesne, l’Äôautorisait ˆÝ offrir les programmes de Baccalaurˆ©at et de MaˆÆtrise en musique, profil interprˆ©tation. Le Conservatoire devait cependant souscrire ˆÝ certaines conditions, dont notamment, l’Äôajout de cours de culture gˆ©nˆ©rale ˆÝ ses programmes existants. L’Äôentente avec l’ÄôUQO est le rˆ©sultat des dˆ©marches entreprises dans cette perspective.

¬´ Le partenariat entre le Conservatoire de musique de Gatineau et l’ÄôUQO s’Äôest concrˆ©tisˆ© en septembre 2009 par l’Äôouverture du programme de baccalaurˆ©at en musique, profil interprˆ©tation. Sept ˆ©lˆ®ves du Conservatoire y sont dˆ©jˆÝ inscrits, mentionne Marc Landry, et nous sommes impatients de remettre nos premiers diplˆ¥mes. ¬ª.

Ces ˆ©changes font en sorte que le Conservatoire vient enrichir de son expertise et de son approche pˆ©dagogique particuliˆ®re, l'offre de formation supˆ©rieure en musique. ¬´ Sans compter que pour l’ÄôUQO, qui n'offre pas de formation en musique, cette collaboration ˆ©largit en quelque sorte notre champ d'enseignement ¬ª, ajoute Denis Dubˆ©. Cette entente permet l’Äôˆ©change d’Äôexpertise et la circulation des savoirs.

Le Directeur du Conservatoire en a profitˆ© pour prˆ©senter quelques ˆ©lˆ©ments de sa programmation 2009-2010, dont le Salon de la clarinette, en janvier, qui mettra ˆÝ l’Äôhonneur cet instrument sous toutes ses formes; le Festival de musique de chambre en mai; et une toute nouvelle sˆ©rie, Mˆ�me instrument mˆ�me passion, qui mettra en vedette les ˆ©lˆ®ves d’Äôune mˆ�me classe d’Äôinstrument. Parmi les grands concerts, il a ˆ©galement soulignˆ© la soirˆ©e Hommage ˆÝ Pierrette Froment-Savoie, oˆ¼ la chorale du Conservatoire sera accompagnˆ©e par l’ÄôOrchestre symphonique de Gatineau; la Soirˆ©e concertos et orchestre mettant en vedette la pianiste Ruth Kwan, ainsi que la visite exceptionnelle de l’ÄôOrchestre du rˆ©seau du Conservatoire, sous la direction de Raffi Armenian qui mettra ˆÝ l’Äôhonneur le grand compositeur quˆ©bˆ©cois Gilles Tremblay.

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Vancouver Opera Announces Honorary Chairs for Golden Anniversary Concert & Gala

Grade 5 student joins legendary mezzo-soprano and founding father of opera in Western Canada to celebrate 50 years of Vancouver Opera

Vancouver, BC ~ Vancouver Opera announced today the appointment of three Honorary Chairs for an important event in its Golden Anniversary Season. Joining Founding Artistic Director Dr. Irving Guttman, CM and Canadian opera legend Judith Forst, OBC will be 10-year-old Justin Woolfrey, a Grade 5 student at Glenview Elementary School in Prince George.

Reflecting the past, present and future of VO, these Honorary Chairs will oversee the milestone Golden Anniversary Concert & Gala, a celebration of 50 years of opera in Vancouver, featuring international soloists and the VO Orchestra and Chorus in concert at the Orpheum Theatre, under the baton of Jonathan Darlington.

International stage director Dr. Irving Guttman, CM was the artistic founder of Vancouver Opera and indeed of professional opera in British Columbia and western Canada. Dr. Guttman mounted productions for VO that featured some of the greatest singers of our time, such as Plˆ°cido Domingo, Dame Joan Sutherland, James Morris and Marilyn Horne. His production of Norma, in 1963, starring Ms. Sutherland and Ms. Horne in their role dˆ©buts, is the stuff of legend. The conductor of that production, Richard Bonynge, returns to VO in November to conduct this season’Äôs mainstage opening production of Norma, starring Hasmik Papian.

Having directed the very first VO performance in 1960, Dr. Guttman will be on hand to celebrate the Golden Anniversary of the company he helped create.

Internationally acclaimed singer and Port Moody resident Judith Forst, OBC, graduated from Vancouver Opera’Äôs Young Singer training program and went on to become one of the world’Äôs greatest coloratura mezzo-sopranos. Ms. Forst most recently appeared on the VO stage as Herodias in Salome. In 2010, she will create the role of Irene in the world premiere of VO’Äôs commissioned opera Lillian Alling, by John Estacio and John Murrell.

Ten year old Justin Woolfrey is in Grade Five at Glenview Elementary School in Prince George. Having attended a recent Vancouver Opera In Schools performance of Jack Pine, a new opera by Veda Hille on an environmental theme, he appreciates the importance of arts education and is excited and proud to be an Honorary Chair for the Golden Anniversary Season.

’ÄúChildren need a chance to learn about all kinds of things, especially the things they have not heard of ’Äì and to enjoy the good things that learning can bring,’Äù comments Justin. ’ÄúYou never know what is inside a person until they have an opportunity and this is an opportunity for me to share who I am with others and encourage other kids to always give it your best shot, no matter what.’Äù

The Golden Anniversary Concert & Gala takes place on Friday, November 6, 2009 at 7:00pm. beginning with a concert at the Orpheum Theatre. Concert tickets are available online at www.vancouveropera.ca or from the VO Ticket Centre at 604-683-0222. Gala Packages, which include the Concert as well as an exclusive Reception and Gala Dinner at the historic Commodore Ballroom, are available through the VO Ticket Centre.

Full details of the Golden Anniversary Concert & Gala will follow shortly.

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Janine Jansen releases new Britten/Beethoven CD and will perform with Orpheus Chamber Orchestra on US tour from October 2nd-8th

Kammerphilharmonie Bremen
London Symphony Orchestra
Paavo Jˆ§rvi

NEW YORK, NY ’Äì On September 29th, Decca will release a new recording in which violinist Janine Jansen fulfills a long-held ambition to record Benjamin Britten's Violin Concerto alongside the most monumental of all violin works, the Beethoven Violin Concerto. Janine Jansen regularly thrills audiences with both her startlingly fresh interpretations of repertoire staples and remarkable takes on lesser-known works. The Times of London recently put it succinctly that "Whenever a violin repertory piece needs revitalizing, there’Äôs one simple solution. Hire Janine Jansen to play it." Janine records these concerti with two different orchestras to fully explore two very different sound worlds: the Deutsche Kammerphilharmonie Bremen for the Beethoven and the London Symphony Orchestra for Britten. Paavo Jˆ§rvi conducts both performances.

’ÄúTo make a recording of the Beethoven and Britten Violin Concertos has been a dream of mine for years,’Äù Janine Jansen enthuses. ’ÄúThey are two of the greatest concertos ever written ’Äî so different yet both so real.’Äù

’ÄúThe Beethoven Rebecca Davis PR Presents Janine Jansen Britten/Beethovenis the purest and in many ways the most beautiful concerto in the violin repertoire. The giant!’Äù Janine explains. ’ÄúI felt so intimidated by it at first, perhaps because the general perception is that one can only play and understand this piece when one is older and highly experienced. I first played it at a very young age ’Äî I was so over-awed it felt like the longest forty-five minutes of my life ’Äî but with time and greater maturity, I have discovered so much depth in this remarkable music.’Äù

Playing the concerto with Paavo Jˆ§rvi and the Deutsche Kammerphilharmonie Bremen in March 2009 was one of the highlights of Janine’Äôs career to date. ’ÄúAt first I was concerned that my approach was too Romantic,’Äù she recalls, ’Äúand that I wouldn’Äôt blend with the orchestra’Äôs style of playing with little vibrato and its wonderfully pure sound. When we played it together for the first time my doubts simply disappeared.’Äù

If the Beethoven concerto occupies a hallowed place in every concert violinist’Äôs repertoire, the Britten is still a comparative rarity. Yet for Janine it is one of the greatest works in its genre and one she has loved and championed since she first played it nearly ten years ago. ’ÄúI have fallen completely in love with this extraordinary piece and I try to program it wherever and whenever I can,’Äù she beams. ’ÄúThe Britten is technically very challenging for both soloist and orchestra, but the musical language is as intense and expressive as can be ’Äî such underlying tension! For me the most impressive part of the concerto is the very end. The coda starts like a prayer and becomes a cry of pain and despair. You can feel how influenced Britten was by the tensions in the world at the time of the Spanish Civil War. After playing the last notes I feel emotionally finished and empty, yet at the same time nourished and filled with wonder.’Äù

Janine Jansen’Äôs passion for the Britten Concerto is evident to all who experience her performing it. Following a performance with Neeme Jˆ§rvi and the New Jersey Symphony Orchestra in 2005, Bradley Bambarger of the Star-Ledger raved, ’ÄúJansen played Benjamin Britten's Violin Concerto with bravura abandon, her hair whipping around and the strands flying off her bow. Just hitting the myriad notes of Britten's challenging score in tune and in time wasn't enough for this risk-taking soloist. She maximized the expressivity of every one, making those notes whisper and sing, caress and sear.’Äù

Central to the success of this particular recording is the special musical relationship Janine enjoys with conductor Paavo Jˆ§rvi and both orchestras: ’ÄúWhat I love about our collaborations is the amazing flexibility and sense of communication, in which we get inspired by each other’Äôs ideas. We make music in, for me, the only possible way. Listening to each other, reacting to each other, being open to new ideas and being passionate about it!’Äù

Janine Jansen will perform the Beethoven Concerto with the renowned Orpheus Chamber Orchestra on a national tour from October 2nd through the 8th making stops in Purchase, Costa Mesa, Seattle, Lafayette, PA and finally New York’Äôs Carnegie Hall.

For more information and to hear Janine Jansen share thoughts about Beethoven and Britten: www.janinejansen.com/beethoven_britten.

Janine Jansen on tour with Orpheus Chamber Orchestra October 2nd-8th, 2009

October 2, 2009 Purchase SUNY Purchase College
October 4, 2009 Costa Mesa Orange County Performing Arts Center
October 5, 2009 Seattle Benaroya Hall
October 7, 2009 Lafayette, PA Williams Center for the Arts
October 8, 2009 New York Carnegie Hall

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Dˆ©voilement des quatre Grands Montrˆ©alais 2009 :’Ä® L. Jacques Mˆ©nard, Lise Bissonnette, Dr Balfour M. Mount et soeur Nicole Fournier

Chambre de commerce du Montrˆ©al mˆ©tropolitain Board of Trade of Metropolitan Montreal
English to follow

Montrˆ©al, le 24 septembre 2009 - La Chambre de commerce du Montrˆ©al mˆ©tropolitain dˆ©voile les noms des quatre nouveaux Grands Montrˆ©alais, qui seront honorˆ©s lors d'une rˆ©ception, le 4 novembre prochain, au Complexe des sciences Pierre-Dansereau de l'UQAM.

Cette annˆ©e, les Grands Montrˆ©alais sont : dans le secteur ˆ©conomique, L. Jacques Mˆ©nard, prˆ©sident du conseil, BMO Nesbitt Burns, et prˆ©sident, BMO Groupe financier, Quˆ©bec; dans le secteur culturel, Lise Bissonnette, ˆ©crivaine, journaliste, ˆ©ditrice et gestionnaire; dans le secteur scientifique, Dr Balfour M. Mount, professeur ˆ©mˆ©rite de mˆ©decine palliative; dans le secteur social, soeur Nicole Fournier, secrˆ©taire de congrˆ©gation, Les Soeurs Grises de Montrˆ©al et ex-directrice gˆ©nˆ©rale de l'Accueil Bonneau.

¬´ La Chambre salue la contribution exceptionnelle de ces quatre personnalitˆ©s qui se sont illustrˆ©es dans leur sphˆ®re d'activitˆ© respective tout en participant au dˆ©veloppement de la mˆ©tropole. Grˆ¢ce ˆÝ leurs actions et ˆÝ leurs ambitions, c'est Montrˆ©al et le Quˆ©bec tout entier qui en sortent gagnants. Nous sommes privilˆ©giˆ©s de pouvoir compter sur des modˆ®les aussi remarquables et inspirants. Tous, ˆÝ leur maniˆ®re, ont su faire une rˆ©elle diffˆ©rence dans l'avancement de notre sociˆ©tˆ© ¬ª, a dˆ©clarˆ© Michel Leblanc, prˆ©sident et chef de la direction de la Chambre de commerce du Montrˆ©al mˆ©tropolitain.

Depuis 1978, 110 personnalitˆ©s ont ˆ©tˆ© honorˆ©es, incluant les quatre de cette annˆ©e, et forment aujourd'hui l'Acadˆ©mie des Grands Montrˆ©alais, crˆ©ˆ©e par la Chambre de commerce du Montrˆ©al mˆ©tropolitain en 1988. Vous trouverez sur le site Web de la Chambre les notes biographiques et les photos des laurˆ©ats ainsi que le formulaire d'inscription pour participer ˆÝ cet ˆ©vˆ©nement qui est prˆ©sentˆ© par Hydro-Quˆ©bec, en partenariat avec Dˆ©veloppement ˆ©conomique Canada.

La Chambre de commerce du Montrˆ©al mˆ©tropolitain compte quelque 7 000 membres. Sa mission est de reprˆ©senter les intˆ©rˆ�ts de la communautˆ© des affaires de l'agglomˆ©ration urbaine de Montrˆ©al et d'offrir une gamme intˆ©grˆ©e de services spˆ©cialisˆ©s aux individus, aux commerˆßants et aux entreprises de toutes tailles de faˆßon ˆÝ les appuyer dans la rˆ©alisation de leur plein potentiel en matiˆ®re d'innovation, de productivitˆ© et de compˆ©titivitˆ©. La Chambre est le plus important organisme privˆ© au Quˆ©bec vouˆ© au dˆ©veloppement ˆ©conomique.
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Announcement of the four Great Montrealers 2009:’Ä®
L. Jacques Mˆ©nard, Lise Bissonnette, Dr. Balfour M. Mount, and Sister Nicole Fournier

Montrˆ©al, September 24, 2009 - The Board of Trade of Metropolitan Montreal has announced the names of the four new Great Montrealers who will be honoured at a reception held this coming November 4, at UQAM's Complexe des sciences Pierre-Dansereau.

This year, the Great Montrealers are: in the economic sector, L. Jacques Mˆ©nard, Chairman of the Board, BMO Nesbitt Burns, and President, BMO Financial Group, Quebec; in the cultural sector, Lise Bissonnette, writer, journalist, editor, and administrator; in the scientific sector, Dr. Balfour M. Mount, Emeritus Professor of Palliative Medicine; in the social sector, Sister Nicole Fournier, Congregation Secretary, Les Soeurs Grises de Montrˆ©al, and former General Director of Accueil Bonneau.

"The Board of Trade hails the exceptional contribution of these four individuals who have distinguished themselves in their respective spheres of activity and have contributed to the city's development. Through their actions and ambitions, Montrˆ©al and Quebec as a whole have benefited. We are privileged to be able to count on such remarkable and inspiring role models. Each, in his or her own way, has made a real difference in our society's progress," stated Michel Leblanc, President and CEO of the Board of Trade of Metropolitan Montreal.

Since 1978, 110 personalities have been honoured-including the four this year-and today make up the Academy of Great Montrealers, created by the Board of Trade of Metropolitan Montreal in 1988. Biographies and photos of the laureates can be found on the Board of Trade's Website, along with a registration form to take part in this event, which is presented by Hydro-Quˆ©bec, in a partnership with Canada Economic Development.

The Board of Trade of Metropolitan Montreal has some 7,000 members. Its primary mission is to represent the interests of the business community of Greater Montrˆ©al and to provide individuals, merchants, and local businesses of all sizes with a variety of specialized services to help them achieve their full potential in terms of innovation, productivity and competitiveness. The Board of Trade is Quebec's leading private economic development organization.

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The Canada Council for the Arts Musical Instrument Bank loans three’Äëhundred’Äëyear¬‚’Äëold instruments to exceptional young musicians

Toronto, September 24, 2009 ’Äì The Canada Council for the Arts is pleased to announce the winners of the Musical Instrument Bank competition (MIB). The 14 instruments loaned to gifted young Canadian musicians are worth more than $28 million.

Please find below the list of instruments and the winners of the 2009 competition.

The 1689 Baumgartner Stradivari violin, valued at $4.3 million, is awarded to Judy Kang. In 1997, 2000, 2003 and 2006, she won the loan of an instrument from the MIB. Born in Edmonton, she currently lives in New York.

The ca. 1696 Bonjour Stradivari cello, valued at $8 million, is awarded to Rachel Mercer. In 2006, she won the loan of an instrument from the MIB. Born in Edmonton, she currently lives in Toronto.

The ca. 1700 Bell Giovanni Tononi violin, valued at $188,000, is awarded to Marie-ˆàve Poupart. Originally from St-Jean-sur-Richelieu (QC), she currently lives in Baltimore, Maryland.

The ca. 1700 Taft Stradivari violin, valued at an estimated $4.3 million, is awarded to Renˆ©e’ÄëPaule Gauthier. Originally from Jonquiˆ®re (QC), she currently lives in Calgary.

The 1715 Dominicus Montagnana violin, valued at $858,000, is awarded to Vˆ©ronique Mathieu. Also a winner in 2006, Ms. Mathieu has selected this violin for the second time. Born in Montreal and raised in Quebec City, she now lives in Bloomington, Indiana.

The 1717 Windsor-Weinstein Stradivari violin, valued at $4.3 million, is awarded to Caroline Chˆ©hadˆ© of Montreal. In 2006, she won the loan of an instrument from the MIB.

The 1729 Guarneri del Gesˆ¼ violin, valued at $4.3 million, is awarded to Nikki Chooi. A native of Victoria (BC), he currently studies in Philadelphia, Pennsylvania.

The 1747 Palmason Januarius Gagliano violin, valued at $322,000, is awarded to Andrˆ©a Tyniec. Originally from St-Jean-sur-Richelieu (QC), she currently lives Munich, Germany.

The ca. 1767 Joannes Baptista Guadagnini, valued at $536,000, is awarded to Min-Jeong Koh. Born in Seoul, South Korea, and raised in Toronto, she currently lives in Montreal.

The 1820 Joannes Franciscus Pressenda violin, valued at $375,000, is awarded to Kerry DuWors. In 2003 and 2006, she won the loan of an instrument from the MIB. Originally from Saskatoon, she currently lives in Brandon (MB).

The 1824 McConnell Nicolaus Gagliano cello, valued at $375,000, is awarded to Chloˆ© Dominguez, of Montreal.

The ca. 1830 Shaw Adam cello bow, valued at $43,000, is awarded to Emmanuelle Beaulieu Bergeron. Also a MIB winner in 2006, Ms. Beaulieu Bergeron has selected this cello bow for the second time. She was born in Roberval (QC), and currently lives in Toronto.

1869 Jean-Baptiste Vuillaume violin with its Vuillaume model bow, valued at $172,000, is awarded to Jessica Linnebach. In 2003 and 2006, she won the loan of an instrument from the MIB. Born in Edmonton, she currently lives in Ottawa.

1902 Enrico Rocca violin, valued at $214,000, is awarded to Jing Wang. Born in China and raised in Sainte-Foy (QC), he currently lives in Texas.

Instrument descriptions, biographical notes and downloadable photographs of the winners and instruments are available on the Canada Council's website at www.canadacouncil.ca.

Competition
Since last Sunday, talented Canadian musicians have competed for a three-year loan of one of the thirteen fine stringed instruments and the one cello bow created between 1689 and 1902. The winners had the opportunity to choose the instrument they would like to have on loan in order of their placement in the competition.

The peer assessment committee evaluated all applications ’Äì which included recordings of the applicants' playing ’Äì and selected finalists. Finalists were then invited to come to Glenn Gould Studio in Toronto for auditions and interviews. The winners were selected by a committee consisting of Peter Gardner, violinist and director of Newfoundland Symphony Orchestra (St. John's, NL); Uri Mayer, violist and conductor (Toronto); and Sophie Rolland, cellist (London, England).

Musical Instrument Bank
Created in 1985, the Musical Instrument Bank acquires through donations and loans fine stringed instruments to be loaned to gifted young Canadian musicians to help further their international solo or chamber music careers. Luthier Ric Heinl and his team at Geo. Heinl & Co. Limited are responsible for the restoration and maintenance of the instruments.

Free concert
Tonight at 8 p.m., the 14 winners will perform in a free concert before a full house at the Glenn Gould Studio in Toronto.

The musicians' performances will be recorded for broadcast on CBC Radio 2's In Concert with Bill Richardson on Sunday, October 4th and on Tempo with Julie Nesrallah at a later date. They will also be broadcast on Espace musique, Radio-Canada's music network, on Tuesday, October 27th at 8 p.m. on Soirˆ©es classiques, hosted by Michel Keable.

General information
In addition to its principal role of promoting and fostering the arts, the Canada Council for the Arts administers and awards many prizes and fellowships in the arts, humanities, social sciences, natural and health sciences, engineering, and arts management. These prizes and fellowships recognize the achievements of outstanding Canadian artists, scholars, and administrators. The Canada Council for the Arts is committed to raising public awareness and celebration of these exceptional people and organizations on both a national and international level.

Please visit our website (www.canadacouncil.ca) for a complete listing of these awards.

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Lecture / Mark Kingwell on Glenn Gould 1 October 7 PM Studio Theatre

MARK KINGWELL ON GLENN GOULD’Ä®

Thursday, 1 October | 7 PM

Author of fifteen books about philosophy, design and architecture, Mark Kingwell is a philosophy professor at the University of Toronto and a contributing editor for Harper’Äôs Magazine. His new book, Glenn Gould (Penguin, 2009), focuses on Canada’Äôs most renowned classical musician of the twentieth century, a figure whose technical virtuosity and interpretive brilliance were matched by an eccentric lifestyle. A recording artist, broadcaster, writer, and proponent of electronic media, Gould stopped performing live in 1964 to focus exclusively on recorded performances. Discussing Gould as a philosopher who lived according to his own contradictory, mischievous and provocative ideas about music, Kingwell adopts a kaleidoscopic approach to writing his life, offering twenty-one ’Äútakes’Äù ’Äì a reference to Gould’Äôs famous twenty-one ’Äútakes’Äù on Bach’Äôs Goldberg Variations in 1955. Kingwell’Äôs lecture links to the Candice Breitz exhibition at The Power Plant, which also examines connections between live and recorded performance, repetition and improvisation.

This event is dedicated to the Toronto Arts Council in honour of their 35th Anniversary.

$4 Members, $6 Non-Members
Studio Theatre, Harbourfront Centre
Call the Harbourfront Centre Box Office at 416.973.4000 to purchase tickets.

www.thepowerplant.org

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Thursday, September 24, 2009

Allied Works Architecture and BKDI selected to design Cantos' National...

CALGARY, Sept. 23 /CNW/ - Cantos Music Foundation made the announcement today that Allied Works Architecture and local partner BKDI have been selected to design Cantos' new national music centre at the King Eddy site in Calgary's East Village. After an extensive worldwide search and impressive public presentations from five international architects, this highly anticipated announcement is a milestone event in the creation of Canada's only National Music Centre.

"The concept from Allied Works truly captured the heart and soul of this project," said Andrew Mosker, executive director of the Cantos Music Foundation. "Brad and his team will give us an innovative building that fits with Calgary, Alberta, the West and is symbolic of something that is truly uniquely Canadian. This is an exciting day for Calgarians."

Brad Cloepflil founded Allied Works Architecture in his native Portland, Oregon. In recent years, Allied Works has focused on several significant cultural and educational buildings throughout North America and can now add Cantos' National Music Centre to their roster of impressive projects. Considered an emerging master in architectural circles, Cloepfil and his team have beat out some of the world's biggest names in architecture in numerous international competitions over the last few years.

Allied Works' recently completed projects include the Museum of Arts and Design in Manhattan, the Contemporary Art Museum in St. Louis, a major addition to the Seattle Art Museum, the Booker T. Washington High School for the Performing and Visual Arts in Dallas and the recently completed expansion of the University of Michigan Museum of Art.

"The national music centre is an extraordinary instrument, silent and powerful, brought to life by its programs, collections and performances. The new building forms rise as sentinels around the re-born King Eddy, marking the entry to the East Village and new Music District," commented Brad Cloepfil, Allied Works Architecture.

In the last two years, the firm's work has been featured in: Architectural Record/Record Houses, Architectural Review, Space Magazine, Wallpaper, The New Yorker, Blueprint, Metropolis.

On July 23rd, five world renowned architects were asked to develop and present a bold vision for the future of the Cantos Music Foundation and the national music centre. The request included the public presentation of concepts honouring the iconic King Eddy Hotel while creating over 80,000 square-feet of space for programs and exhibitions. The centre was required to house an education research centre, museum, collection of instruments and memorabilia, recording studios, a radio station, a seven-days-a-week live music venue and a suite of innovative and creative programs for people of all ages.

The four other competing architects were:
Studio Pali Fekete Architects: Los Angeles, California
Diller Scofidio and Renfro: New York, NY
Jean Nouvel Workshop: Paris, France
Saucier + Perrotte: Montreal, Quebec

The submissions were reviewed by a selection advisory committee comprised of musicians, architects, business experts, museum experts and others.

To download images from Allied Works' architectural presentation and to learn more about the selection advisory committee please visit www.cantos.ca/kingeddy

Cantos Music Foundation is a registered charitable organization whose vision it is to be a national catalyst for discovery, innovation and renewal through music. Cantos serves nearly 30,000 people per year - a number that's expected to more than triple in the new facility.

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Wednesday, September 23, 2009

Exposition d’Äôoeuvres rˆ©centes d’ÄôAngˆ®le Verret au Laboratoire de l’ÄôAgora de la danse du 6 au 31 octobre

’Ķ j ’Äô a i t o u t v o u l u e f fa c e r ’Ķ e n c o r e ’Ķ

L’Äôoeuvre d’ÄôAngˆ®le Verret exerce sur celui qui la regarde une fascination, un pouvoir hypnotique, un envoˆªtement tel qu’Äôil faut parfois se ¬´ secouer ¬ª physiquement pour s’Äôen dˆ©tacher. L’Äôartiste ne s’Äôen cache pas, sa dˆ©marche est faite de doute et d’Äôincertitude. En cela, elle rejoint la fragilitˆ© du philosophe, sa quˆ�te d’Äôˆ©quilibre et l’Äôˆ©ternel questionnement qui lui est propre.

¬´ Soupˆßon, suspicion, perplexitˆ©, irrˆ©solution, scepticisme, tergiversation, indˆ©cision, controverse ou nˆ©gation, c’Äôest avec insistance que j’Äôutilise ces termes, presque synonymes, mais qui, nˆ©anmoins, prˆ©sentent tous une modulation de sens, un ˆ©tat d’Äôinsatisfaction et d’Äôincomplˆ©tude. Il devient, dˆ®s lors, difficile de recevoir une rˆ©ponse rassurante ou raisonnable de ce qui se donne ˆÝ voir dans ma peinture, mˆ�me si elle joue d’Äôune certaine sˆ©duction. ¬ª

Angˆ®le Verret procˆ®de par touches successives dans la ¬´ dˆ©construction ¬ª d’Äôun tableau, chacune des couches aˆ©riennes et diaphanes qui le composent efface la couche prˆ©cˆ©dente sans toutefois nier son rˆ¥le de substrat. Ses toiles s’Äôoffrent ˆÝ nous, ˆ©tonnamment lumineuses et nuancˆ©es. Sous une apparente monochromie, la diversitˆ© des tons et la subtile palette de l’Äôartiste nous renvoient ˆÝ nos propres incertitudes, ˆÝ ces moments d’Äôinconfort qui parsˆ®ment l’Äôexistence. L’Äôutilisation de l’Äôaˆ©rographe et de l’Äôencre lˆ©gˆ®re et translucide qui est propre ˆÝ cet instrument n’Äôest pas fortuite. Le ¬´ brouillard ¬ª qui en rˆ©sulte rˆ©pond parfaitement au non lieu et au non ˆ�tre voulu par la
peintre.

En 2007, Angˆ®le Verret a obtenu le prix de la crˆ©ation artistique du Conseil des arts et des lettres du Quˆ©bec (Montˆ©rˆ©gie). On trouve ses oeuvres dans les collections du Musˆ©e national des Beaux-arts du Quˆ©bec, de Loto-Quˆ©bec, du Centre d’Äôexposition de Saint-Hyacinthe, de Bibliothˆ®que et Archives nationales du Quˆ©bec, de la Bibliothˆ®que nationale du Canada ainsi que dans de nombreuses collections particuliˆ®res au Quˆ©bec, au Canada et en France.

Interrogation, lieu d’Äôerrance ¬´ oˆ¼ le corps se sent concernˆ© mais dˆ©contenancˆ© ¬ª, l’Äôoeuvre d’ÄôAngˆ®le Verret demande ˆÝ ˆ�tre revisitˆ©e. Une exposition ˆÝ voir et’Ķ ˆÝ revoir!

L’ÄôAgora de la danse offre gratuitement cette exposition ˆÝ tous ceux que l’Äôart contemporain quˆ©bˆ©cois intˆ©resse. On pourra profiter de l’Äôoccasion qui nous est offerte par cette exposition d’ÄôAngˆ®le Verret au Laboratoire pour assister ˆÝ un spectacle au Studio.

Le Laboratoire, salle d’Äôexposition de l’ÄôAgora de la danse, est situˆ© au premier ˆ©tage du 840 de la rue Cherrier et ouvre ses portes de 19 h 30 ˆÝ 22 h les soirs de reprˆ©sentation au Studio.

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The 2009 NAC Gala offers a Magical Evening with Yo-Yo Ma and the NAC Orchestra led by Pinchas Zukerman on Oct. 3

’ÄúYo-Yo Ma is the greatest cellist today. Everything he touches he turns to gold...gorgeous, almost voluptuous playing.’Äù Boston Herald

Ottawa, Canada ’Äì The upcoming National Arts Centre Gala featuring superstar cellist Yo-Yo Ma, ’Äúthe most popular artist in classical music today,’Äù on Saturday, October 3 is sold out. Those lucky enough to have tickets will hear Yo-Yo Ma together with the National Arts Centre Orchestra led by Music Director Pinchas Zukerman. This ’ÄúMagical Evening with Yo-Yo Ma’Äù is presented by TELUS. The Gala benefits the National Youth and Education Trust which provides funds for the NAC’Äôs wide array of performing arts programming for young artists, young audiences and schools.

Yo-Yo Ma has been a cultural beacon for decades. Young and old flock to his sold-out concerts, coming away moved, thrilled, and inspired. This astonishing artist has performed at the Oscars, the Grammys, the Olympics, and before a live audience of over a million at the inauguration of President Barack Obama. He returns to the NAC Orchestra to perform Dvorˆ°k’Äôs beloved Cello Concerto with the NAC’Äôs own luminary Pinchas Zukerman leading the National Arts Centre Orchestra.

The concert will also feature rising star pianist AvanYu, a former participant in the NAC Summer Music Institute, performing Chopin’Äôs Andante spianato and Grand Polonaise brillante in E-flat major. Pinchas Zukerman will open the concert with ’ÄúBlumine’Äù from Mahler’Äôs Symphony No. 1. Additional programming will remain a surprise!

There will be a pre-concert reception for all patrons at 5:30 p.m., followed by the concert at 6:30 p.m. Those who have purchased Encore Seating will join Gala sponsors at a post-concert reception, followed by dinner on the Southam Hall stage.

The NAC is honoured once again to have TELUS, Founding Partner of the National Youth and Education Trust, as the Presenting Sponsor of the Gala ’Äì a commitment that reflects TELUS’Äôs continuing support of this primary resource for supporting the artistic development of young Canadians through educational materials, professional training, mentoring programs and young audience performances. The Trust is also supported by Michael Potter, supporters and patrons of the National Arts Centre Gala, and members of the NAC Foundation’Äôs Donors’Äô Circle.

In addition to TELUS as the Presenting Sponsor, the Gala is supported by A&E, University of Ottawa and TD Bank Financial Group. Media partners are the Ottawa Citizen, Ottawa Business Journal, Le Droit, Embassy Newspaper and The Hill Times.

Janet Yale, TELUS’Äô executive vice president, Corporate Affairs, is the Chair of the Gala Committee for the fourth year. Mrs. Laureen Harper is the Honourary Gala Chair.

Yo-Yo Ma was born in 1955 to Chinese parents living in Paris. He began to study the cello with his father at age four and soon came with his family to New York, where he spent most of his formative years. Later, his principal teacher was Leonard Rose at the Juilliard School. He sought out a traditional liberal arts education to expand upon his conservatory training, graduating from Harvard University in 1976. He has received numerous awards, including 15 Grammy¬Æ Awards from his discography of over 75 albums, the Avery Fisher Prize (1978), the Glenn Gould Prize (1999), the National Medal of the Arts (2001), and the World Economic Forum’Äôs Crystal Award (2008). Appointed a CultureConnect Ambassador by the United States Department of State in 2002, Yo-Yo Ma has met with, trained and mentored thousands of students worldwide. In 2006, Secretary General Kofi Annan named him a U.N. Messenger of Peace and in 2007 Secretary General Ban Ki-Moon extended his appointment.

Pinchas Zukerman has been Music Director of the National Arts Centre Orchestra since 1998, and his genius and prodigious technique have been a marvel to critics and audiences for over four decades. He is equally respected as a violinist, violist, conductor, and chamber musician while his dedication to teaching has been a major catalyst for many of the education initiatives supported by the National Youth and Education Trust. Pinchas Zukerman’Äôs discography contains over 100 titles, and has earned him 21 Grammy nominations and two Grammy awards. He was named first-prize winner of the 1969 Leventritt Competition, and, in 1983, President Reagan awarded him a Medal of Arts for his leadership in the musical world. In October 2002, he became the first recipient of the Isaac Stern Award for Artistic Excellence at the National Arts Awards Gala in New York City.

Avan Yu has already, at the age of 21, performed in recital and with orchestras on four continents, consistently captivating audiences with his extraordinary musicianship and prodigious ability. He is the only pianist to win First Prize in both the Junior and Senior Divisions of the Missouri Southern International Piano Competition. Avan Yu won first prize at the Canadian Chopin Competition at the age of seventeen. In August 2008 he captured the Silver Medal and the Audience Award at the Paloma O’ÄôShea Santander International Piano Competition in Spain.

He says: ’ÄúI was 16 years old when I first tackled the Andante spianato and Grande Polonaise brillante in preparation for the Canadian Chopin Competition. My love for it has only grown with time - it’Äôs a wonderful piece that combines elegance, youthful exuberance, and lyricism in a perfect balance. It is astonishing to realize that Chopin completed the work when he was only in his early twenties.’Äù

Pinchas Zukerman and the National Arts Centre Orchestra donate their services for the NAC’Äôs annual Gala.

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Opera Shorts at Carnegie Hall/October 1st

Thursday, October 1st the Remarkable Theater Brigade will present 10-minute operas at Weill-Carnegie Hall. Some of the composers writing for RTB include Seymour Barab, Tom Cipullo, Patrick Soluri, Rob Voisey, Anne Phillips, George Brunner, Ben Bierman and of course, Christian McLeer.’Ä®’Ä®

Dedicated to creating and presenting new works for theatrical performances in New York City, RTB exists as a not for profit company founded in 2002, and its team has created and produced exciting and impressive new musical productions including orchestral works, operas, ballets, musicals and electro-acoustic works as well as taking children’Äôs versions of its productions to special-needs and at risk children for free.

Tickets start at $30. Go to carnegiehall.org, call CarnegieCharge at 212.247.7800 or visit the Box Office at 57th Street and 7th Avenue.

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Time Warp returns to York U Oct 6 with Jazz Orchestra

Time Warp Jazz Orchestra brings it home to York University

Toronto, September 23, 2009: Time Warp, one of Canada’Äôs best known and longest-running jazz ensembles, takes centre stage in a celebratory performance at York University October 6.
The Time Warp quartet was founded in 1980 by drummer Barry Elmes and bassist Al Henderson, who both studied in York’Äôs groundbreaking jazz program. Going on to forge stellar individual careers as performers and composers, they also continued their collaboration as co-leaders of the quartet.

Today, Elmes and Henderson are leading lights of the Canadian jazz scene and Time Warp has achieved international renown. With nine CDs under its belt, extensive tours and numerous accolades (including winning the Jazz Report Award for Acoustic Jazz Group of the Year four times), the band has inspired a generation of fans.

Time Warp’Äôs unique style and highly original repertoire reflects musical influences spanning the entire history of jazz and beyond. Known particularly for its own compositions and its fresh interpretations of the works of Duke Ellington, the ensemble has always pushed the boundaries of the genre. Long before the term "world music" was widely known, Time Warp was drawing on musical and cultural influences from around the globe, including the rhythms and harmonic structures of West African music, Japanese koto music, Hungarian folk songs, North American urban funk rhythms and New Orleans parade music, to create its distinctive sound.

All four members of Time Warp are currently on faculty in York University’Äôs Department of Music. Professor Elmes chairs the department, Professor Henderson directs the York University Jazz Orchestra, and Kevin Turcotte (trumpet) and Kelly Jefferson (saxes) teach in the jazz program.

The quartet will be joined by 11 other leading artists to form the Time Warp Jazz Orchestra for its one-night-only performance.

Two of the guests are Time Warp alumni: saxmen Bob Brough, a charter member who played with the group throughout the ’Äò80s, and Mike Murley, a 15-year veteran of Time Warp and a graduate of York’Äôs music department, where he now heads the jazz studies area.
All the other guest artists in the big band are currently teaching and/or studying in York’Äôs music program. Saxophonists David Mott and Sundar Viswanathan, vocalist Karen Burke, trumpeter Bill Thomas, cellist Mark Chambers and trombonist Ron Westray, the newly-appointed Oscar Peterson Chair in Jazz Performance, are all full-time faculty. Cellist Matt Brubeck, guitarist Lorne Lofsky and pianist Mark Eisenman teach in the jazz program.

The orchestra’Äôs October 6 concert will feature the world premiere performance of new arrangements for large ensemble of several favourites from the Time Warp repertoire, including ’ÄúTheme for Coleman Hawkins’Äù, ’ÄúNima na Kombo’Äù, ’ÄúGridlock’Äù, ’ÄúReincarnation of Rat Boy’Äù and Henderson’Äôs ’ÄùEllingtonia’Äù suite. The concert will be recorded for a future CD release.’Ä®’Ä®The Time Warp Jazz Orchestra performance is a YU50 event, celebrating York University’Äôs 50th anniversary.

’Ä®What: Time Warp Jazz Orchestra’Ä®
When: Tuesday, October 6 at 7:30pm’Ä®
Where: Tribute Communities Recital Hall, Accolade East Building, York University, 4700 Keele St.

Admission: $15 | students & seniors $5 ’Ä®Box Office: 416.736.5888 | www.yorku.ca/perform/boxoffice ’Ä®

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Vincent Gagnon lance Bleu Cendre

VINCENT GAGNON’Ä®
JAZZ’Ä®’Ä®
L'ABOUTISSEMENT DU PROJET’Ä®
- BLEU CENDRE -’Ä®
DISQUES EFFENDI

Quˆ©bec, le 23 septembre 2009 ’Äì Vincent Gagnon mˆ®ne ˆÝ terme un projet personnel qu'il chˆ©rit depuis deux ans : celui d'un album avec ses meilleures compositions,enregistrˆ©es selon ses standards et caprices. Le rˆ©sultat est intˆ©ressant, tellement quele projet fait dˆ©jˆÝ tourner les tˆ�tes : Bleu cendre attire bourses, prix prestigieux et reconnaissance mˆ©diatique.’Ä®’Ä®’Ä®

Sur l'album, des compositions spontanˆ©es du pianiste et de deux autres musiciens du quintette :Guillaume Bouchard et Alain Boies. Les mˆ©lodies sont interprˆ©tˆ©es avec une justesse et un swing des plus prˆ©cis; ces puristes du jazz recherchent un son parfait, unique.’Ä®’Ä®’Ä®

Prˆ©sentant un judicieux choix de musiciens aux rˆ©putations solides (voir plus bas), le projet est fait sur mesure pour l'improvisation, art que le groupe maˆÆtrise indˆ©niablement. ¬´ L'improvisation, c'est un mode d'expression instantanˆ©, ce qui est probablement le plus proche d'un ˆ©change dans un langage universel, permettant de canaliser les ˆ©motions. ¬ª (VG) Ni plus ni moins qu'un baume pour garder la musique vivante.’Ä®’Ä®’Ä®

Vincent est un pianiste trˆ®s prˆ©sent sur la scˆ®ne musicale de Quˆ©bec. Il est particuliˆ®rement apprˆ©ciˆ© pour ses talents d'accompagnateur sur de nombreux projets de crˆ©ation, notamment avec le saxophoniste Andrˆ© Larue. On qualifie son jeu de sensible et son style de personnel. Inspirˆ© par plusieurs ˆ©coles, il dˆ©montre un cˆ¥tˆ© impressionniste et romantique auquel s'insˆ®re une note torturˆ©e sous-jacente.’Ä®’Ä®’Ä®

Vincent aime aussi accompagner les chanteuses. Sa plus grande inspiration est l'illustre Billie Holiday. Il lui rend hommage en soutenant ces voix fˆ©minines de Quˆ©bec qu'il chˆ©rit : Lily Thibodeault, Danya Ortmann et Virginie Hamel. Parmi ses principales collaborations, nous retrouvons la vibrante Annie Poulain, amie et complice de longue date avec qui il apprˆ©cie la symbiose entre la voix, les textes et la musique.’Ä®’Ä®’Ä®

Fascinˆ© autant par la justesse d'une interprˆ©tation que par des textes colorˆ©s, Vincent’Ä®se plonge depuis peu dans l'univers des mots. D'abord dans des projets associant musique et littˆ©rature : Satori ˆÝ Quˆ©bec, Volskwagen Jazz - avec Jacques Leblanc - et Urbanitudes et autres dˆ©rives country - poˆ©sie contemporaine. Ensuite dans le projet rock de Keith Kouna, brillant compositeur et parolier atypique de la Capitale, qui fait dans les textes purement masculins. Les textes ainsi posˆ©s sur la musique l'inspirent, l'alimentent. ’Ä®’Ä®

Bleu cendre est moderne sans ˆ�tre ˆÝ la mode. N'y sont prˆ©servˆ©s que les ˆ©lˆ©ments les plus essentiels de la tradition du jazz. Bleu cendre met la musique devant la performance. Bleu cendre est raffinˆ©, intelligent, accessible, original. ’Ä®’Ä®

Bleu cendre de Vincent Gagnon ’Ä®’Ä®
Vincent Gagnon (piano), ’Ä®
Guillaume Bouchard (contrebasse),’Ä®
Franˆßois Cˆ¥tˆ© (batterie),’Ä®
Alain Boies (saxophones)’Ä®
Invitˆ© spˆ©cial : Michel Cˆ¥tˆ© (saxophone, clarinette basse, MaˆØkotron).’Ä®’Ä®

Laurˆ©at du Prix ˆâtoiles Galaxie de Radio-Canada au Festival International de Jazz de’Ä®Montrˆ©al 2009, pour la piˆ®ce Aprˆ®s l'une. Ce prix rˆ©compense la meilleure composition d'un groupe canadien.

’Ä®’Ä®Lancement ˆÝ Quˆ©bec le 22 septembre 2009, ˆÝ Montrˆ©al le 24 septembre.

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La Place des Arts prˆ©sente Nebbia

Montrˆ©al ’Äî Du vendredi 25 au dimanche 27 septembre prochain, le Thˆ©ˆ¢tre Maisonneuve de la Place des Arts sera plongˆ© dans la brume... Un brouillard lumineux enveloppera les talentueux artistes du Cirque ˆâloize et du Teatro Sunil, de retour ˆÝ Montrˆ©al pour quatre reprˆ©sentations exceptionnelles de leur coproduction Nebbia.

Quatre reprˆ©sentations exceptionnelles d’Äôun
spectacle qui l’Äôest tout autant !
Vendredi 25 ˆÝ 20h,
samedi 26 ˆÝ 14h et 20h,
et dimanche 27 ˆÝ 14h !

Crˆ©ˆ© ˆÝ Genˆ®ve en 2007, Nebbia ’Äî brouillard, en italien ’Äî est le troisiˆ®me et dernier volet de la magnifique Trilogie du Ciel de l’Äôauteur et metteur en scˆ®ne Daniele Finzi Pasca. Dans cette oeuvre empreinte de poˆ©sie, les artisans des deux compagnies marient habilement musique et thˆ©ˆ¢tre aux acrobaties propres ˆÝ leur art. Le rˆ©sultat est ˆ©blouissant ! De spectaculaires numˆ©ros de trapˆ®ze, de trampoline, de sangles, de main ˆÝ main ou de contorsion se dˆ©roulent sur une trame sonore en parfaite symbiose avec l’Äôaction.

¬´ Cette production [ ’Ķ ] plonge au plus prˆ®s du sublime, forge un grand tout d’Äôune ampleur mirobolante et propose rien de moins qu’Äôun divertissement jouissif et envoˆªtant. Un must, quoi. ¬ª - Le Devoir, Montrˆ©al.

Prˆ©sentˆ© en septembre 2008 au TNM pour une sˆ©rie de 37 reprˆ©sentations, Nebbia a ˆ©tˆ© vu par 24 000 personnes ˆÝ Montrˆ©al. La troupe a ensuite pris la route, ravissant le public du Mexique, d’ÄôItalie, d'Allemagne, de Suisse et d’Äôune vingtaine de villes des ˆâtats-Unis. Tout rˆ©cemment, c’Äôest en Russie, ˆÝ l’Äôinvitation du Festival Tchekhov de Moscou, que la tournˆ©e s’Äôest poursuivie ˆÝ guichet fermˆ©. Partout, c’Äôest avec enthousiasme que Nebbia a ˆ©tˆ© accueilli, tant par le public que les critiques.

¬´ Jamais un jeu n’Äôaura ˆ©tˆ© aussi professionnel. [...] la simplicitˆ© et la libertˆ© de l’Äôhomo ludens s’Äôest rˆ©vˆ©lˆ©e dans toute sa splendeur dans Nebbia ¬ª ’Äî Reforma, Mexico

¬´ [...] le metteur en scˆ®ne italo-suisse exalte le pouvoir apaisant du geste, l’Äôhumanitˆ© d’Äôun Amarcord de province, l’Äôironie du corps hyper-articulˆ© d’Äôun fakir [...] Un petit monde antique d’Äôune habiletˆ© extraordinaire ¬ª ’Äî Corriere della sera, Milan

¬´ [...] ce brouillard-lˆÝ (a) de la gueule, des tripes, de la poˆ©sie et du coeur. ¬ª ’Äî Tribune de Genˆ®ve

¬´ Quand le brouillard arrive, beaucoup de choses deviennent possibles ¬ª, raconte Daniele Finzi Pasca. Le ciel se fait trˆ®s bas, on voit alors des choses que l'on ne verrait pas normalement. Et l’Äôon voyage ˆÝ l'intˆ©rieur d'un monde fait de souvenirs et d'images inventˆ©es que l'on appelle des rˆ�ves.

Encore une fois, le Cirque ˆâloize et le Teatro Sunil portent l’Äôimagination au pouvoir. Avant que toute la troupe ne reparte vers le Mexique, elle invite les Montrˆ©alais ˆÝ plonger dans l’Äôunivers onirique, poˆ©tique et sensible de Nebbia, prˆ©sentˆ© du vendredi 25 au dimanche 27 septembre sur la scˆ®ne du Thˆ©ˆ¢tre Maisonneuve de la Place des Arts.

Renseignements et rˆ©servations :
Billetterie de la Place des Arts l 514 842-2112 ou 1 866 842-2112
laplacedesarts.com
nebbia.com

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Toutes les filles

Josianne Paradis ’Ä¢ Emilie Clepper
Sylvie Paquette ’Ä¢ ˆâmilie Proulx

AU CABARET DE LA RELˆàVE DE LA SALLE PAULINE-JULIEN

Vendredi 25 septembre, 20 h

ADMISSION GˆâNˆâRALE

Ouverture des portes ˆÝ 19 h

Info : 514 626-1616
www.pauline-julien.com
www.touslesgarcons.com

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Tuesday, September 22, 2009

L'ambiance unique d'Irving Fields ˆÝ eXcentris
















Montrˆ©al ’Äî eXcentris vous invite dans l'environnement chaleureux de son tout nouveau Hall en compagnie de l'ˆ©clectique pianiste amˆ©ricain Irving Fields. Personnage original, Irving Fields nous propose des concerts engageants aux sonoritˆ©s de toutes les provenances.

Irving Fields s'est dˆ©marquˆ© dans les annˆ©es 40 et 50 par ses enregistrements de style fusion, un genre peu exploitˆ© ˆÝ l'ˆ©poque. Ses albums de jazz latin juif, Bagels and Bongos et More Bagels and Bongos ont connu un vˆ©ritable succˆ®s, suscitant un enthousiasme pour la musique latine et une ouverture pour les airs d'ailleurs.

Au fil des ans, il a su combiner la musique latine ˆÝ diffˆ©rentes sauces : italienne avec Pizzas and Bongos; franˆßaise avec Champagne et Bongos; et hawaˆØenne avec Bikinis and Bongos. Son style, amalgame de rythmes Catskills et de Manhattan, Miami et La Havane, a attirˆ© l'attention de grandes stars latines dont Tito Puente, Machito et Xavier Cugat.

ˆÄ 93 ans, Irving Fields est toujours trˆ®s actif et se produit six soirs par semaine dans un restaurant italien de Manhattan. Il nous fait le privilˆ®ge d'inaugurer de belle et joyeuse faˆßon le Hall nouveau d'eXcentris.

Les 25 et 26 septembre ˆÝ 17 h. ˆâvˆ©nements gratuits.

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The Collegiate Chorale Announces 2009/2010 Season

’Ä®Season Opens with THE LORD OF THE RINGS on October 9 & 10, 2009 at Radio City Music Hall’Ä® ’Ä®Gala Concert, A JUBILANT SONG, on December 1, 2009 at 7pm at Carnegie Hall’Ä® ’Ä®World Premiere Two Act Concert Version of THE GRAPES OF WRATH on March 22, 2010 at Carnegie Hall’Ä® ’Ä®Handel's ISRAEL IN EGYPT on May 12, 2010 at The Skirball Center for the Performing Arts, New York University

The Collegiate Chorale, led by new music director James Bagwell, announces its 68th season, including The Lord of the Rings: The Fellowship of the Ring, a concert performed live to the film on October 9 and 10, 2009 at 7:30pm at Radio City Music Hall; a Gala Evening, A Jubilant Song, on December 1, 2009 at 7pm at Carnegie Hall; the World Premiere Two Act Concert Version of Ricky Ian Gordon and Michael Korie's rendering of The Grapes of Wrath on March 22, 2010 at 8pm at Carnegie Hall; and George Frideric Handel's Israel in Egypt, conducted by James Bagwell, on May 12, 2010 at 8pm at the Skirball Center for the Performing Arts, New York University.

"To be a part of one of the nation's leading arts groups is an honor. I am thrilled to begin to work with such a dynamic organization. This season is about journeys - of The Chorale, my own journey, and of the characters whose stories unfold in our programming. First, we will be part of a hobbit's journey as we perform the soundtrack to The Fellowship of the Ring, the first of The Lord of the Rings trilogy, while the film is shown in high definition at Radio City Music Hall. At our gala, I will begin my conducting journey with The Chorale as we celebrate this exceptional organization's journey from its beginning until now and as we move forward together. In December, we will present a world premiere rendering of the epic American journey, The Grapes of Wrath. We will conclude the season in May with the biblical journey of the Exodus, singing Handel's Israel in Egypt. This performance will take our Chorale journey to a beautiful new venue, the Skirball Center Theater. This season promises to be an exciting one and I look forward to leading The Chorale forward," said James Bagwell, music director of The Collegiate Chorale.

This fall, a once-in-a-lifetime experience comes to New York as Howard Shore's Grammy® and Academy Award®-winning score for The Lord of the Rings: The Fellowship of the Ring comes to life at the world-famous Radio City Music Hall on Friday, October 9 and Saturday, October 10, 2009. Beneath an immense 60-foot screen, Mr. Shore's complete original score will be performed live to Peter Jackson's award-winning epic. The music of Middle-earth will be brought to life by more than 300 musicians: Switzerland's 21st Century Symphony Orchestra, the internationally-acclaimed The Collegiate Chorale, the Grammy Award®-winning Brooklyn Youth Chorus and renowned soprano Kaitlyn Lusk, all under the direction of celebrated Maestro Ludwig Wicki. Tickets are $54-$150 and are available by calling Ticketmaster at (212) 307-4111 or (800) 745-3000 or online at www.radiocity.com/events/lord-of-the-rings-1009.html. This event is presented by CAMI Music and New York Comic Con in association with The New York Renaissance Faire, The One Ring.Net and The Angel Orensanz Foundation. Swiss International Air Lines is the official sponsor.

On December 1, 2009 at 7 pm at Carnegie Hall, join James Bagwell, Roger Rees and many well-known friends as they lead A Jubilant Song, a celebration of The Collegiate Chorale's remarkable history of exceptional conductors, noteworthy commissions and premieres, and multi-faceted choral programming. As the new Music Director, Mr. Bagwell gives tribute to his predecessors and ushers in a new era of The Collegiate Chorale. Works to be performed include the Beethoven Choral Fantasy, Verdi arias, A Jubilant Song by Dello Joio, and excerpts from Bernstein's A White House Cantata. Featuring Salvatore Licitra, tenor; Emily Pulley, soprano; Anita Johnson, soprano; Robert Mack, tenor; Erin Morley, soprano; Jenny Lin, piano; and Roger Rees, emcee. A benefit dinner with Mr. Bagwell and guest artists at Carnegie Hall's Rohatyn Room will follow the concert. Tickets are $25-$125 and will be available at 646-202-9623 or www.collegiatechorale.org.

An all-star cast from opera and Broadway comes together to present the World Premiere Two Act Concert Version of Ricky Ian Gordon and Michael Korie's beautiful rendering of Nobel Prize-winner John Steinbeck's epic Pulitzer Prize-winning novel, The Grapes of Wrath, on March 22, 2010 at Carnegie Hall, conducted by Ted Sperling. Called by Musical America "The great American opera," Gordon's opera incorporates American popular musical styles of the 20s and 30s: song-and-dance, sweet and rousing love songs, ballads with banjos, jazz choruses, and a barbershop quartet. Just like the novel itself, the work is both heart-wrenching and uplifting. Gordon (music) and Korie (libretto) have collaborated with The Chorale to shorten the length of the original opera, while composing new material for the chorus. And if that starry cast - Victoria Clark, Christine Ebersole, Jane Fonda, Elizabeth Futral, Anthony Dean Griffey, Nathan Gunn, Peter Halverson, Steven Pasquale, Stephen Powell, Andrew Wilkowske and Matthew Worth - isn't enough inspiration to see the show, the role of Tom Joad's young daughter, Ruthie, will be sung by Nathan Gunn's daughter, Madeline Gunn. Directed by Eric Simonson with lighting design by Frances Aronson. Tickets are $25-$160 and will be available at 646-202-9623 or www.collegiatechorale.org.

James Bagwell will conduct George F. Handel's Israel in Egypt, featuring Brian Asawa, alto; Sari Gruber, soprano; and Rufus Mˆºller, tenor on May 12, 2010 at 8pm at the Skirball Center for the Performing Arts, New York University. Darkness over the earth, water turning to blood, plagues of jumping frogs, buzzing insects, and hailstones, an oncoming mighty storm, and the parting of the Red Sea while hordes of horsemen and chariots are engulfed - such imagery calls for the masterful hand of George F. Handel. In this choral tour de force, some of the most vivid images of the Exodus story are recounted during the first segment, which is then followed by the beautiful and exultant second part, The Song of Moses. At times tender, simple, stately, crashing, complex and colossal, Israel in Egypt is one of Handel's monumental achievements, featuring the chorus in an unprecedented way with lovely and descriptive solos and duets accentuating their story throughout. Tickets are $25-$85 and will be available online at www.skirballcenter.nyu.edu, by phone at 212-352-3101, or in person at the Skirball Center Shagan Box Office 566 LaGuardia Place, Tuesday-Saturday 12-6pm.

Subscription packages are available by phone at 646-202-9623 or online at www.collegiatechorale.org.

The Collegiate Chorale, among New York's foremost vocal ensembles, has added to the richness of the city's cultural fabric for more than 65 years. Founded in 1941 by the legendary conductor Robert Shaw, The Chorale achieved national and international prominence under the leadership of Robert Bass. The Chorale has established a preeminent reputation for its interpretations of the traditional choral repertoire, vocal works by American composers, and rarely heard operas-in-concert, as well as commissions and premieres of new works by today's most exciting creative artists. In the Summer of 2009, The Chorale performed for the fourth season at Switzerland's Verbier Music Festival. In July 2008, The Chorale toured with the Israel Philharmonic Orchestra under Zubin Mehta in Tel Aviv, Haifa, and Jerusalem.

The mission of The Collegiate Chorale is to enrich its audiences through innovative programming and exceptional performances of a broad range of vocal music featuring a premier choral ensemble. Inherent in its mission is The Chorale's belief that choral music is a compelling collaboration that creates a powerful, shared experience unifying listeners and musicians of all backgrounds, beliefs and ages.

James Bagwell maintains an active schedule throughout the United States as a conductor of choral, operatic, and orchestral music. He has recently been named Principal Guest Conductor of the American Symphony Orchestra in New York. Since 2003 he has been Director of Choruses for the Bard Music Festival, conducting and preparing choral works during the summer festival at the Fisher Center for the Performing Arts at Bard College. He has also prepared The Concert Chorale of New York for performances with the American Symphony Orchestra, the Los Angeles Philharmonic, and the Mostly Mozart Festival (broadcast nationally in 2006 on Live from Lincoln Center) all in Avery Fisher Hall at Lincoln Center. In 2005 he was named Music Director of The Dessoff Choirs in New York, who under his leadership have made numerous appearances at Carnegie Hall in addition to their regular season. In 2009 the Dessoff Symphonic Choir appeared with the New York Philharmonic performing both Mahler's Eighth Symphony and Britten's War Requiem for Lorin Maazel's final concerts as Music Director.

James Bagwell has trained choruses for a number of major American and International orchestras, including the San Francisco Symphony, Los Angeles Philharmonic, NHK Symphony (Japan), St. Petersburg Symphony, The American Symphony Orchestra, Cincinnati Symphony Orchestra, Cincinnati Pops Orchestra, and the Indianapolis Symphony Orchestra. He has worked with noted conductors such as Lorin Maazel, Esa-Pekka Salonen, Michael Tilson Thomas, Louis Langrˆ©e, Leon Botstein, Vladimir Ashkenazy, Raymond Leppard, James Conlon, Jesˆ†s Lˆ„pez-Cobos, Erich Kunzel, Leon Fleischer, and Robert Shaw.

For eleven seasons, he has been Music Director for the May Festival Youth Choir in Cincinnati, which was recently featured on the radio program From the Top. He has conducted some 25 productions as Music Director of Light Opera Oklahoma, including Candide, Sweeney Todd, and The Merry Widow, among others. At Bard SummerScape he has lead numerous theatrical works, most notably The Tender Land, which received unanimous praise from The New York Times, The New Yorker, and Opera News. He frequently appears as guest conductor for orchestras around the country and abroad, including the Jerusalem Symphony, Tulsa Symphony, and the Indianapolis Chamber Orchestra. For three seasons he was Artistic Director of The Indianapolis Symphonic Choir. He holds degrees from Birmingham-Southern College, Florida State University, and Indiana University. He has taught since 2000 at Bard College, where he is Director of the Music Program.

For more information, visit www.collegiatechorale.org.

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L'Hˆ©ritage de Renˆ©e Martel ˆÝ eXcentris

Montrˆ©al ’Äî Renˆ©e Martel lanˆßait l'annˆ©e derniˆ®re un magnifique album intitulˆ© L'Hˆ©ritage sur lequel figurent quatorze chansons rˆ©sultant de prˆ©cieuses rencontres artistiques tant avec de vieux complices comme Robert Charlebois et Richard Desjardins qu'avec de jeunes compositeurs ˆ©mergents, dont ˆâric Goulet ou Catherine Durand. Il s'agit du premier album de l'artiste composˆ© entiˆ®rement de titres originaux depuis 1992.

Tant sur album que sur scˆ®ne, Renˆ©e Martel dˆ©sire plus que jamais transmettre son hˆ©ritage en s'appuyant sur celui qu'elle a reˆßu et qui lui a permis de construire une carriˆ®re exceptionnelle. C'est ce qu'elle nous propose ˆÝ eXcentris, dans la chaleureuse salle Cassavetes, pour un concert intimiste, prˆ®s du public, aux places limitˆ©es.

Renˆ©e Martel, artiste authentique, offre sur scˆ®ne une performance sensible et vibrante, oˆ¼ ses premiers succˆ®s cˆ¥toient ses nouvelles chansons, pour le plus grand bonheur de ses fans.

Incontournable icˆ¥ne depuis le milieu des annˆ©es soixante, Renˆ©e Martel est une vˆ©ritable ambassadrice de la musique country au Quˆ©bec. De Liverpool ˆÝ Nous on aime la musique country, plusieurs de ses chansons ont ˆ©tˆ© ˆ©levˆ©es au statut de classiques et continuent de gagner les c‰ìurs.

Samedi 3 octobre ˆÝ 20h, salle Cassavetes

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Chantal Lamirande prˆ©sente Projet X

ProJet X
Lamirand Danse
La danse est aussi un art visuel
Du 6 au 9 octobre 2009 : 20h

Pour son premier passage sur les planches de l’ÄôAgora de la danse du 6 au 9 octobre, la chorˆ©graphe Chantal Lamirande prˆ©sente ProJet X, sa toute nouvelle crˆ©ation.

Nˆ© de la recherche d’Äôinstantanˆ©itˆ©, ProJet X est la poursuite d’Äôune fˆ©conde rˆ©invention de la relation entre la danse et la lumiˆ®re. La chorˆ©graphe crˆ©e une complicitˆ© avec celle-ci, comme si elle ˆ©tait une partenaire. L’Äôoeuvre s’Äôinspire de l’Äôunivers du groupe de musique contemporaine et ˆ©lectronique Samarkande, dont les deux musiciens interprˆ®teront en direct chaque soir la musique du spectacle. Leur musique, ˆÝ la fois sombre et orageuse, lumineuse et sensible, ponctue la danse, s’Äôy colle ou s’Äôy oppose.

Interprˆ®te, chorˆ©graphe et enseignante, Chantal Lamirande possˆ®de un langage chorˆ©graphique particulier, faisant fi des modes et des tendances. Ayant rˆ©cemment fondˆ© sa compagnie LamirandDanse, elle s’Äôintˆ©resse ˆÝ l’Äôinterdisciplinaritˆ©, mˆ�me si la danse demeure le vˆ©hicule premier de sa crˆ©ation. ¬´ Sa grande qualitˆ© d’Äôimprovisatrice, alliˆ©e ˆÝ une maˆÆtrise technique impeccable et ˆÝ une rˆ©flexion intelligente et sensible sur le mouvement, fait d’Äôelle une figure ˆÝ surveiller au cours des prochaines annˆ©es ¬ª (Normand Marcy, Voir 2004).

ProJet X, malicieux clin d’Äôoeil ˆÝ la gˆ©nˆ©ration de sa crˆ©atrice, ouvre sur tous les possibles, explore l’Äôinconnu, rencontre l’Äôindˆ©terminˆ©. Les ˆ©clairages de Lee Anholt multiplient les lieux, crˆ©ent une atmosphˆ®re texturˆ©e, jouent avec les quatre danseurs. C’Äôest avec une maitrise hors du commun que Chantal Lamirande rˆ©ussit son pari d’Äôamalgamer, telle une artiste visuelle, la matiˆ®re et la forme, le mouvement et la perspective, le tout, animˆ© par une intˆ©rioritˆ© dˆ©sarmante. Une oeuvre accessible qui propose une expˆ©rience visuelle et sonore des plus surprenantes.

Les trois derniˆ®res crˆ©ations prˆ©sentˆ©es par Chantal Lamirande ˆÝ Montrˆ©al avaient largement ˆ©tˆ© saluˆ©es par la critique : ¬´ La seule faˆßon de ne pas se sentir interpelˆ© par Vision serait de fermer les yeux. Et encore. ¬ª (Stˆ©phanie Brody, La Presse 2006)

La rencontre Parole de chorˆ©graphe aura lieu le 8 octobre.

Le prix des billets est de 20 $ (15 $ pour les aˆÆnˆ©s, 14 $ pour les ˆ©tudiants et les membres du RQD et de l’ÄôUDA).

Renseignements et rˆ©servations \ Billetterie du Studio de l’ÄôAgora de la danse
840, rue Cherrier, mˆ©tro Sherbrooke \ 514 525.1500

Chorˆ©graphe : Chantal Lamirande
Interprˆ®tes : Chantal Lamirande, Ami Shulman, Magali Stoll, Dominique Thomas
ˆâclairages : Lee Anholt
Musique : Samarkande
Costumes : Geneviˆ®ve Beauchamp
Conseillˆ®re artistique : Fernande Girard
Rˆ©gie d’Äôˆ©clairage : Marc Parent
Directrice technique : Molie Salman
Source : Bianka Bernier
T \ 514. 525. 7575 poste 249 :: C \ 514. 799. 2304
bianka@agoradanse.com \ www.agoradanse.com

Pour voir un extrait vidˆ©o du spectacle, cliquez ici

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L'Opˆ©ra de Quˆ©bec prˆ©sente Aida de Verdi

Plus de 150 artistes! Dˆ©cors imposants!
Un spectacle inoubliable!

Quˆ©bec ’Äì L'Opˆ©ra de Quˆ©bec est heureux d'ouvrir sa saison avec l'‰ìuvre magistrale qu'est Aida de Verdi, dont la derniˆ®re reprˆ©sentation ˆÝ Quˆ©bec remonte ˆÝ mai 1994. Pour l'occasion, cette production sera placˆ©e sous la direction de John Keenan, jeune chef au Metropolitan Opera de New York, qui a assurˆ© un Otello magnifique, ici mˆ�me ˆÝ Quˆ©bec, en 2007. Aida prendra l'affiche les 17 (19 h), 20, 22 et 24 (20 h) octobre 2009, au Grand Thˆ©ˆ¢tre de Quˆ©bec.

C'est avec fiertˆ© que l'Opˆ©ra de Quˆ©bec vous prˆ©sente une Aida toute spˆ©ciale, qui met en vedette le ¬´ coup de c‰ìur ¬ª du public du Concours international Operalia 2008 / Plˆ°cido Domingo. En effet, la stupˆ©fiante Oksana Kramaryeva revient ˆÝ Quˆ©bec en octobre pour reprendre le rˆ¥le d'Aida qu'elle a dˆ©jˆÝ interprˆ©tˆ© ˆÝ plusieurs reprises en Europe, au Japon, en Ukraine et en Espagne.

Clin d'‰ìil
Aida est un ouvrage tellement populaire, si souvent jouˆ© et si accessible que l'‰ìuvre est devenue pour beaucoup le synonyme d'opˆ©ra italien. La Scala de Milan en a fait une quarantaine de productions diffˆ©rentes depuis sa crˆ©ation et le Metropolitan Opera de New York a dˆ©passˆ© les mille cent reprˆ©sentations. C'est un spectacle inoubliable qui frappe le spectateur ˆÝ premiˆ®re vue.

Billets : 418 529.0688 / 877 643.8131
Il reste des billets pour toutes les reprˆ©sentations

La distribution
John KEENAN, chef
Plus jeune chef ˆÝ avoir dirigˆ© au METROPOLITAN
A dirigˆ© Otello, ici ˆÝ Quˆ©bec, en 2007

Brian DEEDRICK, metteur en scˆ®ne
Sixiˆ®me visite ˆÝ Quˆ©bec
A assurˆ© la mise en scˆ®ne d'Aida plus de 5 fois

Oksana KRAMARYEVA, Aida
Coup de c‰ìur du public de Quˆ©bec : Prix du public du Concours Operalia Quˆ©bec 2008
2e prix fˆ©minin du Concours Operalia Quˆ©bec 2008
Aida : Ukraine, Russie, Japon, Espagne

Oleg KULKO, Radamˆ®s
Premier tˆ©nor au Bolshoi
Dˆ©buts au METROPOLITAN en 2003 ’Äì puis rˆ©invitˆ©
Dˆ©buts ˆÝ Carnegie Hall en 2006
Radamˆ®s est son rˆ¥le de prˆ©dilection

Alina GURINA, Amneris
Diplˆ¥mˆ©e du Conservatoire de Moscou
Attachˆ©e ˆÝ l'Opˆ©ra de Brno de la Rˆ©publique Tchˆ®que
Chante en Europe, au Canada et aux ˆâtats-Unis

John AVEY, Amonasro
Dˆ©buts au METROPOLITAN en 1999
Chante rˆ©guliˆ®rement au Canada
Rˆ©pertoire : plus de 30 rˆ¥les

Alexander SAVTCHENKO, Ramfis
Gagnant du Concours international Luciano Pavarotti (1992)
Dˆ©buts ˆÝ Carnegie Hall en 1997
Chante aux ˆâtats-Unis et au Canada principalement
4e prˆ©sence ˆÝ l'Opˆ©ra de Quˆ©bec

Joseph ROULEAU, le Roi d'ˆâgypte
Lˆ©gende vivante
Plus de 1 000 reprˆ©sentations ˆÝ Covent Garden
A chantˆ© avec Pavarotti, Domingo, Callas, Crespin, Schwarzkoff
A chantˆ© sous la direction de metteurs en scˆ®ne tels que Stravinski et Zeffirelli

Le Ch‰ìur de l'Opˆ©ra de Quˆ©bec / L'Orchestre symphonique de Quˆ©bec
Version originale italienne avec surtitres

L'‰ìuvre
Dˆ®s sa crˆ©ation en 1871, Aida dˆ©chaˆÆna un enthousiasme qui se poursuit depuis 138 ans. Cette ‰ìuvre magistrale, avec son cˆ©lˆ®bre ¬´ triomphe ¬ª et ses non moins cˆ©lˆ®bres ¬´ trompettes ¬ª, est encore et toujours la plus apprˆ©ciˆ©e des amateurs d'opˆ©ra du monde entier.

L'ˆâgypte ancienne.
L'ˆâthiopie entre en guerre contre l'ˆâgypte. Aida, princesse ˆ©thiopienne, est tenue en captivitˆ© par les ˆâgyptiens. Le chef des armˆ©es ˆ©gyptiennes, Radamˆ®s, lutte entre son amour pour elle et sa loyautˆ© au Pharaon. Pour compliquer l'histoire, Radamˆ®s ˆ©veille malgrˆ© lui les sentiments de la fille du Pharaon, Amneris’Ķ

www.operadequebec.qc.ca

Saison 2009-2010

Aida
17 (19 h), 20, 22 et 24 octobre (20 h) 2009

Gala
jeudi 26 novembre (19 h 30) 2009

Lucia di Lammermoor
15 (19 h), 18, 20 et 22 mai (20 h) 2010

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Sting and Trudie Styler star in Twin Spirits

Rebecca Davis PR Presents Elina GarancaThe poignant and tragic love story of Robert and Clara Schumann told in words and music to be released on Opus Arte September 29th

DVD sales to support the vital work of the Royal Opera House Education Program

On September 29th, Opus Arte presents Twin Spirits, the story of the passionate romance and subsequent marriage between composer Robert Schumann and piano prodigy Clara Wieck, available on DVD and Blu-Ray disc. This production from the Royal Opera House brings together nine diverse performers of the highest caliber: Sting, an artist who defies simple classification, joins his wife, actress and producer Trudie Styler to read from the letters between Robert and Clara. Their story, narrated by Sir Derek Jacobi, is illustrated and interwoven with music composed by Robert ’Äì whose spirit is embodied by pianist Iain Burnside, baritone Simon Keenlyside and violinist Sergej Krylov ’Äì and by Clara, who is evoked by pianist Natasha Paremski, soprano Rebecca Evans, and cellist Natalie Clein.

This subtle and moving piece, a fusion of recital and drama, was devised by the stage director and writer John Caird. His credits include Hamlet and Candide at the National Theatre, Les Misˆ©rables and Nicholas Nickleby with Trevor Nunn, and Don Carlos for Welsh National Opera.

’ÄúA performance like this is a personal journey,’Äù Sting explains. ’ÄúYou’Äôre forced to share very private thoughts and make them public, and that creates a tension. This love story ’Äì the relationship and the tragedy ’Äì provides a great introduction for people who don’Äôt normally listen to classical music. Hearing the Schumanns’Äô music at the same time as telling their story is a very intimate, engaging and emotional experience.’Äù

’ÄúWhen we started on this adventure with Twin Spirits,’Äù adds Trudie Styler, ’ÄúI was profoundly moved by the richness and power of the narrative. The passion of Robert and Clara’Äôs love transcends the ages. It is a wonderful and moving story which I believe remains fascinating and relevant to today's world.’Äù

Love began to blossom between Robert Schumann (1810-56) and Clara Wieck (1819-90) when she was a teenager and he was the student of her father, Friedrich Wieck, who made every effort to impede the relationship. She was one of the 19th century’Äôs greatest pianists and herself a composer of note. After a legal battle with her father the couple finally married in 1840. In the 1850s their happiness became compromised by Robert’Äôs increasing mental instability, which resulted in a suicide attempt in 1854; he died in an asylum in 1856. Clara, who lived for another 40 years, devoted her considerable energies to propagating her husband’Äôs music, which is at its greatest in his intimate works for piano, voice and chamber ensemble.

’ÄúTwin Spirits tells a great human drama, irrespective of the fact that it’Äôs about two great musicians,’Äù says director John Caird. ’ÄúIt makes us think about love, marriage, relationships, pain, illness and how they influence art and life. Robert and Clara's chamber music was almost like a diary and listening to it you feel you are looking into the pages of something deeply personal.’Äù

Twin Spirits was recorded before a small audience in a studio space at London’Äôs Royal Opera House shortly before Christmas 2007. All the artists involved donated their talent and time so that everyone buying a copy will be supporting the important work of the Royal Opera House Education Program which provides opportunities for some 90,000 people annually to engage with opera, music and dance. These projects reach people of all ages and backgrounds, including the isolated and elderly, the socially deprived, disabled adults and children, young offenders and for these people they have a very significant and positive impact. The Royal Opera House’Äôs work helps them to become enthusiastic and motivated, learn self-respect, discover the potential within themselves and develop a team spirit. For every performance on the world-famous stage, at least twice as many educational activities are taking place and this work is a vital part of the Royal Opera House’Äôs mission.

The original performance of Twin Sprits took place in June 2005, also at the Royal Opera House. Other charity performances took place at Salisbury Cathedral (to benefit the Salisbury Cathedral Girl Choristers), the New Victory Theatre in New York (to benefit Broadway Cares ’Äì Equity Fights Aids) and, at the Prince of Wales’Äô invitation, Windsor Castle (to benefit the Royal Opera House Foundation, and Soil Association). Among other performers who have participated alongside Sting and Trudie are actors Sir Ian McKellen, Charles Dance, and Jonathan Pryce and violinists Vasko Vassilev and Joshua Bell.

Twin Spirits will be released by Opus Arte on DVD (OA 0994 D) and Blu-Ray (OA BD7043 D) in the US on September 29th, 2009. Preview the DVD and access further information about the Twin Spirits project, Robert and Clara Schumann and the Royal Opera House Education Program at www.twin-spirits.com

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Miami City Ballet announces its 2009-2010 Season from October 2009 through April 2010


MCB Dancers in Symphony in Three Movements, Choreography by George Balanchine © The George Balanchine Trust. Photo © Joe Gato

Miami City Ballet’Äôs (MCB) 2009-2010 season of dance in South Florida begins in October 2009 and runs through April 2010. The Company performs at Adrienne Arsht Center for the Performing Arts of Miami-Dade, at Broward Center for the Performing Arts in Fort Lauderdale; and at Kravis Center for the Performing Arts in West Palm Beach.

Program I features modern choreographer Paul Taylor’Äôs Company B. This work, last seen in South Florida almost a decade ago, is performed to carefree World War II hits by the Andrews Sisters (’ÄúRum and Coca Cola,’Äù Boogie Woogie Bugle Boy,’Äù ’ÄúOh, Johnny, Oh!’Äù) contrasted with the melancholy realities of soldiers at war. Also on this program are George Balanchine’Äôs Allegro Brillante, Symphony in Three Movements and Tschaikovsky Pas de Deux.

Program II will show for the first time on MCB’Äôs main stages, Twyla Tharp’Äôs ’ÄúThe Golden Section’Äù a thrilling segment from her famous work The Catherine Wheel. The piece is set to music by David Byrne (of the Talking Heads) and it is pure energy as thirteen dancers in gold costumes sail, soar, and tear through the air of the stage’Äôs glowing light. Also featured are Balanchine’Äôs Divertimento No. 15, Valse Fantaisie (1953), and Slaughter on Tenth Avenue.

Program III is Edward Villella’Äôs The Neighborhood Ballroom. Back for its first full encore since its 2003 premiere, this is an evening-length, action-packed, atmosphere-drenched tale of a poet, his muses, and the great ballroom music and dances of the early and mid-20th century. The four sections of this work showcase the seductive waltz, quick-stepping jazz (including the Charleston), the fox-trot where couples dance in the dark to big-band music, and the mambo, which ruled the dance floor in the 1950s.’Ä®’Ä®

Program IV will feature Dances at a Gathering, Jerome Robbins’Äô masterpiece. Ten dancers, live Chopin piano music, endlessly beautiful and original invention - a celebration of dance, dancers’Ķand life. Also on this program is Balanchine’Äôs breezily romantic Who Cares? set to music by Gershwin.

Once again, Miami City Ballet will present George Balanchine’Äôs The Nutcracker’Ñ¢. This delightful holiday season family event features a cast of more than 100 professional dancers and talented students from Miami City Ballet School. Performances will take place at The Arsht Center in Miami and at Broward Center in Fort Lauderdale.

New 2009-2010 full subscription renewal packages, to which Nutcracker tickets can be added, will be mailed in February and mini-series renewals will be mailed in March. Reservations for single tickets will be accepted at Miami City Ballet’Äôs Box Office starting in April.

Subscription packages and single-show tickets are on sale now. Four-program subscription series are priced from $635 to $69; two-program ’Äúmini-subscriptions’Äù are priced from $330 to $36. Single ticket prices for the repertory are $169 to $19. Nutcracker ticket prices are $65 to $19.75 (discounted to $58-$19 when ordered with a subscription package).

For more information about subscription packages, including group discounts, please call Miami City Ballet Box Office toll-free at (877) 929.7010.

Tickets can be purchased at the theaters' Box Offices and online at Miami City Ballet or Ticketmaster.

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Ebullient and mysterious themes permeate Masters evening of music - Oct. 3

Classic Landmarks Masters
Jubilant interplay of harmonies and rhythms in work of significant character

Brahms’Äô Second Symphony
Saturday, October 3rd ’Äì 8:00 pm

Edmonton, AB ’Ķ Your Edmonton Symphony Orchestra (ESO) continues its Classic Landmarks Masters series with a single evening of eloquent subtleties and ebullient themes at the Francis Winspear Centre for Music. Music Director William Eddins steps onto the conductor’Äôs podium to present a program of pieces that are characteristically deep in emotion.

In the title work of this concert, Symphony No. 2 in D Major bears witness to the apparent delight Brahms experienced in composing this invaluable piece of music. In what can be considered one of his most serene, contented works, an underlying drama gives this music a unique sense of character and lyrical beauty.

Acclaimed American cellist and assured soloist Julie Albers makes her ESO debut in the fiery Cello Concerto No. 2 - Dmitri Kabalevsky’Äôs finest instrumental creation. Recognized for her radiant performing style and her intense musicianship, Ms. Albers brings technical ease and interpretive poise to the ESO premiere of a mysterious and vibrant work.

Once a bass trombonist with the ESO, composer and conductor Malcolm Forsyth’Äôs bright, brilliant, and tuneful ukuZalwa opens the orchestral concert program. The title, a Zulu word meaning ’ÄúRebirth’Äù, is an exciting overture that expresses the composer’Äôs vision of joyous reconciliation in his native homeland of South Africa. Dr. Forsyth will join ESO Music Resource D.T. Baker, Saturday evening at 7:15 pm at the Symphony Prelude, to provide personal insight into his piece.

Local cellist Martin J. Kloppers will create a musical commotion as he entertains lobby guests prior to the concert, performing on his red skeleton cello. With its seamless body appears carved out of a single piece of wood, and a hollow and hole-riddled "spine’Äù section in the center from which all ribs flow, the visual and auditory result is unforgettable.

Ticket prices for this performance range from $20 ’Äì $69 (agency fees apply). Student and senior $20 rush tickets are on sale, subject to availability, two hours prior to performance time. Tickets are available through the Winspear Centre Box Office at (780) 428-1414 or online at edmontonsymphony.com.

The next performance of the Classic Landmarks Masters series takes place on Saturday, November 14th. Elegant Canadian soprano Laura Whalen brings beautiful control and precision to the Winspear Stage, joining your ESO and guest conductor Giancarlo Guerrero.

The Edmonton Symphony Orchestra, marking its 58th season in 2009-2010, has taken its place as one of Canada's foremost orchestral ensembles. Its current roster includes 56 musicians from Canada and around the world, performing a wide-ranging repertoire from the great classical masterworks to pops and children's concerts. The presence of the orchestra and its enrichment of the community's quality of life are key elements in the stature and profile of Edmonton on the national and international scene.

Winspear Centre Box Office:
#4 Sir Winston Churchill Square
(780) 428-1414 or 1-800-563-5081
www.edmontonsymphony.com


Biographies

American cellist Julie Albers was born in 1980 to a musical family in Longmont, Colorado. She began violin studies at the age of two with her mother, switching to cello at four. She moved to Cleveland during her junior year of high school to pursue studies through the Young Artist Program at the Cleveland Institute of Music, where she studied with Richard Aaron. Ms. Albers was awarded the Grand Prize at the XIII International Competition for Young Musicians in Douai, France, and as a result toured France as soloist with Orchestre symphonique de Douai.

Julie Albers made her major orchestral debut with the Cleveland Orchestra in 1998, and has since performed in recital and with orchestras in the U.S., Europe, Korea, Taiwan and New Zealand. In 2001, she won Second Prize in Munich’Äôs Internationalen Musikwettbewerbes der ARD, at which time she was also awarded the Wilhelm-Weichsler-Musikpreis der Stadt Osnabruch 2001. In November, 2003, Ms. Albers was named the first Gold Medal Laureate of South Korea’Äôs Gyeongnam International Music Competition.

In North America, Ms. Albers has performed with many important orchestras and ensembles. Her 2009-2010 engagements include performances with the Florida Orchestra, and the Utah, Vancouver, San Diego, Memphis, Syracuse, West Virginia, Santa Rosa, Brevard, and Fairfax Symphony Orchestras. She is currently active with the Albers String Trio and the cello quartet, CELLO. Julie Albers is also on the faculty of Kean University as a member of the Concert Artist program. October, 2005 marked the release of Ms. Albers’Äô debut album on the Artek label. Julie Albers performs on a N.F. Vuillaume cello made in 1872 and makes her home in New York City.

This is Ms. Albers’Äô debut with the ESO.


Under Music Director William Eddins’Äô charismatic and energetic direction, the Edmonton Symphony has attained a level of musicianship and profile in the community it has rarely achieved. He has conducted performances in nearly every subscription series the ESO has presented, as well as a wide variety of special concerts and galas.

Bill’Äôs musical life began at age five when his parents bought a Wurlitzer Grand piano at a garage sale. He attended the Eastman School of Music, graduating at age eighteen, making him the youngest graduate in the history of the institution. He also studied conducting with Daniel Lewis at the University of Southern California. Previous positions include a five-year tenure as Principal Guest Conductor of the RTˆâ National Symphony Orchestra (Ireland) and as Resident Conductor of the Chicago Symphony Orchestra and Associate Conductor of the Minnesota Orchestra.

Bill Eddins continues to pursue many varied interests, both personally and professionally. While conducting has been his principal pursuit, he continues to perform on piano in Edmonton and elsewhere. He recently built a state of the art recording studio and has begun work on a series of chamber music recordings. He blogs regularly on insidethearts.com and has done a series of podcasts called Classical Connections available at williameddins.com.

Committed to his leadership of the ESO, Mr. Eddins accepts a limited number of guest appearances elsewhere. He led a highly-acclaimed production of Porgy and Bess for Opˆ©ra de Lyon in June 2008, which he will reprise during the summer of 2010, and most recently toured South Africa in August 2009 with the stunning soprano Renˆ©e Fleming and KwaZulu-Natal Philharmonic Orchestra. His latest recording, of American music for Cello and Piano, has been released on the Naxos label.

A native of Buffalo, New York, Bill currently resides in Minneapolis with his wife Jen, a clarinetist, and their two boys, Raef and Riley.

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Winnipeg Debut of Pianist, Ang Li

WINNIPEG¬‚ - On Saturday, October 3, 2009, Virtuosi Concerts will host the western Canadian debut of classical pianist, Ang Li. CBC radio will also record this Winnipeg concert.

Li has performed on some of the most recognized stages across China, Europe, and North America. 2009 has been busy for the 24-year-old. In February, she made her Hong Kong debut performing Chopin's 2nd Piano Concerto, followed by 3 concerts with the Fort Worth Symphony performing Beethoven's 4th Piano Concerto. This summer, Li performed at the Lanaudiere International Music Festival, returning to Canada for the first time since 2008.

From her earliest public appearance at the Beijing Concert Hall at age six, Li has grown up with the piano. "One of my biggest challenges over the last couple of years was transitioning from being a conservatory student to an independent artist, " says Li. "There was a time when I felt very much on my own with the music I was preparing for concerts, competitions and recordings. It pushed me to bring out a more defined musical character."

Programme: MOZART, Fantasia in C minor, KV 475a ;RACHMANINOFF, ˆâtudes-Tableaux, Op 33, Nos 2, 8,9; LISZT, Aprˆ®s une Lecture de Dante Fantasia quasi Sonata; SCHUBERT, Piano Sonata in B-flat major, D.960

Concert Information: 8PM, Eckhardt-Grammattˆ© Hall, University of Winnipeg, 515 Portage Ave. www.virtuosi.mb.ca . For Tickets call 786-9000: Adults $29 / Full-time post-secondary students $10/ High-School students $5 (subject to availability at door.

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Roots of Gypsy

les couleurs de l'Inde avec Sayari
danses & chants traditionnels
en grande premiˆ®re Nord-Amˆ©ricaine parrainˆ©e par
Denis Bouchard, metteur en scˆ®ne &
DJ Stˆ©phane Cocke

Montrˆ©al ’Äî eXcentris vous invite ˆÝ une sˆ©rie de spectacles magiques et flamboyants avec la chanteuse indienne Sayari, ses musiciens et ses danseuses.

Sayari ’Äì Un destin gitan

Tout comme ses ancˆ�tres gitans l'ont fait il y a mille ans, Sayari Sapera a quittˆ© son village du dˆ©sert pour un voyage qui lui fit faire le tour du monde. Nˆ©e sur la route prˆ®s de Samrau dans le Rajasthan, Sayari commence ˆÝ chanter ˆÝ l'ˆ¢ge de 10 ans, donnant de nombreux spectacles, puis elle apprend la danse. Elle gravit les ˆ©chelons un ˆÝ un, gagnant la reconnaissance et l'intˆ©rˆ�t du public, ce qui la mˆ®ne dans une tournˆ©e mondiale qui dure plus de douze ans. De Paris ˆÝ Tokyo, en passant par New York et Stockholm, elle s'enrichit des expˆ©riences et rencontres sur les routes occidentales. Elle a voulu partager ses connaissances avec les siens et les aider ˆÝ suivre ses traces en revenant chez elle ˆÝ Udaipur, pour fonder Sayari ’Äî Roots of Gypsy.

Sayari ’Äî Roots of Gypsy

Les familles qui vivent ˆÝ l'ˆ©cole Sayari s'ouvrent au respect de leur art, ˆÝ sa transmission et ˆÝ la cˆ©lˆ©bration de leurs origines avec tout le professionnalisme que l'on connaˆÆt aux artistes indiens. Ces artistes apprennent ˆÝ mettre en valeur la tradition, tout en composant de nouvelles piˆ®ces qui contribuent ˆÝ l'ˆ©volution de leur culture.

Le groupe de musiciens et les danseuses de Sayari ’Äî Roots of Gypsy font fureur partout au Moyen-Orient et en Europe, acclamˆ©s par le prˆ©sident Sarkosy, le Cirque du Soleil ˆÝ Moscou et les palais de DubaˆØ. Le quˆ©bˆ©cois Philippe Tapp, professionnel du cirque et amoureux du Rajasthan, fait partie de la famille Sayari et nous prˆ©sente ces artistes et leur art vieux de mille ans en grande premiˆ®re en Amˆ©rique du Nord, dans la salle Fellini ˆÝ eXcentris.

Denis Bouchard, metteur en scˆ®ne, rˆ©cemment en Inde lors d'une mission humanitaire, a fait la connaissance de Philippe, de Sayari et de leurs musiciens et danseuses par un heureux hasard : ¬´ C'est comme revenir mille ans en arriˆ®re, aux racines de la culture gitane, c'est le brut, le vrai, adroitement mˆ�lˆ© au savoir-faire occidental en terme de performance scˆ©nique. C'est la survivance d'une culture dans toute sa splendeur, le folklore dans sa version la plus pure, croisˆ© au langage scˆ©nique moderne. ¬ª

Stˆ©phane Cocke, DJ, mˆ©lomane et photographe, a vˆ©cu avec Sayari ’Äî Roots of Gypsy pendant plusieurs mois. Il en a tirˆ© un magnifique livre de photos, disponible ˆÝ eXcentris lors des spectacles. ¬´ C'est la beautˆ© pure et brute d'un art vieux d'au moins mille ans, qui a survˆ©cu par la transmission orale. C'est l'essence mˆ�me de la musique, du chant et de la danse, c'est un bouleversement qui vous met des larmes dans les yeux. ¬ª

3 soirs ’Äì 3 spectacles en 1
Les palais du Rajasthan

Musique semi-classique du nord de l'Inde aux textes romantiques rˆ©vˆ©lant l'amour et la dˆ©votion d'une jeune femme pour Krishna. Le style musical est flexible et laisse place ˆÝ l'improvisation. Il reflˆ®te un mixage entre les musiques classique et folklorique.

Les filles du Cobra

Danse de charmeurs de serpents et marchands de venin du dˆ©sert, l'une des danses les plus sensuelles et les plus fˆ©minines du Rajasthan. Les corps des danseuses tournent si rapidement, les mouvements sont si acrobatiques et le tempo si rapide qu'ils laissent les spectateurs ˆÝ bout de souffle. Vous serez conquis par la beautˆ© de la voix de Sapera et par le charme des robes ˆ©voquant l'oeil du cobra, qui transportent au c‰ìur du dˆ©sert du Rajasthan.

Roots of Gypsy

Le c‰ìur du Rajasthan, de sa culture, de ses traditions, en musique, en chant et en danse. Toute la richesse de l'Inde, les racines de son thˆ©ˆ¢tre de rue et de ses rythmes gipsy, ˆ©nergisant, haut en couleur et en ˆ©motions.

ˆâblouissement, recueillement, magie, intensitˆ©, vˆ©ritˆ©, dˆ©paysement : tout ˆßa les 30 septembre, 1er et 2 octobre prochains, ˆÝ 19 h 30.

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the colours of India with
Sayari
dances & traditional music
in a major North American premiere sponsored by
director Denis Bouchard &
DJ Stˆ©phane Cocke

Montreal ’Äî eXcentris invites you to a series of magical and flamboyant concerts starring Indian singer Sayari, with her musicians and dancers.

Sayari ’Äì A gypsy destiny

As her gypsy ancestors did a thousand years ago, Sayari Sapera left her desert village for a journey that would take her around the world. Born on the road near Samrau in Rajasthan, Sayari first began singing and performing at the age of 10, and went on to learn dance. Working her way up step by step, she won public recognition that would take her on a world tour lasting over 12 years. From Paris to Tokyo, New York and Stockholm, she absorbed the experiences and encounters of her travels in the west. Determined to share her knowledge with her people and help them follow in her footsteps, she returned to Udaipur to found Sayari ’Äî Roots of Gypsy.

Sayari ’Äî Roots of Gypsy

The families living in the Sayari school respectfully address their art, communicating it and celebrating their roots with all the professionalism we've come to expect from Indian artists. They learn to showcase their tradition, while also composing new pieces that contribute to the evolution of their culture.

The musicians and dancers of Sayari ’Äî Roots of Gypsy have sparked a frenzy throughout the Middle East and Europe, winning acclaim from French president Sarkosy, the Cirque du Soleil in Moscow and in the palaces of Dubai. Quebecer Philippe Tapp, a circus professional in love with Rajasthan, is part of the Sayari family and hereby presents these artists and their ancient thousand-year-old art in a major North American premiere, in the Fellini room in eXcentris.

During a recent humanitarian mission in India, director Denis Bouchard met and got to know Philippe, Sayari and their musicians and dancers through a stroke of luck: "It's like traveling back a thousand years, to the roots of gypsy culture, the raw, real thing, skillfully fused with western know-how in terms of stagecraft. It's the survival of a culture in all its splendour, folklore in its purest incarnation, crossed with the modern techniques and language of the stage."

Stˆ©phane Cocke, DJ, music lover and photographer, lived with Sayari ’Äî Roots of Gypsy for several months. He produced a photo book from the experience, which will be available in eXcentris during the performances. "It's the pure, raw beauty of an art that's at least a thousand years old, one that has survived through word of mouth. It is the very essence of music, song and dance, a moving experience that brings tears to your eyes."

3 nights ’Äì 3 shows in 1
Les palais du Rajasthan

Semi-classical music from northern India featuring romantic lyrics revealing a young woman's love and devotion for Krishna. The musical style is flexible, leaving room for improvisation, in a mixture of classical and folkloric music.

Les filles du Cobra

The dance of snake-charmers and desert venom merchants, one of the most sensual and feminine dances in all of Rajasthan. The dancers' speedily-turning bodies, acrobatic moves and rapid tempo leave spectators breathless. The beauty of Sapera's voice and her charming cobra-eye dresses will win you over, transporting you to the heart of the Rajasthan desert.
Roots of Gypsy

The heart of Rajasthan ’Äì its culture and traditions ’Äì in music, song and dance. All the richness of India, the roots of its street theatre and gypsy rhythms, full of energy, colour and passion.

Dazzling, contemplative, magical, intense, genuine, transporting: all this and more, on September 30, October 1 and 2, at 7:30 p.m.

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Sarah Palin Opera - Encore Performance

Aliana de la Guardia as Sarah Palin

Guerilla Opera adds one performance of Say It Ain't So, Joe as an encore

"Say It Ain't So, Joe" by Curtis Hughes is in such demand that Guerilla Opera will add one encore performance on Sunday, September 27, 2009, 2pm, at The Boston Conservatory's Zack Box Theater. Online ticket sales are open now.

Online sales for the other performances are sold out. A few tickets for these performances are still available to purchase at the door only.

Performances

Wednesday, Sept. 23 at 8pn
Friday, Sept. 25 at 8pm
Saturday, Sept. 26 at 8pm
Sunday, Sept. 27th at 2pm (Encore Performance)
The Boston Conservatory Box Office
617-912-9222
http://bostonconservatory.ticketforce.com
Phone and walk-up sales are 12pm-6pm Monday through Friday.


ABOUT GUERILLA OPERA:
The mission of this company is to foster a new repertoire of progressive and accessible operas written specifically for them and performed in intimate theatrical settings. Guerilla Opera performances are fully-staged, unconducted productions that require the highest level of virtuosity and musicianship from its performers. Guerilla Opera is in their second year as an Ensemble-in-Residence at The Boston Conservatory.

"Guerilla Opera is the future of opera. Brilliant composers and performers committed to their vision of Music Theater which is dynamic, flexible and deeply compelling. I am convinced that they will carry us forward to new operatic heights." - Sanford Sylvan, Internationally renowned Baritone and Board Member, Guerilla Opera

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Cleveland Orchestra to share music with more Northeast Ohioans than ever before through Community Music Initiative

Orchestra to perform education concerts in Cleveland public schools for the first time in decades on September 23 and 24

CLEVELAND ’Äì The Cleveland Orchestra announces the Community Music Initiative, a new program designed to broaden and deepen the Orchestra’Äôs connections to the community and provide access to great music for more Northeast Ohioans than ever before through a comprehensive group of new and established education and community programs.
’ÄúWith the launch of the Community Music Initiative, The Cleveland Orchestra renews its commitment to the community whose name it so proudly carries the world over. With the launch of the Community Music Initiative, The Cleveland Orchestra is strengthening its commitment to the community and to music education,’Äù said Cleveland Orchestra Executive Director Gary Hanson. ’ÄúBeginning this season, we will broaden and diversify our programs to meet the needs of a changing society. We want to make great music and music education available to everyone.’Äù

The Orchestra’Äôs new Community Music Initiative is dedicated to transforming lives through music by:

’Ä¢ Providing increased access to the Orchestra’Äôs music for more citizens of Cleveland and Northeast Ohio;
’Ä¢ Strengthening and deepening The Cleveland Orchestra’Äôs ties with the community through long-term partnerships and programs;
’Ä¢ Nurturing aspiring young musicians in The Cleveland Orchestra’Äôs tradition of artistic excellence, including supporting Cleveland Metropolitan School District academic and music programs; and
’Ä¢ Expanding lifelong learning opportunities by seamlessly integrating education into the fabric of all of the Orchestra’Äôs artistic endeavors.

The Initiative launches in September 2009 with a special week of programs and activities beginning September 23. The week begins with The Cleveland Orchestra and Music Director Franz Welser-Mˆ�st performing two concerts in Cleveland Metropolitan School District high schools ’Äì John Hay High School on September 23 and James Ford Rhodes High School on September 24. On September 26, The Cleveland Orchestra and Franz Welser-Mˆ�st open the Severance Hall season with a special performance of Beethoven’Äôs Ninth Symphony that will serve as a benefit for the Community Music Initiative. And on Sunday, September 27, Mr. Welser-Mˆ�st leads the season’Äôs opening Family Concert, titled ’ÄúMeet the Orchestra.’Äù

In addition to the launch events in September, the Community Music Initiative’Äôs inaugural year will include the start of a new preschool project, ’ÄúMusical Neighborhoods,’Äù a part of PNC’Äôs Grow Up Great: A Great Early Start in the Arts program, in which musicians and teachers use music to build school readiness skills for preschool-aged children in local Head Start programs. Other new programs beginning this season include a MusicMentors program supporting instrumental music in Cleveland schools, and a MusicMasters series of clinics and masterclasses supporting high-school band and orchestra programs throughout Northeast Ohio. In addition, the Orchestra celebrates the 10th anniversary of the Daniel R. Lewis Young Composer Fellow program with a free retrospective concert in June 2010, featuring new works created by fellows in this program over the past decade.

These new programs complement The Cleveland Orchestra’Äôs already vibrant education and community programs, such as the Learning Through Music school partnership program (now in its 13th year), the annual free Star-Spangled Spectacular Community Concert on Public Square, the Martin Luther King Jr. Celebration Concert and Community Open House, outstanding youth performance ensembles, Education Concerts and Family Concerts at Severance Hall, and a host of other programs that have introduced children and families to symphonic music for decades.

A History of Educational Excellence

As far back as 1918, Cleveland Orchestra founder Adella Prentiss Hughes recognized that the long-term success of an orchestra depends on the cultivation of audiences through music education and service to the community. Over the past nine decades, following Mrs. Hughes’Äôs lead, the Orchestra has introduced symphonic music to more than 3.5 million school-age children. Today, with the support of many generous individual, foundation, corporate, and governmental funding partners, the Orchestra’Äôs educational programs reach 70,000 young people and adults annually, helping to foster a love of music and a lifetime of involvement with the musical arts.
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’Ä®Community Music Initiative Programs

The Cleveland Orchestra’Äôs Community Music Initiative is a series of artistic initiatives and new programs aimed at diversifying the Orchestra’Äôs offerings and reaching more children, adults, teachers, students, musicians, and families than ever before. These diverse programs offer everyone, from preschool children to adults, the opportunity to experience music in a variety of ways, throughout their lives, and throughout the community.


FOR PRESCHOOL CHILDREN

Grow Up Great in Cleveland (New this year!) is a new partnership with PNC to use music and the arts to prepare preschool children in local Head Start programs for success in school and in life [in collaboration with the Cleveland Museum of Art, Rock and Roll Hall of Fame and Museum, and PlayhouseSquare]. The Orchestra’Äôs program focuses on reaching preschoolers at local Head Start sites by creating ’ÄúMusical Neighborhoods,’Äù music-based activities supporting school readiness for children, teachers, and parents; visits by Cleveland Orchestra musicians; and field trips to Severance Hall.

PNC Musical Rainbow Series (for children ages 3-6) are a colorful way to introduce young children to orchestral instruments in the intimate setting of Severance Hall’Äôs Reinberger Chamber Hall. These lively 30-minute programs feature a single instrument or instrument family. Musical Rainbows actively engage kids with the music (parents and grandparents, too!) and are held on selected Friday and Saturday mornings throughout the year. Musical Rainbows ’ÄúOn the Road’Äù take these popular programs to libraries and community centers around the region.



FOR SCHOOL-AGED CHILDREN

Cleveland Orchestra Concerts in Public Schools (New this year!) ’Äì In September, The Cleveland Orchestra, led by Franz Welser-Mˆ�st, will perform concerts in Cleveland high schools ’Äì recalling its school performances in the 1920s, before Severance Hall was built. These education concerts will take place at John Hay High School and James Ford Rhodes High School in Cleveland.

Education Concerts for Schools by The Cleveland Orchestra bring nearly 25,000 students annually to historic Severance Hall. These narrated, 60-minute programs, which for many adult observers bring to mind Leonard Bernstein’Äôs Young People’Äôs Concerts, explore basic musical concepts while introducing orchestral repertory through distinct programs for grades 1-3, grades 4-8, and grades 9-12. A variety of preparation and study tools assist teachers in preparing students for their Severance Hall experience, including an award-winning video titled ’ÄúGet Ready For The Cleveland Orchestra,’Äù produced and broadcast each year by WVIZ PBS/ideastream.

Learning Through Music (LTM), beginning its 13th year, is a collaborative and innovative partnership program with Cleveland-area elementary schools, linking music to the K-5 classroom curriculum to support learning in math, science, language arts, and more. LTM includes arts-integrated lesson plans that address Ohio academic content standards, professional development workshops, and classroom visits by specially trained ’Äòteaching artists’Äô of The Cleveland Orchestra.

Cleveland Orchestra Family Concerts (for children aged 7 and older) are presented three times each season and feature live orchestral music in Severance Hall. Each 60-minute concert featuring The Cleveland Orchestra and guest artists (such as gifted young musicians, Magic Circle Mime Co., and Classical Kids) is both entertaining and educational ’Äì for the whole family.



FOR YOUTH MUSICIANS

MusicMentors (New this year!) ’Äì Beginning in Fall 2009 Cleveland Orchestra musicians will work with selected schools in the Cleveland Metropolitan School District to support school string programs, spearheading a broad effort to strengthen instrumental education in Cleveland public schools as part of the District’Äôs Strategic Plan for Arts Education.

MusicMasters (New this year!) will leverage the expertise of Cleveland Orchestra musicians and a new partnership with Conn-Selmer Inc., a division of Steinway Instruments, to support school music programs throughout the region. The Orchestra will offer middle- and high-school music programs small-group and full-ensemble coachings as well as clinics and masterclasses.

Cleveland Orchestra Youth Orchestra is a full symphonic ensemble founded in 1986 comprised of more than 100 young musicians selected through competitive auditions. Players are drawn from more than 45 communities throughout Ohio. The Youth Orchestra provides serious young music students of middle- and high-school age with a unique pre-professional orchestral training experience. The Youth Orchestra rehearses weekly and presents three concerts annually in Severance Hall and three or more community-engagement performances in Northeast Ohio. Youth Orchestra members also perform in side-by-side concerts with The Cleveland Orchestra.

Cleveland Orchestra Children’Äôs Chorus (grades 5-9) ’Äì Founded in 1967, the 60-member Children’Äôs Chorus participates in performances each year with The Cleveland Orchestra and Cleveland Orchestra Chorus at Severance Hall and occasionally during the summer at Blossom Music Center. The Children’Äôs Chorus performs at CircleFest in Cleveland’Äôs University Circle each December and presents an independent concert each spring featuring a diverse repertoire of children’Äôs chorus literature. The Chorus has also performed the National Anthem for Cleveland Indians and Cleveland City Stars home games.

Cleveland Orchestra Children’Äôs Preparatory Chorus ’Äì The 45-member Preparatory Chorus is a training chorus for less experienced and younger singers that includes children in grades 5-7. The chorus presents two concerts each season alongside the Cleveland Orchestra Children’Äôs Chorus for their CircleFest and spring concerts.

Cleveland Orchestra Youth Chorus (grades 9-12) was founded in 1991 to raise awareness of choral music-making in the schools of Northeast Ohio and to encourage more students to continue their choral activities through college and into adulthood. The 120 members of the Youth Chorus represent 40 different communities from across the region. The Youth Chorus presents an average of five concerts each season, and their activities include workshops and masterclasses with highly regarded choral directors and clinicians, and outreach programs across Northeast Ohio. The Cleveland Orchestra Youth Chorus Chamber Ensemble was formed in 2008 to provide additional performance opportunities for advanced Youth Chorus members and expand awareness of the choral youth programs within the community. The ensemble of 20 has been featured on local television and in special Cleveland Orchestra events.



FOR COLLEGE STUDENTS

Case Western Reserve University Course ’ÄúInside The Cleveland Orchestra’Äù (New this year!) ’Äì A new course for undergraduate students in the joint music program between CWRU and the Cleveland Institute of Music. Scheduled in a way that allows the class to meet at the same time the Orchestra rehearses, the class is structured around the repertoire the Orchestra is performing in a given semester. With music as a central focus, the course will explore relevant literature, philosophy, art history, among other topics. Students will attend rehearsals and have opportunities to interact with Cleveland Orchestra conductors and musicians through lectures and discussion groups.

Student Advantage Program offers high-school and college students discounted tickets to Cleveland Orchestra concerts, free open rehearsals, and free masterclasses led by world-renowned guest artists. Each year, two exceptionally talented college students receive private coachings with The Cleveland Orchestra’Äôs Artist-in-Residence and are featured in a masterclass as part of the Artist-in-Residence Fellow Program.


FOR ADULTS

Cleveland Orchestra Chorus ’Äì The Cleveland Orchestra Chorus is one of the few professionally trained, all-volunteer choruses sponsored by an American orchestra. The Chorus performs with the Orchestra in four to six subscription concert weekends each season and in the Orchestra’Äôs annual Christmas concerts at Severance Hall. In addition to touring on its own, the Chorus has performed with The Cleveland Orchestra domestically and abroad, including appearances at Carnegie Hall and throughout Europe. Since it was formed in 1952 under former Music Director George Szell, the ensemble has performed in more than 800 concerts with the Orchestra. Cleveland Orchestra Chorus members hail from all over Northeast Ohio, including nearly 50 area communities.

Blossom Festival Chorus was created in 1968 for the inaugural set of concerts opening Blossom Music Center with Beethoven’Äôs Symphony No. 9 (’ÄúChoral’Äù). The Blossom Festival Chorus has often joined the Cleveland Orchestra Chorus in performances at Chautauqua and on Cleveland’Äôs Public Square for the annual Fourth-of-July concerts, in addition to nearly 150 summertime concerts at Blossom Music Center with The Cleveland Orchestra.

Concert Previews ’Äì Cleveland Orchestra Concert Previews take place one hour prior to subscription concerts and are designed to enrich the concert-going experience for audience members of all levels of musical knowledge through interviews with conductors, guest artists, and Orchestra staff, and through exploration of the music by local and national experts.

Music Study Groups ’Äì Led by Dr. Rose Breckenridge, Music Study Groups follow the Orchestra’Äôs schedule of subscription concerts at Severance Hall. Each class explores selected compositions from the Orchestra’Äôs upcoming concert program through lively presentations, listening activities, and discussion. Participants, ranging from beginners to seasoned listeners, learn about the lives and musical styles of composers in addition to the cultural and historical context of the music, while also developing keen listening skills. Over the course of the season, classes cover a wide range of repertoire, providing participants with a greater understanding of the music being performed by The Cleveland Orchestra that season.

Program Notes ’Äì Concert program notes inform listeners about the composers’Äô lives and the historical background of the works performed at every Cleveland Orchestra subscription concert. They encourage open-minded listening to new works and provide fresh insights for hearing familiar pieces. Concert program notes are provided to every concertgoer in the program booklet. They are also available in advance online at clevelandorchestra.com. To access program notes online, visit clevelandorchestra.com and click on the performance date on the Calendar at the top.

Archives ’Äì The Cleveland Orchestra Archives is a working resource center that serves both the institution and the public. Its prime function is to organize, preserve, and promote the historical records of the institution, which includes The Cleveland Orchestra and its parent body the Musical Arts Association, Severance Hall, and Blossom Music Center. The institution’Äôs historical heritage is expressed in a wide variety of media, such as letters, documents, sound recordings, photographic materials, and artifacts. The Archives encourages an appreciation of the Orchestra’Äôs historical heritage by making most of its non-current records open to serious researchers of any age. Researchers are able to consult such materials as correspondence, press releases, programs, photos, recordings, scrapbooks, minutes, and annual reports. Research inquiries may be made by mail, by phone, or by appointment with the Archivist. Call (216) 231-7356 or email archives@clevelandorchestra.com to schedule an appointment or for more information.

’ÄúMeet the Artist’Äù Series ’Äì These popular interview and luncheon programs connect audiences with artists from The Cleveland Orchestra’Äôs current season. For reservations, or to be placed on the Meet the Artist series mailing list, please call the Women’Äôs Committee Office at (216) 231-7557. This series is presented by the Women’Äôs Committee of The Cleveland Orchestra.



FOR THE COMMUNITY

Daniel R. Lewis Young Composer Fellow 10th Anniversary Concert (New this year!) ’Äì This free concert, concluding the Orchestra’Äôs 2009-10 season, offers the community the opportunity to hear works by Susan Botti, Marc-Andrˆ© Dalbavie, Matthias Pintscher, and Johannes Maria Staud that the Orchestra has commissioned over the last decade. Through the Daniel R. Lewis Young Composer Fellow program, the Orchestra supports composers during a two-year term by performing an existing work and commissioning a new piece, and engaging them in outreach such as masterclasses for college music students, and pre-concert lectures.

Public Square Star-Spangled Spectacular Community Concert and Festival ’Äì Each summer, The Cleveland Orchestra, with the support of a host of community partners, presents a free concert of patriotic favorites and popular classical repertoire on Public Square in downtown Cleveland in celebration of Independence Day. An annual tradition since 1990, the concert attracts up to 80,000 people to downtown Cleveland and ends with a spectacular display of fireworks set against the Cleveland skyline. Since 2003, the event has included a pre-concert festival featuring performances by Cleveland-based musical groups in the hours leading up to the Orchestra’Äôs concert.

Martin Luther King Jr. Community Concert ’Äì Each January, The Cleveland Orchestra commemorates Martin Luther King Jr.’Äôs birthday with a free concert. First performed in 1980, this concert features The Cleveland Orchestra, choruses, and guest artists. The Martin Luther King Jr. Community Service Award is presented at this concert to honor an individual, an organization, and a young person who have positively impacted Cleveland in the spirit and example of Dr. King.

MLK Day Community Open House ’Äì The celebration continues on Martin Luther King Jr. Day, with free musical presentations featuring local performing arts groups throughout Severance Hall honoring the life, leadership, and vision of Dr. King. The Community Open House also features activities for children (’ÄúPicture Yourself at Severance Hall’Äù and ’ÄúI Have a Dream’Äù Wall) and performances by the Cleveland Orchestra Youth Chorus and Cleveland Orchestra Youth Orchestra.

Weekly Radio Broadcasts ’Äì The Cleveland Orchestra partners with WCLV 104.9 FM to share Cleveland Orchestra concerts with millions of listeners throughout Northeast Ohio and around the world. WCLV’Äôs program Saturdays From Severance, broadcast each Saturday evening at 8:00 p.m., features live Cleveland Orchestra concerts as well as recorded concerts. On Sundays at 4:00 p.m., Cleveland Orchestra on the Radio features recorded concerts from the current season as well as programs produced from archival tapes. WCLV also features live broadcasts of Cleveland Orchestra concerts in Miami, and the Orchestra’Äôs annual Star-Spangled Spectacular Community Concert on Public Square and Martin Luther King Jr. Celebration Concert.

For additional information about these and other programs, visit clevelandorchestra.com, or contact the Education & Community Programs Office at (216) 231-7355.

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New Adventures in Sound Art presents the 8th annual SOUNDplay Festival

October 3 to November 7, 2009
Various venues at the Artscape Wychwood Barns (601 Christie Street) including:
The NAISA Space (#252), Loop Studio Centre for Lively Arts (#170),
As well as the Gladstone Hotel

TORONTO, ON - New Adventures in Sound Art is pleased to launch the 8th edition of the SOUNDplay Festival, October 3 to November 7, 2009. A meeting point for experimentation in sound art and new media encouraging new avenues for exploration, SOUNDplay 2009 features interactive installations, performances, screenings and workshops/artist talks.

In a world where technological advancement is seen as being the way to move forward, sound artists are continually challenged to reevaluate their artistic practice in the light of changing technologies. This year's SOUNDplay uses the theme of ecology as a starting point for exploring new approaches to artistic creation as artists play with the possibilities of sound in relation to other artistic media and sensory experiences. ’Äì Darren Copeland, Artistic Director, New Adventures in Sound Art.
NAISA’Äôs will launch SOUNDplay with it’Äôs two Nuit Blanche installations (October 3-4) Sound(e)scape, an immersive experience will surround the participant with the sounds of water, air and natural soundscapes and Tree(ipod)installation by Jane Tingley, which evokes the possibility of developing technologies that are nature-centric rather than human-centric in order to breath life back into the idea of an enchanted forest. The installation invites the viewer to walk through an environment, where the location of the body as it moves through the installation space triggers new auditory experiences for both plant and viewer. Tree(ipod)installation will continue weekends only until October 25th.

The SOUNDplay performances create a cinema for the ear as well as the eye as they combine various new media technologies with sound. Included are a Jean Pichˆ© (Montreal) Retrospective on October 8th (1999-2009) of works that have been inspirational to the investigation of videomusic; October 16 and 17 (repeat performance) includes a new work by Nancy Tobin (Montreal) and performances by the Contact Contemporary Music Ensemble which integrates sound and image in a performance context; October 23 and 24 (repeat performance) features pioneering Quˆ©bec animator Pierre Hˆ©bert returning to SOUNDplay in a collaborative performance with BC sound artist Stefan Smulovitz using viola, live digital animation and electroacoustics. Also, on the program is Locavore, a survey of recent short animation works created by Toronto artists and curated by Nick Fox-Gieg, presented in partnership with Pleasure Dome.

From October 22nd to 25th, NAISA presents the installation Les Puits by Quebec artists Marie Cˆ¥tˆ© and Olivier Girouard as part of the Gladstone’Äôs UpArt curated show. Intrinsically silent ceramic bowls surprise the viewer in Les Puits simply by the act of making sound. The installation's poetic resonance carries them through a place and time that wouldn't be possible without the intersection of the bowls on display and the sound projected through them. The wonder is in this intersection, when the viewer identifies the source of the sound and suddenly, the ceramic bowls are singing.

NAISA presents its first Halloween event with Sounds Scary from October 29 to 31. Go on a Halloween sound treasure hunt at the Artscape Wychwood Barns and then learn about the secrets behind how sounds are made in the movies.

The final weekend of SOUNDplay features CONCRETE Toronto, bringing together the international music and sound experiences of Yasuhiro Morinaga from Japan and Toronto's Debashis Sinha for an evening of sound, video and improvisation.


New Adventures in Sound Art is a non-profit organization that produces performances and installations spanning the entire spectrum of electroacoustic and experimental sound art. Included in its Toronto productions are: Deep Wireless, Sound Travels, and SOUNDplay.

SOUNDplay 2009
At various venues at the Artscape Wychwood Barns, 601 Christie Street including:
The NAISA Space (#252), Loop Studio Centre for Lively Arts (#170),
As well as the Gladstone Hotel
October 3 ’Äì November 7, 2009
Performance Pass: $35/$30 / Single Tickets $15/$10
Nuit Blanche events free / Installations are Pay What You Can

Listings

October 3-4, 7pm - 7am, FREE
Sound(e)scape curated by Darren Copeland
The NAISA Space (#252)
Artscape Wychwood Barns, 601 Christie St.

Sound(e)scape is an immersive experience that surrounds the participant with the sounds of water, air, and natural soundscapes from around the world curated by NAISA's Artistic Director Darren Copeland. The works will be spatialized live with NAISA's unique realtime spatialization controller and software by Andrew Stewart, Hector Centeno and Darren Copeland and will include performances of works by the angelusnovus.net collective who will use this occasion to launch a six month residency at the NAISA Space.
October 3-4, 7pm - 7am, FREE (continues to October 25)
Tree(ipod)installation by Jane Tingley
The Loop Studio Centre for Lively Arts (#170)
Artscape Wychwood Barns, 601 Christie St.

Tree(ipod)installation evokes the possibility of developing technologies that are nature-centric rather than human-centric in order to breathe life back into the idea of an enchanted forest. The installation invites the viewer to walk through an environment, where the location of the body as it moves through the installation space triggers new auditory experiences for both plant and viewer.

October 8, 2009 (8 PM) $15/$10
Jean Pichˆ© Retrospective (1999-2009)
Videomusic Presentation
@ Loop Studio Centre for Lively Arts, Artscape Wychwood Barns, 601 Christie #170, Toronto
+ October 9, 2009 (7-10 PM) FREE during the James Street North Art Crawl
@ The Factory, Hamilton Media Arts Centre,
126 James Street North, Hamilton, 905-577-9191 / www.hamiltonmediaarts.org

NAISA artistic director Darren Copeland has curated a program of videomusic works by Jean Pichˆ© that have been inspirational to the investigation of the videomusic genre by NAISA in its SOUNDplay programming since 2003. The works will be presented in Triple Screen HD in a concert format at the Loop Studio in Toronto and in an installation format with an artist Q&A at The Factory Media Arts Centre during the James Street North Art Crawl in Hamilton. The performance in Toronto will be preceded by Freida Abtan's new large scale videomusic work The Hands of the Dancer.

October 16 and 17, 2009, (8 PM) $15/$10
Sound-Image-Sound co-presented with Contact Contemporary Music
with works by Nancy Tobin, Christopher Fox and Brent Lee
The Loop Studio Centre for Lively Arts (#170)
Artscape Wychwood Barns, 601 Christie St.

The nature of listening, of performance, and of the integration of the visual with the auditory will be the focus of the performances on October 16 and 17 with a Toronto premiere of SUGARscape by Montrˆ©al’Äôs Nancy Tobin and performances by Contact Contemporary Music Ensemble of works by Christopher Fox and Brent Lee.

October 23 and 24, 2009, (8 PM) $15/$10
Pierre Hˆ©bert & Stefan Smulovitz perform + Locavore co-presented with Pleasure Dome
The Loop Studio Centre for Lively Arts (#170)
Artscape Wychwood Barns, 601 Christie St.

Pioneering Quˆ©bec animator Pierre Hˆ©bert returns with a collaborative performance with BC electroacoustic musician Stefan Smulovitz using viola, live digital animation and electroacoustics. Also, on the program is Locavore, a survey of recent short animation work from Toronto presented in partnership with Pleasure Dome and curated by Nick Fox-Gieg. The performance is preceded by the videomusic work a sudden change in the consistency of snow by Peter V. Swendson.

October 29 to 31, 2009
Sounds Scary
Oct 29 and 30 for schools please contact naisa@naisa.ca for booking
October 31, 2009, 9am - 5pm, for the public, FREE
Various locations at the Artscape Wychwood Barns, 601 Christie St.

Go on a Halloween sound treasure hunt at the Artscape Wychwood Barns and then learn about the secrets behind how sounds are made in the movies.
November 7, 2009, (8 PM) $15/$10
CONCRETE Toronto, a performance by Debashis Sinha & Yosuhiro Morinaga,
co-presented with CONCRETE
The NAISA Space (#252)
Artscape Wychwood Barns, 601 Christie St.

CONCRETE Toronto, presented by New Adventures in Sound Art, will be the first ever collaboration with Yasuhiro Morinaga (Tokyo) and Debashis Sinha (Toronto). Each artist has an extensive practice in sound/radiophonic art. Morinaga and Sinha will draw upon their large archives of field recordings to present a new auditory and visual actualization of musique concrˆ®te, filtered through a geographic and artistic experience that is informed by a new global reality of cultural and creative openness. Also included will be videomusic works \harmonium\ by Debashis Sinha and Liquid Amber by Maggie Payne.

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Opˆ©ra de Montrˆ©al - Des blogueurs en direct de la premiˆ®re

Montrˆ©al - L’ÄôOpˆ©ra de Montrˆ©al donne le coup d’Äôenvoi de sa nouvelle saison de maniˆ®re cybernˆ©tique et inˆ©dite : 5 blogueurs EN DIRECT pour saisir sur le vif les premiˆ®res impressions de la premiˆ®re production de la saison 30e anniversaire, le 26 septembre ˆÝ 20 h, dans le foyer de la salle Wilfrid-Pelletier de la Place des Arts, ˆÝ l’Äôoccasion de la prˆ©sentation du doublˆ© Pagliacci / Gianni Schicchi avec les stars du Quˆ©bec lyrique.

Les blogueurs invitˆ©s sont :
Franˆßoise Davoine ’Äì Espace classique, Radio-Canada
Pierre Cayouette ’Äì L’Äôactualitˆ©
Alain Brunet ’Äì La Presse
Thomas Leblanc ’Äì Nightlife Magazine
Christian Saint-Pierre ’Äì Voir

Chaque blogueur sera installˆ© ˆÝ un poste clairement identifiˆ© et saisira, ˆÝ l’Äôentracte et EN DIRECT sur son site respectif, ses impressions sur le spectacle et ce, sans censure. Les spectateurs pourront ainsi obtenir les premiˆ®res rˆ©actions in situ.

A l’Äôoccasion de la soirˆ©e de premiˆ®re de la premiˆ®re production de la saison, le doublˆ© Pagliacci/Gianni Schicchi, des compositeurs Leoncavallo et Puccini, les stars du Quˆ©bec lyrique ont ˆ©tˆ© rˆ©unis sur une mˆ�me scˆ®ne pour lancer en grande pompe la nouvelle saison : Marc Hervieux s’Äôapproprie le grand rˆ¥le de Paillasse, Marie-Josˆ©e Lord est Nedda, Etienne Dupuis Silvio, Marianne Fiset Lauretta, Antoine Bˆ©langer Rinuccio, Marie-Nicole Lemieux Zita et Gregory Dahl, Tonio et Gianni Schicchi.

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New Challenges, New Pieces: New Music Concerts 2009-2010

NEW challenges of playing NEW pieces by old friends and NEW composers

NEW MUSIC CONCERTS' 39th Season
New musical inventions that provoke, awaken and inspire

Toronto: "NEW challenges of playing NEW pieces by old friends and composers who are NEW to us. This is NEW MUSIC CONCERTS", proudly declares Robert Aitken, renowned flutist and founding artistic director of NMC. The venerable Toronto organization, entering its 39th season, once again offers a series of varied programs with music from across Canada and around the world. "Every year is different and we are excited to discover what is before us", adds Aitken.

As always, NMC looks forward to a colourful variety of challenges in a quest for outstanding performances. The 2009-2010 season is particularly rich and varied, beginning on October 17 with My 20th Century by Montreal composer & guitar virtuoso Tim Brady. The continuous 80 minute multi-media work pays tribute to iconic figures of the 20th century such as Dmitri Shostakovich and John Lennon. With Bradyworks and videographers Martin Messier and Oana Suteu.

On December 13, New Music Concerts honours Estonian/Canadian composer Udo Kasemets with Happy Birthday, Udo! The evening features the Canadian premiere of fraCtal fibONaCciERTO. This extended work for piano and mixed ensemble demonstrates a number of distinct aspects of Kasemets' approach to composition, and spotlights pianist Stephen Clarke with the NMC Ensemble.

Poland has long enjoyed the reputation of spawning some of the world's most successful and controversial composers. NMC enters 2010 with a four-day Polish festival beginning on January 10 with Zygmunt Krauze and the Polish Perspective. Distinguished pianist/composer Zygmunt Krauze has curated a program of Canadian premieres by challenging young Polish composers and including Pawel Szymanski, who has proved himself one of the most uncompromising composers of our times. On January 11, Zygmunt Krauze gives a special benefit recital for New Music Concerts (non-subscription event) which will include his own improvisations on the music Chopin and Lutoslawski. NMC also offers a Free Public Lecture by Zygmunt Krauze at the Faculty of Music, University of Toronto on January 12. And on January 13, Poland's versatile musician Agata Zubel, who is enjoying a rising double career as composer and soprano, performs music for solo voice with piano and electroacoustic accompaniment.

On February 14, New Music Concerts celebrates Valentine's Day and the Lunar New Year with premieres by Chinese-Canadian husband and wife Chan Ka-Nin and Alice Ping Yee Ho. The evening features Chinese dancer William Lau, and percussionist Beverley Johnston with the New Music Concerts Ensemble and Robert Aitken, flute & direction.

March 12 is dedicated to the music of Jonathan Harvey, one of Britain's most exciting composers today. Bird Concerto with Pianosong, a work involving multiple keyboards, live electronics and large ensemble forms the centrepiece of the concert. Harvey's colleague Geoffrey Palmer has created a new work for solo flute and ensemble especially for this occasion. The concert is presented in conjunction with the University of Toronto Faculty of Music, where Harvey is the Michael and Sonja Koerner Distinguished Visitor in Composition.

This season, organizations across the country are paying tribute to iconic Quˆ©bec composer Gilles Tremblay. On April 10, NMC welcomes Victoria's Aventa Ensemble (William Linwood, director) to present two of Tremblay's most distinctive works, alongside commissioned works by British Columbia-based composers. The concert also features baritone Vincent Ranallo and contralto Noa Frenkel.

Brian Current's inspiring success as a composer and conductor has put him in touch with many of today's uniquely talented young composers. On May 28, New Music Concerts presents Brian's Picks. For the occasion, the young Canadian composer has created a provocative program of contemporary activity from across Canada, Germany and France. He conducts the New Music Ensemble performing works by Nicole Lizˆ©e, Oliver Schneller, Fabien Levy, Enno Poppe, Analia Llugdar and of course, Current!


New Music Concerts
2009-2010

Saturday October 17, 2009
Concert honouring the 35th anniversary of the founding of the Toronto Arts Council
Isabel Bader Theatre, 93 Charles St. West
Tim Brady ’Äì My 20th Century
Bradyworks: Tim Brady, guitar; Andrˆ© Leroux, saxophone; Catherine Meunier, percussion;
Pamela Reimer, piano; David Cronkite, sampler
Tim Brady (Canada, 1956) ’Äì My 20th Century (2003-2006):
Strumming (Hommage ˆÝ John Lennon) - guitar + tape
Traces (hommage ˆÝ Charlie Christian) - guitar, saxophone, percussion, piano, sampler
Hommage ˆÝ Rosa Luxemburg (Casino Adagio) - guitar, tape, virtual strings
Double Quartet (hommage ˆÝ Shostakovich) - guitar, saxophone, percussion, piano, sampler

Tim Brady's continuous 80 minute multi-media work pays tribute to iconic figures of the 20th century, with video artists Martin Messier and Oana Suteu.

7:15 Illuminating Introduction with the composer / 8PM Concert
Tickets: $30 (reg)/$20 (seniors/arts workers)/$10 (students)
Box office: (416) 961-9594


Sunday December 13, 2009
Betty Oliphant Theatre, 404 Jarvis St.
Happy Birthday Udo!
Stephen Clarke; New Music Concerts Ensemble; Robert Aitken;
Udo Kasemets (Estonia/Canada, 1919) ’Äì fraCtal fibONaCciERTO (1997) for piano and mixed ensemble

This extended work demonstrates distinct aspects of Kasemets' approach to composition. Dedicatee Stephen Clarke first performed this work with the S.E.M. Ensemble in New York.

7:15 Illuminating Introduction with the composer / 8PM Concert
Tickets: $30 (reg)/$20 (seniors/arts workers)/$10 (students)
Box office: (416) 961-9594

January Polish festival events sponsored by the Consulate General of the Republic of Poland in Toronto:

Sunday January 10, 2010
Glenn Gould Studio, 250 Front St. West
Zygmunt Krauze and the Polish Perspective
New Music Concerts Ensemble; Zygmunt Krauze, piano and direction; Agata Zubel, soprano
Pawel Mykietyn (Poland, 1971) ’Äì 3 for 13 (1994)
Agata Zubel (Poland, 1978) ’Äì Cascando (2004) for soprano, flute, clarinet, violin and cello
Zygmunt Krauze (Poland, 1938) ’Äì Piano Quintet (1993)
Zygmunt Krauze ’Äì Polychromie (1968) for clarinet, trombone, piano and cello
Pawel Szymanski (Poland, 1954) ’Äì Concerto ˆÝ 4 (2004)
Wojtek Blazejczyk (Poland, 1981) ’Äì *M.A.D. (2007) for 12 players
*Mutually Assured Destruction

Poland has long enjoyed the reputation of spawning some of the world's most successful and controversial composers. Pianist/composer Zygmunt Krauze has curated a program of Canadian premieres by challenging young Polish composers and including Pawel Szymanski, who has proved himself one of the most uncompromising composers of our times.

7:15 Illuminating Introduction with the composers / 8PM Concert
Tickets: $30 (reg)/$20 (seniors/arts workers)/$10 (students)
Box office: (416) 961-9594


Monday January 11, 2010 at 7:00 PM
Special (non-subscription) Fundraising Event
Zygmunt Krauze, piano
Gallery 345, 345 Sorauren Ave.
Frˆ©dˆ©ric Chopin (Poland, 1810-1849) ’Äì Mazurka in A minor op. 67, no. 4 (1846) with improvisations
Witold Lutos‰Çawski (Poland, 1913-1994) ’Äì Mˆ©lodies populaires (1945) with improvisations
Zygmunt Krauze (Poland, 1938) ’Äì Six folk melodies (1957); Refrain (1993); Nightmare Tango (1987); Stone Music (1972); Gloves Music (1972)

Zygmunt Krauze gives a special benefit recital for new Music Concerts which will include his own improvisations on the music Chopin and Lutoslawski. The $50 admission includes a wine and cheese reception and a charitable receipt will be issued for the portion allowable under Canada Revenue Agency guidelines. Reservations: (416) 961-9594


Affiliated event:
Tuesday January 12 at 7:00 PM
Faculty of Music, University of Toronto, Edward Johnson Building Room 216
Free Public Lecture by Zygmunt Krauze



Wednesday January 13, 2010
Music Gallery at St. George the Martyr, 197 John St.
Contemporary Vocal Recital with Agata Zubel, soprano
Karol Szymanowski (Poland, 1882-1937) ’Äì (3) Kurpian Songs (1929) voice and piano
Alban Berg (Austria, 1885-1935) ’Äì (3) Frˆºhe Lieder (1907) voice and piano
Pawel Szymanski (Poland, 1954) ’Äì Drei Lieder nach Trakl (2002) voice and piano
Luciano Berio (Italy 1925-2003) ’Äì Sequenza III (1966) for solo voice
Cezary Duchnowski (Poland, 1971) ’Äì Disheveled Grasses (2002) for voice and soundfiles
Agata Zubel ’Äì Parlando (2000) for voice and sound files
Alejandro Viˆ±ao (Argentina/UK, 1951) ’Äì Chant d'Ailleurs (1991) for voice and sound files

Agata Zubel, who is enjoying a rising double career as composer and soprano, performs music for solo voice with piano and electroacoustic accompaniment.

7:15 Illuminating Introduction with the composers / 8PM Concert
Tickets: $30 (reg)/$20 (seniors/arts workers)/$10 (students)
Box office: (416) 961-9594


Chinese New Year/Valentine's Day
Sunday February 14, 2010
Betty Oliphant Theatre, 404 Jarvis St.
William Lau, Chinese dancer; Beverley Johnston, percussion; New Music Concerts Ensemble; Robert Aitken, flute & direction
Christos Hatzis (Greece/Canada, 1953) ’Äì In the Fire of Conflict (2009) for marimba and sound files
Chinary Ung (Cambodia, 1942) Cinnabar Heart (2009) for marimba
Chan Ka Nin (Hong Kong/Canada, 1949) ’Äì The Consequential Web of Life (2009) for mixed ensemble (world premiere, NMC Canada Council commission)
Alice Ping Yee Ho ’Äì Dance Concerto (2008) for flute, strings and percussion and Chinese Dancer (Toronto premiere)

New Music Concerts celebrates Valentine's Day and the Lunar New Year with premieres by Chinese-Canadian husband and wife Chan Ka-Nin and Alice Ping Yee Ho.

7:15 Illuminating Introduction with the composers / 8PM Concert
Tickets: $30 (reg)/$20 (seniors/arts workers)/$10 (students)
Box office: (416) 961-9594


Friday March 12, 2010
Betty Oliphant Theatre, 404 Jarvis St.
Jonathan Harvey
Hidˆ©ki Nagano, piano; New Music Concerts Ensemble; Robert Aitken, flute and direction;
Jonathan Harvey (England, 1939) ’Äì The Riot (1993) for flute/piccolo; bass clarinet; piano
Jonathan Harvey ’Äì Varja (1972-2009) for chamber ensemble (World premiere, Michael and Sonja Koerner Distinguished Visiting Composer at the University of Toronto commission)
Geoffrey Palmer (England, 1951) ’Äì Flute Concerto - 55 Cancri (2009) for solo flute and chamber ensemble (World premiere NMC commission)
Jonathan Harvey ’Äì Bird Concerto with Pianosong (2001) for solo piano/sampling keyboard, chamber ensemble and live electronics

A work involving multiple keyboards, live electronics and large ensemble forms the centrepiece of a concert featuring Jonathan Harvey, one of Britain's most exciting composers today. Harvey's former student Geoffrey Palmer has created a new work for solo flute and ensemble especially for this occasion. The concert is presented in conjunction with the University of Toronto Faculty of Music, where Harvey is the Michael and Sonja Koerner Distinguished Visitor in Composition.

7:15 Illuminating Introduction with the composers / 8PM Concert
Tickets: $30 (reg)/$20 (seniors/arts workers)/$10 (students)
Box office: (416) 961-9594

’Ä®Affiliated Events:
Tuesday March 9, 2010 at 7:00 PM
Faculty of Music, University of Toronto, Edward Johnson Building, Room 330
Composers' Forum with Jonathan Harvey (Free Public Lecture by the Michael and Sonja Koerner Distinguished Visitor in Composition)

Saturday March 13, 2010 at 8:00 PM
St. Anne's Anglican Church, 270 Gladstone Ave.
Soundstreams Canada presents "A Now of Magnificent Sound ’Äì e. e. cummings" with choral music by Jonathan Harvey (www.soundstreams.ca)


Saturday April 10, 2010
A Tribute to Gilles Tremblay
Aventa Ensemble; Vincent Ranallo, baritone; Noa Frenkel, contralto; William Linwood, director
Betty Oliphant Theatre, 404 Jarvis St.
Gilles Tremblay (Canada, 1932) ’Äì Solstices
Dˆ°niel Pˆ©ter Birˆ„ (Hungary/USA, 1969) ’Äì Mishpatim Part 3 (2009) for contralto and ensemble
Wolf Edwards (Canada, 1972) ’Äì Altus (2009)
Gilles Tremblay ’Äì ˆÄ quelle heure commence le temps? (1999) for baritone and ensemble

This season organizations across the country are paying tribute to iconic Quˆ©bec composer Gilles Tremblay. Victoria's Aventa Ensemble presents two of his most distinctive works, alongside commissioned works by British Columbia-based composers.

7:15 Illuminating Introduction with the composers / 8PM Concert
Tickets: $30 (reg)/$20 (seniors/arts workers)/$10 (students)
Box office: (416) 961-9594


Friday May 28, 2010
Music Gallery at St. George the Martyr, 197 John St.
Brian's Picks
New Music Concerts Ensemble; Brian Current, direction
Nicole Lizˆ©e (Canada, b.1973) ’Äì Television (2001) for 2 percussion
Oliver Schneller (Germany, b.1969) ’Äì Trio (1998-1999) accordion, cello and piano
Brian Current (Canada, b.1972) ’Äì Faster Still (2004) violin, piano and string quartet
Fabien Levy (France, b.1968) ’Äì I. Querwˆºchsig (2006, rev 2009) for 11 players
Enno Poppe (Germany, b.1969) ’Äì Salz (2005) for 9 players
Analia Llugdar (Canada, b.1972) ’Äì Todos los recuerdos presentes envolvˆ‚an ese sonido y algo me mirˆ„ (2007) for 15 players

Brian Current's inspiring success as a composer and conductor has put him in touch with many of today's uniquely talented young composers. He has created a provocative program of contemporary activity from across Canada, Germany and France.

7:15 Illuminating Introduction with the composers / 8PM Concert
Tickets: $30 (reg)/$20 (seniors/arts workers)/$10 (students)
Box office: (416) 961-9594

TICKET INFORMATION
Full season subscription: $150 regular | $100 senior/arts worker | $40 student
Pick 3 or more (per event): $25 reg | $15 snr/arts | $7.50 studen
Individual Tickets: - $30 (reg)/$20 (seniors/arts workers)/$10 (students)

New Music Concerts
157 Carlton Street, Suite 203 Toronto ON M5A 2K3
416.961.9594 / fax 416.961.9508
nmc@interlog.com / www.NewMusicConcerts.com

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Le Trio Hochelaga en rˆ©sidence au Conservatoire

Montrˆ©al ’Äî Le directeur du Conservatoire de musique de Montrˆ©al, Raffi Armenian, est trˆ®s heureux d’Äôannoncer une nouvelle collaboration, avec l’Äôarrivˆ©e en rˆ©sidence du Trio Hochelaga. Le Conservatoire, qui dˆ©sire pousser plus loin son enseignement et son implication dans la promotion de la musique de chambre, est particuliˆ®rement heureux de cette collaboration, qui permettra de mettre ˆÝ contribution son expertise et d’Äôenrichir tant la formation que l’Äôexpˆ©rience de ses ˆ©lˆ®ves.

Maintenant qu’Äôil a son pied-ˆÝ-terre dans les nouveaux espaces permanents du Conservatoire de musique de Montrˆ©al, au 4750 de la rue Henri-Julien, en plein c‰ìur du Plateau Mont-Royal, le Trio Hochelaga convie le public ˆÝ un premier concert, dans le cadre de la nouvelle sˆ©rie Les Soirˆ©es du vendredi, le 25 septembre ˆÝ 20 heures, ˆÝ la salle de concert du Conservatoire de musique de Montrˆ©al.

Prix d’Äôentrˆ©e : 5 $. Stationnement disponible sur l’Äôavenue Henri-Julien au coˆªt de 5 $.

Au programme :
Haydn : Trio en mi bˆ©mol majeur, Hob.XV/30
Mendelssohn : Trio no 2 en do mineur, opus 66
Smetana : Trio en sol mineur, opus 15

Les artistes qui composent le Trio Hochelaga sont la violoniste Anne Robert, professeur au Conservatoire de musique de Montrˆ©al, le violoncelliste Paul Marleyn, professeur de violoncelle et coordonnateur du dˆ©partement de musique de chambre ˆÝ l’ÄôUniversitˆ© d’ÄôOttawa, et le pianiste Stˆ©phane Lemelin, professeur titulaire et directeur de l’Äôˆâcole de musique ˆÝ l’ÄôUniversitˆ© d’ÄôOttawa.

Fondˆ© en 2000, le Trio Hochelaga s’Äôest trˆ®s rapidement distinguˆ© sur la scˆ®ne musicale canadienne comme l’Äôun des plus importants ensembles de musique de chambre au pays. Les membres du trio ont choisi de partager leur passion pour un rˆ©pertoire de musique de chambre, allant de l’Äôˆ©poque classique ˆÝ la musique d’Äôaujourd’Äôhui. Interprˆ®tes des grandes ‰ìuvres du rˆ©pertoire, ils accordent une place particuliˆ®re ˆÝ la musique franˆßaise, dont ils se donnent le mandat d’Äôexplorer les richesses mˆ©connues.

Nous vous invitons ˆÝ consulter rˆ©guliˆ®rement le site Web du Conservatoire ˆÝ l'adresse suivante : www.conservatoire.gouv.qc.ca

Pour obtenir plus d'information, vous pouvez nous joindre au 514 873-4031.

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Orchestre Symphonique de Laval-Anton Kuerti-concert du mercredi 30 septembre

Beethoven, TchaˆØkovsky et Anton Kuerti
Pour un concert d'ouverture magistral!
Le mercredi 30 septembre ˆÝ 20 h

Laval’Äì L'Orchestre symphonique de Laval inaugure avec faste sa 24e saison en prˆ©sentant le Concerto pour piano et orchestre no 5 en mi bˆ©mol majeur, op. 73, de Beethoven et une ‰ìuvre choisie par le public, l'imposante Symphonie no 5 en mi mineur, op. 54, de TchaˆØkovsky. Cette ‰ìuvre a ˆ©tˆ© dˆ©signˆ©e, au printemps 2009, comme le ¬´ Coup de c‰ìur ¬ª du public dans le cadre d'un sondage visant ˆÝ connaˆÆtre la piˆ®ce que l'auditoire aimerait entendre lors du premier concert de la saison 2009-2010. Chose promise, chose due! Le public de l'OSL aura non seulement la chance d'entendre cette ‰ìuvre grandiose, mais aussi le privilˆ®ge d'une rencontre avec Anton Kuerti, celui que le Fanfare Magazine considˆ®re comme le plus grand pianiste vivant! Ce grand concert sera prˆ©sentˆ© le mercredi 30 septembre ˆÝ 20 h, ˆÝ la salle Andrˆ©-Mathieu de Laval. Alain Trudel vous donne rendez-vous pour sa confˆ©rence d'avant-concert dˆ®s 19 h 15.

Anton Kuerti

Le pianiste Anton Kuerti est nˆ© en Autriche, a grandi aux ˆâtats-Unis et a vˆ©cu la majeure partie de sa vie adulte au Canada. Jeune surdouˆ©, il n'a que 11 ans lorsqu'il interprˆ®te le Concerto de Grieg avec Arthur Fiedler, et il est encore aux ˆ©tudes lorsqu'il remporte le prestigieux et convoitˆ© Prix Leventritt. Anton Kuerti a jouˆ© dans 39 pays, dont le Japon et la Russie, ainsi que dans la plupart des pays europˆ©ens. Il s'est ˆ©galement produit avec les principaux orchestres et chefs d'orchestre des ˆâtats-Unis. Son vaste rˆ©pertoire compte quelque 50 concertos, dont l'une de ses propres compositions, et il est l'un des artistes contemporains ayant rˆ©alisˆ© le plus d'enregistrements, dont l'intˆ©grale des concertos et sonates de Beethoven. Au Canada, Anton Kuerti s'est produit avec tous les orchestres professionnels et devant 140 communautˆ©s, d'un ocˆ©an ˆÝ l'autre. Il a, entre autres, donnˆ© 39 concerts avec l'Orchestre symphonique de Toronto. Anton Kuerti a, de plus, participˆ© ˆÝ de nombreux festivals importants et a dˆ©montrˆ©, ˆÝ plusieurs occasions, une endurance remarquable en interprˆ©tant les cinq concertos de Beethoven et la Fantaisie chorale, ou les cinq derniˆ®res sonates pour piano de Beethoven, en un seul long concert. ˆÄ titre de chambriste, il a collaborˆ© avec certains des plus influents artistes de la scˆ®ne internationale, tels Gidon Kremer, Yo-Yo Ma, Janos Starker et avec les quatuors Cleveland, Guarneri, Saint-Laurent et Tokyo.

Officier de l'Ordre du Canada, il a reˆßu de nombreux doctorats honorifiques et, en 2008, le Prix du Gouverneur gˆ©nˆ©ral, le plus grand honneur qui puisse ˆ�tre dˆ©cernˆ© ˆÝ un artiste canadien des arts de la scˆ®ne. ˆÄ noter qu'Anton Kuerti est ˆ©galement professeur, compositeur, organisateur de concerts et directeur artistique.

AU PROGRAMME

Ludwig van Beethoven (1770-1827)
Concerto pour piano et orchestre no 5 en mi bˆ©mol majeur, op. 73, ¬´ Empereur ¬ª, 1809
Soliste : Anton Kuerti

C'est en 1792 que Beethoven arrive ˆÝ Vienne pour y ˆ©tudier la composition auprˆ®s de grands maˆÆtres. Ville de musique, s'il en est une en cette fin du XV111e siˆ®cle, Beethoven ne tarde pas ˆÝ se faire un nom, et l'aristocratie, ˆ©prise de musique, se presse ˆÝ ses concerts. Dˆ®s lors, les portes des grandes familles viennoises s'ouvrent devant lui et son avenir de musicien semble assurˆ©. Quelques annˆ©es plus tard cependant, en 1800, des symptˆ¥mes inquiˆ©tants se manifestent au point qu'ils ne peuvent plus ˆ�tre ignorˆ©s : Beethoven devient sourd. Le musicien est dˆ©vastˆ© et envisage un moment de se suicider. Il rˆ©dige alors le cˆ©lˆ®bre Testament d'Heiligenstad dans lequel il confie son dˆ©sespoir. Reprenant ses esprits, il transformera ce mˆ©chant coup du sort en destin : il sera compositeur coˆªte que coˆªte. Le Concerto no 5 a ˆ©tˆ© composˆ© au cours de l'annˆ©e 1809, au moment oˆ¼ les troupes de Napolˆ©on assiˆ®gent Vienne. Au mois d'octobre, la signature du traitˆ© de paix de Vienne permet ˆÝ Beethoven d'achever l'ˆ©criture de la partition dˆ©laissˆ©e durant les bombardements. L'‰ìuvre est dˆ©diˆ©e ˆÝ l'archiduc Rodolphe, fils de l'empereur Lˆ©opold II d'Autriche et protecteur du musicien. Le concerto a ˆ©tˆ© crˆ©ˆ© le 28 novembre 1810 ˆÝ Leipzig par l'orchestre du Gewandhaus. La surditˆ© du compositeur ˆ©tant trop avancˆ©e, la partie du soliste est alors interprˆ©tˆ©e par le pianiste Friedrich Schneider. Partisan des idˆ©es de la Rˆ©volution franˆßaise, Beethoven a profondˆ©ment incarnˆ© ces principes dans sa musique. Dans son ultime concerto pour piano, il n'est pas exagˆ©rˆ© de dire que le soliste dialogue avec toute la masse sonore de l'orchestre en toute libertˆ©, ˆ©galitˆ© et fraternitˆ©.

ENTRACTE

Piotr Ilyitch TchaˆØkovsky (1840-1893)
Symphonie no 5 en mi mineur, op. 54, 1888

Musicien indˆ©niablement russe, TchaˆØkovsky n'en est pas moins influencˆ© par la forme et les techniques de composition occidentales. Curieux, ˆ©clectique, il touche ˆÝ tous les genres musicaux avec beaucoup de succˆ®s : opˆ©ra, concerto, musique de chambre. En 1876, il compose le Lac des cygnes et crˆ©e ainsi le ballet symphonique. TchaˆØkovsky a ˆ©crit six symphonies auxquelles on se doit d'ajouter Manfred, cette autre symphonie, bien qu'elle n'en porte pas le titre. Si les trois premiˆ®res symphonies s'avˆ®rent de facture plus classique quant ˆÝ leur inspiration, les trois derniˆ®res nous font entrer dans l'univers psychologique du compositeur et renvoient ˆÝ des idˆ©es extramusicales comme l'obsession du destin. Ce thˆ®me du fatum, que l'on entend justement ici, et ce, dˆ®s le dˆ©but du premier mouvement, traversera les quatre mouvements de l'‰ìuvre. La Symphonie no 5 fut crˆ©ˆ©e ˆÝ Saint-Pˆ©tersbourg le 5 novembre 1888, sous la direction du compositeur.

Concert : 30 septembre ˆÝ 20 h, salle Andrˆ©-Mathieu
Le concert est une prˆ©sentation de Protectron.
Les billets pour ce concert sont disponibles
En ligne : www.salleandremathieu.com
Au guichet de la salle Andrˆ©-Mathieu : 475, boul. de l'Avenir, Laval
Par tˆ©lˆ©phone, billetterie de la salle Andrˆ©-Mathieu : (450) 667-2040
Via le Rˆ©seau admission : (514) 790-1245

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Portland Symphony Orchestra and Portland OvationsSpearhead Portland's First "Incubator" for the Performing Arts

PORTLAND, Maine ’Äì The Portland Symphony Orchestra (PSO) and Portland Ovations (formerly known as PCA Great Performances/Portland Concert Association) began co-habitating over 10 years ago when they decided to share office space in addition to their already shared venue space and box office systems. The shared space and systems worked so well for Portland's two largest performing arts organizations that they began to think on a grander scale. They hatched the idea of creating an arts "incubator" ’Äì a shared space where performing arts organizations can work together, pool resources and collaborate on concepts, projects, and back-office needs.

That concept came to fruition last August when the PSO and Portland Ovations moved to a larger space. The two organizations signed the lease, and invited the Friends of the Kotzschmar Organ (FOKO) to join them. Portland's Choral Art Society and the LARK Society for Chamber Music joined the group at their new home, 50 Monument Square, in the spring of 2009.

"We'd already made the decision that if an appropriate larger space became available, we'd move our offices together and invite other, smaller performing arts organizations to join us," said PSO Executive Director Ari Solotoff. "We know how hard it is for small organizations to afford office space and overhead on their own, and the collaboration seemed like a natural fit."

In the shared space the organizations are able to share conference facilities as well as costs of overhead including office equipment and machinery.

But more than just a fiscally responsible option, the shared space also represents an opportunity for artistic collaboration between groups that often already worked closely together. They now have immediate access to one another ’Äì and an easily shared network of volunteers.

"Many of us often worked closely together before, but now everyone is together, sharing space and energy and ideas ’Äì and everyone benefits," noted Portland Ovations Executive Director, Aimˆ©e Petrin. "There's a terrific amount of vitality and artistic collaboration going on here. It's a great place to be."

The 50 Monument Square building is owned by Youth Alternatives Ingraham, a Portland social services agency that is dedicated to advancing healthier lives, happier families, and stronger communities.

"The fact that our building is owned and managed by a local organization dedicated to strengthening community and serving other local organizations feels good," said Kathleen Grammer, FOKO's executive director. "And the fact that we're all in the arts district together alongside galleries, museums, and right down the street from our home venue is perfect."

Around the corner from their administrative space, Merrill Auditorium is the artistic home of the PSO (and their 82 professional musicians), Portland Ovations and FOKO. A 1,908-seat performing arts facility located in the Arts District of downtown Portland, the Auditorium was originally built in 1912 to replace two former halls both destroyed by fire. In 1997 Merrill Auditorium was completely renovated with improved acoustics, sightlines and stage facilities. Since the restoration, Merrill Auditorium has established itself as one of New England's finest performing arts centers. Merrill is also home to PortTix, Portland's box office and ticketing system for many arts events in Portland.

"Portland has a strong history of collaboration among its arts organizations, and our programming represents that more every year," said PSO Music Director Robert Moody. "We are especially proud to have begun Portland's first 'performing arts incubator', so to speak, and we are already seeing an upsurge in the energy and teamwork taking place between all of these great organizations."

About Portland Symphony Orchestra:’Ä®Serving the city of Portland, the state of Maine, and northern New England, the Portland Symphony Orchestra (PSO) is the largest performing arts organization in Maine. With critically acclaimed performances and broad community engagement, the PSO is widely regarded as one of the top symphony orchestras of its size in the country. Established in 1923, 2009-10 marks the organization's 85th anniversary season. For more information about the PSO visit www.portlandsymphony.com.

About Portland Ovations:’Ä®For nearly 80 years, Portland Ovations, the non-profit organization formerly known as PCA Great Performances/Portland Concert Association, has brought a dynamic season of exceptional performing artists to Maine including classical music, jazz, opera, world, dance, theater, and Broadway. In addition to their live performances, Portland Ovations brings the exhilaration of the performing arts out into the greater Portland community with season-long educational and outreach programs called Ovations Offstage. For more information about the organization and their programming visit www.portlandovations.org.

About FOKO:’Ä®Friends of the Kotzschmar Organ (FOKO) was founded in 1981 as a result of the city of Portland's need to withdraw funding for the municipal organ housed in Merrill Auditorium due to financial limitations. Dedicated to the preservation and promotion of the Kotzschmar, FOKO's responsibilities include raising funds, presenting concerts and engaging the services of a Municipal Organist. For more information about the Kotzschmar, the guest organists and the season, visit www.foko.org.

About CAS:’Ä®The Choral Art Society (CAS) has more than 150 singers who perform in three distinct ensembles: the symphonic Masterworks Chorus, the mid-sized Choral Art Singers, and the intimate a cappella Camerata. All singers are skilled amateurs, selected by audition. The Society offers an annual concert series and appears regularly as guests of the Portland Symphony Orchestra. Robert Russell, professor of music at the University of Southern Maine, is the conductor and artistic director of the CAS. For more information about the CAS and performances visit www.choralart.org or call (207) 828-0043.

About The LARK Society for Chamber Music:’Ä®Taking its name from the initials of the Portland String Quartet (PSQ) members' surnames and from a Haydn quartet, "The Lark", The LARK Society for Chamber Music was formed in 1980 to promote chamber music and music education in Maine. In addition to presenting the Portland Concert Series, LARK supports the PSQ's educational outreach activities throughout the state. For more information visit www.portlandstringquartet.org or call (207) 761-1522.

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Lancement d'une ˆ©cole de guitare flamenca ˆÝ Montrˆ©al : Acadˆ©mie de Guitare Flamenca

’Ä®Cet automne, l'Acadˆ©mie de Guitare Flamenca dˆ©butera ses activitˆ©s. Conˆßu pour les guitaristes soucieux d'avoir une formation solide en guitare flamenca, cette acadˆ©mie est fondˆ©e par les guitaristes Roger Lapierre et Michel Beauchamp, tous deux membres fondateurs de la troupe Tradiciˆ„n Flamenca.

Le concept est celui de cours de groupe oˆ¼ l'enseignement est dispensˆ© tour ˆÝ tour par les deux professeurs. Roger Lapierre compte plus de 45 ans d'expˆ©rience dans le monde flamenco ici, aux ˆâtats-Unis et en Espagne. Michel Beauchamp est titulaire d'un premier prix de conservatoire en guitare classique et enseigne la guitare depuis plus de 25 ans. Ces deux approches se complˆ®tent et enrichissent l'enseignement offert ˆÝ l'Acadˆ©mie de Guitare Flamenca. Les cours abordent les aspects technique, thˆ©orique et pratique en plus de l'accompagnement de la danse et du chant.
La premiˆ®re session de 12 semaines dˆ©butera le jeudi 1er octobre 2009 et se terminera le jeudi 17 dˆ©cembre 2009. La durˆ©e des cours est de 2 heures et dˆ©buteront ˆÝ 19 h 30. Les cours ont lieu au 5535b rue Chapleau ˆÝ Montrˆ©al.

Pour informations ou inscriptions, signaler le 514.389.0398 ou rendez-vous ˆÝ : http://pages.globetrotter.net/salon.tarrega

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Banque d’Äôinstruments de musique du Conseil des Arts du Canada

Ottawa ’Äì Le Conseil des Arts du Canada prˆ©sentera les 14 laurˆ©ats du concours de la Banque d'instruments de musique le jeudi 24 septembre. Lors de la confˆ©rence de presse, les laurˆ©ats recevront officiellement l'instrument de la Banque qu'ils auront prˆ©alablement sˆ©lectionnˆ©.

La valeur des treize instruments ˆÝ cordes de qualitˆ© et de l'archet de violoncelle totalise plus de 26 millions de dollars (US). Il s'agit du plus important concours jamais organisˆ© par la Banque d'instruments de musique du Conseil des Arts.

Les noms des gagnants, leurs notices biographiques et des photographies tˆ©lˆ©chargeables seront affichˆ©s au www.conseildesarts.ca, dˆ®s 11 h, le 24 septembre.

Le jeudi 24 septembre ˆÝ 20 h, les quatorze laurˆ©ats prˆ©senteront un concert gratuit au Studio Glenn’ÄëGould. Pour rˆ©server vos billets communiquez avec prix.dotations@conseildesarts.ca ou 1’Äë800’Äë263’Äë5588, poste 4215. Les reprˆ©sentants des mˆ©dias sont ˆ©galement invitˆ©s au concert et ˆÝ la rˆ©ception.

Les ‰ìuvres interprˆ©tˆ©es par les musiciens seront enregistrˆ©es et diffusˆ©es ultˆ©rieurement ˆÝ l'ˆ©mission Soirˆ©es classiques animˆ©e par Michel Keable sur les ondes d'Espace musique, la radio musicale de Radio-Canada et ˆÝ l'ˆ©mission Tempo animˆ©e par Julie Nesrallah sur CBC Radio 2. Elles seront ˆ©galement diffusˆ©es le dimanche 4 octobre ˆÝ l'ˆ©mission In Concert animˆ©e par Bill Richardson sur ’Ä®CBC Radio 2.

ˆÄ propos du concours
De jeunes musiciens talentueux se feront concurrence pour le prˆ�t ’Äì pour une pˆ©riode de trois ans ’Äì de l'un des treize instruments ˆÝ cordes de qualitˆ© et un archet de violoncelle fabriquˆ©s entre 1689 et 1902. Pendant la semaine du 20 septembre, les musiciens se produiront devant un jury de trois experts qui ont une vaste connaissance de la musique choisiront les laurˆ©ats de cette annˆ©e.

Banque d'instruments de musique
Crˆ©ˆ©e en 1985, la Banque d'instruments de musique acquiert des instruments ˆÝ cordes exceptionnels grˆ¢ce ˆÝ des dons et des prˆ�ts, et elle les prˆ�te ensuite ˆÝ de jeunes musiciens canadiens talentueux afin de contribuer au dˆ©veloppement de leur carriˆ®re internationale de solistes ou de chambristes. Les laurˆ©ats du concours disposent des instruments pour une pˆ©riode de trois ans.

Renseignements gˆ©nˆ©raux
Outre son rˆ¥le premier de promouvoir et de favoriser les arts, le Conseil des Arts du Canada administre plusieurs bourses et prix prestigieux en art, sciences humaines, sciences sociales, sciences naturelles, sciences de la santˆ©, gˆ©nie et gestion des arts. Ces prix et bourses reconnaissent les rˆ©alisations d'artistes, de chercheurs et d'administrateurs canadiens exceptionnels. Le Conseil des Arts du Canada s'est engagˆ© ˆÝ accroˆÆtre la sensibilisation du public envers ces personnes et organismes d'exception et ˆÝ leur rendre hommage ˆÝ l'ˆ©chelle nationale comme internationale.

Pour obtenir une liste complˆ®te de ces prix et bourses, veuillez consulter notre site web (www.conseildesarts.ca).

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En primeur ˆÝ Montrˆ©al La compagnie de danse-thˆ©ˆ¢tre australienne Force Majeure prˆ©sente The Age I’Äôm In

Cinquiˆ®me Salle de la Place des Arts
14 au 17 et 20 au 25 octobre 2009

¬´ Drˆ¥le et absolument exaltant, [’Ķ] imprˆ©gnˆ© d’Äôune beautˆ© constituˆ©e de simples et
candides moments de vˆ©ritˆ©, d’Äôespoir et d’Äôˆ©motion pure. ¬ª (Daily Telegraph)

Montrˆ©al ’Äì La Cinquiˆ®me Salle de la Place des Arts prˆ©sente - en primeur ˆÝ Montrˆ©al - Force Majeure, une jeune compagnie de danse-thˆ©ˆ¢tre australienne ˆÝ dˆ©couvrir absolument. Tout juste de retour du festival Ulster Bank Theatre Dublin, Force Majeure propose The Age I’Äôm In, un portrait vif et composite de la sociˆ©tˆ© australienne contemporaine, magnifiquement rendu par dix danseurs et acteurs ˆ¢gˆ©s de 15 ˆÝ 80 ans. Appuyˆ©e par un usage remarquable d’Äôˆ©crans numˆ©riques et du lipsynch, The Age I’Äôm In interpelle toutes les tranches d’Äôˆ¢ge avec humour, respect et sensibilitˆ©. La piˆ®ce a ˆ©tˆ© applaudie en Europe et en Australie, oˆ¼ elle recevait en 2009 un Australian Dance Award dans la catˆ©gorie ¬´ Performance exceptionnelle ¬ª. Placˆ©e sous la direction artistique de Kate Champion, ex-membre de la troupe londonienne DV8 Physical Theatre, la compagnie Force Majeure sera ˆÝ la Cinquiˆ®me Salle de la Place des Arts du 14 au 17 et du 20 au 25 octobre 2009.

¬´ Est-ce vraiment de la danse contemporaine ? Est-ce vraiment du thˆ©ˆ¢tre ? Qu’Äôimporte; c’Äôest du Kate Champion, du Force Majeure et c’Äôest brillant. ¬ª (Stage Noise)

Crˆ©ˆ©e en 2008, The Age I’Äôm In a pris l’Äôaffiche des grands festivals de Sydney et d’ÄôAdelaˆØde en Australie. Rˆ©flexion sur l’Äôexpˆ©rience humaine et l’Äôinˆ©vitable passage du temps, l’Äô‰ìuvre a ˆ©tˆ© ˆ©laborˆ©e ˆÝ partir d’Äôentrevues avec pas moins de 80 citoyens (extra) ordinaires. Politique, sexualitˆ©, solitude, drogue, vieillesse y sont abordˆ©s sans dˆ©tour. Danseurs et acteurs, jeunes et vieux, rendent superbement cette multiplicitˆ© de voix grˆ¢ce ˆÝ une technologie audiovisuelle ingˆ©nieuse, en symbiose unique avec la danse. ˆâtonnante et inventive, la piˆ®ce juxtapose les expˆ©riences de cinq gˆ©nˆ©rations; les destins, les langues et les valeurs s’Äôentrechoquent, se complˆ®tent, s’Äôignorent parfois. Aprˆ®s les reprˆ©sentations montrˆ©alaises, The Age I’Äôm In sera prˆ©sentˆ© ˆÝ Sˆ©oul en Corˆ©e du Sud.

Force Majeure est la premiˆ®re de trois compagnies australiennes ˆÝ ˆ�tre programmˆ©e dans la Saison Cinquiˆ®me Salle 2009-2010, une heureuse initiative de la Place des Arts, soutenue par le Conseil des arts de l’ÄôAustralie.

Force Majeure

Fondˆ© en 2002 ˆÝ Newton (en Australie), le collectif Force Majeure rassemble des artistes issus d’Äôhorizons multiples ’Äì danse, thˆ©ˆ¢tre, arts visuels, littˆ©rature ’Äì, dˆ©diˆ©s ˆÝ la crˆ©ation d’Äô‰ìuvres basˆ©es sur le mouvement. La direction artistique de l’Äôorganisme est assurˆ©e par Kate Champion, assistˆ©e par Roz Hervey et Geoff Cobham. Grˆ¢ce ˆÝ ses productions Already Elsewhere, Same Same But Different, Tenebrˆ¶ 1 + 2, The Sense of It (cinq courts mˆ©trages de danse) et The Age I’Äôm In, la compagnie connaˆÆt un succˆ®s toujours grandissant dans son pays d’Äôorigine et sur la scˆ®ne internationale. Le spectacle Already Elsewhere ˆ©tait, lui aussi, couronnˆ© d’Äôun Australian Dance Award dans la catˆ©gorie ¬´ Performance exceptionnelle ¬ª en 2005.

Kate Champion

Nˆ©e ˆÝ Sydney, Kate Champion a dansˆ© pour des compagnies de danse contemporaine renommˆ©es telles One Extra Company, Dance North et Australian Dance Theatre. Sa carriˆ®re est particuliˆ®rement influencˆ©e par Lloyd Newson, fondateur et directeur de DV8 Physical Theatre, avec qui elle a travaillˆ© en tant qu’Äôinterprˆ®te et assistante ˆÝ la production. Elle a incidemment participˆ© ˆÝ la crˆ©ation d’Äô‰ìuvres comme Enters Achilles, Strange Fish, The Happiest Day of My Life ainsi que The Cost of Living, une piˆ®ce commandˆ©e par le festival Olympic Arts en 2000 ˆÝ Sydney. Champion dˆ©veloppe son propre langage chorˆ©graphique depuis 1990.

Ne manquez pas la premiˆ®re escale montrˆ©alaise de Force Majeure avec The Age I’Äôm In, un spectacle aussi surprenant qu’Äôirrˆ©sistible. Rˆ©servez vite, les reprˆ©sentations ont lieu du 14 au 17, du 20 au 24 octobre ˆÝ 20h, le 25 octobre ˆÝ 16h, ˆÝ la Cinquiˆ®me Salle de la Place des Arts.

Ce spectacle de danse-thˆ©ˆ¢tre est prˆ©sentˆ© en anglais.

http://www.forcemajeure.com.au/ http://cinquiemesalle.com/

Toujours en prise avec les tendances de l’Äôavant-garde artistique, la Cinquiˆ®me Salle est dˆ©diˆ©e ˆÝ la prˆ©sentation d’Äô‰ìuvres de crˆ©ation d’Äôici et d’Äôailleurs, qu’Äôil s’Äôagisse de thˆ©ˆ¢tre, de danse ou de multi-mˆ©dia. ˆÄ dˆ©couvrir cet automne construct (Tanja Liedtke) et Une Maison propre (Thˆ©ˆ¢tre de l’ÄôOpsis).

Cinquiˆ®me Salle de la Place des Arts
175, rue Sainte-Catherine Ouest

Renseignements et rˆ©servations
Billetterie de la Place des Arts l 514.842.2112 ou 1.866.842.2112 l laplacedesarts.com

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Presenting Distant Worlds: Final Fantasy in concert with the Vancouver Symphony Orchestra!


Vancouver BC ’Äì The VSO presents Distant Worlds: Music from FINAL FANTASY, on Thursday, October 8, 2009, at the newly renovated Orpheum Theatre. The concert will feature Nobuo Uematsu’Äôs award-winning music from Square Enix’Äôs enormously successful FINAL FANTASY video game series, performed by the Vancouver Symphony Orchestra and conducted by Grammy award-winner Arnie Roth. State of the art videos will be projected on screens to showcase the games most memorable and thrilling sequences. This concert will also feature the North American premiere performance of the FINAL FANTASY VII Main Theme.

FINAL FANTASY is a worldwide sensation, and one of the most successful video game franchises in the history of gaming. One of the top-selling video game franchises, FINAL FANTASY has created a lasting legacy in the video game world as one of the most innovative and influential role-playing games ever released. It has received worldwide critical acclaim for its originality, graphics, and of course, its rich, sumptuous, exciting music scores. Tickets are on-sale now and selling very quickly! Some good seats remain, and are available online at www.vancouversymphony.ca, or through VSO Customer Service at 604.876.3434.

Video game music has become increasingly popular in the last decade with the advancement of gaming console technology and has become essential in enhancing a game’Äôs overall experience. In fact, the music of FINAL FANTASY has become just as popular as the ongoing video game franchise due to its epic scores, which incorporate a variety of musical styles. The series veteran composer Nobuo Uematsu was named as one of the ’ÄúInnovators’Äù in Time Magazine’Äôs ’ÄúTime 100: The Next Wave ’Äì Music’Äù feature.

A classically trained violinist, conductor, composer, producer and Grammy award-winning artist, Arnie Roth performs across a wide array of musical genres. Mr. Roth has performed with a host of artists, including Il Divo, Diana Ross, Jewel, and Josh Groban. He is also a long-time member of the Grammy award-winning group Mannheim Steamroller. Orchestras which Mr. Roth has conducted include the London Symphony Orchestra, Los Angeles Philharmonic, BBC Symphony, San Francisco Symphony, and Tokyo Philharmonic. Mr. Roth was the music director and conductor of the ’ÄúDear Friends: music from FINAL FANTASY’Äù and ’ÄúVOICES: music from FINAL FANTASY’Äù concerts. He then became the principal conductor and music director of PLAY! A Video Game Symphony featuring music from blockbuster video games such as FINAL FANTASY¬Æ, World of Warcraft¬Æ, Elder Scrolls III: Morrowind’Ñ¢ and Battlefield 1942’Ñ¢.

CONCERT INFO

Specials:
Final Fantasy in Concert
Thursday, October 8, 8pm, Orpheum Theatre
Arnie Roth, conductor

Tickets $25 to $65
Tickets available by phone at 604.876.3434 or online at www.vancouversymphony.ca

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Music Director Franz Welser-Mˆ�st conducts The Cleveland Orchestra in program featuring Liszt's A Faust Symphony at Severance Hall on October 8 and 10

Mitsuko Uchida is soloist in Beethoven's Piano Concerto No. 4

Thursday, October 8, at 8:00 p.m.
Saturday, October 10, at 8:00 p.m.

Severance Hall

THE CLEVELAND ORCHESTRA
FRANZ WELSER-MˆñST, conductor
MITSUKO UCHIDA, piano

BEETHOVEN Piano Concerto No. 4
LISZT A Faust Symphony

CLEVELAND ’Äì Music Director Franz Welser-Mˆ�st will conduct The Cleveland Orchestra in a program featuring Liszt's A Faust Symphony at Severance Hall on Thursday, October 8, and Saturday, October 10, at 8:00 p.m. Mitsuko Uchida will be soloist in Beethoven's Piano Concerto No. 4.

The program begins with Ludwig van Beethoven's Piano Concerto No. 4 in G major, Opus 58. After intermission, the program concludes with Franz Liszt's A Faust Symphony.

TICKET PRICES (Add $5 for Saturday): Orchestra: $71, $47; Dress Circle: $93, $55; Balcony: $71, $55, $31.

FREE CONCERT PREVIEWS:
Concert Previews will be given prior to the October 8 and 10 concerts, beginning at 7:00 p.m., in Reinberger Chamber Hall. The Preview speaker will be Francesca Brittan, assistant professor of music, Case Western Reserve University. Concert Previews are designed to enrich the concert-going experience by providing historical background and critical insight into the music performed at each concert. This series is funded by a generous endowment gift from Dorothy Humel Hovorka and supported by The Reinberger Foundation. The entrance to Reinberger Chamber Hall is located on the ground floor of Severance Hall, off the Smith Lobby. The Smith Lobby is entered via the Rankin Entrance off East Boulevard or the Schey Entrance off Euclid Avenue.



Mitsuko Uchida

Mitsuko Uchida's interpretations of a wide range of repertoire have gained her a formidable reputation as a pianist who brings intellectual acuity and musical insight to her performances. She is particularly noted for her interpretations of Mozart and Schubert, both in the concert hall and on CD, and also has illuminated the music of Berg, Schoenberg, Webern, and Boulez.

Ms. Uchida made her Cleveland Orchestra debut in February 1990, and has since performed with the Orchestra at Severance Hall, at the Blossom Festival, and on tour to Europe and Japan. In October, she will join the Orchestra during its European Tour for performances of Beethoven's Piano Concerto No. 4 in Luxembourg and Vienna. Ms. Uchida made her Cleveland Orchestra conducting debut in March 1998. From 2002 to 2007, she served as artist-in-residence with the Orchestra, and performed a cycle of Mozart's piano concertos, conducting from the keyboard. Her most recent appearances with the Orchestra were in performances of Mozart's Piano Concerto No. 25, under the direction of Colin Davis, at Severance Hall in April 2009. Ms. Uchida's recording with The Cleveland Orchestra, as solo pianist and conductor of the Mozart Piano Concertos Nos. 23 and 24, recorded live in concert at Severance Hall in December 2008, has just been released.

During recent seasons, Mitsuko Uchida has been giving performances of Beethoven's last three piano sonatas, and Opus numbers 101 and 106 ("Hammerklavier"), including a critically acclaimed performance at Royal Festival Hall in London.

Mitsuko Uchida performs throughout the world with many different musical partners. In March 2009, she toured Europe with the Philharmonia Orchestra and Esa-Pekka Salonen, as soloist in the Schoenberg Piano Concerto. In addition to appearing as a regular guest artist at both the Salzburg Mozartwoche and the Salzburg Festival, she gave concerts this year with the Vienna Philharmonic and the Hagen Quartet and performed in recital with soprano Magdalena Ko‰æenˆ°. This season, Ms. Uchida continues her focus on Beethoven, performing all five of his piano concertos with Simon Rattle during a month's residency with the Berlin Philharmonic in February 2010. She will also be participating in a European concert tour with the London Philharmonic Orchestra; giving solo recitals in Paris, New York, and Tokyo; returning to the Chicago Symphony Orchestra; and appearing at the Vienna Festival with Pierre Boulez and the Ensemble Intercontemporain performing Berg's Chamber Concerto with violinist Christian Tetzlaff. She will also embark on a recording project of solo piano works by Schumann.

Mitsuko Uchida records exclusively for Decca, and her recordings include the complete Mozart piano sonatas and piano concertos; the complete Schubert piano sonatas; Debussy's Etudes; the five Beethoven piano concertos with Kurt Sanderling; a CD of Mozart Sonatas for Piano and Violin with Mark Steinberg, Schubert's Die schˆ�ne Mˆºllerin with Ian Bostridge for EMI; the final five Beethoven piano sonatas; and the 2008 recording of Berg's Chamber Concerto with the Ensemble Intercontemporain, Pierre Boulez, and Christian Tetzlaff. Ms. Uchida's 2001 recording of the Schoenberg Piano Concerto with Pierre Boulez and The Cleveland Orchestra won four awards, including one from Gramophone for "best concerto recording." In April 2008, BBC Music Magazine presented its Instrumentalist of the Year and Disc of the Year awards to Ms. Uchida, for her recording of Beethoven's Sonatas Opus 101 and 106.

Mitsuko Uchida has demonstrated a long-standing commitment to aiding the development of young musicians and is a trustee of the Borletti-Buitoni Trust. She is also co-director, with Richard Goode, of the Marlboro Music Festival. In June 2009, she was made a Dame Commander of the Order of the British Empire.

TICKET SERVICES:
The Severance Hall Ticket Office is located in the Smith Lobby. The entrance and 15-minute Ticket Service parking are along East Boulevard. Single tickets for all concerts in the 2009-10 season are now on sale.

Severance Hall Ticket Office Hours:
M-F 9-6
Sat. 10-6
Closed Sundays and major holidays, except for those days with performances, when the Ticket Office opens three hours prior to the performance start time.

To charge tickets by telephone on American Express, Discover Card, MasterCard, and Visa, call Cleveland Orchestra Ticket Services at (216) 231-1111 (Cleveland) or 800-686-1141 during the regular ticket office hours listed above. Subscriptions and single tickets are also available through The Cleveland Orchestra's website at clevelandorchestra.com. The website offers secure ticket transactions with any major credit card and provides complete concert listings.

PARKING:
For evening subscription concerts at Severance Hall, night-of-concert parking can be purchased for $10 per vehicle, when space permits, in the Campus Center Garage (the underground garage located directly behind Severance Hall). Pre-paid parking for the Campus Center Garage can be purchased in advance through the Ticket Office at the cost of $14 per concert (this includes City of Cleveland parking tax and handling fee). The pre-paid parking ensures patrons a parking space, but availability of these pre-paid parking passes is limited.

For further information, or to order pre-paid parking, patrons should call the Cleveland Orchestra Ticket Office during regular office hours at (216) 231-1111 or 800-686-1141. Pre-paid parking passes are also available through The Cleveland Orchestra's website at clevelandorchestra.com.

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Edmonton Opera 09-10 Season

EDMONTON'S 2009-2010 OPERA SEASON
~ SURRENDER YOURSELF ~

The 2009-2010 opera season is brimming with love, lust, murder, betrayal’Ķ And pirates!

Edmonton Opera presents Verdi's Rigoletto, Gilbert & Sullivan's Pirates of Penzance and Verdi's Otello, as well as a special collaboration between Edmonton Opera and Alberta Ballet: Mahler's Songs of a Wayfarer and Weill's Seven Deadly Sins at the Northern Alberta Jubilee Auditorium. Single tickets are available now at Ticketmaster, call 780-451-8000 or visit www.ticketmaster.ca.

"To me, Surrender Yourself means escaping life's worries and embracing the struggle, the spectacle and the magic of opera," says Edmonton Opera's Artistic Director Brian Deedrick.

"This season, we'll take you to worlds of passion, love, revenge, adventure, and, of course, the wacky world of a Pirate King!"


Verdi's Rigoletto
October 24, 27 and 29, 2009 - 7.30pm
Sung in Italian with English supertitles

A surreal set and provocative costumes by Edmonton's award-winning designer Bretta Gerecke transforms this season opener into a true circus of decadence and depravity. Despite his attempt to save his daughter Gilda from the Duke of Mantua's lecherous grasp, the hunchbacked jester Rigoletto pushers her ever closer to a horrific fate. With Theodore Baerg in the role of Rigoletto for the first time, Conductor Robert Tweten and director David Adams lead an all-star cast including Robert Breault as the Duke of Mantua; Canadian Superstar Tracy Dahl as Gilda; Uwe Dambruch as Monterone and Sparafucile; Norine Burgess as Maddalena; Benjamin Covey as Marullo; and Milton Liska as Borsa, with live accompaniment by the Edmonton Symphony Orchestra and featuring the Edmonton Opera Chorus.


Gilbert & Sullivan's Pirates of Penzance
February 6, 9 and 11, 2010 - 7.30pm
Sung in English with English supertitles

Returning by popular demand, the Modern Major-General and a band of merry pirates follows in the footsteps of Edmonton Opera's silly Sterling Award winner HMS Pinafore. After the young pirate apprentice Frederic woos Mabel, Major-General Stanley's comely daughter, the pair wades through a series of ludicrous mishaps and misunderstandings in an attempt at life spent happily ever after. Conducted and directed by comedy super-duo Peter Dala and Robert Herriot, Pirates of Penzance stars Curt Olds as Major-General Stanley; Aaron St. Clair Nicholson as the Pirate King; Lawrence Wiliford as Frederic; Edmonton's own Andrew MacDonald-Smith as the Police Sergeant; Sonya Gosse as Ruth; Nikki Einfeld as Mabel; Kendra O'Connor in her Edmonton Opera debut as Edith; and the beloved Renˆ©e Brad as Kate. The Edmonton Symphony Orchestra and the Edmonton Opera Chorus include their high notes on the high seas.


Verdi's Otello
April 24, 27 and 29, 2010 ’Äì 7.30pm
Sung in Italian with English supertitles

Edmonton Opera's production of Otello rounds out Verdi's trio of Shakespeare operas. Otello pairs a story faithful to the Bard's tragic tale of jealousy and deceit with beautiful and complex music. Conducted by James Meena and directed by Edmonton Opera's Brian Deedrick, Otello showcases an all-Canadian cast including John MacMaster as the title character; Sally Dibblee as Desdemona; Gregory Dahl as Iago; Colin Ainsworth as Cassio; Elizabeth Turnbull as Emilia; Brian McIntosh as Lodovico; Thomas Macleay as Roderigo; and Gregory Atkinson as Montano, along with the Edmonton Symphony Orchestra and the Edmonton Opera Chorus.


Special co-production with Alberta Ballet:
Mahler/Weill's Songs of a Wayfarer/Seven Deadly Sins
April 9 & 10, 2010 ’Äì 7.30pm

Edmonton Opera and Alberta Ballet team up once again, this time focusing on the work of two ground-breaking German composers. Though from different eras, both Gustav Mahler and Kurt Weill were visionaries who explored the way music creates worlds of its own. Choreographers Emily Molnar and Yukichi Hattori will each present a new ballet set to these innovative works, and the event will be conducted by Peter Dala, with stage consulting by Edmonton Opera's Brian Deedrick. Vocal soloists include Allyson McHardy, Patricia O'Callaghan, Stuart Howe, Thomas Macleay, John Conlon and Uwe Dambruch, with movement by Alberta Ballet's corps and live accompaniment by the Edmonton Symphony Orchestra.


Subscribers to Edmonton Opera's 2009-2010 save up to 25 per cent on ticket prices, sit in the best seats in the house and pay 2008-2009 subscription rates. Subscriptions are available by contacting the Edmonton Opera Box Office at 780-429-1000 or www.edmontonopera.com. For more information about Edmonton Opera's season, signature events and education programs, visit www.edmontonopera.com.

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Concert de musique russe ˆÝ la Facultˆ© de musique de l' UdeM

La Facultˆ© de musique de l’ÄôUniversitˆ© de Montrˆ©al est heureuse de prˆ©senter le concert

BIJOUX RUSSES

Musique russe du XXe siˆ®cle

avec Jutta Puchhammer-Sˆ©dillot, ˆÝ l’Äôalto
et Paul Stewart, au piano
dans le cadre de la Sˆ©rie Les Profs de la Facultˆ© de musique.

Samedi 26 septembre 2009, 19 h 30
Salle Claude-Champagne
220, avenue Vincent-d’ÄôIndy, Montrˆ©al
(mˆ©tro ˆâdouard-Montpetit)

Entrˆ©e libre

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Symphony Nova Scotia's Annual General Meeting

NOTICE OF ANNUAL GENERAL MEETING

Tuesday, September 29, 5:00 pm
Dalhousie Arts Centre Sculpture Court

Halifax, NS ’Äì Symphony Nova Scotia's 2008/09 Annual General Meeting will be held Tuesday, September 29 at 5:00 pm in the Dalhousie Arts Centre's Sculpture Court.

The meeting will review the orchestra's finances and activities during the past season, discuss plans for the upcoming season, and finalize the selection of the Board of Directors and Executive Officers for the 2009/10 season.

Everyone is welcome to attend, though only members of the Symphony Nova Scotia Society are entitled to vote at the meeting. Memberships are open to everyone, and can be purchased for $11.50 at the AGM or at the Symphony Nova Scotia office in Park Lane Mall, Suite 301, 5657 Spring Garden Road.

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Sept. 26: Music for a Sunday Afternoon begins with cellist Lynn Harrell

Music for a Sunday Afternoon 09-10 begins on SATURDAY, Sept. 26 with violinist Pinchas Zukerman, cellist Lynn Harrell, pianist Angela Cheng and musicians of the NAC Orchestra

Ottawa, Canada ’Äì The first Music for a Sunday Afternoon chamber music concert of the National Arts Centre Orchestra season takes place on SATURDAY, September 26 and features solo cello followed by a chamber quartet. Famed American cellist Lynn Harrell has the first half to himself, performing Bach’Äôs Suite for Cello Solo No. 3 in C major. In the second half a stellar quartet made up of NAC Orchestra Music Director Pinchas Zukerman on violin, principal cello Amanda Forsyth, associate principal viola Jethro Marks and guest pianist Angela Cheng performing Brahms’Äô Piano Quartet No. 2 in A major. This concert takes place on Saturday, September 26 at 2 p.m. in the Auditorium of the National Gallery of Canada.

Bach’Äôs six Suites for Solo Cello are extraordinary compositions in many ways. Unaccompanied music for this instrument was practically unknown in Bach’Äôs day. They date from about 1720, when he was working for Prince Leopold of Anhalt-Cˆ�then. They were published as early as 1825, but remained in obscurity until Pablo Casals revived them in the early 20th century. Thanks to Casals, they are now recognized as masterpieces of the genre, and today rank among the pillars of every cellist’Äôs repertoire.

If Schubert’Äôs final, C-major symphony (The Great) justly deserves Robert Schumann’Äôs epithet ’Äúthe symphony of heavenly length,’Äù then Brahms’Äôs Second Piano Quartet equally deserves the title in the realm of chamber music. Lasting about 45 minutes in performance, it unfolds in a leisurely manner, brimming with hummable themes and ardent lyricism.

Tickets for Music for a Sunday Afternoon on Saturday, September 26 are on sale now at $29.00 (GST and Facility Fee included) at the NAC Box Office (Monday to Saturday from 10 a.m. to 9 p.m.), and through Ticketmaster (with surcharges) at 613-755-1111. Ticketmaster may also be accessed through the NAC’Äôs website at www.nac-cna.ca. They may also be purchased at the National Gallery one hour before the concert

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Joshua Bell makes music at home with friends

FEATURES COLLABORATIONS WITH CHRIS BOTTI, STING, JOSH GROBAN, KRISTIN CHENOWETH, REGINA SPEKTOR AND OTHERS

AVAILABLE SEPTEMBER 29

On JOSHUA BELL's new album, AT HOME WITH FRIENDS, the Grammy Award-winning violinist fulfills a life-long career dream of recording a CD of instrumental and vocal duets with a diverse roster of musicians including Chris Botti, Sting, Josh Groban, Kristin Chenoweth, Regina Spektor, Anoushka Shankar, Marvin Hamlisch, Tiempo Libre, among others. AT HOME WITH FRIENDS (Sony Classical) will be available on September 29.

The concept of AT HOME WITH FRIENDS was inspired by Bell's long-time practice of holding 'musical soirˆ©es' at his New York residence ’Äì eclectic gatherings of musicians, actors, comics, literary figures and others who convene for the sheer joy of sharing their art in an informal setting. With this in mind, Bell has spent the past four years designing and building his home in Manhattan to accommodate the ideal 'stay-at-home' venue.

Of his inspiration for the album concept Bell says "Some of my most precious memories of childhood recall the 'family musicales' in my home ’Äì my sisters, my parents, my cousins all playing music together and for each other during the holidays. Since then I went on to have many thrilling experiences in concert halls, but I still enjoy the experience of making music with my friends and family in a small, intimate setting. There's nothing like sitting on a pillow by the piano surrounded by passionate artists, not quite sure who's going to get up next to perform. It's my hope that this recording figuratively transports listeners into the room with us."

AT HOME WITH FRIENDS covers a world of music - genres from classical to pop, bluegrass to Broadway, jazz and ethnic World Music of every stripe. The repertoire ranges from a 16th Century love song (performed by Bell and Sting) to pure violin-piano duets ’Äì with Marvin Hamlisch (on Richard Rodgers' "I'll Take Manhattan"), with Dave Grusin (on Antonio Carlos Jobim's "Chovendo Na Roseira"), and with Las Vegas musician Frankie Moreno (on the Beatles' "Eleanor Rigby"). It also includes full-scale ensembles with Chris Botti (on the Gershwins' "I Loves You Porgy" from Porgy And Bess) and Josh Groban (introducing his lyrics for film composer Ennio Morricone's title theme from Cinema Paradiso) and unexpected partnerships with the likes of Regina Spektor (in a Spektor penned piece "Left Hand Song"), Anoushka Shankar (in a piece written for her and Joshua by her father, the legendary Ravi Shankar), the Broadway star Kristin Chenoweth (in "My Funny Valentine"), and Rachmaninoff himself on the piano in Grieg's violin sonata (thanks to an astounding new recording technology).

Sting's 2007 album, The Journey and the Labyrinth is the source for "Come Again," one of two tracks on AT HOME WITH FRIENDS that is arranged by Bell and J.A.C. Redford. The other is the title theme of the 1995 film Il Postino, in which Bell joins award-winning tango aficionado Carel Kraayenhof on bandoneon. In turn, Bell, Kraayenhof and the same rhythm section breathe new fire into "Oblivion," composed by all-time revolutionary Argentine nuevo tango master ˆÅstor Piazzolla. Bell continues with the Latin flavor on "Para Tˆ‚," composed by Jorge Gomez, founder and pianist of two-time Grammy-nominated Cuban band Tiempo Libre.

Ten years after their 1999 collaboration Short Trip Home (Sony Classical) and their subsequent appearance on the Grammy's telecast, Bell is reunited with his Indiana University school-mate Edgar Meyer on the double-bass, along with buddies Sam Bush on mandolin, and guitarist Mike Marshall in "Maybe So." The concept of Bluegrass/Classical fusion is taken to yet another level on "Look Away," a new work composed by Meyer and mandolin virtuoso Chris Thile. These two join Bell in this first-time collaboration.

In another first-time collaboration, Soviet-born American singer songwriter Regina Spektor joins Bell to record a song that she has often performed in concert, but never recorded. Fans commonly referred to the tune as "The Meatball Song" and "A Lesson In How Fleeing Preservation Is." Its official title is "Left Hand Song," aptly named as Spektor wrote it using her left hand.

In another 'hometown connection' Bell joins Indiana-born Baritone Nathan Gunn and I.U. graduate and long-time recital partner Jeremy Denk in "O, Cease Thy Singing, Maiden Fair", a Russian poem by Alexander Pushkin, set to music by Sergei Rachmaninoff.

AT HOME WITH FRIENDS also celebrates the holidays with Irving Berlin's "White Christmas" presented by Bell and Chris Botti with a full rhythm section as well as Kristin Chenoweth and Bell on "O Holy Night." These songs will be available as retail exclusives.

With more than 30 original albums to his credit, Bell has captured the public's attention like no other classical violinist of his time, enchanting audiences worldwide with his breathtaking playing and tone of rare beauty, as performed on his legendary Stradivarius violin made in 1713. Equally at home as a soloist, chamber musician, and orchestra leader, Bell has earned countless awards and honors for his work as a concert stage performer and recording artist. He has won multiple Grammy awards and was awarded the prestigious Avery Fisher Prize. His 2004 album Romance of the Violin was named the "Classical CD of the Year" by Billboard Magazine, with Bell named "Classical Artist of the Year." In the national spotlight since age 14 (when he made his acclaimed orchestral debut with Riccardo Muti and the Philadelphia Orchestra), and a recording artist since age 18, Bell has been an exclusive Sony Music artist for more than a decade. Acclaimed for the wide range of music he has chosen to record, Bell's output ranges from mainstream classical concertos by Sibelius and Beethoven, a live recording with the Berlin Philharmonic (Tchaikovsky concerto), the bluegrass inspired Short Trip Home - from the jazz influenced Gershwin Fantasy, to the Bernstein-inspired West Side Story Suite and many others. His interest in film is particularly notable, having performed all the violin solos in The Red Violin, helping the film win an Oscar for the "Best Original Score" (written by John Corigliano). He has received recognition beyond his awards that are not common to most classical artists, having been the first musician to have a classical music video played on VH1, to appearing as himself on Sesame Street and alongside Meryl Streep in Music of the Heart.

Track Listing

1. I Loves You Porgy ’Äì featuring Chris Botti, trumpet

2. Come Again - featuring Sting, vocals

3. Oblivion - featuring Carel Kraayenhof, bandoneon

4. Cinema Paradiso - featuring Josh Groban, vocals

5. Para Tˆ‚ - featuring Tiempo Libre, various

6. My Funny Valentine - featuring Kristin Chenoweth, vocals

7. Maybe So - featuring Edgar Meyer, Double-bass, Sam Bush, Mandolin and Mike Marshall

Guitar

8. Grieg: Sonata No. 3 ’Äì featuring Sergei Rachmaninoff (Zenph re-performance)

9. Eleanor Rigby - featuring Frankie Moreno, piano & vocals

10. O, Cease Thy Maiden Fair - Nathan Gunn, baritone

11. Il Postino - featuring Carel Kraayenhof, bandoneon

12. Left Hand Song ’Äì featuring Regina Spektor, piano & vocals

13. Chovendo Na Roseira - featuring Dave Grusin, piano

14. Look Away - featuring Edgar Meyer, bass and Chris Thile, mandolin

15. Variant Moods: Duet for Sitar & Violin (abridged version) - featuring Anoushka Shankar, sitar

16. I'll Take Manhattan - featuring Marvin Hamlisch, piano

RCA Red Seal, Sony Classical, deutsche harmonia mundi, Masterworks Broadway and Masterworks Jazz are labels of Sony Masterworks. For e-mail updates and information regarding RCA Red Seal, Sony Classical, deutsche harmonia mundi, Masterworks Broadway and Masterworks Jazz artists, promotions, tours and repertoire, please visit www.sonymasterworks.com.

www.JoshuaBell.com

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L'artiste cubaine Susana Pilar Delahante Matienzo ˆÝ la Fonderie Darling dans le cadre de la Rˆ©sidence des Amˆ©riques du Conseil des arts de Montrˆ©al

Montrˆ©al ’Äì Le Conseil des arts de Montrˆ©al et la Fonderie Darling, Centre d’Äôarts visuels ont le plaisir d’Äôannoncer la sˆ©lection de l’Äôartiste cubaine Susana Pilar Delahante Matienzo dans le cadre de la Rˆ©sidence des Amˆ©riques.

Inaugurˆ©e ˆÝ l’Äôautomne 2008, cette rˆ©sidence du Conseil des arts de Montrˆ©al (CAM) ˆÝ la Fonderie Darling accueille en alternance des artistes, critiques et commissaires de tout le continent amˆ©ricain, y compris le Canada et les ˆâtats-Unis. D’Äôune durˆ©e totale de six mois, la rˆ©sidence permet de recevoir un artiste pour quatre mois, puis un commissaire indˆ©pendant ou un critique d’Äôart pour deux mois. La participation de commissaires indˆ©pendants et de critiques d’Äôart contribue au rayonnement de la crˆ©ativitˆ© artistique montrˆ©alaise ainsi qu’Äôau rˆ©seautage entre les villes. Cette rˆ©sidence vise ainsi ˆÝ encourager un vˆ©ritable travail de collaboration internationale tout en favorisant le dˆ©veloppement des artistes et des organisations artistiques.

Susana Pilar Delahante Matienzo s’Äôintˆ©resse par le biais de la photographie aux rˆ©alitˆ©s cachˆ©es et aux mˆ©canismes qui occultent ces derniˆ®res. Son travail s’Äôarticule notamment autour de la thˆ©matique de la mort. Se mettant elle-mˆ�me en scˆ®ne dans plusieurs de ses projets, elle a entre autres abordˆ© la violence faite aux femmes cubaines. Plus rˆ©cemment, l’Äôartiste n’Äôa pas hˆ©sitˆ© ˆÝ cˆ©der l’Äôespace d’Äôexposition qui lui ˆ©tait dˆ©volu ˆÝ un groupe de prˆ©vention du sida. Lors de son sˆ©jour ˆÝ la Fonderie Darling cet automne, elle souhaite rˆ©aliser une sˆ©rie photographique en collaboration avec une famille multiethnique montrˆ©alaise. Susana Pilar Delahante Matienzo habite et travaille ˆÝ La Havane. Elle a obtenu un diplˆ¥me en Beaux-Arts du High Institute of Art (Cuba) en 2008.

Le comitˆ© de sˆ©lection ˆ©tait composˆ© de Stˆ©phane Aquin, conservateur de l'art contemporain au Musˆ©e des beaux-arts de Montrˆ©al, Marie-Michˆ®le Cron, conseillˆ®re pour les arts visuels au CAM, Jocelyne Alloucherie, artiste visuelle et membre du Conseil d’Äôadministration de la Fonderie Darling et Marie Fraser, professeure au dˆ©partement d’Äôhistoire de l’Äôart de l’ÄôUQAM et commissaire.

La Rˆ©sidence des Amˆ©riques du Conseil des arts de Montrˆ©al s'ajoute aux autres rˆ©sidences internationales de la Fonderie Darling, notamment la Rˆ©sidence suisse du Conseil des arts et des lettres du Quˆ©bec, la Rˆ©sidence internationale du Conseil des arts du Canada et la Rˆ©sidence croisˆ©e France-Quˆ©bec.

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On December 19 the Amadeus Choir is joined by True North Brass in "Glorious Choir and Brass"

The acclaimed Amadeus Choir, conducted by Artistic Director Lydia Adams, presents its annual Christmas concert "Glorious Choir and Brass" featuring the Amadeus Choir's 23rd Annual Christmas Carol and Chanukah Song Writing Competition and special guests True North Brass, and the Bach Children's Chorus with its director Linda Beauprˆ©, on Saturday, December 19th, 7:30 p.m. in Yorkminster Park Baptist Church, 1585 Yonge Street, one block north of St. Clair, Toronto.

The Choir and Children’Äôs Chorus will perform winning compositions from composers, known and unknown, who entered The Amadeus Choir's 23rd Annual Christmas Carol and Chanukah Song Writing Competition*. The Competition this year was open to composers in all categories. The winners have been notified, many of whom will be present at this concert to receive their prizes and hear their beautiful compositions in world premiˆ®re performances by The Amadeus Choir and Bach Children's Chorus, accompanied by Eleanor Daley, piano and organ. Lydia Adams and her Amadeus Choir are committed to celebrating and promoting the vibrancy of emerging composers.

The distinctly Canadian flavour of the program features such joyful music as Noˆ´l Canadien, a suite of carols arranged by one of Canada’Äôs foremost arrangers and national treasures, Howard Cable. The True North Brass will collaborate with the Amadeus Choir in a special arrangement of Canadian composer Jason Jestadt’Äôs work Aagiuuk, which won the Judges’Äô Special Award in the 2007 Competition, professional adult category. Aagiuuk ’Äì from poetry collected among the Inuit of the Hudson Bay region in Knud Rasmssen’Äôs Report of the Fifth Thule Expedition, 1921-24.

The beautiful young voices of The Bach Children's Chorus conducted by Linda Beauprˆ© will delight the audience singing favourite Christmas carols and songs.

This festive concert includes traditional Christmas carols, and the audience will join the Amadeus Choir, True North Brass and Bach Children's Chorus in heart-felt sing-alongs under the enthusiastic baton of Lydia Adams.

Tickets: General Seating. $35.

Student Rush Seats: $10 (at the door only)

To purchase tickets in advance, call the Amadeus Choir: 416-446-0188.

Visit the Choir's web site: www.amadeuschoir.com

*In 1987, conductor Lydia Adams created this unique Competition which has grown to include submissions from around the world. It serves as an inspiration to composers of all ages and experience to write new carols and songs, thus enriching Canada’Äôs outstanding choral tradition and infusing the Canadian choral repertoire with several new works each year.

The Amadeus Choir gratefully acknowledges the continuing support received from the Toronto Arts Council, Ontario Arts Council and Canada Council for the Arts as well as BDO Dunwoody, the John McKellar Charitable Foundation and the Julie-Jiggs Foundation.

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Anton Kuerti, Gemma Bertagnolli et Stefano Demicheli au Conservatoire de musique de Montrˆ©al

Montrˆ©al ’Äî Le Conservatoire de musique de Montrˆ©al reˆßoit trois grands noms de la scˆ®ne musicale internationale : le pianiste Anton Kuerti, la soprano Gemma Bertagnolli et le chef et claveciniste Stefano Demicheli, qui viennent donner des cours de maˆÆtre ˆÝ la salle de concert du Conservatoire de musique de Montrˆ©al, situˆ©e au 4750, avenue Henri-Julien (mˆ©tro Mont-Royal).

L’Äôentrˆ©e est libre et le public est invitˆ© ˆÝ y assister...

Anton Kuerti, pianiste ’Äì 29 septembre, de 10h ˆÝ 13h

Nˆ© en Autriche, Anton Kuerti a grandi aux ˆâtats-Unis et vit au Canada depuis plus de 35 ans. Il a ˆ©tudiˆ© avec Arthur Loesser, Mieczyslaw Horszowski et Rudolf Serkin. Dˆ®s l’Äôˆ¢ge de 11 ans, il jouait le Concerto de Grieg, sous la direction de Arthur Fiedler et il ˆ©tait toujours aux ˆ©tudes lorsqu’Äôil remporta le fameux Leventritt Award. Anton Kuerti a fait des tournˆ©es dans plus de 30 pays et jouˆ© avec les principaux chefs et orchestres nord-amˆ©ricains. Son vaste rˆ©pertoire comprend quelque 50 concertos, y compris un de sa propre composition. Au Canada, il s’Äôest fait entendre dans plus de 140 villes. Comme chambriste, il a jouˆ© des oeuvres majeures avec des virtuoses comme Gidon Kremer, Yo-Yo Ma, Janos Starker, Barry Tuckwell, et les quatuors ˆÝ cordes de Cleveland, Guarneri et de Tokyo. Il est aujourd’Äôhui un des artistes qui a le plus enregistrˆ© : il a endisquˆ© l’Äôintˆ©grale des concertos et des sonates de Beethoven, des sonates de Schubert, des concertos de Brahms et les ‰ìuvres de plusieurs autres compositeurs. Anton Kuerti est Officier de l’ÄôOrdre du Canada et a reˆßu plusieurs doctorats honorifiques.

Stefano Demicheli, chef et claveciniste ’Äì 2 octobre de 9 h 30 ˆÝ 10 h 30
Rˆ©pertoire pour soliste, basse continue et improvisation, musique de chambre et orchestre

Stefano Demicheli, nˆ© ˆÝ Turin en 1975 et diplˆ¥mˆ© en orgue et en clavecin, a ˆ©tˆ© soliste pour plusieurs groupes spˆ©cialisˆ©s en musique baroque. Il se produit rˆ©guliˆ®rement dans les salles de concert et dans les thˆ©ˆ¢tres les plus importants d’ÄôEurope avec des solistes et chefs d’Äôorchestre de renommˆ©e internationale. Il a enregistrˆ© pour plusieurs maisons de disques et pour les principales stations radiophoniques d’ÄôEurope. Depuis 2000, il est professeur du Cours international de musique ancienne d’ÄôUrbino et l’Äôassistant d’ÄôOttavio Dantone. Il est aussi professeur de clavecin et basse au Conservatoire de Cesena. Sa passion pour le rˆ©pertoire vocal et le son naturel des instruments l’Äôont poussˆ© ˆÝ devenir l’Äôassistant de Renˆ© Jacobs en Europe. Depuis 2002, il est directeur musical de Dolce & Tempesta.

Gemma Bertagnolli, soprano ’Äì 2 octobre, de 10 h 30 ˆÝ 12 h
Orfeo en Arcadie ’Äì Musique vocale italienne de Monteverdi ˆÝ Vivaldi

Aprˆ®s avoir remportˆ© coup sur coup les concours As.Li.co de Milan et Vinas de Barcelone, c'est ˆÝ l'Opˆ©ra de Rome que la soprano italienne Gemma Bertagnolli fait ses dˆ©buts, dans une production de Ariadne auf Naxos dirigˆ©e par Gustav Kuhn. Elle est trˆ®s vite sollicitˆ©e par Roberto Abbado, Semyon Bychkov, Lorin Maazel et Riccardo Muti pour des concerts parmi lesquels la Messe en Ut de Mozart, les symphonies de Mahler et de Schubert. Elle manifeste une certaine prˆ©dilection pour les hˆ©roˆØnes mozartiennes et verdiennes, qu’Äôelle incarne avec brio. Gemma Bertagnolli est avant tout reconnue et consacrˆ©e comme une grande voix baroque et sollicitˆ©e par les plus grandes baguettes comme Christophe Rousset, Renˆ© Jacobs, Ton Koopman, Trevor Pinnock et Ivor Bolton. Chanteuse aux multiples facettes, sa discographie met ˆÝ l'honneur un large rˆ©pertoire, sacrˆ© et profane, allant de l'ˆ®re baroque aux chefs-d’Äô‰ìuvre du romantisme.

Le Conservatoire de musique et d’Äôart dramatique du Quˆ©bec organise des cours de maˆÆtre sur une base rˆ©guliˆ®re. Le dialogue, le transfert des savoirs et la communication entre les artistes de toute provenance sont au c‰ìur de sa mission d’Äôexcellence, depuis plus de 65 ans.

Nous vous invitons ˆÝ consulter le site Internet du Conservatoire ˆÝ :
www.conservatoire.gouv.qc.ca ou au 514 873-4031, pour obtenir plus d’Äôinformation.

Monday, September 21, 2009

PACO PEˆëA presents A Compˆ°s

Saturday, October 17, 2009 at 8 pm / Massey Hall / Toronto
Tickets: $59.50 - $39.50 - Call 416-872-4255 or online at www.roythomson.com
or visit the Roy Thomson Hall Box Office

Toronto, ON - Spain’Äôs master guitarist Paco Peˆ±a and his spectacular troupe of three dancers, one singer, three guitarists, and a percussionist, present their show, A Compˆ°s (Primal Pulse), a spellbinding exploration of the vitality and intricacy of flamenco rhythms. A Compˆ°s is a wanderlust tour through Arabic, Gypsy, and Spanish folk traditions, tracking the roots of flamenco dance and music as they are passed from generation to generation. The audience will witness the compelling nature and range of rhythms, from the almost tribal, trance-inducing quality of the alboreˆ°’Äô to the razor-sharp complexity of the bulerˆ‚a. At the same time, the show aims to isolate each artist at some moment, to ’Äúthrow’Äù them into the naked reality of a given rhythmic structure (or compˆ°s) and, in their own personal way, immersing themselves deeply into the feeling of the rhythm contributing their own creative input. The artists project an unstoppable pulse that every one can feel and identify with. Or, put in different words, they must try and get everybody ’Äúinto the rhythm,’Äù induce the feeling of ’Äúa compˆ°s’Äù into the whole experience. The show’Äôs format allows for unexpected and electrifying improvisation, and brings to the stage a true interpretation of what flamenco represents: a spontaneous collaboration between dancers, singers and musicians.

Over the years, Paco Peˆ±a’Äôs shows have dealt with various challenging concepts, from the deceivingly simple notion of highlighting the essential significance of the flamenco song, unrecognized for many years, as was the case with his Flamenco Puro show, to the ground-braking drama Musa Gitana which told the story of the legendary, turn-of-the 20th Century artist from Cˆ„rdoba, Julio Romero de Torres, with his complex observation of life and society and his personal, traumatic passions. More recently, Paco Peˆ±a enjoyed the collaboration of the renowned theatre director Jude Kelly in what proved to be the spectacular show Voces y Ecos, which took the audience on a kind of journey through the history of flamenco and the most significant moments in its development.

In 1981 he founded the Centro Flamenco Paco Peˆ±a in Cˆ„rdoba, later becoming Artistic Director of the Cˆ„rdoba International Guitar Festival. Another landmark was Misa Flamenca, a 1991 setting of the Mass that juxtaposed Peˆ±a’Äôs company with a classical choir. Its premiere at London’Äôs Royal Festival Hall, given with the Choir of the Academy of St. Martin-in-the-Fields, was followed by a staging at the 1992 EXPO in Seville. Misa Flamenca was also presented in Australia, New Zealand, Poland, Germany, the Netherlands, Belgium, and throughout North America, including Toronto’Äôs Massey Hall in 1998. One of Paco Peˆ±a’Äôs latest works, Flamenco Requiem, which again combines flamenco with forms of classical music, came about as a result of performing Misa Flamenca over the years at various music festivals.

Paco Peˆ±a is based in London, but still spends a significant part of the year in his native Andalucˆ‚a. In 1997 he was named Oficial de la Cruz de la Orden del Merito Civil, an honour bestowed by King Juan Carlos of Spain.

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La carriˆ®re du chef d’Äôorchestre quˆ©bˆ©cois Jean-Michaˆ´l Lavoie prend son envol !’Ä®’Ä®

Plusieurs concerts et tournˆ©es confirmˆ©s ’Ä®pour le jeune chef en 2009 et 2010

’Ä®Montrˆ©al ’Äì Installˆ© en France depuis un an seulement, le jeune chef quˆ©bˆ©cois Jean-Michaˆ´l Lavoie a rapidement su convaincre le milieu musical europˆ©en de son talent. ˆÄ preuve, le renouvellement de son contrat comme chef assistant de l’ÄôEnsemble intercontemporain (www.ensembleinter.com) et une tournˆ©e de six concerts ˆÝ la barre de l’ÄôOrchestre de Bretagne en juin 2010 !’Ä®’Ä®

Choisi par Pierre Boulez et Susanna Mˆ§lkki pour ˆ�tre chef assistant de l’ÄôEnsemble intercontemporain (EIC), sˆ©lectionnˆ© parmi 47 candidats et premier canadien ˆÝ occuper ce poste, Jean-Michaˆ´l Lavoie a rapidement gagnˆ© la confiance de la prestigieuse formation parisienne. Il a dirigˆ© son premier concert ˆÝ la tˆ�te de l’ÄôEnsemble en janvier 2009, aprˆ®s avoir participˆ© ˆÝ la plupart des tournˆ©es (Cologne, Londres, Lisbonne, Helsinki, Cracovie, Barcelone, Luxembourg, Graz, Bruxelles, etc.).’Ä®’Ä®

Quelques mois ˆÝ peine aprˆ®s son arrivˆ©e, l’ÄôOrchestre de Paris l’Äôinvite ˆÝ ˆ�tre l’Äôassistant personnel de l’Äôun des plus grands chefs actuels, Esa-Pekka Salonen, pour deux concerts ˆÝ la Salle Pleyel (Das klagende Lied de Gustav Mahler).’Ä®’Ä®Tout rˆ©cemment, il ˆ©tait engagˆ© par l’ÄôOrchestre de Bretagne comme assistant du rˆ©putˆ© chef d’Äôorchestre Krzysztof Penderecki. Il a alors remplacˆ© le maestro pour deux rˆ©pˆ©titions de son Concerto pour piano ¬´ Rˆ©surrection ¬ª avec le pianiste Kun Woo Paik, directeur artistique du Festival de Dinard en Bretagne, et la Huitiˆ®me symphonie de Dvorak. Le jeune chef quˆ©bˆ©cois a instantanˆ©ment sˆ©duit les musiciens, et l’ÄôOrchestre n’Äôa pas tardˆ© ˆÝ lui proposer de revenir diriger dans la mˆ�me saison une tournˆ©e de six concerts en juin 2010 !’Ä®’Ä®

Maintenant ˆ¢gˆ© de 27 ans, Maestro Lavoie entame sa deuxiˆ®me saison en tant qu’Äôassistant de l’ÄôEnsemble intercontemporain. Pour l’Äôautomne 2009, il est ˆ©galement chef assistant du plus important orchestre de jeunes d’ÄôAllemagne, le Junge Deutsche Philharmonie (basˆ© ˆÝ Francfort), qui reˆßoit uniquement de grands chefs invitˆ©s, dont Pierre Boulez, Kent Nagano et Emmanuel Krivine.’Ä®’Ä®Finalement, Jean-Michaˆ´l Lavoie vient tout juste d’Äôˆ�tre nommˆ© chef associˆ© du cˆ©lˆ®bre Ch‰ìur Accentus, dirigˆ© par Laurence Equilbey. ’Ä®


***

Natif de Saint-Cˆ©saire en Montˆ©rˆ©gie, Jean-Michaˆ´l Lavoie complˆ®te ses ˆ©tudes musicales ˆÝ Montrˆ©al ˆÝ la Schulich School of Music de l’ÄôUniversitˆ© McGill, oˆ¼ il a ˆ©tudiˆ© le piano dans la classe de Richard Raymond en plus de se spˆ©cialiser en direction d’Äôorchestre, analyse, orchestration et histoire de la musique. ’Ä®

Chef d’Äôorchestre actif au Canada, il est d’Äôabord chef assistant du McGill Contemporary Music Ensemble de 2003 ˆÝ 2007 et chef assistant ˆÝ Opera McGill en 2005 et 2006. Il fait des dˆ©buts trˆ®s remarquˆ©s en 2006 ˆÝ la SMCQ ˆÝ l’Äôoccasion du concert d’Äôouverture du 40e anniversaire de la Sociˆ©tˆ©. Il est tout de suite rˆ©invitˆ© pour diriger deux crˆ©ations nord-amˆ©ricaines lors du Festival international Montrˆ©al/Nouvelles Musiques en mars 2007. D’Äôabord chef assistant du Ch‰ìur de Radio-Canada depuis fˆ©vrier 2006, il est rapidement nommˆ© directeur artistique adjoint pour la saison musicale 2007/08.

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Nouvel album pour Carole Therrien et concerts ˆÝ Montrˆ©al¬Ý

La chanteuse Carole Therrien prˆ©sentera son nouveau projet disque et spectacle ¬´ Vues du Fleuve ¬ª

L’Äôalbum ¬´ Vues du Fleuve ¬ª sera disponible dˆ®s le mardi 6 octobre.

Proposant ˆÝ la fois des grands titres du rˆ©pertoire quˆ©bˆ©cois et franˆßais, et des compositions originales, il fera bon de redˆ©couvrir des textes de Sylvain Leliˆ®vre et de Jacques Blanchet.

En concert les 7 et 8 octobre ˆÝ 20h au Studio Thˆ©ˆ¢tre de la Place des Arts ˆÝ Montrˆ©al.
Et le vendredi 6 novembre ˆÝ 22h ˆÝ la Chapelle Historique du bon Pasteur.

Carole Therrien - chant
Yves Lˆ©veillˆ© ’Äì piano (gauche) ’Ä®Alain Bˆ©dard ’Äì contrebasse (droite)

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More concerts added to Symphony Nova Scotia's Symphony Week

Halifax, NS ’Äì Symphony Nova Scotia musicians will be performing even more free concerts during the second annual Symphony Week, running Tuesday, September 22 to Sunday, September 27.

The full week of festivities will feature Symphony Nova Scotia musicians giving free, live performances at venues like City Hall, the Spring Garden Road Library, Scotia Square Mall, Citadel High, and the Maritime Museum. Recently added performances include an outdoor solo concert with Symphony Nova Scotia principal cellist Norman Adams in the Art Gallery of Nova Scotia courtyard, as well as four Musical Munchkins sessions across HRM (see below for full schedule).

’ÄúWe’Äôre delighted to kick off our 26th season with Symphony Week,’Äù says Symphony Nova Scotia CEO Erika Beatty. ’ÄúIt’Äôs a great way to celebrate our upcoming concert season and give audiences a chance to sample some of the music they’Äôll be hearing. The way Nova Scotians support their musical community is one of the reasons why this is the best place to live in Canada ’Äì Symphony Week is also a celebration of the creative spirit of all the artists and residents of our community.’Äù

Symphony Week is generously supported by the Halifax Regional Municipality’Äôs Special Events Grant.

Symphony Week schedule of events:

Tuesday, September 22, 2009, 12:00 pm, Halifax Regional Library, Spring Garden Road
Library Players' Classical Hits: Mozart and Friends

Bring your lunch and join host Max Kasper and his fellow musicians from Symphony Nova Scotia as the orchestra kicks off its Symphony Week! Come hear music and hilarious stories about your favourite composers in a relaxed and informal setting.


Wednesday, September 23, 2009, 10:15 am, Woodlawn Public Library

Musical Munchkins

Introduce your 3- to 5-year-old to music and motion with musical demonstrations, games, activities, and dancing ’Äì all directed by two talented Symphony Nova Scotia musicians.
Registration is required. For more Musical Munchkins sessions, visit
www.SymphonyNovaScotia.ca.


Wednesday, September 23, 2009, 3:00 pm, City Hall
Symphony at City Hall

Symphony Nova Scotia’Äôs full orchestra performs live at City Hall! Featuring excerpts from some of the greatest classical works ever written, including Beethoven’Äôs Eighth, Dvorak’Äôs Czech Suite, and Mendelssohn’Äôs A Midsummer Night’Äôs Dream.


Thursday, September 24, 2009, 12:00 pm, Art Gallery of Nova Scotia Courtyard
Adams on Cello
Symphony Nova Scotia’Äôs principal cellist Norman Adams performs an innovative outdoor concert in the Art Gallery courtyard.


Thursday, September 24, 2009, 2:00 pm, Citadel High School
School Concert

The full orchestra performs for an audience of young music lovers at Citadel High. For students only, please.


Friday, September 25, 2009, 10:30 am, J.D. Shatford Memorial Public Library, Sackville Public Library, and Sheet Harbour Public Library
Musical Munchkins

Introduce your 3- to 5-year-old to music and motion with musical demonstrations, games, activities, and dancing ’Äì all directed by two talented Symphony Nova Scotia musicians. Registration is required. For more Musical Munchkins sessions, visit www.SymphonyNovaScotia.ca.


Friday, September 25, 2009, noon, Scotia Square Mall
Rhapsody While You Shop

Halifax’Äôs Rhapsody Quintet, featuring members of Symphony Nova Scotia, plays your light classics and jazz favourites at Scotia Square.


Friday, September 25, 2009, 1:30 pm, Park Lane Theatre 8
Atlantic Film Festival Emerging Composer Screening

Symphony Nova Scotia teams up with emerging film composers to perform and record original compositions in this innovative workshop screening. Open to registered Film Festival delegates. (For details, contact Alyson Sanders at alysons@atlanticfilm.com or 902.420.4577.)


Saturday, September 26, 2009, 10:30 am, Discovery Centre

Discover the Symphony!

A Symphony Nova Scotia wind quintet plays for all ages at Halifax’Äôs Discovery Centre ’Äì featuring an interactive, entertaining program and a musical instrument petting zoo, courtesy of Long & McQuade!


Saturday, September 26, 2009, 2:30 pm, Maritime Museum of the Atlantic
26th Season Preview

Hear the full orchestra live on the waterfront at the Maritime Museum of the Atlantic in this preview of Symphony Nova Scotia’Äôs 26th anniversary season. Featuring special guest bagpiper Alex Marriott, a student at Oxford School in Halifax.


Sunday, September 27, 2009, 11:00 am, Cunard Centre
Words and Music

A Symphony Nova Scotia small group, featuring newly published author and violist Binnie Brennan, brings the joy of music to Word on the Street, Nova Scotia’Äôs largest book festival.

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Miami Lyric Opera presents Carmen



Location: Colony Theater. 1040 Lincoln Road. Miami Beach, FL 33139

Dates: September 24th and 26th, 2009

Time: 8:00 p.m. - 10:45 p.m.

Admission: $30 and $25 for Students with ID at Box Office


Miami Lyric Opera is pleased to present Carmen, a Spanish opera in three acts by George Bizet, under the artistic direction of Raffaele Cardone. The cast will include Sondra Kelly, Nelson Martinez, James Charles Taylor, Roseanne Ackerley, Ernesto Trespalacios and other fine artists. Doris Lang Kosloff will conduct the MLO Orchestra and Chorus.


The story is set in Seville, Spain, around 1830, and concerns the eponymous Carmen, a beautiful Gipsy with a fiery temper. Free with her love, she woos the corporal Don Josˆ©, an inexperienced soldier. Their relationship leads to his rejection of his former love, mutiny against his superior, and joining a gang of smugglers. His jealousy when she turns from him to the bullfighter Escamillo leads him to murder Carmen.


Tickets might be purchased at the Colony Theater Box Office, online at
www.miamilyricopera.org or Ticket Master.


Miami Lyric Opera at Colony Theater
’Ä®1040 Lincoln Road’Ä®Miami Beach, FL
33139’Ä®305.674.104’Ä®
www.miamilyricopera.org

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The Musicians in Ordinary begin eigth season October 10 in an elegantl melancholy mood

The Musicians In Ordinary sigh, weep and woo in song as soprano Hallie Fishel and lutenist John Edwards open their eighth season with An Anatomy of Melancholy, Saturday, October 10 at 8 p.m. in the Heliconian Hall, 35 Hazelton Ave. (north of Scollard Street in Yorkville; Bay St. subway).

Tickets are $20, $15 seniors and students, and may be purchased at the door. For information, call 416-535-9956, e-mail musinord@sympatico.ca or visit www.musiciansinordinary.ca.

Subscriptions for four concerts of music from the 1500s to the Victorian era of Swedish nightingale Jenny Lind are only $70 adults; $55 students and seniors. The season includes the duo’Äôs popular New Year’Äôs Day Viennese concert with special guests, which will be repeated on January 2. A November 28 concert of 17th century Italian and German instrumental music is an added bonus for subscribers.

Cheques or money orders for subscriptions should be made payable to The Musicians In Ordinary, and sent to The Musicians In Ordinary, 1585 Bloor St. West, Suite 212, Toronto M6P 1A6. As well, there is a bonus instrumental concert on November 28. Details on all of the concerts are below.

OPENING CONCERT: ANATOMY OF MELANCHOLY

Anatomy of Melancholy, the 1621 opus by English scholar and vicar of Oxford Robert Burton, is considered as great a work of literature as it is of medicine and philosophy. David Klausner of the University of Toronto’Äôs Centre for Medieval Studies and Department of English (www.chass.utoronto.ca/~klausner/) reads from the venerable work in The Musicians in Ordinary’Äôs opening concert on October 10. The musicians intertwine the readings with songs by the famed John Dowland (1563-1626), portraying suffers of that disease. With Edwards on Renaissance lute, Fishel sings of crazy lovers who care not about the weather, irrational shepherds ardently wooing nymphs, as well as the sadder sighers.

Copies of MIO’Äôs CD, Sleep, Wayward Thoughts, featuring the music of Dowland and other composers of Elizabethan and Jacobean England, will be available for sale.

The remainder of The Musicians In Ordinary’Äôs 2009-10 season offers plenty of musical cheer:

Friday, Jan. 1, 2010 at 2 p.m. and Saturday, Jan. 2, 2010 at 8 p.m.’Äì A Viennese New Year’Äôs Day Concert: All new repertoire from 18th century Vienna. Don’Äôt like polkas and waltzes but looking for a concert on New Year’Äôs Day? This is the concert for you. MIO performs the Music of Vivaldi, Conti and others, with Fishel singing, Edwards on archlute, and guests Christopher Verrette, violin, and Sara Anne Churchill, harpsichord. The second performance has been added to accommodate the crowds ’Äì January 1, 2009 was sold out, with not one seat left!

Feb. 27, 2010 ’Äì O Dolce Nocte: Tenors Bud Roach and Kevin Skelton join Fishel and Edwards for a sweet night of Italian madrigals from the 1500’Äôs. It features the music of Verdelot, Cipriano di Rore and others.

Apr. 24, 2010 ’Äì Songs of the Americas: MIO ends its season with songs to the guitar from Brazil, Mexico and the antebellum United States of America. Fishel sings and Edwards plays baroque and early romantic guitars in early rumbas and modinhas, as well as opera excerpts from the repertoire of Jenny Lind, the Swedish Nightingale, whose tour was promoted by P.T. Barnum.

Special Bonus Instrumental Concert ’Äì Saturday, Nov. 28, at 8 p.m. at Emmanuel College Chapel, 75 Queen’Äôs Park Crescent ’Äì Sonata Variata ’Äì Violin Music of the 17th Century:

Subscribers to MIO’Äôs 2009-10 season will also receive ’Äì at no extra charge ’Äì tickets to an instrumental concert featuring Christopher Verrette in a recital of solo violin music of 17th century Italy and Germany. Accompanying him are John Edwards on theorbo and Sara Anne Churchill on organ and harpsichord. Single tickets are $20; seniors and students $15. For information, call 416-535-9956, e-mail musinord@sympatico.ca or visit www.musiciansinordinary.ca.

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Classical Archives Presents World Premiere of Cosmic Reflection at the Kennedy Center

THE HISTORY OF THE UNIVERSE IN 40 MINUTES

Composed by Nolan Gasser
World Premiere on November 2, 2009 at the
John F. Kennedy Center For The Performing Arts, Washington D.C.

Washington, DC ’Äì Classical Archives (www.classicalarchives.com), the ultimate online destination for classical music, is presenting the world premiere of Nolan Gasser's narrated symphony, Cosmic Reflection. The musical composition portrays the complete history of the Universe, from the Big Bang to the present day. Cosmic Reflection will be premiered at the John F. Kennedy Center for the Performing Arts on November 2 at 8pm in a performance by the Boston University Symphony Orchestra, conducted by Maestro David Hoose, and featuring narration by Carey Harrison, son of Rex Harrison, along with a video presentation by the NASA Goddard Space Flight Center; the concert will also feature the acclaimed American Brass Quintet.

The musical event celebrates the first year in orbit of the Fermi Gamma-ray Space Telescope. Like the telescope, Cosmic Reflection has had a long journey to its launch: In September 2007, Professor Peter F. Michelson (the Principal Investigator of Fermi's main instrument) and Pierre Schwob, CEO of Classical Archives, approached composer Nolan Gasser to create a musical composition to celebrate the launch of Fermi, (then-called the Gamma-ray Large Area Space Telescope -- GLAST.) Having no prior exposure to the science surrounding the mission, Gasser commenced an intensive self-study of particle physics and cosmology ’Äì at least enough to allow him to reasonably portray, in musical terms, the nature and objectives of the new space observatory.

Two years later, Gasser has become a self-proclaimed physics "freak", an enthusiasm he has brought to bear on the two compositions now written in association with Fermi and its current symposium ’Äì the GLAST Prelude and Cosmic Reflections. The GLAST Prelude, for brass quintet, Op.12 was "premiered" on June 8, 2008 in Cocoa Beach, FL at a pre-launch reception co-sponsored by Stanford University and General Dynamics. Likewise accompanied by a video by NASA-Goddard, the GLAST Prelude (recorded by the American Brass Quintet) has received considerable popular and critical acclaim ’Äì including over 150,000 views on YouTube.

’Ä®Cosmic Reflections, Op.15, is written for full orchestra and narrator, and will feature a video presentation created especially for this concert by Rich Melnick of NASA-Goddard. The "libretto" was co-written by Pierre R. Schwob, Founder of Classical Archives and a gifted amateur cosmologist, and physicist and writer Dr. Lawrence M. Krauss. The work, lasting around 40 minutes, is in three large parts, book-ended by a Prologue and Epilogue, though the work proceeds without interruption.

Finding innovative ways to extend the appeal and audience of classical music is a passion of both Schwob and Gasser, who is the Artistic Director of Classical Archives. Pierre Schwob says, "Cosmic Reflection is an expression of my awe for the heroic efforts of our scientists to understand our Universe, our place in it, and of the extraordinary talent and dedication of all those involved in our cultural heritage. We hope this unique merging of art and science will help inspire even greater love of classical music, and the understanding of the world around us. We are honored to be able to present the story of the universe in such a novel way, just as we are bringing music lovers the universe of classical music on our site every day.

There are a limited number of tickets available to the general public in the 1st Tier and 2nd Tier at $20.00 each. Tickets are available at the Kennedy Center Box Office, by calling (202) 467-4600 or online at www.kennedy-center.org

For additional information and background on Cosmic Reflection, please visit: www.classicalarchives.com/CR/index.html

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Paul Merkelo Benefit Concert

MUSIC WINE FALL COLORS
Saturday, September 26, 6:30 pm
West Brome Church (Knowlton)
Benefit Concert with

Paul Merkelo, solo trumpet, OSM

Alain Lefˆ®vre, piano

Marie-ˆàve Poupart, violin (Prix d'Europe 2009)

Michelle Abraham, violin

Davis Joachim, guitar


Join us to celebrate 10 years of the Fonds Paul Merkelo


Concours OSM Standard Life

This concert raises money for the Paul Merkelo Bursary. This bursary is awarded to a promising young competitor in the OSM Standard Life Competition.
The beautiful old church is an ideal setting for such an event. Meet the musicians after the concert.

Price: $100 Concert, wine et taxes - Tax receipt

100 seats only - Seats not reserved

Door prize


R.S.V.P. : Michˆ®le Parˆ© (514-982-6809)


West BromeChurch (old church) : 26, chemin McCurdy, West Brome

West Brome INN : 128, route 139, West Brome


Suggested :
Dinner at the Auberge after the concert

Visit of nearby wineries before the concert

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Brilliant pianist brings unique improvisational gifts and visionary interpretations to performances

Gabriela Montero
Wednesday, September 30th ’Äì 7:30 pm

Edmonton, AB ’Ķ The 2009-2010 Edmonton Symphony Orchestra performance season debuts The ESO Presents series with a dazzling pianist of natural spontaneity. Gabriela Montero, for one night only, joins your ESO and William Eddins on stage at the Francis Winspear Centre for Music for an unconventional evening of intense interpretations and astonishing impromptu soliloquies.

Having performed with musical luminaries Yo-Yo Ma and Itzhak Perlman at the inauguration ceremony for President Obama, Ms. Montero brings her internationally acclaimed stature and artistry to the Winspear Centre where she will open her orchestral performance program with Rachmaninoff’Äôs enduringly popular Piano Concerto No. 2. She will then proceed with a solo program, connecting to her audience in a completely unique and powerful way through improvisational performance.

Often inviting audience members to suggest themes or melodies for elaborate improvisations, Gabriela says, "I connect to my audience in a completely unique way - and they connect with me. Because improvisation is such a huge part of who I am, it is the most natural and spontaneous way I can express myself.’Äù

Concertgoers have a premiere opportunity to experience an imaginative fantasy world of instantaneously constructed musical creations and lush renditions of classical work. Ticket prices range from $20 ’Äì $65 (agency fees apply), and are available through the Winspear Centre Box Office at (780) 428-1414, or online at www.edmontonsymphony.com.

The next, and only other performance part of The ESO Presents series this season, will take place on June 1st, 2010. Prodigiously gifted organist Cameron Carpenter will stun concert patrons with his extraordinary musicianship and extreme athleticism not normally associated with the organ.

The Edmonton Symphony Orchestra, marking its 58th season in 2009-2010, has taken its place as one of Canada's foremost orchestral ensemble. Its current roster includes 56 musicians from Canada and around the world, performing a wide-ranging repertoire from the great classical masterworks to pops and children's concerts. The presence of the orchestra and its enrichment of the community's quality of life are key elements in the stature and profile of Edmonton on the national and international scene.

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Les laurˆ©ats du concours de la Banque d'instruments de musique du Conseil des Arts du Canada seront prˆ©sentˆ©s et ’Ä®mis en vedette le 24 septembre

Ottawa ’Äì Le Conseil des Arts du Canada prˆ©sentera les 14 laurˆ©ats du concours de la Banque d'instruments de musique le jeudi 24 septembre. Lors de la confˆ©rence de presse, les laurˆ©ats recevront officiellement l'instrument de la Banque qu'ils auront prˆ©alablement sˆ©lectionnˆ©.

La valeur des treize instruments ˆÝ cordes de qualitˆ© et de l'archet de violoncelle totalise plus de 26 millions de dollars (US). Il s'agit du plus important concours jamais organisˆ© par la Banque d'instruments de musique du Conseil des Arts.

Heure : 10 h
Lieu : Studio Glenn-Gould, Centre canadien de radiodiffusion, 250, rue Front Ouest, Toronto.

Veuillez communiquer avec April Yorke au 613’Äë566’Äë4414 ou 1-800-263-5588, poste 4133 ou april.yorke@conseildesarts.ca pour confirmer votre prˆ©sence ˆÝ la confˆ©rence de presse. Certains des finalistes du concours de 2009, dont certains sont des laurˆ©ats du concours 2006, seront disponibles pour des entrevues au cours des semaines prˆ©cˆ©dant la confˆ©rence de presse.

Les noms des gagnants, leurs notices biographiques et des photographies tˆ©lˆ©chargeables seront affichˆ©s au www.conseildesarts.ca, dˆ®s 11 h, le 24 septembre.

Le jeudi 24 septembre ˆÝ 20 h, les quatorze laurˆ©ats prˆ©senteront un concert gratuit au Studio Glenn’ÄëGould. Pour rˆ©server vos billets communiquez avec prix.dotations@conseildesarts.ca ou 1’Äë800’Äë263’Äë5588, poste 4215. Les reprˆ©sentants des mˆ©dias sont ˆ©galement invitˆ©s au concert et ˆÝ la rˆ©ception.

Les ‰ìuvres interprˆ©tˆ©es par les musiciens seront enregistrˆ©es et diffusˆ©es ultˆ©rieurement ˆÝ l'ˆ©mission Soirˆ©es classiques animˆ©e par Michel Keable sur les ondes d'Espace musique, la radio musicale de Radio-Canada et ˆÝ l'ˆ©mission Tempo animˆ©e par Julie Nesrallah sur CBC Radio 2. Elles seront ˆ©galement diffusˆ©es le dimanche 4 octobre ˆÝ l'ˆ©mission In Concert animˆ©e par Bill Richardson sur ’Ä®CBC Radio 2.

ˆÄ propos du concours

De jeunes musiciens talentueux se feront concurrence pour le prˆ�t ’Äì pour une pˆ©riode de trois ans ’Äì de l'un des treize instruments ˆÝ cordes de qualitˆ© et un archet de violoncelle fabriquˆ©s entre 1689 et 1902. Pendant la semaine du 20 septembre, les musiciens se produiront devant un jury de trois experts qui ont une vaste connaissance de la musique choisiront les laurˆ©ats de cette annˆ©e.

Banque d'instruments de musique

Crˆ©ˆ©e en 1985, la Banque d'instruments de musique acquiert des instruments ˆÝ cordes exceptionnels grˆ¢ce ˆÝ des dons et des prˆ�ts, et elle les prˆ�te ensuite ˆÝ de jeunes musiciens canadiens talentueux afin de contribuer au dˆ©veloppement de leur carriˆ®re internationale de solistes ou de chambristes. Les laurˆ©ats du concours disposent des instruments pour une pˆ©riode de trois ans.

Renseignements gˆ©nˆ©raux

Outre son rˆ¥le premier de promouvoir et de favoriser les arts, le Conseil des Arts du Canada administre plusieurs bourses et prix prestigieux en art, sciences humaines, sciences sociales, sciences naturelles, sciences de la santˆ©, gˆ©nie et gestion des arts. Ces prix et bourses reconnaissent les rˆ©alisations d'artistes, de chercheurs et d'administrateurs canadiens exceptionnels. Le Conseil des Arts du Canada s'est engagˆ© ˆÝ accroˆÆtre la sensibilisation du public envers ces personnes et organismes d'exception et ˆÝ leur rendre hommage ˆÝ l'ˆ©chelle nationale comme internationale.

Pour obtenir une liste complˆ®te de ces prix et bourses, veuillez consulter notre site web (www.conseildesarts.ca).

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Classical Archives Showcases Latest Releases

620,000 Tracks and Counting’Ķ

-- Largest Classical Online Classical Music Destination Expands Its Catalogue --

Palo Alto, CA -- Classical Archives (www.classicalarchives.com), the ultimate classical music destination, is showcasing some hot new releases that make the fall a classical music lover's dream come true. In addition to new releases featuring artists such as Murray Perahia, Renee Fleming, and Jean-Bernard Pommier, Classical Archive's featured artist is Vladimir Horowitz. The site, which offers more than 620,000 digital tracks, 7,800 composers, and 27,000 artists, is dedicated to being the ultimate online resource and archive for the world's great classical recordings. Recent releases include:


Bach: Partitas Nos. 1,...’Ä®Murray Perahia, Sony Classical’Ä®CDs: 1 Tracks: 20


Verismo’Ä®Giuseppe Verdi Symphony Orchestra of Milan, Renˆ©e Fleming’Ä®Decca’Ä®CDs: 1 Tracks: 17

Debussy: Pour Le Piano...’Ä®Jean-Bernard Pommier’Ä®CDs: 1 Tracks: 17

Michael Daugherty: Fir...’Ä®Detroit Symphony Orchestra, Neeme Jˆ§rvi’Ä®’Ä®Naxos’Ä®CDs: 1 Tracks: 7

About Classical Archives

Classical Archives (www.classicalarchives.com), the ultimate classical music destination, is the largest digital music subscription service dedicated to classical music. The site offers more than 620,000 tracks, 7,800 composers, and 27,000 artists representing more than 110 record labels. It also features a breakthrough in site navigation that allows users to search and cross-reference by any relevant criteria: composer, work title, artist, albums, historical period, instrument, genre, and many others that make finding and comparing the best classical recordings easier than it has ever been. Classical Archives offers unique membership opportunities that allow users to take advantage of its vast resources easily and affordably. Fees are $9.95/month or $99.50/year. Benefits include the ability to listen to music from the entire site (complete tracks or full works); a 10% discount on all downloads (which are yours to keep for life!); and the first two weeks as a free trial of the service. Subscribers also benefit from the play list capabilities to store their favorite pieces in a single list, for one-click access, which they may share with anyone.

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La Traviata opens October 1st

La traviata
THE FALLEN WOMAN
OCTOBER 1, 6, 8 AND 10, 2009, AT 8 PM, AND OCTOBER 3 AT 3 PM
September 15, 2009

’Ä®Pacific Opera Victoria is thrilled to present a landmark season that has’Ä®expanded to include four operas and matinˆ©e performances. The season’Ä®opens with one of the most popular operas in the world, Verdi's La’Ä®traviata, October 1, 3 (matinˆ©e), 6, 8 and 10, 2009 at the Royal’Ä®Theatre, 805 Broughton Street in Victoria. Evening performances begin’Ä®at 8pm with pre-performance lectures at 6:45pm. The matinˆ©e performance’Ä®on October 3 begins at 3pm, with pre-performance lecture at 2pm.

La traviata ("the fallen woman") is the story of a courtesan who finds’Ä®true love, generously renounces it, then regains it, only to die far too’Ä®young. The only one of his operas set in his own time, La traviata is’Ä®Verdi's most personal opera, the one into which he poured all his’Ä®compassion and tenderness; in fact his original title for the work was’Ä® Amore e Morte - Love and Death.

Of the music, much of it familiar, all of it glorious, Conductor Timothy’Ä®Vernon says, "This astonishing score ’Ķ is one long stream of amazing’Ä®lyrical inspiration - the work of a great genius writing at the height’Ä®of his power."

La traviata was inspired by the play La Dame aux camˆ©lias, adapted by’Ä®Alexandre Dumas the Younger from his novel of the same name - a’Ä®shocking, semi-autobiographical best seller about Dumas' affair with a’Ä®notorious Paris courtesan who died of consumption at the age of 20. The’Ä®story is also well known through the 1936 movie Camille, which featured’Ä®Greta Garbo in her finest screen performance.

With his compassionate portrayal of a contemporary prostitute, Verdi ran’Ä®afoul of the censors, who insisted he move the opera 150 years into the’Ä®past. Verdi was further dismayed by what he saw as the fiasco of the’Ä®opera's 1853 premiere - caused in part by a soprano who was too plump to’Ä®be wasting away from consumption. However La traviata has now soared to’Ä®the top of the repertoire; Opera America lists it as the third most ’Ä®frequently performed opera in North America.

The beautiful, notoriously challenging role of Violetta is the most’Ä®coveted - and feared - of soprano roles, and an important debut for any’Ä®singer. For POV's three previous productions of the opera, Artistic’Ä®Director Timothy Vernon has offered this role debut to Sally Wolf,’Ä®Liping Zhang and Sally Dibblee - each to critical acclaim. This’Ä®production presents Sookhyung Park in her debut as Violetta. Ms. Park's’Ä®breathtaking portrayal of the title character in POV's Daphne (2007) was’Ä®hailed as a "heartfelt, psychologically concentrated Daphne, riding the’Ä®swirling euphoric orchestra lines with never a crease in the pearly’Ä®sheen of her lovely sound".

Timothy Vernon's inspired casting includes Vale Rideout who makes his’Ä®company and role debut as Alfredo Germont, along with returning artists’Ä®Bruce Kelly (Madama Butterfly and The Magic Flute) as Giorgio Germont’Ä®and Andrew Greenwood (Idomeneo) as Douphol. Participants in the POV’Ä®Resident Artist Program make their POV mainstage debuts: Giles Tomkins’Ä®as Dr. Grenvil, Cory Knight as Gaston, Heather Jewson as Flora, Betty’Ä®Waynne Allison as Annina and Pierre-Etienne Bergeron as Marchese’Ä®d'Obigny.

Pacific Opera Victoria has chosen to honour Verdi's desire to keep La’Ä®traviata contemporary by setting it in 1949 Paris - an era that retains’Ä®the glamour of Violetta's world, but is close enough to the present to’Ä®convey the immediacy of the composer's vision. POV's wholly original’Ä®production is directed by Dennis Garnhum, a UVic theatre grad and’Ä®currently Artistic Director of Theatre Calgary. Twenty years ago’Ä®Garnhum interned with the late Colin Graham, one of the world's most’Ä®noted opera directors. With this production Dennis makes his POV - and’Ä®professional opera - directing debut. Garnhum is joined by designer’Ä®David Boechler, who has worked with the Shaw and Stratford Festivals.

La traviata is conducted by Timothy Vernon, and features the Victoria’Ä®Symphony. Lighting design is by Kevin Lamotte and choreography by’Ä®Jacques Lemay. The opera is sung in Italian with English surtitles.’Ä®Running time is approximately two hours and thirty minutes with one’Ä®intermission.

Pacific Opera Victoria presents only five performances of La traviata,’Ä®and anticipates a sold-out run. ’Ä®Priced between $25 and $115, tickets are available from the Royal and’Ä®McPherson Box Office at 250-386-6121, or on-line at www.rmts.bc.ca.’Ä®Student RUSH tickets for those presenting valid student identification’Ä®are available at the door of the theatre, 45 minutes prior to each’Ä®performance, subject to availability. RUSH tickets are $15, inclusive’Ä®of all box office charges.

For more information, please contact Pacific Opera Victoria at (250)’Ä®385-0222 or visit www.pov.bc.ca.

Special contemporary African dance program at the MAI / Programme spˆ©ciale en danse africaine contemporaine au MAI

Ce mois de septembre au MAI : 3 compagnies de danse africaine contemporaine

Dans le cadre d’Äôun mois de septembre qu’Äôil consacre ˆÝ la danse africaine contemporaine, le MAI ouvre sa saison 2009-2010 avec une soirˆ©e exceptionnelle et accueille deux compagnies pionniˆ®res au Canada! Rˆ©unies pour la premiˆ®re fois sur une mˆ�me scˆ®ne, les compagnies Nyata Nyata (Montrˆ©al) et NAfro Dance (Winnipeg) prˆ©sentent du 17 au 20 septembre quatre piˆ®ces en premiˆ®res montrˆ©alaises et une en premiˆ®re mondiale. Ce programme double sera ensuite suivi de la nouvelle crˆ©ation de l’Äôinterprˆ®te-chorˆ©graphe Gibson Muriva (Zimbabwe), du 23 au 27 septembre. Ces performances prˆ©sentˆ©es au MAI sont co-diffusˆ©es par Transatlantique Montrˆ©al 2010.

On peut se procurer les billets pour ces spectacles en visitant le site http://ticket.boxxo.info/, en se prˆ©sentant ˆÝ la billetterie du MAI, situˆ©e au 3680, rue Jeanne-Mance ou en composant le (514) 982-3386.

Offre spˆ©ciale !’Ä®Achetez en mˆ�me temps vos billets pour les 2 spectacles de NAfro Dance+ Nyata Nyata’Ä®et Gibson Muriva et obtenez 30% de rabais.


www.nyata-nyata.org www.nafrodance.com http://www.vimeo.com/6461838



This September at the MAI: 3 contemporary African dance compagnies

This month, the MAI is celebrating contemporary African dance in Canada. In this spirit, the 2009-2010 program opens with an outstanding evening highlighted by two groundbreaking canadian dance compagnies! United on the same stage for the very first time, Nyata Nyata (Montreal) and NAfro Dance (Winnipeg) present from September 17 to 20, five performances - four of which are Montreal premieres and one, a world premiere. This double bill will also be followed by a new creation by dancer-choreographer Gibson Muriva (Zimbabwe), from September 23 to 27. Theses performances are all presented in association with Transatlantique Montrˆ©al 2010.

Tickets for theses shows can be purchase online at http://ticket.boxxo.info/, at the MAI’Äôs Box office on 3680, Jeanne-Mance St. or by calling (514) 982-3386.

Special Offer!’Ä® Buy tickets for both shows (NAfro dance + Nyata Nyata and Gibson Muriva)’Ä®and benefit from a 30% discount.

www.nyata-nyata.org www.nafrodance.com http://www.vimeo.com/6461838

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Gonzales : Le recordman spectaculaire et son piano ˆÝ eXcentris / Gonzales: The record-holder and his piano at eXcentris

Montrˆ©al - ˆÄ peine plus de trois mois aprˆ®s avoir battu le record du plus long spectacle pour piano et voix de l'histoire, Gonzales revient ˆÝ Montrˆ©al avec Piano Talk Show, un spectacle interactif avec piano, surprises, bavardages et humour.

Un spectacle de Gonzales, c'est une expˆ©rience unique dans une ambiance de folie ! Grˆ¢ce ˆÝ sa formation classique, l'auteur-compositeur-interprˆ®te dˆ©montre une maˆÆtrise exceptionnelle pour son instrument et c'est en faisant de l'ˆ©lectro qu'il s'est taillˆ© une place de choix dans le c‰ìur du public. Avec six albums ˆÝ son actif, l'artiste nous entraˆÆne dans toutes sortes de textures musicales, des plus ˆ©purˆ©es et classiques (Piano Solo, 2004) aux plus ˆ©clectiques (Soft Power, 2008).

Gonzales, alias Jason Beck, est un pianiste montrˆ©alais installˆ© ˆÝ Paris. Producteur, arrangeur et auteur pour de nombreux artistes, il compte des collaborations avec Feist, Peaches, DJ Tiga, Julien Dorˆ©, Jane Birkin, Arielle Dombasle et Philippe Katerine.

Le 18 mai dernier, il ˆ©tablissait un record Guiness en prˆ©sentant ˆÝ Paris un concert de 27 heures, 3 minutes et 44 secondes. Pour l'occasion, Gonzales avait interprˆ©tˆ© tant du Gershwin, du Beethoven, ses propres compositions que des chansons de Britney Spears ou la chanson-titre du film Rocky III.

Le rˆ©pertoire vaste et le personnage spectaculaire de Gonzales promettent une soirˆ©e certainement inattendue!



Samedi, le 26 septembre ˆÝ 22h

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Montrˆ©al ’Äì Barely three months after becoming the world record holder for the longest piano and vocals show, Gonzales has returned to Montreal with his new concert, Piano Talk Show, an interactive event with lots of surprises, stories, and humor.

An evening with Gonzales has always proven to be a unique experience, enveloped by a seamlessly invigorating ambiance! Thanks to his classical education, the singer-songwriter has demonstrated exceptional talent on his instrument of choice, the piano; however, it was when he went "electro" that he really found his niche. Throughout the essence of his six albums, this artist has introduced us to a variety of musical genres, from his most wholesome and classical music (Piano solo, 2004) to his most eclectic (Soft Power, 2008).

Gonzales, a pseudonym for Jason Beck, is a Montreal pianist now living in Paris. A producer, as well as an arranger and author for a multitude of artists, he has collaborated with Feist, Peaches, DJ Tiga, Julien Dorˆ©, Jane Birkin, Arielle Dombasle and Philippe Katerine on a variety of projects.

On the 18th of May last year, he became the Guinness record holder for his concert in Paris, a show that lasted 27 hours, 3 minutes, and 44 seconds. For the occasion, Gonzales had chosen to interpret pieces by Gershwin, Beethoven, his own compositions, as well as songs by Britney Spears and the theme song from Rocky III.

The musically talented and undoubtedly entertaining Gonzales always proves to be a inimitable experience!

Saturday, the 26th of September at 10 o'clock.

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Leon Fleisher Un pianiste lˆ©gendaire / Leon Fleisher A legendary pianist

Montrˆ©al, le 15 septembre 2009 ’Äî C'est au lˆ©gendaire pianiste amˆ©ricain Leon Fleisher que eXcentris a demandˆ© d'inaugurer le volet classique avec ce premier Grand Concert Steinway. Accompagnˆ© de ses amis, les musiciens Michael Tree, Matt Haimovitz, Katherine Jacobson, Andy Simionescu, John Zirbel, Pam Frank, Dominic Painchaud et Young Hi Moon, Fleisher nous a orchestrˆ© deux soirˆ©es mˆ©morables de musique de chambre, en solo sur son cˆ©lˆ®bre piano Chavy Chase, et ˆÝ quatre mains. Des ‰ìuvres de Schumann, Bach, Dvorak et une interprˆ©tation du Quintette pour piano en F mineur de Brahms sont au programme.

Nˆ© en 1928, Leon Fleisher commence le piano ˆÝ 4 ans, et devient un des plus jeunes virtuoses ˆÝ bˆ©nˆ©ficier de l'enseignement d'Arthur Schnabel. Rapidement, il gagne une renommˆ©e internationale. ˆÄ 37 ans, un accident neurologique le prive de la mobilitˆ© de deux doigts de sa main droite. Il entreprend alors les carriˆ®res de chef d'orchestre et d'enseignant, tout en dˆ©veloppant un rˆ©pertoire pour main gauche. En 2004, un traitement expˆ©rimental lui permet de recouvrer l'usage de ses doigts et d'enregistrer Two Hands, un album hautement acclamˆ© qui fera l'objet d'un film documentaire nommˆ© aux Oscar en 2006. En 2007, il reˆßoit le prix Kennedy Center Honors, qui confirme une carriˆ®re des plus grandioses, et ce, malgrˆ© l'adversitˆ©. Son programme pour 2009-2010 est particuliˆ®rement chargˆ©; il sera entendu aux quatre coins de la planˆ®te en plus de poursuivre des engagements ˆÝ titre d'enseignant, la transmission de son savoir ˆ©tant chˆ®re ˆÝ ses yeux.

Les 25 et 26 septembre 2009, ˆÝ 19 h, dans notre toute nouvelle salle Cassavetes.

Le 26 septembre 2009, ˆÝ midi, projection du documentaire Two Hands : The Leon Fleisher Story, en prˆ©sence de l'artiste. Une conversation avec Leon Fleisher suivra la projection du film.

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Montreal ’Äî eXcentris has invited legendary American pianist to inaugurate its classical program with this first Grand Concert Steinway. Accompanied by his friends, musicians Michael Tree, Matt Haimovitz, Katherine Jacobson, Andy Simionescu, John Zirbel, Pam Frank, Dominic Painchaud and Young Hi Moon, Fleisher has arranged two memorable evenings of chamber music for us, solo on his famed Chavy Chase piano, and for four hands. The program will feature works by Schumann, Bach, Dvorak and an interpretation of Brahms' Piano Quintet in F Minor.

Born in 1928, Leon Fleisher started piano at the age of 4, becoming one of the youngest virtuosos to benefit from Arthur Schnabel's teaching. He would quickly establish an international reputation. At 37, a neurological disorder robbed him of the mobility of two fingers on his right hand. He then took to conducting and teaching, all the while developing a repertoire for the left hand. In 2004, an experimental treatment allowed him to recover the use of his fingers and to record Two Hands, a highly acclaimed album that became the subject of a documentary film nominated for an Oscar in 2006. In 2007, he received the Kennedy Center Honors Award, confirmation of a landmark career, even in the face of adversity. His 2009-2010 schedule is particularly jam-packed; he'll travel to the four corners of the globe to perform, all the while keeping up his teaching engagements, given the importance he places on passing on his wisdom.

September 25 and 26, 2009, at 7 p.m., in our brand new Cassavetes Room.

September 26, 2009, at noon: a screening of the documentary Two Hands: The Leon Fleisher Story, with the artist in attendance. The film will be followed by a conversation with Leon Fleisher.

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Renˆ©e Fleming's "Verismo"

Renˆ©e Fleming’Ä®
Verismo


Orchestra e Coro Sinfonica di
Milano Giuseppe Verdi
Marco Armiliato
Renˆ©e Fleming sings arias by Puccini
and his contemporaries

In Stores: September 15th, 2009
Available Digitally: August 25th, 2009

"This music is the highest expression of drama and passion." Renˆ©e Fleming


NEW YORK, NY ’Äì With well over thirty recording projects on the Decca label to date, iconic American soprano Renˆ©e Fleming is easily one of the most recorded opera singers of her generation. Today, Decca proudly releases Verismo, the 15th solo album in as many years by Fleming, featuring opera arias by Puccini and his contemporaries ’Äì composers of the Verismo style who set the lives and loves of their heroines to music of extraordinary beauty and intensity.

Along with great Puccini favorites from La Bohˆ®me, Turandot, La Rondine, Il Trittico and Manon Lescaut, the album also includes rarely heard arias by Verismo composers Mascagni, Catalani, Leoncavallo, Giordano, Cilea, and Zandonai. From the tragedy of the nun Angelica, singing of the son who never knew his mother, to the rapturous young lovers of La Rondine, this is deeply emotional music of love and loss, of triumph and pain. Of the roles she portrays on this album, Mimˆ¨ from Puccini's La Bohˆ®me is the only one that Renˆ©e Fleming has sung on stage. This album offers a world-premiere recording of the original manuscript version of the aria ’ÄòSola, perduta, abandonata!’Äô from the tragic final scene of Puccini’Äôs Manon Lescaut. Star tenor Jonas Kaufmann joins Renˆ©e Fleming for an irresistible melody from Act II of Puccini’Äôs La Rondine.

’ÄòVerismo’Äô (literally ’Äòrealism’Äô) was an artistic movement of the late 19th-Century, which sought to bring the ’Äònaturalism’Äô of writers such as Zola and Ibsen to other art forms, including opera. Known as the ’Äògiovane scuola’Äô (’Äòthe young school’Äô), the Verismo composers wrote operas that were very different to those that came before them, setting stories about ’Äòreal’Äô people and their real life struggles. The heroines Renˆ©e Fleming portrays include noblewomen (Fedora, Gloria, Angelica), courtesans (Stephana, Magda), Asian waifs (Iris, Liˆ¼), a Tyrolean village girl (Wally), the avaricious Manon, and three working women: music-hall performer ZazˆÝ, seamstress Mimˆ¨ and factory-worker Conchita. The disc covers a concentrated period of Italian opera from the premiere of La Wally in 1892 to that of Turandot in 1926. This rich period saw the creation of more new works than almost any other era in operatic history.

Renˆ©e Fleming describes the process of choosing the repertoire for Verismo as ’Äúa revelation.’Äù ’ÄúI was surprised by the sheer volume and variety of the Italian operas from this period,’Äù she explains, ’Äúand the intense emotionality of the music has given voice to some of the most beautiful interpretations I have ever heard.’Äù ’ÄúListening to singers of past generations gives me a real sense of individual style, taste and imagination,’Äù Fleming remarks, ’Äúeach voice harbors a singular personality and moment in time.’Äù Researching the arias for this collection, Fleming studied recordings by Leontyne Price, Maria Callas and Mirella Freni, the fabulous drama and lyricism of Rosa Ponselle and Zinka Milanov and finally the theatrically committed and searing performances of Magda Olivero, Mafalda Favero, Lynne Strow Piccolo, Rosanna Carteri ’Äì the singers from the earliest days of recordings who embodied these roles for the first time. ’ÄúIt completely stokes my imagination to think that all of these great interpreters were ’Äònew music’Äô specialists,’Äù she adds, ’Äúthat generation of singers was the last to devote the majority of its time to creating roles with living composers.’Äù

’ÄúAbove all,’Äù Fleming remarks, ’Äúmy goal with this recording is to share a broader selection from an especially rich tradition of Italian opera, so that these Verismo heroines can be heard again in all their beauty and complexity.’Äù

Following the release of Verismo, Decca presents a DVD of Renˆ©e Fleming in one of her greatest stage roles ’Äì as the Marschallin in Richard Strauss’Äôs Der Rosenkavalier, conducted by Christian Thielemann available October 6th. The dream cast, filmed live at the Baden-Baden Opera Festival, also includes Diana Damrau, Sophie Koch, and Franz Hawlata. This re-staging of a celebrated Herbert Wernicke production is released in time for Renˆ©e Fleming’Äôs appearances at the Metropolitan Opera in Der Rosenkavalier from October 13th through the 22nd.

Renˆ©e Fleming Verismo Tracklisting

Puccini Suor Angelica ’ÄúSenza mamma’Äù
Mascagni Iris ’ÄúUn dˆ¨ (ero piccina)’Äù

Puccini La rondine ’ÄúDenaro nient’Äôaltro che denaro! ... Ore dolci e divine’Äù

Mascagni Lodoletta ’ÄúAh! il suo nome! ’Ķ Flammen, perdonami!’Äù

Catalani La Wally ’ÄúNˆ© mai dunque avrˆ¾ pace? ’Ķ Ohimˆ®! solo una celia io fui per lui’Äù

Puccini La Bohˆ®me ’ÄúSˆ¨. Mi chiamano Mimˆ¨’Äù

Leoncavallo La Bohˆ®me ’ÄúMusette svaria sulla bocca viva’Äù & ’ÄúMa vi chetate! ’Ķ Mimˆ¨ Pinson, la biondinetta

Puccini La Bohˆ®me ’ÄúAddio ’Ķ Donde lieta uscˆ¨ al tuo grido d’Äôamore’Äù

Leoncavallo ZazˆÝ ’ÄúAngioletto, il tuo nome?’Äù

Puccini Manon Lescaut ’ÄúSola, perduta, abbandonata!’Äù

World premiere recording of original manuscript version

Zandonai Conchita ’ÄúIer dalla fabbrica a Triana’Äù

Cilea Gloria ’ÄúO mia cuna, fiorita di sogni e di melodi’Äù

Giordano Fedora ’ÄúTroppo tardi! Tutto tramonta, tutto dilegua’Äù

Puccini Turandot ’ÄúTanto amore segreto e inconfessato ’Ķ Tu, che di gel sei cinta’Äù

Giordano Siberia ’ÄúNo! Se un pensier ’Ķ Nel suo amore rianimata’Äù

Puccini La rondine ’ÄúBevo al tuo fresco sorriso’Äù With Jonas Kaufmann (tenor)


Renˆ©e Fleming in Performance USA 2009-2010

September 16 New York Philharmonic Gala Concert, Messiaen with Alan Gilbert
October 3 Chicago Symphony Orchestra Gala Concert, Barber/Strauss with Paavo Jˆ§rvi

October 13 - 22 Metropolitan Opera, Strauss: Der Rosenkavalier with James Levine

December 1 Recital (with Gerald Martin Moore, piano) Seattle

December 6 Recital (with Gerald Martin Moore, piano) Berkeley

December 9 Recital (with Gerald Martin Moore, piano) Santa Barbara

December 12 Recital (with Gerald Martin Moore, piano) Los Angeles

December 17 Recital (with Gerald Martin Moore, piano) Baltimore

January 1 - 15 Metropolitan Opera Strauss: Der Rosenkavalier with James Levine

January 23 Naples, FL’ÄìArias with Jorge Mester

January 26 Tampa, FL’ÄìArias with Anton Coppola

January 29 Jackson, MS ’Äì Arias with Jay Dean

February 11 -13 Boston Symphony Orchestra Strauss/Mahler with James Levine

March 6 Boca Raton, FL ’Äì Arias with Patrick Summers

April 12- May 15 Metropolitan Opera Rossini: Armida with Riccardo Frizza

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ExCentris Programmation 2009 - 2010

Montrˆ©al ’Äî En plein coeur de Montrˆ©al, juste entre l'est et l'ouest, le nord et le sud, tel un X marquant le centre psychologique de l'ˆÆle, le complexe multimˆ©dia renferme manifestement un trˆ©sor, il n'y a qu'ˆÝ l'investir totalement afin qu'il se dˆ©couvre ˆÝ vous dans toute sa splendeur.

L'investir d'une nouvelle mission pour que ses portes immenses ne soient plus assez grandes pour y accueillir les Montrˆ©alais, les enracinˆ©s et ceux de passage, pour voir et entendre les jeunes poˆ®tes comme les rock-stars, les divas comme les virtuoses avec leurs violons, leurs lumiˆ®res, leurs boutons, leurs micros, leurs chansons, leurs films et leurs histoires racontˆ©es avec tous les langages sur les scˆ®nes mobiles des salles intimistes, aussi vivantes que le ventre des baleines avec leurs fils et leurs techniques particuliˆ®res qui font qu'un soir, le public peut se retrouver dans un vaisseau spatial et le lendemain, dans la barque de Fellini, vous savez, celle oˆ¼ le rhinocˆ©ros sait trˆ®s bien oˆ¼ il s'en va, E la nave va’Ķ

Cette nouvelle mission d'eXcentris est simple. Offrir un laboratoire en direct aux artistes afin de promouvoir l'ˆ©mergence et provoquer l'innovation et les rencontres inusitˆ©es entre les genres, les mˆ©dias et les styles, dans un environnement convivial. Autrement dit, devenir un centre de diffusion des arts de la scˆ®ne en privilˆ©giant la relˆ®ve dans tous les domaines, surtout celui de la musique, cet art ¬´ qui est le premier ˆÝ souffrir de la transition numˆ©rique ¬ª, pour citer le mˆ©cˆ®ne.

Chez eXcentris, de la musique classique ˆÝ l'ˆ©lectro, en passant par la danse et le thˆ©ˆ¢tre, les arts visuels et numˆ©riques, le jazz/folk/prog/rock, sans oublier le fusion/trad/ambiant, bref, peu importe l'appellation, la seule ˆ©tiquette est l'absence de formule ou plutˆ¥t une formule qui s'ˆ©clate, autour du Hall rˆ©novˆ© en restaurant-bar.

Dans l'esprit des cabarets, oˆ¼ il est possible de manger, boire et se divertir dans un mˆ�me lieu ˆÝ bon prix, il y a le Joe's Pub, le Poisson Rouge et le City Winery qui vient d'ouvrir ˆÝ New York, et le King's Place ˆÝ Londres. L'idˆ©e fondamentale, malgrˆ© les diffˆ©rences de grandeurs entre ces lieux, c'est de rassembler sous un mˆ�me toit le public et les artistes, dans une ambiance d'ˆ©changes et de dˆ©couvertes qui fait appel ˆÝ tous les sens.
’Äî Audrey BenoˆÆt, directrice gˆ©nˆ©rale

Programmation de rˆ©ouverture

Cˆ¥tˆ© pop, les nouvelles activitˆ©s d'eXcentris ouvrent avec le lancement, le 23 septembre, de l'album tout en innu de Chloˆ© Sainte-Marie et les deux premiˆ®res semaines de programmation s'enflamment avec Samian & Anodajay, le 3 octobre prochain.

Pour l'automne, la moitiˆ© des spectacles sont offerts par des artistes de la relˆ®ve, tels les coups de c‰ìur des deux premiˆ®res semaines : Joseph Edgar, un Acadien qui fait du rock aux accents cajun et ˆâric Bˆ©langer, auteur-compositeur-interprˆ®te que Monique Giroux compare ˆÝ un jeune Claude Lˆ©veillˆ©e. Plus tard en novembre, la voix unique d'une Quˆ©bˆ©coise aux origines texanes, Emilie Clepper, ou les projections ˆ©lectro de The Tanuki Project risquent d'en enchanter plusieurs dans la versatile salle Fellini.

Les grands de la chanson sont aussi au rendez-vous, pour des concerts intimes, telle Renˆ©e Martel le 3 octobre, ou Dick Rivers, Louise Forestier et Laurence Jalbert plus tard cet automne.

Le premier spectacle dans la nouvelle salle Cassavetes, le 23 septembre, est celui de Jay Jay Johanson, qui promet des retrouvailles ardentes avec son public montrˆ©alais. En plus du sensuel suˆ©dois, le fameux Gonzales, parisien d'adoption (26 septembre), et les torontois Fritz Helder & The Phantoms, groupe pop-punk-couture prˆ©sentˆ© dans le cadre de Pop Montrˆ©al (2 octobre), prendront aussi la route pour venir cˆ©lˆ©brer la rˆ©ouverture d'eXcentris.

Tout comme Sayari ’Äì Roots of Gypsy. Ce groupe de musiciens gitans du Rajasthan, au nord de l'Inde, berceau de cette culture qui est autant un mode qu'un art de vivre, avec leur musique, leurs chants et leurs danses, lancent la sˆ©rie des musiques du monde les 30 septembre, 1er et 2 octobre prochains. Ensuite, il y aura Paul Kunigis, les Diouf, Manu Atna NJock, Carlos Placeres, et Papa Groove, entre autres.

Ces deux premiˆ®res semaines inaugurent aussi la Cassavetes version salle de concert classique avec nul autre que le lˆ©gendaire pianiste Leon Fleisher pour ouvrir la sˆ©rie des grands concerts Steinway, les 25 & 26 septembre, sur le piano de Chevy Chase, complˆ®tement reconstruit pour eXcentris. Le public pourra converser avec Monsieur Fleisher le 26 septembre ˆÝ midi, aprˆ®s la projection du documentaire Two Hands ’Äì The Leon Fleisher Story. Le 4 octobre, Daniel Taylor clˆ¥ture en voix la rˆ©ouverture de la Cassavetes avec Suzie Leblanc, dans le premier acte de l'opˆ©ra de Purcell: Didon et ˆânˆ©e.

Le thˆ©ˆ¢tre sera celui de Pol Pelletier, dans Une Contrˆ©e sauvage appelˆ©e Courage, le 24 septembre. Avec son personnage de RAMIE, Royale Artiste Mendiante Itinˆ©rante Extatique, elle redonne vie ˆÝ des textes, chants et danses mˆ©connus, tirˆ©s des rˆ©pertoires quˆ©bˆ©cois, europˆ©en et des autres Amˆ©riques, celles des Noirs-Amˆ©ricains, des Amˆ©rindiens et des Latino-Amˆ©ricains. Accompagnˆ©e de la talentueuse accordˆ©oniste Mˆ©lanie Bergeron, Pol Pelletier nous fait aussi dˆ©couvrir ou redˆ©couvrir Les Vaches de nuit, de Jovette Marchessault et Elˆ©gie au gˆ©nocide des nasopodes, de Michel Garneau.

Programmation 2009-2010

ˆÄ retenir cet automne, sur le grand piano Steinway, la prˆ©sence de Marianne Trudel en duo avec Lˆ©vy Bourbonnais, Christopher O'Riley, Louise Bessette et son magnifique Les carillons ˆ©ternels, ainsi que Monsieur Kent Nagano, pour une soirˆ©e toute en musique et conversation.

Les cordes seront aussi ˆÝ l'honneur avec le violoncelliste Matt Haimovitz, la violoniste Angˆ®le Dubeau, Mark O'Connor, Alexandre Da Costa, et les principaux musiciens de l'OSM. Pour les dˆ©couvertes de nouveaux virtuoses, eXcentris est fier de s'associer au Itzhak Perlman Music Program, pour prˆ©senter une sˆ©rie mettant en vedettes les ˆ©lˆ®ves du maˆÆtre.

La relˆ®ve d'ici est campˆ©e par le quartet Cecilia, artistes de l'annˆ©e pour le 50e anniversaire des Jeunesses musicales et Ch‰ìur de Mˆ©tal, des cuivres antiphonaux dans le Hall, entre autres. Faˆßon plus expˆ©rimentale, deux improvisations en direct sur deux films muets ; Nosferatu ˆÝ l'Halloween avec DJ Olive, turntablist de New York, et Red Heroine, le seul film muet de Kung Fu chinois, accompagnˆ© par l'ensemble Devil Music de Boston.

Au printemps 2010, le quartet de saxophones Quasar et l'ECM, sous la direction de Vˆ©ronique Lacroix, promettent de vous en mettre plein les oreilles.

ˆÄ surveiller pour des moments de pur bonheur cet automne, le Festival du nouveau cinˆ©ma ; Sylvie Paquette et Monsieur Mono, dans une sˆ©rie de trois spectacles, chacun en solo, puis en duo ; Tomas Jensen dans un autre genre : ¬´ Hombre ¬ª ; le spectacle lancement de Fredric Gary Comeau et Catherine Durand dans le cadre de Coup de c‰ìur francophone, Jˆ©rˆ¥me Miniˆ®re, Michel Faubert, Yves Desrosiers, Ian Kelly et l'extraordinaire Fred Fortin.

En 2010, eXcentris prˆ©sentera la rentrˆ©e montrˆ©alaise de Chloˆ© Sainte-Marie dans une mise en scˆ®ne de Brigitte Haentjens ; une crˆ©ation de Dance-Citˆ© avec la danseuse Sarah Williams ; les films de Festivalissimo ; et les productions Ondinnok dans une oeuvre hors du temps, en collaboration avec le El Baile Danza Rabinal Achi du Guatemala, les hˆ©ritiers du drame prˆ©colombien Rabinal Achi : ¬´ Ses racines plongent jusque dans l'origine du peuplement des Amˆ©riques. Il s'agit d'une souvenance mythique, celle d'ˆ�tre issu d'un mˆ�me tronc, une intuition partagˆ©e par les mythes et les prophˆ©ties ˆÝ la fois par les Amˆ©rindiens du Nord et du Sud. Une dˆ©marche commune de crˆ©ation (’Ķ) qui dˆ©joue les frontiˆ®res culturelles et physiques entre les peuples autochtones des Amˆ©riques. Ce projet propose une thˆ©ˆ¢tralitˆ© inˆ©dite, aux codes mˆ©connus en occident. ¬ª ’Äî Yves Sioui Durand.

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Le Vivier, carrefour des musiques nouvelles inaugure sa premiˆ®re saison de 15 concerts de musiques nouvelles

Montrˆ©al - Montrˆ©al est un vˆ©ritable vivier oˆ¼ bouillonne l’Äôimagination des artistes et la crˆ©ation musicale compte pour beaucoup dans l’Äôexpression de cette effervescence. ’Ä® ’Ä®

Crˆ©ˆ© en 2007 pour faire valoir le dynamisme des musiques de crˆ©ation et en favoriser son dˆ©veloppement et sa diffusion auprˆ®s d’Äôun plus large public, Le Vivier, carrefour des musiques nouvelles, un regroupement de 22 organismes musicaux montrˆ©alais, prˆ©sente une premiˆ®re saison de 15 concerts de musiques nouvelles, sur plusieurs scˆ®nes montrˆ©alaises. ’Ä®’Ä®

Sous le thˆ®me Les dˆ©fricheurs, l’Äôan 01 de la saison Le Vivier ¬´ reflˆ®te l’Äôardeur des compositeurs et interprˆ®tes qui ouvrent le paysage du sonore, ceux dont la passion est de dˆ©broussailler et d’Äôˆ©largir les frontiˆ®res musicales ¬ª, dˆ©clare la prˆ©sidente Danielle P. Roger. Les musiques contemporaines, actuelles et ˆ©lectroacoustiques sont en fˆ�te, elles sont vivantes, ˆ©voluent et se portent bien ! Cette premiˆ®re saison affiche la singularitˆ© et la couleur de l’Äôespace public qu’Äôoccupera dorˆ©navant cette scˆ®ne musicale rˆ©solument tournˆ©e vers l’Äôavenir.’Ä®

’Ä®Les tˆ�tes d’Äôaffiche sont des solistes, des orchestres de chambre, des quatuors ˆÝ cordes ou de saxophones ; des ensembles de percussions, d’Äôinstruments inventˆ©s ou ˆ©lectroniques ; des performeurs et des artistes d’Äôautres disciplines ; des nouveaux venus et des valeurs sˆªres. Tous sont des dˆ©fricheurs dˆ©chiffreurs, audacieux dans leur parcours artistique. Ils nous convient ˆÝ de grandes rencontres avec des premiˆ®res et nouvelles ‰ìuvres, des classiques, des crˆ©ations et ˆÝ cˆ©lˆ©brer des anniversaires.’Ä® ’Ä®

En codiffusion avec quinze de ses membres, Le Vivier propose une premiˆ®re saison oˆ¼ l’Äôon pourra [re]dˆ©couvrir les ‰ìuvres de compositeurs qui ont faˆßonnˆ© les musiques de notre temps, ou encore celles de la jeune gˆ©nˆ©ration qui les dessine au prˆ©sent ; ’Ä®ce sera aussi l’Äôoccasion de faire des rencontres [d]ˆ©tonnantes avec les musiques nouvelles qui ne s’Äôembarrassent pas d’Äôˆ©tiquette en frayant avec l’Äôindie rock, la danse, le cinˆ©ma et le jeu thˆ©ˆ¢tral et mˆ�me l’Äôunivers burlesque de la bande dessinˆ©e ; ’Ä®la saison Le Vivier permettra ˆ©galement de s’Äôembarquer dans des odyssˆ©es numˆ©riques et ˆ©lectros et de dˆ©couvrir leurs paysages sonores ; de vivre l’Äôexpˆ©rience audacieuse d’Äôun concert-marathon ou celle intime d’Äôun concerto pour piano ; de toucher le mur du son avec des tourne-diques sortis de leur sillon ; de sentir le ¬´groove¬ª de la beautˆ© brute et raffinˆ©e des ensembles ˆÝ percussion ; et d’Äôaller sur les traces de l’Äôhistoire du 20e siˆ®cle et de ses musiques, en assistant ˆÝ un spectacle multimˆ©dia.’Ä®

’Ä®C’Äôest tout cela que nous offre la saison 01 Le Vivier, en partenariat avec 15 de ses membres :’Ä®

Bradyworks ; Codes d’Äôaccˆ®s ; Ensemble contemporain de Montrˆ©al+ (ECM+) ; In Extensio ; Innovations en concert (IEC) ; Nouvel Ensemble Moderne (NEM) ; Productions SuperMusique (PSM) ; Productions Totem contemporain ; Quasar, quatuor de saxophones ; Quatuor Bozzini, Quatuor Molinari ; Rˆ©seaux des arts mˆ©diatiques ; Sixtrum, Ensemble ˆÝ percussion ; Sociˆ©tˆ© de musique contemporaine du Quˆ©bec (SMCQ) ; et Transmission.

’Ä®Soyez prˆ�ts, la saison prend son envol le 18 septembre 2009.

Le Vivier, carrefour des musiques nouvelles regroupe 22 organismes musicaux montrˆ©alais qui dˆ©sirent doter Montrˆ©al d'un lieu de crˆ©ation et de diffusion pour les musiques nouvelles. En parallˆ®le ˆÝ ses dˆ©marches, Le Vivier dˆ©voilait hier, au cours d’Äôune confˆ©rence de presse, sa premiˆ®re saison de 15 concerts de musiques nouvelles qui tˆ©moigne de la diversitˆ© et du dynamisme des musiques qui se tissent au prˆ©sent.

Une grande premiˆ®re !

Pour dˆ©couvrir les musiques nouvelles ˆÝ petits prix, une Carte rabais Saison Le Vivier permet un accˆ®s privilˆ©giˆ© aux 15 concerts. Au coˆªt de 20$ ou 12$ (ˆ©tudiant, aˆÆnˆ©), cette carte offre 50% de rˆ©duction sur le prix des billets de chacun des 15 concerts. En vente en ligne : www.saisonlevivier.ca et ˆÝ chaque concert.

L’Äôan 01 de la saison Le Vivier prend son envol en septembre 2009 :

vendredi 18 + samedi 19 septembre ˆÝ 20 h, Productions Totem contemporain prˆ©sente Wedged in the Red Room, une ‰ìuvre-performance de 50’Äô pour un musicien et un danseur.

Jean-Franˆßois Laporte : composition, interprˆ©tation et invention des instruments ; Clovek & The 420 : Frˆ©dˆ©ric Tavernini, chorˆ©graphie et interprˆ©tation. ˆÄ l’Äô Espace Totem : 6545, avenue Durocher # 400 - 20$ & 15$

mardi 29 septembre 2009 ˆÝ 20 h, Bradyworks prˆ©sente My 20th Century, un spectacle multimˆ©dia, en hommage ˆÝ John Lennon, Charlie Christian, Rosa Luxemburg et Dmitri Chostakovitch, pour cˆ©lˆ©brer les 20 ans de Bradyworks -

Ensemble Bradyworks : Tim Brady, guitare ˆ©lectrique, musique et textes ; Andrˆ© Leroux, saxophone ; Pamela Reimer, piano ; Catherine Meunier, percussion ; David Cronkite, ˆ©chantillonneur ; Martin Messier, Oana Suteu, vidˆ©o ; Stˆ©phane Zarov, consultant thˆ©ˆ¢tral
Espace Dell’ÄôArte - 40, rue Jean-Talon Est ’Äì 25$ & 15$

La programmation sur www.saisonlevivier.ca

L’Äôan 01 de la saison Le Vivier 2009-2010’Ä®Des musiques nouvelles et branchˆ©es sur l’Äôavenir !’Ä®’Ä®Une premiˆ®re saison de 15 concerts de musiques nouvelles, sur plusieurs scˆ®nes montrˆ©alaises.’Ä®Toute la programmation se retrouve sur le site : www.saisonlevivier.ca

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Spectacle Season Two Production Begins in Toronto

Toronto Hosts a SPECTACLE

- Celebrated Talk/Music series begins production of second season in Canada -
- Season 1 DVD/Blu-ray box set released throughout North America
November 10, 2009 -

Toronto, ON ’Äì SPECTACLE: ELVIS COSTELLO WITH’Ķ, the internationally acclaimed music television series conceived and developed in Canada, begins production on season 2 with a special taping in Toronto. Canada’Äôs first ever SPECTACLE taping will take place in the legendary Concert Hall at CTV’Äôs historic Masonic Temple. Host Elvis Costello said ’ÄúIn the words of the great Joe Strummer, ’ÄòLet’Äôs Rock again!’Äô’Äù

In Toronto, SPECTACLE will tape in a room that has hosted a who’Äôs who of music royalty in the past 50 years. The Rolling Stones rehearsed numerous times in the Concert Hall while Led Zeppelin played its first Toronto concert there. One of Canada’Äôs best live music venues, the Masonic Temple’Äôs Concert Hall has also hosted historic performances by The Supremes, The Who, Bob Dylan and James Brown. Home to MTV in Canada, The Masonic Temple is a living, breathing creative hub and beacon for the artistic community.

’ÄúI am delighted that we can continue where we left off’Äîmaking intelligent, and informative music programming,’Äù shares Sir Elton John, one of the series’Äô Executive Producers.

Embraced by both critics and viewers in its ambitious first season, SPECTACLE proved that there is a substantial audience for an intelligent and entertaining program about music, becoming one of last season’Äôs top 10 new shows in Canada*. Designed to provide a forum for in-depth discussion and performance with the most interesting and influential artists and personalities of our time, the show fuses the best of talk and music television.

SPECTACLE’Äôs inaugural season featured an extraordinary and eclectic roster of legendary musicians and fascinating personalities, starting with Sir Elton John, before delving into an astonishing range of musical genres, including pop, rock, jazz, country and even opera. Guests ranged from The Police to President Bill Clinton, and the series won rave reviews all over the world, airing on CTV in Canada and on Sundance Channel in the U.S., as well as on Channel 4 in the UK, ABC in Australia, HBO throughout Latin America, and in a number of other international territories.

For season two, the SPECTACLE production team has committed to raising the bar; guests will be announced later this month. Season one of Spectacle is now available on iTunes, and a DVD/Blu-ray box set will be released throughout North America November 10, 2009.

Co-produced by Toronto’Äôs reinvention entertainment, SpyBox Pictures and Prospero Pictures, along with London-based Rocket Pictures in association with CTV and Sundance Channel, SPECTACLE: ELVIS COSTELLO WITH’Ķ is an unpredictable and unprecedented television experience. The series of one-hour programs features everything from intimate one-on-ones with legendary performers and notable newcomers to thematic panel discussions.

SPECTACLE also features a variety of performance elements including unique collaborations, acoustic and impromptu ’Äúillustrative’Äù demonstrations of the creative process, and some original interpretations of others’Äô songs by Costello.

The program's eclecticism and depth reflect its uniquely qualified host. Elvis Costello is a Rock and Roll Hall of Fame inductee; a Grammy and Ivor Novello Award-winning (and Oscar-nominated) songwriter and performer comfortable in almost every genre imaginable; a musicologist of formidable breadth and knowledge; a contributor to Vanity Fair magazine; and a noted wit whose stint as guest host on The Late Show with David Letterman won rave reviews.

Consistent with Sir Elton John's long-standing commitment to philanthropy and music, the series producers have struck an exciting association with the (Product) RED (www.joinred.com) campaign created to raise awareness and money for the Global Fund (www.theglobalfund.org) to fight AIDS in Africa. Select program excerpts and performances will be distributed in a variety of new media and conventional platforms, with a portion of the profits directed to the Global Fund.

SPECTACLE: ELVIS COSTELLO WITH’Ķ is produced by Rocket Pictures, SpyBox Pictures, Prospero Pictures and reinvention entertainment, in association with CTV and Sundance Channel. Executive Producers are Sir Elton John, Elvis Costello, David Furnish, Steve Hamilton-Shaw, Jordan Jacobs, Martin Katz and Stephen Warden. Co-Executive Producer is Alex Coletti. For CTV, Susanne Boyce is President, Creative, Content and Channels, CTV Inc.

CTV, Canada’Äôs Olympic Network, is also Canada's largest private broadcaster. Featuring a wide range of quality news, sports, information, and entertainment programming, CTV is Canada’Äôs most-watched television network. CTV Inc. also owns radio stations across the country and owns or has interests in leading national specialty channels, featuring news, sports, factual, arts, entertainment, music, youth and fashion programming. CTV Inc. is owned by CTVglobemedia Inc., Canada’Äôs premier multi-media company, which also owns Canada’Äôs national newspaper, The Globe and Mail. CTV is the official broadcaster of the Vancouver 2010 Olympic and Paralympic Winter Games and London 2012 Games of the Olympiad. More information about CTV may be found on the company website at www.ctv.ca.

* Source: BBM Nielsen Media Research, CTV Total, Global Total and CBC Total
Sept. 1, 2008 ’Äì May 24, 2009, minimum five telecasts

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Gibbons to Gospel: Elmer Iseler Singers Launch 31st season

Elmer Iseler Singers share the stage with Nathaniel Dett Chorale
Lydia Adams, Conductor
Brainerd Blyden-Taylor, Guest Conductor

Sunday, October 4, 2009 at 7:00 p.m. at Our Lady of Perpetual Help Church

For Immediate Release - Toronto, ON: September 14, 2009: Toronto’Äôs renowned vocal ensemble, the Elmer Iseler Singers begin their 31st season with an evening of eclectic music. On Sunday, October 4, 2009 at 7:00 p.m., Lydia Adams and her twenty singers share the stage with the celebrated Nathaniel Dett Chorale and their founder and conductor, Brainerd Blyden-Taylor at Our Lady of Perpetual Help Church. ’ÄúFrom their very recent appearance at U.S. President Barack Obama’Äôs inauguration, we are thrilled to welcome Brainerd Blyden-Taylor and the renowned Nathaniel Dett Chorale’Äù, comments Dr. Lydia Adams. As tireless representatives of Afrocentric choral music, this professional ensemble truly ’Äúbuilds bridges of understanding, appreciation, and acceptance between communities of people’Ķ’Äù

The evening brings together both choirs to bring the timeless choral works of Byrd, Tallis, Gibbons, Whitacre and Tomkins, as well as the empowering music from the legacy of Nathaniel Dett and selections from the wealth of a jubilant and uplifting Gospel repertoire. This concert will honour the 35th anniversary of the Toronto Arts Council.

The Elmer Iseler Singers, conducted by Artistic Director Lydia Adams, is a twenty-voice professional chamber choir based in Toronto. Founded by the late Dr. Elmer Iseler in 1979, the Elmer Iseler Singers are one of Canada’Äôs most illustrious professional choral ensembles. Reviewers have remarked on the Elmer Iseler Singers’Äô ’Äúflawless intonation, rhythmic vitality and great sensitivity to the expressive power of phrasing.’Äù

The Nathaniel Dett Chorale is Canada’Äôs first professional choral group dedicated to Afrocentric music of all styles, including classical, spiritual, gospel, jazz, folk and blues. These 21 classically trained, outstanding vocalists have shared the stage with internationally recognized artists such as Juno Award-winning jazz pianist Joe Sealy, opera star Kathleen Battle, and the Toronto Symphony Orchestra. Artistic Director Brainerd Blyden-Taylor was awarded an Honorary Doctorate of Laws Degree from York University on June 29, 2009. The Nathaniel Dett Chorale’Äôs mission is to build bridges of understanding, appreciation and acceptance between communities of people, both Afrocentric and other, through the medium of music.

GIBBONS TO GOSPEL
Sunday, October 4, 2009 at 7:00 p.m.

The Elmer Iseler Singers, Lydia Adams, conductor

Special Guest Artists: The Nathaniel Dett Chorale & Brainerd Blyden-Taylor, conductor

Our Lady of Perpetual Help Church

78 Clifton Road at St. Clair, Toronto (West of Mt. Pleasant)

For tickets (Reg. $40/ Sen. $35/ Students $10) please call 416-217-0537

Group rates available.

http://www.elmeriselersingers.com/

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Portland Symphony Orchestra Opens 85th Anniversary Season with Heroes and the American Dream, October 6

PORTLAND, Maine ’Äì For the opening of the Portland Symphony Orchestra (PSO)'s 85th anniversary season, PSO Music Director Robert Moody leads the orchestra along with actors from Portland Stage Company in a program titled "Heroes and the American Dream" on Tuesday, October 6 at Merrill Auditorium.

The concert opens with Beethoven's Symphony No. 3, "Eroica" (Italian for "heroic"), originally dedicated to Napoleon Bonaparte but retitled after the former revolutionary, so admired by Beethoven, had himself declared emperor. The symphony itself is the true revolutionary, more structurally complex and sophisticated than any that had come before, and known for its display of a great range of emotion.

The second half of the program features the Maine premiere of Ellis Island: The Dream of America, by composer Peter Boyer. Innovative in its format, the work brings elements of the theatre and multimedia into the concert hall, employing seven actors from Portland Stage Company and projected historical images from the Ellis Island archives. The spoken texts for the work come from the Ellis Island Oral History Project, an historic collection of interviews with immigrants about their experiences coming to America. Boyer fashioned short monologues from the actual words of these immigrants, and wove them into an orchestral tapestry which frames and comments on their stories’Äîby turns poignant, humorous, moving, and inspiring. The work concludes with a reading of the Emma Lazarus poem "The New Colossus" ("Give me your tired, your poor’Ķ"), providing an emotionally powerful ending to this celebration of our nation of immigrants.

Sponsored by Gorham Savings Bank, "Heroes and the American Dream" will take place at Merrill Auditorium, 20 Myrtle Street, at 7:30 PM. Tickets range from $20-$70 and are available through PortTix at (207) 842-0800 or www.porttix.com. Phone and internet orders are subject to $6-per-ticket handling fees. Tickets may also be purchased in person at the box office at 20 Myrtle St., Monday through Saturday, noon to 6 PM.

A Concert Conversation with Robert Moody and composer Peter Boyer precedes the performance at 6:15 PM and the concert will be followed by a PostConcert Q&A with the artists. A live recorded broadcast of the concert can be heard on Maine Public Broadcasting Network on Wednesday, October 21, 2009.

Audience members are also invited to attend Afterglow, a new afterparty at Restaurant Grace immediately following all Tuesday Classical performances. Patrons can mingle with the artists while supporting the PSO, as Restaurant Grace will donate a portion of the evening's proceeds to the PSO.

Students in grades 5 and up are invited to attend the open dress rehearsal on Monday, October 5 at 7:30 PM. Dress rehearsals are free, but space is limited and reservations are required. Email education@portlandsymphony.com or call (207) 773-6128 ext. 308 for more information.

The PSO's 2009-10 season is sponsored by IDEXX Laboratories. For complete season information, including artist biographies; program notes; and Online Insights, provided with support from season Enrichment Sponsor Fairpoint Communications; visit www.portlandsymphony.com.

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La 13e ˆ©dition de la FrancoFˆ�te en Acadie’Ä®promet une belle brochette d'artistes

Moncton - La FrancoFˆ�te en Acadie a lancˆ© aujourd'hui la programmation de sa 13e ˆ©dition qui aura lieu du mercredi 4 au dimanche 8 novembre 2009 ˆÝ Moncton. Cet ˆ©vˆ©nement incontournable des arts de la scˆ®ne en Acadie prˆ©sente des vitrines et des spectacles de haute qualitˆ© dont le Cercle des auteurs-compositeurs SOCAN, des spectacles Coup de c‰ìur francophone ainsi que la sˆ©rie des Oiseaux de nuit. Il s'agit d'une occasion de dˆ©couvrir ce qui se fait de mieux sur la scˆ®ne culturelle francophone en Acadie et ailleurs.

¬´ La FrancoFˆ�te en Acadie, c'est plus qu'un marchˆ© du spectacle, c'est la machine qui permet de dˆ©couvrir les artistes et leurs ‰ìuvres, c'est vraiment l'ˆ©vˆ©nement rassembleur attendu par les diffuseurs et les producteurs ˆÝ chaque annˆ©e, avance France H. Levesque, prˆ©sidente de la FrancoFˆ�te en Acadie. C'est une extraordinaire vitrine sur la vitalitˆ© de la crˆ©ation d'ici, un lieu d'ˆ©change unique et un rendez-vous convivial et festif ouvert au public qui permet d'honorer le travail de nos pairs et de ceux qui ˆ©voluent dans l'univers de la crˆ©ation et de la diffusion. ¬ª

L'ouverture officielle de la 13e FrancoFˆ�te en Acadie aura lieu le mercredi 4 novembre de 17 h ˆÝ 19 h au quartier gˆ©nˆ©ral de l'ˆ©vˆ©nement situˆ© au Crowne Plaza. L'animatrice d'Espace Musique de la radio de Radio-Canada, Monique Giroux, sera sur place pour animer son ˆ©mission Eclectique en direct devant public.

Des spectacles hauts en couleur
Toujours un moment agrˆ©able et rempli de belles dˆ©couvertes, le Cercle SOCAN sera animˆ© cette annˆ©e par le chanteur quˆ©bˆ©cois Boom Desjardins et aura lieu le jeudi 5 novembre au Thˆ©ˆ¢tre Capitol. Les artistes invitˆ©s Wilfred Le Bouthillier, Louise Vautour et la Montrˆ©alaise Amylie, interprˆ©teront de leurs compositions et discuteront de leurs inspirations avec l'animateur de la soirˆ©e.

Une grande variˆ©tˆ© de vitrines artistiques permettront au public de dˆ©couvrir des extraits de spectacles d'artistes du milieu musical, de la danse, du conte, du thˆ©ˆ¢tre et de la variˆ©tˆ© ; certains artistes entament leur parcours et d'autres sont bien ancrˆ©s dans le domaine. Les vitrines auront lieu du jeudi 5 au samedi 7 novembre sur les scˆ®nes du Thˆ©ˆ¢tre Capitol, de la salle Empress et du Pavillon Jeanne-de-Valois. Les artistes en vedette en chanson-musique pour cette 13e ˆ©dition sont Lennie Gallant, Annie Blanchard, Marie-Philippe Bergeron, Danny Boudreau, Sandra Le Couteur, Norbert Pignol, Geneviˆ®ve Toupin, Pascal Lejeune, Tricia Foster, Guillaume Arsenault, Denis Landry, Chloˆ© Lacasse, SuroˆÆt et Nathalie Choquette, le couple Marie-ˆàve Janvier et Jean-Franˆßois Breau, Alcaz, Kirbo, Bia, Mathieu Lippˆ©, Bam, la formation Galant tu perds ton temps, Gaˆ´le, David Marin et Misteur Valaire. Au dˆ©but octobre, un artiste des rencontres d'automne du ROSEQ et du Contact Ouest seront sˆ©lectionnˆ©s afin de participer ˆÝ la FrancoFˆ�te en Acadie.

Les amateurs de danse et de thˆ©ˆ¢tre auront l'occasion de voir sur scˆ®ne des extraits du Thˆ©ˆ¢tre la catapulte, rˆ©cipiendaire du Prix Acadie / Ontario et des compagnies de danse DansEncorps et Destins croisˆ©s.

Le vendredi 6 novembre ˆÝ midi, les vitrines Pleins feux sur le thˆ©ˆ¢tre et le conte mettront en vedette le Thˆ©ˆ¢tre populaire d'Acadie le thˆ©ˆ¢tre l'Escaouette, les Productions L'Entrepˆ¥t et Marie-France Comeau. Ils prˆ©senteront leur projet scolaire de la prochaine saison. Ces vitrines seulement sont rˆ©servˆ©es aux dˆ©lˆ©guˆ©s de la FrancoFˆ�te en Acadie.

Des vitrines pour le jeune public sont ˆÝ l'horaire le vendredi 6 novembre au Pavillon Jeanne-de-Valois de l'Universitˆ© de Moncton. Les petits pourront dˆ©couvrir Nuages en pantalon, rˆ©cipiendaire du Prix Acadie / Rideau, Le moulin ˆÝ musique et une prˆ©sentation de Solaris Production. Les ˆ©lˆ®ves du secondaire auront l'occasion de voir des extraits de spectacle de Crˆ©ason, Ariel Ifergan et de la compagnie de danse Destins croisˆ©s. Les vitrines pour le jeune public sont gratuites, mais les places sont limitˆ©es.

Les Coup de c‰ìur francophone
Cette annˆ©e, deux spectacles Coup de c‰ìur francophone sont ˆÝ l'horaire. Fredric Gary Comeau sera en vedette le mercredi 4 novembre ˆÝ 20 h 30 sur la grande scˆ®ne du Thˆ©ˆ¢tre Capitol. Le dimanche 8 novembre ˆÝ 20 h 30 aura lieu le spectacle Les rencontres qui chantent, un spectacle concept qui prˆ©sente des artistes de toutes les provinces canadiennes. Ces deux rendez-vous sont au Thˆ©ˆ¢tre Capitol.

Les Oiseaux de nuit
Pour une quatriˆ®me annˆ©e dans le cadre de la FrancoFˆ�te en Acadie, certains bars de Moncton seront envahis par les Oiseaux de nuit. Des musiciens des provinces atlantiques et d'ailleurs proposeront aux dˆ©lˆ©guˆ©s et au public de cˆ©lˆ©brer tard dans la nuit. Les spectacles de cette sˆ©rie auront lieu au Paramount, au Manhattan et au Studio 700 ˆÝ partir de 23 h le jeudi 5, vendredi 6 et samedi 7 novembre. Tous les dˆ©tails seront disponibles sur le site Internet de la FrancoFˆ�te en Acadie d'ici quelques semaines.

Un programme rˆ©servˆ© uniquement aux dˆ©lˆ©guˆ©s de la FrancoFˆ�te se prˆ©pare avec des ateliers divers et le Salon-Contact qui permettra aux diffuseurs de prˆ©parer leur prochaine saison de spectacles.

’Ä®Il est possible de se procurer les billets pour les diffˆ©rents spectacles de la FrancoFˆ�te en Acadie dans le rˆ©seau de billetterie du Grand Moncton (Thˆ©ˆ¢tre Capitol, thˆ©ˆ¢tre l'Escaouette, Centre ˆ©tudiant de l'Universitˆ© de Moncton et Frank's Music), par tˆ©lˆ©phone au 506.856.4379 ou 1.800.567.1922 ou sur Internet ˆÝ www.admission.com. Les billets seront ˆ©galement disponibles ˆÝ la porte les soirs de spectacle, lorsqu'il en reste. Les billets pour la 13e ˆ©dition de la FrancoFˆ�te en Acadie seront en vente ˆÝ partir du vendredi 18 septembre 2009.

’Ä®La FrancoFˆ�te en Acadie est mise en ‰ìuvre par l'ˆ©quipe du Rˆ©seau atlantique de diffusion des arts de la scˆ®ne (RADARTS). Il s'agit d'un des ˆ©vˆ©nements culturels francophones pluridisciplinaires les plus importants du Canada atlantique consacrˆ© entiˆ®rement ˆÝ la promotion, ˆÝ la diffusion et ˆÝ la mise en valeur des arts de la scˆ®ne acadiennes et francophones. Toute l'information sur la FrancoFˆ�te en Acadie 2009 et ses activitˆ©s au www.francofete.com.

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ESO introduces Interim Concertmasters

Musical First Chairs for 2009/10 Performance Season

Edmonton, AB ’Ķ Last season, the Edmonton Symphony Orchestra (ESO) announced that Concertmaster Martin Riseley would be taking a leave of absence in 2009/10. The New Zealand native has returned to his homeland to take advantage of a rare teaching opportunity with the New Zealand School of Music in Wellington.

This season, three of the ESO's fine corps of first violinists will act as Interim Concertmasters. Broderyck ’ÄúBroddy’Äù Olson, Eric Buchmann, and Richard Caldwell will each sit in the Concertmaster's chair.

’ÄúWe have an enormous resource of talent in this orchestra,’Äù says ESO Music Director William Eddins, ’Äúand in the end, we decided to take full advantage of it. Broddy, Eric, and Richard all bring something different to the table, and each is an experienced and skilled leader. I’Äôm looking forward to having the opportunity to work with each of them in the hot seat.’Äù

Broddy Olson is the longest-serving member of the orchestra, and the ESO’Äôs Assistant Concertmaster from 1966 until this year. Eric Buchmann joined the ESO in April 2006, and brings a wealth of experience with him. Richard Caldwell has been with the ESO since 1973, and has led numerous ensembles, most notably as one of the founding members of the Edmonton Chamber Orchestra (ECHO).

Aside from being the Principal First Violin, an orchestra Concertmaster acts as the player-leader of the orchestra, most particularly for the strings. He or she is responsible for bowings, which ensure the strings perform in unison to create the cohesive sound so crucial for the section of the orchestra that has the most musicians. Traditionally, the Concertmaster is the last musician to come out prior to the conductor, and is greeted with applause from the audience, prior to his/her leading the musicians in their final tuning before the concert begins.

Mr. Riseley returns to Edmonton to perform with the ESO on September 18th & 19th, 2009, in the Classic Landmarks Masters series opener The Red Violin. On January 14th, 2010, Martin will present some of his favorite ’Äúparty pieces’Äù for violin and orchestra, including music by Tchaikovsky, Gershwin, Saint-Saˆ´ns, Kreisler, Khachaturian, and Wieniawski in Violinissimo! Music Director Bill Eddins will conduct both programs.

For more details on the ESO’Äôs 2009/10 performance season and to purchase tickets, visit www.edmontonsymphony.com.

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The Solti Foundation U.S. Announces 2009 Awards to Four American Conductors

$25,000 Solti Fellow awarded to Erik Nielsen
Three Solti U.S. Career Assistance Awards given to James Feddeck, Kelly Kuo and Case Scaglione


Evanston, Illinois ’Äì The Solti Foundation U.S., established to honor the memory of the legendary conductor Sir Georg Solti by his widow, Lady Valerie Solti, and their two daughters, Gabrielle and Claudia, announced today that it has awarded four 2009 grants to young American conductors, including the $25,000 Solti Fellow, awarded for the second time in the Foundation's history.

Board Chair Thomas B. McNeill and Artistic and Awards Committee Chair Elizabeth Buccheri announced from the organization's offices in Evanston that Erik Nielsen, 32, Kapellmeister at the Frankfurt Opera is the recipient of a $25,000 grant, The Sir Georg Solti Conducting Award. Among the largest grants currently given to American conductors in the formative years of their careers, the biennial award, also known as the Solti Fellow, includes introductions to three of Chicago's most prestigious performing organizations: Lyric Opera of Chicago, Chicago Symphony Orchestra and Chicago Opera Theater.

Recipients of Solti U.S. Career Assistance Awards are James Feddeck, 25, Assistant Conductor, Cleveland Orchestra; Kelly Kuo, 35, Assistant Conductor, Cincinnati Chamber Orchestra and Case Scaglione, 27, Music Director of the YMF Debut Orchestra in Los Angeles. The career assistance award, a new annual award, varies in the number and amounts given.

In making the announcement, Ms. Buccheri stated, "The Solti Foundation U.S. received the highest number of applications to date, all of exceptionally high quality. Since 2004, the mission of the Foundation has focused exclusively on helping exceptional young American conductors at the start of their professional careers. In recognition of the challenging path these applicants must pursue, we are pleased to offer congratulations to the four who have been singled out for support in 2009."

Honorary Chair Lady Valerie Solti, not present at the announcement, sent a congratulatory statement which read,

"There could be no better way to remember Maestro Solti and the standards of excellence he set in orchestral performance, than the accolade The Solti Foundation U.S. is giving to these highly gifted young conductors. It is my hope the awards will continue his work and inspire future generations. My warmest congratulations to Erik Nielsen, James Feddeck, Kelly Kuo and Case Scaglione. I hope these awards will help to fulfill their dreams of creating beauty through music."

The Solti Foundation U.S. seeks to lend significant support to talented young American conductors, providing critical assistance to them at the start of their professional careers. The Foundation, which began with a more general mission in 2000, established its current focus of helping exceptional young U.S. conductors in 2004.

Former recipients of Foundation grants include Joseph F. Young, Anthony Barrese (first recipient of the Solti Fellow), Eric Melear, Sara Jobin, Carlos Cˆ©sar Rodrˆ‚guez and Thomas Rimes.

The Solti Foundation U.S. grants are given on a biennial or annual basis, depending upon the grant. The Sir Georg Solti Conducting Award (Solti Fellow), established in 2007 to commemorate the tenth anniversary of the passing of Sir Georg, is given to one promising young American conductor biennially, dispersed over a 24-month period. It may be used for career training and activities that will further develop and enhance the recipient's talent and experience. The Sir Georg Solti Emerging Conductor Award, a new one-year grant of $10,000, will be given for the first time in 2010. The Foundation also bestows The Solti Foundation U.S. Career Development Award, a one-year grant of $5,000. The awarding of these two grants is rotated biennially with the Solti Fellow. Career Assistance Awards are given annually. These awards, the number and amount(s) of which are determined at the discretion of the Artistic and Awards Committee, may be used for a variety of career development needs, including transportation expenses, language studies, the creation of demonstration DVDs and other worthy projects.

Potential award recipients (who must be citizens or permanent residents of the United States and career-ready artists in the field of conducting) are welcome to submit applications, which are reviewed by an Awards Committee comprised of a panel of professionals with broad musical and conducting experience. The Foundation reserves the right to withhold a grant in any given year if the Awards Committee does not agree upon a suitable applicant.

The Solti Foundation U.S. will hold its annual benefit celebration, co-chaired by Nancy Kempf and Penny Van Horn, at Chicago's Casino Club (195 East Delaware Place) on Tuesday, October 21, 2009. The event begins with a reception at 6:45 pm, followed by the official welcome, dinner and program at 7:45 pm. Guest artists include soprano Ana Maria Martinez, bass Renˆ© Pape and Dale Clevenger, principal horn player of the Chicago Symphony Orchestra. Tickets are $250.00. Reservations are due by October 7, 2009. To purchase tickets, or make a donation, please contact Fiona Queen, Administrator for The Solti Foundation U.S. at fqueen@musicinst.org.

Further details on The Solti Foundation U.S., the 2009 Awards, past awardees, the June 2009 Newsletter, as well as details about application forms and guidelines for the upcoming 2010 Awards, can be downloaded at the Foundation's website, www.soltifoundation.us.

India's Living Legend - Pandit Jasraj - Performs in Bay Area

BERKELEY, Calif. ’Äì World-renowned classical vocalist Pandit Jasraj is coming to San Francisco's Bay Area for a rare US concert appearance. Classical music lovers, the spiritually-minded and those interested in Indian culture won't want to miss this inspiring fundraiser concert, taking place on October 3, 2009 at the Chabot Performing Arts Center in Hayward, California.

Honored by two Presidents of India, among others, Jasraj is a national treasure in India. Possessing a soulful voice that traverses effortlessly over three and a half octaves, Pandit Jasraj's vocals culminate in an intense spiritual expression. At the same time, concert-goers will experience the rich cultural tradition of India's Mewati Gherana, the classical music style perfected by Jasraj.

Accompanying Jasraj are Smt Tripti Mukherjee - Hindustani classical vocalist, Pandit Swapan Chaudhuri - acclaimed Tabla player, and Pandit Suman Ghosh - Hindustani classical vocalist. These four acclaimed artists will be performing together for the first time in the Bay Area.

Non-profit middle school, Archway School, located in Berkeley, is serving as an organizer of the concert and event proceeds will benefit the school.

Concert Details ’Ä®
Date: Saturday, October 3, 2009’Ä®
Time: 7:00 p.m. - 10:00 p.m.’Ä®
Place: Chabot Performing Arts Center’Ä®Chabot College
’Ä®25555 Hesperian Blvd.’Ä®Hayward, California



Ticket Information ’Ä®
Tickets are available for purchase at www.sulekha.com/bayarea or at the door. Tickets are priced at $35, $55, $85 and $125. For more information email pjasrajoct3@gmail.com

Prˆ®s de 17 000 personnes au Festival International du Domaine Forget 2009

Saint-Irˆ©nˆ©e ’Äì Le Festival International du Domaine Forget 2009, qui se dˆ©roulait du 20 juin au 6 septembre, a attirˆ© prˆ®s de 17 000 personnes comparativement ˆÝ 16 000 la saison derniˆ®re. La programmation regroupait 30 concerts dont 5 soirˆ©es jazz, l'ˆ©vˆ©nement ¬´ 30 ans de guitare au Domaine Forget ¬ª et le premier spectacle jeune public de l'histoire du Festival. ˆÄ ce nombre se sont ajoutˆ©s 2 spectacles de danse, 13 brunches-musique, 1 fˆ�te champˆ�tre, 15 cours de maˆÆtre et 11 concerts des stagiaires de l'Acadˆ©mie de musique et de danse du Domaine Forget. Encore une fois cette saison, l'excellente acoustique de la Salle Franˆßoys-Bernier a mis pleinement en valeur la qualitˆ© des artistes invitˆ©s, permettant ainsi au public d'apprˆ©cier encore davantage chacun des concerts.

Faits saillants
Quatre concerts ont ˆ©tˆ© prˆ©sentˆ©s ˆÝ guichet fermˆ© : la soirˆ©e jazz avec Al Di Meola (3 juillet), les concerts de l'Orchestre symphonique de Quˆ©bec (11 juillet) et de l'Ensemble Roby Lakatos (25 juillet), de mˆ�me que le rˆ©cital de Marc-Andrˆ© Hamelin (22 aoˆªt).

La premiˆ®re rencontre entre Les Violons du Roy, Bernard Labadie et le clarinettiste Paul Meyer, orchestrˆ©e par le Festival, a comblˆ© tous les mˆ©lomanes rassemblˆ©s ˆÝ l'occasion du concert d'ouverture (20 juin). La prˆ©sentation de l'opˆ©ra Didon et ˆânˆ©e par l'ensemble Masques (27 juin), une premiˆ®re au Domaine Forget, a ˆ©tˆ© fort apprˆ©ciˆ©e tandis que les stradivarius du violoniste Alexandre Da Costa et de l'Ensemble Canimex (8 aoˆªt) ont attirˆ© un trˆ®s large public. Parmi les soirˆ©es consacrˆ©es ˆÝ la musique de chambre, le concert du Quatuor Pacifica (18 juillet) a fait sensation tant auprˆ®s du public que de la critique. Le retour attendu d'Antoine Tamestit (23 juillet) a aussi retenu l'attention grˆ¢ce ˆÝ la brillante prestation du jeune altiste et de sa partenaire, la pianiste Lidija Bizjak.

Afin de souligner les 30 ans de guitare au Domaine Forget, le Festival avait organisˆ© une journˆ©e entiˆ®re de cˆ©lˆ©brations (4 juillet), ponctuˆ©e par des concerts de haut niveau avec des artistes invitˆ©s, des stagiaires et professeurs de l'Acadˆ©mie. Tout au long de la journˆ©e, l'ambiance ˆ©tait ˆÝ la fˆ�te et le Domaine Forget a ˆ©tˆ© le tˆ©moin de nombreuses retrouvailles, anciens stagiaires et professeurs de l'Acadˆ©mie s'ˆ©tant donnˆ© rendez-vous sur le site pour l'occasion. Les festivaliers ont aussi rˆ©pondu avec enthousiasme ˆÝ l'invitation et tous ont ˆ©tˆ© ravi de l'expˆ©rience. Le Week-end jeunesse (31 juillet et 1er aoˆªt) a connu un franc succˆ®s tant pˆ©dagogique, musical que public. Vˆ©ritable ˆ©vˆ©nement, ce premier sˆ©jour de l'Orchestre des jeunes des Amˆ©riques a non seulement fait ressortir la complˆ©mentaritˆ© du Festival et de l'Acadˆ©mie de musique mais a mis tout le Domaine Forget en effervescence. Le public a ˆ©tˆ© touchˆ© et impressionnˆ© par l'ˆ©nergie, la fougue et le plaisir de jouer des jeunes musiciens de l'OJA. Inspirˆ©s par la passion des jeunes, les deux solistes invitˆ©s, la pianiste Gabriela Montero et le violoncelliste Matt Haimovitz, ont offert une performance mˆ©morable.

Les nouveaux venus ˆ©taient nombreux cette annˆ©e et tous ont fait forte impression. Parmi eux, mentionnons les pianistes Paul Lewis, Lidija Bizjak, Nareh Arghamanyan, la harpiste Catrin Finch, le guitariste Aniello Desiderio, l'ensemble allemand amarcord et les chefs d'orchestre Benjamin Zander et Jean-Pascal Hamelin.

Concerts jazz et soirˆ©es de danse
La sˆ©rie des Concerts jazz ˆ©tait fort relevˆ©e avec les dˆ©buts du guitariste Al Di Meola (3 juillet), de la pianiste Patricia Barber (9 juillet) et du contrebassiste Renaud Garcia-Fons (13 aoˆªt). La sˆ©rie Le Domaine Danse a notamment permis au public de retrouver les BJM DANSE, Les ballets jazz de Montrˆ©al (2 juillet) qui ˆ©taient de retour pour offrir un spectacle achevˆ©, d'une grande beautˆ©. Le public a aussi ˆ©tˆ© sˆ©duit par la prestation de la compagnie quˆ©bˆ©coise Le fils d'Adrien danse (6 aoˆªt) qui, pour ses dˆ©buts au Domaine Forget, offrait une chorˆ©graphie d'Harold Rhˆ©aume.

Brunches-musique et fˆ�te champˆ�tre
Bien que le soleil n'ait pas ˆ©tˆ© au rendez-vous, 3425 personnes ont profitˆ© des brunches-musique du dimanche. Au total, 13 brunches-musique ˆ©taient offerts et quatre ont fait salle comble. Malgrˆ© le temps maussade, 400 personnes ont pris part ˆÝ la Fˆ�te champˆ�tre annuelle.

Acadˆ©mie de musique et de danse du Domaine Forget
L'Acadˆ©mie de musique et de danse du Domaine Forget a connu l'un de ses ˆ©tˆ©s les plus fastes avec 592 stagiaires pour 1072 semaines ˆ©tudiantes, ce qui reprˆ©sente une augmentation de 10 % comparativement ˆÝ l'ˆ©tˆ© 2008. De ce nombre, 51 % provenait du Quˆ©bec, 22 % des autres provinces canadiennes et 27 % de l'ˆ©tranger (Algˆ©rie, Allemagne, Australie, Belgique, Finlande, France, Hong Kong, Indonˆ©sie, Malaisie, Porto Rico, Singapour, TaˆØwan, Angleterre, ˆâtats-Unis et Venezuela). Ces chiffres tˆ©moignent une fois de plus de l'excellente rˆ©putation de l'Acadˆ©mie qui est reconnue au Canada et ˆÝ l'ˆ©tranger pour la qualitˆ© de son enseignement et du corps professoral. Le Domaine Forget est aussi fier d'avoir pu offrir aux stagiaires des bourses totalisant 84 300$.

La Saison du Domaine
Du 4 septembre au 4 dˆ©cembre, dans le cadre de la Saison du Domaine, de nombreux artistes seront de passage ˆÝ la salle Franˆßoys-Bernier et au pavillon Joseph-Rouleau, notamment David Usher (9 octobre), Diane Dufresne (16 octobre), la soprano Marie-Josˆ©e Lord (17 octobre), La BoˆÆte ˆÝ chansons (24 et 25 octobre), une soirˆ©e mise en scˆ®ne par Robert Charlebois rˆ©unissant Pierre Calvˆ©, Claude Gauthier, Pierre Lˆ©tourneau et Jean-Guy Moreau, The Lost Fingers (20 novembre) et plusieurs autres.

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Kara Manning Joins WFUV's The Alternate Side

New York, NY -- Kara Manning has joined the team behind WFUV's The Alternate Side as Web Editor, Writer and On-Air Interviewer. Formerly a reporter for MTV News and a staff writer for Rolling Stone magazine, Kara is putting her access to many music industry sources to good use on TheAlternateSide.org blog, offering news, videos and scoops on bands like White Rabbits, Glasvegas and Radiohead. She looks forward to tackling her work at The Alternate Side, where she has already lined up interviews with Nitin Sawhney, the xx, Wild Beasts and more. Kara also spent nearly ten years as producer on Vin Scelsa's Idiot's Delight, where she says she learned "all that is good about music, smart interviews and the art of a meaningful segue." She is a graduate of Columbia University's M.F.A. program in playwriting and an accomplished playwright.

"Kara's presence has really helped expand and deepen the site's new music coverage," said Chuck Singleton, WFUV's program director. "She joins our great crew on the radio side--Russ Borris, Alisa Ali, Demos, Rich McLaughlin and Jeff Kuprycz--in making The Alternate Side one of New York's most vital new music destinations, the place to keep in touch with the music you love."

A companion to WFUV's highly acclaimed flagship programming, The Alternate Side provides New York City's burgeoning indie music scene with a full-time local radio outlet available at TheAlternateSide.org and on HD Radio at 90.7 FM HD-3 in the New York City area. Major funding for the service was provided, in part, by The New York State Music Fund, established by the New York State Attorney General at Rockefeller Philanthropy Advisors.

WFUV is a non-commercial, listener-supported public radio station, licensed to Fordham University for over 60 years. Serving nearly 300,000 listeners each week in the New York area and thousands more worldwide on the web, and a leader in contemporary music radio, WFUV offers an eclectic mix of rock, singer-songwriters, blues, world and other music, plus headlines from National Public Radio and local news.

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Meharchand for MC

Toronto ’Äì Suhana Meharchand hosts Mixed Company Theatre’Äôs 1st Annual STARS Awards Gala, honouring past, present and future STARS. Celebrating Mixed Company Theatre’Äôs 25th Anniversary, the STARS Awards Gala will take place on November 25.

Meharchand is host of CBC News Today, a national news and interview program on CBC Newsworld. During her more than twenty years in journalism, Meharchand has won national and international awards for her work and has been recognized by numerous organizations for her community service. Mixed Company Theatre is excited to partner with Meharchand to promote positive change in our community.

The star-studded evening will include an awards ceremony, artistic performances, a silent auction and a cocktail reception; celebrating Mixed Company Theatre’Äôs 25 years of positive change will be an evening to remember.

WHERE: SHAMBA foundation
48 Yonge Street, Suite 1200, Toronto, ON

(NW Corner of Yonge Street & Wellington Street W)


WHEN: Wednesday, November 25, 2009 ’Äì 6:00PM-10:00PM


Mixed Company Theatre produces innovative, socially relevant drama as a tool to educate, engage and empower for positive change.

visit our website ¬… about forum theatre ¬… contact us

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Panamerican Art Projects presents Gustavo Acosta and Carlos Gonzˆ°lez

September 12th, 2009. 6:00 p.m.

Left: Gustavo Acosta. The Glass Shield. 2009. Acrylic on canvas. 96" x 64". Right: Carlos Gonzˆ°lez. Finding light. 2009. Stainless steel. 72" x 86" x 80"

Opening Reception: September 12th, 2009. 6:00 - 9:00 p.m.
Location: Panamerican Art Projects. 2450 NW 2nd Avenue. Miami, FL 33127

Dates: From September 5th through October 3rd, 2009

Admission: Free




Flying was a dream and an obsession for centuries until the airplane was invented. Although now we are able to fly assisted by mechanical devices, we still look at birds in a mix of wonder and envy. As a result, wings are seen as the means of transforming, and flying as the ultimate metaphor for freedom, the image of total liberation. In art history there any many examples of artists who have been inspired by the act of flying and as a consequence reflected it on their works.

Here we have two contemporary Cuban artists whose works are connected to this idea: Gustavo is using it as a resource for his paintings and Carlos is more interested in the actual possibility of flying, translating this interest to his sculptures.

The Great Systems - Gustavo Acosta

The idea of being constantly watched drove him to paint what seem like views seen through night vision goggles. These images looked like they were made by somebody who went around while everybody was sleeping and registered what he saw. While experimenting in this direction Gustavo started to play with the color green and the infinite possibilities that it offered. This led him to use the color as a filter, as if he was permanently looking at his surroundings through a green glass. The result is this group of paintings in which he has ’Äòsoftened’Äô the color in a more even tone, getting farther away from the goggles effect and giving the impression of an image captured when the light had a rare diffusion.

Secret codes

In this series of works Gustavo is exploring night views in which he shows us how cities are mapped out by their lights reflected against the dark background of a starry night, almost like electric Nazca lines. There is a sense of abstraction with pure color points made of light dots, the pitch black background emphasizing the emptiness between the ground and the air.

Flights of Fancy - Carlos Gonzˆ°lez’Äôs sculptures

In this new group of sculptures Carlos Gonzˆ°lez continues exploring the natural world yet with a clear departure from his last solo exhibition a couple of years ago. His hard angular forms have dissipated, giving space to more organic and voluptuous pieces. While the previous works reminded us of insects, these new ones are inspired by birds and connected elements such as seeds and flowers. Carlos keeps looking at nature for inspiration and these pieces are his very personal interpretations of it. Seemingly mimicking wings and plants he is bringing to light the overlapping of nature, science and flying devices that seem ready to take off. While the works look like mechanical artifacts, there is still the poetry of nature. The monumentality of his work is balanced by the delicacy and intricacy of each piece, part of a complicated yet delicate oeuvre.

PanAmericanArtProjects
2450 NW 2nd Avenue

Miami, FL 33127

Ph: 305.573.2400

Fax: 305.573.0720

miami@panamericanart.com

www.panamericanart.com

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Symphony Nova Scotia’Äôs Musical Munchkins program returns this fall

Halifax, NS ’Äì Symphony Nova Scotia is delighted once again to present Musical Munchkins! After another overwhelming success in 2008-09, the Musical Munchkins program is back this fall to introduce even more 3- to 5-year-olds to music and motion in a fun, interactive way.

Beginning September 23, Symphony Nova Scotia will offer 19 free-of-charge Musical Munchkins sessions for kids and parents at public libraries throughout the Halifax Regional Municipality. Parents and guardians can register their children by calling their preferred library (dates and times are listed below).

The goal of Musical Munchkins is to introduce 3- to 5-year-old youngsters to music and motion in a fun, comfortable environment. Each 30-minute session includes musical demonstrations, games, activities, and dancing, all directed by two talented Symphony Nova Scotia musicians.

’ÄúResponse to this program from staff and patrons around the region has been unanimously positive,’Äù says Heather MacKenzie, library branch manager at Alderney Gate. ’ÄúThis fun and lively introduction to music and movement brings preschoolers, parents (and grandparents!) together to enjoy dance, games and other activities through different styles of music. We are very grateful to Symphony Nova Scotia and the participating musicians for allowing us to bring such a high quality cultural program to families in our community.’Äù

Last year’Äôs Musical Munchkins program was extremely popular, with most sessions at full capacity. Please register early to ensure your place in the program!

Symphony Nova Scotia is also willing to hold extra Musical Munchkins sessions for groups associated with special needs children.

For more information about Musical Munchkins, contact Symphony Nova Scotia at 902.421.1300.

This program is co-presented by Symphony Nova Scotia and Halifax Public Libraries with the generous sponsorship of Maritimes & Northeast Pipeline.

Musical Munchkins is just one part of Symphony Nova Scotia’Äôs comprehensive educational programs. Other offerings include Adopt-a-Musician, Open Dress Rehearsals, In-School Concerts, School Matinees, the Library Series, Pre-Concert Chats, and family concerts. Visit www.SymphonyNovaScotia.ca for details.


MUSICAL MUNCHKINS SESSIONS 2009


Woodlawn Public Library

Wednesday, September 23 / 10:15 am

To register: call 435-8352


J.D. Shatford Memorial Public Library

Friday, September 25 / 10:30 am

To register: call 857-9176


Sackville Public Library

Friday, September 25 / 10:30 am

To register: call 865-3744.


Sheet Harbour Public Library
Friday, September 25 / 10:30 am

To register: call 885-2391.


Alderney Gate Public Library

Tuesday, October 13 / 10:15 am and 10:45 am

To register: call 490-5748.


Keshen Goodman Public Library

Tuesday, October 20 / 10:15 am and 11:15 am

To register: call 490-6410


Musquodoboit Harbour Public Library

Tuesday, October 20 / 11 am

To register: call 889-2227


Bedford Public Library

Wednesday, October 21 / 10:15 am and 10:45 am

To register: call 490-5757.


Tantallon Public Library

Wednesday, October 21 / 10:30 am and 11 am

To register: call 865-3744.


Captain William Spry Public Library

Saturday, October 24 / 11 am

To register: call 490-5818.


Halifax North Public Library

Tuesday, October 27 / 10:30 am

To register: call 490-5723


Cole Harbour Public Library

Wednesday, October 28 / 10:15 am and 11 am

To register: call 434-6177.


Spring Garden Road Public Library

Wednesday, October 28 / 10 am and 11 am

To register: call 490-5700.



About Symphony Nova Scotia’Ä®Symphony Nova Scotia is Nova Scotia’Äôs orchestra. Each year more than 50,000 audience members (including 15,000 young music lovers) join us in communities across Nova Scotia for performances of the music they love ’Äì from baroque and classical to pop and rock and folk. Under the inspirational leadership of Music Director Bernhard Gueller, Symphony Nova Scotia is recognized as one of the finest orchestras in the country. Visit www.SymphonyNovaScotia.ca to learn more, listen online, or subscribe today!


Symphony Nova Scotia is grateful to the Canada Council for the Arts, Nova Scotia Tourism, Culture, and Heritage, and the Halifax Regional Municipality for their continued support.

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The Collegiate Chorale Announces the Appointment of ’Ä®New Music Director ’Ä®James Bagwell

"It is a privilege and honor for me to be the new Music Director of The Collegiate Chorale. This chorus, under the dynamic leadership of Robert Bass and the past legacies of Robert Shaw, Abraham Kaplan and Richard Westenburg, is a strong artistic presence in New York and the nation at large. I am thrilled to become a part of this innovative and ground-breaking cultural institution," said James Bagwell.

"James Bagwell brings a wealth of choral experience and a profound knowledge of the vocal repertoire to The Collegiate Chorale. He will be a visionary leader, a champion of the organization's mission to present exciting vocal music of the highest artistic standard. From an intensive eight-month search, the board, staff and singers reached complete consensus that James' musicianship and magnetism will lead us toward a brilliant next phase in The Chorale's artistic life," said George J. Grumbach, Jr., Co-Chairman of the Board of Directors of The Collegiate Chorale.

James Bagwell maintains an active schedule throughout the United States as a conductor of choral, operatic, and orchestral music. He has recently been named Principal Guest Conductor of the American Symphony Orchestra in New York. Since 2003 he has been Director of Choruses for the Bard Music Festival, conducting and preparing choral works during the summer festival at the Fisher Center for the Performing Arts at Bard College. He has also prepared The Concert Chorale of New York for performances with the American Symphony Orchestra, the Los Angeles Philharmonic, and the Mostly Mozart Festival (broadcast nationally in 2006 on Live from Lincoln Center) all in Avery Fisher Hall at Lincoln Center. In 2005 he was named Music Director of The Dessoff Choirs in New York, who under his leadership have made numerous appearances at Carnegie Hall in addition to their regular season. In 2009 the Dessoff Symphonic Choir appeared with the New York Philharmonic performing both Mahler's Eighth Symphony and Britten's War Requiem for Lorin Maazel's final concerts as Music Director.

James Bagwell has trained choruses for a number of major American and International orchestras, including the San Francisco Symphony, Los Angeles Philharmonic, NHK Symphony (Japan), St. Petersburg Symphony, The American Symphony Orchestra, Cincinnati Symphony Orchestra, Cincinnati Pops Orchestra, and the Indianapolis Symphony Orchestra. He has worked with noted conductors such as Lorin Maazel, Esa-Pekka Salonen, Michael Tilson Thomas, Louis Langrˆ©e, Leon Botstein, Vladimir Ashkenazy, Raymond Leppard, James Conlon, Jesˆ†s Lˆ„pez-Cobos, Erich Kunzel, Leon Fleischer, and Robert Shaw.

For eleven seasons, he has been Music Director for the May Festival Youth Choir in Cincinnati, which was recently featured on the radio program From the Top. He has conducted some 25 productions as Music Director of Light Opera Oklahoma, including Candide, Sweeney Todd, and The Merry Widow, among others. At Bard SummerScape he has led numerous theatrical works, most notably The Tender Land, which received unanimous praise from The New York Times, The New Yorker, and Opera News. He frequently appears as guest conductor for orchestras around the country and abroad, including the Jerusalem Symphony, Tulsa Symphony, and the Indianapolis Chamber Orchestra. For three seasons he was Artistic Director of The Indianapolis Symphonic Choir. He holds degrees from Birmingham-Southern College, Florida State University, and Indiana University. He has taught since 2000 at Bard College, where he is Director of the Music Program.

The Collegiate Chorale, among New York's foremost vocal ensembles, has added to the richness of the city's cultural fabric for more than 65 years. Founded in 1941 by the legendary conductor Robert Shaw, The Chorale achieved national and international prominence under the leadership of Robert Bass. The Chorale has established a preeminent reputation for its interpretations of the traditional choral repertoire, vocal works by American composers, and rarely heard operas-in-concert, as well as commissions and premieres of new works by today's most exciting creative artists. In the Summer of 2009, The Chorale performed for the fourth season at Switzerland's Verbier Music Festival. In July 2008, The Chorale toured with the Israel Philharmonic Orchestra under Zubin Mehta in Tel Aviv, Haifa, and Jerusalem.

The mission of The Collegiate Chorale is to enrich its audiences through innovative programming and exceptional performances of a broad range of vocal music featuring a premier choral ensemble. Inherent in its mission is The Chorale's belief that choral music is a compelling collaboration that creates a powerful, shared experience unifying listeners and musicians of all backgrounds, beliefs and ages.

For more information, visit www.collegiatechorale.org.

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Santana's trumpeter Bill Ortiz goes solo with new album

September 2009 - SAN FRANCISCO, CA - Bill Ortiz, a legendary name synonymous to San Francisco's music scene, has been receiving nothing but accolades for his debut CD, From Where I Stand, since it was released on July 12th, and he's returning to Las Vegas backing Carlos Santana for a two week stand at The Joint at the Hard Rock Hotel and Casino, September 4th to 15th, 2009.

Bill's sweet full tone, and clear, distinctive and assertive style has made this San Francisco native one of the most in-demand trumpÔªøet players on the Bay Area Music Scene, as well as the entire west coast,Ôªø for the past 25-years. From Where I Stand, features 13 original compositions that will appeal to all tastes as the disc is, as Bill states, "a diverse musical journey," that transcends his unique Neo-Soul and Nu-Jazz styles and Funk influences.

Charting on as many as 50 radio stations per week, From Where I Stand has been in frequent rotation nationwide since its release. The most authoritative national music industry magazine, Music Connection, states, "Contemporary jazz trumpet greats have a run for their money now that longtime Santana sideman Ortiz enters the urban jazz scene with this chillin', artsy yet infectious, easy grooving debut."

Nate Seltenrich of Oakland's East Bay Express states, "Despite the Santana connection, there's no Latin to be found among Ortiz's thirteen originals; he dabbles instead in jazz, soul, R&B, and even reggae, mastering each language as he goes."

Veteran Connecticut-based New Haven Advocate and The Entertainer music critic, Ed Jennings, writes on MusicForOurHeart.com, "Right from the first note of the initial track AyeJaye, you know where you stand with your musical guide, Bill Ortiz. You are swept away on a magic carpet ride of orchestrated funk."

Bill Ortiz has been a member of Carlos Santana's touring band since 2000, landing the gig after performing on the Santana's 1999 smash single Smooth from the multi-Grammy-winning, 30-million selling smash CD, Supernatural. Ortiz also appears on the Grammy-winning single The Game of Love from Santana's 2002 release, Shaman. Carlos Santana states, "Bill articulates the beautiful language of jazz without loosing the purity and innocence of a child. It's a wonderful experience to share music every night with him."

**CLICK HERE TO PURCHASE 'FROM WHERE I STAND' ON CDBABY**

From the sensual and scintillating jazzy opener, AyeJaye, to the rollicking Reggae infused Judgment Day, to the soulful and searing sexiness of Slip Into This and Ease My Mind, each track is, not only, a brilliant showcase of Bill's prodigal trumpet playing, but also a masterwork confirming this San Francisco musician as a compositional genius.

Music Connection Magazine's review concludes, "Ortiz crafts a set of dreamy seductions with a blend of old school, retro-soul keyboard vibes, liquid atmospheres, languid guitars, silky backing vocals and a moody lead horn vibe that is a contemporary twist on the Miles Davis Sound. While R&B is an obvious influence, Ortiz shows deeper artistic promise on the Latin/Jazz/Reggae tinged 'Judgement Day.'"

Over two and a half decades, Bill Ortiz's performing and recording credits include work with such diverse and dynamic artists as Destiny's Child, Taj Mahal, Tito Puente, Tony Toni Tonˆ©, Wayne Shorter, Michelle Branch, Chick Corea, Herbie Hancock, Lauryn Hill, Don Cherry, Quincy Jones, Beyonce' Knowles, Cachao, John McLaughlin, Todd Rundgren, Arturo Sandoval, and Boz Scaggs, to name just a few.

Bill Ortiz will be performing with Santana at The Joint at the Hard Rock Hotel and Casino in Las Vegas September 4th to 15th, 2009.

**CLICK HERE FOR BILL ORTIZ ON SKOPED OUT**
**CLICK HERE TO READ JIMMY RAE'S REVIEW**

www.billortiz.com

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Journˆ©e d'ˆ©tude sur la monumentalitˆ© musicale

¬´ Rˆ©flexions sur la monumentalitˆ© musicale en Europe (1850-1920) ¬ª
24 septembre 2009, 13h30

Facultˆ© de musique de l'Universitˆ© de Montrˆ©al, local B-420


Montrˆ©al ’Äì Dans le cadre de ses activitˆ©s de diffusion de recherche, l'Observatoire international de la crˆ©ation et des cultures musicales (OICCM) prˆ©sente une journˆ©e d'ˆ©tude sur la Monumentalitˆ© musicale en Europe (1850-1920), le 24 septembre 2009 dˆ®s 13h30, ˆÝ la salle B-420 de la Facultˆ© de musique de l'Universitˆ© de Montrˆ©al (200, Vincent d'Indy, mˆ©tro ˆâdouard-Montpetit). Admission libre.

Cet ˆ©vˆ©nement a pour point de dˆ©part le rˆ©cent ouvrage du musicologue Alexander Rehding de l'Universitˆ© Harvard, Music and Monumentality : Commemoration and Wonderment in Nineteenth-Century Germany (Oxford University Press, 2009). En prˆ©sence de l'auteur, les confˆ©renciers favoriseront des regards croisˆ©s et un ˆ©change critique en appliquant le concept de la monumentalitˆ© ˆÝ d'autres problˆ©matiques historiques, en plus de faire ˆ©voluer le concept vers d'autres enjeux thˆ©oriques. Les intervenants de cette journˆ©e d'ˆ©tude sont Alexander Rehding (Harvard), Marie-Hˆ©lˆ®ne Benoit-Otis (UdM / Freie Universitˆ§t), Renˆ© Rusch Daley (McGill), Franˆßois de Mˆ©dicis (UdM) et Danick Trottier (Harvard).

Horaire des confˆ©rences
13h30 ’Äì Alexander Rehding, Universitˆ© Harvard, ¬´ Prˆ©sentation de Music and Monumentality ¬ª
13h45 ’Äì Marie-Hˆ©lˆ®ne, Universitˆ© de Montrˆ©al / Freie Universitˆ§t, ¬´ Composer dans l'ombre d'un monument : Wagner, Chausson et Le Roi Arthus ¬ª
14h25 ’Äì Renˆ© Rusch Daley, Universitˆ© McGill, ¬´ Schubert's References to Beethoven : Musical Homage or Critique? ¬ª
15h05 ’Äì Pause
15h30 ’Äì Franˆßois de Mˆ©dicis, Universitˆ© de Montrˆ©al, ¬´ Folklore et Monumentalitˆ© dans la musique franˆßaise du tournant du XXe siˆ®cle (1890-1912) ¬ª

16h10 ’Äì Danick Trottier, Universitˆ© Harvard, ¬´ ˆâlever un monument tout franˆßais ˆÝ la mˆ©moire de Debussy ¬ª

16h50 ’Äì Alexander Rehding, Universitˆ© Harvard, ¬´ Conclusion ¬ª


L'Observatoire international de la crˆ©ation et des cultures musicales
L'OICCM est un groupe de recherche interuniversitaire et international qui travaille sur les thˆ©matiques gˆ©nˆ©rales de la crˆ©ation et des cultures musicales. Cette ˆ©quipe compte dˆ©jˆÝ prˆ®s d'une vingtaine de chercheurs quˆ©bˆ©cois, canadiens et ˆ©trangers. L'OICCM est conˆßu pour permettre le dˆ©veloppement de la recherche en musicologie, ethnomusicologie, composition instrumentale et ˆ©lectroacoustique. Il regroupe trois laboratoires : le Laboratoire musique, histoire et sociˆ©tˆ© (LMHS), le Laboratoire informatique acoustique et musique (LIAM) ainsi que le Laboratoire de recherche sur les musiques du monde (LRMM).

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Local arts organizations partner to present Emerging Composer-Director Mentorship Program

Halifax, NS ’Äì Four emerging Atlantic Canadian film composers will soon have the opportunity to produce and record their compositions live with Symphony Nova Scotia during the 29th Atlantic Film Festival.

The Guild of Canadian Film Composers, Symphony Nova Scotia, and the Atlantic Film Festival Association are proud to present an Emerging Composer-Director Program as part of the ’ÄúMusic & Image’Äù program at this year’Äôs Atlantic Film Festival. Atlantic Canadian composers Duane Andrews, David Christensen, Cy Giacomin, and Robert Kenning have been chosen to work with regional independent filmmakers Rachel Bower, Andrea Dorfman, Aram Kouyoumjian, and Adam Perry to create original film scores which will be recorded by the Symphony in partnership with producer Hayward Parrott of St. Cecilia Studios.

Under the direction of award winning film composer and GCFC vice-chair Darren Fung, this innovative program is the first of its kind in Atlantic Canada, and gives these filmmakers and composers hands-on experience recording orchestral music for film from start to finish. Not only will participants work directly with musicians, orchestrators, and sound engineers, but they will also benefit from mentorship, feedback, and real-life considerations such as time constraints and on-the-spot revisions.

’ÄúThe cooperation of all four partners is truly a testament to the incredible artistic and production communities that exist in Atlantic Canada,’Äù says Fung. ’ÄúThis is a unique program that highlights the importance of the director-composer relationship, as well as the importance of original music in film and television.’Äù

’ÄúThis program came out of a strong desire for the Symphony and the Film Festival to collaborate with others within the regional cultural sector," adds Erika Beatty, CEO of Symphony Nova Scotia. ’ÄúIt’Äôs so exciting for the Symphony to help give voice to the thoughts and ideas of these young artists.’Äù

’ÄúThe Atlantic Film Festival is very excited to be building on the phenomenal success of the ’ÄòMusic and Image’Äô program, our regional collaboration with the East Coast Music Association, with another partnership that opens up new relationships and markets for Atlantic Canadian musicians and filmmakers,’Äù says Andrea Thomas, Director of Operations with the Atlantic Film Festival Association.

The finished productions will be screened to an audience of Atlantic Film Festival industry delegates in an ’Äúopen house’Äù format. At the screening, participants will host a panel to discuss the highlights and challenges of their experiences. For more information, contact Alyson Sanders at alysons@atlanticfilm.com or 902.420.4577.

PARTICIPATING COMPOSERS:

Robert Kenning (Wolfville, NS)
A recent graduate of the Selkirk College Music and Technology Program, Andrew is working toward a career in film and media composition. While at Selkirk College he studied composition and film scoring with Genie-nominated composer Don MacDonald. As a saxophone player, he has performed with a wide variety of groups, from symphonic wind ensembles to rock bands, with experience writing and arranging for jazz big bands and combos, rock groups, string quartets, and other chamber ensembles.

Duane Andrews (St. John’Äôs, NL)
Duane is an emerging composer based in St. John's, NL who is presently focused on orchestral music. He has received funding from the Canada Council for the Arts to develop his orchestral writing and will be working with the Newfoundland Symphony Youth Orchestra this fall to develop music under the mentorship of composer Jim Duff. Duane has composed and produced a multitude of film scores and was recently awarded Instrumental Album of the Year in 2009 at the East Coast Music Awards.

David Christensen (Halifax, NS)
David is an emerging composer based in Halifax, NS and has created compositions for film, television and theatre. He has worked with Symphony Nova Scotia as well as such artists as Jenn Grant, Joel Plaskett and Gordie Sampson. He was awarded Best Original Score at the 28th Atlantic Film Festival for his work on Good Morning Kandahar.

Cy Giacomin (Halifax, NS)
Having recently completed his bachelor of music in composition at Dalhousie University, Cy has gained the tools and training to develop his technique as a composer and orchestrator, and plans to continue improving these skills at the master’Äôs level at McGill University. Cy’Äôs experience with orchestra began as a performer (trombone and piano), and since then he has taken up orchestral composition and conducting as well.

PARTICIPATING DIRECTORS:

Adam Perry (Charlottetown, PE)
Adam was raised in Stratford, PEI and has always had a passion for storytelling. He graduated from Holland College with a diploma in Graphic Design but then felt compelled to learn more about filmmaking. Being a life-long student, he took what he knew about websites and filmmaking and began making entertainment for the internet. In 2006, he directed a well-received short comedic film called Profile PEI, which was developed into the nationally recognized web series of the same name (www.profilepei.com). Shortly after Profile PEI’Äôs first season, Adam received a healthy short-film grant which he used to make the film Jiggers.

Andrea Dorfman (Halifax, NS)
Andrea Dorfman started making Super 8 films with friends in high school before graduating from Montreal’Äôs McGill University in 1992. She graduated from the Nova Scotia College of Art and Design in Halifax in 1995 and then wrote, directed, shot and edited several experimental short films through the Atlantic Filmmakers Co-op while working as a camera assistant in Halifax’Äôs commercial film industry. In 1998 she made her first dramatic short film, Swerve, as well as Nine, a half-hour documentary. Both films earned her the award for Most Promising New Director at the Atlantic Film Festival and went on to play at many international festivals. Andrea has a lengthy list of award-winning work throughout her career in directing, producing and writing.

Aram Kouyoumjian (Bayside, NS)
In the twelve years since Aram’Äôs first film, he has run the gauntlet in production experience. His years in industry sound recording have allowed him much time on the front lines of the creative process of filmmaking. This experience and a longtime love of music and storytelling has led to an interesting exploration of music videos and short films, yielding several nods from the industry, including a Juno nomination and a MuchMusic Video Award nomination (In Flight Safety’Äôs The Coast is Clear), and the CBC/NSFDC Bridge Award in 2006 for his third half-hour television project. Aram’Äôs interest in telling stories through larger-than-life fantasies has led to his being called ’ÄúHalifax’Äôs Michel Gondry’Äù by some and ’Äúsmartly over-ambitious’Äù by others.

Rachel Bower (Halifax, NS)
Rachel was one of 25 professional crew members from across Canada chosen to participate in the Women in the Director’Äôs Chair Workshop at the Banff Centre for Arts. Rachel has been a camera operator and editor for the Outdoor Life Network’Äôs action series 16mm. She has also worked as a camera assistant and Steadicam focus puller for 70 episodes of CBC’Äôs drama series Edgemont. Creating documentaries feeds Rachel’Äôs natural curiosity about the history and humanity of people, and her ten-minute Nigerian-based documentary, Akain Wari: Building the Niger Delta, has been screened at the World Summit on Sustainable Development in South Africa. Her film Time Apart: A History of Hope, funded by the National Film Board, the Linda Joy Media Arts Society, and CTV, is currently on the film festival circuit. Rachel works at CTV in Halifax, Nova Scotia as a camera operator.

About Symphony Nova Scotia’Ä®Symphony Nova Scotia is Nova Scotia’Äôs orchestra. Each year more than 50,000 audience members (including 15,000 young music lovers) join us in communities across Nova Scotia for performances of the music they love ’Äì from baroque and classical to pop and rock and folk. Under the inspirational leadership of Music Director Bernhard Gueller, Symphony Nova Scotia is recognized as one of the finest orchestras in the country. Visit www.SymphonyNovaScotia.ca to learn more, listen online, or subscribe today!

About the Atlantic Film Festival Association’Ä®The Atlantic Film Festival Association (AFFA) is a non-profit organization committed to promoting and building a strong cultural industry in Canada, and presenting the best materials from this region and around the world to our community. The creative professional team making up the Association is based in Halifax, Nova Scotia, and is the largest cultural organization in Atlantic Canada. The Association has developed a year-round calendar of events to facilitate, through professional and business development platforms, sustained economic growth for the Atlantic Canadian film, television and music industry.

About the GCFC
The Guild of Canadian Film Composers is a national association of professional composers and music producers for film, television and new media, whose purpose is to further the interests of its members in liaison with Canada’Äôs cultural industries and agencies, media producers and music publishers, educational institutions and the public.

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Kinobe & Soul Beat Africa Dimanche le 25 octobre 2009 au Club Balattou

NUITS D'AFRIQUE des spectacles’Ķ..toute l'annˆ©e !
Prˆ©sentent

En Grande Premiˆ®re


KINOBE

and Soul Beat Africa

(Ouganda)

Dimanche le 25 octobre ’Äì 21h
au Club Balattou 4372, boul. St-Laurent (coin Marie-Anne) - Montrˆ©al


¬´’Ķ.parmi les musiques les plus exquises sortant de l'Afrique aujourd'hui¬ª
-Zina Saro-Wiwa , BBC-


Montrˆ©al - KINOBE (prononcˆ© CHI-NO-Bˆâ) chanteur, multi-instrumentiste, compositeur et arrangeur accompli et son groupe Soul Beat Africa, revisitent avec modernitˆ© les sons et rythmes traditionnels d'Ouganda en Afrique de l'est. Son talent et son inventivitˆ© hors pairs lui ont trˆ®s vite permis d'accompagner les plus grandes stars de la scˆ®ne musicale africaine.

KINOBE qui a ˆ©tudiˆ© au Mali avec le grand maˆÆtre de la kora Toumani Diabatˆ©, soigne son jeu, sa technique et surtout, ˆ©labore son propre style musical, qui signera plus tard la coloration rˆ©solument ¬´ˆ©lectro¬ª de son ‰ìuvre. Imprˆ©gnˆ© de sons novateurs vˆ©hiculˆ©s par les grands noms de l'Afrobeat et du blues sahˆ©lien, KINOBE, accompagnˆ© de musiciens exceptionnels, reste trˆ®s fidˆ®le aux rythmes et harmonies que lui ont lˆ©guˆ©es ses racines ougandaises. KINOBE s'avˆ®re ˆ�tre un extraordinaire archiviste musical.

KINOBE & Soul Beat Africa mixe les traditions et les instruments de musique ougandais avec des influences de l'Afrique de l'ouest et de la musique moderne afin de crˆ©er un style unique, ˆÝ la fois novateur et pourtant ancrˆ© dans la tradition africaine.

Grˆ¢ce ˆÝ un premier album, ¬´Soul Language¬ª sorti en 2007 sous l'ˆ©tiquette Multicultural Mˆ©dia, KINOBE rˆ©ussit ˆÝ s'imposer comme une des meilleures formations ¬´Afro-world de la scˆ®ne musicale mondiale. Par la suite, Il effectue une sˆ©rie de concerts en Afrique et en Europe pour effectuer la promotion de cet album.

Il puise ses influences ˆÝ travers le globe. Des nouveaux sons pour un nouveau monde. Le jeune virtuose de la kora, KINOBE incarne les ponts jetˆ©s entre la crˆ©ation contemporaine et la musique traditionnelle d'Afrique, crˆ©ant ainsi un alliage de rythmes ˆ©lˆ©gants et ensorcelants. ˆÄ cet univers musical unique, qui est le sien, s'ajoute son immense talent de parolier. Et c'est sur un ton d'optimisme et d'humour qu'ils compose la totalitˆ© de ses textes.

KINOBE (nˆ© en 1983) joue de plusieurs instruments traditionnels tels que l'Adungu (harpe ougandaise), l'Endingidi (flˆªte), la kora, la kalimba (piano ˆÝ main), le tama (talking drum) (pour ne nommer qu'eux) dˆ®s l'ˆ¢ge de 5 ans, pˆ©riode ˆÝ laquelle dˆ©bute son ˆ©ducation musicale.

A l'ˆ¢ge de 10 ans, il entreprend sa premiˆ®re tournˆ©e en Afrique et en Europe accompagnˆ© des personnages phare de la musique africaine. Au cours de cette annˆ©e KINOBE visite l'Allemagne avec un ch‰ìur de jeunes musiciens afin de reprˆ©senter l'Ouganda dans le cadre d'une confˆ©rence culturelle internationale.

A peine sorti de l'enfance, il s'embarque aux cˆ¥tˆ©s de Youssou N'Dour, Baaba Maal, Toumani Diabatˆ© et Salif Keita, les monstres sacrˆ©s de la musique mandingue. De plus il partage la scˆ®ne avec Angˆ©lique Kidjo, Oliver Mtukudzi, Miriam Makeba et plusieurs autres,

Dans le cadre de leur toute premiˆ®re tournˆ©e nord-amˆ©ricaine, soutenue par l'Alliance Franˆßaise, KINOBE & Soul beat Africa viendront nous prˆ©senter au Club Balattou, le dimanche 25 octobre prochain, leur nouvel album ¬´ Kinobe et Soul Beat Africa ¬ª sorti en 2009, sous l'ˆ©tiquette Multicultural Mˆ©dia.

KINOBE, un jeune multi-instrumentiste, virtuose de la Kora
Un nom ˆÝ retenir pour ceux qui n'ont pas encore eu la chance de le dˆ©couvrir.

Billets en vente dˆ®s maintenant !!!
Au Club Balattou ’Äì (514) 845-5447
Sur Rˆ©seau Admission ’Äì (514) 790-1245

www.admission.com
www.festivalnuitsdafrique.com

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Tickets on sale now for 'still current' Till We Meet Again at the Oscar Peterson Concert Hall

Vera Lynn, the Second World War's 'Forces Sweetheart' is back on Britain's Top 20 album chart with her new CD, We'll Meet Again- The Very Best of Vera Lynn http://www.abc.net.au/news/stories/2009/09/01/2672694.htm

Dame Vera believes music of this vintage and significance resonates with many people who still remember the war as well as the general public. "I'm sure so many people have many stories to tell - how they heard news and where they were and what they felt," she said. Even today with the wars in Afghanistan and Iraq, she believes the younger generation can relate to her songs. "The boys are away again and all the songs are appropriate," she said.

TICKETS ON SALE NOW

VISIT THE NEW WEBSITE WWW.TILLWEMEETAGAIN.CA

Presented by

Till We Meet Again ’Äì A wartime musical that offers a true account of how a live CBC-based radio show connected a nation during the uncertainty and emotion of World War II. It is an uplifting, entertaining and honest portrayal of the era that is a 'must-see' for everyone.

Till We Meet Again ’Äì 8 shows only
Theatre Panache

At Oscar Peterson Concert Hall

7141 Rue Sherbrooke Ouest’Ä®(514) 848-4848 oscar.concordia.ca

Tickets available at the box office and from Admission - 514 790-1245 www.admission.com


Showtimes: Oct. 16, 17, Nov. 21 at 8:00 pm
Matinees: Oct. 16, 17, 18, Nov. 21, 22 at 2:00 pm

Regular price: $35-$65, taxes included

Seniors/students: $31.50-$58.50, taxes included

Veterans/military: $26.25-$48.75, taxes included

Group discounts available

(Service charges applicable- save money by purchasing tickets directly at the box office.


Directions (by public transportation or car) as well as the parking map to the Oscar Peterson Concert Hall: http://oscar.concordia.ca/en/index.htm

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Music China : International Trade Fair for Musical Instruments and Services

13 ’Äì 16 October 2009
Shanghai New International Expo Centre, Shanghai, China

Music China attracts more than 1,100 exhibitors and many new products will be launched at the show

Top international and local artists line-up to play non-stop

Daily fringe programme expected to draw large attendance

More than 1,100 exhibitors from 24 countries and regions will take part in this year’Äôs Music China show to be held 13 ’Äì 16 October 2009 at the Shanghai New International Expo Centre, China. Music China is the most important musical instrument show to take place in the Asia Pacific region as it brings together hundreds of music product suppliers from around the world.

Exhibitors at this year’Äôs show will include nine international pavilions from the Czech Republic, France, German, Italy, the Netherlands, Scandinavia (Denmark, Iceland, Finland, Norway and Sweden), Spain, the UK and Taiwan.

Music China will be the launching pad into the Chinese market for many new products that include drum kits, keyboard, pianos and electrical guitar and accessories.
’Ä¢ Roland is introducing the TD series electric drum kit with an improved sound quality and MIDI output for sequencing or triggering other sounds, making it ideal for practicing or studio use.
’Ä¢ Steinway & Sons will be presenting two new additions to their Crown Jewel series. The Sapphire and Aquamarine pianos are crafted in rosewood and birch.
’Ä¢ Korg is offering the nanoSERIES of USB-powered, slim-line controllers in three new versions. The nanoKEY features a 25-key velocity-sensitive keyboard and is ideal for song production; the nanoPAD has 12 highly responsive trigger pads, each capable of sending up to eight notes simultaneously, and nanoKONTROL offers nine faders, nine knobs, 18 switches, plus a full transport section for expansive control.
’Ä¢ The new guitar amplifier from Line6 Spider¬Æ IV redefines what is sonically possible from modelling amplifiers. More than 50 of today’Äôs hottest guitarists and bands have handcrafted more than 300 presets for Spider IV.
’Ä¢ Taylor is introducing a new loaded pick guard for the SolidBody Classic guitar which changes its tonal characteristics and appearance.

Top international and local artists line-up to play non-stop

Famous and legendary artists from China, Denmark, Japan and the USA will entertain show visitors at both indoor and outdoor venues. Hit-makers Michael Pagaard from T-Rex Engineering, Tonni Jensen of Danish Dynamite and TM Stevens will be playing at the Warwick booth and Japanese artists Eric Miyashiro (trumpet player), Hiroyuki Noritake (drummer) and Yasuya Tomioka (Electone player) will be at the Yamaha booth. Other performing artists include bass guitarist Jonas Hellborg from Sweden and Steve McNally will be appearing for Korg.

The line up from China includes Beauty Lv (Line 6), Zhang Dawei (Clavia Nord) ’Äì the forerunner of Chinese electronic music, and Xiao Wei (Numark) ’Äì a renowned DJ in China known as ’ÄúDJ DRAGON-V’Äù and Eric Chin (VOX).

Daily fringe programme expected to draw large attendance

A diverse range of fringe programme events has been designed to appeal to the different Chinese and international music industry sectors. These events include:

’Ä¢ Drum Circle (supported by Remo and KHS): Visitors to the show can find their own sense of rhythm and enjoy the power of the beat by playing a wide variety of drums and percussion instruments.
’Ä¢ NAMM University: The course programmes look at important issues affecting the international music industry and include bilingual panel discussions and seminars for distributors, dealers and retailers.
’Ä¢ Principal Forum and Retailer Forum: Industry leaders will address retailers and conservatory officials from China.
’Ä¢ Chinese Folk Music Events: The line-up offers a Chinese Folk Music Education Development Forum, master classes and performances.
’Ä¢ MIDIFEST: As the popularity of MIDI goes from strength to strength, Music China is organising a MIDI forum, seminar and MIDI Music Competition. Sponsored by Acton, Digidesign, Korg and M-Audio, competition entrants can win more than RMB 50,000 worth of prizes for best performance, best creativity and best skills.
’Ä¢ Intellectual Property Rights (IPR) Seminar: Industry experts will discuss how to register IPR as well as the various corporate issues surrounding IPR.

Music China 2009 is organised jointly by the China Music Instrument Association (CMIA), INTEX Shanghai and Messe Frankfurt and runs concurrently with Prolight and Sound Shanghai, an International Exhibition for the Event and Communication Technology, AV-Production and Entertainment industries. For more information, please visit www.musikmesse-china.com or email music@hongkong.messefrankfurt.com.

Music China is the sister fair of Musikmesse, which will be held in Frankfurt, Germany from 24 ’Äì 27 March 2010. For more information of the Musikmesse brand name fairs, please visit www.musikmesse.messefrankfurt.com.

Bechstein Announces New Salon Series

g o l d e n k e y m u s i c i n s t i t u t e

’Ä®Bechstein Announces the New Golden Key Salon Series: ’Ä®New and Distinguished Performers, Wine Receptions, Premiere Performances’Ä® ’Ä®

New York, NY ’Äì Bechstein Piano Centre will launch the new Golden Key Salon Series this fall, featuring both new and distinguished performers. The opening concert on October 1 will include the New York premiere of Parsifal, a collaborative work by John McDowell, composer of the score for the Academy Award’Äìwinning film Born Into Brothels, and Emmanuel Vukovich, award-winning violinist. Mr. McDowell and Mr. Vukovich will perform this piece, which is based on the Parsifal legend. Designed to bring artists and audience together, each concert will offer performances by several artists and will be followed by a wine reception with the artists. The salons will be held at 7:00 p.m. on the first Thursday of the month, from October through May, at the Bechstein Piano Centre, 207 West 58th Street, New York City.’Ä® ’Ä®

Presented in partnership with Golden Key Music Institute, the series will also include a piano master class, titled Cultivating Your Authentic Artistic Voice, with Madeline Bruser, founder of the Institute. Ms. Bruser is author of The Art of Practicing: A Guide to Making Music from the Heart, and has conducted seminars and workshops at the Juilliard School and other U.S. conservatories. At this master class she will introduce and demonstrate her unique, holistic approach to the piano, helping an accomplished performer release tension and unleash greater musicality. The audience will be invited to ask questions after the presentation.’Ä® ’Ä®

’ÄúI’Äôm so delighted to be offering this series at Bechstein,’Äù Ms. Bruser said. ’ÄúI have always loved their pianos and find them amazingly responsive. It’Äôs a human and elegant place, and I feel very at home there.’Äù’Ä® ’Ä®

Other series performers will include pianists Pavel Gintov and Susan Buffington, mezzo-soprano Maria Elena Armijo, flutist Abbe Rose Krieger, jazz pianist Michael Cabe, and violinist Gary Kosloski. Mr. Kosloski will also play a Golden Key benefit recital of Romantic chamber music with pianist Gerald Robbins and cellist Jonathan Ruck on October 26.’Ä® ’Ä®

Admission will be a suggested donation $20; $10 students. Seating is limited. For reservations call the Bechstein Piano Centre at 212-581-5550. ’Ä® ’Ä®

The new Golden Key Salon Series at Bechstein, featuring both new and distinguished performers, premiere performances, and wine receptions, aims to foster artistic development by bringing artists and audience together in an intimate setting for uplifting musical evenings.

About the Presenters:’Ä® ’Ä®Golden Key Music Institute is a non-profit organization dedicated to encouraging and educating musicians to perform with ease and communicative power. For more information visit www.goldenkeymusicinstitute.org’Ä® ’Ä®

For more information about Bechstein Piano Centre visit www.bechstein-america.com’Ä® ’Ä®

Golden Key Music Institute is not affiliated with Golden Key Music Festival.’Ä® ’Ä®

Golden Key Salon Series at Bechstein Listing’Ä®’Ä®

October 1, Thursday at 7 PM ’Ä®
Bechstein Piano Center, 207 West 58th Street, NYC’Ä®
Pianist Pavel Gintov, Flutist Abbe Rose Krieger with pianist Susan Buffington, Violinist Gary Kosloski, and violinist Emmanuel Vukovich with pianist John McDowell’Ä®
Works by Faure, Hue, Glazunov, Tchaikovsky, Wagner/Wilhelm, Chopin, and McDowell-Vukovich (NY Premiere)’Ä®
For more information call Bechstein at 212-581-5550

’Ä®’Ä®’Ä®Golden Key Benefit Recital Listing’Ä®’Ä®

October 26, Monday at 7 PM ’Ä®
Bechstein Piano Center, 207 West 58th Street, NYC’Ä®
Violinist Gary Kosloski, pianist Gerald Robbins, cellist Jonathan Ruck’Ä®
Works by Mendelssohn, Franck, and Brahms’Ä®

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ESO kicks off Robbins Pops series with disco sounds of the 70s - Sept. 25 & 26

Robbins Pops
Light those lava lamps and boogie to the beats of disco hits

That 70s Showcase ’Äì
Disco Days and Boogie Nights

Friday, September 25th ’Äì 8:00 pm
Saturday, September 26th ’Äì 8:00 pm

Edmonton, AB ’Ķ Your Edmonton Symphony Orchestra is once again offering an electrifying lineup of Robbins Pops concerts in the 2009-2010 performance season. On September 25th & 26th, our ever-popular series kicks off and brings Pops master Jack Everly back to the Winspear Centre. With an all-star cast of singers and dancers joining your ESO in That 70s Showcase - Disco Days and Boogie Nights, it will be a night to remember, groovin’Äô and shakin’Äô to your favourite tunes in our salute to a decade.

No matter what crowd you ran with in the 70s, we’Äôve got the music to match. Vocalists Chapter 6, N’ÄôKenge, Farah Alvin, and Anne Beck perform disco anthems like I Will Survive, monster rock hits like Bohemian Rhapsody, plus familiar show-stopping medleys from the likes of ABBA and The Bee Gees. They’Äôre all blended into a one-of-a-kind show of memories and magic as only conductor and host Jack Everly can present.

Dust off those polyester suits, polish up those platform shoes, and boogie on down to the Winspear Centre Box Office for tickets. Ticket prices range from $24 ’Äì $79 (agency fees apply). Call (780) 428-1414 or purchase online at www.edmontonsymphony.com.

The next performance of the Robbins Pops series takes place on October 30th & 31st, as your ESO, conductor Bruce Hangen, and a creepy cast present a ghoulish evening of spine-tingling music in Halloween: The Concert.

This series is generously supported by Bill and Mary Jo Robbins.
Friday evening’Äôs performance is generously sponsored by Sobeys.

The Edmonton Symphony Orchestra, marking its 58th season in 2009-2010, has taken its place as one of Canada's foremost orchestral ensemble. Its current roster includes 56 musicians from Canada and around the world, performing a wide-ranging repertoire from the great classical masterworks to pops and children's concerts. The presence of the orchestra and its enrichment of the community's quality of life are key elements in the stature and profile of Edmonton on the national and international scene.

Hommage posthume ˆÝ Oscar Perterson

Montrˆ©al ’Äì Madame Catherine Sˆ©vigny, responsable de la culture au comitˆ© exˆ©cutif de la Ville de Montrˆ©al, et madame Jacqueline Montpetit, mairesse de l'arrondissement du Sud-Ouest, invitent les reprˆ©sentants des mˆ©dias ˆÝ une cˆ©rˆ©monie protocolaire ˆÝ l'occasion du dˆ©voilement de la plaque toponymique au nom d'Oscar Peterson et de l'annonce d'un important projet dans le quartier d'enfance du musicien.

L'ˆ©vˆ©nement se tiendra en prˆ©sence de monsieur Oliver Jones, cˆ©lˆ®bre jazzman montrˆ©alais ami et complice d'Oscar Perterson, dans le cadre du Festival de la Petite-Bourgogne.


Date : Le samedi 12 septembre 2009

Heure : Midi

Lieu : Parc Campbell-Centre, ˆÝ deux pas du mˆ©tro Georges-Vanier
(entre les rues Saint-Antoine et Saint-Jacques, Des Seigneurs et Canning)

Note : En cas de pluie, la cˆ©rˆ©monie se tiendra dans le chalet du parc
(prˆ®s de la rue Coursol)

The Cleveland Orchestra announces 2009-10 Family Concert Series and PNC Musical Rainbow Series

Music Director Franz Welser-Mˆ�st leads the Orchestra in a Family Concert program for the first time

CLEVELAND ’Äì The Cleveland Orchestra today announced its 2009-10 Family Concert Series, for children ages 7 and older, and PNC Musical Rainbow Series, for children ages 3 to 6. Both concert series are designed to introduce young people to classical music, and feature performances by Cleveland Orchestra musicians with special guest artists. Subscriptions for both series, as well as single tickets, are now available.

2009-10 Family Series Concerts
Three Family Concerts will take place during the 2009-10 season, in September, March, and April. Led by Music Director Franz Welser-Mˆ�st and Cleveland Orchestra Assistant Conductors Tito Muˆ±oz and James Feddeck, these concerts will be presented on Sundays at 2:00 p.m., with pre-concert activities, including Instrument Discovery, beginning one hour before each performance.

On Sunday, September 27, a program titled ’ÄúMeet the Orchestra’Äù will introduce the orchestra family through works that showcase the string, woodwind, brass, and percussion sections of The Cleveland Orchestra. Music Director Franz Welser-Mˆ�st conducts the Orchestra in his first Family Concert. The Awesome Children’Äôs Orchestra (TACO), comprised of adults (including Cleveland Orchestra members) and children, will make a guest appearance.

On Sunday, March 14, 2010, The Cleveland Orchestra reunites with the Magic Circle Mime Co. to present ’ÄúThe Mozart Experience,’Äù a program combining music and mime to introduce young audiences to the life and music of Wolfgang Amadeus Mozart. An impetuous street musician caught playing the orchestra’Äôs grand piano is offered the chance (much to her surprise) to ’Äúbe Mozart’Äù for this program about one of the most famous composers of all time. The street musician and her prankster companion lead the audience on a wonderful musical adventure that reveals the very human story of Mozart’Äôs life, and his musical genius. Audiences will enjoy excerpts of many of Mozart’Äôs most famous works, including Eine kleine Nachtmusik, Papageno’Äôs song from The Magic Flute, and much more.

A video clip of footage from ’ÄúThe Mozart Experience’Äù may be seen at Magic Circle Mime CO. :: Videos.

On Saturday, April 25, 2010, the 2009-10 Family Concert Series concludes as The Cleveland Orchestra presents ’ÄúThe Composer is Dead.’Äù There’Äôs dreadful news from Severance Hall ’Äì the composer is dead and the perpetrator is lurking within the orchestra! A collaboration by children’Äôs author Lemony Snicket and composer Nathaniel Stookey, The Composer is Dead is a morbidly funny musical whodunit that ’Äúinvestigates’Äù every section of the orchestra ’Äì A Peter and the Wolf for the 21st century, aimed at a new generation. Composer Nathaniel Stookey narrates.

A video clip about ’ÄúThe Composer is Dead’Äù may be seen at YouTube - Lemony Snicket and Nathaniel Stookey on The Composer is Dead.

In addition to the performances, the Family Series also includes free, pre-concert activities that complement the concert theme. The activities, which begin one hour prior to each performance, include Instrument Discovery, where children can try various instruments.

The Cleveland Orchestra Family Concert Series is sponsored by Giant Eagle.

2009-10 PNC Musical Rainbows Series

The Cleveland Orchestra’Äôs Musical Rainbow concerts have a new sponsor this season. As part of PNC’Äôs Grow Up Great initiative in Cleveland, they are sponsoring the Musical Rainbows Series for preschoolers as well as a wide range of other activities and programs designed to give very young children ’ÄúA Great Early Start in the Arts.’Äù PNC Musical Rainbow programs introduce very young children to the instruments of the orchestra, one at a time. Each age-appropriate program includes narration, demonstration, short solo selections, and audience participation. Musical Rainbows are performed by current and former Cleveland Orchestra musicians and guests, and are hosted by local actress and singer Maryann Nagel, with pianist Laura Silverman assisting for most of the concerts.

The Trusty Trombone will be presented on October 30 and 31, with retired Cleveland Orchestra trombonist Allen Kofsky. The Clever Clarinet will be presented on November 20 and 21, with clarinetist Daniel McKelway. The Fancy Flute will be presented on February 12 and 13, 2010, with flutist Mary Kay Fink and pianist Nicholas Underhill. Sensational Strings will be presented on April 16 and 17, 2010, with cellist Bryan Dumm and violinist Molly Fung. Percussion Partners will be presented on May 7 and 8, 2010, with percussionists Marc Damoulakis and Mell Csicsila.

In addition to the five-concert PNC Musical Rainbow Series, the 2009-10 season also includes three special PNC Holiday Musical Rainbow programs. Each program focuses on the music, culture and traditions of the holidays. The Music of Chanukah will be presented on Friday, December 11, at 10:00 a.m. and Sunday, December 13, at 12:30 p.m. Children will love the fun and surprises of the Christmas Brass Quintet on Thursday, December 17, at 10:00 a.m., and Saturday, December 19, at 11:00 a.m. Audiences will learn All About Kwanzaa on Friday, December 18, at 10:00 a.m. in a program that includes music, songs, and storytelling.

PNC Musical Rainbow Concerts are endowed by the Pysht Fund.

TICKETS: A three-concert subscription package for the 2009-10 Family Concert Series is now available. Subscribers save up to 25% off the price of single tickets and are guaranteed the same reserved seats for all three concerts. Subscription prices range from $27 to $54 for all three concerts. Full boxes (8 seats) are available for $480 for all three concerts. Single tickets for Family Concerts are now on sale. Prices range from $10 to $30.

Five-concert subscriptions for the PNC Musical Rainbow Series are currently on sale. Subscriptions are $25 for the series, a savings of 30% off the price of single tickets. Three subscription series times are available: Friday at 10:00 a.m. and Saturday at 10:00 and 11:00 a.m. Individual tickets for the three Holiday Musical Rainbows are $7 each. They may be purchased with a Musical Rainbow subscription.

For more information about the Family Series and Musical Rainbow concerts, or to order tickets, call the Cleveland Orchestra Subscription Office at (216) 231-1111 or 800-686-1141 or visit clevelandorchestra.com.
______________________________________________________________________________

These concerts are part of a broad array of educational programs designed to foster a love of music and a lifetime of participation in the musical arts. For more information, call The Cleveland Orchestra’Äôs Department of Education and Community Programs at (216) 231-7355.

2009-10 FAMILY SERIES
(for children age seven and older and their families)

The Cleveland Orchestra presents these concerts, each developed around an entertaining theme. Pre-concert activities begin one hour before each concert.

Sunday, September 27, at 2:00 p.m.
(Pre-concert activities begin at 1:00 p.m.)
Severance Hall
Meet the Orchestra
The Cleveland Orchestra
Franz Welser-Mˆ�st, conductor
with special guests, The Awesome Children’Äôs Orchestra (TACO)

Cleveland Orchestra Music Director Franz Welser-Mˆ�st conducts the first Family Concert of the season. Families will have the opportunity to meet the orchestra family through works that showcase the string, woodwind, brass, and percussion sections of The Cleveland Orchestra.
______________________________________________________________________________

Sunday, March 14, 2010, at 2:00 p.m.
(Pre-concert activities begin at 1:00 p.m.)

Severance Hall

The Mozart Experience

The Cleveland Orchestra
Tito Muˆ±oz, conductor

with special guests, Magic Circle Mime Co.


’ÄúThe Mozart Experience’Äù combines music and mime to introduce young audiences to the life and music of Wolfgang Amadeus Mozart. An impetuous street musician caught playing the orchestra’Äôs grand piano is offered the chance (much to her surprise) to ’Äúbe Mozart’Äù for this program about one of the most famous composers of all time. The street musician and her prankster companion lead the audience on a wonderful musical adventure that reveals the very human story of Mozart’Äôs life, and his musical genius. Audiences will enjoy excerpts of many of Mozart’Äôs most famous works, including Eine kleine Nachtmusik, Papageno’Äôs song from The Magic Flute, and much more.
______________________________________________________________________________

Sunday, April 25, 2010, at 2:00 p.m.
(Pre-concert activities begin at 1:00 p.m.)

Severance Hall
The Composer is Dead

Music by Nathaniel Stookey; Words by Lemony Snicket

With special guest, composer Nathaniel Stookey

The Cleveland Orchestra
James Feddeck, conductor


There’Äôs dreadful news from Severance Hall ’Äì the composer is dead and the perpetrator is lurking within the orchestra! A collaboration by children’Äôs author Lemony Snicket and composer Nathaniel Stookey, The Composer is Dead is a morbidly funny musical whodunit that ’Äúinvestigates’Äù every section of the orchestra ’Äì A Peter and the Wolf for the 21st century, aimed at a new generation. Composer Nathaniel Stookey narrates.
______________________________________________________________________________

The Cleveland Orchestra Family Concert Series is sponsored by Giant Eagle.

Three-concert subscription packages for the 2009-10 Family Series are available now through the Severance Hall Subscription Office. Subscribers save up to 25% off the price of single tickets and are guaranteed the same reserved seats for all three concerts. Subscription prices range from $27 to $54 for all three concerts. Full boxes (8 seats) are available for $480 for all three concerts. Single tickets are also now on sale. For more information or to order tickets, call the Cleveland Orchestra Subscription Office or Ticket Office (for single tickets) at (216) 231-1111 or 800-686-1141, or visit clevelandorchestra.com.


2009-10 PNC MUSICAL RAINBOW SERIES
(for children ages 3 to 6)

This series of 30-minute programs introduces children ages 3-6 to instruments and instrument families of the orchestra, and includes narration, demonstration and audience participation.

Friday, October 30, at 10:00 a.m.
Saturday, October 31, at 10:00 and 11:00 a.m.

’ÄúThe Trusty Trombone’Äù
Reinberger Chamber Hall at Severance Hall.

Allen Kofsky, trombone
Maryann Nagel, host

Laura Silverman, piano

______________________________________________________________________________

Friday, November 20, at 10:00 a.m.
Saturday, November 21, at 10:00 and 11:00 a.m.

’ÄúThe Clever Clarinet’Äù
Reinberger Chamber Hall at Severance Hall

Daniel McKelway, bassoon
Maryann Nagel, host

Laura Silverman, piano

______________________________________________________________________________

Friday, February 12, 2010, at 10:00 a.m.
Saturday, February 13, 2010, at 10:00 and 11:00 a.m.

’ÄúThe Fancy Flute’Äù
Reinberger Chamber Hall at Severance Hall

Mary Kay Fink, flute
Maryann Nagel, host

Nicholas Underhill, piano

______________________________________________________________________________


Friday, April 16, 2010, at 10:00 a.m.

Saturday, April 17, 2010, at 10:00 and 11:00 a.m.

’ÄúSensational Strings’Äù
Reinberger Chamber Hall at Severance Hall

Bryan Dumm, cello
Molly Fung, violin

Maryann Nagel, host

Laura Silverman, piano

______________________________________________________________________________


Friday, May 7, 2010, at 10:00 a.m.
Saturday, May 8, 2010, at 10:00 and 11:00 a.m.

’ÄúPercussion Partners’Äù
Reinberger Chamber Hall at Severance Hall

Marc Damoulakis, percussion
Mell Csicsila, percussion

Maryann Nagel, host

______________________________________________________________________________

PNC Musical Rainbow concerts are endowed by the Pysht Fund.

PNC Musical Rainbow Series subscriptions for the 2009-10 season are available for $25 (5 concerts) through the Severance Hall Subscription Office. Subscribers to the series save 30% off the price of single tickets. Single tickets for each of the concerts, including the PNC Holiday Musical Rainbows, are also on sale, at $7 per concert. For more information or to order tickets, call the Cleveland Orchestra Subscription Office or Ticket Office (for single tickets) at (216) 231-1111 or 800-686-1141, or visit clevelandorchestra.com.


2009-10 PNC HOLIDAY MUSICAL RAINBOWS

Friday, December 11, at 10:00 a.m.
Sunday, December 13, at 12:30 p.m.

Reinberger Chamber Hall at Severance Hall

The Music of Chanukah Musical Rainbow with
Carolyn Warner, violin and piano

Stephen Warner, violin

Kathryn Wolfe Sebo, cantor

Maryann Nagel, host

______________________________________________________________________________


Thursday, December 17, at 10:00 a.m.

Reinberger Chamber Hall at Severance Hall

Saturday, December 19, at 11:00 a.m.

Concert Hall at Severance Hall

Christmas Brass Quintet Musical Rainbow
with

Jack Sutte, trumpet

Michael Miller, trumpet

Hans Clebsch, horn

Edward Zadrozny, trombone

Ronald Bishop, tuba

Maryann Nagel, host

______________________________________________________________________________


Friday, December 18, at 10:00 a.m.

Reinberger Chamber Hall at Severance Hall

All About Kwanzaa Musical Rainbow
with
Barbara Eady, storyteller, from the Cleveland Association of Black Storytellers

William Clarence Marshall III, bass

Mell Csicsila, percussion

Andrew Pongracz, percussion


All programs and artists subject to change.

Gordon Goodwin's Big Phat Band Titles Added to Smartmusic

Virtuosic jazz arrangements and recordings will inspire SmartMusic students

Minneapolis ’Äì MakeMusic, Inc. (NASDAQ: MMUS) today announced that SmartMusic¬Æ, the music learning software for band, orchestra and voice, now includes nearly two dozen new jazz ensemble titles from Gordon Goodwin's Big Phat Band including ’ÄúHunting Wabbits,’Äù ’ÄúThe Jazz Police,’Äù and ’ÄúSwingin’Äô for the Fences.’Äù Music is provided on-screen and actual recordings of the Big Phat Band are featured in the audio accompaniments.

In addition, each SmartMusic title will include a link to a video greeting from Gordon Goodwin and acclaimed trumpeter Wayne Bergeron, providing both general and specific comments on each Big Phat Band chart.

Gordon Goodwin is an Emmy- and Grammy-award winning musician, composer, arranger and bandleader. Gordon leads the Big Phat Band, an 18-piece jazz ensemble, which exclusively plays his arrangements and/or compositions, and records for the immergent record label. Despite its traditional big band instrumentation, the Big Phat Band produces a very contemporary sound with a strong emphasis on demonstrating the technical virtuosity of its membership, which includes many of the top instrumentalists of the Los Angeles studio scene.

’ÄúGordon Goodwin and the Big Phat Band represent wonderful partners for SmartMusic,’Äù stated MakeMusic CEO Ron Raup. ’ÄúTheir music and recordings provide incredible inspiration to jazz musicians today, and when combined with SmartMusic they offer an incredible opportunity to learn from some of the world's top jazz performers. This combination allows jazz hobbyists, students and educators to set the bar high and exceed expectations.’Äù

’Äúimmergent is pleased to partner with Gordon Goodwin, the Big Phat Band and MakeMusic on this important endeavor,’Äù offered immergent CEO John Trickett. ’ÄúI began my career in music playing trombone at the age of thirteen because my school had a music program. It is one of my strongest passions to support educational programs that provide the same opportunities that were afforded to me. The technology and systems of SmartMusic transcend anything that has been available in the past. Finally there are tools available that can take a chart and put personal practice into the context of performance.’Äù

’ÄúI've not met a single person who wasn't blown away by SmartMusic,’Äù added Gordon Goodwin. ’ÄúStudents, professionals, educators and even lay people are greatly impressed by this amazing innovation. In these tough times for music education and for our musical culture in general, Smart Music has come along in the nick of time!’Äù

A list of recently added SmartMusic titles can be viewed here. Follow MakeMusic activities on Twitter, Facebook and YouTube and meet some of our employees on Flickr.

About MakeMusic, Inc. ’Ä®

MakeMusic®, Inc., a Minnesota corporation, is a world leader in music technology whose mission is to develop and market solutions that transform how music is composed, taught, learned and performed. For more than 20 years, Finale® has been the industry standard in music notation software. It has transformed the process by which composers, arrangers, musicians, teachers, students and publishers create, edit, audition, print and publish musical scores. Additionally, MakeMusic is the creator of SmartMusic®, the complete practice tool for band, orchestra and voice and SmartMusic GradebookTM, the web-based student grading and records management system. Further information about the company can be found at www.makemusic.com.


About Gordon Goodwin and the Big Phat Band
Gordon Goodwin’Äôs Big Phat Band, an 18-piece jazz ensemble, celebrates and personifies the best of the big band tradition with a very contemporary and original sound. Through the writing genius of Grammy Award recipient Gordon Goodwin, SRO audiences have enjoyed one of the most craftsman-like, hard-swinging, large jazz ensembles comprised of L.A.’Äôs finest musicians. Gordon’Äôs witty and insightful arrangements propel the listener on a journey through a myriad of styles: Latin, blues, swing, classical, hard-hitting jazz, and much more. www.bigphatband.com

About immergent
immergent is a cutting-edge multimedia entertainment company run by people who love music and know how to make it happen. With exceptional artists and a highly skilled and creative team, immergent is at the forefront of developing content, generating consumer awareness and bringing entertainment to people via any delivery method that consumers want. For more information contact marketing@immergent.com.

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Friday, September 18, 2009

Tim Brady, composer and electric guitar

TIM BRADY: Composer & Electric Guitarist | 2009/10 Season Highlights

My 20th Century
CD & DVD release September 29 | 10-City Canadian Tour
20TH ANNIVERSARY OF BRADYWORKS
Featured Composer, WINNIPEG NEW MUSIC FESTIVAL, February 2010
Tribute to Les Paul for 20 Electric Guitars, Guitar Solo & Orchestra

"Brady is a true mad scientist of guitar sound, placed on Earth, it seems, to smash the barriers between high and low culture. His wild guitar sounds are daggers in the heart of classical music pretense...’Äù - Hour Weekly


Groundbreaking Montreal-based electric guitarist and composer Tim Brady, renowned for his radiant orchestrations and innovations in creating a new voice for the electric guitar, celebrates the 20th Anniversary of his ensemble Bradyworks this season, with a new CD and DVD, a cross-Canada tour of his extraordinary music/video/theatre work My 20th Century, the premiere of Requiem 21.5, a new work for Orchestre symphonique de Laval (where he is composer in residence), culminating in a residency at the Winnipeg New Music Festival where three of his large-scale works will be featured, including the world premiere of a work in memory of Les Paul for 20 electric guitars, electric guitar solo and orchestra. A unique artist on the new music scene, Brady has been declared "our prince of accessible avant-garde" (Montreal Gazette) and ’Äúthe leading proponent of gaining acceptance of the electric guitar in new music (Downbeat Magazine). And, as a solo guitarist, he continues to make an unforgettable impact with his "astonishing virtuosity and brilliant mastery of tone colour.’Äù (Berlingske Tidende, Copenhagen)

Premiered in 2006, My 20th Century: A music/video/theatre narrative in 4 works, completed a 5-city Quebec tour last year and now reaches 10 additional Canadian cities this season (9 this fall, with the addition of Winnipeg in February). The first performance, at Montreal’Äôs Espace dell’Äôarte on September 29th, is also the launch of the new CD/DVD on the Ambience Magnˆ©tiques label. Written by Tim Brady with video by Brady, Martin Messier and Oana Suteu, the recording features Bradyworks: Brady on electric guitar, saxophonist Andrˆ© Leroux (an ensemble member for 18 years), Catherine Meunier on percussion, David Cronkite, sampler, and pianist Brigitte Poulin (pianist Pamela Reimer performs on tour). Montreal’Äôs Quatuor Molinari is also featured on the recording.

Over the course of 80 minutes, My 20th Century examines and deconstructs four pivotal events in the 20th century, viewing each through the lens of an entirely new soundscape. 1: Strumming (Hommage ˆÝ John Lennon) focuses on 1963-64, following the Kennedy assassination and the arrival of The Beatles in North America. 2: Traces (Hommage ˆÝ Charlie Christian) brings us back to 1939-42, as black jazz guitarist Charlie Christian joins white clarinetist Benny Goodman on stage at Carnegie Hall ’Äì the first time in America that black and white made music together as equals in such a public manner. 3: Hommage ˆÝ Rose Luxemburg (Casino Adagio), based in 1993 and inspired by the Jean-Paul Riopelle painting of the same name, investigates the convergence of money, politics and art. 4/5/6: Double Quartet (Hommage ˆÝ Dmitri Shostakovich) spans most of the century (1906-75) over three movements, each dealing with a different aspect of the composer’Äôs astonishing life ’Äì two world wars, revolution, a brutal dictatorship, and the composition of immensely powerful and deeply personal musical works. Following the performance in Montreal, My 20th Century will tour to Calgary, Edmonton, Regina, Toronto (presented by New Music Concerts on Saturday, October 17), Halifax, Moncton, Ottawa and Waterloo, as well as in Winnipeg in February. (See schedule below.)

At this season’Äôs Winnipeg New Music Festival, February 12-18, 2010, which is internationally renowned for innovative programming, Tim Brady is a featured guest composer. His residency includes performances of My 20th Century, Guess Who Symphony (a radical deconstruction and re-composition of the songs "American Woman", "These Eyes" and "Runnin" Back to Saskatoon", performed by Vancouver blues singer Ndidi Onakalu, with the WSO) and the premiere of Amplify, Multiply, Remix and Redefine (in memory of Les Paul). This new work for a 20-piece electric guitar ensemble, solo electric guitar and orchestra celebrates the life and work of the legendary electric guitar and recording pioneer, who died on August 13th.

Composer and guitarist Tim Brady has created music in a wide range of genres ranging from chamber and orchestral music to electroacoustic works, chamber opera, contemporary dance scores, jazz and free improvisation. His work has been commissioned by numerous ensembles in North America and Europe including the Orchestre symphonique de Montrˆ©al, Winnipeg Symphony Orchestra, Sociˆ©tˆ© de musique contemporaine du Quˆ©bec, New Music Concerts, INA-GRM (Radio-France), Nouvel Ensemble Moderne, Pittsburgh New Music Ensemble, Esprit Orchestra (CBC), Relˆ¢che ensemble (Philadelphia), Australian group Topology, and The Smith Quartet (UK). Recent works include two operas (Bethune and The Salome Dancer) and two symphonies (Playing Guitar: Symphony #1 and The Choreography of Time: Symphony #2). He has released 14 CDs on Justin Time Records and, more recently, on the Ambiances Magnˆ©tiques label. Brady regularly tours North America, Europe, Asia and Australia as an electric guitar soloist, performing at leading venues including The South Bank Centre and the ICA (London), The Huddersfield Contemporary Music Festival (UK), Bang on a Can Festival (NY), De Ijsbreker (Amsterdam), Radio-France Festival Prˆ©sence (Paris) and the Darwin International Guitar Festival (Australia). His ensemble, Bradyworks, has toured Canada five times, performed in the US and Europe, and records regularly for both CBC and Radio-Canada. In 2004 Tim Brady was awarded the Prix OPUS for "Composer of the Year" by the Conseil quˆ©bˆ©cois de la musique and in 2006 he was awarded the Jan. V. Matejzek prize by SOCAN.

www.timbrady.ca


My 20th Century Canadian Tour
Tuesday, Sept. 29 8pm Espace dell’ÄôArte Montreal, QC www.dell-arte.net

Saturday, Oct. 3 8pm Eckhadrt-Gramattˆ© Hall Calgary, AB www.newworkscalgary.ca

Sunday, Oct. 4 3pm Edmon. Public Library Theatre Edmonton, AB www.eccsociety.com

Thursday, Oct. 15 8pm William Ridell Centre Regina, SK

Saturday, Oct. 17 8pm Isabel Bader Theatre Toronto, ON www.newmusicconcerts.com

Thursday, Oct. 22 8pm CBC Radio Room Halifax, NS www.upstream.squarespace.com

Saturday, Oct. 24 8pm Capitol Theatre Moncton, NB www.capitol.nb.ca

Thursday, Nov. 5 8pm Carleton University Ottawa, ON www.onmc-cmno.ca

Friday, Nov. 6 8pm Wilfrid Laurier University Waterloo, ON


www.numus.on.ca

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FenStar Productions presents 30 DATES

"40-year-old Virgin" meets Bollywood in this original multi-media comedy about finding the perfect match. Priti is deep in the dating-world trenches on a quest to find her "true love". She's hitting 35, her parents want her married and her biological clock is a ticking time bomb. Desperate to avoid an arranged marriage, she's in a race to find "Mr. Right".

For info: www.fenstarproductions.com

Sneak peak & theme song: http://www.vimeo.com/6478782

Performance Info

5 SHOWS ONLY!
September 23 ’Äì 26, 2009


Dates & Times:
Wed. to Fri. at 8 PM
Saturday at 2 and 8 PM

Tickets:
General Admission: $24 in advance $27 at the door

Seniors / Students: $20 in advance $24 at the door


Venue:
Centaur Theatre
453 St. Francois-Xavier

Box Office:
(514) 288-3161

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Innovations en concert’Ä®’Ä® prˆ©sente :’Ä®’Ä®ˆâvolutions 2009 : Jeux et espiˆ®gleries

’Ä®’Ä®Une sˆ©rie percussive empreinte de thˆ©ˆ¢tralitˆ© ’Ä®

Montrˆ©al, le 18 septembre 2009 - Treiziˆ®me mouture de la sˆ©rie ˆâvolutions, Innovations en concert prˆ©sente ˆâvolutions 2009 : Jeux et espiˆ®gleries qui se tiendra du 6 au 8 octobre prochain au Conservatoire de musique de Montrˆ©al. ’Ä®

’Ä®¬´ Notre sˆ©rie thˆ©matique ˆâvolutions s’Äôattarde cette annˆ©e sur des ‰ìuvres ludiques qui contiennent une dose de plaisir garantie, essentielle ˆÝ la santˆ© du corps et de l’Äôesprit. C’Äôest trois invitations ˆÝ plonger au c‰ìur d’Äôune des sources de la crˆ©ativitˆ© les plus rˆ©pandues : le jeu. C’Äôest une disposition de l’Äôesprit qui contribue de plusieurs faˆßons ˆÝ la formation de notre personnalitˆ©. En musique, il a servi ˆÝ ˆ©laborer les codes universels qui servent de langage pour communiquer, s’Äôidentifier, cˆ©lˆ©brer et se divertir. Il requiert de la perspicacitˆ©, de la vivacitˆ© et des habiletˆ©s qui, mis au service de la crˆ©ativitˆ©, donne des ‰ìuvres ludiques et accessibles. ¬ª
- Michel Frigon, directeur artistique Innovations en concert

’Ä®Les 6, 7 et 8 octobre 2009’Ä®’Ä®
Conservatoire de musique de Montrˆ©al’Ä®
4750, rue Henri-Julien, Mˆ©tro Mont-Royal’Ä®

Information : 514.252.8221’Ä®

Billetterie : ˆÄ la porte’Ä®’Ä®Billets : 15 $ rˆ©gulier / 10 $ ˆ©tudiant


’Ä®Mardi 6 octobre, 20 h
’Ä®’Ä®McGill Percussion Ensemble’Ä®
Ils mordent dans la vie comme dans la musique et la substance ne leur fait pas peur. Les sept jeunes musiciens de l’ÄôEnsemble de percussions de McGill s’Äôattaquent ici ˆÝ du solide en nous prˆ©sentant trois ‰ìuvres maˆÆtresses du rˆ©pertoire pour percussions.’Ä®’Ä®

Au programme :’Ä®
Persephassa - Iannis Xenakis’Ä®
Drumming + Sextet - Steve Reich



’Ä®’Ä®’Ä®’Ä®Mercredi 7 octobre, 17 h
LANCEMENT’Ä®
Lancement de Night Chill, tout premier disque de la percussionniste Catherine Meunier, sur ˆ©tiquette Centrediscs. ’Ä®’Ä®Mercredi 7 octobre, 20 h’Ä® Girls Just Wanna Bang Drums band ’Ä®Les Girls Just Wanna Bang Drums band conjuguent de faˆßon ravissante force brute et raffinement. Cet ensemble, placˆ© sous la direction de Aiyun Huang, rˆ©unis des musiciennes de la relˆ®ve et des musiciennes ˆ©tablies. ˆâgalement au programme, la trˆ®s grande virtuose Beverley Johnston dans une piˆ®ce pour marimba et bande de Christos Hatzis.’Ä®Ce concert est prˆ©sentˆ© en collaboration avec Saison Le Vivier. ’Ä® ’Ä®’Ä®

Au programme :’Ä®
Les guetteurs de son - Georges Aperghis’Ä®
In the Fire of Conflict - Christos Hatzis
’Ä® The So-Called Law of Nature - David Lang’Ä® ’Ä®

’Ä®Jeudi 8 octobre, 20 h
’Ä®Michel F. Cˆ¥tˆ© et Isaiah Ceccarelli’Ä®’Ä®
Injures sonores, couinement et rˆ©parties salˆ©es fusent de part et d’Äôautre dans ce qui ˆÝ tout l’Äôair d’Äôˆ�tre la rencontre la plus provocante de l’Äôannˆ©e et elle se produit entre deux ¬´ drummers ¬ª. Michel F. Cˆ¥tˆ© et Isaiah Ceccarelli exposent leurs travers dans un face ˆÝ face dˆ©capant.’Ä® ’Ä®

Au programme :’Ä®
Vulgaritˆ©s - Michel F. Cˆ¥tˆ© et Isaiah Ceccarelli’Ä® ’Ä®

Innovations en concert a ˆ©tˆ© fondˆ© en 1994 et est actuellement sous la direction de Michel Frigon. Principalement orientˆ© vers la musique de chambre, les solistes et la musique de petits ensembles, Innovations en concert favorise un contact musical intime et personnel entre les artistes et le public. Avec une vision stylistique trˆ®s large, l'organisme prˆ©sen¬‚te rˆ©guliˆ®rement des concerts de musique contemporaine, actuelle, improvisˆ©e, jazz contemporain et ˆ©lectroacoustique. Membre du Conseil quˆ©bˆ©cois de la musique, l’Äôorganisme reˆßoit l’Äôappui du Conseil des arts et des lettres du Quˆ©bec, du Conseil des Arts du Canada, du Conseil des arts de Montrˆ©al et du ministˆ®re du Patrimoine canadien.’Ä®

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The Markham Jazz Festival and The Markham Stouffville HospitalThe Markham Jazz Festival and The Markham Stouffville Hospital

The Markham Jazz Festival and The Markham Stouffville Hospital’Ä®’Ä®Markham, ON - After a hugely successful festival weekend the Markham Jazz Festival is set to donate half of the proceeds from its Silent Auction to The Markham Stouffville Hospital’Äôs expansion project. ’Ä®’Ä®The silent auction took place during the festival’Äôs On Fire! opening night Gala at The Markham Theatre. The 25-item auction raised $1,620 in total and the festival is donating half of its proceeds, totalling $810, to the hospital. Sponsorship Director Tammy Mang says, ’ÄúThe Markham Stouffville Hospital plays an integral role in our community. It provides care to a community of 110,000 people and serves a population of 300,000 people. The Markham Jazz Festival is happy to contribute to their expansion efforts.’Äù’Ä®’Ä®The 12th Annual Markham Jazz Festival wrapped up on August 16th and hosted 18,000 people over the two and a half days. The main streets of Markham and Unionville were filled with riffs and melodies of jazz quartets and trios, and as the sun shone bright in the cloudless blue sky, a relaxing and enjoyable weekend was had by all.’Ä®’Ä®

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Three, Two, One, Go! Soundcraft’Äôs New Si1 Digital Console Expands Si Series Range

POTTERS BAR, England ’Äì Today, a third member joins the very successful Si Series family’Äîthe even more compact Soundcraft Si1 digital live sound console.

In just nine months, Soundcraft has now launched three models in this range, picking up no less than five industry awards in that time commending the Si console on its ease of use and simplifying the transition from analogue to digital.

The new Si1 has a very compact footprint of just 1200mm width, meaning it fits nicely into space-restricted areas such as theatres, small venues, and Houses of Worship, and of course comes at an extremely competitive price.

As standard the Si1 has 32 mic inputs mapped on 16 faders, and with four dedicated Stereo Line channels, four dedicated FX Returns from the four stereo Lexicon FX processors can mix up to 48 inputs. Eight balanced insert sends and returns are provided, along with the same bus structure as the Si2 and Si3 of 24 Group/Aux busses, eight matrix busses and a full complement of monitor talkback and main bus outputs. These buses may be freely assigned to any of the 16 physical XLR connectors in addition to the dedicated mix and monitoring output XLRs. Every bus has a dedicated 30-band BSS Audio graphic EQ, permanently patched in with no additional drain on DSP resource. Three option card slots are provided for further expansion such as recording of all the channel direct output feeds or increasing the number of channels to mix.

Such is the power and topology of the Si Series that the separate DSP and control engines allow you to make any system or function changes live with no interruption in the audio.

Like the Si3 and Si2, the Si1 uses a combination of rotary encoders and OLED screens on every channel so the engineer mixes at source, without recourse to a central screen, an interface welcomed by many engineers since the Si3’Äôs launch last year. Using the center section and channel encoders, it is possible to simultaneously monitor and control input EQ, input dynamics and output EQ. Four assignable on-board lexicon effect engines supplement four stereo inputs to provide a really powerful mix package in a width of 1.2m for a UK list price of under ¬£14,000. Soundcraft’Äôs offline editor program, Virtual Si, can also be used to setup and manage complete shows offline, for later download to an Si1 console through a USB memory key.

With a wealth of input and output connections and power supply on board, the Si1 can simply drop in where an existing analogue console sat, utilising existing copper cable snakes and splitter systems.

Soundcraft is a unit of Harman International Industries, Incorporated (www.harman.com).
Harman International designs, manufactures and markets a wide range of audio and infotainment products for the automotive, consumer and professional markets, and maintains a strong presence in the Americas, Europe and Asia, employing more than 11,000 people worldwide. The Harman International family of brands includes AKG¬Æ, Audioaccess¬Æ, Becker¬Æ, BSS¬Æ, Crown¬Æ, dbx¬Æ, DigiTech¬Æ, Harman Kardon¬Æ, Infinity¬Æ, JBL¬Æ, Lexicon¬Æ, Mark Levinson¬Æ, Revel¬Æ, QNX¬Æ, Soundcraft¬Æ and Studer¬Æ. Harman International’Äôs stock is traded on the New York Stock Exchange under the symbol ’ÄúNYSE: HAR.’Äù

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Canada's violin sensation kicks-off new season

Canada's violin sensation Lara St. John kicks-off Sinfonia Toronto's 11th season on October 23 at 8:00 pm in Glenn Gould Studio. Orchestra's Music Director Nurhan Arman will conduct.

Violinist Lara St. John is "wild, idiosyncratic, and gripping" according to The Los Angeles Times. Her rise as a soloist has been well documented by the Canadian and international media since her European debut with the Gulbenkian Orchestra at the age of 10. She has been described as "something of a phenomenon" by The Strad magazine, and as a "high-powered soloist" by The New York Times. Her debut recording has sold over 50,000 copies, and led The Chicago Tribune to rave about her "superb technique and an irresistible vitality."

This past spring, Lara released a CD pairing Vivaldi's Four Seasons with The Four Seasons of Buenos Aires, by the father of nuevo tango, Astor Piazzolla. The tango is one of the pieces on the program for this concert with Sinfonia Toronto.

"The Piazzolla is certainly one of the best things Lara St. John has ever recorded; she plays with unbridled passion and a kind of sexy ferociousness," according to All Music.

Sinfonia Toronto is comprised of thirteen virtuoso string players. "A world-class ensemble," according to Germany's Russelsheimer Echo, they perform standing, in the tradition of great chamber orchestras, under the direction of Music Director and conductor Nurhan Arman. A roster of Toronto's finest woodwinds, brass and percussion joins the strings for select programs, drawn from the full range of chamber orchestra repertoire. The Toronto Star writes of "a remarkable range of colour," "ample eloquence" and "gripping authority," while La Scena Musicale declared: "Nurhan Arman and his orchestra literally conquered us." Their most recent CD, Flanders Fields Reflections features the 2009 Juno Award winner for Classical Composition of the Year, a Sinfonia Toronto commission composed by John Burge.

The program for the evening consists of Haydn's Quartet op 42, Vaughan-Williams' The Lark Ascending, Piazzolla's The Four Seasons and Tchaikovsky's Serenade.

Tickets for this premium concert are $19 - $49 and are available through the Roy Thomson Hall box office at www.roythomson.com 416-872-4255. Subscriptions offer great savings, and are available at www.sinfoniatoronto.com, or by calling 416-499-0403.

Concert details at a glance

Oct 23, 2009, 8:00pm
Glenn Gould Studio (250 Front St. W)
SINFONIA TORONTO / NURHAN ARMAN, Conductor
LARA ST. JOHN, Violinist

VIOLIN DIVA Canada's violin sensation kicks-off a new season

Program:
HAYDN Quartet op 42
VAUGHAN-WILLIAMS The Lark Ascending
PIAZZOLLA The Four Seasons
TCHAIKOVSKY Serenade
Tickets: Roy Thomson Hall Box Office 416-872-4255 www.roythomson.com
$19 students; $39 seniors and $49 adults

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Investissement de 1,5 millions de dollars Le cinˆ©ma IMAX¬ÆTELUS entiˆ®rement revitalisˆ©!

Montrˆ©al ’Äì ˆâtonnant! ˆâpoustouflant! Plus vrai que nature! VoilˆÝ quelques-uns des qualificatifs utilisˆ©s rˆ©guliˆ®rement pour dˆ©crire le visionnement d'un film IMAX¬Æ. Et voici que le cinˆ©ma IMAX¬ÆTELUS du Centre des sciences de Montrˆ©al, afin d'assurer aux spectateurs de ses films grand format la meilleure expˆ©rience cinˆ©matographique, accorde ˆÝ ses ˆ©quipements une grande cure de revitalisation. Du 14 septembre au 30 octobre 2009, le cinˆ©ma entreprend une sˆ©rie d'intenses travaux pour insuffler une ˆ©nergie renouvelˆ©e ˆÝ ses installations, lui assurant ainsi de conserver sa longueur d'avance en tant qu'un des cinˆ©mas IMAX¬Æ les plus performants au monde.

Une cure de revitalisation grand format
La fermeture temporaire du cinˆ©ma IMAX¬ÆTELUS ˆÝ l'automne 2009 touche un ensemble de ses systˆ®mes et composantes. Dˆ©jˆÝ, en 2007, un tout nouveau systˆ®me de son avait ˆ©tˆ© installˆ©, dont la capacitˆ© de 36 000 watts en faisait l'un des plus puissants de sa catˆ©gorie. Produit des plus rˆ©centes technologies de pointe, ce systˆ®me ambianceur dotˆ© de puissants hauts-parleurs et amplificateurs plonge le spectateur au c‰ìur de l'univers IMAX et contribue ˆÝ faire du visionnement d'un film IMAX¬Æ une expˆ©rience complˆ®tement immersive. Pour optimiser la qualitˆ© visuelle des images, voici maintenant que l'ˆ©cran gˆ©ant sera entiˆ®rement remplacˆ© par un ˆ©quipement neuf. Cette opˆ©ration spectaculaire requiert d'ailleurs les services d'une grue mˆ©canique pour faire entrer le nouvel ˆ©cran dans la salle de projection : et implique que celui-ci se balancera un bon moment au-dessus du fleuve! Cet ˆ©cran, d'une dimension de 18,5m par 24,5m, est en fait une immense toile gainˆ©e d'une peinture argentˆ©e spˆ©ciale dont les propriˆ©tˆ©s rˆ©flˆ©chissantes optimisent la polarisation et la brillance de l'image. Notez que la toile est ˆ©galement perforˆ©e de millions de petits trous pour laisser passer le son des 4 hauts-parleurs qui sont installˆ©s derriˆ®re, contribuant ainsi ˆÝ la crˆ©ation de l'expˆ©rience ambiophonique en salle. Une fois en place, le nouvel ˆ©cran du cinˆ©ma IMAX¬ÆTELUS du Centre des sciences de Montrˆ©al assurera une qualitˆ© d'image incomparabel et avec laquelle aucun autre cinˆ©ma du Quˆ©bec ne pourra rivaliser!

D'autres ˆ©quipements seront ˆ©galement mis ˆÝ jour et optimisˆ©s, notamment les immenses et complexes projecteurs IMAX¬Æ et des ajustements seront apportˆ©s au systˆ®me de son, le rendant sera encore plus performant. En tout, c'est 1,5 millions de dollars qui seront investis dans cette revitalisation afin de procurer ˆÝ tous les spectateurs une qualitˆ© d'image et de son littˆ©ralement inˆ©galˆ©e et inˆ©galable. Ainsi le cinˆ©ma IMAX¬ÆTELUS demeure ˆÝ l'avant-garde et conserve sa longueur d'avance, tant par sa technologie ˆÝ la fine pointe du progrˆ®s que par l'excellence de ses films!

Derniˆ®re chance!
Rappelons qu'il ne reste que quelques jours pour voir Merveilles des mers en 3D, le succˆ®s de l'ˆ©tˆ©, produit par l'ˆ©quipe de Sous les mers 3D! Ce film est une expˆ©rience immersive d'une vivacitˆ© sans pareille qui nous transporte vers les sites sous-marins les plus exotiques et les plus isolˆ©s du monde, dont l'Australie-Mˆ©ridionale, la Grande Barriˆ®re de Corail et la Papouasie Nouvelle-Guinˆ©e. S'ensuivent des rencontres face-ˆÝ-face avec des crˆ©atures marines des plus mystˆ©rieuses et fascinantes!
Un dˆ©paysement total et dˆ©licieusement rafraˆÆchissant, ˆÝ ne pas manquer avant notre fermeture temporaire, en vigueur le 14 septembre 2009!

Les amateurs de musique et de concerts rock s'en mettent plein la vue et les oreilles avec le mˆ©ga film-spectacle U23D, prˆ©sentˆ© en supplˆ©mentaire et qui quittera dˆ©finitivement l'ˆ©cran le 14 septembre prochain. Acclamˆ© comme l'un des meilleurs concerts filmˆ©s sur scˆ®ne et offrant une expˆ©rience 3D incomparable, U23D a attirˆ© les foules et rˆ©alisˆ© les meilleures recettes au monde ici-mˆ�me, au cinˆ©ma IMAX¬ÆTELUS : c'est dire le pouvoir d'attraction de U2 et l'apprˆ©ciation qu'en ont fait les spectateurs. Pas besoin de parcourir la planˆ®te pour les voir sur scˆ®ne : vous serez littˆ©ralement avec Bono, sur scˆ®ne!
ˆÄ voir absolument, les super idoles du rock sur ˆ©cran gˆ©ant et en super forme au cinˆ©ma IMAX¬ÆTELUS jusqu'au 14 septembre prochain!

Le 31 octobre : une date ˆÝ retenir!
C'est bien le 31 octobre que le cinˆ©ma IMAX¬ÆTELUS du Centre des sciences de Montrˆ©al rouvre ses portes, prˆ�t ˆÝ accueillir son public pour de nouveaux rendez-vous cinˆ©matographiques encore plus ˆ©poustouflants! Des images d'une brillance extraordinaire et d'une incroyable prˆ©cision, une sonoritˆ© inˆ©galˆ©e par sa clartˆ© et son ambiophonie, les meilleurs films IMAX¬Æ disponibles sur le marchˆ©, en plus de la technologie 3D ˆÝ son meilleur : voilˆÝ ce que promet le cinˆ©ma IMAX¬ÆTELUS dˆ®s son ouverture. Prˆ©parez-vous ˆÝ vivre des expˆ©riences incomparables, inoubliables, colossales, renversantes ’Ķ!

Tous les renseignements sur l'horaire et la tarification des films IMAX¬ÆTELUS sont disponibles ˆÝ la billetterie du Centre des sciences de Montrˆ©al, par tˆ©lˆ©phone en composant le 514 496-IMAX ou le 1 800 349-IMAX ou au www.centredessciencesdemontreal.com.

Le Centre des sciences de Montrˆ©al tient ˆÝ remercier les partenaires du cinˆ©ma IMAXˆ¢TELUS : Telus, partenaire en titre et Mouvement Desjardins partenaire prˆ©sentateur de la programmation rˆ©guliˆ®re, de mˆ�me que les partenaires prˆ©sentateurs du CSM Telus et Hydro-Quˆ©bec.

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Victoria Symphony Heightens Its Beltone Pops Experience

Victoria, BC ’Äì On September 17, 18, and 19, international vocal quintet Five By Design opens the Beltone Pops Series with Swingin’Äô and Singin’Äô. This season, the Pops guarantees big band sound, bigger performances, and the biggest pops experience the Victoria Symphony has produced.

The Victoria Symphony has upgraded its Pops series to provide its audience with entertainment. With well-known pops performers including Five By Design, trombone soloist David Martin, and soprano Rachel Landrecht, the series is stronger than ever. The Victoria Symphony also partners with the Canadian College of Performing Arts in a tribute to the Best of Broadway. Conductor Brian Jackson and CCPA co-directors Jacques Lemay and Janis Dunning will dazzle and excite the audience with colourful costumes, talented young singers and dancers and live orchestra.

’ÄúOur Beltone Pops series will bring Victoria audiences a quality experience, the best in entertainment, and six different evenings to remember,’Äù said Victoria Symphony Executive Director Mitchell Krieger. The Victoria Symphony’Äôs mission is to enrich lives through the shared experience of extraordinary music; through Beltone Pops’Äô high-quality concerts, this series garners popular appeal as the concert experience is more than just the music, it is an event to attend. With activities happening in the lobby before and after the performance, the audience is in for a real treat.

Maestro Brian Jackson is the Principal Pops conductor of the Victoria Symphony, the Kitchener Waterloo Symphony and Orchestra London Canada. At the age of 25, Jackson was the youngest Music Director in Canada (Peterborough Symphony) and since that time he has conducted all the major Canadian orchestras. He has also led orchestras in the UK, Europe, the United States and South America. Jackson has performed all major symphony and choral literature as well as being recognized as a champion of Canadian composers.

The Victoria Symphony is Vancouver Island’Äôs largest and most active arts organization offering its audiences high-quality concerts in seven diverse series, and a commitment to fostering new music and a dedication to community involvement through music education. More than 125,000 people hear the Symphony each year, including 10,000 schoolchildren. Showcasing the outstanding talents of its musicians and guest artists, the Victoria Symphony’Äôs 2009-2010 season offers a diverse and exciting line-up of over 50 concerts led by its vibrant Music Director Tania Miller.

Five By Design’Äôs signature harmonies, unforgettable melodies and swinging rhythms stand out on the American landscape. This nationally acclaimed vocal quintet has been the choice of symphony orchestras and performing art centres delighting hundreds of thousands, offering more than 60 performances each season nationally and internationally.

The Victoria Symphony wishes to acknowledge the generous support of Beltone Better Hearing Centre for these performances.

For complete programming details of the 2009-2010 season please visit www.victoriasymphony.ca.

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Le 11e festival d'automne Orgue et Couleurs dˆ©roulera du 25 sept

Le 11e FESTIVAL D’ÄôAUTOMNE ORGUE ET COULEURS, grand ˆ©vˆ©nement musical de l’Äôautomne, sous la nouvelle direction artistique et gˆ©nˆ©rale de Yves Garand, se dˆ©roulera du 25 septembre au 4 octobre 2009 dans Hochelaga-Maisonneuve, son quartier d’Äôorigine et dans d’Äôautres quartiers montrˆ©alais.

Le FESTIVAL D’ÄôAUTOMNE a pour porte-parole cette annˆ©e, Philippe Bˆ©langer, organiste titulaire de l’ÄôOratoire Saint-Joseph du Mont-Royal ˆÝ Montrˆ©al, qui ouvrira les festivitˆ©s par une improvisation ˆÝ l’Äôorgue sur la projection d’Äôun film inˆ©dit de Serge Gouin, puis sur les musiques du Bˆ©bert Orchestra avec l’ÄôEnsemble folklorique Mackinaw, le samedi 3 octobre. Et oui, d’Äôentrˆ©e de jeu, l’Äôorgue se fait son cinˆ©ma et swinguera mˆ�me sur des rythmes ¬´ trad ¬ª !

Au programme : vingt ˆ©vˆ©nements : un Prˆ©lude au Festival ; huit Concerts du soir ; un Grand concert choral avec 400 choristes - quatre ˆâvˆ©nements Apˆ©ro ; un lancement de disque ; cinq Rˆ©citals Midi et les Orgues ouvertes, rˆ©vˆ©leront le cˆ¥tˆ© classique, moderne et ludique de l'orgue, en solo ou avec d’Äôautres instruments, provoquant des rencontres originales, parfois inattendues, dans des formations intimistes, orchestrales et chorales.

113 Festival d’Äôautomne Orgue et couleurs’Ä®
vendredi 25 septembre au dimanche 4 octobre 2009, Montrˆ©al’Ä®’Ä®

ˆâglises Saint-Nom-de-Jˆ©sus, Trˆ®s-Saint-Rˆ©dempteur, Saint-Jean Baptiste, ’Ä®St. James United, Saint-Viateur, du Gesˆ¼,’Ä® Planˆ©tarium, Chic Resto Pop, Maison de l’Äôarbre, Auditorium Henry-Teuscher (Jardin botanique)’Ä®’Ä®

Prˆ©lude au Festival - 8 Concerts du soir - 1 Grand concert choral - 4 ˆâvˆ©nements Apˆ©ro - ’Ä®1 lancement de disque - 5 Rˆ©citals Midi - Orgues ouvertes ’Ä®’Ä®

Porte-parole : Philippe Bˆ©langer, ’Ä®organiste titulaire de l’ÄôOratoire Saint-Joseph du Mont-Royal’Ä®’Ä®

Renseignements : 514-899-0644 / www.orgueetcouleurs.com ’Ä®’Ä®

TOUJOURS ˆâTONNANT LE ROI DES INSTRUMENTS !
’Ä®
Montrˆ©al ’Äî ORGUE ET COULEURS, sous la nouvelle direction gˆ©nˆ©rale et artistique de Yves Garand, organiste titulaire de l’Äôˆ©glise Saints-Anges de Lachine, prˆ©sente la 11e ˆ©dition de son grand ˆ©vˆ©nement musical de l’Äôautomne, qui se dˆ©roulera du 25 septembre au 4 octobre 2009, dans Hochelaga-Maisonneuve, son quartier d’Äôorigine et dans d’Äôautres quartiers montrˆ©alais. ’Ä®

’Ä®Les ˆ©glises Saint-Nom-de-Jˆ©sus, Trˆ®s-Saint-Rˆ©dempteur, Saint-Viateur, Saint-Jean Baptiste, St. James United Church, du Gesˆ¼ nous feront dˆ©couvrir la variˆ©tˆ© et la richesse des esthˆ©tiques des orgues du Grand Montrˆ©al. Le Planˆ©tarium, le Chic Resto Pop, la Maison de l’Äôarbre, et l’ÄôAuditorium Henry-Teuscher (Jardin botanique) seront ˆ©galement les espaces hˆ¥tes de cette ˆ©dition. ’Ä®

’Ä®Le FESTIVAL D’ÄôAUTOMNE a pour porte-parole cette annˆ©e, Philippe Bˆ©langer, organiste titulaire de l’ÄôOratoire Saint-Joseph du Mont-Royal ˆÝ Montrˆ©al, qui ouvrira les festivitˆ©s par une improvisation ˆÝ l’Äôorgue sur la projection d’Äôun film inˆ©dit de Serge Gouin, puis sur les musiques du Bˆ©bert Orchestra avec l’ÄôEnsemble folklorique Mackinaw, le samedi 3 octobre. Et oui, d’Äôentrˆ©e de jeu, l’Äôorgue se fait son cinˆ©ma et swinguera mˆ�me sur des rythmes ¬´ trad ¬ª ! ’Ä® ’Ä®

En prˆ©lude au Festival, le samedi 19 septembre 2009 ˆÝ 20 h ˆÝ l’Äôˆ©glise Saint-Nom-de-Jˆ©sus, un concert sera donnˆ© par les musiciens de l’ÄôOrchestre Mˆ©tropolitain, avec Yannick Nˆ©zet-Sˆ©guin ˆÝ la direction et au clavecin qui interprˆ©teront trois chefs d’Äô‰ìuvre du rˆ©pertoire germanique.’Ä®’Ä®

Durant douze jours, vingt ˆ©vˆ©nements, diurnes et nocturnes accueilleront des artistes et ensembles de la scˆ®ne nationale :’Ä®’Ä®

Huit Concerts du soir ˆÝ 20 h rˆ©vˆ©leront le cˆ¥tˆ© classique, moderne et ludique de l'orgue, qui se fera complice d’Äôautres instruments, provoquant des rencontres originales, parfois inattendues, dans des formations intimistes, orchestrales et chorales.’Ä®Avec Philippe Bˆ©langer (orgue) et Serge Gouin (cinˆ©aste) ; Philippe Bournival (orgue), Sˆ©bastien Deshaies (guitare) et Franˆßois Toutant (violoncelle) en trio ; Denis Bonenfant (orgue) et ˆâric Thˆ©riault (tˆ©nor) en duo ; ˆâdith Beaulieu (orgue) en rˆ©cital ; l’ÄôOrchestre symphonique du Conservatoire de musique de Montrˆ©al, sous la direction de Raffi Armenian et Julie Desbordes, avec le violoniste soliste de 13 ans, Roman Fraser de Ruijter ; l’ÄôEnsemble vocal musica intima de Vancouver et l’Äôorganiste Philip Crozier ; Le Bˆ©bert Orchestra avec l’ÄôEnsemble folklorique Mackinaw et l’Äôorganiste Philippe Bˆ©langer, dans le cadre d’Äôun souper-concert ; l’ÄôEnsemble Masques et l’Äôorganiste Nicolas-Alexandre Marcotte.’Ä®’Ä®

Un Grand concert choral rˆ©unira dix chorales de diverses rˆ©gions du Quˆ©bec (plus de 400 choristes), sous la direction artistique de Jean-Pierre Guindon, avec l’Äôorganiste Dominique Lupien, le dimanche 4 octobre ˆÝ 14h ˆÝ l’Äôˆ©glise Saint-Nom-de-Jˆ©sus. En collaboration avec l’ÄôAlliance des chorales du Quˆ©bec, dans le cadre du Festival de musique sacrˆ©e.’Ä®’Ä®

Cinq Rˆ©citals Midi consacrˆ©s ˆÝ Mendelssohn, dont c’Äôest le 200e anniversaire de naissance, feront entendre des solistes sur cinq grandes tribunes d’Äôorgue. ’Ä®Avec les organistes Philip Crozier, Gisˆ®le Guibord, Isabelle Demers, Jacques Boucher, Hˆ©lˆ®ne Panneton et le baryton Vincent Ranallo. ’Ä®’Ä®

Quatre ˆâvˆ©nements Apˆ©ro proposeront ˆÝ 17 h 30, des concerts intimes de musique de chambre avec orgue, voix, piano, flˆªte, guitare et violoncelles, suivis d’Äôune rencontre avec les artistes, agrˆ©mentˆ©e d’Äôun verre de vin. ’Ä®Avec l’Äôorganiste Denis Gagnˆ© et la soprano Stˆ©phanie Pothier, le duo de flˆªte et guitare Similia, le quatuor de violoncelles Ponticello, et le pianiste Yaple-Shobert. ’Ä®’Ä®

Un lancement de disque et d’Äôun vidˆ©oclip du quintette de cuivres BUZZ, avec l’Äôorganiste Mˆ©lanie Barney, dans une version personnalisˆ©e de la suite symphonique de Gustav Holst, Les Planˆ®tes, qui dˆ©peint le tempˆ©rament astrologique de sept planˆ®tes du systˆ®me solaire. [Son et images, 28 septembre, 17 h, Dˆ¥me du Planˆ©tarium, entrˆ©e libre]

’Ä®’Ä®Orgues ouvertes, un 9e rendez-vous privilˆ©giˆ© avec le Roi des instruments, prˆ©sentˆ© dans plus de trente ˆ©glises ˆÝ Montrˆ©al et au Quˆ©bec lors des Journˆ©es de la culture 2009, le dimanche 27 septembre 2009 entre midi et 17 h.’Ä® ’Ä®

INFO & BILLETTERIE’Ä®Renseignements : 514-899-0644 / www.orgueetcouleurs.com ’Ä®

Concerts du soir, 25$ & 20$ (aˆÆnˆ©, ˆ©tudiant) ’Ä¢ Grand concert Choral, [20$ en prˆ©-vente & 22$ ˆÝ la porte] ’Ä¢ Souper-Concert, 45$, 25$ (rˆ©gulier), 20$ (aˆÆnˆ©, ˆ©tudiant) ’Ä¢ ˆâvˆ©nements Apˆ©ro, 15$ & 12$ (aˆÆnˆ©, ˆ©tudiant) ’Ä¢ Rˆ©citals Midi et Lancement de disque, entrˆ©e libre ’Ä®Prˆ©-vente - Orgue et Couleurs : 514-899-0644 ’Ä¢ Centre Pierre Charbonneau, 3000, Viau : 514-255-4222 ’Ä¢’Ä®La Vitrine, 145, rue Sainte-Catherine Ouest : 514 285-4545 & 1-866-924-5538 - http://info.lavitrine.com’Ä®
Billets ˆ©galement en vente ˆÝ la porte, une heure avant le dˆ©but de chaque concert.’Ä® ’Ä®

LIEUX DE DIFFUSION’Ä®
ˆâglise Saint-Nom-de-Jˆ©sus : 4215, Adam (mˆ©tro Pie-IX, bus 139 Sud) ’Ä®
ˆâglise Trˆ®s-Saint-Rˆ©dempteur : 3530, Adam (mˆ©tro Joliette ou Papineau, bus 34 Est) ’Ä®
ˆâglise du Gesˆ¼ : 1200, rue de Bleury (mˆ©tro Place-des-Arts)
’Ä®ˆâglise Saint Viateur d’ÄôOutremont : 1175, rue Laurier Ouest (mˆ©tro Laurier)
’Ä®ˆâglise St-James United : 463,rue Sainte-Catherine Ouest (mˆ©tro McGill)
’Ä®ˆâglise Saint-Jean Baptiste : 309, rue Rachel (mˆ©tro Mont-Royal) ’Ä®
Maison de l’Äôarbre (Jardin botanique) : 4500, boulevard Rosemont (mˆ©tro Viau)’Ä®
Auditorium Henry-Teuscher (Jardin botanique) : 4101, rue Sherbrooke Est (mˆ©tro Viau)’Ä®
Chic Resto Pop : 3900, rue Adam (mˆ©tro Pie IX)’Ä®
Planˆ©tarium de Montrˆ©al : 1000, rue Saint-Jacques Ouest (Mˆ©tro Bonaventure)’Ä® ’Ä®

Le FESTIVAL D’ÄôAUTOMNE ORGUE ET COULEURS est nˆ© il y a onze ans dans le quartier Hochelaga-Maisonneuve, dans la foulˆ©e de la restauration du grand orgue Casavant de l’Äôˆ©glise Saint-Nom-de-Jˆ©sus, pour mettre en valeur ce magnifique instrument aux 6200 tuyaux et faire connaˆÆtre davantage le rˆ©pertoire diversifiˆ© et la polyvalence de l’Äôorgue ˆÝ un plus large public.

’Ä®’Ä®ORGUE ET COULEURS bˆ©nˆ©ficie du soutien et de la collaboration de plusieurs partenaires dont la Corporation de dˆ©veloppement de l’ÄôEst, le ministˆ®re du Patrimoine canadien, le Conseil des arts et des lettres du Quˆ©bec, le Conseil des arts de Montrˆ©al, le Bureau des festivals de la ville de Montrˆ©al, Rodgers, une division de Roland Canada, La Presse, Radio classique CJPX, Pianos Andrˆ© Bolduc et la Vitrine.

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Symphony Nova Scotia presents free concerts in Symphony Week

Halifax, NS ’Äì Symphony Nova Scotia presents a series of free concerts in its second annual Symphony Week, running Tuesday, September 22 to Sunday, September 27.

The full week of festivities will feature Symphony Nova Scotia musicians giving free, live performances at venues like City Hall, the Spring Garden Road Library, Scotia Square Mall, Citadel High, and the Maritime Museum. Performances will include everything from children’Äôs music to orchestral concerts featuring the entire Symphony.

’ÄúWe’Äôre delighted to kick off our 26th season with Symphony Week,’Äù says Symphony Nova Scotia CEO Erika Beatty. ’ÄúIt’Äôs a great way to celebrate our upcoming concert season and give audiences a chance to sample some of the music they’Äôll be hearing. The way Nova Scotians support their musical community is one of the reasons why this is the best place to live in Canada ’Äì Symphony Week is also a celebration of the creative spirit of all the artists and residents of our community.’Äù

Symphony Week is generously supported by the Halifax Regional Municipality’Äôs Special Events Grant.

Symphony Week schedule of events:

Tuesday, September 22, 2009, 12:00 pm, Halifax Regional Library, Spring Garden Road
Library Players' Classical Hits: Mozart and Friends
Bring your lunch and join host Max Kasper and his fellow musicians from Symphony Nova Scotia as the orchestra kicks off its Symphony Week! Come hear music and hilarious stories about your favourite composers in a relaxed and informal setting.

Wednesday, September 23, 2009, 3:00 pm, City Hall
Symphony at City Hall
Symphony Nova Scotia’Äôs full orchestra performs live at City Hall! Featuring excerpts from some of the greatest classical works ever written, including Beethoven’Äôs Eighth, Dvorak’Äôs Czech Suite, and Mendelssohn’Äôs A Midsummer Night’Äôs Dream.

Thursday, September 24, 2009, 2:00 pm, Citadel High School
School Concert
The full orchestra performs for an audience of young music lovers at Citadel High. For students only, please.

Friday, September 25, 2009, noon, Scotia Square Mall
Rhapsody While You Shop
Halifax’Äôs Rhapsody Quintet, featuring members of Symphony Nova Scotia, plays your light classics and jazz favourites at Scotia Square.

Friday, September 25, 2009, 1:30 pm, Park Lane Theatre 8
Atlantic Film Festival Emerging Composer Screening
Symphony Nova Scotia teams up with emerging film composers to perform and record original compositions in this innovative workshop screening. Open to registered Film Festival delegates. (For details, contact Alyson Sanders at alysons@atlanticfilm.com or 902.420.4577.)

Saturday, September 26, 2009, 10:30 am, Discovery Centre
Discover the Symphony!
A Symphony Nova Scotia wind quintet plays for all ages at Halifax’Äôs Discovery Centre ’Äì featuring an interactive, entertaining program and a musical instrument petting zoo!

Saturday, September 26, 2009, 2:30 pm, Maritime Museum of the Atlantic
26th Season Preview
Hear the full orchestra live on the waterfront at the Maritime Museum of the Atlantic in this preview of Symphony Nova Scotia’Äôs 26th anniversary season. Featuring special guest bagpiper Alex Marriott, a student at Oxford School in Halifax.

Sunday, September 27, 2009, 11:00 am, Cunard Centre
Words and Music
A Symphony Nova Scotia small group, featuring newly published author and violist Binnie Brennan, brings the joy of music to Word on the Street, Nova Scotia’Äôs largest book festival.


About Symphony Nova Scotia

’Ä®Symphony Nova Scotia is Nova Scotia’Äôs orchestra. Each year more than 50,000 audience members (including 15,000 young music lovers) join us in communities across Nova Scotia for performances of the music they love ’Äì from baroque and classical to pop and rock and folk. Under the inspirational leadership of Music Director Bernhard Gueller, Symphony Nova Scotia is recognized as one of the finest orchestras in the country. Visit www.SymphonyNovaScotia.ca to learn more, listen online, or subscribe today!

Symphony Nova Scotia is grateful to the Canada Council for the Arts, Nova Scotia Tourism, Culture, and Heritage, and the Halifax Regional Municipality for their continued support.

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Le 11e festival d'automne Orgue et Couleurs dˆ©roulera du 25 sept

Le 11e FESTIVAL D’ÄôAUTOMNE ORGUE ET COULEURS, grand ˆ©vˆ©nement musical de l’Äôautomne, sous la nouvelle direction artistique et gˆ©nˆ©rale de Yves Garand, se dˆ©roulera du 25 septembre au 4 octobre 2009 dans Hochelaga-Maisonneuve, son quartier d’Äôorigine et dans d’Äôautres quartiers montrˆ©alais.

Le FESTIVAL D’ÄôAUTOMNE a pour porte-parole cette annˆ©e, Philippe Bˆ©langer, organiste titulaire de l’ÄôOratoire Saint-Joseph du Mont-Royal ˆÝ Montrˆ©al, qui ouvrira les festivitˆ©s par une improvisation ˆÝ l’Äôorgue sur la projection d’Äôun film inˆ©dit de Serge Gouin, puis sur les musiques du Bˆ©bert Orchestra avec l’ÄôEnsemble folklorique Mackinaw, le samedi 3 octobre. Et oui, d’Äôentrˆ©e de jeu, l’Äôorgue se fait son cinˆ©ma et swinguera mˆ�me sur des rythmes ¬´ trad ¬ª !

Au programme : vingt ˆ©vˆ©nements : un Prˆ©lude au Festival ; huit Concerts du soir ; un Grand concert choral avec 400 choristes - quatre ˆâvˆ©nements Apˆ©ro ; un lancement de disque ; cinq Rˆ©citals Midi et les Orgues ouvertes, rˆ©vˆ©leront le cˆ¥tˆ© classique, moderne et ludique de l'orgue, en solo ou avec d’Äôautres instruments, provoquant des rencontres originales, parfois inattendues, dans des formations intimistes, orchestrales et chorales.

Ci-dessous le communiquˆ© et en piˆ®ce jointe le dˆ©tail de la programmation de chaque concert.
N’Äôhˆ©sitez pas ˆÝ me contacter pour obtenir plus d’Äôinformation sur cette ˆ©dition ou pour des entrevues avec les artistes.
Belle journˆ©e, MARIE MARAIS, attachˆ©e de presse
514-845-2821 / marais@cooptel.qc.ca

Communiquˆ©s, photos haute rˆ©solution : www.orgueetcouleurs.com, section mˆ©dia
COMMUNIQUˆâ ’Äì POUR DIFFUSION IMMˆâDIATE’Ä®’Ä®’Ä®11e Festival d’Äôautomne Orgue et couleurs’Ä®vendredi 25 septembre au dimanche 4 octobre 2009, Montrˆ©al’Ä®’Ä®ˆâglises Saint-Nom-de-Jˆ©sus, Trˆ®s-Saint-Rˆ©dempteur, Saint-Jean Baptiste, ’Ä®St. James United, Saint-Viateur, du Gesˆ¼,’Ä® Planˆ©tarium, Chic Resto Pop, Maison de l’Äôarbre, Auditorium Henry-Teuscher (Jardin botanique)’Ä®’Ä®Prˆ©lude au Festival - 8 Concerts du soir - 1 Grand concert choral - 4 ˆâvˆ©nements Apˆ©ro - ’Ä®1 lancement de disque - 5 Rˆ©citals Midi - Orgues ouvertes ’Ä®’Ä®Porte-parole : Philippe Bˆ©langer, ’Ä®organiste titulaire de l’ÄôOratoire Saint-Joseph du Mont-Royal’Ä®’Ä®Renseignements : 514-899-0644 / www.orgueetcouleurs.com ’Ä®’Ä®TOUJOURS ˆâTONNANT LE ROI DES INSTRUMENTS !
’Ä®Montrˆ©al, mercredi 9 septembre 2009 ’Äî ORGUE ET COULEURS, sous la nouvelle direction gˆ©nˆ©rale et artistique de Yves Garand, organiste titulaire de l’Äôˆ©glise Saints-Anges de Lachine, prˆ©sente la 11e ˆ©dition de son grand ˆ©vˆ©nement musical de l’Äôautomne, qui se dˆ©roulera du 25 septembre au 4 octobre 2009, dans Hochelaga-Maisonneuve, son quartier d’Äôorigine et dans d’Äôautres quartiers montrˆ©alais. ’Ä® ’Ä®Les ˆ©glises Saint-Nom-de-Jˆ©sus, Trˆ®s-Saint-Rˆ©dempteur, Saint-Viateur, Saint-Jean Baptiste, St. James United Church, du Gesˆ¼ nous feront dˆ©couvrir la variˆ©tˆ© et la richesse des esthˆ©tiques des orgues du Grand Montrˆ©al. Le Planˆ©tarium, le Chic Resto Pop, la Maison de l’Äôarbre, et l’ÄôAuditorium Henry-Teuscher (Jardin botanique) seront ˆ©galement les espaces hˆ¥tes de cette ˆ©dition. ’Ä® ’Ä®Le FESTIVAL D’ÄôAUTOMNE a pour porte-parole cette annˆ©e, Philippe Bˆ©langer, organiste titulaire de l’ÄôOratoire Saint-Joseph du Mont-Royal ˆÝ Montrˆ©al, qui ouvrira les festivitˆ©s par une improvisation ˆÝ l’Äôorgue sur la projection d’Äôun film inˆ©dit de Serge Gouin, puis sur les musiques du Bˆ©bert Orchestra avec l’ÄôEnsemble folklorique Mackinaw, le samedi 3 octobre. Et oui, d’Äôentrˆ©e de jeu, l’Äôorgue se fait son cinˆ©ma et swinguera mˆ�me sur des rythmes ¬´ trad ¬ª ! ’Ä® ’Ä®En prˆ©lude au Festival, le samedi 19 septembre 2009 ˆÝ 20 h ˆÝ l’Äôˆ©glise Saint-Nom-de-Jˆ©sus, un concert sera donnˆ© par les musiciens de l’ÄôOrchestre Mˆ©tropolitain, avec Yannick Nˆ©zet-Sˆ©guin ˆÝ la direction et au clavecin qui interprˆ©teront trois chefs d’Äô‰ìuvre du rˆ©pertoire germanique.’Ä®’Ä®Durant douze jours, vingt ˆ©vˆ©nements, diurnes et nocturnes accueilleront des artistes et ensembles de la scˆ®ne nationale :’Ä®’Ä®Huit Concerts du soir ˆÝ 20 h rˆ©vˆ©leront le cˆ¥tˆ© classique, moderne et ludique de l'orgue, qui se fera complice d’Äôautres instruments, provoquant des rencontres originales, parfois inattendues, dans des formations intimistes, orchestrales et chorales.’Ä®Avec Philippe Bˆ©langer (orgue) et Serge Gouin (cinˆ©aste) ; Philippe Bournival (orgue), Sˆ©bastien Deshaies (guitare) et Franˆßois Toutant (violoncelle) en trio ; Denis Bonenfant (orgue) et ˆâric Thˆ©riault (tˆ©nor) en duo ; ˆâdith Beaulieu (orgue) en rˆ©cital ; l’ÄôOrchestre symphonique du Conservatoire de musique de Montrˆ©al, sous la direction de Raffi Armenian et Julie Desbordes, avec le violoniste soliste de 13 ans, Roman Fraser de Ruijter ; l’ÄôEnsemble vocal musica intima de Vancouver et l’Äôorganiste Philip Crozier ; Le Bˆ©bert Orchestra avec l’ÄôEnsemble folklorique Mackinaw et l’Äôorganiste Philippe Bˆ©langer, dans le cadre d’Äôun souper-concert ; l’ÄôEnsemble Masques et l’Äôorganiste Nicolas-Alexandre Marcotte.’Ä®’Ä®Un Grand concert choral rˆ©unira dix chorales de diverses rˆ©gions du Quˆ©bec (plus de 400 choristes), sous la direction artistique de Jean-Pierre Guindon, avec l’Äôorganiste Dominique Lupien, le dimanche 4 octobre ˆÝ 14h ˆÝ l’Äôˆ©glise Saint-Nom-de-Jˆ©sus. En collaboration avec l’ÄôAlliance des chorales du Quˆ©bec, dans le cadre du Festival de musique sacrˆ©e.’Ä®’Ä®Cinq Rˆ©citals Midi consacrˆ©s ˆÝ Mendelssohn, dont c’Äôest le 200e anniversaire de naissance, feront entendre des solistes sur cinq grandes tribunes d’Äôorgue. ’Ä®Avec les organistes Philip Crozier, Gisˆ®le Guibord, Isabelle Demers, Jacques Boucher, Hˆ©lˆ®ne Panneton et le baryton Vincent Ranallo. ’Ä®’Ä®Quatre ˆâvˆ©nements Apˆ©ro proposeront ˆÝ 17 h 30, des concerts intimes de musique de chambre avec orgue, voix, piano, flˆªte, guitare et violoncelles, suivis d’Äôune rencontre avec les artistes, agrˆ©mentˆ©e d’Äôun verre de vin. ’Ä®Avec l’Äôorganiste Denis Gagnˆ© et la soprano Stˆ©phanie Pothier, le duo de flˆªte et guitare Similia, le quatuor de violoncelles Ponticello, et le pianiste Yaple-Shobert. ’Ä®’Ä®Un lancement de disque et d’Äôun vidˆ©oclip du quintette de cuivres BUZZ, avec l’Äôorganiste Mˆ©lanie Barney, dans une version personnalisˆ©e de la suite symphonique de Gustav Holst, Les Planˆ®tes, qui dˆ©peint le tempˆ©rament astrologique de sept planˆ®tes du systˆ®me solaire. [Son et images, 28 septembre, 17 h, Dˆ¥me du Planˆ©tarium, entrˆ©e libre] ’Ä®’Ä®Orgues ouvertes, un 9e rendez-vous privilˆ©giˆ© avec le Roi des instruments, prˆ©sentˆ© dans plus de trente ˆ©glises ˆÝ Montrˆ©al et au Quˆ©bec lors des Journˆ©es de la culture 2009, le dimanche 27 septembre 2009 entre midi et 17 h.’Ä® ’Ä®INFO & BILLETTERIE’Ä®Renseignements : 514-899-0644 / www.orgueetcouleurs.com ’Ä®Concerts du soir, 25$ & 20$ (aˆÆnˆ©, ˆ©tudiant) ’Ä¢ Grand concert Choral, [20$ en prˆ©-vente & 22$ ˆÝ la porte] ’Ä¢ Souper-Concert, 45$, 25$ (rˆ©gulier), 20$ (aˆÆnˆ©, ˆ©tudiant) ’Ä¢ ˆâvˆ©nements Apˆ©ro, 15$ & 12$ (aˆÆnˆ©, ˆ©tudiant) ’Ä¢ Rˆ©citals Midi et Lancement de disque, entrˆ©e libre ’Ä®Prˆ©-vente - Orgue et Couleurs : 514-899-0644 ’Ä¢ Centre Pierre Charbonneau, 3000, Viau : 514-255-4222 ’Ä¢’Ä®La Vitrine, 145, rue Sainte-Catherine Ouest : 514 285-4545 & 1-866-924-5538 - http://info.lavitrine.com’Ä®Billets ˆ©galement en vente ˆÝ la porte, une heure avant le dˆ©but de chaque concert.’Ä® ’Ä®LIEUX DE DIFFUSION’Ä®ˆâglise Saint-Nom-de-Jˆ©sus : 4215, Adam (mˆ©tro Pie-IX, bus 139 Sud) ’Ä®ˆâglise Trˆ®s-Saint-Rˆ©dempteur : 3530, Adam (mˆ©tro Joliette ou Papineau, bus 34 Est) ’Ä®ˆâglise du Gesˆ¼ : 1200, rue de Bleury (mˆ©tro Place-des-Arts) ’Ä®ˆâglise Saint Viateur d’ÄôOutremont : 1175, rue Laurier Ouest (mˆ©tro Laurier)’Ä®ˆâglise St-James United : 463,rue Sainte-Catherine Ouest (mˆ©tro McGill)’Ä®ˆâglise Saint-Jean Baptiste : 309, rue Rachel (mˆ©tro Mont-Royal) ’Ä®Maison de l’Äôarbre (Jardin botanique) : 4500, boulevard Rosemont (mˆ©tro Viau)’Ä®Auditorium Henry-Teuscher (Jardin botanique) : 4101, rue Sherbrooke Est (mˆ©tro Viau)’Ä®Chic Resto Pop : 3900, rue Adam (mˆ©tro Pie IX)’Ä®Planˆ©tarium de Montrˆ©al : 1000, rue Saint-Jacques Ouest (Mˆ©tro Bonaventure)’Ä® ’Ä®Le FESTIVAL D’ÄôAUTOMNE ORGUE ET COULEURS est nˆ© il y a onze ans dans le quartier Hochelaga-Maisonneuve, dans la foulˆ©e de la restauration du grand orgue Casavant de l’Äôˆ©glise Saint-Nom-de-Jˆ©sus, pour mettre en valeur ce magnifique instrument aux 6200 tuyaux et faire connaˆÆtre davantage le rˆ©pertoire diversifiˆ© et la polyvalence de l’Äôorgue ˆÝ un plus large public. ’Ä®’Ä®ORGUE ET COULEURS bˆ©nˆ©ficie du soutien et de la collaboration de plusieurs partenaires dont la Corporation de dˆ©veloppement de l’ÄôEst, le ministˆ®re du Patrimoine canadien, le Conseil des arts et des lettres du Quˆ©bec, le Conseil des arts de Montrˆ©al, le Bureau des festivals de la ville de Montrˆ©al, Rodgers, une division de Roland Canada, La Presse, Radio classique CJPX, Pianos Andrˆ© Bolduc et la Vitrine.

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The ESO's performance season opens with momentous music from film - Sept. 18 & 19

Classic Landmarks Masters
Momentous music from the world of film marks
the beginning of the 2009-2010 ESO performance season

The Red Violin
Friday, September 18th ’Äì 7:30 pm
Saturday, September 19th ’Äì 8:00 pm


Edmonton, AB ’Ķ Your Edmonton Symphony Orchestra (ESO) opens the 2009-2010 performance season with film scores adapted into concert music by distinguished composers. ESO Music Director William Eddins begins his 5th season leading the orchestra through pieces rich in complex emotions and vivid landscapes. Special guests George Gao, Martin Riseley, Sara Davis Buechner, and Jeremy Spurgeon join your ESO on stage at the Francis Winspear Centre for Music.


In this Classic Landmarks Masters series opener, Tan Dun’Äôs Crouching Tiger Concerto features one of the most innovative, exciting, and respected musical talents in the world today. Erhu master George Gao creates passionate sounds, exploiting the instrument’Äôs expressive range in this Oscar-winning score.


Martin Riseley, currently on a one-year leave of absence as ESO Concertmaster, returns to the Winspear stage as guest soloist in John Corigliano’Äôs Red Violin Chaconne. Derived from music of the Canadian film, The Red Violin - which received the 1999 Academy Award for Best Original Score ’Äì Riseley exposes the anger, betrayal, love, and sacrifice the violin brought to its owners as the history of the instrument unfolds in the film.


Gershwin’Äôs Second Rhapsody, also original film music from the 1931 film Delicious, offers an intensely integrated and compelling piano persona that pianist Sara Davis Buechner tackles with ease. The stunning Davis Concert Organ is showcased in the Canadian premiere of Howard Shore’Äôs new Fanfare for Organ and Brass, performed by organist Jeremy Spurgeon.


Following Friday's performance, join us for Afterthoughts, an informal discussion in the Main Lobby with Bill Eddins, Martin Riseley, George Gao and Sara Davis Buechner. Learn more about the performance on Saturday at Symphony Prelude ’Äì 7:15 pm in the Upper Circle (Third Level) Lobby.


Ticket prices for this performance range from $20 ’Äì $69 (agency fees apply). Student and senior $20 rush tickets are on sale, subject to availability, two hours prior to performance time. Tickets are available through the Winspear Centre Box Office at (780) 428-1414 or online at edmontonsymphony.com.


The next performance of the Classic Landmarks Masters series takes place on Saturday, October 3rd, with acclaimed American cellist Julie Albers, Bill Eddins, and your ESO in Brahms’Äô 2nd Symphony.


The Edmonton Symphony Orchestra, marking its 58th season in 2009-2010, has taken its place as one of Canada's foremost orchestral ensembles. Its current roster includes 56 musicians from Canada and around the world, performing a wide-ranging repertoire from the great classical masterworks to pops and children's concerts. The presence of the orchestra and its enrichment of the community's quality of life are key elements in the stature and profile of Edmonton on the national and international scene.

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Leon Fleisher : Un pianiste lˆ©gendaire

Montrˆ©al ’Äî C'est au lˆ©gendaire pianiste amˆ©ricain Leon Fleisher que eXcentris a demandˆ© d'inaugurer le volet classique avec ce premier Grand Concert Steinway. Accompagnˆ© de ses amis, les musiciens Michael Tree, Matt Haimovitz, Katherine Jacobson, Andy Simionescu, John Zirbel, Pam Frank, Dominic Painchaud et Young Hi Moon, Fleisher nous a orchestrˆ© deux soirˆ©es mˆ©morables de musique de chambre, en solo sur son cˆ©lˆ®bre piano Chavy Chase, et ˆÝ quatre mains. Des ‰ìuvres de Schumann, Bach, Dvorak et une interprˆ©tation du Quintette pour piano en F mineur de Brahms sont au programme.

Nˆ© en 1928, Leon Fleisher commence le piano ˆÝ 4 ans, et devient un des plus jeunes virtuoses ˆÝ bˆ©nˆ©ficier de l'enseignement d'Arthur Schnabel. Rapidement, il gagne une renommˆ©e internationale. ˆÄ 37 ans, un accident neurologique le prive de la mobilitˆ© de deux doigts de sa main droite. Il entreprend alors les carriˆ®res de chef d'orchestre et d'enseignant, tout en dˆ©veloppant un rˆ©pertoire pour main gauche. En 2004, un traitement expˆ©rimental lui permet de recouvrer l'usage de ses doigts et d'enregistrer Two Hands, un album hautement acclamˆ© qui fera l'objet d'un film documentaire nommˆ© aux Oscar en 2006. En 2007, il reˆßoit le prix Kennedy Center Honors, qui confirme une carriˆ®re des plus grandioses, et ce, malgrˆ© l'adversitˆ©. Son programme pour 2009-2010 est particuliˆ®rement chargˆ©; il sera entendu aux quatre coins de la planˆ®te en plus de poursuivre des engagements ˆÝ titre d'enseignant, la transmission de son savoir ˆ©tant chˆ®re ˆÝ ses yeux.

Les 25 et 26 septembre 2009, ˆÝ 19 h, dans notre toute nouvelle salle Cassavetes.

Le 26 septembre 2009, ˆÝ midi, projection du documentaire Two Hands : The Leon Fleisher Story, en prˆ©sence de l'artiste. Une conversation avec Leon Fleisher suivra la projection du film.

Ce spectacle est une prˆ©sentation de Yamaha Canada.

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Le Meilleur de la Musique du Monde

Les Productions Nuits d'Afrique ˆÝ l'annˆ©e prˆ©sentent
Rythmes au fˆ©minin

Une sˆ©rie de spectacles qui s'ˆ©mancipe et s'impose ’Ķ.

Montrˆ©al - Elles ont pris d'assaut le Club Balattou et sont lˆÝ pour rester ! La dˆ©sormais incontournable sˆ©rie de spectacles ¬´ RYTHMES AU FˆâMININ ¬ª, dans le cadre des Nuits d'Afrique’ĶDes spectacles TOUTE l'annˆ©e, tous les jeudi soirs, dans l'antre de la musique du monde ˆÝ Montrˆ©al, entame sa deuxiˆ®me annˆ©e de programmation.

Mettant en vedette des musiciennes de renom, d'ici, d'ailleurs, cette sˆ©rie de concerts se veut avant tout un hommage ˆÝ la crˆ©ation au fˆ©minin, ˆÝ toutes ces femmes dont le talent, le courage et la persˆ©vˆ©rance leur ont permis de conquˆ©rir une multitude de publics ˆÝ travers le monde.

Tout au long de sa premiˆ®re annˆ©e de programmation, ¬´RYTHMES AU FˆâMININ¬ª a permis aux spectateurs prˆ©sents d'apprˆ©cier des dˆ©couvertes exceptionnelles et jusque lˆÝ insoupˆßonnˆ©es. La richesse de l'ˆ©ventail de genres musicaux explorˆ©s, ainsi que le bouche ˆÝ oreille effectuˆ© par le public, sˆ©duit par ces amazones urbaines de grand talent, font que ces soirˆ©es au fˆ©minin sont trˆ®s courues aussi bien par les artistes que par l'auditoire montrˆ©alais.

Quelques coups de c‰ìur de la programmation 2008-2009 : Doriane , anciennement du duo DobaCaracol, a prˆ©sentˆ© en primeur quelques chansons que l'on pourra retrouver sur son premier album solo lancˆ© sous peu; Empress Deeqa (Somalie) et Joanne Griffith (Antilles) qui suite ˆÝ leur fascinante prestation respective au Club Balattou ont ˆ©tˆ© rˆ©unies sur la grande scˆ®ne extˆ©rieure de la 23iˆ®me ˆ©dition du Festival International Nuits d'Afrique; Tapa Diarra, la griotte Malienne qui a envoˆªtˆ© le public captif de sa voix puissante et nuancˆ©e; Queen Ka (Tunisie) une des rares femmes artistes ˆÝ oser le Slam; Christine Attalah, la reine de la Pop libanaise’Ķ..

A VENIR, tous les jeudi :

10 septembre : Maloukai, une formation exclusivement fˆ©minine de 7 percussionnistes s'inspirant de rythmes provenant de divers pays d'Amˆ©rique Latine, Brˆ©sil et d'Uruguay.

17 septembre : Cˆ©cile Doo Kinguˆ© (Cameroun), nˆ©e ˆÝ New York de parents camerounais, ˆ©duquˆ©e dans le systˆ®me franˆßais, cette virtuose guitariste est un amalgame culturel on ne peut plus original, sous le signe de la versatilitˆ©. A surveiller la sortie prochaine de son premier album solo.

8 octobre : Laeticia ZonZambˆ© (Centrafrique), une voix chaude et puissante, un talent d'ˆ©criture et une ˆ©nergie communicative. Sa formation se veut porteuse d'une nouvelle vision de la musique centrafricaine, une rencontre entre tradition et modernitˆ©.

15 octobre : Erta (Cameroun), auteure-compositeure-interprˆ®te et semi-finaliste au Festival de la Chanson de Granby 2009. A surveiller!

29 octobre : BAL TOULOULOU, un party d'Halloween revisitˆ©, un bal masquˆ© au cours duquel seules les femmes ont le droit d'inviter ces messieurs ˆÝ danser’Ķ..

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Le 15e Festival international de la littˆ©rature (FIL), prend son envol ce vendredi 18 septembre ˆÝ l’ÄôUsine C avec La fˆ�te ˆÝ Boris !

Les mots sont et seront ˆÝ l’Äôhonneur tout au long du mois. Du 18 au 27 septembre, le Festival international de la littˆ©rature battra son plein dans plusieurs salles de la ville.

Qu’Äôelle soit d’Äôici ou d’Äôailleurs, d’Äôhier ou d’Äôaujourd’Äôhui, la littˆ©rature empruntera ˆÝ cette occasion mille et un chemins pour nous ˆ©tonner, nous ˆ©mouvoir ou nous charmer. Et ce, grˆ¢ce ˆÝ de formidables artistes de toutes disciplines. Lors de ces dix jours, on pourra voir et entendre les Alex Beaupain, Cˆ©line Bonnier, Chrystine Brouillet, Jean-Franˆßois Casabonne, Maxime Denommˆ©e, Urbain Desbois, Mireille Deyglun, Phillipe Djian, Sylvie Drapeau, Stephan Eicher, Sophie et Franˆßoise Faucher, Pierre Flynn, Marie-Thˆ©rˆ®se Fortin, Monique Giroux, James Hyndman, Ivy, Catherine Lalonde, Martin Lˆ©on, Les 7 doigts de la main, Jean Marchand, Ariane Moffatt, Yann Perreau, Danielle Proulx, ˆâmile Proulx-Cloutier, Sˆ©bastien Ricard, Gilles Vigneault et bien d’Äôautres.

Avec eux, les mots seront lus, discutˆ©s, mis en scˆ®ne, jouˆ©s, chantˆ©s ou mˆ�me dansˆ©s ! Ce sera la fˆ�te! Alors, du vendredi 18 au dimanche 27 septembre, joignez-vous ˆÝ eux, suivez-les, suivez le FIL.



Tous les dˆ©tails au www.festival-fil.qc.ca

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Parisian Laundry est fiˆ®re de prˆ©senter ’ÄúPostˆ©ritˆ© ’Äì Posterity’Äù

English follows.


Montrˆ©al ’Äì PARISIAN LAUNDRY est fiˆ®re de prˆ©senter ’ÄúPostˆ©ritˆ© ’Äì Posterity’Äù, la premiˆ®re et tant attendue exposition solo de notre trio d’Äôartistes quˆ©bˆ©cois BGL, su 26 septembre au 21 novembre 2009.



L’ÄôATTITUDE PARISIAN LAUNDRY BGL


Nous nous ˆ©tions donnˆ© rendez-vous dans une de ces grandes stations pˆ©troliˆ®res qui accueillent un comptoir ˆÝ cafˆ©, approvisionnˆ© la voiture en musique, en essence’Ķ Une enfant de 10 ans nous accompagnait dans cette rˆ©gion situˆ©e sur la Rive-Sud de Quˆ©bec qu’Äôon appelle La Beauce, une campagne magnifique et dense, modestement peuplˆ©e, plus prˆ®s de la ville de Quˆ©bec que de Montrˆ©al.


Nous avons roulˆ© pendant presque 4 heures, nous nous sommes perdues dans toutes les Rue Principale de tous les villages qui portaient des noms comme Saint-Jacques-de-Leeds et Sainte-Agathe-de-Lobtiniˆ®re. Nous nous sommes tellement, tellement perdues, et nous avions seulement quelques gorgˆ©es d’Äôeau de source et une poignˆ©e d’Äôarachides au vinaigre pour nous garder en vie (bon d’Äôaccord, j’Äôexagˆ®re). Nous avons aussi blaguˆ© au sujet de paysages qui ressemblaient ˆ©trangement ˆÝ des ‰ìuvres d’ÄôEd Burtynsky, et la tradition de la peinture de paysage’Ķ Nous avons roulˆ© ainsi, ˆÝ travers ce no man’Äôs land, jusqu’ÄôˆÝ ce que nous trouvions enfin le Rang Saint-Jean dans le village de Saint-Sylvestre. Nous sommes arrivˆ©es en ˆ©coutant la musique de MIA dans le tapis, en chantant et en prenant des poses hyper urbaines et caricaturales. Nous avons trouvˆ© le trio quˆ©bˆ©cois BGL ˆÝ l’Äôouvrage. Ils s’Äôaffairaient ˆÝ tremper des squelettes de sapins dans une peinture d’Äôun vert hyper vif, saturant la couleur naturelle de l’Äôarbre par celle artificielle de leur choix.


Sˆ©bastien Giguˆ®re a achetˆ© la maison il ya quelques annˆ©es. La cave en pierre, creusˆ©e ˆÝ la pelle tˆ©moigne de l’Äôhistoire du bˆ¢timent construite ˆÝ la fin du XIXe siˆ®cle, de la rudesse de la terre, de la neige et de la solitude.


Aprˆ®s la visite de l’Äôatelier, nous avons dˆ©gustˆ© un lunch typique au casse-croˆªte du village d’ÄôˆÝ cˆ¥tˆ©: le classique cheeseburger, une poutine qui aurait pu nourrir une famille de 8 personnes au complet’Ķ BGL a mangˆ© ˆÝ la hˆ¢te, des nuages denses apparaissaient ˆÝ l’Äôhorizon derriˆ®re les montagnes: ils devaient retourner rapidement ˆÝ l’Äôatelier pour ranger les arbres peints ˆÝ l’Äôabri dans la grange. Parisian Laundry voue toute sa programmation de l’Äôautomne 2009 ˆÝ une ‰ìuvre majeure de BGL qui prˆ©sentera un nouvel environnement immersif sur les 3 ˆ©tages de la galerie.


Postˆ©ritˆ©-Posterity tˆ©moigne de signes locaux, de bouffe et de la campagne. C’Äôest la suite de cette exploration de notre relation avec la nature que poursuit BGL. Nous devinons le paysage canadien transformˆ© dans une rˆ©alitˆ© actuelle, une lutte entre l’Äôenvironnement et ce qui est artificiel. Nous devenons hyper conscients de nos habitudes d’Äôinterminable consommation et de cette culture du jetable. C’Äôest en fait ce qu’Äôexploite BGL avec ce projet en utilisant des objets et des matˆ©riaux recyclˆ©s remaniˆ©s et prˆ©sentˆ©s dans le contexte de la galerie d’Äôart. Cette importante exposition prˆ©sentera une fabrique d’Äôarbre de Noˆ´l, ainsi qu’Äôun marchˆ© aux puces contenant des objets tˆ©moins de l’Äôatelier et d’Äôinstallations ˆ©phˆ©mˆ®res. Devenons des touristes!


BGL a bˆ©nˆ©ficiˆ© du Programme de soutien ˆÝ la production de l'OEil de Poisson.


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BGL ’Äì POSTˆâRITˆâ/POSTERITY

26 septembre ’Äì 21 novembre, 2009

Vernissage publique le 25 septembre, de 8:00 ˆÝ 10:00. Les artistes seront prˆ©sents

Informations: Jeanie Riddle ou Silvia Casas

t: 514.989.1056 info@parisianlaundry.com


Montrˆ©al, September 10 2009 ’Äì PARISIAN LAUNDRY is proud to present BGL’Äôs first solo exhibition ’ÄúPostˆ©ritˆ© ’Äì Posterity’Äù in the spectacular industrial gallery, from September 26 to November 21, 2009.


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PARSIAN LAUNDRY BGL SWAGGER LIKE US


We meet at the ubiquitous petrol station cum coffee stand, loading the car with music, gas and a ten year old and are off to the lower north shore of Quebec- a region know as La Beauce- gorgeous and dense country side, modestly populated, nearer to Quebec City than Montreal.


We drive for almost 4 hours, lost in one street villages with names like Saint-Jacques-de-Leeds, St. Phillippe and Sainte-Agathe-de-Lobtiniˆ®re. We are lost lost lost with only a few sips of water and a few handfuls of vinegared peanuts between the 3 of us to keep us nourished and alive (ok I exaggerate) and joking about finding Ed Burtynsky landscapes and the tradition of plein air landscape painting until finally we find the Rang Saint-Jean in the town of Saint-Sylvestre. We are blasting MIA and posturing urbanism, only to find the Quebec based trio BGL working away. They are drenching skeletons of last years pine trees in the densest of pthalo green, saturating the natural with their artificial color choice.


Sˆ©bastien bought the farmhouse a couple of years ago. Built in the 1800’Äôs, the basement cave seeps history and one reads the harshness of the land, the snow, and the solitude.


After our ’Äòstudio visit’Äô, we head for lunch to a local casse-croˆªte where we enjoy the familiar cheeseburger and portions of poutine large enough to fuel a family of 8! BGL eat with haste, enormous rain clouds are creeping over mountains and they will have to bring their saturated trees into the barn for safekeeping and art making.


Parisian Laundry will dedicate its entire fall program to a major solo work by Quebecois collaborators BGL who will present a brand new immersive work on all three levels of the gallery.


In Postˆ©ritˆ©-Posterity we witness a translation of local signage, foodstuff and countryside. It is a continuation of BGL’Äôs investigation of our unpredictable relationship with nature. We feel the Canadian landscape transformed into the actual, a wrestling of environment and the artificial. We become hyper aware of our boundless consumption and throwaway culture and this, in fact is exactly what BGL are engaging with- a recycling and reusing of materials all restaged and recontextualized in the gallery. This massive exhibition will present a seasonal ornamental tree factory as well as a ’ÄòMarchˆ© aux puces (flea market)’Äô showing off over 10 years of studio ephemera. We are tourists.


BGL received financial help from the Production Program of L’Äôoeil de Poisson, Quˆ©bec, QC.


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BGL ’Äì POSTˆâRITˆâ/POSTERITY

September 26 ’Äì November 21, 2009

Public vernissage on September 25, 8-10pm. The artists will attend.

Information: Jeanie Riddle or Silvia Casas

t: 514.989.1056 info@parisianlaundry.com

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Clinton Shorter sets tone for Sci-Fi drama District 9


Composer also scores ’ÄúCole,’Äù which premieres at Toronto International Film Festival


Los Angeles/Toronto, ON - Film Composer Clinton Shorter scores District 9 produced by Peter Jackson and directed by Neill Blomkamp. The current box-office hit centers on the fallout caused by a group of alien refugees stranded on Earth (in Johannesburg) and forced into a segregation camp (the title comes from District 6, a former inner-city residential area in Cape Town infamous for the forced removal of 60,000 residents in the 70s by the Apartheid regime). Shorter, recently named by Hollywood Reporter ’ÄúNext Generation of Film Composers to Watch,’Äù has worked with the director on several projects, ’ÄúI had worked with Blomkamp over the years on his commercials and short films. When he called in late 2008 and asked me if I'd score his first feature I was all over it.’Äù Shorter newest feature ’ÄúCole,’Äù the coming-of-age drama directed by Carl Bessai's marks the director’Äôs seventh film to premiere at the Toronto festival. The film screens on September 15th and the Vancouver-based composer will be at the festival in support of ’ÄúCole.’Äù Shorter incorporated an ambient guitar-based score which seamlessly transitions with songs used in the film.


For ’ÄúDistrict 9,’Äù Shorter collaborated closely with Blomkamp, ’ÄúI spent the first several weeks experimenting with every African instrument I could think of. Neill was really pushing me to give the score an African sound; it was quite a task to maintain an African feel but give the film the darkness and edge it required. We incorporated African male vocals with some percussion from the region combined with other elements. With ’ÄúDistrict 9,’Äù I knew from the beginning that I was going to go with more of a hybrid score of live and synthesized instruments. Without giving too much away there's a "mutation" of sorts in the film and I wanted to have that mirrored in the music’Äù Shorter also scored the short film which was the impetus of the feature but, as the composer said, ’ÄúFor the short, we hired a singer and used various orchestral libraries. The sound for the feature is quite different.’Äù

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Makemusic updates Songwriter & Printmusic

Popular low-cost music notation software packages

offer unprecedented features

Minneapolis - MakeMusic, Inc. (NASDAQ: MMUS) announced today the simultaneous release of Finale Songwriter® 2010 and Finale PrintMusic® 2010. Both music notation software packages include new features and provide compatibility with current operating systems and files created with Finale 2010, MakeMusic's flagship software package.

With a list price of $49.95, SongWriter lets songwriters, teachers, band and choir directors, church musicians, students and other musicians create publisher-quality sheet music with instrumentations of up to 8 staves. SongWriter includes tools that inspire creativity including Drum Groove and Band-in-a-Box Auto-Harmonizing. With SongWriter they can hear their music played back using hundreds of built-in sounds, share their music with others using the free downloadable Finale Reader’Ñ¢ and create .MP3 files for use on iPods and beyond. A powerful mixer, flexible chord input, easy percussion notation and more control over the printed page are just a few of the features added in this version.

PrintMusic has a list price of $99.95 and remains the world's best-selling music notation software. It includes all the features of SongWriter, and much more, including music scanning, MicNotator® the ability to import/export graphics and a new handwritten font. PrintMusic users can arrange pieces of up to 24 staves and extract individual parts from the score. Features new to this version include automated rehearsal marks, flexible chord input, easy percussion notation and support for VST/AU instrument and effects plug-ins (sold separately), unleashing sonic possibilities unheard of in a notation product at this price point.

"SongWriter and PrintMusic represent incredible values in the world of music notation software," stated Ron Raup, MakeMusic’Äôs CEO, "and these upgrades simply increase their advantage. Furthermore, the simultaneous release of both updates in early September means that retailers will have the latest version on their shelves in plenty of time for the holiday season."

Meet some of our employees on Flickr and follow our activities on Twitter, Facebook and YouTube.

About MakeMusic, Inc.
MakeMusic®, Inc., a Minnesota corporation, is a world leader in music technology whose mission is to develop and market solutions that transform how music is composed, taught, learned and performed. For more than 20 years, Finale® has been the industry standard in music notation software. It has transformed the process by which composers, arrangers, musicians, teachers, students and publishers create, edit, audition, print and publish musical scores. Additionally, MakeMusic is the creator of SmartMusic®, the complete practice tool for band, orchestra and voice and SmartMusic GradebookTM
, the web-based student grading and records management system. Further information about the company can be found at www.makemusic.com.

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WSO Remembers World Renowned Pops Conductor

The Winnipeg Symphony Orchestra is saddened to recognize the passing of former WSO Pops Conductor Erich Kunzel. Kunzel was the Pops director of the Winnipeg Symphony Orchestra from 1981 to 1999, he presented many diverse programs that drew large audiences to the Concert Hall. Kunzel has served as the Cincinnati Pops Orchestra music director since 1977 where he has produced several highly rated television specials and received world wide acclaim for his numerous recordings. During his tenure at the WSO, Kunzel released two WSO recordings in 1985 and 1986 Kunzel on Broadway and More Kunzel on Broadway. Kunzel had a reputation among audiences and musicians alike of delivering electrifying shows that were as precise as they were passionate.

’ÄùI am deeply saddened hearing of Erich Kunzel's passing due to cancer. I remember him as a real dynamo on the podium, able to push his way through mountains of repertoire with a flair and exuberance which is rarely seen. His concerts with the WSO were real events which audiences appreciated. Many times his programming was very difficult for the orchestra, especially when the rehearsal schedule allowed for only a minimum amount of time for preparation before a concert, but his energy and clarity on the podium allowed for great performances. Also, his ability of speaking so easily to an audience always enhanced the concert. For the Pops audiences across North America he was truly the Prince of Pops. Farewell.’Äù said Principal Flute and board member Jan Kocman.

Erich Kunzel was diagnosed with liver, colon and pancreatic cancer in April but continued conducting while undergoing treatment. He died Tuesday morning at a hospital near his home in Swan's Island, Maine.

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WSO Opens with Tchaikovsky's Answer to Beethoven's 5th



The Winnipeg Symphony Orchestra
will kick off its 2009-2010 season on September 26 with a concert featuring essential classical music at its best.

Opening Night! Tchaikovsky 4 features renowned soloist Cho-Liang Lin performing Sibelius’Äô Violin Concerto. Lins’Äô recording of the work is considered one the world’Äôs best - it was awarded a top rating in the foremost directory of recorded classical music, the Penguin Guide.

The concert will be capped off with Tchaikovsky’Äôs popular Symphony No. 4. Said to be Tchaikovsky’Äôs response to Beethoven’Äôs 5th symphony, the work is powerfully emotional and introspective. WSO Music Director Alexander Mickelthwate will conduct the evening.

’ÄúSymphony No. 4 deals extensively with the idea of fate and is an intensely personal reflection of the composer’Äôs being,’Äù said Mickelthwate.

After reporting a surplus for the 2008-09 year, Mickelthwate is looking forward to another strong season both financially and artistically.

’ÄúWe have got some fantastic concerts lined up this season. I am especially looking forward to our Pops series where we will be fusing our amazing orchestra with several different musical styles and arts media,’Äù said Mickelthwate.

Both Mickelthwate and Composer-in-Residence Vincent Ho have signed on to new three-year terms with the WSO. They will be joined this year by new Resident Conductor Richard Lee, who comes to Winnipeg from the Quebec Symphony Orchestra. Lee’Äôs first conducting assignment with the WSO will be opening night of the Pops series, Cirque de la Symphonie, on October 2.

’ÄúI am so excited to make my official debut with the Winnipeg Symphony Orchestra conducting the first Pops program of the season, Cirque de la Symphonie. It is wonderful that we can bring such a visually stimulating show to the Concert Hall. This would be impossible without the great collaboration of circus artistry and orchestra. We are literally risking life and limb to bring audiences this performance.’Äù
- Richard Lee, WSO Resident Conductor

The WSO performs Opening Night! Tchaikovsky 4 on Friday, September 26 and Saturday, September 27 at 8 pm. Individual tickets, ranging from $29 to $75, go on sale Tuesday, September 8. Season ticket packages are still available.

For tickets, contact
WSO Box Office (949-3999 or boxoffice@wso.mb.ca)
WSO website (www.wso.ca)
Ticketmaster (780-3333 or www.ticketmaster.ca)

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Indianapolis Symphony Sets New Attendance Record of 107,281 for Summertime Marsh "Symphony on the Prairie" Series

Attendance Tops 100,000 Mark for Only 2nd Time in 28-Year History of Outdoor Series

The Indianapolis Symphony Orchestra
announced that it set a new all-time attendance record of 107,281 for its Marsh Symphony on the Prairie season of outdoor concerts this summer, exceeding the previous mark of 107,245, set in 1999. This marks only the second time that the ISO surpassed the 100,000 attendance milestone in its 28-year history of presenting the popular outdoor concert series at the Conner Prairie Amphitheater.


Among the notable attendance marks established this summer were:

¬… Total season attendance of 107,281, the largest full-season crowd to attend the series.

¬… Single night attendance record for a Pops concert featuring the ISO with 8,145 people enjoying the Classical Mystery Tour Beatles tribute program on Aug. 1

¬… Second largest non-July 4 weekend attendance of 14,304 July 31-Aug 1, just missing the all-time record of 14,829 (Aug. 27-29, 1999 - Big Band)

¬… Fourth largest single concert attendance of 12,291 on July 3


Commenting on the new record, ISO President and CEO Simon Crookall said, ’ÄúWe are grateful for the loyal supporters who have, in ever-increasing numbers, chosen to enjoy the Indianapolis Symphony Orchestra in wonderful concerts at its summer home at Conner Prairie, especially in these challenging economic times. Outstanding weather, plus the casual concert atmosphere and the wide variety of musical genres that we presented, from rock ’Äòn’Äô roll to classical, made for a delightful summer of entertainment for central Indiana music lovers.’Äù


’ÄúWe also thank our partners, Marsh Supermarkets and Conner Prairie, who have worked closely with us to build this Series from its humble beginning in 1982, when we performed eight concerts for a total audience of about 25,000 people to where it is today. The popularity of the series has blossomed over the years with the continued support of our two partners and we look forward to even greater success with them in the future,’Äù he added.


On Saturday, September 5, Debra Fleetwood of New Palestine was honored as the 100,000th person to enter the gates this season for a Marsh Symphony on the Prairie Series concert. Fleetwood received a certificate for two Value Packs (each containing 10 tickets) to the 2010 Series, a $100 Gift Card from Marsh Supermarkets, and the ISO will donate two seven-concert Lilly Classical Series subscriptions to a local charitable organization in her name. Her party also was escorted to a reserved table near the front of the amphitheater where they enjoyed the concert by the River City Brass Band and a fireworks finale in this final weekend of the summer season.


The Orchestra’Äôs Marsh Symphony on the Prairie Series has grown to become a key part of the Orchestra’Äôs year-round season. Over the years, the Series has featured pops, rock, jazz, patriotic, and classical programming performed within a casual atmosphere where concertgoers from throughout Indiana and tour groups from surrounding states can enjoy orchestral music while picnicking in the open-air amphitheater. In 1996, three weeks of Prairie Pops! were added to feature guest ensembles in musical styles that were outside the ISO’Äôs normal repertoire.

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Classical Archives Presents Exclusive Interview with Conductor Marin Alsop

Palo Alto, CA -- Classical Archives (www.classicalarchives.com), the ultimate classical music destination, proudly presents an exclusive interview with acclaimed Baltimore Symphony Orchestra conductor, Marin Alsop, in conjunction with her recent Naxos release of Leonard Bernstein's seminal 1971 work, Mass.


Marin recently renewed her contract with the Baltimore Symphony to 2015, underscoring her status as among the most celebrated conductors working today ’Äì not only with the BSO, but likewise with the Cabrillo Contemporary Music Festival, the Colorado and Bournemouth Symphonies, among many others. The recording of the Bernstein Mass has received stellar reviews and is placing new light on this important, though often misunderstood, masterwork of American music.


In an in-depth and multifaceted interview, Classical Archives Artistic Director Dr. Nolan Gasser asks Maestro Alsop about the recent Naxos release, her personal association with Bernstein, and the challenges and triumphs of performing this complex work. They also discuss Alsop's long-standing involvement with contemporary music, her initiatives involving New Media, and her heralded ability to improve the musical quality of the communities she works in, as she states: "We have to make classical music accessible to a wider audience ’Äì and as exciting as possible." Don't miss this fascinating discussion.


Classical Archives also features its new home page layout, offering the second installment of its Vladimir Horowitz feature, celebrating the Sony Masterworks collection of previously unheard recitals at Carnegie Hall, along with dynamic presentations of this week's featured composer (Antonˆ‚n Dvorˆ°k); featured artist (pianist Vladimir Horowitz); and an array of new releases by the major classical labels.


All this and unlimited streaming of the entire classical catalogue can be enjoyed at no cost by signing up for a 14-day Free Trial today!


Visit the Classical Archives at www.ClassicalArchives.com


About Classical Archives

Classical Archives (www.classicalarchives.com), the ultimate classical music destination, is the largest digital music subscription service dedicated to classical music. The site offers more than 620,000 tracks, 7,800 composers, and 27,000 artists representing more than 110 record labels. It also features a breakthrough in site navigation that allows users to search and cross-reference by any relevant criteria: composer, work title, artist, albums, historical period, instrument, genre, and many others that make finding and comparing the best classical recordings easier than it has ever been. Classical Archives offers unique membership opportunities that allow users to take advantage of its vast resources easily and affordably. Fees are $9.95/month or $99.50/year. Benefits include the ability to listen to music from the entire site (complete tracks or full works); a 10% discount on all downloads (which are yours to keep for life!); and the first two weeks as a free trial of the service. Subscribers also benefit from the playlist capabilities to store their favorite pieces in a single list, for one-click access, which they may share with anyone.

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Ottawa Chamber Music Society ~ 2009/2010 Concert Series Announced

Subscription Sales to begin for OCMS Concert Series!


Ottawa ’Äì The 16th Ottawa International Chamber Music Festival started on a high note and held it for fourteen days! Following the success of Chamberfest 09, the Ottawa Chamber Music Society (OCMS), under the Artistic Direction of Roman Borys, the Gryphon Trio, proudly announces the annual fall/winter Concert Series, promising exceptional artistry and great variety.


’ÄúWe are thrilled to present the world-class talent of the Arion Baroque Orchestra, the Cantata Singers and Capital BrassWorks, the Wˆºrttemburg Chamber Orchestra of Heilbronn, Rob Kapilow, Cecilia String Quartet, the Tallis Scholars, and of course the Gryphon Trio. What a phenomenal series we have to look forward to!’Äù said Glenn Hodgins, Executive Director of the OCMS.


In the spirit of community interaction and collaboration, the OCMS has welcomed opportunities to partner with the new Shenkman Arts Centre, the Cantata Singers/Capital BrassWorks and the Ottawa New Music Creators.


’ÄúHelping other organizations in the community achieve their goals while adding quality and programming diversity to our own concert offerings is a winning formula. The Shenkman Arts Centre is an outstanding new venue that allows the OCMS to get closer to a community that for many years championed chamber music with its own chamber music series. Collaborating with the Cantata Singers and Capital BrassWorks gives us the opportunity commemorate Remembrance Day on a grand scale, and our partnering with the Ottawa New Music Creators helps give this new organization the momentum and presence it requires in order to continue its very important work for years to come,’Äù says Roman Borys.


Arion Baroque Orchestra: October 17, 8 pm

Shenkman Arts Centre, 245 Centrum Boulevard

Arion is a Montreal-based baroque orchestra which performs on period instruments. Arion’Äôs concerts have been unanimously acclaimed for their clarity and gusto, as well as their refined and expressive performances which have been chosen from a wide array of early music works. The program includes works by Vivaldi, Telemann, Locatelli and Johann Sebastian Bach. This concert is a co-production with the Shenkman Arts Centre.

’ÄúBeautiful and impressive playing like this sets the standards to which others must aspire!’Äù

- Early Music Review (United Kingdom)


Canata Singers & Capital BrassWorks: November 14, 8 pm

Dominion-Chalmers United Church, 355 Cooper Street

For the Fallen ’Äì Remembering our heritage with music for choir and brass. The Cantata Singers of Ottawa and Capital BrassWorks join forces in a unique and powerful performance in honour of Canada’Äôs military heroes, past and present, and in commemoration of Remembrance Day. This program expresses the deep-felt emotions evoked by moving moments in history. This concert is a co-production with the Cantata Singers of Ottawa.


Wˆºrttemburg Chamber Orchestra of Heilbronn: November 26, 8 pm

Shenkman Arts Centre, 245 Centrum Boulevard

Germany’Äôs celebrated Wˆºrttemburg Chamber Orchestra of Heilbronn has been considered one of the world’Äôs finest chamber orchestras for almost a half century. Lead by Ruben Gazarian, the group is embarking on its first Canadian tour and is sure to thrill audiences with its virtuosity and deep sense of musicality and emotion. To date the group has recorded over 500 works ranging from the baroque to the avant-garde and has had as guest performers such legendary artists as Martha Argerich, Alfred Brendel, James Galway, Heinz Holliger and Gidon Kremer. Having garnered accolades for their live performanaces at many of the world’Äôs major centers, they have also recorded over 500 works. Remembering one of the 20th centuries’Äô most important moments, this program will celebrate the 20th anniversary of the fall of the Berlin Wall. In addition to works by Janacek and Benjamin Britten this program will feature a new work by German Karsten Gundermann’Äôs entitled The Fall of the Berlin Wall. This concert is a co-production with the Shenkman Arts Centre.


Wˆºrttemburg Chamber Orchestra of Heilbronn & Gryphon Trio: November 27, 8 pm

Dominion-Chalmers United Church, 355 Cooper Street

Berliner Konzert: 20th anniversary of the Fall of the Berlin Wall. Two great ensembles join forces to commemorate the 20th anniversary of the fall of the Berlin Wall in a program featuring Berliner Konzert, a major new work for piano trio and orchestra by Canadian composer Paul Frehner. Commissioned by Soundstreams Canada and the Gryphon Trio, Berliner Konzert will be performed throughout the orchestra’Äôs Canadian tour, as well as in Europe. This program will also include a new work by German composer Karsten Gundermann, along with Rudolf Barshai’Äôs arrangement of Shostakovich’Äôs eighth string quartet, a haunting piece that explores the composer’Äôs personal wartime experience.

’ÄúThe [Wˆºrttemburg] Chamber Orchestra played with unerring precision and great transparency, observed concisely crafted dynamics and delighted with their articulation. ’Ķ Variations in sound and the most precise articulation gladdened the heart until the last chords died away.’Äù

- Sˆºdkurier 2007


Rob Kapilow & Gryphon Trio: February 7, 3 pm

Dominion-Chalmers United Church, 355 Cooper Street

What Makes It Great?¬© Commentator, composer and conductor Rob Kapilow, making his Ottawa debut, takes listeners inside the music: he unravels, slows down, and recomposes key passages to hear why a piece is so extraordinary. Hailed as the twenty-first century's successor to Leonard Bernstein, Rob Kapilow will take his audience on a riveting insider's tour of Beethoven's magnificent Ghost Trio, followed by an uninterrupted performance of the complete work by the Gryphon Trio. Classical music first-timers and seasoned listeners alike will be given ’Äònew ears’Äô as they learn how to listen to music with deeper understanding.

’ÄúKapilow gets audiences in tune with classical music at a deeper and more immediate level than many of them thought possible.’Äù

- Los Angeles Times


Cecilia String Quartet with pianist Louise Bessette: March 7, 3 pm

Dominion-Chalmers United Church, 355 Cooper Street

Praised for their 'extraordinary commitment and maturity' (Montreal Gazette) and talent, passion and mastery, the Cecilia String Quartet is one of Canada's most exciting young ensembles today. The Cecilia String Quartet has won awards across the globe including the Galaxie Rising Stars award presented in 2007 at the Ottawa International Chamber Music Festival and 2nd Prize at the 2008 Osaka International Chamber Music Competition and is currently Resident String Quartet at McGill University’Äôs Schulich School of Music. Join them as they share the stage with distinguished Canadian pianist Louise Bessette.

’ÄúHow these four women played was nothing short of amazing’Ķ one of those rare performances that announce the presence of great talent."

- St Petersburg Times


Tallis Scholars: March 28, 3 pm

Dominion-Chalmers United Church, 355 Cooper Street

"The Tallis Scholars are a treasure."

- Classical voice of North Carolina

In their Ottawa premiere performance, the Tallis Scholars, "the rock stars of Renaissance vocal music" (The New York Times) embark on a minor crusade to promote the music of Jean Mouton, a contemporary of Josquin des Prˆ©s. The program consists of works by Franco-Flemish composers Loyset Compere, Nicolas Gombert, and a presentation of Josquin’Äôs motet Praeter rerum seriem, one of the great masterworks of the period.


New Music in New Places: April 10, 8 pm

Carleton University Art Gallery

Presented in collaboration with ONMC (Ottawa New Music Creators). Experience this unique opportunity to hear some of the great music being written in Ottawa today played in a casual setting by some of Ottawa’Äôs most outstanding musicians. The presence of the composers adds an interesting dimension as they speak about their creations.


The Ottawa Chamber Music Society thanks the Canadian Music Centre, the originator of the New Music in New Places concept.


Ticket Information

Full 2009-2010 Concert Series details will be available on the OCMS’Äô website at www.chamberfest.com.


Subscription sales begin September 8. Benefits include: access to the best seats in the house, a 40% savings off single tickets, and the ability to exchange tickets for other concerts during the season. Single ticket sales begin October 1. For more information, please contact the OCMS office at 613-234-6306.


Mark your calendars! Chamberfest 2010 will take place from July 24 to August 7.


The Ottawa Chamber Music Society gratefully acknowledges the support of its sponsors, partners and donors.

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Thursday, September 17, 2009

Miami Dade College opens its Gallery Season at the Freedom Tower with an Exhibition of the Works of Late Cuban Modern Master Cundo Bermˆ†dez



Location: Freedom Tower. 600 Biscayne Blvd. Miami, FL 33132

Dates: From Sept 4th through Nov 7th, 2009

Hours: Tuesdays to Fridays, noon to 5:00 p.m. Saturdays: 11:00 a.m. to 4 p.m.

Admission: Free


The Miami Dade College (MDC) Art Gallery System (AGS) officially opens its art gallery season by paying tribute to one of Cuba’Äôs greatest artists, the late master Cundo Bermˆ†dez, with the exhibition Under a Brilliant Sun: Cundo Bermˆ†dez into the 21st Century at its National Historic Landmark Freedom Tower starting on September 4th, 2009. The exhibition runs through November 7th and is made possible by Bank of America. The exhibition will honor the artist's fertile career and his contribution to modern art by highlighting an outstanding selection of more than 100 paintings, drawings and sculpture, including an important part of his latest artworks never shown in an exhibition of this magnitude.


Cundo Bermˆ†dez, one of the last members of the important Cuban Vanguard movement, died on October 30th, 2008 at the age of 94. He had called Miami home for the last twenty years of his life and was painting and drawing up until the end. Cundo was one of the first Cuban Modernists to be collected by the Museum of Modern Art as two of his nine paintings exhibited in the landmark Cuban Paintings exhibition in 1944 were accessioned.


He was a very prolific artist who lived for his art. Only music rivaled this passion of his and he was known to paint and draw while listening to favorite works by famous Cuban composers. It is, therefore, not surprising that one of the works for which Cundo is best known - at least in Miami - is the wonderful mural he designed for Miami’Äôs Center for the Performing Arts (now the Arsht Center for the Performing Arts). Designed during the years 1997-1999, it heralded a new phase for Cundo as he entered the 21st century determined to create a body of work for a new era. Approximately half of this exhibition is devoted to these works - a testament to the artist’Äôs remarkably strong will to create.


Over the more than 70 years of a long and illustrious career, Bermudez had accomplished so much. From participation in the groundbreaking MoMa exhibit of 1944 to the completion of major public commissions to representation in major public and private collections, Bermudez was one of the leading figures in 20th Century Cuban art.


’ÄúWe are honored to be the site of the first major exhibition of Cundo’Äôs work following his passing. It’Äôs especially moving to pay tribute to this great artist at the Freedom Tower,’Äù said MDC President Dr. Eduardo J. Padrˆ„n. ’ÄúI want to thank Bank of America and the college’Äôs art gallery system team for making this exhibition possible.’Äù


Under a Brilliant Sun: Cundo Bermˆ†dez into the 21st Century honors the prolific career of Bermˆ†dez and his contributions to modern art by showcasing a selection of works that includes some of his latest and featuring pieces never shown in exhibitions.


This exhibition highlights a considerable body of work created by Bermˆ†dez in the last decade of his life when he called Miami home. ’ÄúMeeting Cundo and watching him work was one of the highlights of this author’Äôs curatorial career and I am honored to have had the opportunity to spend time with him. It is not often that an art historian is able to meet an artist whose career spanned so many years.’Äù said art historian, researcher and curator of the exhibition Ruth Grim.


Cundo Bermˆ†dez is part of a generation of artists that reshaped and gave new directions to art in Latin America like the depictions of daily life of their own rounded existences and the use of new concepts in the linear treatment of the figure. These approaches are common in artists like Diego Rivera, Rufino Tamayo, Josˆ© Clemente Orozco in Mˆ©xico; Fernando de Szyszlo and Ricardo Grau in Perˆ†; Joaquˆ‚n Torres-Garcˆ‚a and Gonzalo Fonseca in Uruguay; Tarsila do Amaral in Brazil; Emilio Pettoruti, Juan del Prete and Gyula Kusice in Argentina and Armando Reverˆ„n in Venezuela.


’ÄúThis unique exhibition is a point of departure to explore the many other elements of painting that were not only important to Cundo but also to the evolution of Cuban and Latin American art through modernism’Äù. Said Jorge Luis Gutierrez, Director of MDC Art Gallery System. ’ÄúThis exhibition provides a complete narrative to the many facets of his remarkable accomplishments.’Äù


As MDC now serves as the proud steward of the Freedom Tower, thanks to its donation to the college by Pedro Martin and family, it is using the building as a significant educational and cultural center. In the recent years since MDC acquired it, the iconic building has been used for other major art exhibitions, including showcasing the works of great artists such as Salvador Dalˆ‚, Goya, Leonardo Da Vinci, Janet Cardiff, Carlos Alfonso and Wendy Wischer among others.


About the Artist

Born in Havana in 1914, Bermˆ†dez was a founding member of Cuba’Äôs Association of Painters and Sculptors. He led the tide of modern Cuban art in the 1940s and 1950s drawing from the people, landscape, music and political climate around him. He led the continued modernization of Cuban art during the 1940s and 1950s and on canvas, synthesized the character and national identity of his homeland through the color and luminosity of its iconic people, sites and musical scenes. His works have been exhibited across the globe. He passed away at 94 on Oct. 30, 2008, at his home in the Westchester neighborhood of Miami-Dade County.


Exhibition Catalogue

Accompanying the exhibition will be a publication featuring color reproductions, with text by art historian and curator of the exhibition Ruth Grim, and introductions by art historian Vivian Donnell Rodriguez, Executive Director of Cultural Affairs at MDC and Jorge Luis Gutierrez, Director and Chief Curator of MDC Art Gallery System.


Organization

The Miami Dade College Art Gallery System proudly presents the lifetime work of this great modernist master as part of is arts program oriented to welcome and engage all visitors by offering personal, extraordinary experiences that connect art and ideas to stimulate the thriving, creative community that is Miami. The Mission of the Miami Dade College Art Gallery System is to encourage the appreciation and understanding of art and its role in society through direct engagement with original works of art and art-related creative processes. The AGS organizes exhibitions and educational programs to offer enjoyment and encourage inquiry, while building and preserving its collections in trust for future generations.

With a system of seven art galleries throughout Miami Dade and the art spaces at the iconic Freedom Tower in Downtown Miami, it is the largest art network in Florida.


For special hours, guided tours and education events and programs please contact: MDC Art Gallery System at 305.237.7186, 305.237.7700, galleries@mdc.edu or visit www.mdc.edu


For more information about local openings and events, please visit www.miamiartguide.com


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Le claveciniste Olivier Fortin inaugure le nouveau clavecin du Calgary Philharmonic Orchestra

Montrˆ©al, QC - De retour d’Äôun sˆ©jour en Allemagne avec l’Äôorchestre baroque Tafelmusik, le claveciniste Olivier Fortin se produira le 17 septembre prochain avec le Calgary Philharmonic Orchestra dans un concert mettant, entre autres, au programme le Concerto brandebourgeois No 5 en rˆ© majeur BWV1050 de J.-S. Bach. Ce concert inaugurera le nouveau clavecin de l’Äôorchestre, fabriquˆ© rˆ©cemment par le facteur canadien Craig C. Tomlinson.

Olivier Fortin a partagˆ© son ˆ©tˆ© entre l’ÄôEurope et l’ÄôAmˆ©rique ainsi qu'entre l’Äôenseignement et le concert, alors qu’Äôil se trouvait ˆÝ Toronto en juin au Tafelmusik Summer Institute afin d’Äôy enseigner le clavecin et la basse continue ,et ˆÝ Victoria, en Colombie britannique, en aoˆªt dans une acadˆ©mie consacrˆ©e ˆÝ l’Äôoratorio, en compagnie de la soprano Nancy Argenta. Il sera de retour en Europe ˆÝ la fin du mois de septembre pour participer ˆÝ un concert ˆÝ Ambronnay avec le claveciniste Skip Sempˆ© puis, en octobre, il se produira en concert ˆÝ Montrˆ©al, New York, Washington et Burlington avec son Ensemble Masques.

Olivier Fortin se produit depuis plus de dix ans sur les scˆ®nes montrˆ©alaises et internationales. Chambriste et soliste trˆ®s sollicitˆ©, il s'est produit ˆÝ travers l'Europe, le Canada, les ˆâtats-Unis et l'Asie avec de nombreux musiciens et ensembles de renom en plus d'assurer la direction artistique de l'Ensemble Masques. Il a participˆ© ˆÝ plus de vingt enregistrements et a reˆßu l'ˆ©loge de la critique internationale pour son plus rˆ©cent, consacrˆ© aux concerti de J.S. Bach en compagnie de la violoniste Sophie Gent.

Visitez notre site web au www.ensemblemasques.org afin de vous tenir informˆ© de nos activitˆ©s.

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ISO Announces Remaining Guest Conductors for 2009-2010 Season

Roster of nine includes one debut appearance; repertoire additions include Tchaikovsky's Fifth Symphony on Oct. 16 & 17 and the ISO's first-ever performance of Faurˆ©'s Requiem on January 29 & 30

INDIANAPOLIS’ÄîThe Indianapolis Symphony Orchestra today announced the guest conductors who will take the podium for 10 of the 20 classical concerts previously scheduled for Mario Venzago in the 2009-2010 season. The season's original schedule of major works and featured artists remains intact; however, additional works such as Tchaikovsky's Symphony No. 5 and the ISO's first-ever performance of Faurˆ©'s Requiem were added to enhance the classical concert offerings.

"We're delighted to be able to present such a strong roster of new and returning conductors to our stage," said Simon Crookall, President & CEO of the Indianapolis Symphony Orchestra. "These conductors are among the best in the field, and we are looking forward to a great year of music-making with them."

Lilly Classical Series
In the ISO's Lilly Classical Series, Juanjo Mena will return to the podium and conduct concerts featuring the works of Felix Mendelssohn, including the popular Violin Concerto with the ISO's Principal Guest Concertmaster Alexander Kerr on Oct. 8-10. Mena also will lead the orchestra in Mahler's "Resurrection" Symphony with the Indianapolis Symphonic Choir on May 21 & 22. A native of Spain, Mena has been Principal Conductor and Artistic Director of the Bilbao Symphony Orchestra since 1999 and debuted with the ISO for the 2008-2009 finale featuring Mussorgsky's Pictures at an Exhibition.

On Nov. 13 & 14, Ludovic Morlot will conduct the program showcasing violin superstar Joshua Bell performing Ravel's Tzigane, Massenet's "Meditation" from Tha¦äs and Bruch's Scottish Fantasy. Morlot first appeared with the ISO in 2007 for concerts featuring HK Gruber's Frankenstein!!, and the complete ballet music from Ravel's Mother Goose. As one of the leading conductors of his generation, Morlot recently appeared with the New York Philharmonic, Chicago Symphony Orchestra, Cleveland Orchestra, Dresden Staatskapelle, Tonhalle Orchestra in Zurich, Israel Philharmonic Orchestra, Budapest Festival Orchestra, Royal Stockholm Philharmonic and the Seoul Philharmonic.

Pietari Inkinen, the recently appointed Music Director of the New Zealand Symphony, debuts with the ISO and the Indianapolis Symphonic Choir on January 29 & 30. The previously scheduled Walton's Belshazzar's Feast will be replaced with Mahler's song cycle Lieder eines fahrenden Gesellen (Songs of a Wayfarer) with baritone Hugh Russell and the ISO's premiere performance of Faurˆ©'s Requiem’Äîthe composer's most recognized choral orchestral piece. Inkinen has won unanimous praise from audiences and critics for his performances in New Zealand and for his recordings with the orchestra on the Naxos label. In November 2010, he leads the New Zealand Symphony on a major tour of Europe with violinist Hilary Hahn. Inkinen will assume the post of Principal Guest Conductor of the Japan Philharmonic Orchestra later this month.

Returning to the ISO podium for his fourth appearance, Gilbert Varga will lead concerts on Feb. 5 & 6 featuring Schumann's Symphony No. 3 ("Rhenish") and Brahms' Violin Concerto performed by world renowned virtuoso Christian Tetzlaff. Varga is the son of the celebrated Hungarian violinist, Tibor Varga. He has held positions with and guest conducted many of the major orchestras in Europe and the United States including the Orchestre de Paris, Hungarian National Philharmonic, the Berlin Konzerthaus Orchester, and the orchestras of Minnesota, Philadelphia, Dallas, Detroit and St. Louis. Varga previously conducted the ISO in 1994, 1999 and 2008.

Carlo Rizzi will return for concerts on May 14 & 15 and lead the ISO in the world premiere of Principal Trombone James Beckel's newest work, In the Mind's Eye: Images for Horns and Orchestra featuring the five members of the ISO's horn section, and works by Mozart, Wieniawski and concluding with Stravinsky's Firebird Suite as previously scheduled. Rizzi's first appearance with the orchestra was in May 2009 during the ISO's popular "Russian Nights" program. Rizzi is Music Director of the Welsh National Opera, and is a regular conductor at the Metropolitan Opera, Royal Opera Covent Garden, Opˆ©ra de Bastille, Zurich Opera and at La Scala in his hometown of Milan.

Symphonic Hits Powered by Lilly

Introduced for the 2009-2010 season, the new Symphonic Hits Powered by Lilly concerts feature the orchestral masterpieces by some of the most recognized names in classical music. Symphonic Hits programs begin at 7:30 p.m. (rather than the usual 8 p.m. start time) and include Sound Off, a pre-concert, multimedia presentation with musicians and special guests and Reverb, a post-concert meet-and-greet with patrons and members of the orchestra. Symphonic Hits can be purchased individually or through the flexible options of Your Season Your Way and Symphony on Demand voucher packets.

Returning to the ISO podium after nearly a decade, Matthias Bamert leads the orchestra in the first Symphonic Hits concert on Oct. 16 & 17 with renowned pianist Garrick Ohlsson performing Chopin's Piano Concerto No. 2. In addition, Shostakovich's Festive Overture and Tchaikovsky's Symphony No. 5 will replace works by Liszt and Offenbach. Bamert's most recent performance with the ISO was in March 2000 which featured Sibelius' Symphony No. 5. Bamert's career began at the Cleveland Orchestra, and he has since held Music Director positions with the Swiss Radio Orchestra, London Mozart Players and most recently at the Malaysian Philharmonic Orchestra.

Noted American conductor Michael Stern returns to the ISO for his fifth appearance to conduct the second Symphonic Hits program on Nov. 5-7. These concerts will premiere prolific American composer Jennifer Higdon's Concerto 4-3, written for and performed by Time for Three, the trio featuring ISO Concertmaster Zach De Pue. Other works on the program include Beethoven's Leonore Overture No. 3 and Mozart's Symphony No. 41 ("Jupiter"). Stern's previous ISO engagements occurred in 1995, 2002, 2003 and 2006. Stern is in his fourth season as Music Director of the Kansas City Symphony and has just completed his first season as Principal Guest Conductor of Orchestre National de Lille, France. In addition, Stern is founding Artistic Director and Principal Conductor of the IRIS Orchestra in Germantown, Tennessee.

Jun Mˆ§rkl makes his fourth appearance with the ISO in concerts on May 7 & 8 featuring the originally scheduled program of Saint-Saˆ´ns' Africa (Fantasy for Piano and Orchestra), Brahms' Symphony No. 2 and Liszt's Piano Concerto No. 2 with guest artist Marc-Andrˆ© Hamelin. Born in Munich, Mˆ§rkl has been Music Director of the Lyon National Orchestra since 2005, and became Principal Conductor and Artistic Director of the MDR Sinfonieorchester (Leipzig Radio Symphony) during the 2007-08 season.

Special Event

On Thursday, Oct. 1, Jeffrey Kahane will conduct the ISO's one-night-only special concert featuring world renowned cellist Yo-Yo Ma (sold out). This is Kahane's third appearance with the ISO, as he previously led the orchestra in classical concerts in 2001 and 2002. A native of Los Angeles, Kahane is in his 13th season as Music Director for the Los Angeles Chamber Orchestra and his fifth season as Music Director for the Colorado Symphony Orchestra. As a pianist, Kahane has enjoyed a long musical friendship with Yo-Yo Ma, collaborating with the cellist in recitals around the world.

Opening Weekend

As previously announced, ISO Conductor Laureate Raymond Leppard will open the ISO's 2009-2010 Lilly Classical Series season on Friday, Sept. 25 at 8 p.m. and will host its annual Opening Night Gala on Saturday, Sept. 26 at 6 p.m. Leppard will conduct a program of works by American composers titled A Musical Portrait of America which includes Aaron Copland's Lincoln Portrait with narration by Academy Award-winning actor F. Murray Abraham and John Williams' Air and Simple Gifts (which was premiered at President Obama's inauguration) with pianist Gabriela Montero (who also performed in the premiere) and ISO principal musicians Alexander Kerr (violin), David Bellman (clarinet), and Perry Scott (cello). Montero also will present George Gershwin's popular Rhapsody in Blue, and the Orchestra will perform music by Leonard Bernstein and Indiana native Hoagy Carmichael to round out the program.

For more information, visit www.IndianapolisSymphony.org.

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Thˆ©ˆ¢tre Centennial - Coup d'envoi jazzˆ© pour la saison 200-2010

Heureuse combinaison : jazz et chanson franˆßaise avec Franˆßois Bourassa et Jeanne Rochette

Sherbrooke - La saison jazz du Thˆ©ˆ¢tre Centennial s’Äôouvre le 26 septembre 2009 sur un spectacle enlevant et rˆ©jouissant de la jeune chanteuse d’Äôorigine franˆßaise Jeanne Rochette avec le pianiste jazz bien connu Franˆßois Bourassa et trois de ses musiciens. Des chansons ˆÝ savourer par cette jeune artiste dˆ©couverte ˆÝ Magog en 2008 alors qu’Äôelle recevait le Prix du Jury du concours intitulˆ© ¬´ Dˆ©couvertes de la chanson de Magog ¬ª. Ce spectacle est le premier de la sˆ©rie Jazz etc, donc la derniˆ®re chance de s’Äôabonner ˆÝ 5 grands spectacles pour 80$. Les autres artistes invitˆ©s sont : Harry Manx le 24 octobre, Michael Kaeshammer le 4 dˆ©cembre, le Christine Jensen Big Band le 20 fˆ©vrier et le Franˆßois Richard Nouvel Orchestra le 24 mars 2010.

Arrivˆ©e il y a cinq ans au Quˆ©bec aprˆ®s avoir jouˆ© dans les cafˆ© concerts de Paris pendant plusieurs temps, l’Äôauteur-compositrice-interprˆ®te Jeanne Rochette s’Äôest vite attelˆ©e ˆÝ la tˆ¢che en arrivant au Quˆ©bec pour jouer dans les bars et festivals dˆ©diˆ©s au jazz (Le Off du Festival International de Jazz de Montrˆ©al (FIJM), le FIJM, le Upstairs, et maints autres endroits. Avec Franˆßois Bourassa, elle se dˆ©marque par son approche multi-genres et par une prˆ©sence de scˆ®ne dynamique et charmante ˆÝ la fois. Sa formation en thˆ©ˆ¢tre la sert parfaitement : elle a de l’Äôˆ©nergie ˆÝ revendre, s’Äôexprime avec esprit et humour et propose des chansons qui swinguent sur des textes dˆ©sarˆßonnants.

Quant ˆÝ Franˆßois Bourassa, nul besoin de le prˆ©senter aprˆ®s 25 ans de carriˆ®re en jazz. Avec le prix Oscar Peterson du Festival International de Jazz de Montrˆ©al en 2007, le Prix Opus de l’Äôalbum jazz en 2008 pour Rasstones, il s’Äôaventure aujourd’Äôhui sur un terrain heureux qui marie son jazz raffinˆ© ˆÝ de la superbe chanson franˆßaise.

DˆâTAILS / EXTRAIT : http://www.ubishops.ca/centennial/program/bourassa-rochette-fr.html

Les billets sont en vente au guichet, 819-822-9692. Pour plus de renseignements, on consulte le site du Centennial : www.centennialtheatre.ca

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The Cleveland Orchestra announces 2009-10 season highlights and details, new recordings, and new series

Tickets go on sale Tuesday, September 8, for all performances

CLEVELAND ’Äï The Cleveland Orchestra announces highlights and details of its 2009-10 season at Severance Hall. Single tickets for the season go on sale Tuesday, September 8. The season highlight is a fully staged production of Mozart's comic opera Cosˆ¨ fan tutte, conducted by Franz Welser-Mˆ�st. Distinguished guest artist appearances include: Vladimir Ashkenazy, Pierre Boulez, Pierre-Laurent Aimard, Richard Goode, Mitsuko Uchida, and Music Director Laureate Christoph von Dohnˆ°nyi.

At the beginning of the season, two new Cleveland Orchestra recordings will become available. Both will be on sale in the Cleveland Orchestra Store and online.

In addition to the subscription series, The Cleveland Orchestra is introducing a range of new orchestral and popular music concerts and events designed to attract and develop new audiences. New series are Fridays@7 and the Celebrity Series. The Musically Speaking series will introduce an in-depth look at masterpieces of the orchestral repertoire in an all-new format.

Artistic Highlights and Guest Artists

Cleveland Orchestra subscription season highlights include staged opera at Severance Hall this season with Franz Welser-Mˆ�st conducting performances of Mozart's Cosˆ¨ fan tutte on March 2, 4, 6, and 8, 2010. Following the Orchestra's sold-out performances of The Marriage of Figaro in March 2009, this is also a production from the Zurich Opera that features an international roster of singers.

Conductor Pierre Boulez returns to Severance Hall for two weeks of concerts featuring the music of Mahler and Ravel, and Cleveland Orchestra Music Director Laureate Christoph von Dohnˆ°nyi conducts Brahms's Symphony No. 1. Other highlights include Vladimir Ashkenazy conducting his arrangement of Mussorgsky's Pictures at an Exhibition, pianist Pierre-Laurent Aimard performing Ravel's piano concertos, and pianist Richard Goode performing Beethoven's Piano Concerto No. 3. Mitsuko Uchida will appear with the Orchestra in two subscription weeks during the 2009-10 season: in October 2009 performing Beethoven's Piano Concerto No. 4 under the direction of Franz Welser-Mˆ�st and in April 2010 performing Mozart's Piano Concertos Nos. 20 and 27, conducting from the keyboard.

Not previously announced, soprano Nicole Cabell will be a soloist in Brahms's German Requiem, cellist Alisa Weilerstein will appear in Dvo‰ôˆ°k's Cello Concerto, and John Relyea, bass-baritone, will sing in Handel's Messiah. [The full season calendar of repertoire and artists previously announced accompanies this release.]

As part of the Orchestra's focus on reaching more people in Northeast Ohio through the Community Music Initiative (more details to be announced prior to the season), the Orchestra will offer a free concert at Severance Hall on June 5. This program will celebrate 10 years of the Daniel R. Lewis Young Composer Fellow program, featuring contemporary music of our time conducted by Matthias Pintscher.

New Audio and Video Recording Releases

On September 8, Decca will release a recording of Mozart's Piano Concertos Nos. 23 and 24 with Mitsuko Uchida performing as soloist and conducting The Cleveland Orchestra. The recording was made live at Severance Hall during performances on December 4 and 6, 2008.

On October 27, the European label Clasart will release a video recording of Bruckner's Symphony No. 7, recorded live at Severance Hall in September 2008 by The Cleveland Orchestra, conducted by Music Director Franz Welser-Mˆ�st.

Recordings are available at the Cleveland Orchestra Store at Severance Hall and online at clevelandorchestra.com.

New Series

The Cleveland Orchestra presents three new series this season with a goal to welcome new audiences, as well as devoted fans, to Severance Hall to experience new concert formats, popular programming, and engaging opportunities to learn more about orchestral music.

Fridays@7 is a new five-concert series welcoming audiences to enjoy shorter orchestral programs with an earlier start time, followed by live world music performances in the lobby of Severance Hall. The series begins Friday, October 9.

The Celebrity Series is a three-concert series designed to attract new audiences interested in a wide range of musical styles and genres. The first program will feature Grammy Award-winning conductor Richard Kaufman leading The Cleveland Orchestra in A Salute to John Williams on Saturday, November 7. Pink Martini, a 12-piece ensemble that mixes Cuban jazz, Japanese pop, Italian film scores, and French cabaret, will perform with The Cleveland Orchestra on Tuesday, March 30, 2010. Jazz trumpeter Chris Botti joins The Cleveland Orchestra on Saturday, April 24, 2010.

For The Cleveland Orchestra's Musically Speaking series, hosts will speak about the music, using videos and still photos to put each score into context. Two concerts will be Chicago Symphony Orchestra Beyond the Score® programs created by Gerard McBurney; a third program will be hosted by actor John de Lancie. In the first half of the program, the music will be discussed, illustrated with various music excerpts, and after intermission, the Orchestra will perform the work in its entirety.

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UBS Sponsors 2009-10 Severance Hall Season

The Cleveland Orchestra's 2009-10 season at Severance Hall is sponsored by UBS. Headquartered in Zurich and Basel, Switzerland, UBS is a global firm providing services to private, corporate and institutional clients. Its strategy is to focus on international wealth management and the Swiss banking business alongside its global expertise in investment banking and asset management. In Switzerland, UBS is the market leader in retail and commercial banking.

UBS is a significant supporter of orchestral music globally. In addition to its season sponsorship of The Cleveland Orchestra, the firm currently sponsors several outstanding symphony orchestras such as the Boston Symphony Orchestra and The Philadelphia Orchestra. These partnerships reflect UBS's dedication to supporting the communities where it operates, as well as a philosophy of working collaboratively with its clients to deliver the customized solutions that help them pursue their goals.

Subscription and Ticket Information

Tickets to individual performances go on sale September 8. A variety of subscription options are available. Prices for subscriptions range from $90 for a three-concert series to $1,464 for a 23-concert series on Thursday or Saturday night. Individual tickets to subscription concerts range from $25-$106, with the exception of the opera, Cosˆ¨ fan tutte. (For subscriptions and single tickets, the cost of box seats, which have limited availability, is higher.) A variety of discounts are available for students, groups, and others.

To order tickets, go to clevelandorchestra.com, call (216) 231-1111 or 800-686-1141, or visit in person. The Severance Hall Ticket Office and Subscription Office are located on the street level in the Smith Lobby. The entrance and free 15-minute Ticket Service parking are along the west side of the building on East Boulevard.

Severance Hall Ticket Office hours:

Monday-Friday 9:00 a.m.-6:00 p.m.

Saturday 10:00 a.m.-6:00 p.m.

Closed Sundays and holidays except for those days with performances, when the Ticket Office will be open three hours prior to each performance.

Severance Hall Subscription Office Hours:

Monday-Friday 9:00 a.m.-5:00 p.m.

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Nouvelle direction gˆ©nˆ©rale au Concours de musique du Canada / Appointment of New Executive Director of the Canadian Music Competition

Montrˆ©al - Mme Yolande Cardinal, prˆ©sidente du conseil d'administration du Concours de musique du Canada (CMC), est heureuse d'annoncer la nomination de Mme Julie Lebel au poste de directrice gˆ©nˆ©rale.


¬´ Julie Lebel possˆ®de toutes les qualitˆ©s nˆ©cessaires pour assurer la continuitˆ© et le dˆ©veloppement du CMC, affirme Mme Cardinal. Je suis convaincue que sa connaissance du milieu musical et de notre organisme, ainsi que son professionnalisme et son ˆ©nergie seront des atouts prˆ©cieux dans la poursuite des objectifs du CMC. ¬ª


Julie Lebel fait partie de l'ˆ©quipe du CMC depuis bientˆ¥t quatre ans, dont deux en tant que directrice gˆ©nˆ©rale adjointe. Diplˆ¥mˆ©e de l'ˆâcole des hautes ˆ©tudes commerciales de Montrˆ©al (D.E.S.S. gestion des organismes culturels) et de l'Universitˆ© de Sherbrooke (B. Mus. Interprˆ©tation, piano), Julie Lebel a ˆ©tˆ© directrice administrative de la revue Circuit, musiques contemporaines des Presses de l'Universitˆ© de Montrˆ©al de 2001 ˆÝ 2006, et coordonnatrice de l'Observatoire international de la crˆ©ation et des cultures musicales ˆÝ l'Universitˆ© de Montrˆ©al de 2003 ˆÝ 2006. Elle a siˆ©gˆ© sur divers conseils d'administration dans le milieu des arts, en plus d'effectuer de nombreux contrats comme pigiste, entre autres auprˆ®s de la pianiste Louise Bessette, de la Sociˆ©tˆ© de musique contemporaine du Quˆ©bec, de l'Institut canadien d'art vocal, et de DIFFUSION iMˆ©DIA.


Considˆ©rˆ© comme un passage obligˆ© dans le domaine de la musique classique, le Concours de musique du Canada est reconnu par les grandes institutions d'enseignement de partout au pays comme un complˆ©ment indispensable aux ˆ©tudes en musique. Depuis sa fondation en 1958, le Concours de musique du Canada a vu dˆ©filer des milliers de jeunes musiciens, dont les grands noms des scˆ®nes nationale et internationale d'aujourd'hui tels Marc-Andrˆ© Hamelin, Chantal Juillet, Alain Lefˆ®vre, Louis Lortie, Grˆ©gory Charles, Marie-Nicole Lemieux et Alexandre Da Costa, pour n'en nommer que quelques-uns.


Mme Lebel succˆ®de ˆÝ M. Louis Dallaire qui a travaillˆ© pendant plus de dix-sept ans au CMC. M. Dallaire a rˆ©cemment ˆ©tˆ© nommˆ© au poste de directeur du Conservatoire de musique de Trois-Riviˆ®res. La prˆ©sidente, Mme Cardinal, se joint au conseil d'administration pour le remercier pour toutes ses annˆ©es de dˆ©vouement, pour le fˆ©liciter et lui souhaiter bonne chance dans ses nouvelles fonctions ˆÝ Trois-Riviˆ®res.

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Montreal - Yolande Cardinal, President of the Board of Directors of the Canadian Music Competition (CMC), is pleased to announce the appointment of Julie Lebel as Executive Director.


"Julie Lebel has all the qualities to ensure the continuity and development of the CMC," explains Ms. Cardinal. "I am convinced that her knowledge of the music world and our organization, as well as her professionalism and energy, will be invaluable assets in the pursuit of the CMC's goals."


Julie Lebel has been working for the Canadian Music Competition for almost four years now, the last two as Associate General Director. A graduate of HEC Montrˆ©al with a graduate degree in Management of Cultural Organizations and the Universitˆ© de Sherbrooke (B. Mus., piano performance), Julie Lebel was Administrative Director of the magazine Circuit musiques contemporaines published by the Presses de l'Universitˆ© de Montrˆ©al from 2001 to 2006 and Coordinator of Universitˆ© de Montrˆ©al's Observatoire international de la crˆ©ation et des cultures musicales. She has been a member of a number of boards of directors in the arts and has completed many contracts as a freelancer, for pianist Louise Bessette, the Sociˆ©tˆ© de musique contemporaine du Quˆ©bec, the Canadian Vocal Arts Institute, and DIFFUSION i Mˆ©DIA, among others.


Considered a rite of passage in classical music, the Canadian Music Competition is recognized by major educational institutions across the country as indispensable to the study of music. Since its foundation in 1958, the Canadian Music Competition has seen thousands of young musicians cross its stages, including big names of the national and international scenes such as Marc-Andrˆ© Hamelin, Chantal Juillet, Alain Lefˆ®vre, Louis Lortie, Gregory Charles, Marie-Nicole Lemieux and Alexandre Da Costa, to name just a few.


Ms. Lebel succeeds Louis Dallaire, who has been appointed Director of the Conservatoire de musique de Trois-Riviˆ®res. Mr. Dallaire worked for the CMC for over 17 years. The President, Ms. Cardinal, joins the Board of Directors in thanking him for his years of devotion, and wishes him all the best in his new responsibilities in Trois-Riviˆ®res.

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Imago Theatre: down from heaven

c is pleased to announce the World Premier of Governor-General award winning playwright, Colleen Wagner’Äôs down from heaven and directed by local luminary Alain Goulem.

The production runs from September 24th-October 3rd 2009 at the Monument-National Studio Hydro-Quˆ©bec. The show times are 20:30-22:00 and there will be three matinˆ©e shows. Ticket prices are $22 or 10% discount for QDF, ELAN, PWM, ACTRA, UDA, EQUITY members. There are also reduced rates for seniors/students and further discounts for Cartes Premiˆ®res members. For more details please contact Imago Theatre 514.274.3222 or Monument-National 514.871.9883. Or please visit the websites www.imagotheatre.ca or www.monument-national.qc.ca for more information.

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Danielle de Niese celebrates the release of The Mozart Album

Rebecca Davis PR Presents: Danielle de NieseDanielle de Niese celebrates the release of
The Mozart Album
with appearances at
Vogue’Äôs Fashion’Äôs Night Out and (le) Poisson Rouge

"De Niese has a voice made for Mozart: bright, beautiful, agile and creamy." National Public Radio

New York, NY ’Äì On September 8th, 2009, Decca releases The Mozart Album, the hotly anticipated second solo recording from soprano Danielle de Niese. To celebrate the release, Danielle de Niese will be making two special appearances in New York City where she is in town to perform at the Metropolitan Opera as Susanna in Mozart’Äôs Le Nozze di Figaro from September 22nd-October 9th. On September 10th, Van Cleef & Arpels will welcome Danielle de Niese to perform in their showroom as part of Vogue magazine’Äôs Fashion’Äôs Night Out, a global celebration of fashion with special events happening at designer showrooms throughout the city. On October 6th, Danielle de Niese will make a rare appearance off the opera stage at (le) Poisson Rouge in New York’Äôs Greenwich Village to perform selections from The Mozart Album together with pianist Cameron Stowe.

An Australian’Äìborn American soprano of Dutch and Sri Lankan heritage, the exotically beautiful de Niese has been captivating audiences since childhood, when she was a fixture of Los Angeles local television hosting a weekly arts showcase for teenagers, for which she won an Emmy Award. De Niese was just 18 when she was accepted as the youngest artist ever into the Lindemann Young Artist Development Program of the Metropolitan Opera. She made her Met debut as Barbarina in Le nozze di Figaro, alongside Renˆ©e Fleming, Bryn Terfel, and Cecilia Bartoli and led by James Levine. On September 22nd of this year, de Niese returns to the Met to perform the leading role of Susanna in the same Jonathan Miller production of Le Nozze di Figaro in which she made her debut over a decade ago.

From the age of 19, when Danielle de Niese made that auspicious Metropolitan Opera debut it was clear that she was destined to be a major Mozart singer, given her extraordinary ability to communicate emotion through her beautiful crystalline voice, personal charisma, star quality and the irresistible force of her personality. So Mozart is a natural next step for de Niese in her recording career following up on her chart-topping debut album of Handel arias released in 2007. The selections on The Mozart Album reflect her career on stage, as well as her own favorite Mozart arias. De Niese was honored to work with Sir Charles Mackerras, a world authority on Mozart, who leads the Orchestra of the Age of Enlightenment.

In addition to her engagement with the Metropolitan Opera, the 2009-10 season sees Danielle de Niese performing as Susanna in Le nozze di Figaro with Lyric Opera of Chicago under the direction of Edward Gardner. She also sings the title roles in both L’Äôincoronazione di Poppea with the Teatro Real and Semele with Thˆ©ˆ¢tre des Champs Elysˆ©es. Additionally, Ms. de Niese will tour Europe with the period instrument group Il giardino armonico with an all Handel program with performances in Amsterdam, Vienna, Berlin and Madrid.

Visit Danielle de Niese on her website at www.danielledeniese.com and join her more than 1000 friends at www.myspace.com/danielledeniese.

Danielle de Niese at Vogue’Äôs Fashion’Äôs Night Out
WHEN: Thursday, September 10th at 7:45 pm
WHERE: Van Cleef & Arpels 744 Fifth Avenue at 57th Street
Open to the Public
www.vancleef-arpels.com

Danielle de Niese performs at (le) Poisson Rouge
WHERE: Le Poisson Rouge
158 Bleecker Street, between Thompson & Sullivan, NYC 10012
WHEN: Tuesday, October 6th at 7:30 pm
TICKETS: $15
Phone: 212 505 FISH (3474)
Ticket Hotline: 866 55 TICKETS
Website: www.lprnyc.com

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Opera Kitchener presents Cosi Fan Tutte

OPERA KITCHENER presents

"COSI FAN TUTTE" by W.A. Mozart

Saturday October 3rd, 2009 ’Äì 7:30pm

Sunday October 4th, 2009 ’Äì 3:00pm


Faithfulness and fickleness, deception and disguises, all wrapped up in a comedic bow tied together with the sublime music of Mozart!


OPERA KITCHENER will open its 2009/2010 Season with W.A.Mozart's brilliant comedy "COSI FAN TUTTE", often translated as "All Women are Like That"; the title itself disclosing the atmosphere of this popular opera.


The opera begins with a bet; the consummate bachelor Don Alfonso wagers against his friends Ferrando and Guglielmo that their respected fiancˆ©s would not remain faithful if they were to leave them even for a short duration. Naturally, the men take up the offer and thus ensues the hilarious onslaught of tricks and disguises to see if the women, Fiordiligi and Dorabella, remain true. Who will prevail?


This highly performed opera is renowned for not necessary for its transcendent solo arias but rather for the intricate ensemble singing; the familiar duets, trios, sextets etc, are almost too beautiful to support the silliness of a comedic plot that instigates continuous laughter.


The cast, chorus and orchestra is comprised of mainly performers from the Waterloo Region, as well as Stratford and London residents, including the lead roles Bethany Horst (Fiordiligi), Jennifer Elisabetta Fina (Dorabella), Jeremy Ludwig (Guglielmo), Emilio Fina (Ferrando) and William Lewans (Don Alfonso).


Sung in Italian with English surtitles, this production will be fully staged and accompanied by orchestra at OPERA KITCHENER's new abode, the HUMANITIES THEATRE, located at 200 University Avenue West in Waterloo.


OPERA KITCHENER is owned and operated by husband and wife team Emilio and Jennifer Fina. Their mandate is to present traditional, fully-staged professional operatic productions on a yearly basis, to provide the experience only opera can bestow to the public with affordable ticket prices and to employ the talents of resident musicians and artists of the community.


OPERA KITCHENER's "COSI FAN TUTTE" ’Äì an opera by W.A.Mozart ’Äì

Saturday October 3rd, 2009 at 7:30pm

Sunday October 4th, 2009 at 3:00pm

Humanities Theatre, University of Waterloo

200 University Avenue West, Waterloo Ontario


Fully staged with sets, costumes, orchestra, chorus and soloists

Sung in Italian with English Surtitles


For Tickets call the Humanities Theatre Box Office at 519.888.4908


Visit us at www.operakitchener.com for more information on this performance or our upcoming 2009/2010 season.

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3e Festival de Jazz de Quˆ©bec Quˆ©bec sous le signe de la note bleue !

Quˆ©bec ’Äì Le Festival de jazz de Quˆ©bec (FJQ), prˆ©sentˆ© du 23 au 27 septembre 2009, promet de placer la ville de Quˆ©bec sous le signe de la note bleue ! Pour sa troisiˆ®me annˆ©e, le FJQ poursuit sur sa lancˆ©e d'ˆ©vˆ©nement jazz le plus important ˆÝ l'Est de Montrˆ©al en prˆ©sentant prˆ®s de 70 spectacles, regroupant plus de 200 artistes d'ici, du Canada, des ˆâtats-Unis et du Brˆ©sil, dans 13 lieux de diffusion. Jazz nomade, jazz fusion, bossa nova, new jazz, jazz ambulant, voilˆÝ une programmation des plus diversifiˆ©es qui saura plaire au connaisseur comme au nˆ©ophyte.


Le sympathique Gino Ste-Marie, prˆ©sident et directeur gˆ©nˆ©ral du Festival de jazz de Quˆ©bec, est trˆ®s fier de la 3e cuvˆ©e de l'ˆ©vˆ©nement : ¬´ Le Festival poursuit sa mission qui est de mettre en valeur le grand talent des artistes d'ici, de prˆ©senter des artistes de calibre international et d'ˆ�tre ouvert sur les tendances. De plus, le jazz reprend sa place ˆÝ l'Hˆ¥tel le Clarendon, rayonne vers de nouveaux horizons (Jules & Jim, Cinˆ©ma Cartier, Le Cercle, etc.) et continue de briller au Palais Montcalm. Nous souhaitons que tous ces lieux se laissent prendre au jazz et le diffusent toute l'annˆ©e.¬ª


Du jazz partout et pour tous !

Pas moins de 13 lieux de diffusion prˆ©senteront du jazz: le Palais Montcalm (ainsi que son Cafˆ©-spectacles), le Largo, Le Cercle, la Scˆ®ne Belle Gueule - Pub Saint-Alexandre, l'Hˆ¥tel Clarendon, le bar Sainte-Angˆ®le, le Thˆ©ˆ¢tre de la Bordˆ©e, le Cinˆ©ma Cartier, le bar Jules & Jim, le Boudoir Lounge et les rues Saint-Jean et Saint-Joseph qui verront dˆ©filer des musiciens ambulants.


Du jazz de haut niveau au Palais Montcalm

Les amateurs savent dˆ©jˆÝ qu'ils seront servis avec le Volet Prestige prˆ©sentˆ© en collaboration avec la Sociˆ©tˆ© du Palais Montcalm. En plus du lˆ©gendaire McCoy TynerEliane Elias, du jazz fusion avec Allan Holdsworth, du jazz manouche avec les Frˆ®res Ferrˆ©, Michel Donato et Alain Jean-Marie et du new jazz avec le brillant et ˆ©lectrisant Christian Scott. auquel revient l'honneur de clore le 3e FJQ, on pourra entendre ˆ©galement la bossa nova de la brˆ©silienne


La Sˆ©rie jazz instrumental au Largo

Le Largo poursuit sa mission de Maison du jazz ˆÝ Quˆ©bec. Le resto et club de jazz le plus prestigieux de la Capitale-Nationale offre une programmation lumineuse. En prˆ©-ouverture, le 22 septembre ˆÝ 17h, un double lancement d'albums de formations quˆ©bˆ©coises trˆ®s prometteuses : Jazz Culture Club et Vincent Gagnon (tous deux chez Effendi Records). Se succˆ©deront au cours du Festival la pianiste virtuose Lorraine Desmarais (23 septembre), Andrˆ© Leroux (24 septembre), un des plus grands saxophonistes canadiens qui prˆ©sentera un spectacle inspirˆ© par l'oeuvre de John Coltrane, l'imprˆ©visible trio Derome/Guilbeault/Tanguay (25 septembre), Sylvain Provost (26 septembre), l'un des plus grands guitaristes du Quˆ©bec qui prˆ©sente son nouvel album, et pour terminer, le saxophoniste David Binney en quartette, avec Brian Blade ˆÝ la batterie (27 septembre) : l'un des musiciens les plus dynamiques et acclamˆ©s de la scˆ®ne jazz actuelle et gagnant du plus rˆ©cent Downbeat Critics Poll.


La Sˆ©rie jazz d'ˆÝ cˆ¥tˆ© au Cercle

Le Cercle, nouvelle scˆ®ne du 3e FJQ, frappe fort en prˆ©-ouverture avec Jay-Jay Johanson, lˆ©gende et prˆ©curseur du trip hop. Suivront le Jazz Culture Club (23 septembre) et l'Hypnotic Brass Ensemble (24 septembre), 8 cuivres qui sauront faire lever la foule : aprˆ®s plusieurs festivals prestigieux, c'est au FJQ qu'ils font leur premiˆ®re apparition dans la Capitale Nationale. Le 25 septembre, on aura droit ˆÝ une soirˆ©e exploratoire qui repousse les frontiˆ®res du jazz avec Dan Thouin, Jocelyn Tellier et Jim Doxas suivi du Brian Hurley Quartet (prˆ©sentˆ© en collaboration avec L'Off Festival de Jazz de Montrˆ©al). Le Normand Guilbeault Ensemble en compagnie de Karen Young, avec son fameux Hommage ˆÝ Mingus, assurera le spectacle du samedi 26 septembre.


La Scˆ®ne Belle Gueule au Pub Saint-Alexandre

Une Sˆ©rie jazz & groove qui vous fera bouger ! Impossible de rester immobile avec le Andrˆ© Larue Elektrik Band (24 septembre), qui propose un funk revisitˆ© et des interprˆ©tations The Beatles, Zappa et Hendrix. Artillerie Lourde (25 septembre) poursuit le bal avec un swing manouche contagieux, suivi par Tribop (27 septembre), un trio saxophone - orgue - batterie qui fait revivre le jazz des annˆ©es '50. -GRATUIT-


La Sˆ©rie les voix du jazz ˆÝ l'Hˆ¥tel Le Clarendon

Des voix pour charmer et se laisser emporter ! La sˆ©rie dˆ©bute avec Jessica Vigneault le 23 septembre et se poursuit avec Annie Poulain (24 septembre) et Marie-Noˆ´lle Claveau (25 septembre), ces deux derniˆ®res ˆ©tant laurˆ©ates du Gala de la musique de Quˆ©bec. Le Clarendon reˆßoit deux chanteurs, Danya Ortmann et Renaud Paquet (26 septembre), et le KJK (collectif jazz de Quˆ©bec) vient clore cette sˆ©rie consacrˆ©e aux voix le 27 septembre avec son spectacle 'Vive la France !', lequel propose des relectures jazzˆ©es des plus belles chansons franˆßaises. -GRATUIT-


Et encore plus de jazz !

La Capitale-Nationale sera littˆ©ralement envahie par le jazz ! Le Jules & Jim prˆ©sente la Sˆ©rie Jazz intimiste (Duo Gilles Bernard/Pierre Cˆ¥tˆ©, Duo Danya Ortmann/Jasmin Cloutier, Duo Andrˆ© Larue/Daniel Marcoux, Duo Jonathan Hains/Simon Lˆ©vesque, Duo Danielle Viens/Pierre Cˆ¥tˆ©), le Bar Sainte-Angˆ®le, la Sˆ©rie Jazz in the Night (Jean-Luc Thibeault Quartet, Christian Proteau Quartet, Quartette Janis Steprans, Trio Sainte-Angˆ®le) et le Boudoir Lounge, la Sˆ©rie Note bleue, rythmes chauds (Comitˆ© Trio, Son Cubano, Andrˆ© Larue Elektrik Band). De plus, des groupes de musiciens ambulants animeront les rues Saint-Jean et Saint-Joseph pendant l'ˆ©vˆ©nement.


Le Festival de jazz de Quˆ©bec tient ˆÝ remercier ses partenaires majeurs la Biˆ®re Belle Gueule, la Sociˆ©tˆ© du Palais Montcalm, Eau de source naturelle Saint-ˆâlie, Largo, Pointcomm, Place Ste-Foy, Premiˆ®re Ovation, Patrimoine Canada, La Tˆ©lˆ©vision de Radio-Canada ˆÝ Quˆ©bec, Rock Dˆ©tente 107,5 et Voir Quˆ©bec ainsi que ses partenaires Teksho, Stein Monast, Imprimerie Nicober, le Soleil et Quˆ©bec-Scope.


¬ªEn savoir plus sur les ˆ©vˆ©nements spˆ©ciaux (PDF)

¬ªConsultez la programmation complˆ®te (PDF)

¬ªTˆ©lˆ©chargez ce communiquˆ© (PDF)


BILLETTERIE

Palais Montcalm

418 641.6040

www.palaismontcalm.ca

Le Cercle et

Thˆ©ˆ¢tre de la Bordˆ©e :

www.billetech.com

Largo

418 529-3111

www.largorestoclub.com

www.jazzaquebec.ca

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Le Mois de la Photo ˆÝ Montrˆ©al dˆ©voile la programmation de sa 11e ˆ©dition/Le Mois de la Photo ˆÝ Montrˆ©al Presents the Program of its 11th Presentation

Le Mois de la Photo ˆÝ Montrˆ©al dˆ©voile la programmation de sa 11e ˆ©dition

Montrˆ©al ’Äì La 11e ˆ©dition du Mois de la Photo ˆÝ Montrˆ©al se tiendra du 10 septembre au 11 octobre 2009, sous le thˆ®me Les Espaces de l’Äôimage, proposˆ© par la commissaire invitˆ©e franˆßaise Gaˆ´lle Morel. Au programme : 24 expositions individuelles et interventions publiques extˆ©rieures seront rˆ©parties sur divers lieux de la mˆ©tropole. Des artistes en provenance de 13 pays, dont le Canada, exploreront la question des dispositifs et de la mise en espace en photographie contemporaine. Plusieurs ‰ìuvres seront prˆ©sentˆ©es en premiˆ®re canadienne, parmi lesquelles des crˆ©ations inˆ©dites spˆ©cialement conˆßues pour Le Mois de la Photo ˆÝ Montrˆ©al.

La programmation d’Äôexposition se dˆ©ploiera sur 3 arrondissements de Montrˆ©al : Ville-Marie, le Plateau-Mont-Royal et le Sud-Ouest. La soirˆ©e de lancement du 10 septembre, ˆÝ 18 h 30, se dˆ©roulera aux Ateliers Jean Brillant, un lieu d’Äôexposition situˆ© dans un ancien ˆ©difice industriel du quartier Saint-Henri dans le Sud-Ouest.

En complˆ©ment aux expositions, le public sera conviˆ© ˆÝ de nombreuses activitˆ©s : la soirˆ©e de lancement, une sˆ©rie de vernissages, des confˆ©rences d’Äôartistes, un programme de mˆ©diation culturelle destinˆ© au grand public et aux groupes scolaires, ainsi qu’Äôun colloque d’Äôenvergure internationale prˆ©sentˆ© le 2 octobre au Centre Canadien d’ÄôArchitecture.

Toutes les expositions et les activitˆ©s ouvertes au grand public seront gratuites, grˆ¢ce ˆÝ la gˆ©nˆ©rositˆ© de nos partenaires.

ˆâgalement intitulˆ©e Les Espaces de l’Äôimage, la publication de la 11e ˆ©dition, sous la direction de Gaˆ´lle Morel, regroupe les contributions inˆ©dites d’Äôhistoriens de l’Äôart et de critiques intˆ©ressˆ©s par la question des enjeux scˆ©nographiques. Illustrˆ© par les ‰ìuvres des artistes de la biennale, cet ouvrage de rˆ©fˆ©rence bilingue sera en vente en librairie et dans plusieurs lieux d’Äôexposition durant l’Äôˆ©vˆ©nement.

Pour sa 11e ˆ©dition, Le Mois de la Photo ˆÝ Montrˆ©al remettra ˆÝ nouveau des prix aux artistes.Le Prix du public Contact Image rˆ©compensera l’Äôartiste ayant rˆ©coltˆ© le plus de votes du public par une bourse de 1 500 $. Le public pourra voter en ligne sur notre site Web avant le 25 septembre. Le Prix Dazibao 2009 permettra ˆÝ un artiste de rˆ©aliser une publication pour la collection Les portables (le livre du laurˆ©at 2007 sera disponible durant l’Äôˆ©vˆ©nement). De plus, un concours photographique sera organisˆ© pour les jeunes quˆ©bˆ©cois par le Consulat Gˆ©nˆ©ral de France ˆÝ Quˆ©bec et l’ÄôOffice franco-quˆ©bˆ©cois pour la jeunesse. La remise des prix aura lieu le 2 octobre, ˆÝ 17 h 30, ˆÝ la suite du colloque au Centre Canadien d’ÄôArchitecture.

Pour sa premiˆ®re campagne de financement Sortez du cadre !, Le Mois de la Photo ˆÝ Montrˆ©al invite le public ˆÝ lui offrir son appui, afin de continuer ˆÝ produire un ˆ©vˆ©nement unique et novateur ˆÝ chaque ˆ©dition. Les dons peuvent ˆ�tre effectuˆ©s en ligne.

Pour de plus amples renseignements, consultez notre site Web www.moisdelaphoto.com. Le Mois de la Photo ˆÝ Montrˆ©al est ˆ©galement prˆ©sent sur les rˆ©seaux sociaux Facebook et Twitter.

Le Mois de la Photo ˆÝ Montrˆ©al est une biennale internationale de photographie contemporaine dont la premiˆ®re ˆ©dition s’Äôest tenue en 1989, afin de cˆ©lˆ©brer le 150e anniversaire de l’Äôinvention de la photographie. En 2009, l’Äôˆ©vˆ©nement a reˆßu le Prix du mˆ©rite artistique, dˆ©cernˆ© pour la premiˆ®re fois par la Fondation Imperial Tobacco Canada.

Artistes
Kutlug Ataman (Turquie) ’Ä¢ Sammy Baloji (Republique Democratique du Congo) ’Ä¢ Yaˆ´l Bartana (Israˆ´l/Pays Bas) ’Ä¢ Robert Burley (Canada) ’Ä¢ Jim Campbell (ˆâtats-Unis) ’Ä¢ Pascal Convert (France) ’Ä¢ Luc Courchesne (Canada) ’Ä¢ Michael Flomen (Canada) ’Ä¢ Jeff Guess (ˆâtats-Unis/France) ’Ä¢ Joana Hadjithomas & Khalil Joreige (Liban/France) ’Ä¢ Alfredo Jaar (Chili/ˆâtats-Unis) ’Ä¢ Emmanuelle Lˆ©onard (Canada) ’Ä¢ Yveline Loiseur (France) ’Ä¢ Shelley Miller (Canada) ’Ä¢ Oscar Muˆ±oz (Colombie) ’Ä¢ Cheryl Pagurek (Canada) ’Ä¢ Alain Paiement (Canada) ’Ä¢ Pavel Pavlov (Canada) ’Ä¢ Anne Ramsden (Canada) ’Ä¢ David Rokeby (Canada) ’Ä¢ Zineb Sedira (France/Royaume-Uni) ’Ä¢ Beat Streuli (Suisse) ’Ä¢ Pierre Tremblay (Canada) ’Ä¢ Yang Zhenzhong (Chine)

Lieux d'exposition
Centre Canadien d'Architecture ’Ä¢ Fonderie Darling ’Ä¢ Galerie B-312 ’Ä¢ Galerie de l’ÄôUQAM ’Ä¢ Galerie Leonard & Bina Ellen, Universitˆ© Concordia ’Ä¢ Les Ateliers Jean Brillant ’Ä¢ MAI (Montrˆ©al, arts interculturels) ’Ä¢ Maison de la culture du Plateau-Mont-Royal ’Ä¢ Maison de la culture Frontenac ’Ä¢ SBC galerie d'art contemporain ’Ä¢ VOX, centre de l’Äôimage contemporaine

Le Mois de la Photo ˆÝ Montrˆ©al
Dates : 10 septembre au 11 octobre 2009
Soirˆ©e de lancement : jeudi 10 septembre ˆÝ 18h30 aux Ateliers Jean Brillant, 3550 rue St-Jacques Ouest, mˆ©tro Lionel-Groulx
Site Web : www.moisdelaphoto.com

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Le Mois de la Photo ˆÝ Montrˆ©al Presents the Program of its 11th Presentation

Montrˆ©al ’Äì The 11th presentation of Le Mois de la Photo ˆÝ Montrˆ©al will be held from September 10 to October 11, 2009. Organized around the theme The Spaces of the Image, developed by French Guest Curator Gaˆ´lle Morel, the event will feature 24 solo exhibitions and public space interventions in a variety of different sites throughout the city. Artists from 13 countries, including Canada, will explore the question of mechanisms and staging in contemporary photography. Several works will be presented for the first time in Canada, including new works especially created for Le Mois de la Photo ˆÝ Montrˆ©al.

The program of exhibitions will be spread across 3 boroughs in Montreal: Ville-Marie, Le Plateau-Mont-Royal, and Le Sud-Ouest. The public event launch will be held on September 10 at 6:30 p.m. at Les Ateliers Jean Brillant, an exhibition site located in a former industrial building in the Saint-Henri district of Le Sud-Ouest.

To compliment the exhibitions an array of activities will be offered: a public event launch, a series of openings, artists’Äô talks, a program of cultural mediation offered to the general public and to students, and an international colloquium to be held on Friday, October 2 at the Canadian Centre for Architecture.

Thanks to the generosity of our partners, all of our exhibitions and activities open to the general public will be presented free of charge.

Also titled The Spaces of the Image, the publication accompanying Le Mois de la Photo ˆÝ Montrˆ©al 2009 is edited by Gaˆ´lle Morel and brings together new and original contributions by art historians and critics interested in scenographic issues. Lavishly illustrated with the works of the participating artists, this bilingual reference book will be available in bookstores and in several exhibition sites during the event.

For the 2009 event, Le Mois de la Photo ˆÝ Montrˆ©al will renew its presentation of awards to artists. The Contact Image People’Äôs Choice Award will reward the public’Äôs favourite artist with a grant of $1,500. The public can vote online on our Web site before September 25. The Dazibao Award will enable an artist to produce a book for Les portables series (the book by the 2007 winner will be available during the event). In addition, a photography contest will be organized for young Quˆ©bˆ©cois by Le Consulat Gˆ©nˆ©ral de France ˆÝ Quˆ©bec and L’ÄôOffice franco-quˆ©bˆ©cois pour la jeunesse. The recipients of the awards will be announced on October 2 at 5:30 p.m., immediately following the colloquium at the Canadian Centre for Architecture.

As part of its first fundraising campaign, Move beyond the frame and into the picture!, Le Mois de la Photo ˆÝ Montrˆ©al seeks support in order to help continue its activities and make each presentation into a unique, innovative event. Donations can be made online.

The official program is available in the exhibition sites, at our distribution partners, and can be downloaded on our Web site.

For more information, please visit our Web site www.moisdelaphoto.com. Le Mois de la Photo ˆÝ Montrˆ©al also has a page on the social networks Facebook and Twitter.

Le Mois de la Photo ˆÝ Montrˆ©al is an international biennale of contemporary photography first presented in 1989, to celebrate the 150th anniversary of the invention of photography. The event received the Imperial Tobacco Canada Foundation’Äôs inaugural Arts Achievement Award in 2009.

Artists
Kutlug Ataman (Turkey) ’Ä¢ Sammy Baloji (Democratic Republic of Congo) ’Ä¢ Yael Bartana (Israel/the Netherlands) ’Ä¢ Robert Burley (Canada) ’Ä¢ Jim Campbell (USA) ’Ä¢ Pascal Convert (France) ’Ä¢ Luc Courchesne (Canada) ’Ä¢ Michael Flomen (Canada) ’Ä¢ Jeff Guess (USA/France) ’Ä¢ Joana Hadjithomas & Khalil Joreige (Lebanon/France) ’Ä¢ Alfredo Jaar (Chile/USA) ’Ä¢ Emmanuelle Lˆ©onard (Canada) ’Ä¢ Yveline Loiseur (France) ’Ä¢ Shelley Miller (Canada) ’Ä¢ Oscar Muˆ±oz (Colombia) ’Ä¢ Cheryl Pagurek (Canada) ’Ä¢ Alain Paiement (Canada) ’Ä¢ Pavel Pavlov (Canada) ’Ä¢ Anne Ramsden (Canada) ’Ä¢ David Rokeby (Canada) ’Ä¢ Zineb Sedira (France/UK) ’Ä¢ Beat Streuli (Switzerland) ’Ä¢ Pierre Tremblay (Canada) ’Ä¢ Yang Zhenzhong (China)

Exhibition Sites
Canadian Centre for Architecture ’Ä¢ Darling Foundry ’Ä¢ Galerie B-312 ’Ä¢ Galerie de l’ÄôUQAM ’Ä¢ Leonard & Bina Ellen Art Gallery, Concordia University ’Ä¢ Les Ateliers Jean Brillant ’Ä¢ MAI (Montrˆ©al, arts interculturels) ’Ä¢ Maison de la culture du Plateau-Mont-Royal ’Ä¢ Maison de la culture Frontenac ’Ä¢ SBC Gallery of Contemporary Art ’Ä¢ VOX, centre de l’Äôimage contemporaine

Le Mois de la Photo ˆÝ Montrˆ©al
Dates: September 10 to October 11, 2009
Public event launch: Thursday September 10, 6:30 pm at Les Atelier Jean Brillant, 3550, St-Jacques W., metro Lionel-Groulx
Web site: www.moisdelaphoto.com

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Innovation et audace dans une programmation diversifiˆ©e

Conseil des arts de Montrˆ©al en tournˆ©e 2009-2010
MAIRES ET ARTISTES SE JOIGNENT AU DˆâVOILEMENT DE LA 27e SAISON

Montrˆ©al ’Äì La 27e saison du Conseil des arts de Montrˆ©al en tournˆ©e a ˆ©tˆ© dˆ©voilˆ©e aujourd’Äôhui lors d’Äôune confˆ©rence de presse animˆ©e par le comˆ©dien et metteur en scˆ®ne Martin Faucher ˆÝ la Maison du Conseil des arts de Montrˆ©al dans l’Äôˆâdifice Gaston-Miron. La prˆ©sidente du Conseil des arts de Montrˆ©al, Louise Roy, a donnˆ© le coup d’Äôenvoi ˆÝ une saison orientˆ©e vers l’Äôinnovation et la diversitˆ©. En prˆ©sence de Catherine Sˆ©vigny, membre du comitˆ© exˆ©cutif responsable de la culture ˆÝ la Ville de Montrˆ©al, cinq maires se sont associˆ©s ˆÝ cinq artistes pour tˆ©moigner de l’Äôimportance de la prˆ©sence des arts sur l’Äôensemble du territoire montrˆ©alais.

Ainsi, les mairesses Manon Barbe (LaSalle), Vera Danyluk (Ville Mont-Royal), Anie Samson (Villeray’ÄìSaint-Michel’ÄìParc-Extension), Marie Cinq-Mars (Outremont) et le maire Alan DeSousa (Saint-Laurent), de mˆ�me que les artistes Gabor Szilasi, Sylvain Pohu, Martin Thibault, Louise Bˆ©dard et Alanis Obomsawin, ont prˆ©sentˆ© les faits saillants de la programmation 2009-2010 qui permettra aux citoyens de dˆ©couvrir ou redˆ©couvrir les meilleures productions montrˆ©alaises de la derniˆ®re annˆ©e. Ils ont invitˆ© les Montrˆ©alais ˆÝ assister, gratuitement ou ˆÝ peu de frais, ˆÝ plus de 400 prˆ©sentations artistiques professionnelles dans les quelque 150 lieux de diffusion municipaux (maisons de la culture, centres culturels, galeries publiques, bibliothˆ®ques, ˆ©glises, salles rˆ©gionales, etc.).

Les cinq artistes ont aussi prˆ©sentˆ© leurs rˆ©alisations ou leurs projets qui circuleront cette saison : la chaleureuse exposition Famille de Gabor Szilazi, l’Äôinteractif concert L'improvisation musicale dirigˆ©e par signes de l’Äôensemble [iks] dirigˆ© par Sylvain Pohu, les animations littˆ©raires de Martin Thibault, l’Äôˆâcrivain en rˆ©sidence de Villeray Saint-Michel ’Äì Parc-Extension (voir le communiquˆ© ˆÝ ce sujet) et l’Äôenvoˆªtante chorˆ©graphie Enfin vous zestes de Louise Bˆ©dard et les oeuvres engagˆ©es et sensibles de Alanis Obomsawin (son film Waban-Aki : peuple du soleil levant et ses gravures de l’Äôexposition Abˆ©naki Fˆ©minin). De plus, Martin Faucher est le metteur en scˆ®ne de la piˆ®ce Une maison propre du Thˆ©ˆ¢tre de l’ÄôOpsis qui fera sa tournˆ©e montrˆ©alaise au printemps 2010.

Une programmation renouvelˆ©e

Cette 27e saison est la premiˆ®re ˆÝ mettre en application des recommandations issues d’Äôune vaste consultation rˆ©alisˆ©e en 2008, ˆÝ l’Äôoccasion du 25e anniversaire du programme de tournˆ©es, avec l’Äôensemble des intervenants impliquˆ©s de prˆ®s ou de loin dans la circulation des arts sur l'ˆÆle de Montrˆ©al. Ainsi, le Conseil des arts de Montrˆ©al a choisi de prendre davantage en compte le risque et l'innovation, de recentrer le soutien vers les compagnies artistiques, de favoriser les liens directs et durables entre les organismes artistiques et les diffuseurs et de dˆ©velopper une offre de rˆ©sidences. Bref, un soutien qui cherche ˆÝ mieux accompagner, conseiller, stimuler et dynamiser.

En consˆ©quence, plus du quart de la programmation est reprˆ©sentative de la diversitˆ© culturelle dans les arts ˆÝ Montrˆ©al et prˆ®s du tiers des oeuvres sont des crˆ©ations qui participent ˆÝ l’Äôavancement de la discipline. De plus, deux organismes artistiques sur cinq circuleront pour la premiˆ®re fois avec le Conseil des arts de Montrˆ©al en tournˆ©e.

L’Äôaudace est notamment dans la danse avec trois chorˆ©graphes ˆ©mergents, Elodie Lombardo (Soeurs Schmutt), Ismaˆ´l Mouaraki (Destin Croisˆ©s) et Marie Bˆ©land (maribˆ© - sors de ce corps) qui se joignent aux renommˆ©s BenoˆÆt Lachambre, Roger Sinha, Sylvain ˆâmard, Martin Bˆ©langer et Louise Bˆ©dard. L’Äôaventure artistique se retrouve aussi dans le spectacle L'Arche de l’ÄôArsenal ˆÝ musique, une production multidisciplinaire avec une foule de concepteurs qui intˆ®gre habilement musique, arts du cirque et vidˆ©o sur le thˆ®me de la biodiversitˆ©. Le public intrˆ©pide trouvera son compte avec la Sociˆ©tˆ© de musique contemporaine du Quˆ©bec (SMCQ) qui nous invitent ˆÝ La Fugue, un spectacle musical de thˆ©ˆ¢tre festif pour ados, avec le Thˆ©ˆ¢tre de la Manufacture dans Coma Unplugged, un cabaret psychique dˆ©jantˆ© de Pierre-Michel Tremblay, avec le Momentum dans Le Salon Automate mettant en scˆ®ne trois authentiques automates programmˆ©s, ou encore avec le spectacle rˆ©trospectif de la suave Nathalie Derome dont la compagnie s'appelle dˆ©sormais et pertinemment : Des mots d'la dynamite. En arts visuels, Manon Labrecque (avec Dazibao) et Jean-Franˆßois Laporte (Productions Totem contemporain) jouent ingˆ©nieusement avec nos sens. ˆÄ cela s’Äôajoutent nos deux nouveaux portraits d’Äôartistes, Luc Courchesne et Manon De Pauw.

Les Montrˆ©alais auront plusieurs occasions de mieux connaˆÆtre l’Äôhistoire et les rˆ©alitˆ©s des Premiˆ®res nations avec les films de Alanis Obomsawin (Waban-Aki : peuple du soleil levant), de Benoit Pilon (Ce qu'il faut pour vivre), de Tracey Deer (Club Native) ou avec les courts mˆ©trages de jeunes autochtones des rˆ©gions ˆ©loignˆ©es du Quˆ©bec prˆ©sentˆ©s par le Wapikoni mobile. Ils pourront aussi dˆ©couvrir d’Äôautres rˆ©alitˆ©s ˆÝ travers le film touchant de Philippe Baylaucq, Le magicien de Kaboul, des films mexicains et argentins prˆ©sentˆ©s par le Festival culturel Ibˆ©ro-latino-amˆ©ricain de Montrˆ©al (Festivalissimo) (El Bonaerense et Un Mundo Maravilloso), les piˆ®ces Les ˆâmigrˆ©s du Thˆ©ˆ¢tre Deuxiˆ®me Rˆ©alitˆ© et Salvador de la Compagnie de thˆ©ˆ¢tre Le Carrousel ou les musiques africaines et tziganes de Alpha Thiam et de Sergiu Popa, prˆ©sentˆ©s par Musique Multi Montrˆ©al.

Montrˆ©al se distingue grandement par ses compagnies de crˆ©ations pour les jeunes. Environ le cinquiˆ®me de la programmation est composˆ©e d’Äôactivitˆ©s qui leur sont consacrˆ©es. D’Äôexcellentes piˆ®ces de thˆ©ˆ¢tre du Youtheatre, du Thˆ©ˆ¢tre de la Pire Espˆ®ce, du thˆ©ˆ¢tre de marionnette L’ÄôIllusion, de la compagnie Mathieu, Franˆßois et les autres ou Les Deux Mondes seront prˆ©sentˆ©es aux enfants, accompagnˆ©s ou non. Finalement, Sacrˆ© Tympan et l’Äôensemble [iks] proposent des explorations musicales qui s’Äôadressent respectivement aux petits de 4 ˆÝ 8 ans et plus grands de 8 ˆÝ 12 ans.

Avec 70 activitˆ©s artistiques diffˆ©rentes (spectacles, expositions, concerts, films, soirˆ©es littˆ©raires, portraits, etc.), le Conseil des arts de Montrˆ©al en tournˆ©e demeure encore en 2009-2010 la plus importante tournˆ©e artistique ˆÝ se dˆ©rouler sur l’Äôensemble du territoire de Montrˆ©al. C’Äôest plus de 1M$ investis chaque annˆ©e, un soutien qui va directement aux artistes pour leur permettre de diffuser leurs rˆ©centes crˆ©ations.

Le montage de la saison du Conseil des arts de Montrˆ©al en tournˆ©e est un processus de collaboration exceptionnel pour rapprocher l'art des citoyens qui mise sur la complˆ©mentaritˆ© entre le Conseil des arts, les municipalitˆ©s, les arrondissements et le milieu artistique. Cette complicitˆ© est une marque distinctive de Montrˆ©al qui permet aux Montrˆ©alais de prendre contact avec la crˆ©ativitˆ© de nos artistes et ˆÝ ces derniers de multiplier les rendez-vous artistiques avec les Montrˆ©alais. Il se fait, dans les diffˆ©rentes localitˆ©s de l’ÄôˆÆle de Montrˆ©al, un remarquable travail de dˆ©veloppement culturel auquel le Conseil des arts de Montrˆ©al en tournˆ©e contribue depuis 27 ans en soutenant la circulation de crˆ©ations professionnelles auprˆ®s des citoyens au sein de leur milieu de vie, le plus souvent en dehors du centre-ville de Montrˆ©al.
Le coup d’Äôenvoi de l’Äôautomne sera donnˆ© le 16 septembre ˆÝ 19h30 par l’ÄôOrchestre Mˆ©tropolitain avec Yannick et les solistes du Mˆ©tropolitain ˆÝ l’Äôˆâglise Notre-Dame-des-Sept-Douleurs de l’Äôarrondissement de Verdun.

Quelques chiffres de la 27e saison

* 56 organismes artistiques

* 70 activitˆ©s artistiques Environ 500 artistes impliquˆ©s
* 1 100 000 $ versˆ©s aux artistes
* Une cinquantaine de prˆ©sentations scolaires
* 12 municipalitˆ©s participantes incluant les 19 arrondissements de Montrˆ©al
* Plus de 150 lieux de diffusion (salles, galeries, bibliothˆ®ques, parcs, etc.)
* 100 000 spectateurs ou visiteurs

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ORNETTE COLEMAN - Thursday, September 24, 2009 at 8 PM / Massey Hall

ORNETTE COLEMAN

Thursday, September 24, 2009 at 8 PM / Massey Hall

$89.50 - $69.50 - Call 416-872-4255 or online at www.roythomson.com

Or visit the Roy Thomson Hall Box Office


Toronto, ON. -- Fifty years ago, saxophonist Ornette Coleman shook up the world of jazz with The Shape of Jazz to Come, a groundbreaking album whose influence has been felt by virtually every jazz musician. Coleman has always sought that most prized quality in jazz: freedom. His profound artistry was recognized in 2007 with both a Pulitzer Prize and a Grammy Award for Lifetime Achievement. His music continues to resonate powerfully, thanks to his deeply memorable concert at Massey Hall in 2005. ’ÄúThere are concerts in the world of jazz, plenty of concerts, and then there are events. Ornette Coleman’Äôs appearance in Toronto was both.’Äù --The Globe & Mail


Ornette Coleman is a jazz revolutionary. In the 1960s, he ignored regular harmonies and rhythms, and in the 1970s he applied to rock instrumentation his ’Äúharmolodic’Äù theory with his group, Prime Time. The result was an influential jazz/rock/funk/ethnic musical sound with all melodies treated equally, that blew the minds of jazz fans world-wide.


When he started in the 1950s, Coleman changed the standard jazz practice in which musicians have performance autonomy. His new mode encompassed that ’Äúno one player has the lead; anyone can come out with it at any time.’Äù In the early 1960s, Coleman took a couple of years off from the stage to focus on learning other instruments like the trumpet and violin. He returned in the mid 1960s with new works for these instruments and ensembles traditionally considered ’Äúclassical’Äù ’Äì wind quintets, large chamber ensembles, and vocalists. While he continued musical partnerships with Charlie Haden, Don Cherry, Billy Higgins, Ed Blackwell, and tenor saxophonist Dewey Redman, he rarely performed with a regular band. He also played with saxophonist Pharoah Sanders, drummer Elvin Jones, and Yoko Ono, whose 1968 performance with Coleman’Äôs band is documented on her 1970 Yoko Ono/Plastic Ono Band.


Skies of America was written by Coleman in 1972, a long work for orchestra recorded with the London Symphony Orchestra. This album introduced his ’Äúharmolody’Äù theory. In 1987, Coleman released In All Languages, featuring a guest appearance by Grateful Dead guitarist Jerry Garcia, a fan of Coleman’Äôs. Coleman continued experimenting for various instrumentations and ensembles, mixing acoustic with electric. In the 1990s, his music was re-discovered by modern jazz fans. In 1993 Coleman’Äôs monumental Atlantic recordings were released in a CD box set, Beauty Is a Rare Thing. In 1997, Coleman was inducted into the American Academy of Arts and Letters. Also that year New York’Äôs Lincoln Center hosted a festival of his work featuring a performance of Skies of America by the New York Philharmonic and the surviving members of Prime Time. He continues performing and experimenting in an art form he completely changed.


JAZZ @ MASSEY HALL Sponsored by TD Canada Trust

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Four cornerstone arts organizations bring you The Season on Stage

THE SEASON ON STAGE

Four leaders in the Edmonton arts scene join together to bring you an exceptional performance package


Four fabulous performances, one low price.


Edmonton, AB ’Ķ Explore, Listen, Feel, Surrender. Four cornerstone arts organizations in Alberta, and leaders in the Edmonton arts scene, have come together to offer The Season on Stage. The Alberta Ballet, the Citadel Theatre, Edmonton Opera, and the Edmonton Symphony Orchestra invite all dance, theatre, opera, and music lovers to experience the diversity of the performing and musical arts in Edmonton with a special, limited time, ticket package offer.


Choice performances included in this ticket package are: the Alberta Ballet’Äôs Romeo and Juliet, the Citadel Theatre’Äôs As You Like It, Edmonton Opera’Äôs Pirates of Penzance, and the Edmonton Symphony Orchestra’Äôs Vivaldi’Äôs Guitar Concerto.


Alberta Ballet presents

Romeo and Juliet

November 6 & 7, 2009

Northern Alberta Jubilee Auditorium

Choreography: Jean Grand-MaˆÆtre

Accompanied by the Edmonton Symphony Orchestra


Alberta Ballet’Äôs three-year Shakespeare Cycle opened with Kirk Peterson’Äôs magnificent Othello and was followed by Christopher Wheeldon’Äôs critically acclaimed triumph A Midsummer Night’Äôs Dream. This season we conclude the cycle with an encore presentation of Grand-MaˆÆtre’Äôs intense and riveting Romeo and Juliet, set to one of the most brilliant scores ever written for ballet, by the great Sergei Prokofiev.


’ÄúCollaboration is at the heart of creating art. Along with our other partnerships this season, we are proud to be able to share in this great opportunity to allow our audiences to experience some of the best of what Edmonton’Äôs arts community has to offer.’Äù

’Äì Darryl Lindenbach, Executive Director, Alberta Ballet


Edmonton Opera presents

Pirates of Penzance

Gilbert and Sullivan

February 6, 9, & 11, 2010

Northern Alberta Jubilee Auditorium


Back by popular demand, Gilbert and Sullivan’Äôs timeless classic returns to the stage for a delightful meander through the world of England’Äôs most notorious, yet generous, pirates. As to be expected from Gilbert and Sullivan, this sunny delight in the midst of winter owes its hilarity to a series of misunderstandings, impossibly ludicrous rules, and the indomitable (if misguided) spirit of young love. The high-jinx, high silliness, and high notes on the high seas will be steered by Conductor/ Director team Peter Dala and Robert Herriot, who brought the laughs to Edmonton Opera audiences in recent productions of Daughter of the Regiment and H.M.S. Pinafore. Join us in February for our own version of a winter cruise, and don’Äôt miss the adventure in this topsy-turvy world of fools!


’ÄúIt’Äôs a great package for people who want to try a little bit of everything ’Äì we have such wonderful art in this city and Edmontonians will really benefit from getting to try it all this season. Arts partnerships in Edmonton have always been a foundation of our business, and this is a wonderful new extension of collaborating.’Äù

- Mary Phillips-Rickey, General Manager, Edmonton Opera


The Edmonton Symphony Orchestra presents

Vivaldi’Äôs Guitar Concerto

March 26 & 27, 2010

Francis Winspear Center for Music

William Eddins, conductor

Manuel Barrueco, guitar


’ÄúA superior musician,’Äù wrote the New York Times of Manuel Barrueco, a classical music guitarist who makes his ESO debut playing Vivaldi’Äôs haunting Guitar Concerto. Barrueco will also demonstrate his world of talent, musicianship, and technical acuity performing Sierra’Äôs Folias, based on Spanish dances of the 16th and 17th centuries. Bill Eddins and the Edmonton Symphony Orchestra will complete the program with Respighi’Äôs popular Ancient Airs and Dances and Petroushka, a ballet based on the Russian tale of a puppet brought to life.

’ÄúWe feel this to be a terrific offer for patrons of the musical and performing arts, to have a full range experience of the high calibre artistic talent that resides in our city. Through the partnership of these four flagship arts groups, people can enjoy a taste of everything. And for newcomers, what a perfect way to experience it all.’Äù

- Annemarie Petrov, Managing Director, Edmonton Symphony Orchestra


The Citadel Theatre presents

As You Like It

April 17 ’Äì May 9, 2010

Maclab Theatre

By: William Shakespeare

Directed by: James MacDonald


What is a young noblewoman to do when she and her father are banished from their home on pain of death? Rosalind retreats to the Forest of Arden where nature and love are her happy salvations. Fearful of discovery, she disguises herself as a boy, only to fall madly in love with a handsome, lovesick gentleman, Orlando. A romantic comedy ahead of its time, Shakespeare’Äôs As You Like It features delightful characters, mischievous encounters and deliciously witty repartee.


Featuring the participants of the 2010 Citadel/Banff Centre Professional Theatre Program.

’ÄúThe Citadel has high regard for the work of our arts partners, Edmonton Opera, the Edmonton Symphony Orchestra, and the Alberta Ballet, and we’Äôre excited to be working together to offer Edmontonians a great mix of live performance opportunities this season.’Äù

’Äì Penny Ritco, Executive Director, Citadel Theatre


Only 100 ticket packages available! Packages can be purchased at TIX on the Square beginning September 8th, 2009. Four tickets, four performances, all for one low price of $170 (plus fees). Call 780-420-1757, toll-free 1-877-888-1757, or visit www.tixonthesquare.ca.

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Washington Piano Festival a huge success

Washington, DC ’Äì For the week of August 9, 2009, DC and the campus of the Catholic University of America played host to the first annual Washington International Piano Festival, a one-week program filled with daily lectures, seminars, one-on-one sessions and concerts. Aspiring concert pianists, teachers, amateurs, and piano lovers at-large from 10 U.S. states, as well as Russia, Germany, China, and Japan attended this wonderful opportunity.


Participants not only were able to learn from acknowledged authority on Piano Literature such as David Dubal, but also enjoy daily recitals by internationally renowned pianists such as the Kaltchev & Petroff duo. Katerina Zaitseva, co-director of the festival called the performances ’Äúfiery and exciting, at times making piano ’Äòsmoke’Äô from the number of notes being played.’Äù Participants also had the amazing opportunity to perform in concert at the Kennedy Center's Millennium Stage. Out of the 38 participants, 33 auditioned for the Concert and 10 were chosen to perform on Wed, Aug 12 (the archive recording can be found online at the Kennedy Center’Äôs archives (http://www.kennedycenter.org/programs/millennium/artist_detail.cfm?artist_id=WSHINTPIAN). One chosen performer, Asuka Matsumoto, caught everybody by surprise when she walked on the Millennium Stage in small steps, wearing a gorgeous kimono, and then rolled up her sleeves and started playing jazzy Gershwin’Äôs preludes in an extremely exciting and truly American style.


Praise for the festival was garnered by those who attended as well as major publications. The Washington Post exclaimed that ’Äúto say that the 2009 Washington International Piano Festival started with a bang at the Kennedy Center's Millennium Stage on Monday evening would be an understatement.’Äù Zhao Yang, a graduate student at Eastman School of Music thought that ’Äúthe private lessons, master classes, lectures and concerts were fantastic.’Äù The Washington International Piano Festival is already making preparations for next year’Äôs event, and are looking forward to achieving even more success in their mission to develop a greater appreciation amongst the public for classical music.


WIPF is a non-profit arts organization dedicated to the performance and teaching of classical music at the highest standard. The Festival is sponsored by Jordan Kitt's Music and Yamaha.

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The NAC Orchestra launches its 09-10 season with Romantic Revolution Festival led by Music Director Pinchas Zukerman, including guest artists Gil Shah

Ottawa, Canada ’Äì Pinchas Zukerman opens the National Arts Centre Orchestra’Äôs 40th anniversary season with the Romantic Revolution Festival from Wednesday, September 23 to Thursday, October 1 with guest stars including violinist Gil Shaham, pianists Angela Cheng, Katherine Chi and Anton Kuerti, and cellist Lynn Harrell. Over the course of five magnificent concerts on September 23, 24, 25, 30 and October 1 ’Äì four led by Pinchas Zukerman and one by Jean-Marie Zeitouni ’Äì the Festival explores the pivotal period in artistic and musical history that marked the emergence of Romanticism. Audiences will hear the first tentative strains of Romanticism in the music of Haydn (including his Cello Concerto performed by Lynn Harrell) and in Mozart’Äôs later piano concertos (performed by Angela Cheng and Katherine Chi). They will hear it flourish in the glorious passages of Beethoven’Äôs Eroica Symphony and Concerto for Violin (the latter performed and conducted by Pinchas Zukerman) and Mendelssohn’Äôs Violin Concerto (performed by Gil Shaham) and in the anguished harmonies of Schubert’Äôs Unfinished Symphony; and reach full power in the Symphony No. 4 by Schumann (Romantic composer par excellence) and the heart-wrenching Prelude to Act III of Verdi’Äôs La Traviata. (A chronological listing of concerts follows.)

Each concert opens with a capella musical selections sung by the
Cantata Singers of Ottawa led by director Michael Zaugg.

The Festival includes ’ÄúMusically Speaking’Äù talks at 7 p.m. given by media and musical celebrities prior to the concerts on September 23, 24, and 25, and October 1. The first two are in French: ’ÄúL’ÄôArt de composer un programme’Äù with musicologist Carol Bergeron on Sept. 23; ’ÄúLes Beautˆ©s de l’Äôinachˆ®vement : la Huitiˆ®me Symphonie de Schubert’Äù with Franˆßois Dompierre, composer and host, Radio-Canada, Espace musique on Sept. 24. The second two are in English: ’ÄúSchumann’Äôs Revision Quest: a journey from brainstorm to score’Äù with CBC Radio Executive Producer Jill LaForty interviewing CBC Music Producer David Houston on Sept. 25; and ’ÄúBeethoven Lite’Äù with writer and broadcaster Eric Friesen on Oct. 1. The Oct. 1 concert also includes a Post-Concert Talkback with Eric Friesen interviewing Pinchas Zukerman following the latter’Äôs performance of the Beethoven Violin Concerto.

The Sept. 30 concert is a detailed exploration of Mozart’Äôs Final Piano Concerto beginning with a ’ÄúBeyond the Score¬Æ’Äù multi-media exploration of Mozart’Äôs life and times featuring narrator Bill Richardson (of CBC Radio), Ottawa actor Pierre Brault, soprano Donna Brown and pianist Katherine Chi, with the NAC Orchestra performing musical excerpts. In the second half Katherine Chi and the NAC Orchestra led by Jean-Marie Zeitouni perform the concerto in its entirety. ’ÄúBeyond the Score¬Æ’Äù is a presentation of the Chicago Symphony Orchestra.

Tickets for the Romantic Revolution Festival in the NAC’Äôs Southam Hall at 8 p.m. are on sale now at $19, $29, $39.50, $50, $60, $70 and $87.50 at the newly renovated NAC Box Office (Monday to Saturday from 10 a.m. to 9 p.m.) and through Ticketmaster (with surcharges) at 613-755-1111. Ticketmaster may also be accessed through the NAC’Äôs website at www.nac-cna.ca.

Half-price tickets for students in all sections of the hall are on sale in person at the NAC Box Office upon presentation of a valid student ID card. Live Rush tickets (subject to availability) for full-time students (aged 13 to 29) are $11 at the NAC Box Office from 2 p.m. the day before the concert to 6 p.m. the day of, upon presentation of a valid Live Rush card.

Groups of 10 and more save 15% to 20% off the regular price of tickets to NAC Music, Theatre and Dance performances. To reserve your seats call 613-947-7000 ext. 384 or email grp@nac-cna.ca.

COMPLETE ROMANTIC REVOLUTION FESTIVAL PROGRAMMING

Beethoven’Äôs ’ÄúEroica’Äù Wednesday, September 23 at 8 p.m.
Mark Motors Audi Signature Series
Pinchas Zukerman, conductor; Gil Shaham, violin; Cantata Singers of Ottawa; Michael Zaugg, chorus master

Cantata Singers a capella prelude:
BRAHMS Fˆºnf ernste Gesˆ§nge, Op. 104

NAC Orchestra:
MALCOLM FORSYTH Jubilee Overture
MENDELSSOHN Violin Concerto in E minor
BEETHOVEN Symphony No. 3 ’ÄúEroica’Äù

Beethoven’Äôs ’ÄúEroica’Äù marks the turning point from Classicism to Romanticism with its extraordinary scope, bold harmonies, and drama. And its title? Originally dedicated to Napoleon, Beethoven angrily changed his dedication to ’ÄúSinfonia Eroica, Composed to Celebrate the Memory of a Great Man,’Äù after Napoleon declared himself Emperor. Gil Shaham, recent winner of the coveted Avery Fisher Prize and multiple Grammys, dazzles with lustrous tone and brilliant technique in Mendelssohn’Äôs jewel of a violin concerto.

Musically Speaking: Pre-Concert Chat at 7 p.m. (in French)
’ÄúL’ÄôArt de composer un programme’Äù with musicologist Carol Bergeron

Wednesday Mark Motors Audi Signature Series subscribers will attend this concert, and Thursday Signature Series subscribers will attend the Thursday, October 1 concert.

***

The Radiance of Mozart Thursday, September 24, 2009
Ovation Series
Pinchas Zukerman, conductor; Angela Cheng, piano; Arianna Zukerman, soprano; Cantata Singers of Ottawa; Michael Zaugg, director

Cantata Singers a capella prelude:
FANNY HENSEL-MENDELSSOHN Gartenlieder, Op. 3: Im Wald; Hˆ�rst Du nicht die Bˆ§ume rauschen
FELIX MENDELSSOHN Sechs Lieder im Freien zu singen: I. Herbstlied
FANNY HENSEL-MENDELSSOHN Gartenlieder, Op. 3: Abendlich schon rauscht der Wald

NAC Orchestra:
VERDI Prelude to Act III of La Traviata
SCHUBERT Symphony No. 8 ’ÄúUnfinished’Äù
MOZART Aria: ’ÄúCh’Äôio mi scordi di te’Äù
MOZART Piano Concerto No. 21 ’ÄúElvira Madigan’Äù

Critically acclaimed Angela Cheng, known for her spot-on Mozart interpretations, is the soloist for his 21st Piano Concerto, which took its nickname from the radiant second movement heard in the film Elvira Madigan. Arianna Zukerman’Äôs shimmering voice reveals the beauty of Mozart’Äôs farewell gift to an admired soprano. Plus Schubert’Äôs most famous ’Äì and mysteriously abandoned ’Äì symphony, the ’ÄúUnfinished.’Äù

Musically Speaking: Pre-Concert Chat at 7 p.m. (in French)
’ÄúLes Beautˆ©s de l’Äôinachˆ®vement : la Huitiˆ®me Symphonie de Schubert’Äù with Franˆßois Dompierre, composer and host, Radio-Canada, Espace musique

Thursday Ovation Series subscribers will attend this concert, and Wednesday Ovation Series subscribers will attend the Friday, September 25 concert.

***

Lynn Harrell & a Haydn Classic Friday, September 25, 2009
Ovation Series
Pinchas Zukerman, conductor; Lynn Harrell, cello; Cantata Singers of Ottawa; Michael Zaugg, director

Cantata Singers a capella prelude:
SCHUMANN Vier doppelchorige Gesange: Ungewisses Licht
SCHUBERT Die Nacht, Op. 17
BRAHMS Nun stehn die Rosen in Blˆºte
SCHUMANN Vier doppelchˆ�rigie Gesˆ§nge: Talismane

NAC Orchestra:
BACH Suite for solo cello
HAYDN Cello Concerto in C major
SCHUMANN Symphony No. 4

Schumann gave his wife the Fourth Symphony as a special gift: it celebrated her 22nd birthday, their first wedding anniversary, and the christening of their first child, and even included a musical portrait of her. Lynn Harrell’Äôs appealing way of reaching out to an audience has captured rapt listeners not only at the world’Äôs famed concert halls, but also at the Grammys, where showbiz glitterati marveled at his artistry.

Musically Speaking: Pre-Concert Chat at 7 p.m. (in English) ’ÄúSchumann’Äôs Revision Quest: a journey from brainstorm to score’Äù
CBC Radio Executive Producer Jill LaForty interviews CBC Music Producer David Houston

Wednesday Ovation Series subscribers will attend this concert, and Thursday Ovation Series subscribers will attend the Thursday, September 24 concert.

***

Mozart’Äôs Final Piano Concerto *Beyond the Score¬Æ Wednesday, September 30, 2009
National Arts Centre Orchestra; Jean-Marie Zeitouni, conductor; Katherine Chi, piano; Donna Brown, soprano; Bill Richardson, narrator; Pierre Brault, actor

MOZART Piano Concerto No. 27

Join the NAC Orchestra and conductor Jean-Marie Zeitouni, with stellar soloists, actor Pierre Brault and narrator Bill Richardson to explore the history of Mozart’Äôs music. The first half of this program includes projected images, musical examples performed by the NAC Orchestra and soloists, and theatrical narration; the second half features a performance of Mozart’Äôs Piano Concerto No. 27 in its entirety.

English narration with French surtitles

This concert is part of the Romantic Revolution Festival.

* Beyond the Score is produced by the Chicago Symphony Orchestra

***

Pinchas Plays Beethoven Thursday, October 1, 2009
Mark Motors Audi Signature Series
Pinchas Zukerman, conductor and violin; Anton Kuerti, piano; Combined Ottawa Choruses; Duain Wolfe, chorus master

Cantata Singers a capella prelude:
FRIEDRICH SILCHER ˆÑnnchen von Tharau
MENDELSSOHN Abshied vom Walde
PETER CORNELIUS Der Traum
BRAHMS Abschiedslied

Mozart’Äôs Piano Concerto No. 27
BEETHOVEN Egmont Overture
BEETHOVEN Choral Fantasy
BEETHOVEN Violin Concerto

Beethoven’Äôs notoriously difficult masterpiece, sometimes dubbed ’Äúthe Mount Everest of violin concertos,’Äù has near sacred status, testing the mettle of performers. What makes this evening even more extraordinary is that Pinchas Zukerman is not only the soloist but also conducts. Rounding out this all-Beethoven concert is a dramatic overture and the stately Choral Fantasy that, in tone and melody, foreshadows the ’ÄúOde to Joy’Äù of the Ninth Symphony.

Musically Speaking: Pre-Concert Chat at 7 p.m. (in English)
’ÄúBeethoven Lite’Äù with writer and broadcaster Eric Friesen

Musically Speaking: Post-Concert Talkback
Writer and broadcaster Eric Friesen interviews Pinchas Zukerman, Music Director of the NAC Orchestra

Thursday Mark Motors Audi Signature Series subscribers will attend this concert, and Wednesday Signature Series subscribers will attend the Wednesday, September 23 concert.

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The NAC 2009-10 Manhattan on the Rideau jazz masterclass series begins with pianist Jason Moran on Sept. 22

Ottawa, Canada ’Äì The National Arts Centre’Äôs 2008-2009 ’ÄúManhattan on the Rideau’Äù series of four jazz masterclasses begins on Tuesday, September 22 with legendary jazz pianist Jason Moran at the NAC’Äôs Fourth Stage from 12 noon to 2 p.m. Admission is free. Manhattan on the Rideau links leading jazz faculty members of Manhattan School of Music (MSM) with accomplished music students at the National Arts Centre. The sessions use the very latest in broadband videoconference technology to connect teachers and students in real time with high fidelity audio and video. The series is produced by NAC New Media as part of the Hexagon Project in association with MSM.

Manhattan on the Rideau continues with vibraphonist Stefon Harris on November 10; vocalist/ composer Theo Bleckmann on February 9; and vocalist/composer Peter Eldridge on April 6. All four free masterclasses are from 12 noon to 14:00 and take place in the NAC’Äôs Fourth Stage.

A masterclass is a one-on-one lesson in which a master musician teaches a selected student or ensemble under the watchful eyes of fellow students and members of the public. The audience can learn from the master along with the talented student in the spotlight. Each masterclass involves 2 to 3 students in succession followed by questions-and-answers. Jason Moran will teach students from Toronto’Äôs Humber College, the Schulich School of Music at McGill University, and the Music Faculty at the University of Toronto.

***
Jason Moran was born in 1975 in Houston, Texas, and began studying piano at age 6. His aspirations and talents eventually led him to New York City where he continued his education at the Manhattan School of Music to study with pianist Jaki Byard, a jazz leftist who became Moran’Äôs teacher for four years and a role model for life. Since 1997, Moran has been a fixture in Greg Osby’Äôs touring and recording bands. Moran made his professional recording debut on Osby’Äôs 1997 Blue Note CD, Further Ado, which brought him to the attention of Blue Note executives who signed the pianist to his own record deal shortly thereafter.

Moran has performed as a sideman with such artists as Cassandra Wilson, Joe Lovano, Don Byron, Steve Coleman, Lee Konitz, Von Freeman, Ravi Coltrane, and Stefon Harris. Rolling Stone proclaimed Moran ’Äúthe most provocative thinker in current jazz,’Äù and he topped the Down Beat Critics Poll in three categories in 2003 and 2004. He has been lecturer/instructor at Banff Center for The Arts, Denmark’Äôs’Äô Vallekilde Jazz Camp, Skidmore and Manhattan School of Music.

The NAC’Äôs Hexagon project supports education outreach activities by leveraging next-generation networks like Canada’Äôs CA*net4 (www.canarie.ca) and Internet2 (www.internet2.org) in the United States as well as regional high speed networks throughout the world. The NAC’Äôs broadband infrastructure includes state-of-the-art optical network access in all its performance spaces as well as on-site videoconference and audio-video production facilities. Hexagon projects include tele-mentoring sessions with master teachers in music, theatre and dance..


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THE CANADIAN ACADEMY OF RECORDING ARTS AND SCIENCES ANNOUNCES STAFF PROMOTIONS

TORONTO ’Äì Melanie Berry, President of The Canadian Academy of Recording Arts and Sciences (CARAS), is pleased to announce a new hire and a number of internal staff promotions.

Jill Primeau is returning to CARAS as Senior Manager, Business Development. She will manage and oversee all future Host City bids beginning with 2011 and will also be responsible for site management and logistics for the 2010 JUNO Awards Week. Primeau previously worked at CARAS for three years and is excited to rejoin the team.


Jane Tattersall joins the company as Senior Manager, Strategic Marketing and Sponsorship. She brings with her strong expertise in Marketing and New Media. In addition to consulting on web strategy and social media integration, Tattersall is the former Director of Marketing for MySpace Canada and has years of experience working within the music industry including EMI Music Canada, Jive/Zomba Records and BMG. She is no stranger to CARAS, having formerly served as the Chair of the Alternative Music Committee and a JUNO Awards judge.

Meghan McCabe has been promoted to Senior Communications Coordinator. She will continue to be responsible for working with the Public Relations firm and overseeing photography, website management, merchandise and hotels for CARAS and the JUNO Awards.

Denise Rayner has taken over the position of Executive Assistant to the President, Melanie Berry. In addition to her responsibilities as EA, Rayner also has more than 20 years experience in office management and will be handling the coordination of various special projects.

Josh McIntyre has been hired as Project and Membership Coordinator. In addition to his Membership responsibilities, he will work directly with the Senior Manager of Business Development and with the Vice President of Events and Special Programming on various projects. McIntyre started with CARAS as an Intern and has now accepted a full-time position.

About CARAS

The Canadian Academy of Recording Arts and Sciences/L'academie canadienne des arts et des sciences de l'enregistrement (CARAS) is a not-for-profit organization created to preserve and enhance the Canadian music and recording industries and to contribute toward higher artistic and industry standards. The main focus of CARAS is the exploration and development of opportunities to showcase and promote Canadian artists and music through vehicles such as The JUNO Awards. For more information on The 39th Annual JUNO Awards or The Canadian Academy of Recording Arts and Sciences (CARAS) please visit our websites at www.carasonline.ca and www.junoawards.ca.

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L'Orchestre Mˆ©tropolitain ouvre sa nouvelle saison

Montrˆ©al ’Äì C'est avec grande fiertˆ© que l'Orchestre Mˆ©tropolitain ouvre sa saison 2009-2010. La saison prendra son envol le 14 septembre prochain avec le concert inaugural Bonney, Nˆ©zet-Sˆ©guin, Strauss : Rencontre au sommet!, un programme tout Richard Strauss. Deux de ses poˆ®mes symphoniques, Don Juan et Ein Heldenleben, encadreront cinq exaltants lieder qui seront chantˆ©s par l'incontournable soprano Barbara Bonney. Reconnue comme l'une des plus grandes voix de sa gˆ©nˆ©ration, Barbara Bonney possˆ®de un timbre pur et lumineux.


L'Orchestre cˆ©lˆ©brera cette mˆ�me soirˆ©e le 10e anniversaire de Yannick Nˆ©zet-Sˆ©guin comme chef principal et directeur artistique de l'Orchestre Mˆ©tropolitain. Madame Christine St-Pierre, Ministre de la Culture, des Communications et de la Condition fˆ©minine se joindra ˆÝ la fˆ�te afin d'honorer l'ˆ©blouissant maestro. Et qui dit cˆ©lˆ©bration, dit bien sˆªr gˆ¢teau! Il sera servi au public ˆÝ l'entracte par les jeunes des ˆ©coles du programmes Jeunes mˆ©lomanes en devenir!


La nouvelle saison de l'Orchestre Mˆ©tropolitain s'annonce splendide et variˆ©e. ¬´Le programme de la saison 2009-2010 de l'Orchestre Mˆ©tropolitain m'enthousiasme et j'ai trˆ®s hˆ¢te que notre public puisse en savourer chacune des ‰ìuvres. Chaque concert prendra un air de fˆ�te pour cˆ©lˆ©brer mon dixiˆ®me anniversaire comme chef attitrˆ© et directeur artistique de l'Orchestre Mˆ©tropolitain durant toute l'annˆ©e¬ª, a soulignˆ© Yannick Nˆ©zet-Sˆ©guin. De grands solistes, des chefs invitˆ©s qui font leur marque mais aussi des membres de l'orchestre mis en ˆ©vidence, de mˆ�me que les musiciens de la jeune gˆ©nˆ©ration participeront ˆÝ rendre la saison de l'Orchestre riche en couleurs et haute en musique. Au programme : ˆÄ la russe, Yannick et les solistes du Mˆ©tropolitain, La France fantaisiste, Noˆ´l ˆÝ l'opˆ©ra, Brahms, Bruckner, Angelich, Mahler : la symphonie des mille et finalement, Airs de Jeunesse en concert hors sˆ©rie.


ˆÄ propos de l'Orchestre Mˆ©tropolitain


Fondˆ© en 1981 par des musiciens diplˆ¥mˆ©s des facultˆ©s et des conservatoires de musique du Quˆ©bec, l'Orchestre Mˆ©tropolitain relˆ®ve avec brio son dˆ©fi de promouvoir, auprˆ®s d'un large public, la musique classique et les interprˆ®tes de haut niveau. Sa dˆ©marche artistique particuliˆ®re et son approche pˆ©dagogique importante font du Mˆ©tropolitain une institution incontournable, ancrˆ©e au c‰ìur de la vie culturelle montrˆ©alaise.

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Opera Tampa announces 2009 ’Äì 2010 apprentices

Tampa, FL ’îÄ Opera Tampa has announced the apprentices who will be working with the company throughout the 2009 ’Äì 2010 season. Selected from students who participated in this years V.O.I.C.Experience program at TBPAC, the apprentices will represent Opera Tampa in various outreaches in the community, while receiving training and career development opportunities. The 2009 ’Äì 2010 apprentices are as follows:


MARCELO FERREIRA, baritone

A native of Brazil, Ferreira started his musical studies at age 7 at the Music Conservatory of Pernambuco and is currently pursuing a Doctor of Music in voice and opera at the Jacobs School of Music at Indiana University. He is a first place winner of the Aldo Baldin International singing competition and the post advanced division of NATS and a finalist of the Bidu Sayao International Singing Competition. He is a student in the studio of Andreas Poulimenos and will sing the role of Taddeo in Indiana University Opera Theatre’Äôs upcoming production of Rossini’Äôs L’ÄôItaliana in Algeri.


ALEXANDRA RAFALO, soprano

As a 2008-2009 Opera Tampa apprentice, Rafalo covered the role of Lauretta in Gianni Schicchi and sang in several concerts and master classes. In 2009, she received an encouragement award from the Metropolitan Opera National Council and has also received the grand prize of the Elgin Opera Competition and the Bravo award from the Bel Canto Foundation. Rafalo was an apprentice artist for Sarasota Opera and received the Leo M. Rogers Award from the Sarasota Opera Guild. She has performed several roles including Servilia in La Clemenza di Tito and La Contessa Almaviva in Le Nozze di Figaro.


JACQUELINE SHODA-IWASAKI, soprano

Shoda-Iwasaki received her bachelor’Äôs degree in music from Portland State University. Her major operatic roles include Lauretta in Puccini’Äôs Gianni Schicchi and Fiordiligi in Mozart’Äôs Cosi fan Tutte directed by Tito Capobianco. Shoda-Iwasaki has been the recipient of an Oregon Laurel’Äôs Music Scholarship, and received special awards and recognition from the National Association of Teachers of Singing, Monday Musical Club, Beaux Arts Society and Louis and Violet Lang Opera Memorial Scholarship.


GUEDYE ST. JEAN, mezzo-soprano

Born in Haiti and raised in Miami, St. Jean attended the Boston Conservatory, where she studied with German soprano Elizabeth Phinney, before receiving her Master of Music in voice performance at the Chicago College of the Performing Arts at Roosevelt University. She has performed several roles, including Mastrilla in La Perichole, La Baronne de Gondremarck in La vie Parisienne, Meg Page in Falstaff and she covered the role of Marcellina in Le Nozze di Figaro.


ALEXANDER TYINK, baritone

Tyink is a recent graduate of Northwestern University and has been performing in the Chicago area for five years. At Northwestern, he studied voice under the direction of Karen Brunssen and coach Alan Darling. While there he sang the roles of Dr. Dulcamara in The Elixir of Love, Starveling in A Midsummer Nights Dream and Thierry in a production of Dialogue of the Carmelites directed by Fabrizio Melano. Tyink is also an advocate of new operatic works and has sung the roles of Michael Reagan in Reagan’Äôs Children and Mago in Goldsmith of the Kingdom through Chicago Opera Vanguard.

With the 2009-2010 season, the Opera Tampa Apprentice Program will continue its mission to serve the Tampa Bay community by educating audiences and communicating the beauty of opera. This third year of the program again features emerging opera artists serving as ambassadors of opera and song for the Tampa Bay Performing Arts Center. Maestro Anton Coppola, Opera Tampa’Äôs Vice President/Associate General Director Maria Zouves, Musical Co-Director Dan Gettinger and world-renowned baritone and Opera Tampa Artistic Advisor Sherrill Milnes, along with other internationally acclaimed artists, will help the apprentices with career development, while educating the community and providing musical workshops, master classes and performances.


For more information about Opera Tampa and its upcoming events, please visit WWW.OPERATAMPA.ORG.

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Wednesday, September 16, 2009

Music educators have a chance to win an Essex EGP-155C Classic Steinway Piano

Conn-Selmer Inc., the largest manufacturer of band and orchestral instruments in the United States, in cooperation with Steinway Musical Instruments, Inc., is pleased to announce that music educators have a chance to win an Essex EGP-155C Classic Steinway Piano for their school or institution. The contest will start September 2nd and end November 15th.


Grant Johnston
ducation Manager
Conn-Selmer Inc.
(574) 523-0701 Office
(574) 295-5405

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Adoptez un musicien!

Le Conseil quˆ©bˆ©cois de la musique renouvelle pour la 6e annˆ©e consˆ©cutive, sa campagne mˆ©diatique ¬´ Adoptez un musicien!


Instrumentistes, compositeurs, chefs d'orchestre, chanteurs’Ķ


Il y a plus de 5600 musiciens professionnels au Quˆ©bec. Ni coqueluche, ni vedette, le musicien de concert rejoint tout de mˆ�me des centaines de milliers de spectateurs chaque annˆ©e et pourtant, il est bien peu prˆ©sent dans les mˆ©dias.


Fait-il peur le musicien?


Musique spˆ©cialisˆ©e, donc discours spˆ©cialisˆ© !! ˆätre dˆ©sincarnˆ©, inaccessible et obsˆ©dˆ© par la rigueur de son art? VoilˆÝ une image que l'on a trop souvent associˆ©e aux musiciens de concert, bien malgrˆ© eux !


Et si c'ˆ©tait celle d'un travailleur spˆ©cialisˆ©, passionnˆ© et bon vivant?


Dans le cadre de la journˆ©e internationale de la musique, le 1er octobre 2009, le Conseil quˆ©bˆ©cois de la musique lance la sixiˆ®me ˆ©dition de sa campagne. ¬´ Adoptez un musicien! ¬ª. Pour un moment ou pour quelques heures, partagez ses activitˆ©s, discutez de ses passions, explorez son quotidien. Au-delˆÝ du virtuose, dˆ©couvrez le passionnˆ© de cueillette en forˆ�t, le maniaque de culture indienne, le golfeur invˆ©tˆ©rˆ©’Ķ


Procurez-vous vite votre catalogue ! Vous y dˆ©couvrirez 30 professionnels de la musique de concert, 30 personnalitˆ©s aux multiples passions, 30 musiciens qui ont acceptˆ© de jouer le jeu de l'adoption. Entrevues, chroniques, portraits, sports, actualitˆ©s, art de vivre, dˆ©gustations, chroniques financiˆ®res : ils attendent vos propositions.


Notre seul souhait : que toutes ces belles histoires d'adoption, orchestrˆ©es ˆÝ votre faˆßon, soient racontˆ©es autour du 1er octobre, Journˆ©e internationale de la musique.


Hˆ¢tez-vous de choisir votre musicien!


Premier arrivˆ©, premier servi. Il n'y aura qu'une seule adoption par musicien.


N'attendez plus. Adoptez votre musicien!

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Bizet's The Pearl Fishers opens the Minnesota Opera Season

Bizet's The Pearl Fishers opens September 26

A sumptuous production by British fashion icon Zandra Rhodes features international sensation Isabel Bayrakdarian and Tony Award® winner Jesus Garcia

The Cast
LeˆØla - Isabel Bayrakdarian
Nadir - Jesus Garcia
Zurga - Philip Cutlip
Nourabad - Jonathan Kimple
Dancers - Zenon Dance Company

The Creative Team
Conductor - Leonardo Vordoni
Stage Director - Andrew Sinclair
Set/Costume Designer - Zandra Rhodes
Lighting Designer - Kendall Smith
Choreographer - John Malashock

Performances

Saturday, Sept. 26, 8:00 p.m.
Tuesday, Sept. 29, 7:30 p.m.
Thursday, Oct. 1, 7:30 p.m.
Saturday, Oct. 3, 7:30 p.m.
Sunday, Oct. 4, 2:00 p.m.

Ordway Center for the Performing Arts
345 Washington St., St. Paul, MN

Tickets

$20 - $200
Call the Minnesota Opera Ticket Office at 612.333.6669
or purchase online at mnopera.org.

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Tickets Now on Sale for All 2009-10 Portland Symphony Orchestra 85th Anniversary Concerts

PORTLAND, Maine ’Äì All tickets for Portland Symphony Orchestra (PSO)'s upcoming 85th anniversary season concerts are on sale beginning Tuesday, September 1 at noon. Tickets are available through PortTix at www.PortTix.com, by phone at (207) 842-0800 or by visiting PortTix in the lobby of Merrill Auditorium, 20 Myrtle Street, Monday through Saturday noon to 6:00 PM.


To celebrate the PSO's 85th anniversary, its second season under the artistic leadership of Music Director Robert Moody, the season's programming features PSO commissions and collaborations with local arts and community organizations. Highlights include a season opening concert celebrating "Heroes and the American Dream" in collaboration with Portland Stage Company; the New England premiere of bluegrass virtuoso Chris Thile's Mandolin Concerto (Ad astra per alia porci); the Maine premiere of the Ford Made in America commission Chasing Light’Ķ; PSO Pops! concerts featuring cirque performers and local favorites Motor Booty Affair; and Maestro Moody leading two performances of Mahler's mighty Symphony No. 2, ("Resurrection") to close the season in May.


2009-10 also celebrates the PSO's 30th anniversary of the ever-popular Magic of Christmas beginning December 11. This production of Magic ’Äì led by Maestro Moody for the first time ’Äì will showcase the traditions, story, and true spirit of Christmas with scenes from Tchaikovsky's Nutcracker, a bigger-than-life adaptation of the Dickens classic A Christmas Carol featuring imaginative and fanciful puppetry from Freeport's Figures of Speech Theatre, a music-and-dance portrayal of the Nativity ’Äì even a festive kickline of dancing Santas!


All concerts take place at Portland's Merrill Auditorium, located at 20 Myrtle Street. In addition to single tickets, subscriptions and other ticket packages are currently still available, with savings up to 25% off single ticket prices, plus exclusive benefits. Special pricing is often available for students, seniors and groups of 10 or more. Contact PortTix for details.


For complete season information, including artist biographies and program notes, visit www.portlandsymphony.com.

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Cleveland Orchestra’Äôs Beethoven Ninth to support new Community Music Initiative

Saturday, September 26, at 8:30 p.m.

Severance Hall


THE CLEVELAND ORCHESTRA

FRANZ WELSER-MˆñST, conductor

TWYLA ROBINSON, soprano

MICHAELA MARTENS, mezzo-soprano

FRANK LOPARDO, tenor

RAYMOND ACETO, bass

CLEVELAND ORCHESTRA CHORUS

Robert Porco, director

BEETHOVEN Symphony No. 9 ("Choral")


A Benefit for The Cleveland Orchestra's Community Music Initiative

Ticket Prices: $68-$159 ’Äì Call (216) 231-1111 or 1-800-686-1141, or order online at clevelandorchestra.com


CLEVELAND, September 1, 2009 ’Äì The Cleveland Orchestra and Music Director Franz Welser-Mˆ�st will open the Orchestra's 2009-10 season with a one-night-only performance of Beethoven's stirring Symphony No. 9 ("Choral") at Severance Hall on Saturday, September 26, at 8:30 p.m. This opening-night performance is a benefit concert to support the Orchestra's new Community Music Initiative, which will broaden the Orchestra's connections to the community and provide access to great music for more Northeast Ohioans than ever before.


Vocal soloists for this performance of Beethoven's Ninth Symphony will be soprano Twyla Robinson, mezzo-soprano Michaela Martens, tenor Frank Lopardo, and bass Raymond Aceto. The Cleveland Orchestra Chorus, prepared by Cleveland Orchestra Director of Choruses Robert Porco, will also take part in the performance.


Since 2004, Twyla Robinson has appeared with The Cleveland Orchestra in works including Beethoven's Symphony No. 9, Haydn's "Lord Nelson" Mass, Mozart's Requiem, the Verdi Requiem, Strauss's Four Last Songs, and in the role of Mrs. Ford in Verdi's Falstaff. Michaela Martens will be making her Cleveland Orchestra debut with this performance. Frank Lopardo previously appeared with the Orchestra in Beethoven's Symphony No. 9 at the Blossom Festival in July 2000, and at Severance Hall in January 2007, a performance recorded live and released on the Deutsche Grammophon label. Raymond Aceto's performances with the Orchestra have included the role of Zuniga in Bizet's Carmen in August 1999, the Verdi Requiem in June 2004, and Janˆ°Ÿçek's Glagolitic Mass in January 2009, with an additional performance at Carnegie Hall the following month.


* * *


The Cleveland Orchestra's Community Music Initiative is aimed at diversifying the Orchestra's offerings and reaching more children, adults, teachers, students, musicians, and families in Northeast Ohio than ever before. During the 2009-10 season (and beyond), members of The Cleveland Orchestra will participate in a wide range of educational and community activities throughout Northeast Ohio, including concerts in two Cleveland high schools and a Family Concert at Severance Hall conducted by Franz Welser-Mˆ�st; a "Music Mentors" program supporting instrumental music in Cleveland public schools; "Music Masters," supporting high-school band and orchestra programs throughout Northeast Ohio; and "Musical Neighborhoods," a part of PNC's Grow Up Great: A Great Early Start in the Arts program, in which musicians and teachers use music to build school readiness skills for pre-school-aged children in local Head Start programs. These new programs complement The Cleveland Orchestra's already vibrant education and community programs, such as the Learning Through Music school partnership program, the annual free Star-Spangled Spectacular Community Concert at Public Square, the Martin Luther King Jr. Celebration Concert and Community Open House, youth ensembles, Education Concerts and Family Concerts at Severance Hall, and a host of other programs that have introduced children and families to symphonic music for decades.


Tickets to the September 26 concert go on sale to the general public on Tuesday, September 8. Prices range from $68 to $159. Severance Hall boxes and other selected seats are available in conjunction with a post-concert event hosted by community leaders. To receive an invitation to the post-concert event, contact openingnight@clevelandorchestra.com.


TICKET SERVICES:

The Severance Hall Ticket Office is located in the Smith Lobby. The entrance and 15-minute Ticket Service parking are along East Boulevard. Single tickets for the 2009-10 season go on sale Tuesday, September 8.


Severance Hall Ticket Office Hours:

M-F 9-6

Sat. 10-6 (beginning September 12)

Closed Sundays and major holidays, except for those days with performances, when the Ticket Office opens three hours prior to the performance start time.


To charge tickets by telephone on American Express, Discover Card, MasterCard, and Visa, call Cleveland Orchestra Ticket Services at (216) 231-1111 (Cleveland) or 800-686-1141 during the regular ticket office hours listed above. Subscriptions and single tickets are also available through The Cleveland Orchestra's website at clevelandorchestra.com. The website offers secure ticket transactions with any major credit card and provides complete concert listings.


PARKING:

Limited parking is available for the Opening Night Benefit in Case Western Reserve University's Campus Center Garage adjacent to Severance Hall. Convenient alternative parking is available at these locations:


’Ä¢ CWRU Lot 1, located off Euclid Avenue across from Severance Hall, is a surface lot within walking distance of Severance Hall. Cost per car: $10.

’Ä¢ University Circle Inc. Lot 13A on Adelbert Road is also within walking distance of Severance Hall. Cost per car: $10.

’Ä¢ The Cleveland Botanical Garden parking garage, located on the corner of East Boulevard and Wade Oval, offers two levels of covered parking. Cost per car: up to $10.

’Ä¢ Metered street parking along East Boulevard is also available.


For further information, patrons should call the Cleveland Orchestra Ticket Office during regular office hours at (216) 231-1111 or 800-686-1141. Pre-paid parking passes are also available through The Cleveland Orchestra's website at clevelandorchestra.com.

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Sobeys Symphony Under the Sky Photo Contest!

The forecast calls for blue skies and beautiful music!

Sobeys Symphony Under the Sky

Friday, September 4th - Monday, September 7th

Heritage Amphitheatre, Hawrelak Park

Edmonton, AB ’Ķ Your Edmonton Symphony Orchestra (ESO) concludes summer with Sobeys Symphony Under the Sky, September 4th ’Äì 7th. In its 15th season, the invigorating sounds of the ESO will fill the sky high above Hawrelak Park, with five concerts over the course of four days.

PICTURE PERFECT MOMENTS

Bring your camera to Sobeys Symphony Under the Sky! In our inaugural Photo Contest, attendees may submit photos from their memorable September long weekend experiences to be judged for artistic quality in the following categories: Music, People, Food, and Nature. Simply upload your photos to the Sobeys Symphony Under the Sky Flickr group and tag them with ssuts2009 ’Äì more information can be found on our website, edmontonsymphony.com.

LIMITED PARKING AT HAWRELAK PARK

Join your Edmonton Symphony in going Green! Simply leave your vehicle at the U of A Stadium lot (pay-parking lot located northwest of the Butterdome ’Äì 116 St and 88 Ave) and ride Hybrid ETS buses for free directly to Hawrelak Park. No overflow parking will be available at Hawrelak Park ’Äì limited parking only.

For a full concert listing of Sobeys Symphony Under the Sky, please visit www.edmontonsymphony.com. All events will be held at Hawrelak Park.

In case of inclement weather, listen to Shine 105.9 FM. Any venue changes will be announced on air, posted on edmontonsymphony.com and http://twitter.com/edmsymphony, and noted at (780) 428-1414 and 1-800-563-5081.

In addition to the generous support of Sobeys, festival supporters include Bullfrog Power, TELUS, the City of Edmonton through the Edmonton Arts Council, The REALTORS® Association of Edmonton, The Edmonton Journal, AM 930 The Light, and 105.9 Shine FM.

The Monday, September 7th performance is generously sponsored by General Dynamics Land Systems Canada.

Ongoing support to the Edmonton Symphony Orchestra is provided by The Canada Council for the Arts, The Alberta Foundation for the Arts, and The Edmonton Arts Council.

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ESO Music Director's South African Adventure!

ESO Music Director concludes tour with Renˆ©e Fleming

Edmonton, AB ’Ķ Edmonton Symphony Orchestra Music Director William Eddins today concludes his South African tour with Grammy-award winning American soprano and ESO 2008 Gala artist, Renˆ©e Fleming. At the personal request of Ms. Fleming, Bill Eddins had the utmost pleasure of conducting three brilliant, sold-out concerts with the renowned soprano and the KwaZulu-Natal Philharmonic Orchestra. The final concert of the three-city tour takes place at the Cape Town City Hall. Previous concerts were held on August 27th at Durban City Hall, and on August 29th at the State Theatre in Pretoria.

Read all about Bill’Äôs amazing adventure in South Africa (including his experiences with monkeys on his veranda!) at: www.insidethearts.com/sticksanddrones/author/bill-eddins.

Bill will return to Edmonton to lead another international artist on the world opera stage Dmitri Hvorostovsky; an artist Ms. Fleming was thrilled to perform with in the Metropolitan Opera’Äôs Eugene Onegin. She also graciously spoke of Dmitri’Äôs talent and brilliance in a special video: www.youtube.com/edmontonsymphony.

This Siberian baritone will mesmerize audiences with his emotional intensity and technical mastery in the ESO’Äôs Gala Fundraising Concert on Monday, September 28th. Backed by our superb orchestra, this is certainly a concert event not to be missed.

Limited tickets are still available. Tickets can be purchased by calling the Winspear Centre Box Office at 780-428-1414, or online at www.edmontonsymphony.com.

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The Gerald W. Lynch Theater at John Jay College Presents Celebrating the Birthday and Legacy of Antonin Dvorak

The Gerald W. Lynch Theater at John Jay College presents
Great Music for a Great City:
Celebrating the Birthday and Legacy of Antonin Dvo‰ôak
Saturday, September 12, 2009 at 7:30pm

The Gerald W. Lynch Theater at John Jay College presents the first concert of its Fall 2009 Season - part of the classical music series Great Music for a Great City - Celebrating the Birthday and Legacy of Antonin Dvo‰ôak, on Saturday, September 12, 2009 at 7:30pm at the Gerald W. Lynch Theater at John Jay College, 899 Tenth Avenue, NYC. Admission is FREE.

This narrated concert features the Afiara String Quartet as well as Metropolitan Opera soloists Camellia Johnson, soprano, and Terry Cook, bass-baritone, with pianist Caroline Stoessinger.

As Dvo‰ôak taught America about its own heritage and spirituals, this concert will present music by composers he influenced as well as his own inspired compositions, including Quintet for Piano and Strings, Opus 91; Gypsy Songs; and selected works by Burleigh, Ellington and Copland, as well as spirituals. The concert will also feature contralto Yvonne Hatchett.

Great Music for a Great City, a classical music series, was founded in 2002 by artistic director Caroline Stoessinger. The series will continue with A Baroque Holiday on Saturday, December 12, 2009 at 7:30pm. Enhanced with readings by Eli Wallach, audiences will come hear a magical concert of music by baroque composers - Bach, Handel, Vivaldi and Purcell - that evokes memories of the joys and comforts of the holiday season. Admission is FREE.

Since opening its doors in 1988, the Gerald W. Lynch Theater has been an invaluable cultural resource for John Jay College and the larger New York City community. Under the new direction of Executive Director Shannon R. Mayers, the Theater is dedicated to the creation and presentation of performing arts programming of all disciplines with a special focus on how the artistic imagination can shed light on the many perceptions of justice in our society.

About John Jay College of Criminal Justice: An international leader in educating for justice, John Jay College of Criminal Justice of The City University of New York offers a rich liberal arts and professional studies curriculum to upwards of 14,000 undergraduate and graduate students from more than 135 nations. In teaching, scholarship and research, the College approaches justice as an applied art and science in service to society and as an ongoing conversation about fundamental human desires for fairness, equality and the rule of law. For more information, visit www.jjay.cuny.edu.

For more information, visit www.jjay.cuny.edu/theater.php.

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Baltic Youth Philharmonic Led by Kristjan Jˆ§rvi to open the Usedom Music Festival

New youth orchestra of the Baltic region wraps second season with a September 19th Performance at Peenemˆºnde


North German Radio to broadcast concert in this historic space


The seventy young musicians of the Baltic Youth Philharmonic have had a thrilling second season of music-making bringing their ’Äúextraordinary sound’Äù (Weser Kurier) to six countries this summer: Estonia, Finland, Lithuania, Denmark and Germany. On September 19, 2009, the Baltic Youth Philharmonic will open the 16th Usedom Music Festival, performing in the historic turbine hall at the Peenemˆºnde Museum. This former Third Reich weapons research and testing facility on the island of Usedom in Germany has now been reimagined as a monument of peace and remembrance. This performance will be recorded for broadcast on North German Radio (NDR) and will be distributed to radio stations worldwide through the European Broadcasting Union.


The Baltic Youth Philharmonic will present Symphony No. 1 by Johannes Brahms, Symphony No. 5 by Piotr Ilyitch Tchaikovsky, the Overture Das Mˆ§rchen von der schˆ�nen Melusine by Felix Mendelssohn Bartholdy as well as Ludwig van Beethoven’Äôs Concerto Opus 61 in a version for piano and orchestra by Beethoven himself. The cadenzas of the concerto, more commonly known in its version for violin and orchestra, were written specifically for the Baltic Youth Philharmonic by Lithuanian composer Anatolijus Senderovas. Swedish pianist Peter Jablonski premieres this new version of the concerto.



During their summer 2009 performances, the Baltic Youth Philharmonic was warmly greeted by audiences and journalists alike. The Weser-Kurier Bremen said the Baltic Youth Philharmonic ’Äúknows how to put a spell on an audience,’Äù while the orchestra was also praised for their ’Äúsheer joy of playing’Äù (Nordkurier) and a sound which is ’Äúvery cultivated, but at the same time passionate’Äù (Ostsee Zeitung).


The Baltic Youth Orchestra is an innovative training orchestra founded in the summer of 2008 as a joint initiative between the Usedom Music Festival and Nord Stream AG and led by Founding Conductor and Music Director Kristjan Jˆ§rvi. The Baltic Youth Philharmonic brings together the most promising young musicians ranging in age from 18-30 from music academies in Denmark, Norway, Sweden, Finland, Russia, Estonia, Latvia, Lithuania, Poland and Germany to create A New Voice in the North, an experience that draws upon the richness of the region’Äôs diversity. Since April 2009, the Baltic Youth Philharmonic is an associate member of the European Federation of National Youth Orchestras (EFNYO).


Together with the North German Radio (NDR), the Usedom Music Festival initiated a series of concerts at Peenemˆºnde in 2002 with a performance of Benjamin Britten’Äôs War Requiem conducted by Mstislav Rostropovich. The Peenemˆºnde Concerts are now the highlights of the annual festival, marking a new chapter in the history of the place. In the former electricity plant serving the production of rockets, a new generation of young musicians now gather to make music in this historic context.


The Baltic Youth Philharmonic is a joint initiative of the Usedom Music Festival and Nord Stream AG. The Orchestra was founded in 2008 to create a sound for the Baltic region: A New Voice in the North.

www.baltic-youth-philharmonic.org


Usedom Music Festival


The sound of the Baltic Sea has been heard for the past 15 years on the island of Usedom. Every year in the late summer, the Usedom Music Festival devotes itself to the cultural region around the Baltic Sea. Thus, it has presented the musical life of Russia, Poland, the Baltic States, Finland, Sweden, Norway and Denmark. Soloists such as Mstislav Rostropovich, Gidon Kremer, Olli Mustonen, Nina Stemme, Bo Skovhus as well as Jan Garbarek and the Esbjˆ�rn Svensson Trio enthralled their audiences. The Peenemˆºnde Concerts, frequently featuring the NDR Symphony Orchestra, are among the highlights of the more than 30 events presented by the Festival each year. From September 19 to October 10, 2009, the musical and cultural life of the former state of Prussia will be the focus of the Festival. www.usedomer-musikfestival.de


Nord Stream AG is fully aware of its environmental, economic and social responsibility. This means creating sustainable development in the energy sector as well as making an essential contribution to society, the environment and culture in the Baltic Sea region. Nord Stream co-initiated and sponsors the Baltic Youth Philharmonic, an orchestra dedicated to the development of young musicians from all Baltic Sea states, in order to promote the advancement of future generations, while supporting the cultural diversity of the region. The company is an international joint venture established for the planning, construction and subsequent operation of a natural gas pipeline to link Russia and the European Union via the Baltic Sea. www.nord-stream.com


Estonian-born and American-raised, conductor Kristjan Jˆ§rvi is a unique musical personality pushing classical music borders with fresh ideas, charisma and technical prowess. Hailed by the New York Times as ’Äúa kinetic force on the podium, like Leonard Bernstein reborn," Jˆ§rvi has combined his classical roots and affinity for traditional repertoire with an infectious enthusiasm for creating original cross-cultural programs and propelling classical concert halls around the globe into the 21st Century. A highly sought-after Guest Conductor, Jˆ§rvi appears regularly with the London Symphony Orchestra (with whom he will be appearing during their upcoming tours in UK and China), Gewandhaus Orchestra Leipzig, Berlin Radio Symphony, Orchestre National de France, Dresden Philharmonic, Dresden Staatskapelle, Bayerischer Rundfunk, and Royal Scottish National Orchestra. He recently made his debuts with the NHK, Sydney Symphony and RAI Turino. Upcoming debuts include Orchestre de Paris, the Nashville Symphony Orchestra, Atlanta Symphony Orchestra, Orchestra Santa Cecilia Rome, the Munich Philharmonic and NDR Hamburg, Kristjan Jˆ§rvi is Founder and Music Director of New York’Äôs groundbreaking Absolute Ensemble.


Kristjan Jˆ§rvi began his career assisting Esa-Pekka Salonen at the Los Angeles Philharmonic, with whom he made his debut at the Hollywood Bowl in 1999 and went on to become Chief Conductor of the Norrlands Opera and Symphony Orchestra, Sweden(2000-2004) and Chief Conductor and Music Director for the Tonkˆºnstler Orchestra, Vienna (2004-2009). Jˆ§rvi’Äôs passion for new music has resulted in the commission of more than a hundred works by composers including Arvo Pˆ§rt, HK Gruber, Erkki-Sven Tˆºur and Daniel Schnyder. He has recorded more than twenty albums for which he has received a list of accolades. In 2007 Deutsche Bank awarded Kristjan Jˆ§rvi the ’ÄúDeutsche Bank Prize’Äù at Musikfest Bremen in recognition of outstanding musical achievement and artistic vision.


Kristjan Jˆ§rvi is a committed advocate of music education and has mentored young musicians and youth orchestras around the world. In addition to his work with the Baltic Youth Philharmonic, Jˆ§rvi is the founder of the Absolute Academy at Bremen University and co-founder of the Muusikaselts Estonian Orphanage Program. Kristjan Jˆ§rvi makes his home in Vienna and Florida together with his wife and children.

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CLAVECIN EN CONCERT : 18 septembre 2009

BACH, FISCHER et BˆñHM

Partita, messe, cantate et motet

Le vendredi 18 septembre 2009, 20 h 00

Chapelle Notre-Dame-de-Bon-Secours, 400, rue Saint-Paul Est, Vieux-Montrˆ©al

Prix des billets :

Entrˆ©e simple 28 $ / AˆÆnˆ© (65 ans et +) 25 $

ˆâtudiant, temps plein, 25 ans et moins 10 $

15 ans et moins accompagnˆ© d'un adulte : gratuit

Renseignements et rˆ©servations : 514-748-8625 ’Äì www.clavecinenconcert.org

Montrˆ©al, 1er septembre 2009 ’Äì La 16e saison de Clavecin en concert dˆ©butera le vendredi 18 septembre prochain par un concert de musique sacrˆ©e. Sous la direction de Luc Beausˆ©jour, 12 chanteurs et l'ensemble instrumental Clavecin en concert (sept musiciens) interprˆ©teront des ‰ìuvres des Allemands Jean-Sˆ©bastien Bach, Georg Bˆ�hm et Johann Caspar Ferdinand Fischer. Outre le rˆ©pertoire pour choeur, des piˆ®ces pour clavecin et pour orgue seront jouˆ©es par le claveciniste Luc Beausˆ©jour et l'organiste Rˆ©jean Poirier.

Programme

Georg Bˆ�hm (1661-1733)
Partita ¬´ Ach wie nightig, ach wie flˆºchtig ¬ª (clavecin)

Johann Caspar Ferdinand Fischer (1656-1746)
Messe « Nun komm der Heiden Heiland »

Ricercar pro Tempore Adventus, tirˆ© de Ariadne Musica (orgue)
Fugue en mi majeur, tirˆ©e de Ariadne Musica (orgue)

Jean-Sˆ©bastien Bach (1685-1750)
Cantate « Christ lag in Todesbanden » BWV 4
Duetto I en mi mineur BWV 802 et Duetto III en sol majeur BVW 804 (Clavierˆºbung III)
Motet « Lobet den Herrn, alle Heiden » BWV 230

Clavecin en concert remercie le Conseil des arts et des lettres du Quˆ©bec, le Conseil des Arts du Canada et le Conseil des arts de Montrˆ©al de leur soutien.

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OSTR - Ratification de l'entente collective

C'est dans une proportion de 83 % que les musiciens de l'Orchestre symphonique de Trois-Riviˆ®res ont acceptˆ© les conditions de la nouvelle entente collective qui liera la Guilde des musiciens et musiciennes du Quˆ©bec et l'Orchestre symphonique de Trois-Riviˆ®res.

Cette nouvelle entente, rˆ©troactive au 1er septembre 2008, sera en vigueur jusqu'au 31 aoˆªt 2012. Elle prˆ©voit que les 54 musiciens professionnels de l'OSTR auront droit ˆÝ des augmentations salariales basˆ©es sur l'indice des prix ˆÝ la consommation. De plus, ˆÝ chaque saison, les musiciens pourront bˆ©nˆ©ficier d'un nombre minimal de services garantis.

Veuillez trouver ci-joint le comminiquˆ©, ainsi qu'une photographie sur laquelle vous reconnaˆÆtrez :

Assis (gauche ˆÝ droite) > Luc Fortin (prˆ©sident, Guilde des musiciens et des musiciennes du Quˆ©bec) et Jean-Marc Vanasse (prˆ©sident, OSTR).

Debouts (gauche ˆÝ droite) > Bernard LeBlanc (directeur associˆ©, Division des services symphoniques du Canada) Carole Corbin (responsable de l'administration et des finances, OSTR), Renˆ©e-Claude Perreault (violoniste et reprˆ©sentante des musiciens, OSTR), Thˆ©rˆ®se Boutin (directrice gˆ©nˆ©rale, OSTR), Jean-Pierre Jolivet (prˆ©sident du comitˆ© patronal de nˆ©gociations, OSTR) et Aline Spˆ©rano (trˆ©soriˆ®re, OSTR).

Orchestre symphonique de Trois-Riviˆ®res
1517, rue Royale C.P. 1281, Trois-Riviˆ®res (Quˆ©bec) G9A 5K8
819.373.5340 | www.ostr.ca

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Calling all Theatre Creators

Toronto ’Äì Calling all Ontario theatre creators! Mixed Company Theatre welcomes applicants to submit proposals for the Ontario Arts Council Theatre Creators' Reserve Fund.


Mixed Company’Äôs Theatre Creators' Reserve Fund assists Ontario-based professional theatre creators, and informal collectives of creators, by funding them to create theatre as a tool for positive social change.


Mixed Company Theatre asks applicants to submit a project outline containing objectives, timeline and budget no later than Thursday, October 1, 2009. Final results will be announced on Friday, October 30, 2009, for works starting between November 2009 and February 2010.


Application forms are available at www.mixedcompanytheatre.com or 416 515 8080.


Mixed Company Theatre produces innovative, socially relevant drama as a tool to educate, engage and empower for positive change.

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L'Institut d'ˆ©tudes ˆÝ la retraite de McGill : une formation dans le vent

Montrˆ©al, le 1er septembre 2009 - L'Institut cˆ©lˆ®bre 20 ans en ˆ©ducation permanente


Le monde est sur le point de faire un important virage dˆ©mographique, alors que la vaste population de retraitˆ©s ne cesse de croˆÆtre. Les ˆ©tudes ont dˆ©montrˆ© que la stimulation intellectuelle et les liens sociaux sont essentiels au maintien d'une santˆ© optimale, tant sur le plan mental et ˆ©motionnel que physique. L'annˆ©e 2009-2010 marque le 20e anniversaire de la crˆ©ation de l'Institut d'ˆ©tudes ˆÝ la retraite de l'Universitˆ© McGill, qui a su instaurer un environnement vouˆ© ˆÝ l'apprentissage. Destinˆ© aux personnes retraitˆ©es de la communautˆ© montrˆ©alaise, il offre un riche milieu social ainsi que des activitˆ©s stimulantes.


Afin de souligner cet anniversaire, l'Institut a organisˆ© une sˆ©rie d'ˆ©vˆ©nements qui se dˆ©rouleront au cours des prochains mois :


* Du 3 au 5 septembre 2009 : VERNISSAGE et EXPOSITION ARTISTIQUE prˆ©sentant les ‰ìuvres de membres de l'Institut d'ˆ©tudes ˆÝ la retraite de l'Universitˆ© McGill, ˆÝ la Galerie d'arts visuels McClure situˆ©e au 350, avenue Victoria, ˆÝ Westmount.


* Le 15 octobre 2009, ˆÝ 19 h : PREMIˆàRE DE FILM Prˆ©sentation du film suisse oscarisˆ© de 2008 intitulˆ© Late Bloomers, dans lequel une veuve de 80 ans dˆ©cide de rˆ©aliser le rˆ�ve de sa vie, ˆÝ l'Auditorium Maxwell Cummings du Musˆ©e des Beaux-Arts de Montrˆ©al situˆ© au 1380, rue Sherbrooke Ouest, ˆÝ Montrˆ©al.


* Du 11 au 20 fˆ©vrier 2010 : FESTIVAL D'ARTS, D'ARTISANAT, DE MUSIQUE ET DE POˆâSIE prˆ©sentˆ© par des membres de l'Institut d'ˆ©tudes ˆÝ la retraite de l'Universitˆ© McGill ˆÝ la Salle Tudor situˆ©e au 5e ˆ©tage de la Maison Ogilvy, logˆ©e au 1307, rue Sainte-Catherine Ouest, ˆÝ Montrˆ©al.


* Le 17 juin 2010 : THˆâ VICTORIEN au Centre culturel Stewart Hall, situˆ© au 176, chemin du Bord’Äëdu-Lac, ˆÝ Pointe-Claire.


Fondˆ© en 1989 par des membres bˆ©nˆ©voles sous forme de programme d'ˆ©tudes d'une journˆ©e et de confˆ©rences ˆÝ l'intention d'ˆ©tudiants adultes offert au Centre d'ˆ©ducation permanente de l'Universitˆ© McGill, l'Institut d'ˆ©tudes ˆÝ la retraite comptait, lors de sa premiˆ®re annˆ©e, 16 cercles d'ˆ©tudes rˆ©unissant 180 membres. En 2008, l'Institut regroupait 53 cercles d'ˆ©tudes ainsi que 805 membres.


Par l'entremise de l'apprentissage entre pairs, les membres de l'Institut d'ˆ©tudes ˆÝ la retraite participent ˆÝ des cercles d'ˆ©tudes autodirigˆ©s formˆ©s de 10 ˆÝ 22 membres et supervisˆ©s par des animateurs qui sont ˆ©galement membres du groupe. Les participants sont invitˆ©s ˆÝ mener des recherches et ˆÝ utiliser les ressources dont recˆ®lent les bibliothˆ®ques mcgilloises. Aucun prˆ©alable en ˆ©ducation n'est exigˆ© et les participants de tout ˆ¢ge sont les bienvenus. De plus, les ˆ©tudiants ne doivent subir aucun examen ni ne reˆßoivent de notes ˆÝ l'issue de ces ateliers, au cours desquels la satisfaction provient du partage des connaissances.


Pour obtenir de plus amples renseignements sur l'Institut d'ˆ©tudes ˆÝ la retraite de l'Universitˆ© McGill et ses festivitˆ©s anniversaires, priˆ®re de consulter le lien suivant : http://milr20.mcgill.ca

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Voyage ˆÝ dos de harpes ˆÝ la bibliothˆ®que de L’Äôˆéle-Bizard0

Dans le cadre des Journˆ©es de la culture, l’Äôarrondissement de L’Äôˆéle-Bizard’ÄìSainte-Geneviˆ®ve, en collaboration avec la Salle Pauline-Julien, vous invite ˆÝ venir assister au premier concert de la sˆ©rie des Sons et brioches, celui de la harpiste de renom Isabeau Corriveau, en remplacement de la guitariste Isabelle Hˆ©roux, qui a malheureusement dˆª annuler la sˆ©rie de concerts qu’Äôelle devait donner au cours de la saison. Le spectacle d’ÄôIsabeau Corriveau sera prˆ©sentˆ© le dimanche 27 septembre, ˆÝ 11 h, ˆÝ la bibliothˆ®que de L’Äôˆéle-Bizard, situˆ©e au 500, montˆ©e de l’Äôˆâglise.

Laurˆ©ate de plusieurs concours provinciaux et nationaux, la musicienne Isabeau Corriveau, dont ont a pu admirer le talent notamment au sein de l’ÄôOrchestre de chambre de McGill en tant que soliste invitˆ©e, vous offre un doux Voyage ˆÝ dos de harpes (ˆÝ pˆ©dales et celtique). Dans ce concert, l’Äôartiste compte bien vous transmettre sa passion pour cet instrument mythique de
plus de cinq mille ans et vous rˆ©serve un rˆ©pertoire constituˆ© de piˆ®ces traditionnelles ˆ©cossaises et irlandaises, d’Äô‰ìuvres classiques ainsi que de ses propres compositions. Le 27 septembre prochain, laissez-vous bercer par les airs mˆ©lodieux des Guillaume de Machaut, Alphonse Hasselmans, Fˆ©lix Godefroid, George Frideric Handel, Loreena McKennitt’Ķ C’Äôest un rendez-vous ˆÝ la bibliothˆ®que de L’Äôˆéle-Bizard!

L’Äôentrˆ©e est gratuite. Les laissez-passer sont obligatoires et disponibles ˆÝ la bibliothˆ®que de L’Äôˆéle-Bizard ainsi qu’ÄôˆÝ la billetterie de la Salle Pauline-Julien. Pour plus de renseignements, composez le 514 620-6257 ou le 514 626-1616.

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Design Your Own NAC Subscription Starting September 8 / Crˆ©ez votre propre forfait d’Äôabonnement au CNA ˆÝ la carte ˆÝ compter du 8 septembre

OTTAWA ’Äì On September 8, the National Arts Centre’Äôs 40th Anniversary officially begins. To celebrate, the NAC they will introduce a new and exciting package with Design Your Own NAC Subscription.

Every year, the NAC Orchestra, Dance, English Theatre, French Theatre, and Fourth Stage present a wide range of exciting performances. Now patrons can pick favourites and build their own subscription series! From ballet, theatre and classical music to family shows, Pops concerts and jazz, the possibilities are endless ’Äì and simple! All they have to do to build this flexible series is select four or more shows from over 100 subscription performances offered in the NAC’Äôs 2009’Äì10 subscription season.

With this special subscription, patrons will save an average of 15% over regular Box Office single ticket prices, and qualify for NAC subscriber benefits such as free exchanges and discounts on other NAC performances. Packages start at just $80!

Please note, the following special presentations are not included in this Design Series:
The NAC Gala: A Magical Evening with Yo-Yo Ma; The Nutcracker; Handel’Äôs Messiah; A Leahy Family Christmas; Le grand bal de Noˆ´l; The Ark: The Theatre of Ancient Greece; A Place to Call Home; Celebrate New Year’Äôs Eve with Geggie

Design Your Own NAC Subscriptions are available by phone at 613-947-7000 ext. 620, in person at the NAC Box Office from 10 a.m. to 9:00 p.m. (Monday through Saturday) or through the NAC’Äôs website at www.nac-cna..ca starting September 8.

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OTTAWA ’Äì Le 8 septembre marque le dˆ©but officiel de la saison du quarantiˆ®me anniversaire du Centre national des Arts (CNA). Pour souligner cet ˆ©vˆ©nement, le CNA lancera alors un nouveau programme des plus allˆ©chants : Crˆ©ez votre propre forfait d’Äôabonnement au CNA ˆÝ la carte.

Chaque annˆ©e, l’ÄôOrchestre du CNA, la Danse, le Thˆ©ˆ¢tre franˆßais, le Thˆ©ˆ¢tre anglais et la Quatriˆ®me Salle prˆ©sentent un large ˆ©ventail de spectacles et de concerts plus passionnants les uns que les autres. Il sera dˆ©sormais possible de choisir parmi toutes ces offres pour composer son propre forfait d’Äôabonnement! Du ballet aux concerts ¬´ pops ¬ª et jazz en passant par le thˆ©ˆ¢tre, la musique classique et les spectacles famille, les possibilitˆ©s sont infinies ’Äì et les modalitˆ©s sont d’Äôune simplicitˆ© enfantine! Pour composer ce forfait d’Äôabonnement d’Äôune souplesse inouˆØe, il suffit de sˆ©lectionner au moins quatre (4) spectacles parmi plus de 100 prˆ©sentations sur abonnement de la programmation rˆ©guliˆ®re 2009-2010 du CNA.

Les acheteurs de ce forfait d’Äôabonnement ˆ©pargneront en moyenne 15 % du prix courant des billets ˆÝ l’Äôunitˆ© en plus d’Äôobtenir de nombreux avantages rˆ©servˆ©s aux abonnˆ©s du CNA, comme les ˆ©changes de billets sans frais et des rabais pour d’Äôautres prˆ©sentations ˆÝ l’Äôaffiche au CNA. Et les forfaits les moins chers ne coˆªtent que 80 $!

Veuillez prendre note que les prˆ©sentations hors sˆ©rie suivantes ne peuvent ˆ�tre incluses dans ce forfait d’Äôabonnement ˆÝ la carte : le Gala du CNA : Une soirˆ©e enchantˆ©e en compagnie de Yo-Yo Ma; Casse-Noisette; le Messie de Haendel; La famille Leahy fˆ�te Noˆ´l avec l’ÄôOrchestre du CNA; Le grand bal de Noˆ´l; The Ark : The Theatre of Ancient Greece; A Place to Call Home; Cˆ©lˆ©brez le Nouvel An avec John Geggie.

Les forfaits ¬´ Crˆ©ez votre propre forfait d’Äôabonnement au CNA ˆÝ la carte ¬ª seront en vente ˆÝ compter du 8 septembre, par tˆ©lˆ©phone au 613-947-7000, poste 620, en mains propres ˆÝ la Billetterie du CNA (du lundi au samedi de 10 h ˆÝ 21 h) et en ligne, via le site Web du CNA, ˆÝ l’Äôadresse www.nac-cna.ca .

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La saison automnale du Cinˆ©-Club du Quartier commence en grand avec J’Äôai tuˆ© ma mˆ®re de Xavier Dolan

ˆÄ compter du 21 septembre, le Cinˆ©-Club du Quartier de la Salle Pauline-Julien reprend ses activitˆ©s et offre aux cinˆ©philes de l'Ouest-de-l'ˆéle une sˆ©rie de films prˆ©sentˆ©s les lundis ˆÝ 16 h et 19 30 (sauf exception), provenant de l’ÄôAllemagne, des ˆâtats-Unis, de la France, du Kazakhstan, du Quˆ©bec ainsi que de la Suˆ®de. La saison automnale commencera en grand avec J’Äôai tuˆ© ma mˆ®re, ce premier long mˆ©trage de Xavier Dolan, rˆ©cipiendaire de trois prix ˆÝ la Quinzaine des Rˆ©alisateurs du Festival de Cannes 2009. D’Äôune durˆ©e de 100 minutes, le film met en scˆ®ne Anne Dorval, Xavier Dolan, Monique Spaziani, Suzanne Clˆ©ment, Franˆßois Arnaud, Manuel Tadros et Neil Schneider. J’Äôai tuˆ© ma mˆ®re raconte l’Äôhistoire d’Äôun adolescent qui dˆ©veloppe peu ˆÝ peu une haine viscˆ©rale envers une mˆ®re rˆ©trograde et culpabilisante. Seul un passage ˆÝ l'ˆ¢ge adulte, permet au jeune homme, aprˆ®s diverses expˆ©riences, de retrouver l'amour jadis ˆ©prouvˆ© pour elle.

¬´ Un grand cri d’Äôamour. Un film ˆÝ la fois drˆ¥le et profond. D’Äôune fraˆÆcheur enthousiasmante ¬ª - Marc Andrˆ© Lussier, La Presse

ˆâgalement au programme du Cinˆ©-Club du Quartier cet automne : Whatever works (Comme tu veux) de Woody Allen, Les doigts croches de Ken Scott, Millˆ©nium de Niels Arden Oplev, Les grandes chaleurs de Sophie Lorain, L’Äôheure d’Äôˆ©tˆ© d’ÄôOlivier Assayas, Questions nationales de Roger Boire et Jean-Pierre Roy, 35 Rhums de Claire Denis, Demain dˆ®s l’Äôaube de Denis Dercourt, Tulpan de Sergey Dvortsevoy et Je l’Äôaimais de Zabou Breitman.

Les projections du Cinˆ©-Club du Quartier ont lieu tous les lundis ˆÝ 16 h et 19 30 (sauf exception) ˆÝ la Salle Pauline-Julien (15 615, boul. Gouin Ouest, Sainte-Geneviˆ®ve). Le coˆªt d'entrˆ©e ˆÝ l'unitˆ© est de 7 $ et de 6 $ pour les ˆ©tudiants et les aˆÆnˆ©s (60 ans et plus). Des billets pour tous les films sont en vente dˆ®s maintenant et il est aussi possible de se procurer une carte de membre, valide jusqu’Äôau 30 juin 2010 et ainsi obtenir un rabais. Pour aussi peu que 38,50 $ et 31,50 $ pour les ˆ©tudiants et les aˆÆnˆ©s, vous pourrez assister ˆÝ sept films de votre choix.

Pour plus de renseignements sur la programmation du Cinˆ©-Club du Quartier, composez le 514 626-1616 ou visitez le www.pauline-julien.com.

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NAC Orchestra’Äôs 2009-10 Debut Series of recitals begins on Sept. 21 with soprano Joyce El-Khoury

Ottawa, Canada ’Äì The National Arts Centre Orchestra’Äôs Debut Series, which gives talented rising star musicians the opportunity to perform in recital at the NAC, will begin a new season on Monday, September 21 with soprano Joyce El-Khoury accompanied by pianist Jean Desmarais. The four-concert series of one-hour recitals hosted by NAC Artistic Attachˆ© Paul Lefebvre takes place at noon in the NAC Salon. On this opening concert, Joyce El-Khoury will perform songs by Verdi, Duparc, Massenet, Faurˆ©, Korngold, R. Strauss, Puccini, Gounod and Dvorˆ°k.

Admission is $3, with proceeds going to fund the NACO Bursary.

The series continues with the Afiara String Quartet on October 20; cellist Estelle Choi (from the Mount Royal College Conservatory Academy for Gifted Youth and a 2009 participant in the NAC Summer Music Institute) with pianist Jean Desmarais on November 19; and pianist Marika Bournaki on January 15, 2010.

CBC Radio 2 has returned to the Debut Series as broadcast partner. The concerts of September 21, October 20 and January 15 will be recorded for future broadcast on Tempo with host Julie Nesrallah, and on In Concert with host Bill Richardson.

Soprano Joyce El-Khoury is a member of the Metropolitan Opera’Äôs Lindemann Young Artist Development Program. A graduate of the Academy of Vocal Arts, Ms. El-Khoury performed the roles of Tatyana in Eugene Onegin, the title role in Massenet’Äôs Manon, Fiordiligi in Cosˆ¨ fan tutte, the title role in Puccini’Äôs Manon Lescaut, and Violetta in La Traviata. This month she performs as the Second Lady in Opera Lyra Ottawa’Äôs Magic Flute, and as Pamina for their Silver Cast production.. Other roles include Nedda in Pagliacci at the Crested Butte Music Festival and with Knoxville Opera, Marguerite in Faust with Opera Camerata of Washington, D.C.

She is a First Prize winner of the George London Foundation; 2nd Prize winner in the Gerda Lissner International Voice Competition, International Semi-Finalist in Placido Domingo’Äôs Operalia Competition, First Prize winner in the Mario Lanza Vocal Competition, First Prize winner and WRTI Radio audience favorite in the Giargari Bel Canto Competition. Recently featured with the Metropolitan Opera MET IN THE PARKS Recital Series 2009, Ms. El-Khoury will be making her Metropolitan Opera house debut this season with roles in Le nozze di Figaro, Suor Angelica and Simon Boccanegra.

PROGRAM:

VERDI Simon Boccanegra : ’ÄúCome in quest’Äôora bruna’Äù
DUPARC Chanson triste
MASSENET Manon : ’ÄúAdieu notre petite table’Äù
FAURˆâ ’ÄúLes roses d’ÄôIspahan’Äù ’ÄúFleur jetˆ©e’Äù
KORNGOLD Die Tote Stadt: ’ÄúMarietta’Äôs Lied’Äù
R. STRAUSS ’ÄúAllerseelen’Äù ’ÄúCˆ§cilie!’Äú ’ÄúBefreit’Äù ’ÄúZueignung’Äù
PUCCINI La Bohˆ®me: ’ÄúSi, mi chiamano Mimi’Äù
GOUNOD Faust: ’ÄúAh! Je ris’Äù (Jewel song)
DVORˆÅK Rusalka: ’ÄúMŸõsˆ‚Ÿçku na nebi hlubokˆ©m’Äù (Song to the Moon)

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Musique baroque au Centre Harpell

Le dimanche 4 octobre prochain, ˆÝ 11 h 30, la Ville de Sainte-Anne-de-Bellevue et la Salle Pauline-Julien vous invitent au tout premier concert de la saison : La voix des anges qui mettra en scˆ®ne le contre-tˆ©nor Jean-Franˆßois Gagnˆ©, accompagnˆ© de deux musiciens. Prˆ©sentˆ© dans le cadre de la sˆ©rie des Sons et Brioches, cet ˆ©vˆ©nement se tiendra au Centre Harpell.

Le contre-tˆ©nor quˆ©bˆ©cois Jean-Franˆßois Gagnˆ© possˆ®de une voix rare au timbre riche. Sa rande sensibilitˆ© en fait un interprˆ®te recherchˆ© tant pour la musique baroque que contemporaine. ˆâtant le propre arrangeur de son rˆ©pertoire, il offre un programme unique, constituˆ© d’Äô‰ìuvres de compositeurs de l’Äôˆ©poque baroque tels que Bach, Haendel, Vivaldi, Marcello, Brevi, Bassani... La voix des anges, un concert de grande classe, oˆ¼ cette voix d’Äôalto saura vous ˆ©tonner et vous ˆ©mouvoir.

Les billets individuels, au coˆªt de 10 $, sont en vente ˆÝ la Bibliothˆ®que (40, rue Saint-Pierre) ou au Centre Harpell (60, rue Saint-Pierre) de Sainte-Anne-de-Bellevue. Pour plus de enseignements, composez le 514 457-1605 ou le 514 626-1616. Vous pouvez ˆ©galement visiter le www.ville.sainte-anne-de-bellevue.qc.ca.

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Monday, September 14, 2009

Tapestry announces first International Composer-Librettist Laboratory & Opera Briefs

Tapestry announces first
International Composer-Librettist Laboratory & Opera Briefs

TORONTO, ON’Ķ Tapestry new opera works is pleased to announce that the its 30th Anniversary season will open with the ninth installment of Opera Briefs, scenes resulting from its firstInternational Composer-Librettist Laboratory (LibLab). With support from the INCUBATEprogram at the Toronto Arts Council, Tapestry has partnered with Scottish Opera to pair three UK artists (composers John Harris and Gareth Williams and writer Bernard MacLaverty) with three returning LibLab alumni: composer Stephen Andrew Taylor (Opera to Go: My Mother’Äôs Ring) and writers Anna Chatterton (Opera to Go: See Saw; Swoon for Canadian Opera Company) and Marjorie Chan (Opera to Go: Mother Everest and Sanctuary Song).

For most composers and writers the artistic process is a solitary one. Producers around the world agree that forming workable artistic partnerships between composers and playwrights is the single greatest challenge facing the development of new opera and music theatre. The Composer-Librettist Laboratory is Tapestry’Äôs response to this challenge. Initiated in 1995, the laboratory is an intensive one-week workshop for composers and writers to explore the collaborative process. Currently, the program attracts participants from Canada, the United States, Germany and England. It is also the model for the English National Opera Studio’Äôs All-in Opera, as well as Pacific Opera Victoria’Äôs Composer-Librettist Workshop.

Tapestry’Äôs annual Composer-Librettist Laboratory provides artists with the opportunity to work with several partners in a short period of time, thereby developing techniques for effective collaboration. Throughout the week-long program, writers and composers are partnered with one another for one day each. With input from music and stage directors, each pair writes a short piece of music theatre and investigates the collaborative process. Their work is performed at the end of each day by a resident ensemble of singers and repeitteurs and then constructively critiqued by the group.

Since 1995, Tapestry has nurtured over 90 creative artists through this unique program. Previous LibLabs have yielded 43 creative teams many who currently have projects in development in the Ernest Balmer Studio, including: Juliet Palmer and Julie Salverson, Rose Bolton and Jill Battson, Andrew Staniland and Jill Battson and Aaron Gervais and Colleen Murphy.

Composer Chan Ka Nin and librettist Mark Brownell met at the inaugural 1995 LibLab. Their operaIron Road had its world premiere in April 2001 at the Elgin Theatre in Toronto. Linda Catlin Smith and Don Hannah also met at the 1995 LibLab and their Arctic drama, Facing South, premiered as part of the World Stage Festival in April of 2003. Abigail Richardson and Marjorie Chan also met in the 2003 LibLab and won a 2009 Dora Mavor Moore Award for Sanctuary Song which premiered as part of the Luminato Festival. Omar Daniel and Alex Poch-Goldin met in the 2001 LibLab and in May 2009 Tapestry premiered The Shadow, one of the best reviewed new works last season.

’ÄúWe have wanted to find a way to engage with many of these artists in a ’ÄúGraduate LIBLAB’Äù, where the energy of a 10-day intensive working period for these experienced artists would deepen our understanding of the collaborative process which is at the core of Tapestry’Äôs work, and hopefully spawn partnerships and ideas for full length works for the future.

We have also wanted to work with like-minded companies from around the world, where we share a similar aesthetic around the creation of new work, and a commitment to being a nurturing home for artists drawn to the operatic stage.

For both Michael Albano and myself, the joy of working with artists already experienced in the art form was palpable from the first day. The level of conversation reflected the maturity of the artists involved, and the assurance that only experience can bring. It was a marvellous engagement of all parties, truly a group of colleagues who had so much in common, that we were able to jump right into the challenges at hand.’Äù


’ĶWayne Strongman, Managing Artistic Director

The 5-minute scenes produced in this year’Äôs Lab will be presented at Tapestry’Äôs annual season opener Opera Briefs, September 25 & 26 at 8pm and September 27 at 4pm 2009 in the intimacy of The Ernest Balmer Studio at Tapestry.

Opera Briefs PERFORMANCE DETAILS:

September 25, 26 at 8pm and September 27 at 4pm, 2008

Ernest Balmer Studio at Tapestry, 55 Mill Street, Building 58, The Cannery, Studio 315

Writers: Anna Chatteron, Marjorie Chan, Benard MacLaverty

Composers: John Harris, Stephen Andrew Taylor, Gareth Williams

Director: Michael Albano

Music Directors: Christopher Foley & Jennifer Tung

Cast: Carla Huhtanen (soprano), Lauren Phillips (mezzo soprano), Keith Klassen (tenor), Peter McGillivray (baritone),


Single Tickets: $25 / $10 students & arts workers by calling 416.537.6066 x243 or online atwww.totix.ca

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SUBSCRIPTIONS

Subscriptions series are now on sale for the 09/10 Season: Opera Briefs, Opera to Go, Dark Star Requiem

Season Subscription: $99

Student / Arts Worker Season Subscription: $49

Call 416.537.6066 x243 or email subscription@tapestrynewopera.com for subscription inquires.

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2009/2010 SEASON DETAILS:

Opera to Go

March 24, 25, 26, 2010

Fermenting Cellar, Distillery Historic District, 55 Mill St

Writers: TBC

Composers: TBC

Director: Tom Diamond

Music Director: Wayne Strongman

Cast: Keith Klassen (tenor), Peter McGillivray (baritone), soprano TBC, mezzo TBC

The best of the best! Join us for an Opera to Go revival of some of our favourite short works from the past eight years.

Single Tickets on sale in 2010, visit www.tapestrynewopera.com for details

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Dark Star Requiem

June 2010

Dates & Venue TBC

Written by Jill Battson & composed by Andrew Staniland

Director: Tom Diamond

Music Director: Wayne Strongman

Cast: TBC

Featuring the Elmer Iseler Singers

An operatic oratorio on the history of HIV-AIDS featuring an exceptional cast and the Elmer Iseler Singers.

Single tickets on sale in 2010, visit www.tapestrynewopera.com for details

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NON-SUBSCRIPTION PROGRAMMING:

I. 30th Anniversary Celebration Event

December 2, 2009

Fermenting Cellar, Distillery Historic District, 55 Mill St.

Early bird price (by October 1, 2009): $110

Regular price (after October 1, 2009): $130

Tax receipt for the maximum amount allowable.

Call 416.537.6066 x243 or email subscription@tapestrynewopera.com

II. Get Stuffed (Written by Alexis Diamond & Composed by Richard Payne)

Produced by Tapestry and Words in Motion, and developed with the Canadian Diabetes Association Get Stuffed is a children’Äôs opera focusing on making healthy food choices. After a successful premiere tour in 2009, Tapestry will tour Get Stuffed to schools and community centres in northern Ontario in spring 2010. Get Stuffed is supported with multi-year funding from the Ontario Trillium Foundation and is sponsored by the Ministry of Health Promotion and the Healthy Eating Program at Ontario Agri-Food Education Inc.

Director: Emma Tibaldo

Music Director: Wayne Strongman

For booking and other inquiries please call 416.537.6066 x224 or emaileducation@tapestrynewopera.com

III. INside Opera Education Programme

Tapestry continues partnerships with the Regent Park School of Music and City Hope in St. Jamestown with programme sponsorship from BMO Financial Group. With funding from the TELUS Community Investment Board, Tapestry will lead a summer INside Opera programme with City Hope entitled the ’ÄúReal Time Project’Äù. Several youth participants will collaborate with professional videographer Juan Baquero, a Toronto based filmmaker who, for the past year, has been working on Listen to This, a Bravo/TVO documentary that explores the influence of music as a creative outlet for kids living in the inner city.

’ÄúThe TELUS Toronto Community Board is excited to support the INside Opera Education Programme, opening the door to an artistic education that at-risk youth in our communities may not otherwise have,’Äù said Johnnie-Mike Irving, acting chair of the TELUS Toronto Community Board. ’ÄúThis program brings youth together with professionals in the field, connecting minds through creativity and building healthier communities in the process.’Äù

For more information on INside Opera please call 416.537.6066 x224 or emaileducation@tapestrynewopera.com

ARTISTIC BIOS

Michael Albano, director
Michael Patrick Albano is the resident stage director of the Opera training programme at the University of Toronto’Äôs Faculty of Music, where he has staged over twenty-five operas including the Canadian premiˆ®res of Debussy’Äôs L’ÄôEnfant Prodigue, Paisiello’Äôs Il Barbiere di Siviglia, Benjamin Britten’Äôs Paul Bunyan and the Toronto premiere of Offenbach’Äôs Barbe-Bleu.

Mr. Albano’Äôs guest directorial credits include Il Barbiere di Siviglia for the New York City Opera and Wolf Trap, La Bohˆ®me for the Canadian Opera Company, Le Comte Ory for the Manhattan School of Music, Le Nozze di Figaro for the Yale School of Music, a new dialogue version of Die Fledermaus for Opera Kentucky, The Abduction from the Seraglio for Opera Hamilton, Hansel and Gretel for the Opera Theatre of St. Louis, La Fille du Rˆ©giment for L’ÄôOpˆ©ra de Montrˆ©al and Verdi’ÄôsLa Traviata for the Opera Festival of New Jersey.

Mr. Albano has written three original children’Äôs opera librettos; The Very Last Green Thing and The Thunder of Horses - the latter based upon Blackfoot Indian legends. Both operas, although originally commissioned by the Opera Theatre of St. Louis, have had many successful mountings throughout North America. In 2004, Mr. Albano was commissioned by the Washington Opera to write and direct a new children’Äôs opera, The Enchantment of Dreams, which was premiered at the Kennedy Centre. In December of 2005, Mr. Albano was commissioned by Canadian Opera Children’Äôs Chorus to furnish an original libretto based upon Charles Dickens’Äô A Christmas Carol. The result was A Dickens of a Christmas, presented at the Harbourfront theatre in December of 2005 and revived this past December.

Additional libretto commissions include Gianni (based on the life of the baroque composer, Giovanni Pergolesi), for Opera Lyra, The Last Duel (with music by Gary Kulesha) for MusicCanada 2000 andLoss of Eden, (based on the lives of Charles and Ann Lindbergh) which was premiered in June of 2002 by the Opera Theatre of St. Louis and subsequently repeated in Minneapolis. Mr. Albano’Äôs interest in the development of original opera librettos has led to his involvement for the past ten seasons as resident dramaturge for the Tapestry New Opera Works annual composer/librettist laboratory.

Last season, Mr. Albano directed the premiere of Swoon, commissioned by the Canadian Opera Company with music by James Rolfe and an original libretto by Anna Chatterton. He will return to the COC in April of 2008 to direct Il Barbiere di Siviglia at the new Four Seasons Centre for the Performing Arts.

Marjorie Chan, librettist
Marjorie is an award-winning theatre artist based in Toronto. Trained as an actor at George Brown Theatre School, Marjorie garnered a nomination for the Dora Mavor Prize in her first appearance onstage. She is the recipient of a Dora Mavor Moore Award in performance as well as the prestigious K.M. Hunter Artists’Äô Award. As a playwright, her acclaimed drama China Doll was nominated for Outstanding New Play and Outstanding Production Doras as well as the Governor General’Äôs Literary Award. China Doll was also performed overseas as a part of Festival Canada Hong Kong. Her second full-length play, a nanking winter focuses on the 1937 invasion of Nanjing and was recently published by Playwrights Canada Press. It will receive its American premiere in December 2009. Along with playwright Damien Atkins, she adapted Hisashi Inoue’Äôs celebrated play about Hiroshima, in the garden, two suns which was commissioned and performed to coincide with 60th Anniversary of the dropping of the atomic bombs. As a librettist, Marjorie wrote the operaMother Everest as well as Sanctuary Song, both with composer Abigail Richardson. The pair were recently recognized with a Dora for Outstanding New Opera for Sanctuary Song. She has also provided text for the multidisciplinary dance piece Nanking Monologue. Invitations to festivals and retreats include: Playwrights’Äô Colony (Banff), Cahoots Playwriting Retreat @ Shaw, CrossCurrents Festival (Factory), Groundswell Festival (Nightwood Theatre), International Festival of Authors (Harbourfront), Dim Sum Festival (fu-Gen Theatre), Seedling Festival (Theatre Direct Canada), Hysteria Festival (Buddies in Bad Times), RED Festival, and the inaugural Stratford Festival Writers’Äô Retreat. Marjorie has also been Playwright-in-Residence for Theatre Direct Canada and Cahoots Theatre Projects as well as Associate Artistic Director for Cahoots Theatre Projects from 2006 ’Äì 2009. She currently runs Crossing Gibraltar, a theatre-training program for refugee and newcomer youth, now in its fourth season. Upcoming residencies: NYSU (Geneseo, New York) and Theatre du Pif (Hong Kong, China.) www.marjoriechan.com

Anna Chatterton, librettist
Anna is a performer, playwright and librettist. Past work includes Stitch (World Stage/Theatre Centre/urbanvessel, Dora Nomination), See Saw (Opera to Go), Swoon (Canadian Opera Company) and Clean Irene & Dirty Maxine (Buddies in Bad Times Theatre, Independent Auntie). Upcoming;Voice-Box (Harbourfront/urbanvessel, Fresh Grounds program), Breakfast (Buddies, Independent Auntie) and Donna (Canadian Opera Company). Anna was Playwright in Residence at Tapestry New Opera Works and was part of the Artist Residency program at the Theatre Centre with companies Independent Auntie and urbanvessel. She is currently in Tarragon Theatre’Äôs Playwright’Äôs Unit and has been in units at The Canadian Stage Company and Factory Theatre. Anna is director of Youth Initiatives at Nightwood Theatre.

Bernard MacLaverty, librettist
Bernard MacLaverty was born in Belfast but now lives in Glasgow. He has published five collections of short stories and four novels, one of which, Grace Notes was shortlisted for the Booker Prize. He has written versions of his fiction for other media - radio plays, television plays, screenplays and now libretti.

John Harris, composer

Opera composition includes Death of a Scientist (Scottish Opera 5:15 series). Theatre credits include The Last Witch (Traverse Theatre / Edinburgh International Festival), Monacellio (Tron / Naples International Theatre Festival), Nobody Will Ever Forgive Us, Nasty Brutish and Short, The Dogstone, Julie, Marie Queen of Scots, Gobbo (all National Theatre of Scotland); Lucky Box, The Nest, Knives in Hens, Anna Weiss, Family, Perfect Days, Greta, Sharp Shorts, Kill the Old Torture Their Young (All Traverse Edinburgh), Mother Courage, Jack and the Beanstalk (Dundee Rep),Jerusalem (West Yorkshire Playhouse), Midwinter, Solstice (Royal Shakespeare Company). Film and TV include The Fingertrap (BAFTA Scotland Emerging Talent Award 2009), Saltmark(Blindside), The Emperor, The Green Man of Knowledge (Red Kite). John also writes concert music and directs the Red Note Ensemble. He was for several years assistant organist at St. Giles’Äô Cathedral, Edinburgh, and took his Masters degree in composition at the RSAMD in Glasgow.

Stephen Andrew Taylor, composer
Stephen Andrew Taylor
composes music that explores boundaries between art and science. His first orchestra commission, Unapproachable Light’Äîinspired by images from the Hubble Space Telescope and the New Testament’Äîwas premiered by the American Composers Orchestra in 1996 in Carnegie Hall. Other works include the chamber quartet Quark Shadows, commissioned by the Chicago Symphony; and Seven Memorials, a half-hour cycle for piano inspired by the work of Maya Lin and featured at Tanglewood in 2006. Excerpts from a new opera based on a novella by Ursula K. Le Guin have been performed recently by the New York City Opera and American Opera Projects. Highlights in 2008-09 include performances in New York, Miami, Washington DC, Amsterdam, Belgrade, Toronto, Mexico City, and the Bali Arts Festival. His music has won awards from the American Academy of Arts and Letters, the Debussy Trio, the Howard Foundation, the College Band Directors National Association, Conservatoire Amˆ©ricain de Fontainebleau, the New York State Federation of Music Clubs, the Illinois Arts Council, the American Music Center, and ASCAP. Born in 1965, Taylor studied at Northwestern and Cornell Universities, and California Institute of the Arts. He teaches at the University of Illinois at Urbana-Champaign, where he conducts the New Music Ensemble, and lives with his wife and two children.

Gareth Williams, composer
Originally from County Armagh, Gareth moved to Glasgow after studying music at Queen’Äôs University, Belfast. He completed his Masters in Composition in 2000 at the RSAMD, and a Postgraduate Certificate in Education in 2002. In 2008 he completed his PhD in Composition at the Academy, studying with Gordon McPherson, and now teaches in the composition department. Over the last few years Gareth has been active as a composer at the RSAMD, producing work for groups such as the Hebrides Ensemble, Scottish Opera, the Paragon Ensemble, the Ceoil Quartet, Symposia, the Black Hair Ensemble, and the London Sinfonietta. He was the winner of the British Conservatoire Composers Forum 2000, and in 2004 he won the Dinah Wolff prize for composition. His work has been featured in the Edinburgh Festival, the St. Magnus Festival, the Tete a Tete Opera Festival, and the York Late Music Festival.

In December 2004 Gareth was one of six composers who launched the Ken exhibition in Glasgow, organizing a weekend festival of contemporary music and art, whilst composing, producing, and performing an hour-long piece of music theatre. The piece, Dead Duck, was an exploration of nostalgia and contained images, objects and music that dated back to his childhood. The use of personal and popular material is a strong characteristic of his

work and he performs regularly as a singer/songwriter and piano player. His first opera, Love in the Blue Corner, was premiered at the Plug Festival in May 2006 and received five stars in the Glasgow Herald. In 2008 Gareth worked with Irish writer Bernard MacLaverty to create The King’Äôs Conjecturefor Scottish Opera which led Scottish Opera to recommission the composer for their 2009 season to create another work - White was

premiered in February in Glasgow and Edinburgh. Soft Rains, for solo soprano, six part choir, organ and taiko drums, was commissioned to commemorate the building of the Clyde Tunnel in Glasgow, and was performed in March 2009 at Glasgow’Äôs Kelvingrove Museum. Other performances this year included the premiere of ’ÄòNot Waving, Not Drowning’Äô for double bass and ensemble, commissioned by the RSAMD for the 2009 Stringfest, and ’ÄòHow’Äô for the Illuminati Wind Quartet.

Later in 2009, Gareth has been invited to take a residency at the Centre Culturel Irlandais in Paris, where he will be writing a large-scale piece of music theatre. Gareth is represented by the Irish Contemporary Music Centre and is a member of the board at the Scottish Music Information Centre.

ABOUT THE COMPANY

Tapestry - Tapestry is dedicated to the creation, development and performance of new opera works through its unique and highly collaborative work process. Under the leadership of Managing Artistic Director Wayne Strongman, Tapestry engages the hearts and minds of artists and audiences on subjects relevant to contemporary society. The Tapestry process begins at the annual Composer-Librettist Laboratory where writers and composers are introduced to collaborative creation. Successful partnerships move on to create 15-minute operas for our annual Opera to Go production and graduate to full-length works. Our INside Opera Education Programme gives students the chance to discover their own stories and engage in the creation of new opera. Our children’Äôs operas, Elijah’Äôs Kite by Camyar Chai & James Rolfe and Get Stuffed by Alexis Diamond and Richard Payne have already toured to over 30,000 students across Ontario. Tapestry productions which have premiered to critical and popular acclaim include the Dora-Award winning Sanctuary Song by Abigail Richardson & Marjorie Chan (with Theatre Direct and Luminato), Nigredo Hotel by Ann-Marie MacDonald & Nic Gotham, Elsewhereless by Atom Egoyan & Rodney Sharman, Still the Night by Theresa Tova, Facing South by Don Hannah & Linda C. Smith and the Dora Award-winning Iron Road by composer Chan Ka Nin & librettist Mark Brownell. www.tapestrynewopera.com

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For further media information and artist interviews please contact Kim Blackwell at

416-346-4709, 416-686-0982 or blackwellcommunications@gmail.com

Kim Blackwell

blackwellcommunications@gmail.com

(416) 346-4709

(416) 686-0982

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Sunday, September 13, 2009

Quartetto Gelato Opens Fall Season of Classical Cabaret

CLASSICAL CONCERT CABARET AT THE OLD MILL INN FALL SEASON

LAUNCHES WITH QUARTETTO GELATO, TUESDAY, SEPTEMBER 22

Followed by Fiddle on Fire October 20 and

Vera Lynn Tribute with the Grand Salon Orchestra November 3

The Old Mill Inn continues to serve up classical concerts with excellent cuisine. Classical Concert Cabaret at The Old Mill Inn kicks off its fall series with Canada’Äôs internationally celebrated Quartetto Gelato, Tuesday, September 22 at 21 Old Mill Road (minutes from the Old Mill subway; ample free parking).

Dinner is served from 6 p.m., with live music beginning at 7 p.m. For $65, patrons can enjoy the concert and a three-course meal. For information and reservations, call 416-207-2020, e-mail info@oldmilltoronto.com, or visitwww.oldmilltoronto.com/entertainment_concert.html.

Classical in intent, eclectic by design, Quartetto Gelato (www.quartettogelato.ca) has enchanted audiences and critics worldwide with its exotic blend of musical virtuosity, artistic passion and charismatic presence. The artists ’Äì Peter DeSotto, tenor/violin/mandolin; Alexander Sevastian, accordion; Colin Maier, oboe and clarinet; and Liza McLellan, cello ’Äì thrill audiences with the mastery of six instruments, plus the unexpected bonus of a brilliant operatic tenor. Performed without scores, their shows radiate a sense of spontaneity and excitement rarely seen on the classical stage.

Violin virtuoso Lance Elbeck takes the stage on October 20 for Fiddle On Fire, a delightfully entertaining musical theatre presentation. The versatile Elbeck stars as ’ÄúThe Fiddler’Äù, with an accompanying pianist, and a dancer performing in Celtic and modern dance styles. The great Leonard Bernstein recognized Elbeck’Äôs talents at an early age, and conducted the Chicago Symphony and New York Philharmonic with Elbeck as soloist. Fiddle on Fire portrays the historical relationship of several famous violin virtuosi, while the ’ÄúFiddler’Äù dazzles the audience with a fascinating display of violin wizardry.

Orchestra conductor and Classical 96.3 radio personality Kerry Stratton is the effervescent master of ceremonies forClassical Concert Cabaret at The Old Mill Inn. Having opened the series in April with his elegant Grand Salon Orchestra, he brings the Orchestra back on Tuesday, November 3 for Vera Lynn: We’Äôll Meet Again ’Äì an evening of dining and dancing.

As a Remembrance Day prelude, the powerfully moving mezzo-soprano voice of Barbara Sadegur recreates the memorable songs of the ’ÄúForces Sweetheart’Äù Vera Lynn, which buoyed the Allies during World War II. Such memorable 1940s favorites as White Cliffs of Dover and We’Äôll Meet Again provide an unforgettable close to the first season of theClassical Cabaret at the Old Mill Inn series.

The Old Mill Inn and Spa, on the Humber River, is Toronto’Äôs premier place for great dance music and excellent cuisine in a party atmosphere. Live dance music has been an Old Mill tradition since 1921. Michael Kalmar, President of The Old Mill Inn, says, ’ÄúMusic and dancing are fabulous social activities that make you feel great! The element of dining adds an up-close and personal experience that is hard to find today.’Äù

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High-res photos of Quartetto Gelato available for download at www.quartettogelato.ca/media.php

For further information, CDs interviews and review reservations contact:

Linda Litwack

416-782-7837

e-mail: lalitwack@rogers.com September 11, 2009

Pronunciations

Quartetto Gelato ’Äì kwar-TET-toe jel-LAH-toh

Elbeck ’Äì ELL-beck

Sadegur ’Äì SAD-duh-gur (g as in gold)

Kalmar ’Äì CALL-mar

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Thursday, September 3, 2009

Single tickets available now for the Sixth Honens International Piano Competition

CALGARY, AB, August 31, 2009 ’Äì Single tickets to the Sixth Honens International Piano Competition, which takes place October 22 to November 6, 2009, are on sale now. Twenty-one pianists from Canada, China, Ecuador/Spain, Hong Kong, Israel, Russia, South Korea, Switzerland, Taiwan, Ukraine, United Kingdom and the United States will compete for one of the competition world’Äôs most lucrative career development programs valued at more than $500,000 in addition to $100,000 in cash prizes.

The Competition includes 24 afternoon and evening performance sessions: 14 Quarterfinals concerts; six Semifinals concerts; two Finals concerts; as well as Rob Kapilow’Äôs What Makes It Great? ’Äì a discovery of art song and lieder featuring members of Calgary Opera’Äôs Emerging Artist Development Program; and an evening of improvisation with Venezuelan pianist Gabriela Montero. The Competition also offers free community concerts and pre-concert Music as a Second Language(MSL) music appreciation performance-lectures. For complete listings and event information, seehonens.com.

In addition to its triennial Competition Honens continues to build its prestigious reputation through presenting its winners on the world’Äôs most important concert stages and by bringing the world’Äôs leading musicians to Calgary for exclusive Canadian performances.

Minsoo Sohn, First Laureate of the 2006 Honens International Piano Competition makes recital debuts at Glenn Gould Studio (Toronto) and Weill Recital Hall at Carnegie Hall (New York) on October 3 and 8 respectively. The Calgary Philharmonic Orchestra also presents Sohn in performances of Chopin’Äôs Second Piano Concerto on October 16 and 17 in Calgary.

Honens also presents the Canadian exclusive and premiere of superstar Leif Ove Andsnes’Äô PicturesReframed on November 16 ’Äì a multimedia project featuring the work of conceptual artist Robin Rhode and Mussorgsky’Äôs Pictures at an Exhibition. This performance, the first after the project’Äôs world premiere at New York’Äôs Lincoln Center, makes only five North American stops, and is already sold-out in New York, Washington DC and Houston.

Tickets to all Honens performances range from $12 to $85 and are available by calling the Honens Box Office at (403) 299-0140 or online at honens.com.

Honens International Piano Competition Laureate, Minsoo Sohn,

TORONTO, ON, August 31, 2009 ’Äì Minsoo Sohn, First Laureate of Canada’Äôs Honens International Piano Competition (2006), makes his Glenn Gould Studio debut in a solo recital on Saturday, October 3, 2009 at 8 p.m. (250 Front Street West). Sohn’Äôs recital includes Beethoven’Äôs Diabelli Variations, Leon Kirchner’Äôs Interlude II, and Liszt’Äôs transcriptions of works by Beethoven, Schubert and Mozart. South Korean-born Minsoo Sohn began piano studies at age three. One of his earliest inspirations was Henryk Szeryng’Äôs legendary recording of Bach’Äôs Sonatas and Partitas for solo violin. While the violin first captured his attention, he grew to appreciate the piano’Äôs many voices and tonal colours. In addition to his Honens win, Sohn was a top prizewinner at the Rubinstein, Cleveland, Busoni and Hilton Head International Piano Competitions, and received laureate prizes at Belgium’Äôs Queen Elisabeth and Santander’Äôs Paloma O’ÄôShea Competitions.

William Aide, Chairman of the 2006 Honens Jury, speaks to Sohn’Äôs artistry: ’ÄúMinsoo Sohn is an artist of Olympian magnitude. To the Diabelli and Goldberg Variations he brings a structural clarity and an expansive range of dramatic characterization. His Liszt is unsurpassable in its lyric refinement and sonic splendour, qualities reminiscent of great Lisztians of the past, such as Egon Petri and Grigory Ginzburg.’Äù Sohn’Äôs debut recording of Liszt transcriptions received four out of four stars from The Toronto Star earlier this year: ’ÄúSohn tosses off the fearsome technical challenges without breaking stride, while at the same time elegantly colouring each mood,’Äù wrote John Terauds.

Minsoo Sohn’Äôs Glenn Gould Studio concert comes just days before his debut at New York’Äôs Weill Recital Hall at Carnegie Hall on October 8. Both concerts are made possible by the Honens Competition’Äôs comprehensive Artistic and Career Development Program, one of the most lucrative prizes in the world of international music competitions.

Tickets for the October 3 recital are $15 to $25 and are available through the Roy Thomson Hall Box Office at (416) 872-4255 or online at roythomson.com.

Honens International Piano Competition is among the world’Äôs most prestigious events of its kind. It searches the world to discover ’ÄúComplete Artists’Äù ’Äì 21st century musicians for 21st century audiences. The Sixth International Piano Competition, presented by Nexen Inc., takes place in Calgary, October 22 to November 6, 2009. For more information visit honens.com .

Tuesday, September 1, 2009

L¬¼Institut d¬¼ˆ©tudes ˆÝ la retraite de McGill : une formation dans le vent

Montrˆ©al, le 1er septembre 2009 - L'Institut cˆ©lˆ®bre 20 ans en ˆ©ducation permanente

Le monde est sur le point de faire un important virage dˆ©mographique, alors que la vaste population de retraitˆ©s ne cesse de croˆÆtre. Les ˆ©tudes ont dˆ©montrˆ© que la stimulation intellectuelle et les liens sociaux sont essentiels au maintien d'une santˆ© optimale, tant sur le plan mental et ˆ©motionnel que physique. L'annˆ©e 2009-2010 marque le 20e anniversaire de la crˆ©ation de l'Institut d'ˆ©tudes ˆÝ la retraite de l'Universitˆ© McGill, qui a su instaurer un environnement vouˆ© ˆÝ l'apprentissage. Destinˆ© aux personnes retraitˆ©es de la communautˆ© montrˆ©alaise, il offre un riche milieu social ainsi que des activitˆ©s stimulantes.

Afin de souligner cet anniversaire, l'Institut a organisˆ© une sˆ©rie d'ˆ©vˆ©nements qui se dˆ©rouleront au cours des prochains mois :

* Du 3 au 5 septembre 2009 : VERNISSAGE et EXPOSITION ARTISTIQUE prˆ©sentant les ‰ìuvres de membres de l'Institut d'ˆ©tudes ˆÝ la retraite de l'Universitˆ© McGill, ˆÝ la Galerie d'arts visuels McClure situˆ©e au 350, avenue Victoria, ˆÝ Westmount.

* Le 15 octobre 2009, ˆÝ 19 h : PREMIˆàRE DE FILM Prˆ©sentation du film suisse oscarisˆ© de 2008 intitulˆ© Late Bloomers, dans lequel une veuve de 80 ans dˆ©cide de rˆ©aliser le rˆ�ve de sa vie, ˆÝ l'Auditorium Maxwell Cummings du Musˆ©e des Beaux-Arts de Montrˆ©al situˆ© au 1380, rue Sherbrooke Ouest, ˆÝ Montrˆ©al.

* Du 11 au 20 fˆ©vrier 2010 : FESTIVAL D'ARTS, D'ARTISANAT, DE MUSIQUE ET DE POˆâSIE prˆ©sentˆ© par des membres de l'Institut d'ˆ©tudes ˆÝ la retraite de l'Universitˆ© McGill ˆÝ la Salle Tudor situˆ©e au 5e ˆ©tage de la Maison Ogilvy, logˆ©e au 1307, rue Sainte-Catherine Ouest, ˆÝ Montrˆ©al.

* Le 17 juin 2010 : THˆâ VICTORIEN au Centre culturel Stewart Hall, situˆ© au 176, chemin du Bord’Äëdu-Lac, ˆÝ Pointe-Claire.

Fondˆ© en 1989 par des membres bˆ©nˆ©voles sous forme de programme d'ˆ©tudes d'une journˆ©e et de confˆ©rences ˆÝ l'intention d'ˆ©tudiants adultes offert au Centre d'ˆ©ducation permanente de l'Universitˆ© McGill, l'Institut d'ˆ©tudes ˆÝ la retraite comptait, lors de sa premiˆ®re annˆ©e, 16 cercles d'ˆ©tudes rˆ©unissant 180 membres. En 2008, l'Institut regroupait 53 cercles d'ˆ©tudes ainsi que 805 membres.

Par l'entremise de l'apprentissage entre pairs, les membres de l'Institut d'ˆ©tudes ˆÝ la retraite participent ˆÝ des cercles d'ˆ©tudes autodirigˆ©s formˆ©s de 10 ˆÝ 22 membres et supervisˆ©s par des animateurs qui sont ˆ©galement membres du groupe. Les participants sont invitˆ©s ˆÝ mener des recherches et ˆÝ utiliser les ressources dont recˆ®lent les bibliothˆ®ques mcgilloises. Aucun prˆ©alable en ˆ©ducation n'est exigˆ© et les participants de tout ˆ¢ge sont les bienvenus. De plus, les ˆ©tudiants ne doivent subir aucun examen ni ne reˆßoivent de notes ˆÝ l'issue de ces ateliers, au cours desquels la satisfaction provient du partage des connaissances.

Pour obtenir de plus amples renseignements sur l'Institut d'ˆ©tudes ˆÝ la retraite de l'Universitˆ© McGill et ses festivitˆ©s anniversaires, priˆ®re de consulter le lien suivant : http://milr20.mcgill.ca

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