LSM Newswire

Tuesday, September 22, 2009

Orchestre Symphonique de Laval-Anton Kuerti-concert du mercredi 30 septembre

Beethoven, Tchałěkovsky et Anton Kuerti
Pour un concert d'ouverture magistral!
Le mercredi 30 septembre łŢ 20 h

Lavalĺ─ý L'Orchestre symphonique de Laval inaugure avec faste sa 24e saison en prłęsentant le Concerto pour piano et orchestre no 5 en mi błęmol majeur, op. 73, de Beethoven et une ëýuvre choisie par le public, l'imposante Symphonie no 5 en mi mineur, op. 54, de Tchałěkovsky. Cette ëýuvre a łętłę dłęsignłęe, au printemps 2009, comme le Č┤ Coup de cëýur Ȭ du public dans le cadre d'un sondage visant łŢ connałĂtre la pił«ce que l'auditoire aimerait entendre lors du premier concert de la saison 2009-2010. Chose promise, chose due! Le public de l'OSL aura non seulement la chance d'entendre cette ëýuvre grandiose, mais aussi le privilł«ge d'une rencontre avec Anton Kuerti, celui que le Fanfare Magazine considł«re comme le plus grand pianiste vivant! Ce grand concert sera prłęsentłę le mercredi 30 septembre łŢ 20 h, łŢ la salle Andrłę-Mathieu de Laval. Alain Trudel vous donne rendez-vous pour sa confłęrence d'avant-concert dł«s 19 h 15.

Anton Kuerti

Le pianiste Anton Kuerti est nłę en Autriche, a grandi aux łÔtats-Unis et a vłęcu la majeure partie de sa vie adulte au Canada. Jeune surdoułę, il n'a que 11 ans lorsqu'il interprł«te le Concerto de Grieg avec Arthur Fiedler, et il est encore aux łętudes lorsqu'il remporte le prestigieux et convoitłę Prix Leventritt. Anton Kuerti a joułę dans 39 pays, dont le Japon et la Russie, ainsi que dans la plupart des pays europłęens. Il s'est łęgalement produit avec les principaux orchestres et chefs d'orchestre des łÔtats-Unis. Son vaste rłępertoire compte quelque 50 concertos, dont l'une de ses propres compositions, et il est l'un des artistes contemporains ayant rłęalisłę le plus d'enregistrements, dont l'intłęgrale des concertos et sonates de Beethoven. Au Canada, Anton Kuerti s'est produit avec tous les orchestres professionnels et devant 140 communautłęs, d'un ocłęan łŢ l'autre. Il a, entre autres, donnłę 39 concerts avec l'Orchestre symphonique de Toronto. Anton Kuerti a, de plus, participłę łŢ de nombreux festivals importants et a dłęmontrłę, łŢ plusieurs occasions, une endurance remarquable en interprłętant les cinq concertos de Beethoven et la Fantaisie chorale, ou les cinq dernił«res sonates pour piano de Beethoven, en un seul long concert. ł─ titre de chambriste, il a collaborłę avec certains des plus influents artistes de la scł«ne internationale, tels Gidon Kremer, Yo-Yo Ma, Janos Starker et avec les quatuors Cleveland, Guarneri, Saint-Laurent et Tokyo.

Officier de l'Ordre du Canada, il a reł▀u de nombreux doctorats honorifiques et, en 2008, le Prix du Gouverneur głęnłęral, le plus grand honneur qui puisse łütre dłęcernłę łŢ un artiste canadien des arts de la scł«ne. ł─ noter qu'Anton Kuerti est łęgalement professeur, compositeur, organisateur de concerts et directeur artistique.

AU PROGRAMME

Ludwig van Beethoven (1770-1827)
Concerto pour piano et orchestre no 5 en mi błęmol majeur, op. 73, Č┤ Empereur Ȭ, 1809
Soliste : Anton Kuerti

C'est en 1792 que Beethoven arrive łŢ Vienne pour y łętudier la composition auprł«s de grands małĂtres. Ville de musique, s'il en est une en cette fin du XV111e sił«cle, Beethoven ne tarde pas łŢ se faire un nom, et l'aristocratie, łęprise de musique, se presse łŢ ses concerts. Dł«s lors, les portes des grandes familles viennoises s'ouvrent devant lui et son avenir de musicien semble assurłę. Quelques annłęes plus tard cependant, en 1800, des symptłąmes inquiłętants se manifestent au point qu'ils ne peuvent plus łütre ignorłęs : Beethoven devient sourd. Le musicien est dłęvastłę et envisage un moment de se suicider. Il rłędige alors le cłęlł«bre Testament d'Heiligenstad dans lequel il confie son dłęsespoir. Reprenant ses esprits, il transformera ce młęchant coup du sort en destin : il sera compositeur coł¬te que coł¬te. Le Concerto no 5 a łętłę composłę au cours de l'annłęe 1809, au moment oł╝ les troupes de Napolłęon assił«gent Vienne. Au mois d'octobre, la signature du traitłę de paix de Vienne permet łŢ Beethoven d'achever l'łęcriture de la partition dłęlaissłęe durant les bombardements. L'ëýuvre est dłędiłęe łŢ l'archiduc Rodolphe, fils de l'empereur Lłęopold II d'Autriche et protecteur du musicien. Le concerto a łętłę crłęłę le 28 novembre 1810 łŢ Leipzig par l'orchestre du Gewandhaus. La surditłę du compositeur łętant trop avancłęe, la partie du soliste est alors interprłętłęe par le pianiste Friedrich Schneider. Partisan des idłęes de la Rłęvolution franł▀aise, Beethoven a profondłęment incarnłę ces principes dans sa musique. Dans son ultime concerto pour piano, il n'est pas exagłęrłę de dire que le soliste dialogue avec toute la masse sonore de l'orchestre en toute libertłę, łęgalitłę et fraternitłę.

ENTRACTE

Piotr Ilyitch Tchałěkovsky (1840-1893)
Symphonie no 5 en mi mineur, op. 54, 1888

Musicien indłęniablement russe, Tchałěkovsky n'en est pas moins influencłę par la forme et les techniques de composition occidentales. Curieux, łęclectique, il touche łŢ tous les genres musicaux avec beaucoup de succł«s : opłęra, concerto, musique de chambre. En 1876, il compose le Lac des cygnes et crłęe ainsi le ballet symphonique. Tchałěkovsky a łęcrit six symphonies auxquelles on se doit d'ajouter Manfred, cette autre symphonie, bien qu'elle n'en porte pas le titre. Si les trois premił«res symphonies s'avł«rent de facture plus classique quant łŢ leur inspiration, les trois dernił«res nous font entrer dans l'univers psychologique du compositeur et renvoient łŢ des idłęes extramusicales comme l'obsession du destin. Ce thł«me du fatum, que l'on entend justement ici, et ce, dł«s le dłębut du premier mouvement, traversera les quatre mouvements de l'ëýuvre. La Symphonie no 5 fut crłęłęe łŢ Saint-Płętersbourg le 5 novembre 1888, sous la direction du compositeur.

Concert : 30 septembre łŢ 20 h, salle Andrłę-Mathieu
Le concert est une prłęsentation de Protectron.
Les billets pour ce concert sont disponibles
En ligne : www.salleandremathieu.com
Au guichet de la salle Andrłę-Mathieu : 475, boul. de l'Avenir, Laval
Par tłęlłęphone, billetterie de la salle Andrłę-Mathieu : (450) 667-2040
Via le Rłęseau admission : (514) 790-1245

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Thursday, September 17, 2009

The NAC Orchestra launches its 09-10 season with Romantic Revolution Festival led by Music Director Pinchas Zukerman, including guest artists Gil Shah

Ottawa, Canada ĺ─ý Pinchas Zukerman opens the National Arts Centre Orchestraĺ─˘s 40th anniversary season with the Romantic Revolution Festival from Wednesday, September 23 to Thursday, October 1 with guest stars including violinist Gil Shaham, pianists Angela Cheng, Katherine Chi and Anton Kuerti, and cellist Lynn Harrell. Over the course of five magnificent concerts on September 23, 24, 25, 30 and October 1 ĺ─ý four led by Pinchas Zukerman and one by Jean-Marie Zeitouni ĺ─ý the Festival explores the pivotal period in artistic and musical history that marked the emergence of Romanticism. Audiences will hear the first tentative strains of Romanticism in the music of Haydn (including his Cello Concerto performed by Lynn Harrell) and in Mozartĺ─˘s later piano concertos (performed by Angela Cheng and Katherine Chi). They will hear it flourish in the glorious passages of Beethovenĺ─˘s Eroica Symphony and Concerto for Violin (the latter performed and conducted by Pinchas Zukerman) and Mendelssohnĺ─˘s Violin Concerto (performed by Gil Shaham) and in the anguished harmonies of Schubertĺ─˘s Unfinished Symphony; and reach full power in the Symphony No. 4 by Schumann (Romantic composer par excellence) and the heart-wrenching Prelude to Act III of Verdiĺ─˘s La Traviata. (A chronological listing of concerts follows.)

Each concert opens with a capella musical selections sung by the
Cantata Singers of Ottawa led by director Michael Zaugg.

The Festival includes ĺ─˙Musically Speakingĺ─¨ talks at 7 p.m. given by media and musical celebrities prior to the concerts on September 23, 24, and 25, and October 1. The first two are in French: ĺ─˙Lĺ─˘Art de composer un programmeĺ─¨ with musicologist Carol Bergeron on Sept. 23; ĺ─˙Les Beautłęs de lĺ─˘inachł«vement : la Huitił«me Symphonie de Schubertĺ─¨ with Franł▀ois Dompierre, composer and host, Radio-Canada, Espace musique on Sept. 24. The second two are in English: ĺ─˙Schumannĺ─˘s Revision Quest: a journey from brainstorm to scoreĺ─¨ with CBC Radio Executive Producer Jill LaForty interviewing CBC Music Producer David Houston on Sept. 25; and ĺ─˙Beethoven Liteĺ─¨ with writer and broadcaster Eric Friesen on Oct. 1. The Oct. 1 concert also includes a Post-Concert Talkback with Eric Friesen interviewing Pinchas Zukerman following the latterĺ─˘s performance of the Beethoven Violin Concerto.

The Sept. 30 concert is a detailed exploration of Mozartĺ─˘s Final Piano Concerto beginning with a ĺ─˙Beyond the ScoreČĂĺ─¨ multi-media exploration of Mozartĺ─˘s life and times featuring narrator Bill Richardson (of CBC Radio), Ottawa actor Pierre Brault, soprano Donna Brown and pianist Katherine Chi, with the NAC Orchestra performing musical excerpts. In the second half Katherine Chi and the NAC Orchestra led by Jean-Marie Zeitouni perform the concerto in its entirety. ĺ─˙Beyond the ScoreČĂĺ─¨ is a presentation of the Chicago Symphony Orchestra.

Tickets for the Romantic Revolution Festival in the NACĺ─˘s Southam Hall at 8 p.m. are on sale now at $19, $29, $39.50, $50, $60, $70 and $87.50 at the newly renovated NAC Box Office (Monday to Saturday from 10 a.m. to 9 p.m.) and through Ticketmaster (with surcharges) at 613-755-1111. Ticketmaster may also be accessed through the NACĺ─˘s website at www.nac-cna.ca.

Half-price tickets for students in all sections of the hall are on sale in person at the NAC Box Office upon presentation of a valid student ID card. Live Rush tickets (subject to availability) for full-time students (aged 13 to 29) are $11 at the NAC Box Office from 2 p.m. the day before the concert to 6 p.m. the day of, upon presentation of a valid Live Rush card.

Groups of 10 and more save 15% to 20% off the regular price of tickets to NAC Music, Theatre and Dance performances. To reserve your seats call 613-947-7000 ext. 384 or email grp@nac-cna.ca.

COMPLETE ROMANTIC REVOLUTION FESTIVAL PROGRAMMING

Beethovenĺ─˘s ĺ─˙Eroicaĺ─¨ Wednesday, September 23 at 8 p.m.
Mark Motors Audi Signature Series
Pinchas Zukerman, conductor; Gil Shaham, violin; Cantata Singers of Ottawa; Michael Zaugg, chorus master

Cantata Singers a capella prelude:
BRAHMS Fł║nf ernste Gesłžnge, Op. 104

NAC Orchestra:
MALCOLM FORSYTH Jubilee Overture
MENDELSSOHN Violin Concerto in E minor
BEETHOVEN Symphony No. 3 ĺ─˙Eroicaĺ─¨

Beethovenĺ─˘s ĺ─˙Eroicaĺ─¨ marks the turning point from Classicism to Romanticism with its extraordinary scope, bold harmonies, and drama. And its title? Originally dedicated to Napoleon, Beethoven angrily changed his dedication to ĺ─˙Sinfonia Eroica, Composed to Celebrate the Memory of a Great Man,ĺ─¨ after Napoleon declared himself Emperor. Gil Shaham, recent winner of the coveted Avery Fisher Prize and multiple Grammys, dazzles with lustrous tone and brilliant technique in Mendelssohnĺ─˘s jewel of a violin concerto.

Musically Speaking: Pre-Concert Chat at 7 p.m. (in French)
ĺ─˙Lĺ─˘Art de composer un programmeĺ─¨ with musicologist Carol Bergeron

Wednesday Mark Motors Audi Signature Series subscribers will attend this concert, and Thursday Signature Series subscribers will attend the Thursday, October 1 concert.

***

The Radiance of Mozart Thursday, September 24, 2009
Ovation Series
Pinchas Zukerman, conductor; Angela Cheng, piano; Arianna Zukerman, soprano; Cantata Singers of Ottawa; Michael Zaugg, director

Cantata Singers a capella prelude:
FANNY HENSEL-MENDELSSOHN Gartenlieder, Op. 3: Im Wald; HłĆrst Du nicht die Błžume rauschen
FELIX MENDELSSOHN Sechs Lieder im Freien zu singen: I. Herbstlied
FANNY HENSEL-MENDELSSOHN Gartenlieder, Op. 3: Abendlich schon rauscht der Wald

NAC Orchestra:
VERDI Prelude to Act III of La Traviata
SCHUBERT Symphony No. 8 ĺ─˙Unfinishedĺ─¨
MOZART Aria: ĺ─˙Chĺ─˘io mi scordi di teĺ─¨
MOZART Piano Concerto No. 21 ĺ─˙Elvira Madiganĺ─¨

Critically acclaimed Angela Cheng, known for her spot-on Mozart interpretations, is the soloist for his 21st Piano Concerto, which took its nickname from the radiant second movement heard in the film Elvira Madigan. Arianna Zukermanĺ─˘s shimmering voice reveals the beauty of Mozartĺ─˘s farewell gift to an admired soprano. Plus Schubertĺ─˘s most famous ĺ─ý and mysteriously abandoned ĺ─ý symphony, the ĺ─˙Unfinished.ĺ─¨

Musically Speaking: Pre-Concert Chat at 7 p.m. (in French)
ĺ─˙Les Beautłęs de lĺ─˘inachł«vement : la Huitił«me Symphonie de Schubertĺ─¨ with Franł▀ois Dompierre, composer and host, Radio-Canada, Espace musique

Thursday Ovation Series subscribers will attend this concert, and Wednesday Ovation Series subscribers will attend the Friday, September 25 concert.

***

Lynn Harrell & a Haydn Classic Friday, September 25, 2009
Ovation Series
Pinchas Zukerman, conductor; Lynn Harrell, cello; Cantata Singers of Ottawa; Michael Zaugg, director

Cantata Singers a capella prelude:
SCHUMANN Vier doppelchorige Gesange: Ungewisses Licht
SCHUBERT Die Nacht, Op. 17
BRAHMS Nun stehn die Rosen in Blł║te
SCHUMANN Vier doppelchłĆrigie Gesłžnge: Talismane

NAC Orchestra:
BACH Suite for solo cello
HAYDN Cello Concerto in C major
SCHUMANN Symphony No. 4

Schumann gave his wife the Fourth Symphony as a special gift: it celebrated her 22nd birthday, their first wedding anniversary, and the christening of their first child, and even included a musical portrait of her. Lynn Harrellĺ─˘s appealing way of reaching out to an audience has captured rapt listeners not only at the worldĺ─˘s famed concert halls, but also at the Grammys, where showbiz glitterati marveled at his artistry.

Musically Speaking: Pre-Concert Chat at 7 p.m. (in English) ĺ─˙Schumannĺ─˘s Revision Quest: a journey from brainstorm to scoreĺ─¨
CBC Radio Executive Producer Jill LaForty interviews CBC Music Producer David Houston

Wednesday Ovation Series subscribers will attend this concert, and Thursday Ovation Series subscribers will attend the Thursday, September 24 concert.

***

Mozartĺ─˘s Final Piano Concerto *Beyond the ScoreČĂ Wednesday, September 30, 2009
National Arts Centre Orchestra; Jean-Marie Zeitouni, conductor; Katherine Chi, piano; Donna Brown, soprano; Bill Richardson, narrator; Pierre Brault, actor

MOZART Piano Concerto No. 27

Join the NAC Orchestra and conductor Jean-Marie Zeitouni, with stellar soloists, actor Pierre Brault and narrator Bill Richardson to explore the history of Mozartĺ─˘s music. The first half of this program includes projected images, musical examples performed by the NAC Orchestra and soloists, and theatrical narration; the second half features a performance of Mozartĺ─˘s Piano Concerto No. 27 in its entirety.

English narration with French surtitles

This concert is part of the Romantic Revolution Festival.

* Beyond the Score is produced by the Chicago Symphony Orchestra

***

Pinchas Plays Beethoven Thursday, October 1, 2009
Mark Motors Audi Signature Series
Pinchas Zukerman, conductor and violin; Anton Kuerti, piano; Combined Ottawa Choruses; Duain Wolfe, chorus master

Cantata Singers a capella prelude:
FRIEDRICH SILCHER łĐnnchen von Tharau
MENDELSSOHN Abshied vom Walde
PETER CORNELIUS Der Traum
BRAHMS Abschiedslied

Mozartĺ─˘s Piano Concerto No. 27
BEETHOVEN Egmont Overture
BEETHOVEN Choral Fantasy
BEETHOVEN Violin Concerto

Beethovenĺ─˘s notoriously difficult masterpiece, sometimes dubbed ĺ─˙the Mount Everest of violin concertos,ĺ─¨ has near sacred status, testing the mettle of performers. What makes this evening even more extraordinary is that Pinchas Zukerman is not only the soloist but also conducts. Rounding out this all-Beethoven concert is a dramatic overture and the stately Choral Fantasy that, in tone and melody, foreshadows the ĺ─˙Ode to Joyĺ─¨ of the Ninth Symphony.

Musically Speaking: Pre-Concert Chat at 7 p.m. (in English)
ĺ─˙Beethoven Liteĺ─¨ with writer and broadcaster Eric Friesen

Musically Speaking: Post-Concert Talkback
Writer and broadcaster Eric Friesen interviews Pinchas Zukerman, Music Director of the NAC Orchestra

Thursday Mark Motors Audi Signature Series subscribers will attend this concert, and Wednesday Signature Series subscribers will attend the Wednesday, September 23 concert.

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