WSO Remembers Max Tapper
The Winnipeg Symphony Orchestra is saddened to recognize the passing of former WSO Executive Director Max Tapper.
www.wso.mb.ca/

Culture Montral se rjouit du coup d'envoi donn aux travaux de l'Adresse symphonique, lieu qui abritera l'Orchestre symphonique de Montral.
Longtemps attendu par les citoyens et par la communaut artistique montralaise, l'difice sera voisin d'un ensemble de lieux vocation culturelle prsents dans le Quartier des spectacles, un des carrefours artistiques de la mtropole, et viendra y ajouter une nouvelle dimension.
Le projet architectural de l'Adresse symphonique semble confirmer la volont de l'OSM de se doter d'un lieu ouvert la population et propice de nouvelles expriences. L'engouement pour cet orchestre profondment aim des Montralais et reconnu internationalement n'est plus prouver. Nul doute que ce dernier saura rapidement confrer une me et une histoire propres sa nouvelle rsidence.
Par son soutien au projet d'Adresse symphonique, le gouvernement du Qubec affiche de nouveau son adhsion au projet de Montral, mtropole culturelle et son dsir de constituer un partenaire important du Plan d'action 2007-2017, o le dveloppement d'infrastructures culturelles de qualit ctoie le soutien aux artistes et crateurs ainsi que l'accessibilit aux arts et la culture pour tous les citoyens.
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Fond en 2002, Culture Montral est un mouvement citoyen et non partisan dont le mandat est daffirmer le rle central des arts et de la culture dans toutes les sphres du dveloppement de Montral. Par le biais dactivits danalyse, de communication, de recherche et de concertation, Culture Montral contribue difier lavenir de Montral, mtropole culturelle. Lorganisation bnficie du soutien de ses membres, du ministre de la Culture, des Communications et de la Condition fminine du Qubec, de la Ville de Montral, de la Confrence rgionale des lus de Montral et du Cirque du Soleil.
Labels: Culture montral, montral, osm
The VSOs Season Finale is a real barn-burner: Carl Orffs extraordinary masterpiece Carmina Burana is a musical setting of medieval poetry, from the sacred to the profane, from devotional love and piety to drinking songs and debauchery! It also happens to be one of the wildest live concert experiences you can possibly have. Combined with Stravinskys Symphony of Psalms, this concert is a magnificent Season Finale for Lower Mainland audiences, and a prelude to the excitement of the 2009/2010 Season!
Maestro Bramwell Tovey wields the baton in this massive concert that features soprano Laura Whalen, tenor Colin Ainsworth, baritone Hugh Russell, the Vancouver Bach Choir, and the Vancouver Bach Childrens Chorus. Concerts take place on Saturday and Monday, June 13th and 15th, 8pm at the Orpheum Theatre.
Carmina Burana was German composer Carl Orffs first and greatest success. It is a scenic cantata composed between 1935 and 1936 based on 24 of the poems found in the medieval collection of the same name. In 1803, at the monastery of Benediktbeuern in Upper Bavaria, musicologist J. A. Schmeller discovered a manuscript collection of lyrics, dating from the twelfth and thirteenth centuries and eventually published it in 1847. The polite side of the collection includes six plays based on the Christmas, Passion and Easter mysteries. The earthier part contains some 200 drinking songs, love lyrics and recruiting songs.
When Orff came across the manuscript in 1935, he saw in it the ideal vehicle to express the kind of basic, uncomplicated human emotions he had in mind. Choosing two dozen poems from the collection, with the assistance of Michel Hofmann, he matched them with equally direct music, featuring simple yet striking rhythms, melodies and harmonies. Its not sophisticated, not intellectual, he wrote, and the themes of my work are themes that everyone knowsĶThere is a spiritual power behind my work, thats why it is accepted throughout the world. The premiere took place in Frankfurt on June 8, 1937.
The illuminated pictures that accompanied the original poems intrigued Orff virtually as much as the words. The cover showed luck as a revolving wheel, blindly governing peoples destinies. Orff begins his Carmina Burana with a grandiose hymn, Fortuna Imperatrix Mundi (Luck, Empress of the World), saluting this inscrutable, unpredictable concept. O Fortuna is one of the grandest statements in all of music, and has become famous world-wide. This extraordinary music from the beginning of Carmina Burana has been used in movies, commercials, and in sports arenas around the world as a trigger for creating feelings of drama and thrilling anticipation. Primo vere (In Springtime), follows. It deals, mostly in quiet, mysterious fashion, with the anticipated arrival of that season. Joy eventually breaks forth as Spring itself appears. It is celebrated in the section entitled Uf dem anger (On the Green).
The next segment, In Taberna (In the Tavern) salutes the juice of the grape in riotous fashion. The tenor soloist, singing in falsetto, takes the role of a swan roasting slowly and sadly on a spit. The baritone is an Abbot who launches the men of the choir into a rollicking ode to drink.
Cour damours (Court of Love) brings several of Orffs loveliest, most lyrical moments. The soprano solo In trutina (In the Balance) a glowing anticipation of fulfillment, is a particular highlight. After the ecstatic fervor of Blanziflor et Helena (Blanchefleur and Helen, the principal characters in a medieval romance), Orffs ode to luck returns, to close Carmina Burana as majestically as it began.
Igor Stravinskys Symphony of Psalms was commissioned in 1929 by conductor Serge Koussevitzky, for the fiftieth anniversary of the Boston Symphony Orchestra. He used this opportunity to realize a project he had been considering for some time: a setting of selected Biblical Psalms for chorus and orchestra.
I began with Psalm 150, Stravinsky wrote. After finishing the fast-tempo sections, I went back to compose the first and second movementsĶThe first movement, Hear my prayer, O Lord, (Psalm 39) was composed in a state of religious and musical symbolism in any of my music before The Flood. It consists of an upside-down pyramid of fugues.
The Allegro in Psalm 150 (Finale of the Symphony) was inspired by a vision of Elijahs chariot climbing to the heavens; never before had I written anything quite so literal as the triplets for horns and piano to suggest the horses and chariot. In setting the words of this final hymn, I cared above all for the sounds of the syllables, and I have indulged my besetting pleasure of regulating prosody in my own way.
Stravinsky, who had become a regular communicant of the Russian Orthodox Church in 1926, inscribed the score of Symphony of Psalms To the Glory of God. The orchestration includes enlarged wind and brass sections, but excludes violins and violas.
CONCERT INFO
Masterworks Diamond Series:
Carmina Burana!
Saturday & Monday, June 13 & 15, 8pm, Orpheum Theatre
Bramwell Tovey, conductor
Laura Whalen, soprano
Colin Ainsworth, tenor
Hugh Russell, baritone
Vancouver Bach Choir
Vancouver Bach Childrens Chorus
Stravinsky Symphony of Psalms
Orff Carmina Burana
Tickets $25 to $78.50 (Student, Senior and Subscriber discounts available)
Tickets available by phone at 604.876.3434 or online at www.vancouversymphony.ca
Labels: Chamber Music, festival, germany
L'Adresse symphonique :
un crin de prestige digne de notre mtropole culturelle
Montral, 28 mai 2009 - La
lment important dans le nouveau Quartier des spectacles, la nouvelle maison de l'OSM tait un projet attendu depuis longtemps. Le lancement officiel des travaux de construction constitue donc une excellente nouvelle. Ce chantier vient donner un lan supplmentaire l'embellissement de ce secteur du centre-ville. terme, l'OSM disposera d'une salle qui mettra pleinement en valeur les talents qui composent l'orchestre. Et ds aujourd'hui, notre conomie profitera des effets stimulants de ce projet important , a dclar le prsident et chef de la direction de la Chambre, Michel Leblanc.
Dans la priode de ralentissement que nous connaissons, il est crucial que les intentions d'investissement se traduisent rapidement par des travaux concrets sur le terrain. Voil pourquoi le coup d'envoi des travaux de l'Adresse symphonique - en plus de la contribution future de l'difice la qualit de la vie culturelle montralaise - constitue aujourd'hui une intervention trs profitable l'conomie de la mtropole et du Qubec , a poursuivi Michel Leblanc.
Force est de reconnatre que le projet qui est en train de se concrtiser est des plus inspirants. Montral se retrouvera avec un crin de prestige, la mesure du talent de ses artistes et de nos ambitions de mtropole culturelle. Nous sommes impatients d'avoir la chance d'y entendre maestro Nagano y diriger un premier concert , a conclu Michel Leblanc.
La
Experience the inimitable glory of operatic self-delusion that is Florence Foster Jenkins while supporting the inimitable glory that is Edmonton Opera with Shadow Theatre's June 4th production of Glorious! The evening begins with complimentary refreshments at 7pm, followed by a 7:30pm performance, both at the Varscona Theatre (10329 83 Avenue). Tickets, available by calling 780-424-4040 ext. 231, are $60*, and proceeds from the ticket sales benefit Edmonton Opera directly.
Peter Quilter's Glorious! tells the true story of Florence Foster Jenkins, the 1940's eccentric and enthusiastic soprano whose voice left much to be desired. Possessing a voice of extraordinary volume but minimal beauty, she is determined to share her gifts with the rest of the worldĶ Whether it wants them or not. This hilarious and heart-warming comedy takes audiences though the sonic glory of her charity recitals, extravagant balls, bizarre recording sessions and ultimate triumph at Carnegie Hall, and sets out to prove real talent may only be a secondary concern in becoming a world famous performing artist.
Glorious! premiered in September 2005 in
"As a comic tribute to bullet-proof joie de vivre and boilerplate self-confidence, it's hard to fault... Glorious! is pitch perfect." --Sun Herald
"A huge hilarious surprise...delightful and heart-warming... Glorious! is aptly named."
--TheatreWire
Warning: Glorious! contains bad singing.
For information about the benefit performance of Glorious! or the 2009-2010 Edmonton Opera season, call 780-424-4040 ext. 231 or visit http://www.edmontonopera.com/.
Tickets are now on sale for PORTopera's 15th Anniversary Gala Celebration Concert to be held Thursday, July 30 at 7:30 p.m. PORTopera, Maine's only professional opera company, enjoys its 15th anniversary with special events throughout the summer, including the grand opera concert featuring a full orchestra and singers from past productions. The concert takes place at Merrill Auditorium (20 Myrtle Street, Portland).
Directed by PORTopera's Artistic Director Dona D. Vaughn, the concert will be conducted by Robert Moody, celebrated Music Director of the Portland Symphony Orchestra. Featured singers for the concert include PORTopera past guest artists: Pamela Armstrong (soprano), Heather Johnson (mezzo-soprano), Sandra Lopez (soprano), Michael Mayes (baritone), Lauren McNeese (mezzo-soprano), Jan Opalach (bass-baritone), and Gaston Rivero (tenor).
Some of the planned arias and duets planned for the Anniversary Concert are: "Si. Mi Chiamano Mim" from Puccini's La Bohme, "Un bel d" and the "Flower Duet" from Puccini's Madama Butterfly, the "Habanera" and "Torador's Song" from Bizet's Carmen, and "L ci darem la mano" from Mozart's Don Giovanni.
Tickets for the PORTopera Anniversary Concert range from $38 to $100 plus PortTix handling fees, and may be purchased at www.porttix.com, by calling (207) 842-0800, or by visiting the PortTix box office Monday through Saturday from noon to 6:00 p.m.
For more information about the concert and other PORTopera 15th anniversary events, visit www.portopera.org .
Le Quatuor Bozzini est au regret d'annoncer l'annulation du dernier concert de sa saison montralaise, alt:neu, les 5 et 6 juin 2009 au Monument national, pour cause d'accident.
Ce concert tournant autour du thtre musical de Mauricio Kagel, avec des crations de Jennifer Walshe et Eliav Brand, est report en janvier 2010.
Labels: montral, quatuor cordes
Jeudi le 4 juin 20h, lOpra de Montral prsente Lucia di Lammermoor en direct de lopra sur cran gant extrieur.
La projection a lieu lEsplanade de la Place des Arts et lentre est libre.
Labels: opra de montral
13 jours de spectacles et d'activits pour toute la famille
AU DEL DES FRONTIRES
Kassav' a des attaches profondes avec l'Afrique. Nous n'oublions jamais que nos anctres en sont originaires. Nos nombreuses visites sur la terre de nos aeux nous ont permis de confirmer la filiation musicale et de prendre la mesure de l'hritage reu . Ces propos de Jocelyne Beroard et Jacob Desvarieux, membres du clbre groupe antillais et respectivement marraine et parrain de cette dition 2009, rsument trs bien une des missions que le Festival International Nuits d'Afrique s'est donne ds ses tout dbuts: montrer quel point de nombreux styles musicaux, aux quatre coins du monde, ont t et sont encore influencs par les rythmes du continent africain. Chaque jour, ceux qui la pratiquent permettent la musique d'voluer, de repousser les frontires. Cette nouvelle dition du Festival international Nuits d'Afrique tmoigne non seulement de la diversit des cultures mais, plus que jamais, de la richesse des mtissages que rien comme la musique ne peut gnrer.
Du 14 au 26 juillet, les curs (et les tympans!) vibreront au rythme des sons d'ascendance africaine. Plus de 50 spectacles en salle et l'extrieur, prs de 500 chanteurs, danseurs et musiciens sur scne, des artistes originaires de 29 pays diffrents qui brassent les cultures et rinventent la Culture: le Festival international Nuits d'Afrique cuve 2009 rserve bien des surprises.
LES SPECTACLES EN SALLE
Srie Grands vnements
Leur nom, incontournable, est synonyme de succs sur la scne internationale des musiques du monde.
Rebelle dans l'me, Sergent Garcia (France / Espagne) a invent son propre style musical, la salsamuffin, un mix de sons latinos et urbains et des propos souvent engags. Groupe phare de la scne rock orientale depuis prs de 15 ans, l'Orchestre National de Barbs (France / Algrie / Maroc) est l'image du quartier parisien dont ils tirent leur nom: en marge des conventions. Oriental Roots , le titre du dernier opus de Jimmy Oihid (Algrie) en dit beaucoup sur ses intentions musicales: un mix explosif de chabi, gnawa, arabo-andalou, R&B, funk et reggae. On ne prsente plus Kassav' (Martinique / Guadeloupe). L'inventeur du zouk, qui a rvolutionn le mot fte clbre ses trente ans de carrire.
Srie Grande premire
Malgr leur notorit, leur talent, le prestige de leur formation, ils ne se sont encore jamais produit Montral.
Le projet Umalali (Belize) met en vedette les chants traditionnels des femmes Garifuna, ponctus de touches de jazz, de funk, de rock et de blues. La musique de Novalima (Prou) est ancre dans leurs racines et pigmente de reggae, d'afrobeat, de son, de hip-hop ou encore de salsa.
Srie Prdilection
Ils portent une vritable affection Montral et Montral le leur rend bien. On a toujours beaucoup de plaisir les revoir sur scne.
Accompagn de Djely Mory Tounkara, Balla Tounkara (Mali) joue et se joue de sa kora, relookant les rythmes de son pays natal de notes jazz, funk et reggae. Rvlation du festival 2004, Maria de Barros (Cap Vert) ensoleille la musique capverdienne par une interprtation sensuelle, frache et baigne de soul des morna et coladeira traditionnelles.
Srie Dcouvertes
Ils sont la relve des musiques du monde. Leurs prestations sont animes de la fougue des premires grandes expriences.
Influencs par leurs origines et par la mosaque culturelle marseillaise, les membres de Watcha Clan (Algrie/ France / Maroc) mle adroitement chabi algrien, musiques lectroniques, hip-hop et rythmes est-europens. L'un est un joueur de Banjo et l'autre griot virtuose de la kora ; la musique a rapproch Jayme Stone (Ontario) et Mansa Sissokho (Mali) . Folk sud-africain, pop, blues, jazz, le tout mtin de rock: la musique de FreshlyGround (Afrique du Sud) est l'image des membres du groupe, moderne et mtisse.
Srie Rythmes d'ailleurs, gens d'ici
La scne locale des musiques du monde est la fois fertile et d'un dynamisme poustouflant. Le Festival international Nuits d'Afrique est l'vnement de ces artistes gorgs de talent.
Neev (Maroc / Qubec) imprgne sa musique de sa riche culture occidentalo-orientale. Syli d'Or de la musique du monde 2009, Aboulaye Kon et Bolokan (Cte d'Ivoire / Qubec) explorent la musique ouest africaine sous toutes ses coutures. Une touche de jazz, un touche de classique, des beats caribens, avec Makaya Jazz (Hati / Qubec), les notes de la gamme se dclinent en une symphonie de couleurs. Le son made in Intakto (Chili / Qubec) oscille entre l'intensit nordique et l'exaltation latine, entre la rigueur des traditions et la libert de cration. Lies par leurs voix chaleureuses et leurs rythmes mtisss, Joanne Griffith (Antilles / Qubec) et Empress Deeqa (Somalie / Qubec) se partagent une soire spciale Rythmes au fminin . Rythmes srres, sons wolofs, ambiance du Fouta et instruments traditionnels sont au cur de la musique rsolument acoustique de Oumar Ndiaye Xosluman (Sngal / Qubec). Jonglant avec la musique traditionnelle brsilienne, le reggae, le funk et les musiques africaines, Rommel Ribeiro (Brsil / Ontario) tonne par son style unique.
Fait noter, les prestations de plusieurs des artistes de cette srie sont prsentes au festival suite la performance exceptionnelle qu'ils ont donn dans le carde de la 3e dition des Syli d'Or de la Musique du Monde, qui se veut tre la seule distinction musicale cre pour les artistes de la musique du monde Montral. Il s'agit de: Aboulaye Kon et Bolokan percussions (Syli d'Or), Oumar Ndiaye Xosluman (Syli d'Argent), Xlim (Syli de Bronze) et Neev (Syli d'Honneur pour l'ensemble de son travail).
Les toiles de Nuits d'Afrique le rendez-vous des concerts nocturnes.
Lors de ces rencontres exploratoires indites, Taaf Fanga (Afrique de l'Ouest / Qubec) invite plusieurs groupes d'origines diffrentes partager son rpertoire de chants traditionnels, ses rythmes colors et ses danses endiables.
Taaf Fanga, avec Habana Caf (Cuba / Qubec), retrouvera les racines africaines de la musique cubaine ; avec Estacao Da Luz (Brsil / Qubec), les festivaliers auront droit un mix de sons percussifs parmi les plus puissants au monde ; avec Laeticia Zonzamb (Centre-Afrique / Qubec), ils feront la preuve que les rythmes traditionnels africains sont au cur des rythmes modernes ; avec Oumar Ndiaye Xosluman, ce sera une rencontre 100 % mandingues o les instruments traditionnels seront l'honneur.
Cadeaux de cette srie spciale, la rencontre inusite de Tapa Diarra et Balla Tounkara (Mali / Qubec), deux griots dpositaires de l'histoire de leurs familles respectives et donc d'un large pan culturel du Mali.
Taaf Fanga clturera cette srie, et le festival, dans une prestation aussi impressionnante qu'nergisante mariant kora, balafon, chants, djembs et doundouns dans une effervescence sonore aux arrangements modernes.
Ces six soires spciales, possibles grce au soutien du Conseil des arts du Canada et de TV5, sont gratuites pour tous ceux qui dtiennent un billet du Festival International Nuits d'Afrique 2009.
4 JOURS DE SPECTACLES ET ACTIVITS GRATUITS POUR TOUTE LA FAMILLE
Les 23, 24, 25 et 26 juillet, bye ! bye ! Place milie-Gamelin (carr Maisonneuve, Berri, Ste-Catherine, St-Hubert), bonjour le Village des Nuits d'Afrique (carr Maisonneuve, Berri, Ste-Catherine, St-Hubert): une ambiance qu'on ne retrouve nulle part ailleurs qu'en Afrique, dans les Antilles ou en Amrique Latine ; un lieu d'effervescence o on baragouine pour le plaisir avec les commerants du March Tombouctou, rivalisant d'ingniosit pour vendre leurs boubous, percussions et autres produits de beaut et bijoux traditionnels ; un espace convivial o on s'assoit sur la terrasse amnage cet effet ou dans l'herbe, la bonne franquette , pour dguster un poulet grill sauce yassa, plat typique du Sngal, un buf jerk pic la mode jamacaine, ou encore une crme glace aux saveurs exotiques.
Mais surtout un vritable bouillonnement culturel o l'on chante et danse avec des artistes de tous horizons qui les uns la suite des autres, sans arrt, occupent la grande scne Loto-Qubec pour des spectacles et ateliers diversifis.
Cette anne en grande nouveautĶ. une toute nouvelle srie que vous pourrez dcouvrir sur la grande scne Loto-Qubec: Nuits D'Afrique sous les Etoiles
La notorit acquise par la programmation extrieure du Festival International Nuits d'Afrique au fil des ans, et particulirement depuis que la dure de cette portion majeure du festival a t prolonge, a incit les Productions Nuits d'Afrique crer une srie de concerts qui soit le pendant artistique de la srie des Grands vnements en salle. C'est ainsi qu'est ne la srie de concerts Nuits d'Afrique sous les Etoiles . Celle-ci met de l'avant des artistes internationaux de grande envergure tels des coups de cur incontournables, des valeurs sres ainsi que des dcouvertes qui font dj beaucoup parler d'elles au niveau plantaire.
Au programme pour cette premire dition : Trois formations Coup de Cur dont l'identit sera rvle en temps et lieu, le son typiquement guadeloupen des tambours du groupe K'Koustik, les rythmes de son cubain de la formation Anacaona de Cuba, une dynastie de musiciennes qui chauffe les scnes depuis 80 ans, la troupe de 40 jeunes martiniquais Tch Kreyol qui ravit tous les publics par sa spontanit, son talent et l'explosion de couleurs qui sduit tous et chacun ainsi que le plateau vnementiel Carr'Mandingue
Aussi, ne pas manquer, la tente du Montral Multicolore rjouira les plus jeunes. Sous le pinceau maquillage magique de Allison (Carabes), les enfants deviendront fleur multicolore ou lion roi des forts. Leurs jolis dessins, inspirs de contes africains ou d'animaux de la savane, seront quand eux exposs au regard de tous les festivaliers.
Enfin, vritable succs l'an dernier, l'Agor'Afrique Loto-Qubec remet a! Entre chaque spectacle, cet endroit chaleureux permet de faire connaissance intimement avec la culture africaine grce des ateliers d'initiation la musique africaine, des contes traditionnels, des sances de signature d'artistes et une exposition de photos choisies.
Tlphone 514 499-
Chant 2009 : et les laurats sontĶ
Le Concours Musical International de Montral annonce les noms des 3 laurats de ldition Chant 2009 :
Premier prix* 30000 $ Angela MEADE, soprano tats-Unis
Deuxime prix 15 000 $ Yannick-Muriel NOAH, soprano, Canada
Troisime prix 10 000 $ Andrew GARLAND, baryton, tats-Unis
*Le Premier prix du Concours est accompagn dun enregistrement pour la maison de disques canadienne Analekta.
Ces trois chanteurs se produiront lors du concert gala des laurats ce jeudi 28 mai 19 h 30, au Thtre Maisonneuve de la Place des Arts, avec la participation spciale de la mezzo-soprano Julie Boulianne et du tnor Joseph Kaiser. Plac sous la direction dAlain Trudel, lOrchestre Mtropolitain accompagnera les laurats. Le programme musical exact du concert sera annonc ultrieurement.
Les noms des laurats des prix spciaux seront divulgus ce jeudi 28 mai, lors de la crmonie officielle de remise des prix, qui prcdera le concert gala.
Crmonie officielle de remise des prix et concert gala des laurats
Le jeudi 28 mai, 19 h 30
Thtre Maisonneuve, Place des Arts
Orchestre Mtropolitain
Alain Trudel, chef d'orchestre
Rgulier : 45 $ / 27,50 $ / tudiant : 10 $
514.842.2112 / www.laplacedesarts.com
Espace musique, diffuseur officiel du Concours
Espace musique, la radio musicale de Radio-Canada, est fire dtre le diffuseur officiel du Concours Musical International de Montral. Voici lhoraire de diffusion des diffrentes preuves du Concours sur les ondes dEspace musique (100,7 FM Montral) et sur le site dEspace classique Radio-Canada.ca/musique
Mercredi 27 mai 20 h : Les soires classiques : mission entirement consacre aux laurats du CMIM 2009 : Entre autres au programme, diffusion du rcital donn par le laurat du 1er Prix lors de lpreuve demi-finale; animation, Sylvia Lcuyer / ralisation, Michle Patry / Espace musique, 100,7 FM Montral.
Samedi 30 mai 12 h : sur les ondes de CBC Radio Two, 93,5 FM Montral, et sur le site www.cbc.ca/radio2 , Saturday Afternoon at the Opera, mission spciale de quatre heures prsentant les meilleurs moments du Concours; animation, Bill Richardson / ralisation, Matthew McFarlane et Kelly Rice / ralisatrice-coordonnatrice, Denise Ball / adjoint la production, Hayley Lapalme.
Mercredi 1 juillet, 20 h : La radio des festivals : diffusion dextraits de lpreuve finale avec lOrchestre Mtropolitain sous la direction dAlain Trudel ; ralisation-coordination, Guylaine Picard / Espace musique, 100,7 FM Montral.
Rappelons que lpreuve finale a t diffuse en direct sur les ondes dEspace musique, 100, 7 FM Montral (animation : Sylvia Lcuyer, commentaires : Fabrizio Melano), et sera disponible en ligne sur Espace classique ds le 29 mai. Les concerts films de la demi-finale du Concours qui ont t diffuss en direct sur Espace classique, la web Radio dEspace musique, seront disponibles pendant un an au www.radio-canada.ca/musique
En plus de ces diffusions en direct, lpreuve finale sera entendue dans plusieurs pays du monde dans le cadre des Festivals dt Euroradio, grce lassociation de la radio de Radio-Canada avec lUnion Europenne de Radio-Tlvision. Ds le 19 mai, consultez le blogue dEspace classique ainsi que diffrents reportages sur Internet Radio-Canada.ca/musique
Tous les dtails au www.concoursmontreal.ca
******
Voice 2009: and the Laureates are Ķ
The Montreal International Musical Competition announces the names of the 3 winners of the 2009 Voice Edition:
First Prize* $30,000 Angela MEADE, soprano, United States
Second Prize $15,000 Yannick-Muriel NOAH, soprano, Canada
Third Prize $10,000 Andrew GARLAND, baritone, United States
*The Competitions First prize includes a recording with the Canadian record label Analekta.
These three singers will appear in the Winners Gala Concert this Thursday, May 28 at 7:30 p.m. in Thtre Maisonneuve at Place des Arts, with the special participation of mezzo-soprano Julie Boulianne and tenor Joseph Kaiser. Under the direction of Alain Trudel, the Orchestre Mtropolitain will accompany the winners. The concerts exact musical programme will be announced shortly.
The names of the winners of the Special Awards will be revealed on Thursday, May 28, during the official awards ceremony preceding the Gala Concert.
Official Awards Ceremony and Winners Gala Concert:
Thursday, May 28 at 7:30 pm
Thtre Maisonneuve, Place des Arts
Orchestre Mtropolitain
Alain Trudel, Conductor
Regular : $45 / $27,50 / Student : $10
514.842.2112 / www.laplacedesarts.com
Espace musique, official broadcaster
Radio-Canadas music radio network, Espace musique, is proud to be the official broadcaster of the Montreal International Musical Competition. Following is the broadcast schedule for the various rounds of the competition on Espace musique (100.7 FM in Montreal) and the Espace classique website Radio-Canada.ca/musique
Wednesday, May 27 at 8 pm: Les soires classiques, a whole show devoted to the laureates of the MIMC 2009. Programme includes a broadcast of the recital given by the 1st Prize winner during the Semi-final round. Host: Sylvia Lcuyer | Producer: Michle Patry.
Saturday, May 30 at 1 pm : on CBC Radio 2 (93.5 FM in Montreal) and on the Internet at www.cbc.ca/radio2: Saturday Afternoon at the Opera, a 4-hour special programme of MIMC Voice 2009 highlights. Host: Bill Richardson | Producers: Matthew McFarlane and Kelly Rice | Executive Producer: Denise Ball | Production Assistant: Hayley Lapalme
Wednesday, July 1 at 8 pm: La radio des festivals, excerpts from the Final round with the Orchestre Mtropolitain, conducted by Alain Trudel. Executive Producer: Guylaine Picard
Remember that the Final round was broadcast live on Radio-Canadas Espace musique (100.7 FM in Montreal) with host Sylvia L'cuyer and commentator Fabrizio Melano, and will be available online on Espace classique starting May 29. The video concerts of the Semi-Finals will also be posted for one year on Espace classique, Espace musiques Web Radio, at www.radio-canada.ca/musique
In addition to these live broadcasts, the Final round will be heard internationally, thanks to Radio-Canadas partnership with the European Broadcasting Union. Starting May 19, follow Espace classiques competition blog and webcasts at Radio-Canada.ca/musique
Details: www.concoursmontreal.com
Labels: chant, competitions, concours, montreal, montral, voice
Orchestras in the Park, visiting orchestras and repertoire readings, and everything is FREE!
Summer at the NAC also features the unveiling of the new Le Caf menu by Chef Michael Blackie.
From July 23 to 26 at 7:30 pm, the National Arts Centre Orchestra will present its third season of Orchestras in the Park in collaboration with the National Capital Commission in the special outdoor performance space developed at LeBreton Flats Park in front of the Canadian War Museum. Each of the four concerts will be preceded by a KidsZone of activities for youngsters.
Orchestras in the Park begins on Thursday, July 23 with the NAC Orchestra performing Classics and Kuertis featuring renowned Ottawa favourite Anton Kuerti at the piano with his son Julian Kuerti (associate conductor of the Boston Symphony, and an alumnus of the NAC Conductors Program) on the podium. This concert also features trumpet player Amy Horvey, this years recipient of the Richard Li Young Artist Chair, performing the Hummel Trumpet Concerto.
In Opera Under the Stars on Friday, July 24, conductor Jean-Marie Zeitouni leads the NAC Orchestra, soprano Erin Wall, baritone James Westman, and tenor Antonio Figueroa three sensational Canadian singers in favourite arias from The Barber of Seville, The Marriage of Figaro and more, joined by the Opera Lyra Ottawa Chorus directed by Laurence Ewashko.
On Saturday, July 25, the electrifying Natalie MacMaster, Cape Bretons fiddling, step-dancing and vocal sensation, guarantees to have the audience on its feet cheering her and the NAC Orchestra in a night of Celtic delights with Jean-Marie Zeitouni once again on the podium.
Orchestras in the Park concludes on Sunday, July 26, when the Orchestre de la francophonie canadienne takes over the outdoor stage in Beethovens Fifths led by Music Director Jean-Philippe Tremblay and featuring pianist Hong Xu , the 2006 Laureate of the Honens International Piano Competition. Beethovens Emperor Piano Concerto No. 5 is followed by Beethovens mighty Fifth Symphony!
Orchestras in the Park concerts are free with no tickets required.
To kick off the month of July, visit the National Arts Centre for Canada Day festivities taking place all day long on Wednesday, July 1, including a massed choral performance by Unisong at 10 a.m. in Southam Hall and one concert by the NAC Orchestra led by Pinchas Zukerman at 2:30 p.m. featuring both the Unisong Choir and musicians of the NAC Young Artists Program, part of the Summer Music Institute .
The Orchestre de la francophonie canadienne will also pay a visit to Southam Hall on Thursday, July 2 with two more Beethoven symphonies and a piano concerto to coincide with the Orchestras summer recording project of all nine Beethoven symphonies. Jean-Philippe Tremblay will open the program with Beethovens Symphony No. 1. Then Pinchas Zukerman, Music Director of the National Arts Centre Orchestra will lead 14-year-old Calgary piano prodigy Jan Lisiecki in Beethovens Piano Concerto No. 3 and close the program with Beethovens Second Symphony.
On Tuesday, July 28, the National Youth Orchestra of Canada led by Alain Trudel makes its annual visit to the Capital. The program consists of Rob Teehans Dreams of Flying, a new work commissioned by the NYOC, Haydns Symphony No. 96 and Mahlers Symphony No. 6.
Tickets for both the Orchestre de la francophonie canadienne and the National Youth Orchestra of Canada are free and can be picked up in person at the NAC Box Office.
And on July 7, 8 and 9, the National Arts Centre Orchestra will offer its services to four composers for Repertoire Readings of original works. These sessions, conducted by the NAC Composers Program Lead Composer Gary Kulesha, will take place in the NAC Rehearsal Hall and are open to the public, no tickets required, as long as space is available.
There are also numerous public concerts presented as part of the eleventh annual NAC Summer Music Institute during the month of June. These have been announced separately.
For every COC performance, one hundred and fifty $20 tickets are available through the company's Opera for a New Age (OFNA) program, presented by TD Bank Financial Group. In 2008/09, 9,400
$20 tickets were sold through OFNA.
"The COC's 2008/09 season surpassed my expectations as I fully realized the satisfaction of leading a company of such great success and potential," says General Director Alexander Neef. "Even though this difficult economic climate has brought us unexpected challenges, our mainstage season finished over 99% capacity, which must be the highest rate for an opera company in North America. This remarkable achievement would not have been possible without our loyal subscribers and generous donors, and we remain immensely grateful for their support. We wouldn't be here without them."
The COC's 2008/09 season began with Mozart's Don Giovanni, which had "a truly impressive cast of singers" (Toronto Sun), and continued with "the theatrical highpoint of the year," Prokofiev's War and Peace, (Eye Weekly) conducted by Johannes Debus who, shortly afterwards, was appointed the COC's new Music Director. The winter run opened with Beethoven's "beautifully presented" (BlogTO) Fidelio, followed by Dvok's "not to be missed" (Classical 96.3) Rusalka. Running in repertory during the spring run were Verdi's Simon Boccanegra hailed "a five-star 'must see'" (Here and Now, CBC Radio), Puccini's La Bohme, considered "necessary viewing for the [Toronto] opera crowd" (National Post), and Britten's A Midsummer Night's Dream, a "delight to both ear and eye" (Hamilton Spectator).
Three of the mainstage productions were generously supported by corporate sponsors: RBC Financial Group for Don Giovanni, CIBC World Markets and CIBC Mellon for La Bohme, and National Bank
Financial for Fidelio.
MEN ONLY
Monday, June 8, 2009 6:00 PM 10:00 PM
The Houston Grand Opera Chorus is a professional group of diverse men and women of all professions and backgrounds. Choristers rehearse weekday evenings and weekends for each repertory period. In the 2009-2010 season, a new chorister could earn $2000.00 per production.
The 2009-2010 season productions in which the chorus will participate are:
The Elixir of Love
Lohengrin
Tosca
The Queen of Spades
Xerxes
Auditions should include two arias of contrasting style, tempo, in original language, and by memory. Operatic repertoire is preferred, but standard oratorio selections will be accepted. Sight reading may be requested. The HGO will provide an accompanist, but singers are required to bring their own music.
Singers who wish to arrange an audition should contact the Houston Grand Opera Rehearsal Department at (713) 980-8679.
Labels: competitions, piano, RCM, Toronto
tats limites de Maurice-Gaston Du Berger
Cration de l'uvre couronne par le Prix Clment-Morin
l'glise Saint-Jean-Baptiste, le mardi 2 juin
Dans le cadre des Journes d'arts sacrs du Plateau, l'uvre couronne par le Prix Clment-Morin 2008-2009,
tats limites de MauriceGaston Du Berger, sera cre lors d'un concert prsent le mardi 2 juin, 20 heures,
la tribune de l'orgue de l'glise Saint-Jean-Baptiste de Montral.
de chants sacrs dont le rpertoire couvrira une priode allant du XVIIIe sicle aujourd'hui.
Samedi 6 juin 2009 20h
Lieu : Ges Centre de crativit
1200, rue Bleury, Montral
Prix : 25$
Renseignements : 514.523.1047
http://www.accesasie.com
Festival Accs Asies last event : Viva Confusion
A groundbreaking production in form and content, VIVA CONFUSION is a docu-comedy that fuses psychiatric doctor/patient relations and multi-disciplinary Montreal Asian artists performances.
The play will feature documentary footage of interviews with `real life Asian-Canadians by descent or affiliation around the topics of cultural confusion such as identity, assimilation and allegiance. Dr.Agashe will weave his counseling with a creative presentation of dance, music and comedy with a distinct East meets West flair.
Dr Agashe, a well-travelled psychiatrist with an impressive resume as a thespian and actor from India, a country with many cultural complexities, is perfectly suited to comment on the experiences of migration and effective coping mechanisms. He will be joined by a mosaic of Montreal talents such as Cecilia Cristobal (Miss Oriented, The Tuxedo) as a spirited anchorwoman, and renowned jazz bassist, Alex Bellegarde as a musical liaison between the jazz community and our Asian counterparts.Saturday June 6, 2009 @ 8 P.M.
Where : Ges Centre de crativit
1200, rue Bleury, Montral
Tickets : 25$ / www.admission.com or 514-861 4036
Information : 514.523.1047
http://www.accesasie.com
Labels: Festival Accs Asie, montreal, montral
Recognized as one of the most beloved musical figures of our time, the great mezzo-soprano Frederica von Stade (affectionately known as Flicka worldwide to her friends, family and legions of fans) makes her VSO debut teamed up with Samuel Ramey, the worlds foremost operatic bass-baritone. In a concert for the ages, these two extraordinary artists at the peak of their careers perform music by Berlioz, Boito, Offenbach, Copland and Gershwin. Maestro Bramwell Tovey conducts.
[Frederica von Stade is] one of America's finest artists and singers
- The New York Times
Even if she were not one of the great singers of our dayĶFrederica von Stade could probably draw a full house of people eager just to be in her presence.
- San Francisco Chronicle
Rameys singing is the stuff of which operatic legends are made.
The New York Post
A once-in-a-lifetime concert event, this evening will be a pairing of legendary artists the likes of which Lower Mainland audiences have never before seen: two of the greatest musicians of this or any era, on stage together with Maestro Bramwell Tovey and the Vancouver Symphony Orchestra for one very special evening only.
CONCERT INFO
Specials
Flicka and Ramey: A Concert for the Ages
Thursday, June 11, 8pm, Orpheum Theatre
Bramwell Tovey, conductor
Frederica von Stade, mezzo-soprano*
Samuel Ramey, bass-baritone+
Berlioz Marche de Rkczy from Le Damnation de Faust
Berlioz Vrai Dieu, messieursĶUne puce gentile from Le Damnation de Faust+
Berlioz Devant la maison from Le Damnation de Faust+
Boito Ave Signor! From Mefistofele+
Boito Ecco il mondo from Mefistofele+
Heggie Dont Say A Word from Dead Man Walking*
Heggie Primary Colors from The Deepest Desire*
Thomas Connais-tu le pays from Mignon*
Offenbach Vous, aimes le dangerĶAh! que jaime les militaries! from Le Grande-Duchesse de Grolstein*
Copland Outdoor Adventure
Simple Gifts from Old American Songs, Set 1*
The Dodger from Old American Songs, Set 1+
Little Horses from Old American Songs, Set 2*
At The River from Old American Songs, Set 2+
I Bought Me A Cat from Old American Songs*+
Waltz from Billy the Kid
Rodgers People Will Say Were in Love from Oklahoma!*+
Gershwin Lets Call The Whole Thing Off from Shall We Dance*+
Tickets $45 to $165 (Student, Senior and Subscriber discounts available)
Tickets available by phone at 604.876.3434 or online at www.vancouversymphony.ca
Labels: vancouver symphony orchestra, VSO
laffiche cette semaine :
Mercredi 27 mai, 20 h
Quatuor Guarneri : incomparable !
Ultime concert au Canada
Quatuor Guarneri
Arnold Steinhardt, John Dalley, violons
Michael Tree, alto
Peter Wiley, violoncelle
Denis Brott, violoncelle
Jeudi 28 mai, 20 h
Bach bien tempr
Ivo Janssen, piano
Vendredi 29 mai, 20 h
Cabaret : jazz et classique
Wonny Song, piano
Jonathan Crow, violon
Adrian Fung, violoncelle
James VanDemark, contrebasse
James Campbell, clarinette
Stphane Lvesque, basson
Paul Merkelo, trompette
James Box, trombone
Serge Desgagns, percussions
Albert Millaire, Jean Marchand, narrateurs
Samedi 30 mai, 18 h - minuit
Marathon Mendelssohn
Quatuor cordes Afiara
Valerie Li, Yuri Cho, violons
David Samuel, alto
Adrian Fung, violoncelle
Rachel Barton Pine, violon
Jonathan Crow, violon
Marcus Thompson, alto
Denis Brott, violoncelle
James VanDemark, contrebasse
Kyoko Hashimoto, piano
Ivo Janssen, piano
Wonny Song, piano
****
glise St-James
463, Sainte-Catherine Ouest, Montral / Mtro Place-des-Arts
Billetterie : 514.848.9696 / 514.489.7444
Billets : 10-15 $ (tudiant), 18-25 $ (an), 25-35 $ (adulte)
www.festivalmontreal.org <http://www.festivalmontreal.org>
Montral, le 25 mai 2009 Dj sa dernire semaine dactivits, le Festival de musique de chambre de Montral propose quatre concerts extraordinaires,
dont le dernier concert au Canada du rput Quatuor Guarneri et un grand marathon Mendelssohn, pour terminer le Festival en beaut !
Mercredi 27 mai, 20 h
Le Quatuor Guarneri : incomparable !
Dernier rcital au Canada
Franz Joseph Haydn (1732-1809)
Quatuor en sol mineur opus 74 no 3, Le Cavalier , (1793)
Allegro
Largo assai
Menuetto: Allegretto
Finale: Allegro con brio
Leo Janek (1854-1928)
Quatuor no1 JW 7/8, La sonate Kreutzer (1923)
Adagio
Con moto
Con moto
Adagio con moto
Franz Schubert (1797-1828)
Quintette en do majeur, opus 163, D. 956 (1828)
Allegro ma non troppo
Adagio
Scherzo: Presto; Trio: Andante sostenuto
Allegretto
Jeudi 28 mai, 20 h
Bach bien tempr
Johann Sebastian Bach (1685-1750)
Le Clavier bien tempr, Premier Livre (1722)
Ivo Janssen, piano
Vendredi 29 mai, 20 h
Cabaret : Jazz et Classique
Bohuslav Martin (1890-1959)
La Revue de Cuisine (1927)
Prologue (Allegretto)
Tango (Danse damour : Lento)
Charleston
Finale : Tempo di marche
Jonathan Crow, violon
Adrian Fung, violoncelle
James Campbell, clarinette
Paul Merkelo, trompette
Stphane Lvesque, basson
Wonny Song, piano
George Gershwin (1898-1937)
Rhapsody in Blue (1924)
Wonny Song, piano
Igor Stravinsky (1882-1971)
LHistoire du Soldat (1928)
Jonathan Crow, violon
James VanDemark, contrebasse
James Campbell, clarinette
Stphane Lvesque, basson
Paul Merkelo, trompette
James Box, trombone
Serge Desgagns, percussions
Albert Millaire, Jean Marchand, narrateurs
Samedi 30 mai, 18 h - minuit
Marathon Mendelssohn : 200e anniversaire de naissance
Flix Mendelssohn (1809-1847)
Premier programme 18 h
Lieder Ohne Worte (Chants sans paroles)
Opus 19 no 1 en mi majeur, Andante (1829-1830)
Opus 62 no 6 en la majeur, Allegretto (1842-1844)
Opus 53 no 3 en sol mineur, Presto (1839-1841)
Opus 19 no 2 en la mineur, Andante (1829-1830)
Opus 67 no 2 en fa dise mineur, Allegro (1843-1845)
Opus 38 no 6 en la bmol majeur, Andante (1836-1837)
Opus 67 no 4 en do majeur, Presto (1843-1845)
Ivo Janssen, piano
Quatuor no 2 en la mineur, opus 13 (1827)
Adagio Allegro vivace
Adagio non lento
Intermezzo: Allegretto con moto Allegro di molto
Presto Adagio non lento
Quatuor cordes Afiara
Trio no 2 en do mineur, opus 66 (1845)
Allegro energico e fuoco
Andante espressivo
Scherzo
Allegro appassionato
Jonathan Crow, violon
Denis Brott, violoncelle
Wonny Song, piano
Deuxime programme 20 h
Quatuor no 4 en mi mineur, opus 44 no 2 (1837)
Allegro assai appassionato
Scherzo
Andante
Presto agitato
Quatuor cordes Afiara
Le Songe dune Nuit dt (arr. de Mendelssohn pour piano quatre mains) 1826/1843
Scherzo
Chant avec choeur
Intermezzo
Marche nuptiale
Wonny Song, Kyoko Hashimoto, piano quatre mains
Sextuor en r majeur, opus 110 (1824)
Allegro vivace
Adagio
Menuetto
Allegro vivace
Ivo Janssen, piano
Jonathan Crow, violon
Marcus Thompson, David Samuel, altos
Adrian Fung, violoncelle
James VanDemark, contrebasse
Troisime programme 22 h
Quatuor no 6 en fa mineur, opus 80 (1847)
Allegro vivace assai
Allegro assai
Adagio
Finale : Allegro molto
Quatuor cordes Afiara
Trio en r mineur no 1, opus 49 (1845)
Molto Allegro agitato
Andante con moto tranquillo
Scherzo : Leggiero e vivace
Finale : Allegro assai appassionato
Ivo Janssen, piano
Rachel Barton Pine, violon
Denis Brott, violoncelle
Octuor en mi bmol majeur, opus 20 (1825)
Allegro moderato ma con fuoco
Andante
Scherzo : Allegro leggierissimo
Presto
Rachel Barton Pine, Jonathan Crow, Valerie Li, Yuri Cho, violons
Marcus Thompson, David Samuel, altos
Denis Brott, Adrian Fung, violoncelles
Labels: festival de musique de chambre, montral
OLIVER JONES JOYEUX ANNIVERSAIRE, OLLIE!
SUPPLMENTAIRE LE DIMANCHE 2 AOT 16 H.
Vous avez t si nombreux vous procurez des places pour le concert dOliver Jones en lhonneur de ses soixante-quinze ans que le Festival Orford prsentera une supplmentaire du concert JOYEUX ANNIVERSAIRE, OLLIE! le dimanche 2 aot 16 h.
Les billets sont en vente ds maintenant !
LE Trio Oliver Jones
Oliver Jones, piano
Jim Doxas, Batterie
et ric Lagac, basse
Samedi 1er aot 20 h 37 $ - COMPLET
Supplmentaire le dimanche 2 aot 16 h 37 $
Salle de concert Gilles-Lefebvre
Ollie est de retour et nous en sommes ravis! Il est un des favoris du public du Festival Orford, et ce, avec raison! Quelque soit le rpertoire quil choisit de nous offrir, on peut toujours compter sur lui pour passer une soire sans pareille. Bien quil fte ses soixante-quinze ans dans quelques semaines, Oliver Jones est comme un grand vin, il se bonifie constamment!
Lanne dernire, Oliver Jones rendait hommage Oscar Peterson; cette anne, cest Ollie lui-mme que nous voulons clbrer. Nattendez plus pour vous procurer vos places, car la fte sera grandiose!
Profitez des forfaits Repas et concert au Bistro 4 Saisons dOrford et de nos divers abonnements. Obtenez des rabais allchants et courez la chance de gagner votre abonnement ou un des superbes paniers de produits Bleu Lavande.
Consultez notre brochure et notre site web pour tous les dtails ou contactez la billetterie du Centre darts Orford au 819-843-3981 ou sans frais au 1-800-567-6155.
Jean-Franois Rivest et Alexande Da Costa
La finale de la 51e dition du Concours de musique du Canada (CMC)
runira prs de 250 musiciens, du 19 juin au 6 juillet, la Facult de musique de lUniversit de Montral.
Durant les preuves, les mlomanes pourront entendre gratuitement les meilleurs espoirs de la relve classique au pays
jouer des instruments aussi divers que le piano, les cordes, les vents, le clavecin, la harpe, lorgue,
la guitare, la flte bec, les percussions, sans oublier le chant et la musique de chambre.
Cette anne, le Concours culminera par un concert gala prsent le 6 juillet, 19 h 30,
LOrchestre de
se produira avec le violoniste virtuose Alexandre Da Costa et plusieurs laurats de cette 51e dition du Concours.
Quatuors pour pianoforte, 2 violons et violoncelle de H.-J. Rigel (1741-1799)
Vient de paratre en partition aux ditions du Centre de Musique Baroque de Versailles les quatuors avec piano op. 14 de Rigel, figure de proue du renouveau de la musique instrumentale classique en France et qui a notamment compos de trs belles symphonies. Ces quatuors, trs agrables, de niveau intermdiaire, donnent quitablement jouer aux musiciens. La configuration pour pianoforte, 2 violons et violoncelle intressera particulirement les amateurs de musique de chambre : il s'agit d'une uvre originale, publie en 1778, anne du second voyage de Mozart Paris.
Pour en savoir plus : http://editions.cmbv.fr/
3 quatuors pour pianoforte, 2 violons et violoncelle op. XIV, transcription cmbv
collection Musique de chambre, 2008, 21x29,7 cm, conducteur broch. Avec introduction (franais).
Quatuor pour pianoforte et cordes op. XIV n1 en mi bmol majeur, conducteur, 45 pages, ISMN M-56016-194-5 : 15,50 Ǩ (CAH-194)
Quatuor pour pianoforte et cordes op. XIV n1, matriel en vente (2 Vn, Vlc) : 10,30 Ǩ (CAH-194-MO)
Quatuor pour pianoforte et cordes op. XIV n2 en do mineur, conducteur, 23 pages, ISMN M-56016-195-2 : 8,60 Ǩ (CAH-195)
Quatuor pour pianoforte et cordes op. XIV n2, matriel en vente (2 Vn, Vlc) : 5,20 Ǩ (CAH-195-MO)
Quatuor pour pianoforte et cordes op. XIV n3 en sol majeur, conducteur, 23 pages, ISMN M-56016-196-9 : 8,60 Ǩ (CAH-196)
Quatuor pour pianoforte et cordes op. XIV n3, matriel en vente (2 Vn, Vlc) : 3,40 Ǩ (CAH-196-MO)
Les publications des ditions du Centre de Musique Baroque de Versailles peuvent tre commandes sur leur boutique en ligne (http://editions.cmbv.fr/) et sont en stock dans le rseau des librairies partenaires (liste disponible : http://editions.cmbv.fr/lire/index.php?rubid=1). Elles peuvent par ailleurs tre commander dans toute librairie musicale.
Piano quartets for 2 violins and cello by H.-J. Rigel (1741-1799)
The ditions du Centre de Musique Baroque de Versailles has just published sheet music by Rigel, one of the most innovative composers of instrumental music in the late 18th century in France, especially in his beautiful symphonies. These lovely piano quartets, of moderate difficulty, balance the playing of all instruments. The musical forces required will interest chamber music players in particular: the work was originally composed in 1778, the same year than Mozart was twice in Paris when he was 20.
For further information, see: http://editions.cmbv.fr
3 Piano quartets with 2 violins and cello, op. XIV, transcription by the cmbv
Series Musique de chambre, 2008, 21x29,7 cm, paperback. With an introduction (French).
Quatuor pour pianoforte et cordes op. XIV n1 in E flat major, full score, 45 pages, ISMN M-56016-194-5: 15,50 Ǩ (CAH-194)
Quatuor pour pianoforte et cordes op. XIV n1, set of parts for sale (2 Vn, Vlc): 10,30 Ǩ (CAH-194-MO)
Quatuor pour pianoforte et cordes op. XIV n2 in C minor, full score, 23 pages, ISMN M-56016-195-2: 8,60 Ǩ (CAH-195)
Quatuor pour pianoforte et cordes op. XIV n2, set of parts for sale (2 Vn, Vlc): 5,20 Ǩ (CAH-195-MO)
Quatuor pour pianoforte et cordes op. XIV n3 in G major, full score, 23 pages, ISMN M-56016-196-9: 8,60 Ǩ (CAH-196)
Quatuor pour pianoforte et cordes op. XIV n3, set of parts for sale (2 Vn, Vlc): 3,40 Ǩ (CAH-196-MO)
The Editions du Centre de Musique Baroque de Versailles are available from:
The website http://editions.cmbv.fr/ (delivery all over the world)
In New-York at OMI (http://www.omifacsimiles.com/)
In California at Theodore Front (http://www.tfront.com/)
In England at Jacks Pipe and Hammers (http://www.jackspipesandhammers.com/)
Will be shortly available in Canada !
ditions du Centre de Musique Baroque de Versailles
Htel des Menus-Plaisirs
22, avenue de Paris
78000 Versailles
France
tel. +33 (0)1 39 20 78 18
fax. +33 (0)1 39 20 78 01
e-mail : editions@cmbv.com
web: http://www.cmbv.fr
shop online: http://editions.cmbv.fr
lors des Grands Prix du Tourisme Qubcois
Drummondville, le lundi 25 mai 2009 Le 15 mai dernier, le Mondial des Cultures a reu, le prix national argent du concours des Grands Prix du Tourisme Qubcois, dans la catgorie Festivals et vnements touristiques, budget d
Cr en 1985, ce concours prestigieux souligne les efforts et le dynamisme des entreprises qui uvrent dans le domaine touristique, tout en reconnaissant officiellement leur contribution exceptionnelle au positionnement du Qubec comme destination touristique de qualit. Cette remise de prix contribue faire connatre la qualit et l
Les Grands Prix sont donc une occasion exceptionnelle de faire valoir le succs, l
Le fait de gagner le prix argent, tout de suite derrire La Socit du 400e de Qubec qui a remport l'or, nous confirme que le Mondial des Cultures est un joueur de marque sur l'chiquier touristique de la province. C'est la fois un honneur et une belle russite qui revient tous les membres de la grande quipe du Mondial. Recevoir le prix de l'industrie donne mon quipe, aux bnvoles et au conseil d'administration une nergie supplmentaire en vue de la 28e dition qui se tiendra du 9 au 19 juillet prochain. Forts de cette reconnaissance, nous entamons les derniers prparatifs afin d'offrir aux festivals une programmation jamais vue au cours des 28 dernires annes ! de conclure
Labels: drummondville
Une premire pour Le Chur de la montagne en visite Saint-Hyacinthe. Ce grand chur classique qui a pignon sur rue Beloeil comblera les mlomanes les plus avertis en leur proposant une exprience musicale exceptionnelle, remplie de riches motions. Venez prendre l'apro avec nous et entendre le concert VIVA ESPAA !, prsent au Centre des arts Juliette-Lassonde, le dimanche 7 juin 2009, de 17 h 19 h.
Cette anne, Le Chur de la montagne vous transporte dans l'univers romantique de la musique espagnole. Pour l'vnement, les 120 choristes, sous la direction musicale de Robert Ingari, seront accompagns la guitare par le jeune virtuose, Thierry Bgin-Lamontagne, au violon par la non moins talentueuse Amlie Lamontagne, et au piano par l'mrite pianiste, Francine Lacroix, dont la rputation n'est plus faire.
Laissez-vous emporter dans la romance espagnole de grands compositeurs tels Mario Castelnuovo-TEDESCO, Edward ELGAR et Georges BIZET.
Le Chur de la montagne est fier de prsenter plusieurs extraits de ces uvres dont Romancero Gitano et deux cuartos, pices d'une grande richesse et d'une couleur exceptionnelle. Elles permettent des chanteurs amateurs d'accder un rpertoire peu parcouru et riche d'enseignements et de culture, sortant magnifiquement des sentiers battus. Et surtout, d'en faire profiter les amateurs de grande musique.
Ne manquez pas cet vnement musical unique qui aura lieu dans le cadre d'un 5 7 , le dimanche 7 juin la salle Desjardins du Centre des arts Juliette-Lassonde, 1705, rue Saint-Antoine Saint-Hyacinthe.
Admission 19,99 $. Billets en vente chez Multi lectronique de Beloeil 450.467.8273 (cartes de crdit acceptes) ou au Centre des arts Juliette-Lassonde 450.778.3388.
Labels: carnegie hall, new york, soprano
For English, see below
Le Concours Musical International de Montral dvoile lidentit des huit finalistes ainsi que lhoraire dtaill de lpreuve finale (Thtre Maisonneuve, Place des Arts) :
Lundi, 25 mai 19 h 30 Anthony Roth COSTANZO, contretnor, tats-Unis 21 h 00 Sidney OUTLAW, baryton, tats-Unis |
Mardi, 26 mai 19 h 30 Jennifer BORGHI, mezzo-soprano, Italie 21 h 00 Andrew GARLAND, baryton, tats-Unis |
Concert gala des laurats : le jeudi 28 mai 19 h 30, avec la participation spciale de la mezzo-soprano Julie Boulianne et du tnor Joseph Kaiser (Orchestre Mtropolitain et Alain Trudel, chef dorchestre)
Thtre Maisonneuve, Place des Arts
Rgulier : 45 $ / 27,50 $ / tudiant : 10 $
514.842.2112 /www.laplacedesarts.com
Espace musique, diffuseur officiel du Concours
Espace musique, la radio musicale de Radio-Canada, est fire dtre le diffuseur officiel du Concours Musical International de Montral. Voici lhoraire de diffusion des diffrentes preuves du Concours sur les ondes dEspace musique (100,7 FM Montral) et sur le site dEspace classique Radio-Canada.ca/musique
Dimanche 24 mai 12 h : mission spciale prsentant les meilleurs moments de lpreuve demi-finale; animation, Sylvia Lcuyer / commentateur, Fabrizio Melano / ralisation, Michle Patry / Espace musique, 100,7 FM Montral.
Lundi 25 mai et mardi 26 mai 19 h : diffusion en direct de lpreuve finale; animation, Sylvia Lcuyer / commentateur, Fabrizio Melano / ralisation, Michle Patry / Espace musique, 100,7 FM Montral.
Mercredi 27 mai 20 h : Les soires classiques : mission entirement consacre aux laurats du CMIM 2009 : Entre autres au programme, diffusion du rcital donn par le laurat du 1er Prix lors de lpreuve demi-finale; animation, Sylvia Lcuyer / ralisation, Michle Patry / Espace musique, 100,7 FM Montral.
Samedi 30 mai 12 h : sur les ondes de CBC Radio Two, 93,5 FM Montral, et sur le site www.cbc.ca/radio2 , Saturday Afternoon at the Opera, mission spciale de quatre heures prsentant les meilleurs moments du Concours; animation, Bill Richardson / ralisation, Matthew McFarlane et Kelly Rice / ralisatrice-coordonnatrice, Denise Ball / adjoint la production, Hayley Lapalme.
Mercredi 1 juillet, 20 h : La radio des festivals : diffusion dextraits de lpreuve finale avec lOrchestre Mtropolitain sous la direction dAlain Trudel ; ralisation-coordination, Guylaine Picard / Espace musique, 100,7 FM Montral.
En plus de ces diffusions en direct, lpreuve finale sera entendue dans plusieurs pays du monde dans le cadre des Festivals dt Euroradio, grce lassociation de la radio de Radio-Canada avec lUnion Europenne de Radio-Tlvision.
Tous les dtails au www.concoursmontreal.ca
******
Voice 2009: and the Finalists are Ķ
Montreal, Saturday, May 23, 2009 - The Montreal International Musical Competition (MIMC) announces the eight Finalists and the detailed schedule of the Finals (Thtre Maisonneuve, Place des Arts):
Monday, May 25 7:30 p.m. Anthony Roth COSTANZO, countertenor, United States 9:00 p.m. Sidney OUTLAW, baritone, United States |
Tuesday, May 26 7:30 p.m. Jennifer BORGHI, mezzo-soprano, Italy 9:00 p.m. Andrew GARLAND, baritone, United States |
Sunday, May 24 at noon: special program featuring highlights from the Semi-final round. Host: Sylvia Lcuyer Commentator: Fabrizio Melano Producer: Michle Patry. Online at Espace classique starting May 25.
Monday, May 25 and Tuesday, May 26 at 7 pm: Live broadcast of the Final round. Host: Sylvia Lcuyer Commentator: Fabrizio Melano Producer: Michele Patry. Online at Espace classique starting May 29.
Wednesday, May 27 at 8 pm: Les soires classiques, a whole show devoted to the laureates of the MIMC 2009. Programme includes a broadcast of the recital given by the 1st Prize winner during the Semi-final round. Host: Sylvia Lcuyer Producer: Michle Patry.
Saturday, May 30 at 1 pm : on CBC Radio 2 (93.5 FM in Montreal) and on the Internet at www.cbc.ca/radio2: Saturday Afternoon at the Opera, a 4-hour special programme of MIMC Voice 2009 highlights. Host: Bill Richardson Producers: Matthew McFarlane and Kelly Rice Executive Producer: Denise Ball Production Assistant: Hayley Lapalme
Wednesday, July 1 at 8 pm: La radio des festivals, excerpts from the Final round with the Orchestre Mtropolitain, conducted by Alain Trudel. Executive Producer: Guylaine Picard
In addition to these live broadcasts, the Final round will be heard internationally, thanks to Radio-Canadas partnership with the European Broadcasting Union. Starting May 19, follow Espace classiques competition blog and webcasts at Radio-Canada.ca/musique
Details: www.concoursmontreal.ca
Labels: chant, competitions, concours, montreal, montral, voice
Franz Schubert composed the incidental music for Rosamunde, Princess of Cypress, a play by the eccentric German playwright Helmina von Chzy, in 1823. The score includes an overture, entractes, ballet music, choruses, and a romance for soprano. The play was so bad that it was pulled from production after two performances, and only the vocal numbers were published during Schuberts lifetime. The orchestral selections dropped from sight until 1867, when English musicians Sir Arthur Sullivan and Sir George Grove made a pilgrimage to Vienna, specifically in search of forgotten nuggets of Schubertiana. We have them to thank for this enchanting musics survival and its entry into the repertoire.
Gustav Mahler began his Sixth Symphony during the summer of 1903, completing it a year later. This was one of the most idyllic periods of his life: his fame as a conductor reached its apex; regular and well-received performances of his music were taking place across Europe; and the companionship of his wife Alma and their two daughters was giving him great joy. Yet the music he was writing represents an enormous gulf between reality and his creative world. Symphony No. 6 is a sombre, even tragic work. It turned out to be a disturbingly prophetic one, as well.
Regarding the Symphony, Alma Mahler wrote in her memoirs, In the last movement he describes himself and his downfall; or, as he later said: It is the hero, on whom falls three blows of fate, the last of which fells him as a tree is felled. On him too fell three blows of fate, and the last felled him. This refers to the events of 1907: the death of their older daughter Maria of diphtheria and smallpox, aged four-and-a-half; Mahlers being driven from his job as Music Director of the Vienna State Opera; and the diagnosis of his life-threatening case of heart disease. To represent these blows of fate, Mahler included a hammer in the orchestration of the Sixth Symphonys finale. The sound he wanted from it wasnt clangourous and steely, but a non-metallic thud, like an axe stroke.
But at the time he was serene; he was conscious of the greatness of his work, Alma continued. None of his works came as directly from his innermost heart as this one. The music and what it foretold touched us so deeply. The first performance took place on May 27, 1906, in Essen, under the composers direction. According to Alma, Out of shame and anxiety he did not conduct the symphony well. He hesitated to bring out the dark omen behind this terrible last movement.
Mahler later made changes to the symphonys orchestration, the most important of them the deletion of the last of the three hammer blows. He superstitiously feared it might hasten the arrival of the disaster that it predicted for him. He also harbored some uncertainty about the sequence of the inner movements. On every occasion that he conducted it, the sequence was Andante first, followed by the Scherzo. The symphony was published with that order reversed, but Mahler didnt authorize this. The critical edition of his complete works that is sanctioned by the International Gustav Mahler Society uses the Andante/Scherzo sequence.
Mahler gave the Sixth Symphony the subtitle Tragic. In overall terms it is an appropriate designation. Yet it is only in the Finale that the works catastrophic nature becomes clear. The opening movement contrasts a menacing, march-like subject with a passionate second melody. Alma recalled, After he had drafted the first movement, he came down from the forest to tell me he had tried to express me a theme. Whether Ive succeeded I dont know; but youll have to put up with it. This is the great, soaring theme of the first movement of the Sixth Symphony. In the middle comes a peaceful interlude, atmospherically coloured with the sound of cowbells (Mahler may have included them as a recollection of his happy youth in central Europe. They will be heard again in the Andante and Finale). The Alma theme crowns the movement triumphantly.
The slow movement is a serene, gorgeously melodious lullaby. The climax, in contrast, is a searing outpouring of emotion. In the Scherzo, he represented the un-rhythmic games of the two children, tottering in zigzags over the sand, Alma wrote. Ominously the childish voices become more and more tragic, and at the end die out in a whimper. This is one of the bitterest and most bizarrely scored scherzos in any Mahler symphony.
The colossal, overwhelming Finale opens with an eerie, unsettling introduction in slow tempo. The movement proper is restless and striving. It consists of a series of waves of vigorous activity, each of which is crowned catastrophically by one of the hammer blows of fate. There is no recovery from the third and final climax. The music, its tragic destiny fulfilled, subsides into utter darkness.
CONCERT INFO
Masterworks Gold Series:
Classical Blockbuster: Mahlers Titanic
Saturday & Monday, June 6 & 8, 8pm, Orpheum Theatre
Bramwell Tovey, conductor
Tickets $25 to $78.50 (Student, Senior and Subscriber discounts available)
Tickets available by phone at 604.876.3434 or online at www.vancouversymphony.ca
| Vendredi, 22 mai 1re sance : 19 h 30 23 h |
| Samedi, 23 mai 2e sance 13 h 30
19 h 30 |
8 chanteurs seront ensuite invits participer la finale. Les laurats seront annoncs suite aux dlibrations du jury, le mardi 26 mai en fin de soire.
Demi-finale : 22 mai 19 h 30 et 23 mai 13 h 30 et 19 h 30 ; Salle Pierre-Mercure
Rgulier : 12 $ / tudiant : 5 $
Finale : les 25 et 26 mai 19 h 30, Orchestre Mtropolitain, Alain Trudel, chef dorchestre, Thtre Maisonneuve / Rgulier : 32,50 $ / 22,50 $ / tudiant : 10 $
Concert gala des laurats : jeudi 28 mai, 19 h 30, Orchestre Mtropolitain, Alain Trudel, chef dorchestre Avec la participation spciale du tnor Joseph Kaiser (3e Grand prix et Prix Joseph-Rouleau en 2002) et de la mezzo-soprano Julie Boulianne (4e prix en 2007)
Rgulier : 45 $ / 27,50 $ / tudiant : 10 $
Passeport CMIM
Donne accs toutes les preuves du Concours et au concert gala
Rgulier : 165 $ / tudiant : 55 $
En vente aux Jeunesses Musicales du Canada seulement : 514.845.4108, poste 221
reception@concoursmontreal.ca
Achat de billets
Salle Pierre-Mercure : 514.790.1245 / www.admission.ca
Thtre Maisonneuve : 514.842.2112 / www.laplacedesarts.com
Espace musique, diffuseur officiel du Concours
Espace musique, la radio musicale de Radio-Canada, est fire dtre le diffuseur officiel du Concours Musical International de Montral. Voici lhoraire de diffusion des diffrentes preuves du Concours sur les ondes dEspace musique (100,7 FM Montral) et sur le site dEspace classique (Radio-Canada.ca/musique) :
- vendredi 22 mai 19 h 30 et samedi 23 mai 13 h 30 et 19 h 30: diffusion en direct, en son et en images, de lpreuve demi-finale sur Internet, www.radio-canada.ca/musique
- Dimanche 24 mai 12 h : mission spciale prsentant les meilleurs moments de lpreuve demi-finale; animation, Sylvia Lcuyer / commentateur, Fabrizio Melano / ralisation, Michle Patry / Espace musique, 100,7 FM Montral
- Lundi 25 mai et mardi 26 mai 19 h : diffusion en direct de lpreuve finale; animation, Sylvia Lcuyer / commentateur, Fabrizio Melano / ralisation, Michle Patry / Espace musique, 100,7 FM Montral
- Mercredi 27 mai 20 h, Les Soires classiques : mission entirement consacre aux laurats du CMIM 2009 : Entre autres au programme, diffusion du rcital donn par le laurat du 1er Prix lors de lpreuve demi-finale; animation, Sylvia Lcuyer / ralisation, Michle Patry / Espace musique, 100,7 FM Montral
- Samedi 30 mai 12 h : sur les ondes de CBC Radio Two, 93,5 FM Montral, et sur le site www.cbc.ca/radio2 , mission spciale de quatre heures prsentant les meilleurs moments du Concours; animation, Bill Richardson / ralisation, Matthew McFarlane et Kelly Rice / ralisatrice-coordonnatrice, Denise Ball / adjoint la production, Hayley Lapalme
- Mercredi 1 juillet, 20 h, La radio des festivals : diffusion dextraits de lpreuve finale avec lOrchestre Mtropolitain sous la direction dAlain Trudel ; ralisation-coordination, Guylaine Picard / Espace musique, 100,7 FM Montral
En plus de ces diffusions en direct, lpreuve finale sera entendue dans plusieurs pays du monde dans le cadre des Festivals dt Euroradio, grce lassociation de la radio de Radio-Canada avec lUnion Europenne de Radio-Tlvision.
Tous les dtails au www.concoursmontreal.ca
Le Concours Musical International de Montral tient remercier ses partenaires
pour leur soutien son dition 2009.
Voice 2009: And the Semi-Finalists are Ķ
The Montreal International Musical Competition (MIMC) announces the sixteen Semi-Finalists and the detailed schedule of the Semi-Finals (Salle Pierre-Mercure, Centre Pierre-Pladeau):
| Friday, May 22 1st Session: 7:30 p.m. |
| Saturday, May 23 2nd Session: 1:30 p.m.
7:30 p.m. |
Finals: May 25 and 26 at 7:30 pm; Orchestre Mtropolitain; Alain Trudel, conductor; Thtre Maisonneuve / Regular : 32,50 $ / 22,50 $ / Student : 10 $
Gala Concert: May 28 at 7:30 pm; Orchestre Mtropolitain; Alain Trudel, conductor / With the special participation of tenor Joseph Kaiser (3rd Grand Prize and Joseph Rouleau Award in 2002) and mezzo-soprano Julie Boulianne (4th Prize in 2007)
MIMC Pass
(All rounds and gala concert, official programme included)
Regular: $165 / Student: $55
On sale at Jeunesses Musicales of Canada only: 514.845.4108, extension 221 / reception@concoursmontreal.ca
Tickets :
Admission: 514.790.1245 / www.admission.com
Place des Arts: 514.842.2112 / www.laplacedesarts.com
Espace musique, official broadcaster
Radio-Canadas music radio network, Espace musique, is proud to be the official broadcaster of the Montreal International Musical Competition. Following is the broadcast schedule for the various rounds of the competition on Espace musique (100.7 FM in Montreal) and the Espace classique website (Radio-Canada.ca/musique):
- Friday, May 22 at 7:30 pm and Saturday, May 23 at 1:30 pm and 7:30 pm: Live audio-video webcast: www.radio-canada.ca/musique
- Sunday, May 24 at noon: special program featuring highlights from the Semi-final round. Host: Sylvia Lcuyer | Commentator: Fabrizio Melano | Producer: Michle Patry. Online at Espace classique starting May 25.
- Monday, May 25 and Tuesday, May 26 at 7 pm: Live broadcast of the Final round. Host: Sylvia Lcuyer | Commentator: Fabrizio Melano | Producer: Michele Patry. Online at Espace classique starting May 29.
- Wednesday, May 27 at 8 pm: Les soires classiques, a whole show devoted to the laureates of the MIMC 2009. Programme includes a broadcast of the recital given by the 1st Prize winner during the Semi-final round. Host: Sylvia Lcuyer | Producer: Michle Patry.
- Saturday, May 30 at 1 pm, on CBC Radio 2 (93.5 FM in Montreal) and on the Internet at www.cbc.ca/radio2: Saturday Afternoon at the Opera, a 4-hour special programme of MIMC Voice 2009 highlights. Host: Bill Richardson | Producers: Matthew McFarlane and Kelly Rice | Executive Producer: Denise Ball | Production Assistant: Hayley Lapalme
- Wednesday, July 1 at 8 pm: La radio des festivals, excerpts from the Final round with the Orchestre Mtropolitain, conducted by Alain Trudel. Executive Producer: Guylaine Picard
In addition to these live broadcasts, the Final round will be heard internationally, thanks to Radio-Canadas partnership with the European Broadcasting Union. Starting May 19, follow Espace classiques competition blog and webcasts at Radio-Canada.ca/musique
Details: www.concoursmontreal.ca
Labels: competitions, concours, montreal, voice, voix
Le phare de Miscou, situ dans la Pninsule acadienne, sera le lieu d'accueil de la chanteuse Sandra Le Couteur cet t. Elle y prsentera Voir Miscou et mourir, une srie d'une vingtaine de spectacles, ds le 1er aot, et ce, jusqu'au 22 aot.
Elle sera accompagne de Shaun Ferguson aux guitares et de Julien Breau la contrebasse. En plus de se donner en spectacle, Sandra Le Couteur prsentera des performances d'artistes connus, notamment Viviane Audet, Robin-Jol Cool et Denis Hach, Pascal Lejeune, Tibert, le conteur Dominique Breau, la conteuse Isabelle Crpeau, Lina Boudreau, Martin Robichaud ainsi que les potes Raymond Guy LeBlanc et Valery Robichaud
Le 22 aot, les grands de la chanson franaise seront l'honneur. En compagnie du pianiste de renom Carl Philippe Gionet, Sandra Le Couteur interprtera des chansons envoutantes de Brel, Aznavour, Reggiani, Barbara et plusieurs autres.
Le phare de Miscou est prs du cur de Sandra Le Couteur. Je suis dj demeure au phare de Miscou quand j'tais petite. Mon imaginaire y a fleuri avec le son du borgo, la corne de brume, et aussi avec l'histoire de la lgendaire Gougou, un monstre marin cr de toutes pices par les Micmacs et qui parait-il, par temps brumeux, vient faire son tour dans la baie , explique-t-elle.
Situ au bout de l'le Miscou, l o les oiseaux virent de bord, comme elle le dit, le phare de Miscou est un lieu mystique qui deviendra vite une destination courue, un must. Avec un dcor unique, un got du bout du monde, un sentiment d'infinit de l'espace, les moments forts seront au rendez-vous au phare, tout comme les nombreux invits de Sandra LeCouteur. Une occasion en or de venir rver sous les toiles avec le son salvateur des vagues comme trame sonore et l'odeur sale de la mer comme toile sensorielle.
Tous les spectacles de la srie Voir Miscou et mourir dbuteront 20 h, sauf les dimanches, o ils seront prsents 14 h. Les billets sont en vente ds maintenant au cot de 20 $, plus frais. Le nombre de places est limit 65 par reprsentation, c'est donc dans un contexte intimiste qu'auront lieu les prestations. Pour consulter l'horaire des spectacles et pour vous procurer des billets, rendez-vous aux adresses www.billetterieacces.ca et www.sandralcouteur.com .
Sandra Le Couteur, artiste acadienne aux multiples talents, que l'on a pu voir dans les deux saisons de la srie Belle Baie, diffuse sur les ondes de Radio-Canada, poursuit sa route dans le monde artistique aprs avoir lanc un recueil de posie en 2002, jou pour le Thtre populaire d'Acadie et lanc un premier album en 2005 intitul La Demoiselle du traversier. Elle travaille dernirement la production d'un nouvel album, qui devrait tre lanc dans les mois venir.
Labels: acadien, nouveau-brunswick
MOTHER AND DAUGHTER UNITED IN SONG
Lextraordinaire Lorraine Klaasen et sa mre, la lgendaire chanteuse sud-africaine - Thandie Klaasen - une des chanteuses prfres de Nelson Mandela- monteront ensemble sur la scne du Kola Note pour un spectacle unique qui sera compos de classiques des Townships. Une soire qui promet dtre inoubliable!
Lorraine Klaasen, eclectic performer extraordinaire, and her mother - Thandie Klaasen, South African legend and one of Mandelas favourite singers, will perform together for one night only, performing classic Township music for what will certainly be an inspired evening to remember!
www.myspace.com/lorraineklaasen
KOLA NOTE
5240, avenue du Parc, Montral QC
Tickets : (514) 274 9339
Labels: Africa, montreal, montral, South Africa, sud-afrique
To celebrate the close of Robert Moody's inaugural season, the Portland Symphony Orchestra (PSO) showcases Rites and Rhythms, the season finale concert event, with a series of community events June 6 through 9.
Tickets for the PSO Season Finale Concert range from $17-$65 and are sold through PortTix at (207) 842-0800 or www.porttix.com. Phone and internet orders are subject to $5-per-ticket handling fees. Tickets may also be purchased in person at the box office at 20 Myrtle St., Monday through Saturday, noon to 6 p.m. For complete season information, including artist biographies and program notes, visit www.portlandsymphony.com |
Labels: finale, maine, Portland symphony orchestra
Largest Online Classical Music Site Offers Exclusive Access to Maria Joo Pires'
New Deutsche Grammophon CD And Free Musical History Tours Covering Four Periods
The Classical Archives (www.classicalarchives.com), which is bringing online classical music shopping, listening and enjoyment into the 21st century, is celebrating its launch with an exclusive album launch from acclaimed pianist Maria Joo Pires and a series of free 1-click musical history concerts for all visitors. The site is the most complete classical music resource on the Internet with over 620,000 recorded tracks (building to over 1 million!) representing 6,600 composers, 21,000 artists and 100+ record labels representing a unique blend of the majors and independent labels.
Until June 2, the classical archives is the only place fans can purchase the newest album by Maria Joo Pires. Widely recognized as one of the most brilliant pianists of the last forty years, Pires is celebrating her 20th anniversary as a Deutsche Grammophon exclusive recording artist with an all-new, 2-CD release devoted entirely to the works of Chopin. This long-awaited recital includes the formidable Third Sonata, the cello sonata with cellist Pavel Gomziakov and a variety of smaller works, all composed during the last years of Chopin
Roll Up For The Musical History Tour
As part of the launch, the site is inviting all visitors to enjoy a free special four-part series featuring essential pieces of Classical Music, from the early 17th to the present. Each "1-Click ConcertѢ" is about two hours long, and is devoted to a major period of music history: Baroque, Classical, Romantic and Modern. The first three concerts are generously sponsored by major classical labels: Baroque (UMG), Classical (EMI), and Romantic (SonyBMG), while the Modern concert features recordings from our independent roster of talented artists. A Modern concert featuring recordings from the
These great works are performed by an assembly of preeminent artists from the major labels: Deutsche Grammophon, Decca, EMI, Angel, Sony, RCA, as well as our outstanding roster of independent artists. We salute the labels for this generous offering to the Classical Archives community.
Each program is introduced by some brief commentary to acquaint the newcomer to classical music with some guidelines and important considerations, as they enjoy these musical tours.
Schwob notes that the free concerts are indicative of the site's dedication to expanding the understanding of musical history and learning. "The Classical Archives site offers a wealth of learning for newcomers and aficionados alike. We provide detailed musicological information for each work: its proper movements and subdivisions, genre, principal instruments, year of composition, and key. Users can then easily compare various recordings of a given work, each identified in a proper and consistent manner something not possible with any other site. "
The just launched site offers a breakthrough in site navigation that will be welcomed by anyone who has ever shopped for music online. The proprietary navigation and search engine capability that lets visitors search and cross-reference by any relevant criteria: composer, work title, artist, albums, historical period, instrument, genre, and many others that make finding and comparing the best classical recordings easier than it has ever been.
In addition to albums from major labels such as DG/Decca, Angel/EMI/Virgin, Sony/Columbia, and 100+ more, the site offers a large collection of free streaming tracks from its own roster of world-class talents. The company's ultimate goal is to offer the complete catalogs of all classical music record labels, as well as independent classical artists in DRM-free format, and to identify the recordings in a proper, consistent, and easily searchable form. Classical Archives will always allow users to keep their downloads for life: they are not tied to any conditions such as staying in a subscription program.
The new Classical Archives offers unique membership opportunities that allow users to take advantage of its vast resources easily and affordably. Fees are $9.95/month or $99.50/year. Benefits include the ability to listen to music from the whole site (entire tracks or works); a 10% discount on all downloads (which are yours to keep for life!); the first two weeks as a free trial of the service; the ability to access and download
Free registered members also enjoy great benefits: the ability to listen to any music clips (30-60 seconds); the ability to purchase downloads; and the ability to access and download
For more information, please visit: www.classicalarchives.com.
Labels: Online Store
Featuring German improviser and composer Andrea Neumann, working between electronic and handmade sounds, technical wunderkind Felix's Machines, interdisciplinary artist Kathy Hinde, Sarah Nicolls and the dazzlingly beautiful Piano Baschet-Malbos following its sold out appearance at the Huddersfield Contemporary Music Festival.
Event: "Music and Machines" curated by This is For You as part of 'This is Tuesday' series at Kings Place.
This is Tuesday is a successful series of concerts curated by leading promoters and musicians in the worlds of contemporary/experimental music and multi-media performance.
Date and Time: Tues 2 June, 8.00pm
Artists: Sarah Nicolls (co-curator), Kathy Hinde, Felix's Machines, Pierre Malbos
Price: From 9.50 online (dynamic pricing, cheapest tickets online www.kingsplace.co.uk)
Box Office: 020 7520 1490
Labels: contemporary, england, multi-media

EDMONTON NATIVE TAKES $8,000 TOP PRIZE
Edmonton, AB On Friday, May 15, 2009 after two days of amazing competition Ewald Cheung, violin (19 years old), from Edmonton, AB, was awarded the $8,000 top prize in The Shean Strings Competition. He has also won the opportunity to play with the Edmonton Symphony Orchestra at a future date. Ewald was one of 6 finalists chosen from a field of 24 entries from across Canada to compete in the 2009 Shean Strings Competition on May 14 and 15.
The complete results of the Competition were as follows:
Ewald Cheung also won $1,000 for the Best Performance of the Test Piece Scherzo-Tarantelle, Op. 16 in g minor by Henryk Wieniawski.
The adjudicators for this years competition were David Hoyt, Chair; David Colwell, violin; Jack Mendelsohn, violoncello and Brian Finley, piano.
The 2010 Shean Piano Competition takes place in Edmonton on May 20 and 21, 2010 in Edmonton with an $8,000 top prize and $1,000 prize for best performance of the test piece.
- 30 -
Media Contact: Alternate Contact:
Kent Sutherland Paul J. Bourret
Sutherland Productions Chair, The Shean Trust
P: 780.982.9916 P: 780.436.3412
E: sutherlandproductions@shaw.caLabels: canada, competitions, Edmonton, strings
The Shaw Theatre Festivals marketing initiatives received a boost today with an $800,000 investment from the Ontario Government. Not only will the funding enhance The Shaws marketing strategies, it will also support the creation of new tourism experiences that will benefit the entire Niagara region.
Responding to the funding news, Colleen Blake, Executive Director of the Shaw Festival, said, Ontarios investment helps the Shaw Festival reach new audiences seeking outstanding cultural tourism experiences. This support helps the Shaw Festival one of North Americas most celebrated theatre companies widen its awareness and that of the Niagara Region as a definite must-see destination.
A portion of this welcomed investment in The Shaw, approximately $500,000, will be earmarked to support a marketing campaign aimed at key Canadian and U.S. markets, thereby attracting new audiences and increasing the number of visitors to The Shaw and the Niagara region. The remaining $300,000, from the Ministrys Celebrate Ontario Program, will be used to support a live concert headlined by Canadian soprano Measha Brueggergosman. Entitled An Enchanted Evening, the concert will feature a selection of songs from The Shaws mandate and will be taped for broadcast on the Bravo! network.
The Ontario Governments investment will have a ripple effect on the entire regional tourism economy by drawing new visitors, encouraging more overnight stays, and increasing tourism spending. A recent survey indicates that every dollar spent at The Shaw translates into over $5 of spending within the Niagara Region.
The 2008 survey shows approximately 42,000 visitors or 24,000 out-of-town tourists are estimated to have attended one or more plays during the Shaw Festivals season, spending approximately $37.7 million on tourism activities and services in Ontario, of which more than eighty percent or about $30.7 million was spent in the Regional Municipality of Niagara (Census Division 3526).
The Shaw Theatre Festivals attendance reached 281,000 in 2008; an increase of 6% over the previous year. Visitors from Canada made up 59.3%, while 40.3% came from the U.S. and 0.4% from overseas.
The Shaw Festivals 24,000 out-of-town visitors spent approximately $32.2 million. This spending generated about $29.6 million in total economic activity (GDP) across the province.
All jobs generated by visitors to the Shaw Festival yielded $19.1 million in wages and salaries province-wide in 2008. At the height of the season, the Shaw Theatre Festival employs approximately 600 employees.
Labels: niagara, Shaw Festival
The Shaw Festival is thrilled to announce the establishment of The Slaight Family Academy at the Shaw Festival. A transformational gift of $5 million from the Slaight Family will endow The Academy and sustain it long into the future.
The Academy at the Shaw Festival was formed in 1985 during the tenure of Allan Slaight, the Chair of the Board of Governors, and past Artistic Director Christopher Newton. Created to foster the growth of the Company, it began as an informal skills exchange among Company members. Under the leadership of the Shaws current Artistic Director Jackie Maxwell, the Academy has retained the important function of skills exchange and mentoring, and has grown to become an enrichment centre for further developing artists skills. The Shaw is one of the few institutions in North America with a strong commitment to the training of theatre artists attached to a permanent acting ensemble.
For over 25 years The Slaight Family has had a profound impact on The Shaw Festival through their leadership and generosity. In addition to establishing The Academy with Christopher Newton in 1985, Allan Slaight served as a Board member at The Shaw from 1982 to 1988 and as Board Chair from 1985 to 1986. In addition, he and Newton founded The Shaw Boxing Evening, the largest charity fundraiser of its kind in the world, which has raised more than $5 million for The Shaw.
An exemplary leader and patron as well, Ada Slaight served on the Board from 1990 to 1998 as a Governor, National Governor and Honorary Governor.
The investment made by the Slaight family will be used in four ways. The Mandate Intensive, a new training initiative, will provide apprentice actors, and actors new to the Company with two weeks of immersion in the world of The Shaws mandate before the start of rehearsals, with classes in text, voice, and a detailed course in the manners of the Mandate information available virtually nowhere else. Training programs for the Acting Ensemble will be enriched including voice, dialogue, singing, movement and acting. At present the Shaw Festival and other theatre companies must recruit coaches from outside Canada. The Slaight gift will help The Shaw develop Canadian professional trainers through Apprentice Teacher positions in Voice and Dialect and Alexander Technique.
Finally, the Slaight gift will allow the Shaw Festival to establish The Shaw Theatre School, which will open in the fall of 2009. Drawing on The Shaws professional artists and resources, and augmented by other theatre instructors, The Shaw Theatre School will initially offer a ten-
week drama course designed for young people (Grades 4 12). Classes will be offered in such areas as: Acting, Improvisation, Choreography, Voice & Dialect, Musical Theatre, Mask Work, Stage Combat, Monologues, Scene Study and Warm-up Techniques.
On presenting the gift to The Shaw, Allan and Adas son Gary Slaight said: The Shaw Festival is an organization close to the heart of the Slaight family, one that my parents served with joy and commitment as Board members. Were delighted to be part of the story of the Festival and to make this investment in The Shaws Academy.
In announcing the Slaight Family gift, Artistic Director Jackie Maxwell said: We are tremendously grateful for the Slaight Familys generosity, and thrilled to be given this opportunity to enhance the programs of our renowned Academy.
Shaw Festival Campaign Chair, Richard D. Falconer, acknowledged the Slaight Familys generosity: The Slaight Familys magnanimous gift provides transformational leadership that is particularly critical during this period of economic difficulty. The gift supports the Shaws Festivals campaign for the future - A Splendid Torch - a $20 million campaign to grow The Shaws endowment and other financial resources to a level that will allow The Shaw to create innovative theatre without compromise, unencumbered by financial constraints.
Labels: niagara, Shaw Festival
Still Life, We Were Dancing and Hands Across the Sea, the trio of one-act delights from the pen of Nol Coward, known collectively as Brief Encounters, launches the 48th season of the Shaw Theatre Festival. Four other productions also open this week: the Shavian Restoration romp In Good King Charles`s Golden Days: A True History That Never Happened; the Stephen Sondheim Pulitzer Prize-winning musical Sunday in the Park with George; Eugene ONeills bittersweet love story A Moon for the Misbegotten; and Garson Kanins classic social comedy Born Yesterday.
The Shaw Festivals Artistic Director Jackie Maxwell joins The Shaws Board of Governors Chair Janet McKelvey and the rest of the Company in celebrating the launch of the season and says of this weeks events: There is a real feeling of anticipation and excitement here at The Shaw as we launch our first five shows glittering examples of this seasons rich and varied playbill.
The Honourable David C. Onley, Lieutenant Governor of Ontario, representing Her Majesty Queen Elizabeth II; along with special guests from all levels of government, colleagues from the cultural sector and generous leading patrons and corporate sponsors will be in attendance. Federal government officials attending will include The Honourable Rob Nicholson, Minister of Justice, MP, Niagara Falls; The Honourable Diane Ablonczy, Minister of State for Small Business & Tourism; Mr. Stephen Brereton, Canadian Consul General Buffalo; Mr. Bob Dechert, MP Mississauga-Erindale; Dr. Kirsty Duncan, MP Etobicoke North; Mr. Gerard Kennedy, MP Parkdale; Ms. Julia Munro, MP North York; and Mr. Paul Szabo, MP Mississauga South. Foreign dignitaries attending will include Mr. Jonathan Dart, British Consul General Toronto. Provincial government officials attending will include The Honourable Donna Cansfield, Minister of Natural Resources & MPP Etobicoke Centre; The Honourable Aileen Carroll, Minister of Culture; The Honourable Gerry Phillips, Chair of Cabinet; The Honourable Monique Smith, Minister of Tourism; Ms. Sophia Aggelonitis, MPP Hamilton Mountain; Mr. Kim Craitor, MPP Niagara Falls; and Mr. Rosario Marchese, MPP Trinity-Spadina. Lord Mayor Gary Burroughs, Mayor of the Town of Niagara-on-the-Lake, will also be in attendance, as will members of the Arts community including Mr. William Boyle, CEO, Harbourfront Centre; Ms. Martha Durdin, Chair, Ontario Arts Council; Ms. Julia Foster, Chair, National Arts Centre; Mr. Peter Herrndorf, CEO, National Arts Centre; Ms. Linda Intaschi, Associate Producer, Mirvish Productions; and Mr. Robert Lamb, Managing Director, Canadian Opera Company.
The Shaw Festival produces and presents the work of George Bernard Shaw (1856-1950) and playwrights writing anywhere in the world during, or about, the era of Shaws lifetime.
Labels: niagara, ontario, Shaw Festival
L'ensemble, compos d'instruments vent et percussion, offrira un programme trs vari et relev, invitant les mlomanes explorer la musique dans toute sa splendeur et sa complexit. En premire partie, la SVM interprtera des uvres de Prokofiev, Dvorak, Borodine et Williams. En deuxime partie, afin de souligner le 50e anniversaire de la mort de Boris Vian, l'ensemble offrira un concert hommage ce grand artiste. J'suis snob, La java des bombes atomiques, Le dserteur, La complainte du progrs (les arts mnagers) seront des pices au programme de cette soire indite et seront interprtes par le chanteur Pierre-Alain Faucon.
Aide-mmoire
vnement : Concert de la SVM
Date et heure : Dimanche, le 7 juin 2009, 20 h
Lieu : Salle Claude Champagne (Universit de Montral)
220, avenue Vincent d'Indy, Outremont, Montral
Station de mtro douard-Montpetit / Stationnement gratuit
Tarif tudiant (pice d'identit requise) : 10 $
Billets en vente ds 19 h 15 l'entre de la salle
propos de la Symphonie des vents de Montral (SVM)
La Symphonie des vents de Montral (SVM) est un organisme sans but lucratif, fond en 1998 par son actuel chef et directeur musical, Monsieur ric Levasseur. La SVM a pour mission de rpondre aux besoins des jeunes musiciens de talent, d'entretenir leur passion et de rendre la musique plus accessible au grand public. L'ensemble permet aux musiciens d'aborder plusieurs genres musicaux, de se perfectionner et d'acqurir une importante exprience de scne.
Parmi ses ralisations, la SVM a gagn plusieurs prix prestigieux dont, le trophe du Heritage Festival de New York, dans la catgorie Performance instrumentale exceptionnelle en 2002. L'ensemble a galement lanc son premier album studio en dcembre 2004.
Labels: montral, symphonie des vents
Canada's National Arts Centre (NAC) will mark 40 years of unlimited possibilities on Tuesday, June 2, 2009, at 8 p.m., during a special, free celebration in the NAC's Southam Hall, featuring Pinchas Zukerman and the National Arts Centre Orchestra, artists from The National Ballet of Canada, world renowned baritone Russell Braun and many more.
The 40th Anniversary Celebration will be co-hosted by Canadian ballet icon Veronica Tennant who was among the first dancers to perform on the Southam Hall stage (then known as the Opera) and playwright Michel Marc Bouchard, a longtime NAC collaborator and creator of Lilies (Les Feluettes), considered one of the major works of Canadian Theatre.
Tickets for the evening are free and have been distributed on a first-come-first-served basis to NAC subscribers as well as to the public at large through a special lottery, which was widely advertised in the media over the last few weeks. Dignitaries from the world of politics, the arts and business will also be in attendance.
For this special celebration, the audience will be transported back to the National Arts Centre's opening week in June 1969 when William Shakespeare's ballet adaptation of Romeo and Juliet with music by Sergei Prokofiev and choreography by the legendary John Cranko was performed for the very first time at the NAC by The National Ballet of Canada.
In fact, Romeo and Juliet, with its universally enduring themes of love and youth will be featured prominently throughout the June 2 celebration: Pinchas Zukerman will lead the NAC Orchestra in a rendition of Tchaikovsky's mesmerizing Overture to Romeo and Juliet; The National Ballet of Canada dancers Chan Hon Goh and Zdenek Konvalina will perform the famous balcony scene from Romeo and Juliet, one of the most beautiful pas de deux ever choreographed; and young Quebec actors Steve Gagnon and Alexandrine Warren will perform some of the most memorable scenes from the theatre adaptation of Romo et Juliette, conceived by Christian Lapointe and translated by Normand Chaurette.
Over the past four decades, the National Arts Centre has prided itself on celebrating and developing the very best artistic talent Canada has to offer. Therefore it is fitting that the
June 2 celebration will feature a work choreographed and performed by Matjash Mrozewski, one of the most exciting and original voices in the dance world today. It is also fitting that the orchestration for this work, called Bringing the Tiger Down from the Mountain II, was previously commissioned by the NAC from B.C. composer Alexina Louie. For this performance, Maestro Zukerman will lead the NAC Orchestra, featuring soloist Amanda Forsyth on the cello.
Other highlights of the 40th Anniversary Celebration include brilliant baritone Russell Braun, one of Canada's best operatic voices, who will perform Richard Wagner's O du mein holder Abendstern with the NAC Orchestra under the direction of Maestro Zukerman. There will also be a performance of Elgar's Salut d'amour, Opus 12, by the NAC Orchestra featuring Maestro Zukerman on violin, as well as a performance of a special monologue and of Bertold Brecht and Kurt Weill's The Bilbao Song by Gemini Award-winner Diane D'Aquila under the direction of NAC English Theatre Artistic Director Peter Hinton..
Le thtre Yiddish Dora Wasserman
dans la premire canadienne de
The Pirates of Penzance
de W. S. Gilbert et Oliver Sullivan
En Yiddish avec surtitres francais et anglais
Du 31 mai au 16 juin 2009
Avant-premires :
31 mai 13 h 30
1, 2 et 3 juin 20 h 00
Soire de premire :
4 juin 20 h 00
Reprsentations :
Du lundi au jeudi 20 h 00
Vendredi Ferm
Samedi 21 h 30
Dimanche 19 h 00
Matines :
Mercredi 13 h 00
Dimanche 14 h 00
Lieu :
Thtre Leanor et Alvin Segal
Centre Segal des arts de la scne
5170, ch. de la Cte-Ste-Catherine
Billetterie :
(514) 739 7944
Admission :
(514) 790 - 1245
Labels: Centre Segal des arts de la scne, gilbert et sullivan
The Dora Wasserman Yiddish Theatre
in the Canadian Premiere of Gilbert and Sullivan's
The Pirates of Penzance
In Yiddish with English & French Supertitles
May 31 to June 16, 2009
Previews:
May 31 13.30
June 1, 2 & 3 20:00
Media Opening Night:
June 4 20:00
Performances:
Mon. Thurs. 20:00
Friday DARK
Saturday 21:30
Sunday 19:00
Matines
Sunday 14:00
Venue:
Leanor and Alvin Segal Theatre
Segal Centre for Performing Arts
5170, ch de la Cte-Ste-Catherine
Box Office:
(514) 739 7944
Admission:
(514) 790 - 1245
Labels: montreal, Segal Centre
This years winner of the Harold Crabtree Foundation Award of $5,000 is Antoine Malette-Chnier, harp (age 17). The Friends of the NAC Orchestra Award ($3,000) went to Lara Deutsch, flute (age 18), while Christopher Graham, trombone (age 22) won the NAC Vic Pomer Award ($2,000). The Piccolo Prix ($1,000) went to Denise Sun, bassoon (age 23). The NACO Special Prize for the best performance of prescribed orchestral excerpts went to Christopher Graham, trombone (age 22).
Honourable mentions of $150 went to Yolanda Bruno, violin (age 19), Emilie Grimes, viola (age 19) and Tamsin Johnston, English horn (age 24).
The Bursary Committee and Jury were chaired by Vernon G. Turner, Canadas former Ambassador to the USSR and to Israel, and an active volunteer at the National Arts Centre.
The 2009 Bursary Committee consisted of NAC Orchestra concertmaster Yosuke Kawasaki, violin Jessica Linnebach (upper strings), bassist Murielle Bruneau (lower strings), flutist Emily Smethurst (winds), French horn Jill Kirwan (brass and percussion), and Ross Francis, (Friends of NACO representative). The Committee included Kelly Abercrombie as the NAC Music representative. The Jury included Turner and Francis (non-voting members), and also included special guests Jean-Jacques Van Vlasselaer (music critic) and Rosalind Sartori (former NACO cellist), and special advisors Lucile Brais and Kenneth Simpson (non-voting members). Violinist Sally Benson replaced Jessica Linnebach who withdrew for conflict of interest.
The National Arts Centre Orchestra (NACO) Bursary Competition was first held in 1981. The NACO Bursary was created by the musicians of the NAC Orchestra as a gesture of appreciation to the audiences who had been so supportive to the Orchestra during its first decade. It is meant to provide recognition and financial support to help further the development of young Canadian orchestral musicians who have connections to the National Capital Region (NCR). In subsequent years thanks to the generosity of additional organizations and individuals, other prizes have been added for a total in 2009 of $18,750. These prizes, in addition to the NACO Bursary, are the Harold Crabtree Foundation Award, created in 2003 by this Foundation which strongly believes in the importance of helping young people; the Friends of the NAC Orchestra Award created in 1993 to celebrate the Orchestras 25th anniversary season; the NAC Vic Pomer Award commemorating one of the founding violinists of NACO and a dedicated teacher who died in 2001 at age 70; the Piccolo Prix provided to encourage and support our young artists by NAC volunteer and Donors Circle member Cav. Pasqualina Pat Adamo, and the NACO Special Prize for the best performance of prescribed orchestral excerpts.
All prizes are intended for music students aged 16 to 24 whose principal or family residence is in the National Capital Region, or who have been following a recognized course of music study in the NCR in the previous year in preparation for careers as professional orchestral musicians. Each year, a jury identifies deserving recipients through audition and selection.
Labels: NAC Orchestra Bursary Competition, NACO, ottawa
Labels: concert hall, RCM, Toronto
The UK National Theatres Performances Now Playing
Live in High-Definition Exclusively in Canada at Cineplex Entertainment Theatres
Four-part series begins June 25th with Phdre, starring Helen Mirren,
Dominic Cooper and Margaret Tyzack
TORONTO, ON, May 20, 2009 (CGX.UN) Cineplex Entertainment, the National Theatre, London and BY Experience, Inc. are pleased to announce a new series of theatrical performances will be presented live from the stage of the National Theatre exclusively in Canada at select Cineplex Entertainment theatres. The first performance in the four-part series, Phdre, starring Helen Mirren, will be shown on Thursday, June 25th at 7 pm EST & PST/8 pm MST/6 pm CST in High-Definition (HD) and digital surround sound.
The NT Live events are designed to bring what we do on the stages of the National to a far greater number of people than we would ever be able to reach otherwise, says Nicholas Hytner. Through high definition broadcasts, we have the technology at our disposal to present our productions beyond the four walls of the National, to reach passionate theatre-goers all over the world, and to do it really well.
Of her performance in Phdre to be sent via satellite to Cineplex Entertainment theatres, Helen Mirren says, I am very happy to have the opportunity to play Phdre - a rich, complex and demanding role and to be part of NT Live, this grand new adventure for the National Theatre.
We are delighted to offer our guests a new series of theatrical performances live from the UK National Theatre, said Pat Marshall, Vice President, Communications and Investor Relations, Cineplex Entertainment. This series further extends the entertainment options available at our theatres from the MET opera performances, to the Stratford Shakespeare Festival and live concerts. In the first of four performances, Helen Mirren takes on another regal role in Phdre that is sure to wow our guests when they experience it exclusively on our big screens across the country.
Lloyd Dorfman, Chairman of Travelex, says: NT Live is a major innovation in theatre. Were enormously proud to be part of it the result of a seven year partnership with the National Theatre, one of the worlds most respected theatres. Day-to-day, Travelex is committed to helping connect people and businesses across the globe. We really hope that this initiative makes world class theatre accessible for those connected by a love of the stage on a truly worldwide scale.
Advance tickets are now available online at www.cineplex.com/events as well as at participating theatre box offices. Admission for children ages 3 12 is $16.95 + tax, seniors is $17.95 + tax and general admission is $19.95 + tax. A special group rate is also available for groups of 20 or more at $16.95 per person. For more information on group rates, call 1-800-313-4461.
Mirren will play the title role in Racine's Phdre. In the play, based on earlier treatments of the Greek myth by Euripides and Seneca, Phdre is the wife of Theseus, king of Athens, who develops a fatal and unrequited passion for her stepson, Hippolyte. Dominic Cooper will play Hippolytus and Margaret Tyzack will co-star as Oenone, Phdre's nurse. Nicholas Hytner, artistic director of the National, will direct.
Following Phdre, the remaining plays in the series include Shakespeares Alls Well That Ends Well with Clare Higgins on October 1, 2009; and in early 2010, Nation, based on the a novel by Terry Pratchett and adapted by Mark Ravenhill as well as Alan Bennetts new play, The Habit of Art, with Michael Gambon, Alex Jennings and Frances de la Tour.
NT Live events are distributed outside the U.K. through New York-based BY Experience, Inc.
NT Live is supported by Travelex, in partnership with Arts Council England and NESTA.
About Travelex
Travelex is the world's foreign exchange and business payments specialist. With operations spanning 35 countries, the business operates three divisions focusing on retail foreign exchange, cross border business payments and outsourcing partnerships.The company serves a customer every other second and, through an expansive network covering 115 airports, has a global annual audience of 1.8bn people.
About Cineplex Entertainment
As the largest motion picture exhibitor in Canada, Cineplex Entertainment LP owns, leases or has a joint-venture interest in 130 theatres with 1,333 screens serving more than 63.5 million guests annually. Headquartered in Toronto, Canada, Cineplex Entertainment operates theatres from British Columbia to Quebec and is the largest exhibitor of digital, 3D and IMAX projection technologies in the country. Proudly Canadian and with a workforce of approximately 10,000 employees, the company operates the following top tier brands: Cineplex Odeon, Galaxy, Famous Players, Colossus, Coliseum, SilverCity, Cinema City and Scotiabank Theatres. The units of Cineplex Galaxy Income Fund, which owns approximately 99.5% of Cineplex Entertainment LP, are traded on the Toronto Stock Exchange (symbol CGX.UN). For more information, visit www.cineplex.com.
Ode lAcadie
Le public sera invit retrouver lessence des dbuts du dsormais classique Ode lAcadie qui a t modifi au fil des ans. Onze reprsentations de ce spectacle seront prsentes. Ode lAcadie est maintenant reconnu comme le plus grand succs dans le monde du spectacle musical en Acadie. Il a t prsent devant des dizaines de milliers de spectateurs enthousiastes sur trois continents.
On nous pose souvent la question savoir si nous sommes fatigus de prsenter ce spectacleĶ Au contraire ! Pas du tout ! Chaque fois que nous montons sur scne, il y a une nergie qui fait en sorte que nous avons limpression de le prsenter pour la premire fois ! Nous avons toujours t tellement bien encadrs avec Ren Cormier, Isabelle Thriault et toute lquipe de concepteurs, cest inspirant dtre entours comme a. Lhistoire que raconte le spectacle Ode lAcadie est plus grande que nous. a reste un grand privilge dtre en quelque sorte les vhicules de ce message l. Nous avons hte de prsenter le spectacle, surtout en cette anne du CMA , confie lartiste Monique Poirier.
Carte blanche
Beaucoup de changements sont prvus pour Carte blanche aux artistes dOde puisque plus du tiers du spectacle sera compltement renouvel. En plus dintgrer le nouveau membre de lquipe, Benoit Picard, plusieurs changements ont t apports au rpertoire du spectacle, question de donner de nouveaux dfis aux artistes et de faire faire de nouvelles dcouvertes aux gens qui viendront revoir le spectacle. Le but est toujours de prsenter ce spectacle dans un esprit intime et convivial. Lquipe de cration, Monique Poirier, Allain Roy et Isabelle Thriault, y travaillent depuis plusieurs semaines. Neuf reprsentations de ce spectacle sont lhoraire.
Un nouveau spectacle
Un tout nouveau spectacle Ode verra le jour en cette anne de grandes clbrations. Les Productions Ode ont fait appel au tandem initial de cration dOde lAcadie pour ce troisime spectacle de la troupe. Ren Cormier en assume la direction artistique et la mise en scne et Isabelle Thriault voit la direction musicale. Intitul provisoirement Ode 2009, ce spectacle sera prsent 19 reprises au cours de lt. Les Productions Ode dvoileront en juin la thmatique de ce nouveau spectacle.
Ode en fte
Une reprsentation spciale du spectacle Ode en fte sera prsente lors de la Rencontre de la famille Albert durant le Congrs mondial acadien. Ce spectacle de type festif a t prsent avec beaucoup de succs au Festival Interceltique de Lorient en France lt 2008. Pour ce spectacle la direction musicale est partage par Isabelle Thriault et Franois mond. Ode en fte sera prsent dans un chapiteau Saint-Simon et sera ouvert au public.
Lquipe Ode est fbrile devant ce dfi dune sixime saison. La formation accueillera Benoit Picard au sein de son quipe. Originaire de Campbellton, il a dbut sa carrire de musicien-chanteur au sein de plusieurs formations musicales dans le nord du Nouveau-Brunswick. Il a tudi sept ans en piano et a aussi une formation en contrebasse et en percussion lUniversit de Moncton. Musicien trs polyvalent, il joue du piano, de la guitare, de la mandoline, de la contrebasse, des percussions, de laccordon et de la basse.
Les spectacles dOde seront prsents cet t la salle de spectacle de lglise de Grande-Anse qui accueille la troupe pour une troisime anne conscutive. Paul Marcel Albert, directeur gnral des Productions Ode, est conscient que plusieurs souhaiteraient voir la salle du Centre culturel de Caraquet occupe par les spectacles Ode durant la priode estivale. Il prcise toutefois quau moment des rcents changements au Centre culturel, la programmation estivale dOde tait dj complte depuis plusieurs semaines.
La compagnie souhaite pour les prochaines saisons estivales pouvoir bnficier la fois de la salle du Centre culturel de Caraquet, qui a t notre lieu de cration lt 2004, et la salle de Grande-Anse, notre communaut dadoption depuis 2007, de prciser Paul Marcel Albert. Ces deux salles pourraient tre ncessaires la prsentation des spectacles Ode mais galement pour dautres productions qui viendraient bonifier loffre culturelle du Grand Caraquet.
Nous tenons rappeler que nous avons reu un accueil et une collaboration tout fait extraordinaire de la communaut de Grande-Anse depuis notre arrive dans le village. lt 2007, de nombreux citoyens de la rgion se sont retrousss les manches et ont particip bnvolement aux travaux de rnovations du sous-sol de lglise. Cette communaut sest dote ainsi dune nouvelle infrastructure culturelle et touristique. Cette salle est chaleureuse et lacoustique y est bonne. Nous souhaitons voir le jour o de nombreuses productions artistiques seront prsentes en priode estivale, pour occuper, non pas une, mais deux ou mme plusieurs salles. Nous sommes convaincus que le Grand Caraquet a le potentiel et les talents pour devenir en priode estivale le ptit Broadway de lAcadie , conclu Paul Marcel Albert.
Billets en vente
Les billets pour les quatre spectacles dOde sont prsentement en vente la Billetterie Accs : www.billetterieacces.ca (506.727.7665 ou 1.800.992.4040). Ode lAcadie sera prsent les 21, 26 et 28 juillet ainsi que les 2, 4, 9, 11, 16, 18 et 25 aot et le 1er septembre. Carte blanche aux artistes dOde sera lhoraire les 19, 20 et 27 juillet de mme que les 3, 10, 17, 24, 30 et 31 aot. Le nouveau spectacle Ode 2009 tiendra laffiche les 18, 19, 22, 25, 26, et 29 juillet, les 1er, 2, 5, 8, 9, 12, 16, 19, 23, 26, 29 et 30 aot puis pour une dernire reprsentation le 2 septembre.
Ces trois premiers spectacles seront prsents la salle de spectacle de lglise de Grande-Anse. Les billets sont au cot de 7,50 $ pour les 12 ans et moins, de 17,50 $ ou 22 $ pour les tudiants et les plus de 65 ans et de 22 $ ou 27 $ pour les adultes. Des frais de la Billetterie Accs sajoutent au cot de tous les billets.
Quant au spectacle Ode en fte, il sera prsent la Rencontre de la famille Albert dans le cadre du Congrs mondial acadien le samedi 22 aot 21 h 30 au Chapiteau des Pcheries GEM sur le site du Chalet du Capitaine Saint-Simon. Cette soire est rserve au 19 ans et plus au cot de 12,50 $.
Les Productions Ode est une compagnie but non lucratif incorpore en 2005 qui reoit lappui des gouvernements du N.-B. et du Canada. La compagnie bnficie galement de partenariats et de collaborations spciales avec la Cooprative de Caraquet, les Caisses populaires acadiennes, CHAU TVA, les Chalets de la Plage, le Village Historique Acadien, le Congrs mondial acadien 2009 et Techno 90.
Pour plus dinformation, consultez le nouveau site des Productions Ode www.ode.ca.
Pianist Benjamin Hochman plays Mozarts rarely heard Piano Concerto No.9 in his VSO debut. This is followed up by the huge, exciting, passionate music of Russian master Sergei Prokofiev. Conductor Laureate Kazuyoshi Akiyama returns to conduct the final PricewaterhouseCoopers Masterworks Silver concerts of the season, which take place on Saturday, May 30th and Monday, June 1st at 8pm at the Orpheum Theatre.
Benjamin Hochman came into prominence when he made his New York solo recital debut at the Metropolitan Museum of Art in 2006. Since then, he has achieved widespread acclaim for his performances. Mr. Hochman has performed with several prominent orchestras including the New York Philharmonic, Chicago, Pittsburgh and Cincinnati Symphony Orchestras, Seattle Symphony, New Jersey Symphony, Portland Symphony and the National Arts Centre Orchestra.
"Hochman's demeanor is poised, and quietly confident. His playing is beautiful to hear. From the first moment, his crisp, articulated touch was noticeable, clear but not forceful, even with pedal, and he shaped the phrases in the long cadenza with grace."
- Seattle Post-Intelligencer
Hochman recently appeared at the Bard Music Festival, Bridgehampton Music Festival and Santa Fe Chamber Music Festival. Just prior to travelling to Vancouver, Hochman returned to his native Israel for a special series of concerts and masterclasses. He will also be performing in London, Barcelona, and Amsterdams Concertgebouw later in the year.
Born in Jerusalem, Benjamin Hochman is a graduate of the Curtis Institute of Music and the Mannes College of Music where his principal teachers were Claude Frank and Richard Goode. His studies were supported by the America-Israel Cultural Foundation.
Mozarts Piano Concerto No.9 in E flat Major was a groundbreaking, revolutionary work in its time, helping to raise the bar for the piano concerto as a genre and leaving its mark on later concertos by Beethoven and other Romantic composers. Certainly the greatest of the concertos written by Mozart in his time in Salzburg, Classical music author and commentator Charles Rosen also called it the first unqualified masterpiece in any genre, and legendary pianist Alfred Brendel characterized the work as one of the greatest wonders of the world. The relationship between soloist and orchestra is given unprecedented depth in this concerto, the dialogue and juxtaposition of ideas heightened to a remarkable degree compared to earlier piano concertos. The very opening of the concerto itself is a strong statement for change in the way in which piano concertos were previously written: the soloist is introduced right away after a short heraldic statement by the orchestra; afterword, the orchestra is given a typical, though brief, opening exposition, but it is on the pianos terms. Later, Mozart goes so far as to turn this dialogue on its head, with the orchestra answering the piano. The second movement is one of utterly poignant expressive brilliance. The C minor atmosphere holds the listener in its thrall as the solo parts, written with such a highly personal and expressive voice, weave their way in and out of discourse with the orchestra in a dreamy, almost tragic manner. And though the finale one of Mozarts greatest Rondo finales is one of virtuosic energy and joy, there is a serious undercurrent at play which keeps the concerto grounded, as if Mozart knew he was creating a work that would lasting impact through generations of composers.
CONCERT INFO
PricewaterhouseCoopers Masterworks Silver Series:
Melody and Power: Mozart and Prokofiev
Saturday & Monday, May 30 & June 1, 8pm, Orpheum Theatre
Kazuyoshi Akiyama, conductor
Benjamin Hochman, piano
Kabalevsky Colas Breugnon: Overture, Op. 24
Mozart Piano Concerto No. 9 in E-flat Major, Jeunehomme
Prokofiev Symphony No. 5 in B-flat Major, Op. 100
Tickets $25 to $78.50 (Student, Senior and Subscriber discounts available)
Tickets available by phone at 604.876.3434 or online at www.vancouversymphony.ca
Generously Supported By:
Series Sponsor: PricewaterhouseCoopers
Video Screen Sponsor: TELUS
Video screen presentations created and produced by students and staff of digital video productions at Columbia Academy.
Labels: piano, vancouver symphony orchestra, VSO
New Initiatives Include Introduction of Carbon Fund
Ojai Environmental and Artistic Missions Combine with Green Sound Sculptures by Trimpin
In response to increasing demands on the planet from climate change and pollution, last year the Ojai Music Festival in
What makes the Ojai Music Festival so special, said Festival Executive Director Jeff Haydon, is the unique symbiosis between the high-level music performed here by the worlds greatest artists and the incredible natural beauty that surrounds us. We want this always to be here for our children and their children, and so we are making every effort to ensure that any changes taking place in Ojai are for the better.
In cooperation with Ojai Valley Green Coalition and EJ Harrison & Sons and with the support from California Solar Electric and LifeSource, this years Ojai Music Festival will continue all of the initiatives it introduced last year, including recycling and decreasing the use of paper products, encouraging walking and biking, providing many zero-waste stations for separating trash, and selecting merchandise and locally produced foods. California Solar Electric, well known for its Green Collar job-training programs for at-risk youths, will provide informative materials at Ojais Green Booths. LifeSource will provide three free water dispensing stations located on the Festival grounds, where patrons can fill their reusable drinking containers.
For 2009, the Ojai Music Festival has established a Carbon Fund to offset its carbon footprint and has calculated that the Festivals 2009 carbon offset will be approximately $680. The Ojai Music Festival will make a donation based on the carbon footprint to Ojai Trees, a non-profit organization that plants trees throughout Ojai. Moreover, collection boxes will be set up for Festival patrons who would like to make donations to the fund.
We are pleased to participate once again in helping the Ojai Music Festival continue its multiyear green plan, said Deb Pendrey of the Ojai Green Coalition. This is the perfect example of the Coalitions motto to think globally, act locally. We believe each of us must be conscious of our individual responsibilities to ensure a greener and healthier world starting now.
This year Trimpin, the sound sculptor, composer, and MacArthur genius grant recipient, will combine the Festivals environmental and artistic missions. The Seattle-based artist, whose artworks are made from recyclable materials, has created two interactive sound sculptures, which will be on display throughout the Festival at
2009 Ojai Music Festival green efforts include:
Providing free water refills at water stations and encouraging concertgoers to bring their own reusable water bottles or purchase stainless steel or ceramic mugs at Festival concerts.
Serving cold drinks in recyclable glass or aluminum containers. Coffee and tea are served in cardboard cups.
Encouraging residents and volunteers to walk, bike, or use the Ojai Trolley to commute to the Festival. Ojai provides a free bike valet area.
Selling reusable totes and bags, and stainless steel containers at the outdoor marketplace.
Serving food in biodegradable containers with biodegradable utensils.
Assisting concertgoers in sorting trash at Zero Waste Stations into appropriate receptacles marked Landfill, Compost, or Recyclables.
Providing a Green Booth, where local groups can offer information about minimizing individual ecological footprints.
Using soy ink and recycled paper and decreasing the use of paper by minimizing margins and utilizing both sides of paper.
Recycling program books.
New this year:
Introducing a Carbon Fund to offset the Ojai Music Festivals carbon footprint.
Providing re-usable water bottles to artists and Festival staff.
Reducing number of program books printed to encourage re-use.