LSM Newswire

Saturday, October 31, 2009

Illness forces Ben Heppner to Withdraw from COC 60th Anniversary Concert

  

    
For immediate release: October 31, 2009

ILLNESS FORCES BEN HEPPNER TO WITHDRAW FROM COC 60TH ANNIVERSARY CONCERT

OPERA STARS RAMÓN VARGAS AND RUSSELL BRAUN TO PERFORM WITH NEW COC MUSIC DIRECTOR, JOHANNES DEBUS, AND COC ORCHESTRA

Toronto, Ontario The Canadian Opera Company (COC) regretfully announces that renowned tenor Ben Heppner is unable to perform at the company's 60th anniversary concert on November 7, 2009 at the Four Seasons Centre for the Performing Arts.  Mr. Heppner has not sufficiently recovered from a viral infection caught in October while singing Tristan in Tristan und Isolde at the Royal Opera House, Covent Garden.

"I caught an infection in London and I had hoped to have fully recovered by this time," says Mr. Heppner.  "Unfortunately, a visit with my doctor and my coach confirmed that I will not be able to give the first-class performance Toronto audiences deserve."

The COC's anniversary concert will take place as planned on Saturday, November 7, 2009 featuring conductor Johannes Debus making his debut as the COC's new Music Director, and the celebrated COC Orchestra.  The company is very pleased to announce that it has secured world renowned artists, tenor Ramón Vargas and baritone
Russell Braun to sing at the concert.  Additional artists will be confirmed early next week.

"We are terribly sad that Ben is unable to perform with us on Saturday.  His presence means a lot to the Canadian Opera Company and we're sorry that he can't be here to celebrate with us," says Alexander Neef, General Director of the COC.  "Fortunately, another one of the world's greatest tenors, Ramón Vargas, was available on short notice and is very pleased to make his debut with us.  And, of course, it is always a pleasure to welcome our good friend Russell Braun back to Toronto.  I am very happy that we have secured some great vocal talent to celebrate the COC's 60th anniversary and Johannes Debus's first appearance as new Music Director.  We know that this new program, along with the wonderful COC Orchestra, will make for a spectacular concert."

Regulars at all the great opera houses of the world, Ramón Vargas and Russell Braun perform extensively with the Metropolitan Opera, La Scala, Vienna State Opera, Paris Opera, the Royal Opera House, Covent Garden, Munich State Opera, and San Francisco, among many others.

Ramón Vargas is currently performing as Faust in the Metropolitan Opera's production of Robert Lepage's production of La Damnation de Faust.  He returns to the Met in 2010 to sing in a new production of Attila, and next spring performs Werther at the Vienna State Opera and Medea in Corinto at the Munich State Opera.  The Metropolitan Opera has graciously agreed to allow Mr. Vargas to appear at the COC anniversary concert.

This season, Russell Braun makes his role debuts as The Traveller in Benjamin Britten's Death in Venice at the Theater an der Wien in Vienna and as Lescaut in the ROH Covent Garden production of Manon, as well as appearing with the Chicago, Cleveland, Toronto, Ottawa and Vancouver symphony orchestras.

Portions of the evening's program remain unchanged, and additional arias will be performed. The complete program will be announced early next week.


The 60th anniversary celebration on Saturday, November 7 begins with a pre-concert reception at 6 p.m. in the Isadore and Rosalie Sharp City Room at the Four Seasons Centre, followed by the concert which begins at 7 p.m.  All tickets include a complimentary glass of Trius Brut sparkling wine or Peller Estates Icewine.  

To add even more sparkle to the event, a draw for a spectacular 1.26 carat Canadian diamond, valued at $20,000, will be held at the concert.  The Hearts and Arrows brilliant-cut diamond, courtesy of De Beers Canada, originated from the pristine tundra of the Canadian Arctic and has been environmentally and ethically mined, cut, and polished.  Diamond Raffle tickets are $100 each or three for $250 and will be available for purchase at the Four Seasons Centre, 145 Queen St. W. or by calling 416-306-2309.  

Supporting Sponsors of the COC's Diamond Anniversary Concert: BMO Financial Group, Diamond and Schmitt Architects

Wine Sponsor: Andrew Peller Limited

Diamond Raffle Sponsor: De Beers Canada

Russell Braun's appearance is generously underwritten by Earlaine Collins.

The COC is grateful to Colleen Sexsmith for offering her generous financial support to make the other artists' appearances possible.



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Friday, October 30, 2009

New Music Concerts: Robert Aitken Receives the Walter Carsen Prize

Flutist, composer and conductor Robert Aitken wins the Walter Carsen Prize for Excellence in the Performing Arts awarded by the Canada Council for the Arts

Ottawa, October 20, 2009 – Internationally renowned flutist, composer and conductor Robert Aitken, of Toronto, is the winner of the 2009 Walter Carsen Prize for Excellence in the Performing Arts. The $50,000 prize, administered and presented by the Canada Council for the Arts, recognizes the highest level of artistic excellence and distinguished career achievement by Canadian artists who have spent the major part of their career in Canada in theatre, dance or music.

Mr. Aitken was selected by a peer assessment committee consisting of Henri Brassard, pianist and professor (St-Charles-sur-Richelieu, QC); Jani Lauzon, multi-disciplinary Métis performing artist (Toronto); and Ian McDougall, trombonist, composer and teacher (Victoria, BC).

In awarding the prize to Mr. Aitken, the committee said, "A masterly force in the world of contemporary Canadian music, Robert Aitken has demonstrated for over half a century a tireless commitment to its development, performance and promotion in every corner of the globe. As a flutist, composer, interpreter and teacher, he is a distinguished innovator and continues to exert a strong influence on upcoming generations."

Robert Aitken
World renowned Canadian flutist, composer and conductor Robert Aitken has been honoured with the Order of Canada and is a Chevalier de l'Ordre des Arts et des Lettres (France). In 1970, having previously served as principal flute for both the Vancouver and Toronto Symphony Orchestras, Mr. Aitken embarked on a solo career that has taken him all over the world.

He has more than 40 recordings to his credit and such notables as R. Murray Schafer, John Cage, George Crumb, Elliott Carter, Toru Takemitsu, Gilles Tremblay, John Beckwith and Bruce Mather have dedicated works to him. In 2003 he was presented with a Lifetime Achievement Award from the National Flute Association (USA). In 2004 he retired as Professor für Flöte at the Staatliche Hochschule für Musik in Freiburg, Germany, a position he had held for 16 years.

As a composer, he holds bachelor and master's degrees from the University of Toronto and all of his works are published by Universal Edition, Salabert, Ricordi and Peer Music. Mr. Aitken was director of the Banff Centre Winter Program in Music, founder and artistic director of Music Today, Music at Shawnigan and co-founder, with Norma Beecroft, of New Music Concerts which he has directed since its inception in 1971.

Walter Carsen Prize for Excellence in the Performing Arts
Presented for the first time in 2001, the Walter Carsen Prize for Excellence in the Performing Arts was created as a result of a generous donation of $1.1 million to the Canada Council by Toronto businessman and philanthropist Walter Carsen, O.C. The prize is normally awarded annually on a four‑year cycle: dance, theatre, dance, music. Previous prize winners include dancer/choreographer Margie Gillis, playwright Judith Thomson, choreographer David Earle, composer R. Murray Schafer and principal dancer/producer-director Veronica Tennant.

General information
In addition to its principal role of promoting and fostering the arts, the Canada Council for the Arts administers and awards many prizes and fellowships in the arts, humanities, social sciences, natural and health sciences, engineering, and arts management. These prizes and fellowships recognize the achievements of outstanding Canadian artists, scholars, and administrators. The Canada Council for the Arts is committed to raising public awareness and celebration of these exceptional people and organizations on both a national and international level.

Please visit our website (www.canadacouncil.ca) for a complete listing of these awards.

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Chor Leoni presents Stolen Voices Nov 8 (Surrey), Nov 11 (West Van & Vancouver)

Chor Leoni Men's Choir
Diane Loomer, C.M.
Artistic Director

present

Stolen Voices

17th annual Remembrance Day concerts

Sunday, November 8, 2009 @ 3 pm
Church of the Good Shepherd
2250 150 St, Surrey, BC

Wednesday, November 11, 2009 @ 1 pm
West Vancouver United Church
2062 Esquimalt Ave, West Vancouver, BC

Wednesday, November 11, 2009 @ 7:30 pm
Christ Church Cathedral
690 Burrard St, Vancouver, BC

Veterans admitted free. Please RSVP by November 1 to 604.263.7061.

Ticketmaster 604.280.3311 $28 | $23
Information 604.263.7061 www.chorleoni.org


Their terrified, haunted expressions stare at us from television screens, newspapers, and the internet. They are children and young people caught amidst the cataclysm of war. Stolen Voices will view war through the eyes of these innocents, with readings from diaries written by children and mothers dating from WWI through to the Iraq and Afghanistan conflicts. The concert will feature newly commissioned works by Larry Nickel, Marcus Goddard, and Ken Cormier.

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Portland’s Choral Art Society Announces 2009-10 Season

PORTLAND, Maine – Portland, Maine's Choral Art Society (CAS) has announced their 2009-2010 concert season which opens with the immensely popular annual Christmas at the Cathedral performances and, again this year, includes two concerts alongside the Portland Symphony Orchestra at Merrill Auditorium. The full season includes:

Christmas at the Cathedral
Sat., December 5, 2009 – 12:00 noon preview and 8:00 p.m. concert Sun., December 6, 2009 – 2:30 p.m. and 7:00 p.m. concerts at Cathedral of Immaculate Conception, Portland
The mid-sized CAS group, Choral Art Singers, will be joined by the Portland Brass Quintet and organist Dan Moore. This year the concerts feature a new work, the premiere performance of Charles Kaufmann's "A Longfellow Winter," commissioned by CAS. Kaufmann is an award-winning composer, the founding director of Portland's The Longfellow Chorus and a well-known Baroque bassoonist as well as an organist.

Sponsored by Norton Insurance and Financial and Ramblers Way Farm, the Christmas at the Cathedral concerts take place at the Cathedral of the Immaculate Conception, 307 Congress Street in Portland. Tickets range from $10 (preview show, available at the door only) to $30 with a limited number of $5 youth tickets, and will be available through CAS by calling (207) 828-0043 or visiting www.choralart.org.

CAS Annual Messiah Sing-Along Mon., December 14, 2009 – 7:30 p.m. at St. Patrick's Church, Portland
CAS and the Southern Maine Symphony Orchestra present the annual Messiah Sing-Along and Handel on Hunger food drive to benefit Project FEED. This fun and popular event takes place at St. Patrick's Catholic Church, 1342 Congress Street, Portland. Attendees are encouraged to bring non-perishable food items and/or donations. A suggested donation of $5 at the door is welcomed and students are free.

Christmas with Cornils Tues., December 22, 2009 – 7:30 p.m. at Merrill Auditorium, Portland
For their annual holiday concert, the Friends of the Kotzschmar Organ have invited the CAS Camerata to join the Kotzschmar Festival Brass, the Parish Ringers handbell choir from Brunswick and Portland Municipal Organist Ray Cornils. The concert takes place at Merrill Auditorium located at 20 Myrtle Street in Portland. Tickets range from $19-$33 and are available through PortTix at (207) 842-0800 or www.porttix.com, or at the box office at 20 Myrtle Street.

Epiphany Celebration Sat., January 2, 2010 – 7:30 p.m. at Immanuel Baptist Church, Portland
The CAS Camerata, the Choral Art Society's select a cappella group, will perform the Epiphany Celebration concert with an instrumental ensemble including organist Dan Moore. The program includes a Bach Cantata in addition to seasonal a cappella songs, at the Immanuel Baptist Church, 156 High Street, Portland. The concert is sponsored by Duffy Anderson Investment Management and tickets are $15 in advance or $20 at the door. For more information call CAS (207) 828-0043 or visit www.choralart.org.

"Life, Death, Transfiguration" Tues., March 9, 2010 7:30 p.m. at Merrill Auditorium, Portland
The CAS Masterworks Chorus joins the Portland Symphony Orchestra for a performance of Andrew Lloyd Webber's Requiem. The concert will be held at Merrill Auditorium, 20 Myrtle Street, Portland. Tickets range from $20-$70 and are available online at www.porttix.com, by calling (207) 842-0800, or at the box office at 20 Myrtle Street.

Mozart's Requiem Tues., March 30, 2010 – 7:30 p.m. at Merrill Auditorium, Portland
In collaboration with Portland Ballet, the CAS Singers and Camerata will perform Mozart's Requiem – the composer's last work and one of his most profound pieces – with musicians from the Portland Symphony Orchestra. The Portland Ballet Company dancers will present new choreography, created specifically for this joint production by choreographer Kennet Oberly. The concert begins at 7:30 p.m. at Merrill Auditorium, 20 Myrtle Street, Portland. Tickets will be available online at www.porttix.com, by calling (207) 842-0800, or at the box office at 20 Myrtle Street.

"Mighty Mahler" Sun., May 2, 2010 – 2:30 p.m. and Tues., May 4, 2010 – 7:30 p.m. at Merrill Auditorium, Portland
For the Portland Symphony Orchestra's final concerts of the year, the CAS Masterworks Chorus joins the Symphony for a performance of Mahler's epic Symphony No. 2 "Resurrection." The concert will be held at Merrill Auditorium, 20 Myrtle Street, Portland. Tickets range from $20-$70 and are available online at www.porttix.com, by calling (207) 842-0800, or at the box office at 20 Myrtle Street.

"My Spirit Sang All Day" Sat., June 5, 2010 – 7:30 p.m. at Immanuel Baptist Church, Portland
The CAS Camerata will perform British composer Gerald Finzi's 1937 My Spirit Sang All Day among other works at the Immanuel Baptist Church, 156 High Street, Portland. The concert is sponsored by Duffy Anderson Investment Management and tickets are $15 in advance or $20 at the door. For more information call CAS (207) 828-0043 or visit www.choralart.org.

About The Choral Art Society:
The Society has more than 150 members who perform in three distinct ensembles: the symphonic Masterworks Chorus, the mid-sized Choral Art Singers, and the intimate a cappella Camerata. All singers are skilled amateurs, selected by audition. The Society offers an annual concert series and appears regularly as guests of the Portland Symphony Orchestra. Robert Russell, professor of music at the University of Southern Maine, is the conductor and artistic director of The Choral Art Society.

For more information about The Choral Art Society and the 2008-09 performances visit www.choralart.org or call (207) 828-0043.

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KINOBE & Soul Beat Africa, Grande première au Club Balattou le 25 octobre

NUITS D'AFRIQUE des spectacles…..toute l'année !

Présentent
En Grande Première


KINOBE
and Soul Beat Africa
(Ouganda)

Dimanche le 25 octobre – 21h
au Club Balattou

«….parmi les musiques les plus exquises sortant de l'Afrique aujourd'hui»
-Zina Saro-Wiwa , BBC-

Montréal le 15 octobre 2009- KINOBE (prononcé CHI-NO-BÉ) chanteur, multi-instrumentiste, compositeur et arrangeur accompli et son groupe Soul Beat Africa, revisitent avec modernité les sons et rythmes traditionnels d'Ouganda en Afrique de l'est. Son talent et son inventivité hors pairs lui ont très vite permis d'accompagner les plus grandes stars de la scène musicale africaine.

KINOBE qui a étudié au Mali avec le grand maître de la kora Toumani Diabaté, soigne son jeu, sa technique et surtout, élabore son propre style musical, qui signera plus tard la coloration résolument «électro» de son œuvre. Imprégné de sons novateurs véhiculés par les grands noms de l'Afrobeat et du blues sahélien, KINOBE, accompagné de musiciens exceptionnels, reste très fidèle aux rythmes et harmonies que lui ont léguées ses racines ougandaises. KINOBE s'avère être un extraordinaire archiviste musical.

KINOBE & Soul Beat Africa mixe les traditions et les instruments de musique ougandais avec des influences de l'Afrique de l'ouest et de la musique moderne afin de créer un style unique, à la fois novateur et pourtant ancré dans la tradition africaine.

Grâce à un premier album, «Soul Language» sorti en 2007 sous l'étiquette Multicultural Média, KINOBE réussit à s'imposer comme une des meilleures formations «Afro-world de la scène musicale mondiale. Par la suite, Il effectue une série de concerts en Afrique et en Europe pour effectuer la promotion de cet album.

Il puise ses influences à travers le globe. Des nouveaux sons pour un nouveau monde. Le jeune virtuose de la kora, KINOBE incarne les ponts jetés entre la création contemporaine et la musique traditionnelle d'Afrique, créant ainsi un alliage de rythmes élégants et ensorcelants. À cet univers musical unique, qui est le sien, s'ajoute son immense talent de parolier. Et c'est sur un ton d'optimisme et d'humour qu'il compose la totalité de ses textes.

KINOBE (né en 1983) joue de plusieurs instruments traditionnels tels que l'Adungu (harpe ougandaise), l'Endingidi (flûte), la kora, la kalimba (piano à main), le tama (talking drum) (pour ne nommer qu'eux) dès l'âge de 5 ans, période à laquelle débute son éducation musicale.

A l'âge de 10 ans, il entreprend sa première tournée en Afrique et en Europe accompagné des personnages phare de la musique africaine. Au cours de cette année KINOBE visite l'Allemagne avec un chœur de jeunes musiciens afin de représenter l'Ouganda dans le cadre d'une conférence culturelle internationale.

A peine sorti de l'enfance, il s'embarque aux côtés de Youssou N'Dour, Baaba Maal, Toumani Diabaté et Salif Keita, les monstres sacrés de la musique mandingue. De plus il partage la scène avec Angélique Kidjo, Oliver Mtukudzi, Miriam Makeba et plusieurs autres,

Dans le cadre de leur toute première tournée nord-américaine, soutenue par l'Alliance Française, KINOBE & Soul beat Africa viendront nous présenter au Club Balattou, le dimanche 25 octobre prochain, leur nouvel album « Kinobe et Soul Beat Africa » sorti en 2009, sous l'étiquette Multicultural Média.

KINOBE, un jeune multi-instrumentiste, virtuose de la Kora
Un nom à retenir pour ceux qui n'ont pas encore eu la chance de le découvrir.

Dimanche le 25 octobre – 21h
au Club Balattou
4372, boul. St-Laurent (coin Marie-Anne) - Montréal

Billets en vente dès maintenant !!!
Au Club Balattou – (514) 845-5447
Sur Réseau Admission – (514) 790-1245
www.admission.com
www.festivalnuitsdafrique.com

Lang Lang plays Beethoven!

INTERNATIONAL SUPERSTAR LANG LANG PLAYS BEETHOVEN
WITH MAESTRO BRAMWELL TOVEY AND THE VSO

VANCOUVER, BC – World-renowned pianist Lang Lang returns to Vancouver for a special concert on Wednesday, November 4th, at 8pm at the Orpheum Theatre with the Vancouver Symphony Orchestra. He performs one of the most exciting piano concertos in the repertoire: Beethoven’s Piano Concerto No. 2. Maestro Bramwell Tovey conducts a concert that also includes Mendelssohn’s The Hebrides (Fingal’s Cave) and Symphony No. 4.

“…there will be no stopping this nonchalant dervish of the keyboard…[Lang Lang’s] playing was so raptly beautiful that one was afraid to breathe for fear of missing anything.”
—Chicago Tribune

Heralded as the “hottest artist on the classical music planet” by The New York Times, 27-year-old Lang Lang has played sold-out recitals and concerts in every major city in the world, and he is the first Chinese pianist to be engaged by the Berlin Philharmonic, the Vienna Philharmonic and the top American orchestras. On October 1st, he was a featured performer at the celebration of the 60th anniversary of the founding of the People’s Republic of China in Beijing. Last May, it was announced that Lang Lang was chosen and one of three official worldwide Ambassadors for the 2010 Shanghai World Expo, alongside NBA player Yao Ming and actor Jackie Chan.

Lang Lang performed for a worldwide audience at the opening ceremony for the 2008 Beijing Olympics, and he appeared on the 50th GRAMMY® Awards show in a memorable piano duet with Herbie Hancock. As further testimony to his tremendous success, Lang Lang recently made Time magazine's list of the “100 Most Influential People in the World.” Lang Lang will perform Beethoven’s Piano Concerto No. 2, a concerto that the composer wrote as a vehicle to enhance his own reputation as a virtuoso pianist. This concert also celebrates the 200th anniversary of the birth of one of Classical music’s greatest composers, Felix Mendelssohn.

CONCERT INFO

Wednesday, November 4, 8pm, Orpheum Theatre
Lang Lang plays Beethoven!

Bramwell Tovey, conductor
Lang Lang, piano (Cherniavsky Laureate)

Mendelssohn The Hebrides (Fingal’s Cave)
Mendelssohn Symphony No. 4, Italian
Beethoven Piano Concerto No. 2

The VSO celebrates the 200th Anniversary of the birth of one of history’s greatest composers: Felix Mendelssohn. And classical music’s most exciting superstar, Lang Lang, performs one of the most exciting piano concertos in the repertoire: Beethoven’s Piano Concerto No. 2.

Visit Lang Lang at: www.langlang.com

Tickets: $50 - $125 (senior, student and subscriber discounts available)
Tickets available online at www.vancouversymphony.ca or by calling VSO customer service at 604.876.3434

BIOGRAPHIES

Bramwell Tovey, conductor

A musician of striking versatility, Bramwell Tovey is acknowledged around the world for his artistic depth and his warm, charismatic personality on the podium. Tovey’s career as a conductor is uniquely enhanced by his work as a composer and pianist, lending him a remarkable musical perspective. His tenures as music director with the Vancouver Symphony, Luxembourg Philharmonic and Winnipeg Symphony Orchestras have been characterized by his expertise in operatic, choral, British and contemporary repertoire.

Bramwell continues as Music Director of the Vancouver Symphony, a post he has held since 2000. He continues as Principal Guest Conductor of the Los Angeles Philharmonic at the Hollywood Bowl, and as founding host and conductor of the New York Philharmonic’s Summertime Classics series at Avery Fisher Hall. In 2008, the orchestras co-commissioned him to write a new work, the well-received Urban Runway, which has also been premiered in Canada.

Last season with the Vancouver Symphony Orchestra, Bramwell toured China and South Korea with guest artist Hillary Hahn. The VSO was the first orchestra from Canada to perform in China in 30 years, which ended with a performance at the Beijing Music Festival—another first for a Canadian symphony. Further highlights of the Vancouver season include an in-depth Brahms Festival, featuring all four symphonies, the two piano concertos and the violin concerto. The Brahms Violin concerto is performed with violinist James Ehnes who, along with the VSO, won both a GRAMMY Award and a Juno Award in 2007 for a CBC recording of violin concertos by Walton, Korngold and Barber. Other special guest artists during the season include violinist Joshua Bell as well as a joint performance by celebrated vocalists Samuel Ramey and Frederica von Stade.

An esteemed guest conductor, Tovey has worked with orchestras in Europe and the UK including the London Philharmonic, London Symphony, Frankfurt Radio Orchestra as well as the Bournemouth Symphony Orchestra with whom he works regularly. This season, Tovey returns to the Ulster and Helsingborg Orchestras having made his successful debut in 2008/09 and to Opera North and Trondheim Symphony. He makes his debut with Bergen Philharmonic in 2009/10 and will also return to Melbourne as curator of the contemporary Metropolis Festival in summer 2010 and to the main subscription season in autumn 2011. That season, he will also conduct the Sydney Symphony Orchestra for the first time. In North America, along with his work with the New York and Los Angeles Philharmonics, Tovey has made guest appearances with the orchestras of Baltimore, Philadelphia, St. Louis, Pittsburgh, Detroit, Seattle, Montreal as well as ongoing performances with Toronto, where he conducts each season.

Prior to his music directorship in Vancouver, Tovey spent twelve years as music director of the Winnipeg Symphony Orchestra, where he founded its highly regarded New Music Festival. A significant milestone in the ensemble’s exploration of new music, the festival premiered more than 250 works by diverse international and Canadian composers under Tovey’s leadership, with every performance broadcast on Canada’s CBC Radio.

During his four years as the music director of the Luxembourg Philharmonic, from 2002 to 2006, Tovey led three successful tours in Europe, the Far East and the eastern United States, traveling to China, Korea, Germany, Austria, Italy, the Czech Republic, Estonia, Holland and Belgium. In 2004, Tovey and the orchestra were awarded the “Orphée d’Or” of the Academie Lyrique Francaise, for their critically praised recording of Jean Cras’s opera, Polyphème. The following year, in celebration of the opening of Luxembourg’s new Philharmonic Hall, Tovey conducted the Luxembourg Philharmonic Orchestra and the Europa Academie Choir in the world premiere of Penderecki’s 8th Symphony, composed especially for the occasion.

Renowned as a choral conductor, Tovey has performed works ranging from Mahler’s Symphony No. 8 to Bach’s Mass in B Minor. In opera, his repertoire includes works by Puccini, Strauss, Mozart, Menotti, Poulenc, Britten and Stravinsky. In 2004, he premiered a new opera by John Estacio, jointly commissioned by the Banff Centre and the Calgary Opera, which he reprised for the National Arts Centre in Ottawa in 2005.With a profound commitment to new music, Tovey has established himself as a formidable composer and is the first artist to win a Juno Award in both conducting and composing. He has been commissioned by the Calgary Opera to compose the company’s third original full-length opera. Written with librettist John Murrell, this work is based on the extraordinary life of Alexander “Sandy” Keith, a notorious 19th century con artist and criminal from Halifax, Nova Scotia. An immense undertaking, the piece will premiere in Calgary in January of 2011. Tovey’s other accomplishments as a composer include receiving the Best Canadian Classical Composition 2003 Juno Award for his Requiem for a Charred Skull, performed and recorded by the Amadeus Choir and the Hannaford Band in Toronto.

Tovey has also built a strong reputation as an accomplished jazz pianist with two recordings to his name and has made memorable appearances on television, including two documentaries with the City of Birmingham Symphony Orchestra and a 1996 CBC TV broadcast of Victor Davies’ Revelation, a full-length oratorio based on the Book of Revelation, with the Winnipeg Symphony Orchestra. He has also recorded several DVDs, of works including Holst’s The Planets Suite with distinguished guests such as percussionist Evelyn Glennie, among many others.

Awarded numerous honorary degrees, Tovey has received a Fellowship from the Royal Academy of Music in London, honorary Doctorates of Law from the University of Winnipeg, the University of Manitoba and Kwantlen University College, as well as a Fellowship from the Royal Conservatory of Music in Toronto. In 1999, he received the M. Joan Chalmers National Award for Artistic Direction, a prestigious Canadian prize awarded to premier artists for outstanding contributions in professional performing arts organizations.

Lang Lang, piano

Heralded as the "hottest artist on the classical music planet" by the New York Times, 27-year-old Lang Lang has played sold out recitals and concerts in every major city in the world and is the first Chinese pianist to be engaged by the Berlin Philharmonic, the Vienna Philharmonic and the top American orchestras. Testimony to his success, Lang Lang recently appeared in the 2009 Time 100 – Time magazine's annual list of the 100 Most Influential People in the World. In 2008, over 5 billion people viewed Lang Lang's performance in Beijing's opening ceremony for the Games of the XXIX Olympiad where he was seen as a symbol of the youth and future of China. This status has inspired over 35 million Chinese children to learn to play classical piano – a phenomenon coined by The Today Show as "the Lang Lang effect." Recognizing Lang Lang's powerful cultural influence, in 2008, the Recording Academy named him their Cultural Ambassador to China. Most recently, Lang Lang has been chosen as an official worldwide ambassador to the 2010 Shanghai Expo.

Lang Lang has made it his mission to share classical music around the world, with an emphasis on training children and young musicians through education and outreach programs. To that effect, in October 2008 he launched the Lang Lang International Music Foundation in New York with the support of the Grammy's and UNICEF. The Lang Lang International Music Foundation was created enrich the lives of children through a deeper understanding and enjoyment of classical music and to inspire and financially support the next generation of musicians. In May 2009, Lang Lang and his three chosen scholars from the foundation – aged between 8 and 10 years old – performed together on The Oprah Winfrey Show on "Oprah's Search for the World's Most Smartest and Most Talented Kids."

Lang Lang also continues to give master classes regularly throughout the world at the invitation of the most prestigious music institutions, including the Juilliard School, the Curtis Institute of Music, Manhattan School of Music and Hanover Conservatory, as well as all the top conservatories of China where he holds honorary professorships. He has held music residencies in Chicago, Toronto, San Francisco, London, Rome and Stockholm, which include master classes for exceptional students. In addition to his numerous commitments, Lang Lang holds the title of the first Ambassador of the YouTube Symphony Orchestra. His role in this groundbreaking project created by YouTube and Google reflects his devotion to building new audiences and bringing classical music to young people worldwide.

In 2008, his biography, Journey of a Thousand Miles, published by Random House in eight languages, was released to critical acclaim. As part of his commitment to the education of children, he released a version of his autobiography specifically for younger readers, entitled Playing with Flying Keys.

In 2010, Lang Lang continues his busy touring schedule around the world, and will be a featured highlight of the Carnegie Hall China Festival this Fall. Tens of thousands of people have enjoyed Lang Lang's performances in open-air concerts in parks and venues around the globe, including New York City's Central Park, Hollywood Bowl in Los Angeles, Chicago's Ravinia Festival, Theaterplatz in Dresden and Hamburg's Derby Park. In December 2007, Lang Lang was guest soloist at the Nobel Prize concert in Stockholm, an event attended by the Nobel Laureates and members of the Royal Family. Collaborating with Maestro Seiji Ozawa, he appeared at the New Year's Eve gala opening for the National Center for the Performing Arts in Beijing. He participated in the opening concert at Munich's Olympic Stadium with Mariss Janson, marking the commencement of the World Cup and in a celebratory concert for the closing of '08 Euro Cup finals Lang Lang played with the Vienna Philharmonic under the baton of Zubin Mehta in front of Schönbrunn Palace.

Lang Lang has become the face and vision for numerous global campaigns. Following, Lang Lang and Herbie Hancock's performance at the 50th Grammy Awards, the pair have recorded a new commercial entitled "Heart" for United Airlines, featuring their rendition of Gershwin's Rhapsody in Blue. Steinway has recognized Lang Lang's popularity with children, by creating five versions of the "Lang LangTM Steinway" designed for early music education. This is the first time in its 150-year history that Steinway has ever used an artist's name to produce pianos. Lang Lang is global brand ambassador for Sony Electronics with whom he anticipates achieving innovative and creative possibilities for the future. He has also collaborated with Adidas, creating a limited edition "Gazelle" shoe in his name and continues his honored relationship with Audi Automobiles as their global brand ambassador. He recently signed on to represent Aegon's worldwide financial services. When in Berlin, Lang Lang stays at the grand hotel The Ritz-Carlton and in California, his official home is Shutters on the Beach hotel.

Lang Lang began playing piano at the age of 3 and by the age of 5 he had won the Shenyang competition and given his first public recital. Entering Beijing’s Central Music Conservatory at age 9, he won first prize at the Tchaikovsky International Young Musicians Competition and played the complete 24 Chopin Études at the Beijing Concert Hall at age 13. Lang Lang’s break into stardom came at age 17 when he was called upon for a dramatic last-minute substitution at the “Gala of the Century”, playing the Tchaikovsky concerto with the Chicago Symphony. Following this gigantic debut, he performed successful concerts around the world, leaving the London Times to remark: “Lang Lang took a sold-out Albert Hall by storm… This could well be history in the making.” He has appeared three times on the Tonight Show with Jay Leno, Good Morning America, and 60 Minutes. Lang Lang has been featured on every major TV network and in news and lifestyle magazines worldwide, including such diverse publications as Vogue, GQ, Die Welt, Reader’s Digest and People. Hailed by the Chicago Tribune as the “biggest, most exciting keyboard talent encountered in many years,” Lang Lang has progressed from one triumphant appearance to the next.

Lang Lang has performed for numerous international dignitaries including the former Secretary-General of the United Nations Kofi Annan, President George H. W. Bush, Her Majesty Queen Elizabeth II, President Hu Jin-Tao of China, President Horst Koehler of Germany, H.R.H. Prince Charles, as well as Russian Prime Minister Vladimir Putin and French President Nicolas Sarkozy.

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Spooktacular afternoon of musical treats for young ghouls and goblins - Oct. 31

ESSO Symphony for Kids
Pumpkinful afternoon of frightful tricks and musical treats

Spooktacular
Saturday, October 31st – 2:00 pm

Edmonton, AB … A ghostly host joins your Edmonton Symphony Orchestra (ESO) to take the whole family on a witch’s broom ride through the Francis Winspear Centre for Music. Conductor Bruce Hangen will reveal an orchestral graveyard of frightening noises and eerie effects that will have children screaming with delight!

This chilling performance will haunt the music hall with the Addams Family Values Tango, Bratton’s The Teddy Bears’ Picnic, Dukas’ The Sorcerer’s Apprentice, selections from The Phantom of the Opera and Pictures at an Exhibition, and so much more. This 60-minute concert is performed without intermission.

Fill your cauldron of Halloween activities with a pumpkinful afternoon of musical tricks and treats. Creep over to the Winspear Centre for pre-concert activities starting at 1:15 PM in the main lobby, where young ghouls and goblins will have a frightfully fun time crafting Halloween masks.

Ticket prices for this matinee performance range from $21 to $29 for Adults, and $13 to $17 for Children (agency fees apply). Call the Winspear Centre Box Office at (780) 428-1414 or 1-800-563-5081, or purchase online at www.edmontonsymphony.com.

The next performance of the ESSO Symphony for Kids series will take place on November 21st. Bring the wee lads and lasses to the Winspear Centre for A Celtic Adventure with Bill Eddins and the Knock School of Irish Dance.

Thank you to our generous series sponsor ESSO Imperial Oil Foundation, our series media sponsor 105.9 Shine FM, and our season media sponsor CBC.

Sponsorship inquiries can be directed to Marc Carnes, Director of Development, at (780) 401-2518.

The Edmonton Symphony Orchestra, marking its 58th season in 2009-2010, has taken its place as one of Canada's foremost orchestral ensemble. Its current roster includes 56 musicians from Canada and around the world, performing a wide-ranging repertoire from the great classical masterworks to pops and children's concerts. The presence of the orchestra and its enrichment of the community's quality of life are key elements in the stature and profile of Edmonton on the national and international scene.

Winspear Centre Box Office:
#4 Sir Winston Churchill Square
(780) 428-1414 or 1-800-563-5081
www.edmontonsymphony.com

Biography

Bruce Hangen is Director of Orchestral Activities at the Boston Conservatory, serving as the Conservatory’s principal orchestral conductor as well as director of both the orchestra and conducting programs. The 2008/2009 season marked his 11th season as the Music Director of the Indian Hill Symphony. Recently, Mr. Hangen completed his tenure as the Principal Pops Guest Conductor of the Boston Pops. This position was created in May 2002 especially for Mr. Hangen, reflecting the strong musical relationship built over two decades of regular guest conducting. Other past positions include Music Director of the Omaha Symphony. From 1998 to 2000, he was Acting Resident Conductor of both the Utah and Kansas City Symphony Orchestras. Mr. Hangen was for ten seasons (1976-86) Music Director and Conductor of the Portland (Maine) Symphony; 1973-79 Associate Conductor of the Denver Symphony; 1975-79 Music Director of the Arapahoe Chamber Orchestra in Denver; six summer seasons (1966-72) Assistant Conductor of the Colorado Philharmonic.

A graduate of the Eastman School of Music with a major in conducting, Hangen was also a conducting fellow at the Berkshire Music Center at Tanglewood for two summers, where his conducting teachers included Seiji Ozawa, Leonard Bernstein, Michael Tilson Thomas, and Stanislaw Skrowaczewski. His recent appearances have included concerts with the Florida Philharmonic and Boston Symphony as well as the orchestras of St. Louis, Baltimore, Pittsburgh, San Francisco, Atlanta, Jacksonville, Naples (FL), and Houston. His repeat engagements with the Boston Pops and Boston Pops Esplanade Orchestras alone totaled well over 200 performances since 1979. Mr. Hangen is the recipient of an Honorary Doctor of Fine Arts degree from the University of New England, and in Omaha he received the ICAN Foundation’s 1990 Browning Award for Career Excellence and Vision. Bruce Hangen was born in Pottstown, Pennsylvania and was raised in Great Falls, Montana.

Mr. Hangen last appeared with the ESO in September, 2008.

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Herbert Barrett Management and Vantage Artists Management Inc. Complete Merger

BARRETT VANTAGE ARTISTS
Chosen as New Corporate Name

Combined Artist Roster Includes over 110
Celebrated Musicians and Ensembles

New York, NY, October 19, 2009: Herbert Barrett Management and Vantage Artists Management Inc. today announced their merger, creating a new performing arts management company named Barrett Vantage Artists. The merged company will be led by longtime Herbert Barrett Management President John A. Anderson and will combine the staff from both companies, including industry veterans Emmy Tu as Managing Director, Senior Vice President Mary Lynn Fixler and Vice Presidents Alexandra Bacon and Bonnie Barrett. The roster of Barrett Vantage Artists includes 68 vocalists, as well as 45 instrumentalists, ensembles and conductors, representing oustanding musicians across classical, opera, jazz and cabaret genres.

Commenting on the new organization, Barrett Vantage Artists President John A. Anderson remarked, "I am pleased that the legacy of the late Herbert Barrett will now be carried forward in this new venture. Since 1957, Herbert Barrett Management has had a proud tradition of representing world-class performing artists, developing careers and reaching out to audiences. The combined strength of the rosters and staffs of HBM and Vantage Artists creates a new platform from which together we can address the challenges and opportunities of the music industry today."

“Vantage Artists has always explored new ways of reaching audiences with dynamic artists and creative approaches to doing business in a mature industry,” states Emmy Tu, who will serve as Managing Director in the newly formed organization. “We are looking forward to leveraging our collective strengths on behalf of our terrific artist roster.”

The legendary baritone Sherrill Milnes, who has been represented by Herbert Barrett Management from the beginning of his career (1960) to this day, notes: “Herbert Barrett was one of the great impresarios of the 20th Century and a dear friend. I think he would be delighted to see the company he founded and nurtured expanding to meet the needs of its artists and its presenters around the world today, while still honoring the rich 52-year history of Herbert Barrett Management.”

Guitar virtuoso Eliot Fisk, part of the Vantage Artists roster since the company’s inception in 2004, added, “I am delighted to be part of Barrett Vantage Artists. It is especially gratifying for me, because at the start of my career I had the pleasure of meeting Herbert Barrett. I look forward to continuing my wonderful relationship with Vantage Artists and collaborating with the excellent team from the Barrett office. This is an exciting synergy of two very complementary companies, and a great development for all those who love the sacred art of music.”

Francesca Caccini, Femme de génie

Le vendredi 6 novembre 2009, 20 h 00
Chapelle Notre-Dame-de-Bon-Secours, 400, rue Saint-Paul Est, Vieux-Montréal

Prix des billets :
Entrée simple 28 $ / Aîné (65 ans et +) 25 $
Étudiant, temps plein, 25 ans et moins 10 $
15 ans et moins accompagné d'un adulte : gratuit
Renseignements et réservations : 514-748-8625 – www.clavecinenconcert.org

Montréal, 15 octobre 2009 – Pour son deuxième concert de saison, Clavecin en concert vous invite à une soirée qui vous permettra de découvrir l'art de Francesca Caccini (1587-1640), fille du compositeur italien Giulio Caccini. Estimée par le grand Claudio Monteverdi, Francesca Caccini fut la première femme à composer des opéras. Son écriture vocale est d'une absolue beauté.

Avec Shannon Mercer (soprano), Luc Beauséjour (clavecin et orgue positif), Sylvain Bergeron (luth, théorbe, guitare baroque) et Amanda Keesmaat (violoncelle).

Programme
Francesca Caccini, extraits de Il primo libro delle musiche (1618)

S'io men vò / Non sò se quel sorriso / Rendi alle mie speranze il verde / Io mi distruggo /
Ch'Amor sia nudo / O chiome belle / Chi desia di saper che cosa è Amore /
Dov'io credea le mie speranze vere / Regina ceali

PAUSE

Su le piume / Dolce Maria / Se muove / Dispiegate / Lasciatemi /
La pastorella / O vive rose / Fresche aurette



Clavecin en concert remercie le Conseil des arts et des lettres du Québec, le Conseil des Arts du Canada et le Conseil des arts de Montréal de leur soutien.

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Gryphon Trio Premieres Two New Commissions

Wave by Gary Kulesha – Inaugural Esther Gelber Fund Commission
Berliner Konzert by Paul Frehner – Commemorates the 1989 fall of the Berlin Wall

Toronto, ON (October 19, 2009)…In November, Toronto’s Gryphon Trio will continue its practice of championing contemporary Canadian composers and their works when it premieres two new commissions: Wave by Gary Kulesha and Paul Frehner’s Berliner Konzert.

Wave is a 21-minute chamber symphony for soprano, violin, cello and piano by composer Gary Kulesha, based on excerpts from Virginia Woolf’s 1931 novel The Waves which follows six main characters from birth to death through a series of interior monologues. Kulesha’s chamber symphony focuses on Susan, a character for whom Woolf wrote the most astonishingly beautiful language of her career. A Gryphon Trio commission made possible through the Esther Gelber Fund, Wave will have its world premiere on Thursday, November 5th when Music TORONTO presents the Gryphon Trio with soprano Valdine Anderson in the Jane Mallett Theatre at the St. Lawrence Centre for the Arts (227 Front Street East).

The Esther Gelber Fund was created by sisters Nance Gelber, Patty Rubin, Judith Gelber and Sara Charney in honour of their late mother, Esther Gelber, a well-known Toronto arts supporter and philanthropist. The fund provides performers with the opportunity to select and commission a composer of their choice for a debut performance. Established in 2007, the fund is administered by the Canadian Music Centre. The CMC is Canada’s primary resource for more than 700 Canadian composers’ scores and recordings. With a mandate to actively promote its 21,000 works catalogue, the centre distributes the music within Canada and around the world. The Gryphon Trio’s commission of Gary Kulesha’s Wave is the first to be awarded and premiered through the fund.

Esther Gelber and her husband Arthur Gelber were both passionate about the visual arts, music, theatre and dance and became very active in the Toronto cultural scene with a number of organizations including COMUS Music Theatre of Canada, the National Ballet, and the Art Gallery of Ontario.

“Our mother was a major supporter of new initiatives, and wanted artists to have the chance to create and perform new work,” said Patty Rubin, the second daughter of Esther Gelber. “Torontonians are very generous in their support of the arts, and this has been particularly evident in the many ‘bricks and mortar’ campaigns that are transforming the face of the city. Through the fund, my sisters and I hope to raise awareness that commissioning work is another great option for people who are interested in supporting the arts.”

“The Trio’s production of Constantinople presented an opportunity for us to invite supporters and fans to get behind an initiative that we were very passionate about and help us get it to the finish line,” said cellist Roman Borys. “Since then we’ve had numerous commissions and touring projects funded by individuals from Canada and abroad. Funding the creation of a new piece of chamber music and gaining insight into the creative process is very rewarding; however the greatest satisfaction comes from witnessing the work’s evolution from performance to performance. We bring these pieces to life and share them with audiences everywhere we go.”

Later in November Gryphon Trio and Germany’s Württemberg Chamber Orchestra will perform the world premiere of Berliner Konzert by Canadian composer Paul Frehner to commemorate the 20th anniversary of the fall of the Berlin Wall. A co-commission with Soundstreams Canada, the work will be presented as part of their 2009-2010 season on November 24th at Jane Mallett Theatre at the St. Lawrence Centre for the Arts. Following the world premiere, Gryphon Trio and Württemberg Chamber Orchestra will perform Frehner’s piece at Dominion Chalmers Church (www.chamberfest.com) in Ottawa (November 27).

Tickets to Music TORONTO presents the Gryphon Trio with soprano Valdine Anderson on Thursday, November 5th at 8 p.m. and Soundstreams Canada’s Berliner Koncert on Tuesday, November 24th at 8 p.m. are available through the St. Lawrence Centre Box Office by calling 416-366-7723, 1-800-708-6754 or on-line at www.stlc.com.

Gryphon Trio, founded in 1993 by violinist Annalee Patipatanakoon, cellist Roman Borys and pianist Jamie Parker, is one of Canada’s pre-eminent ensembles. Based in Toronto, Gryphon Trio tours extensively throughout Canada, the United States and Europe, and has released 10 CDs on the Analekta label including the Juno award-winning Canadian Premieres, which features the work of leading Canadian composers. Gryphon Trio is strongly committed to expanding the piano trio repertoire and has commissioned and premiered over 50 works. Dedicated to pushing the boundaries of chamber music, the Trio has collaborated on numerous special projects including Christos Hatzis’ Constantinople, a groundbreaking multimedia production which was performed in Canada, the United States, and at the Royal Opera House in London’s Covent Garden in 2006. Between 2007-2009, Gryphon Trio served as interim Artistic Directors of the Ottawa International Chamber Music Festival. Permanent appointments were made in August 2009, with cellist Roman Borys serving as Artistic Director with Patipatanakoon and Parker acting as Artistic Advisors. The Trio members continue teaching and nurturing future generations of classical musicians and audiences, all three are Artists-in-Residence at the University of Toronto’s Faculty of Music, where Dr. Parker is the Rupert E. Edwards Chair in Piano Performance and violinist Annalee Patipatanakoon is an Assistant Professor.

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Chants Libres présente, en première mondiale, sa nouvelle création 
‘L’eau qui danse, la pomme qui chante et l’oiseau qui dit la vérité’

Uun opéra férie de 
GILLES TREMBLAY, composition
PIERRE MORENCY, livret

ROBERT BELLEFEUILLE, mise en scène

NOUVEL ENSEMBLE MODERNE+, sous la direction de LORRAINE VAILLANCOURT

12 CHANTEURS 
Salle Ludger-Duvernay du Monument-National 
Jeudi 19, vendredi 20 et samedi 21 NOVEMBRE 2009, 20 h

1182, St-Laurent, Montréal (Québec, Canada)

Info : www.chantslibres.org 
Durée : 2 h 20, avec un entracte

40$ [régulier] – 20$ [étudiants, aînés]

Billetterie : Monument-National : 514-871-2224 / 1-866-844-2172


Montréal, lundi 19 octobre 2009 — Chants Libres, compagnie lyrique de création, sous la direction artistique de Pauline Vaillancourt, présentera en première mondiale les 19, 20 et 21 novembre 2009 à la salle Ludger-Duvernay du Monument-National à Montréal, un opéra féerie, L’eau qui danse, la pomme qui chante et l’oiseau qui dit la vérité.



Deux grands artistes majeurs du Québec contemporain et grands observateurs de la nature, qui ont reçu pour l’ensemble de leur œuvre plusieurs hautes distinctions, signent respectivement leur premier opéra : le compositeur Gilles Tremblay, pilier des cultures musicales québécoise et canadienne, qui a sonorisé le pavillon du Québec à l’expo 67 et Pierre Morency, poète, homme de théâtre, de radio et de télévision, auteur du magnifique ouvrage L’œil américain, La mise en scène été confiée à l’homme de théâtre Robert Bellefeuille, à qui l’on doit des mises en scène de créations remarquées (Le conte de Monte-Cristo, Jouliks, La Dame aux camélias). La scénographie est de Jean Bard, la chorégraphie de Lina Cruz, les éclairages de Nicolas Descoteaux, le visuel de Geodezik, les costumes de Marianne Thériault et les maquillages d’Angelo Barsetti.

Dans la fosse, Lorraine Vaillancourt assure la direction musicale des 12 interprètes et des 25 musiciens du Nouvel Ensemble Moderne, dont c’est la 4e collaboration avec Chants Libres, après Il suffit d’un peu d’air de Claude Baliff, La Princesse blanche de Bruce Mather et Le Vampire et la Nymphomane de Serge Provost.



L’eau qui danse, la pomme qui chante et l’oiseau qui dit la vérité nous invite dans un monde féerique et nous relate les 3 épreuves que doit remporter l’amour victorieux. Sur scène, des personnages plus colorés les uns que les autres prennent vie par une jeune distribution entièrement canadienne : YBY, Jean Maheux (comédien-baryton) ; BELLE-ÉTOILE, Marianne Lambert (soprano) ; POULANE, Marie-Annick Béliveau (alto) ; FEINTISE, Michèle Motard (mezzo-soprano) ; L’OISEAU, Scott Belluz (haute-contre) ; LE ROI, Taras Kulish (basse) ; CHÉROT, Sylvain Paré (ténor) ; LA POMME QUI CHANTE et LA SIRÈNE, Claudine Ledoux (mezzo-soprano) ; TOURTERELLE, Stéphanie Pothier (mezzo-soprano) ; BLONDINE, Anne Saint-Denis (soprano) ; PETIT-SOLEIL, Julien Patenaude (baryton) ; BEAUJOUR, Philippe Martel (baryton). 

Cette production sera enregistrée pour diffusion ultérieure sur Espace musique, la radio musicale de Radio-Canada (100,7 FM à Montréal), dans le cadre de l'émission animée par Sylvia L'Écuyer tous les samedis.



OPÉRA FÉERIE est une création de Chants Libres, présentée avec l’appui du Conseil des arts et des lettres du Québec, du Conseil des arts de Montréal, du Conseil des Arts du Canada et de Opéra.ca, et avec la collaboration du NEM. Chants Libres est partenaire de la série HOMMAGE à Gilles Tremblay, une initiative de la Société de musique contemporaine du Québec (SMCQ).

Final Fantasy performs with Symphony Nova Scotia for the Halifax Pop Explosion

Halifax, NS – Symphony Nova Scotia teams up with indie/pop/classical artist Final Fantasy on Friday, October 23 at 7:30 pm at the Rebecca Cohn Auditorium as part of the Halifax Pop Explosion.

Named in tribute to the video game series, Final Fantasy is a one-man band made up of Canadian violinist/pianist/composer Owen Pallett. His trademark performances feature him using a foot pedal to loop the live violin in simultaneous layers, building a grand, intricate sound.

This classically trained violinist has written arrangements for artists like Arcade Fire, the Pet Shop Boys, and Mika, and won the inaugural Polaris Prize for his album He Poos Clouds. This concert will be his second orchestral appearance, following a performance with the Brooklyn Philharmonic earlier this year.

"The forthcoming Final Fantasy album is entirely orchestral, and this concert is a wonderful opportunity to perform these songs the way they were meant to be heard,” says Owen. “I also took some time to revisit some older songs, revise them for a symphonic performance."

Final Fantasy’s performance with Symphony Nova Scotia will be conducted by Martin MacDonald, and will feature Owen’s own arrangements of some of his most popular songs, including Arctic Circle, He Poos Clouds, Oh Heartland, Up Yours!, Took You Two Years to Win My Heart, Lewis Takes Action, The CN Tower, and Ultimatum. He will also perform several pieces solo, and Symphony Nova Scotia will perform orchestral works by Prokofiev and Mercure. The entire performance will be recorded for broadcast by CBC Radio Two.

This performance is almost sold out, so pick up your tickets today! Prices range from $29-49 (HST included), or you can purchase a subscription package and save up to 30%. For tickets and more information, call 494.3820 or visit our website at www.symphonynovascotia.ca.

About Final Fantasy
Owen Pallett's live violin-looping project, Final Fantasy, has released four albums and EPs, including Has a Good Home and He Poos Clouds. The Village Voice praised He Poos Clouds as having "the best lyrics of the year," Pitchfork described it as "a joy to hear... this is, in a word, fierce – it can engage you on a level most albums can't," and many publications put it in their top-ten lists for the year. Canadian journalists voted and awarded it the inaugural Polaris Prize for best Canadian full-length album.

In addition to curating the Maximum Black Festival in early 2008, Owen has been touring constantly while writing string and orchestral arrangements for many releases, including Arcade Fire's Neon Bible (and Funeral), Grizzly Bear's Yellow House, Beirut's The Flying Club Cup, The Last Shadow Puppets' The Age of the Understatement, and the Pet Shop Boys’ Yes. He is currently working on his forthcoming full-length romance album entitled Heartland.

About Symphony Nova Scotia
Symphony Nova Scotia is Nova Scotia’s orchestra. Each year more than 50,000 audience members (including 15,000 young music lovers) join us in communities across Nova Scotia for performances of the music they love – from baroque and classical to pop and rock and folk. Under the inspirational leadership of Music Director Bernhard Gueller, Symphony Nova Scotia is recognized as one of the finest orchestras in the country. Visit www.SymphonyNovaScotia.ca to learn more, listen online, or subscribe today!

Symphony Nova Scotia is grateful to the Canada Council for the Arts, Nova Scotia Tourism, Culture, and Heritage, and the Halifax Regional Municipality for their continued support.

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Portland Symphony Orchestra Welcomes Special Guest Judd Nelson for "Great Stories to Tell" at Merrill Auditorium, November 8

PORTLAND, Maine – For the first Sunday Classical concert of the 85th anniversary season, the Portland Symphony Orchestra (PSO) welcomes celebrity guest narrator Judd Nelson for "Great Stories to Tell!" Led by Music Director Robert Moody, the matinee performance will also feature members of Portland Ballet Company. The concert takes place on Sunday, November 8 at 2:30 PM in Merrill Auditorium, 20 Myrtle Street in Portland.

"Great Stories to Tell!" blends music, story-telling, dance and colorful costumes to appeal to all the senses. The concert begins with Respghi's Ancient Airs and Dances (Suite No. 1), composed in 1917 and based on themes of Renaissance-era lute music, followed by selections from Mendelssohn's A Midsummer Night's Dream Op. 61, written to accompany the Shakespearean romantic comedy.

The centerpiece of the program is Stravinsky's L'histoire du Soldat ("A Soldier's Tale") – a 1918 theatrical work "to be read, played, and danced" ("lue, jouée et dansée"). L'histoire du Soldat is a parable based on a Russian folk tale about a soldier who trades his fiddle to the devil for a book that predicts the future of the economy. The music is witty and acerbic, and includes elements of ragtime, early jazz, and tango. Dancers from Portland Ballet Company portray the Soldier, the Devil, and the Princess, while Nelson narrates, all accompanied by a virtuoso ensemble of select PSO players.

Judd Nelson, best known for his roles as John Bender in The Breakfast Club, Alec Newbary in St. Elmo's Fire and Jack Richmond in Suddenly Susan, is a native of Portland, and returns to the city to narrate this exciting performance. Nelson's father Leonard is a past Board President of the Portland Symphony Orchestra.

Sponsored by Cardiovascular Consultants of Maine, "Great Stories to Tell!" will take place at Merrill Auditorium, 20 Myrtle Street, at 2:30 PM on November 8. Tickets range from $20-$70 and are available through PortTix at (207) 842-0800 or www.porttix.com. Phone and internet orders are subject to $6-per-ticket handling fees. Tickets may also be purchased in person at the box office at 20 Myrtle St., Monday through Saturday, noon to 6 PM.

A Concert Conversation with Dr. Scott Harris, Director of the USM School of Music, takes place at 1:15 PM in the Rehearsal Hall, and a Post Concert Q&A will be held onstage with the artists immediately following the performance. Cardiovascular Consultants of Maine will be providing free health screenings in the auditorium lobby. A live recorded broadcast of the concert can be heard on Maine Public Broadcasting Network on Wednesday, December 9, 2009.

The PSO's 2009-10 season is sponsored by IDEXX Laboratories. For complete season information, including artist biographies; program notes; and Online Insights, provided with support from season Enrichment Sponsor Fairpoint Communications; visit www.portlandsymphony.com.

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BENT By Martin Sherman

Directed by Carolyn Fe
Thursday, November 5 - Sunday, November 15, 2009

Max: "We'll miss the Olympics next month in Berlin."
Horst: "I knew there was a reason I didn't want to be here in Dachau."

Montreal, October 2009 - BENT is a story of acceptance, tolerance and love in the wrong place and time. Altera Vitae is honoured to present their fourth production, playing at Espace 4001 (formerly Geordie Space) from November 5 to 15. Directed by Carolyn Fe, the talented cast includes Vance De Waele, Yves Jacquier, Adam Leblanc, Christopher Moore, Serge Turcotte and Mark Waters in this poignant piece. Altera Vitae produces quality works of theatre that engage and service the community. One of the company's raisons d'êtres is helping those who need to be heard. With each new production, they partner with a valuable organization whose mandate is similar to themes in the play. For Bent, Altera Vitae supports GRIS-Montreal. Says Carolyn Fe, Altera Vitae's artistic director, "I am proud to have found GRIS-Montreal for this production. Their important work takes them into the schools and demystifies homosexuality to local youth by educating students with a non-lecturing, judgment-free approach." This year marks GRIS-Montreal's 15th year servicing the community.

Bent highlights Paragraph 175, a largely ignored German law making homosexuality a criminal offense, which Hitler reactivated and reinforced during his rise to power. Gays were arrested and interned at work camps prior to the genocide of the Jews, Gypsies and handicapped, and continued to be imprisoned even after the fall of the Third Reich and liberation of the camps. To director Carolyn Fe, herself a visible minority, it is important to show the 'minorities' that were sharing the horrors of the concentration camps. Each coloured patch- pink, red, green, black, brown, purple, blue and of course, yellow, had a meaning and a 'pride line'. The pink triangle was the lowest. Fe hopes the play reminds people how to find strength and dignity at their lowest moments, "For me, this play goes beyond the pink triangle; it goes all the way to accepting and believing in oneself regardless of how difficult the environment or the times may be." The company is so pleased at the number of school groups who will be seeing the production.

Christopher Moore plays Max, a character both filled with hope and in denial. For Moore, the play is summed up beautifully and painfully in the last lines when Max says to Horst, "I love you. What's wrong with that?" He says the role has brought to his attention what it takes to survive certain atrocities that many people outside (and some inside) North America face every day, "I hope the audience is able to appreciate the idea of this union of love in a time when it was illegal and especially in the camp, unthought-of and not dared." He would like people to go home answering, "There is nothing wrong with that". For Vance De Waele, in the role of Horst, additionally, "The themes in the play go beyond sexual orientation or identity." Bent also contains an unforgettable love scene.

The integral designs are by creative team Scott Drysdale, lights and Dan Legault, sound. The stage manager is Anne-Marie Pierre. The play's theme song is David Bowie's Heroes: "Though nothing will drive them away; We can beat them, just for one day; We can be Heroes, just for one day."

Taken from the Latin expression, Spes Altera Vitae, meaning 'another hope of life', Altera Vitae Productions proposes a peek at another life through theatrical presentations. This, if only for a brief moment in time, whether it be as a member of the audience, on stage or behind the scenes. In keeping with Altera Vitae providing a peak at 'another life', Bent is an excellent example. In its short time on the local theatre landscape, Altera Vitae has managed to capture the attention of the public and the media, garnering an Honorable Mention for the Revelation Award at the 2008 Montreal English Critics' Circle Award (MECCA) ceremony.

"I worked a deal. I'm good at that."- Max

BENT
Altera Vitae Productions
Playing at Espace 4001
4001 Berri (near Duluth)

Tuesday to Sunday, 8:00 pm
Matinees: Saturday and Sunday, 2:00 pm
20$ regular, 18$ students/seniors
Two-for-one: Sat. Nov. 7 and Sun. Nov. 8 at 2pm, to help spread word of mouth


Reservations: 514-823-8823 or purchase online: http://www.alteravitae.com/bent/tickets.html
www.alteravitae.com
www.gris.ca

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Venue Change for Sky Gilbert's "Why We Tortured Him: A Meditation on the Nature of Violence"

Hamilton, Ontario (Thursday, October 15, 2009) - The venue for Hammertheatre's upcoming production of WHY WE TORTURED HIM: A MEDITATION ON THE NATURE OF VIOLENCE by Sky Gilbert has changed. The eagerly awaited play will
now be presented at The James Street North Theatre.

SHOW DATES AND TIMES: All performances of WHY WE TORTURED HIM: A MEDITATION ON THE NATURE OF VIOLENCE will take place at the intimate James Street North Theatre located just above "The Factory" at 126 James Street North, Hamilton, Ontario.

Tickets are $15 each with Pay-What-You-Can Sunday Matinees. Tickets can only be purchased in person at the theatre 30 minutes before the show starts. Cash only.

Thursday, October 29, 2009 at 8:30pm
Friday, October 30, 2009 at 8:30pm
Saturday, October 31, 2009 at 8:30pm
Sunday, November 1, 2009 at 2:30pm

Tuesday, November 3, 2009 at 8:30pm
Wednesday, November 4, 2009 at 8:30pm
Thursday, November 5, 2009 at 8:30pm
Friday, November 6, 2009 at 8:30pm
Saturday, November 7, 2009 at 8:30pm
Sunday, November 8, 2009 at 2:30pm

CREATIVE TEAM: Bill Chabassol (LIGHTING DESIGNER), Mark Crawford as DOUG, Alex Fiddes as GARY, Sky Gilbert (WRITER/DIRECTOR), Ian Jarvis (PROMO MATERIALS DESIGNER), Denise Lisson (DESIGN CO-ORDINATOR), Haley McGee as BRANDY,
Kerry Mounfield (SET DESIGNER), Stephen Newman (STAGE MANAGER), and Diana Stephens (COSTUME DESIGNER)

THEATRE COMPANY: Sky Gilbert founded Hammertheatre in January 2007. Hammertheatre is devoted to theatre research in Hamilton, particularly in plays by Artistic Director Sky Gilbert that deal with issues of gender and sexuality in experimental ways.

PERFORMANCE SPACE: The James Street North Theatre was once known as The Forester's Hall. Built in 1884 by the Ancient Order of Foresters, the architect was W.A. Edwards. The hall housed meetings and functions for many years and was used as a performance space. It was rumoured to have hosted artists such as Caruso and Billie Holiday during its heyday. Currently, the space is Hamilton artist Colina Maxwell's studio and gallery.

SPONSORS: Ontario Arts Council

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David Altmejd remporte le Prix artistique Sobey 2009

Montréal, le 16 octobre 2009 - David Altmejd, artiste de renommée internationale diplômé du baccalauréat en arts visuels et médiatiques de l'UQAM, a remporté le Prix artistique Sobey 2009 pour lequel il représentait le Québec. Remis à tous les deux ans à un artiste de moins de 40 ans, ce prix est l’un des plus prestigieux en arts visuels au Canada et s’accompagne d’un montant de 50 000 $.

Le jury de conservateurs du Prix artistique Sobey 2009 est composé de : Liz Wylie, conservatrice, Kelowna Art Gallery; Kitty Scott, directrice Arts visuels, The Banff Center; Ivan Jurakic, conservateur, Cambridge Galleries; Louise Déry, directrice et conservatrice, Galerie de l'UQAM; Terry Graff, conservateur et député de directeur, Galerie d'art Beaverbrook. Les membres du jury ont salué la vision originale de l'artiste et reconnu unanimement l’excellence de son œuvre.

La Galerie de l’UQAM a contribué à la notoriété de David Altmejd de plusieurs façons, notamment lorsque Louise Déry, directrice de la Galerie, a été commissaire du pavillon du Canada à la Biennale de Venise de 2007 et y a présenté une exposition majeure de l’artiste. La Galerie a publié les deux monographies existantes sur l’artiste, David Altmejd. The Index (2007) et David Altmejd (2006). Elle a organisé la seule circulation canadienne d’une exposition lui étant entièrement consacrée en 2007.

Ceux qui ont envie de découvrir prochainement le travail de David Altmejd pourront le faire lors de l’exposition Expansion qui sera présentée à la Galerie de l’UQAM du 26 février au 27 mars 2010, dans le cadre du 40e anniversaire de l’Université.

David Altmejd 
David Altmejd est né à Montréal et vit à New York. Il est diplômé en arts visuels de l’UQAM (B. A. 1998) et de Columbia University (MFA 2001). Il a exposé au Québec (Galerie de l’UQAM, Skol, Optica, Clark, B-312), aux États-Unis et en Europe. En quelques années, David Altmejd a acquis une réputation internationale en participant notamment aux biennales d’Istanbul (2003), du Whitney (2004) et de Venise (2007).

Connu pour ses installations qui multiplient les références aux légendes, au cinéma et à la science-fiction, David Altmejd a réussi, en quelques années seulement, à susciter l'intérêt des critiques et des spécialistes de l'art à l'échelle internationale. L’artiste est représenté par Andrea Rosen Gallery, une influente galerie new-yorkaise, et par la galerie Modern Art de Londres. À 35 ans, ses œuvres se retrouvent dans des collections permanentes aussi prestigieuses que celles du Musée Guggenheim et du Whitney Museum de New York.

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Tuesday, October 20, 2009

Announcing: Orson's Shadow

ORSON' S SHADOW
by AUSTIN PENDLETON
Conceived by JUDITH AUBERJONOIS

Directed by RONA WADDINGTON
A PILOT GROUP PRODUCTION

THEATRE PASSE MURAILLE, MAINSPACE
NOVEMBER 27 - DECEMBER 12

Starring
PAUL EVES, JANET PORTER, STEVE ROSS,
CAMILLA SCOTT, GEOFF SCOVELL, CHRISTOPHER STANTON

Based on true events, Orson's Shadow is set in 1960 London, where Orson Welles, already in the declining years of his career, is directing a production of Eugène Ionesco's Rhinoceros starring Laurence Olivier and Joan Plowright. Olivier, fresh from his triumphant portrayal of vaudevillean Archie Rice on stage and about to reprise the role in the film adaptation of John Osborne's The Entertainer, and Plowright are in the early stages of a romantic liaison developing at the end of his tumultuous marriage to Vivien Leigh. All four, and critic Kenneth Tynan, figure in the plot, which debates the merits of stage vs. screen, the mental and emotional struggle theatrical performers endure when contemplating a leap to films, and what occurs when their movie careers are hampered by the controls thrust upon them by the studio establishment.

Orson's Shadow is a study of theatrical egos, each of the protagonists living more on the stage than in real life, each feeling betrayed and insecure, each finding hope and power through dominating the other, using bluster, candor, half-truths and downright lies to get through the rehearsal, get through the day, get to the next phase of a career. The play received a Lucille Lortel Award nomination for Outstanding Play and won the Drama League Award for Distinguished Performance.

Debuting at the Steppenwolf Theatre in Chicago in January 2000 Orson's Shadow was performed at the Old Globe Theatre in San Diego in September of that year. The off-Broadway production, directed by David Cromer, opened on March 13, 2005 at the Barrow Street Theatre, where it ran for 349 performances. Since its New York City staging, Orson's Shadow has been mounted by a number of regional theatres, including Marin Theatre Company in Mill Valley, California, Round House Theatre in Bethesda, Maryland, Unicorn Theatre in Kansas City, Missouri and the Gorilla Theatre in Tampa, Florida. In 2006 Orson's Shadow received a rehearsed reading at London's Old Vic Theatre.

Orson's Shadow
A PILOT GROUP PRODUCTION
Presented at
THEATRE PASSE MURAILLE, MAINSPACE, 16 Ryerson Ave. Toronto
NOVEMBER 27 - DECEMBER 12
Tuesday to Saturday at 7:30PM
PWYC Saturday Matinee at 2:00PM
TICKETS on sale by the ARTS BOX OFFICE
416.504.7529 artsboxoffice.ca
visit us at www.orsonsshadow.com

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Monday, October 19, 2009

Renowned American violinist Rachel Barton Pine makes her VSO debut

Vancouver BC – World-renowned violinist Rachel Barton Pine graces the Orpheum stage on October 24th & 26th at 8pm. Guest conductor and Music Director of the Nashville Symphony Orchestra, Giancarlo Guerrero, leads the Vancouver Symphony Orchestra in a beautiful concert featuring the works of Respighi, Saint-Saëns, and Ravel’s epic orchestration of Mussorgsky’s masterpiece Pictures at an Exhibition.

"An exciting, boundary-defying performer – (Rachel Barton) Pine displays a power and confidence that puts her in the top echelon."
- Washington Post

“Guerrero understood them completely, and his uninhibited, vividly physical complicity with the orchestra in boldly making them happen was a joy to encounter.”
- The Globe and Mail

Rachel Barton Pine began playing the violin at age 3 and played at many renowned venues throughout her childhood and teen years including her debut with the Chicago Symphony under the baton of Erich Leinsdorf at age 10. At age 17, she became the youngest and first American winner of the gold medal at the J.S. Bach International Competition in Germany.

Rachel Barton Pine’s story is one of inspiration and extraordinary resilience in addition to exquisite technique and music-making. In January of 1995, Barton Pine was severely injured in a train accident, one that came close to killing her and would have ended the majority of careers. As she was exiting a train in Winnetka, Illinois, the strap to her violin case was trapped between the doors, pinning her shoulder to the train. She was dragged 366 feet by the train before being pulled underneath and run over, severing one leg and mangling the other.

After a 2-year hiatus to recover from her injuries in which she had to endure over 40 surgeries, Barton Pine made a noteworthy return to the classical world. She has appeared as soloist with many of the world’s most prestigious orchestras, including the Montreal, Chicago, Vienna, Royal Scottish National, Royal Philharmonic, and New Zealand Orchestras. She has also earned critical acclaim for her prolific discography of over 16 recordings. Her musical interests extend well beyond classical and she has successfully crossed over to the genres of Celtic, folk, rock and jazz. Declared one of America’s most important young musicians, Rachel Barton Pine performs on the Joseph Guarnerius del Gesu (Cremona 1742), known as the “ex-Soldat,” on generous loan from her patron.

Ms. Barton Pine runs a charitable foundation – The Rachel Elizabeth Barton Foundation – which provides career assistance and instruments to young musicians in need and promotes the study and appreciation of classical music by African-American composers.

Costa Rican conductor Giancarlo Guerrero is highly sought after as a guest conductor from prolific orchestras world-wide. He has recently made two important debuts abroad: his European debut with the Gulbenkian Orchestra, where he was immediately invited to return, and his UK Debut with the Royal Scottish National Orchestra. He has also recently made successful debuts with several major American orchestras including the Baltimore Symphony, the Cleveland Orchestra, the Seattle Symphony, the Los Angeles Philharmonic at the Hollywood Bowl, and the Dallas Symphony Orchestra.

Mr. Guerrero holds degrees from Baylor and Northwestern Universities. His principal conducting teachers were Michael Haithcock, Stephen Heyde, Victor Yampolsky and Guillermo Scarabino. He was most recently the Music Director of the Eugene Symphony. From 1999 to 2004, Mr. Guerrero served as Associate Conductor of the Minnesota Orchestra. He made his Minnesota Orchestra subscription debut in March 2000, leading the world premiere of John Corigliano’s Phantasmagoria on the Ghosts of Versailles. He returned on subscription every subsequent season during his time there. Prior to his tenure with the Minnesota Orchestra, he served as music director of the Táchira Symphony Orchestra in Venezuela.

CONCERT INFO

PricewaterhouseCoopers Masterworks Silver

Saturday and Monday, October 24 and 26, 8pm, Orpheum Theatre
Rachel Barton Pine with the VSO

Giancarlo Guerrero, conductor
Rachel Barton Pine, violin

Respighi Trittico Botticelliano
Saint-Saens Concerto No. 3 in B minor, Op. 61
Mussorgsky Pictures at an Exhibition

Mussorgsky’s Pictures at an Exhibition evokes images in music (as does Respighi’s Three Botticelli Pictures) with the grand orchestration of Ravel. In her starburst of a career so far, Rachel Barton Pine has left critics scratching their heads in search of superlatives – it is no wonder she is being called the most important American violinist of her generation.

Visit Giancarlo Guerrero at: www.giancarloguerrero.com
Visit Rachel Barton Pine at: www.rachelbartonpine.com

Series Sponsor: PricewaterhouseCoopers
Video Screen Sponsor: TELUS
Special Video Screen Presentations Created and Produced by: Columbia Academy

Tickets: $25 - $78.50 (senior, student and subscriber discounts available)
Tickets available online at www.vancouversymphony.ca or by calling VSO customer service at 604.876.3434

BIOGRAPHIES

Giancarlo Guerrero, conductor
Giancarlo Guerrero’s 09/10 season marks his first as Music Director of the Nashville Symphony Orchestra. A champion of new music, Guerrero has collaborated with and championed the music of several of America’s most respected composers, including John Adams, John Corigliano, Osvaldo Golijov, Jennifer Higdon, Michael Daugherty and Roberto Sierra. A new CD on Naxos of music by Michael Daugherty, with the Nashville Symphony, is scheduled for release in September 2009.

Mr. Guerrero’s guest conducting engagements in the 09/10 season include appearances with the symphony orchestras of Milwaukee, New Jersey and Fort Worth, the Pacific Symphony, in Costa Mesa as well as the Curtis Institute of Music. Abroad, he conducts the Symphony Orchestras of Vancouver and Edmonton in the fall and the Slovenian Philharmonic in the spring.

As a guest conductor, Guerrero recently made two important debuts abroad: his European debut with the Gulbenkian Orchestra, where he was immediately invited to return, and his UK Debut with the Royal Scottish National Orchestra. He has also recently made successful debuts with several major American orchestras, including the Baltimore Symphony, the Cleveland Orchestra (where he was invited back for a subscription week and tour), the Seattle Symphony, the Los Angeles Philharmonic at the Hollywood Bowl, and the Dallas Symphony Orchestra and Philadelphia Orchestra (where he returned in the 07/08 season). Other recent orchestral engagements in North America include appearances with the orchestras of Columbus, Detroit, Houston, Indianapolis, Phoenix, San Antonio and San Diego; the National Symphony Orchestra in Washington, D.C., and at the Grant Park Festival.

Also in demand in Central and South America, Guerrero conducts regularly in Venezuela with the Orquesta Sinfónica Simón Bolívar, with which he has had a special relationship for many years. His debut at the Casals Festival with Yo-Yo Ma and the Puerto Rico Symphony in 2005 was followed by return engagements in 2006 and 2007. He also made his debut at the Teatro Colón in Argentina in 2005. Elsewhere he is a regular guest conductor of the Auckland Philharmonia in New Zealand.

Equally at home with opera, Guerrero works regularly with the Costa Rican Lyric Opera and in recent seasons has conducted new productions of Carmen, La bohème and most recently a new production of Rigoletto. In February 2008, he gave the Australian premiere of Osvaldo Golijov’s one-act opera Ainadamar at the Adelaide Festival, to great acclaim.

In June 2004, Guerrero was awarded the Helen M. Thompson Award by the American Symphony Orchestra League, which recognizes outstanding achievement among young conductors nationwide.

Guerrero holds degrees from Baylor and Northwestern universities. He was most recently the Music Director of the Eugene Symphony. From 1999 to 2004, Mr. Guerrero served as Associate Conductor of the Minnesota Orchestra. He made his Minnesota Orchestra subscription debut in March 2000, leading the world premiere of John Corigliano’s Phantasmagoria on the Ghosts of Versailles. He returned on subscription every subsequent season during his time there. Prior to his tenure with the Minnesota Orchestra, he served as music director of the Táchira Symphony Orchestra in Venezuela.

Rachel Barton Pine, violin
American violinist Rachel Barton Pine has appeared as soloist with many of the world’s most prestigious orchestras, including the Chicago, Atlanta, St. Louis, Dallas, Baltimore, Montreal, Vienna, New Zealand and Iceland Symphonies, the Philadelphia Orchestra, and the Israel and Scottish Chamber Orchestras, working with conductors including Charles Dutoit, Zubin Mehta, Erich Leinsdorf, Marin Alsop, Neeme Järvi, and Placido Domingo. Acclaimed collaborations include Daniel Barenboim, Christoph Eschenbach, William Warfield, Christopher O’Riley and Mark O’Connor. Her festival appearances include Ravinia, Marlboro, and Salzburg. She has been featured on St. Paul Sunday, Performance Today, From the Top, CBS Sunday Morning, and NBC’s Today.

Her 16 critically acclaimed albums for the Cedille, Dorian, and Cacophony labels include "Brahms and Joachim Violin Concertos" with Carlos Kalmar and the Chicago Symphony, "Scottish Fantasies" with the Scottish Chamber Orchestra, and "Beethoven and Clement Violin Concertos" with José Serebrier and the Royal Philharmonic. She holds top prizes from the J.S. Bach (gold medal), Queen Elisabeth, Paganini, Kreisler, Szigeti, and Montreal international competitions, and has twice been honored as a Chicagoan of the Year. A tireless ambassador for classical music, Ms. Pine is dedicated to community engagement and music education. She frequently participates in pre-concert conversations, gives master classes, and presents programs in public schools. Her creative efforts to reach new audiences include appearances on rock radio stations and solo concerts in alternative venues.

Ms. Pine’s charitable activities include serving as a trustee of the Music Institute of Chicago and president of the Rachel Elizabeth Barton Foundation. She plays the Joseph Guarnerius del Gesu (Cremona 1742), known as the “ex-Soldat,” on generous loan from her patron.

A Chicago native, Pine began violin studies at age three and made her professional debut four years later at age seven with the Chicago String Ensemble. Her earliest appearances with the Chicago Symphony (at ages ten and fifteen) were broadcast on television. Her principal teachers were Roland and Almita Vamos and she has also studied with Ruben Gonzalez, Werner Scholz, Elmira Darvarova and several specialists in early music performance practice. Pine resides in Chicago with her husband.

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Roy Thomson Hall's 13th Annual Free Noon Hour Choir & Organ Concerts: featuring Frédéric Champion, organ on Tuesday, November 10, 2009 at 12 Noon

Roy Thomson Hall’s 13th Annual Free Noon Hour Choir & Organ Concerts
Frédéric Champion, organ
Solo Recital by the First Prize Winner of the Canadian International Organ Competition
Tuesday, November 10, 2009 - 12 Noon / Roy Thomson Hall / Toronto
FREE Admission - Call 416-872-4255 for further information
For reservations of 20 or more, call 416-593-4822, Ext.225
Concert suitable for ages 6 and up - www.roythomson.com

Toronto, ON, October 16, 2009 - French organist Frédéric Champion launches Roy Thomson Hall’s 13th Annual Free Noon Hour Choir & Organ Series with a solo recital of organ masterworks on Tuesday, November 10, 2009 at 12 Noon. The event is the first of four FREE noon hour concerts during the 2009-2010 season that celebrate the artistry of outstanding organists and choral ensembles, and spotlights Roy Thomson Hall’s magnificent Gabriel Kney Pipe Organ, one of the largest mechanical action instruments in Canada.

Frédéric Champion won the top prize at the inaugural Canadian International Organ Competition (CIOC), held in Montreal in October 2008. The first prize included a three-year career management contract with Karen McFarlane Artists, a CD recording with ATMA Classique, which will be released in October 2009, and a $30,000 cash award. He was also voted the audience favourite to win the $5,000 Richard Bradshaw Audience Prize. The competition attracted 60 applications from 17 countries; and following a pre-selection round, 16 competitors from 11 countries were chosen to participate. Mr. Champion’s Roy Thomson Hall solo recital is part of his debut North American tour as the initial ambassador of this prestigious new triennial competition. Organist John Grew is the Artistic Director of the CIOC.

A native of Lyon, France, Frédéric Champion has won a string of top prizes at major international organ competitions, including First Prize at the Minoru Yoshida Tokyo Competition; the Bach Prize at the Leipzig Bach Competition; First Prize at the International Competition Gottfried Silbermann; and First Prize at the International Competition Musica Antiqua in Bruges. He has performed regularly as a solo organist and with orchestras and choirs, appearing in concerts in France, Germany, Russia, Portugal and Japan. Mr. Champion is acclaimed for his exceptional talent at improvisation.

Frédéric Champion’s Recital Program at Roy Thomson Hall Nov. 10, 2009 at 12 Noon
Johann Sebastian BACH (1685-1750) - Prelude in E-flat major “St. Anne”
Jean-Baptiste LULLY (1632-1687) - Le Bourgeois Gentilhomme (excerpts)
Felix MENDELSSOHN (1809-1847) - Sonata 6 in D-minor
Charles-Marie WIDOR (1844-1937) - Allegro Vivace from Symphony No. 5
Frédéric CHAMPION (1976 -) - Improvisation

Roy Thomson Hall’s Choir & Organ Concerts are generously supported by Edwards Charitable Foundation

Roy Thomson Hall’s 2009-2010 Free Noon Hour Choir & Organ Concerts (Call 416-872-4255):
- Tues Nov 10/09 12 Noon: Frédéric Champion - Solo Organ Recital
- Tues Dec 15/09: Victoria Scholars & The Sr. Choir of St. Michael’s Choir School - A Christmas Celebration
- Thurs Mar 25/10: Elora Festival Singers - Celebrating the Music of J.S. Bach
- Wed April 7/10: The Choirs of Viva! Youth Singers of Toronto - Youthful Treasures

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Sylvie Paquette & Monsieur Mono, en solo et en duo à eXcentris

Montréal, le 13 octobre 2009 — Les 28, 29 et 30 octobre, eXcentris consacrera trois soirées à Sylvie Paquette et à Monsieur Mono, deux auteurs-compositeurs reconnus pour leur sensibilité ainsi que pour leur approche toute personnelle de la chanson.

Sylvie Paquette présente un tout nouveau spectacle : Les valises
Élégance, raffinement, intensité : voilà quelques-uns des termes souvent employés pour décrire la grande Sylvie Paquette. Cette auteure-compositrice-interprète, qui a écrit pour Luce Dufault,
Catherine Durand, Stéphanie Lapointe et, plus récemment, Marie Carmen, poursuit depuis plus de 15 ans un parcours axé sur la création, l'exploration et la quête d'authenticité.

Sylvie Paquette, « … qui doit être considérée parmi les plus accomplies auteures-compositricesinterprètes de l'Amérique francophone » (Alain Brunet, La Presse), présente Les valises, un concert intime où elle revisite les plus belles chansons de son répertoire en solo dans une formule acoustique et chaleureuse.
Mercredi 28 octobre à 19 h 30, salle Fellini

Monsieur Mono avec Petite musique de pluie
Alter ego solo d'Éric Goulet, leader de la formation Les Chiens et réalisateur émérite (Vincent
Vallières, WD-40, Yann Perreau), Monsieur Mono avait réussi à élever la mélancolie à des sommets inégalés de beauté avec un premier disque paru en 2005, Pleurer la mer morte, inspiré d'une peine d'amour. De ce « succès involontaire », pour reprendre les termes du principal intéressé, on retient entre autres les émouvantes L'Océan et Tout autour, ainsi que la très belle relecture opérée en duo, avec Mara Tremblay, de Love Hurts.

En 2008, Monsieur Mono remettait ça avec Petite musique de pluie, un album sur lequel il
continuait d'explorer la même veine créatrice. Il nous convie à un spectacle intimiste traversé
d'ombres et de lumières, où les émotions se déclinent sur tous les tons.
Jeudi 29 octobre à 20 h, salle Fellini

Sylvie Paquette et Monsieur Mono sur la même scène
Les deux créateurs partageront la scène le 30 octobre lors d'un spectacle où leurs univers se
croiseront. Avec des artistes aussi entiers, on peut s'attendre à une soirée haute en atmosphères
conjuguant la sensualité de Sylvie Paquette et la nostalgie de Monsieur Mono. Une occasion à ne
pas manquer de voir ces deux artistes interpréter ensemble les succès de l'un et de l'autre!
Vendredi 30 octobre à 20 h, salle Fellini

excentris.com | ticketpro : 514 790 1111 | info : 514 847 0399

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The VSO’s Elementary School Concerts begin next month

October 15, 2009 - Vancouver BC – The VSO is proud to present VSO Goes Global! on November 16, 18, 23 and 25. Each concert takes place at 10am and 12pm at the newly-renovated Orpheum Theatre and is designed for students from grade 4 to 7. VSO Assistant Conductor Evan Mitchell leads the orchestra in an internationally-themed concert featuring the works of two Canadian composers – VSO Composer-In-Residence Scott Good and video game composer Marc Baril.

The VSO highly encourages students to attend an Elementary School Concert, which are open to all schools and homeschools. Supported by study guides and materials that support the curriculum, the concerts are an affordable, educational, and fun experience for students. Students can sing-along with the orchestra to the African folk tune Siyahamba and discover new cultures and music from around the world. They will learn in an entertaining and stimulating environment while the VSO circles the globe in less than one hour!

The VSO has a long standing tradition of providing grade-appropriate Elementary School concerts and each season up to 35,000 students from over 400 schools and homeschools attend. A wonderful combination of orchestral music, theatre and video technology, the VSO school concerts provide students with an interactive live music experience. Video screens located on both sides of the Orpheum stage provide students with close-up shots of the orchestra and conductor as they perform. Study Guides, podcasts, music tracks and bonus features – designed to prepare teachers and students for the concerts – can be downloaded for free on the VSO’s website: www.vancouversymphony.ca/esc.

The VSO thanks its series sponsor Industrial Alliance Pacific and TELUS, Premier Education Partner, for their continued generosity and support, which has enabled the Symphony to freeze the ticket price at $5.50 per student – the lowest Elementary School Concert ticket price out of all major Canadian Symphony Orchestras.

CONCERT INFO
VSO Goes Global!
Climb aboard with the Vancouver Symphony Orchestra and travel the world without ever leaving the Orpheum Theatre! Discover cultures and music from around the world as the VSO circles the globe in less than an hour!

Intermediate Concert: Grades 4 to 7

November 16, 18, 23 and 25

10:00am and 12:00pm daily

NOVEMBER 18th, 10 am SOLD OUT

TICKET PRICE:
Students: $5.50 (incl. GST)

Teachers: Teachers and Special Needs Assistants are free

Chaperones: One adult per 10 students will be free. All additional adults are $5.50 (incl. GST)

ORDER: online at www.vancouversymphony.ca/esc or call 604-684-9100 ext. 246 to request a brochure and fax or mail it in.

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L’Orchestre symphonique du Conservatoire de musique de Montréal présente L’héritage de Dvořák

Montréal, le 15 octobre 2009 — Le Conservatoire de musique de Montréal convie le public à assister en grand nombre à un concert intitulé L’héritage de Dvořák. Deux représentations seront données par l’Orchestre symphonique du Conservatoire, à Montréal et à Sherbrooke, sous la direction de Raffi Armenian. Le premier concert aura lieu le vendredi 30 octobre à 19 h 30, à la salle Jean-Eudes, située au 3535, boulevard Rosemont, en collaboration avec la maison de la culture Rosemont–La Petite-Patrie (entrée libre), et le second, le dimanche 1er novembre, à 15 h, à la salle Maurice O’Bready, à Sherbrooke, en collaboration avec l’École de musique de l’Université de Sherbrooke (prix d'entrée, 10$).

À cette occasion, l’Orchestre interprètera la Symphonie no 8 en sol majeur op. 88 d’Antonín Dvořák, composée durant l'automne 1889 dans sa maison de campagne de Vysoka près de Pribram. L'énergie et la joie qui se dégage de cette œuvre témoignent de l'euphorie créatrice toute personnelle de Dvořák. L'esprit purement tchèque de cette symphonie et ses mélodies aux accents de chansons populaires, nous démontrent combien il était profondément enraciné dans son pays natal.

En première partie du concert, Philippe Ménard, élève en direction d’orchestre, de la classe de Raffi Armenian, dirigera l’ouverture tant appréciée du public de La Forza del destino de Giuseppe Verdi. Par la suite, on pourra entendre le Concerto en ré majeur de Joseph Haydn avec la violoncelliste Viviane Gosselin, élève de la classe de Carole Sirois. Et suivra le Concerto pour piano no 3 en do majeur op. 26 avec Mehdi Bilal Ghazi, élève de la classe d’André Laplante.

Professeur en direction d’orchestre au Conservatoire de musique de Montréal depuis 1981, Raffi Armenian y dirige également l’Orchestre symphonique. Depuis le début de sa carrière, Raffi Armenian s'est intéressé tour à tour à la direction d'orchestre, à l'opéra et à la musique de chambre. Il a été fréquemment appelé à diriger les grands orchestres canadiens, dont celui de Montréal. Depuis juin 2008, il est le directeur du Conservatoire de musique de Montréal.

Nous vous invitons à consulter le site Web du Conservatoire à l'adresse suivante pour en savoir plus et pour connaître toutes nos activités à venir : www.conservatoire.gouv.qc.ca.

Ce site vous offre de vous abonner à un fil RSS, une façon simple et pratique d’être informé sur nos activités www.conservatoire.gouv.qc.ca/rss

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Symphony Nova Scotia Music Director to receive honorary doctorate

October 15, 2009 - Halifax, NS – Symphony Nova Scotia Music Director Bernhard Gueller will be awarded an honorary Doctor of Laws, honoris causa, from Dalhousie University on Saturday, October 17.

Dalhousie University’s honorary degrees are awarded to recognize individuals who, by their example of extraordinary achievements and service to society, provide inspiration and models of leadership and integrity to Dalhousie’s student body. Gueller, who recently renewed his contract with Symphony Nova Scotia for another five years, is recognized for his inspiring leadership of the Symphony and the connection he makes with audiences.

Under Gueller’s direction, Symphony Nova Scotia has been praised artistically as one of the top orchestras in Canada. The orchestra regularly performs in both Halifax and communities across the province, and reaches more than 15,000 young audience members each year with its education and outreach programs. New programs created at Symphony Nova Scotia under Gueller’s tenure include the Musical Munchkins program for three- to five-year-olds, the TD Under-30 Access Pass, annual collaborations with the Nova Scotia Youth Orchestra, and partnerships with local organizations such as Phoenix Youth Programs, the Halifax Pop Explosion, and the IWK.

“I am deeply humbled and honoured to receive this degree,” says Gueller. “I see it as a wonderful recognition of the work done by all of us at Symphony Nova Scotia.”

Gueller will accept the honorary degree during Dalhousie University’s Fall 2009 Convocation on Saturday, October 17 at 2:30 pm at the Rebecca Cohn Auditorium. Honorary degrees will also be awarded to Ms. Alexa McDonough and Senator James Cowan. For more details, visit http://dalnews.dal.ca/2009/10/14/fall_convo.html.

About Symphony Nova Scotia
Symphony Nova Scotia is Nova Scotia’s orchestra. Each year more than 50,000 audience members (including 15,000 young music lovers) join us in communities across Nova Scotia for performances of the music they love – from baroque and classical to pop and rock and folk. Under the inspirational leadership of Music Director Bernhard Gueller, Symphony Nova Scotia is recognized as one of the finest orchestras in the country. Visit www.SymphonyNovaScotia.ca to learn more, listen online, or subscribe today!

Symphony Nova Scotia is grateful to the Canada Council for the Arts, Nova Scotia Tourism, Culture, and Heritage, and the Halifax Regional Municipality for their continued support.

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eighth blackbird wins the newly-established Meadows Prize from Southern Methodist University

The ensemble plans to curate a new music series in partnership with the Dallas Arts District

eighth blackbird, the Grammy Award-winning new music sextet, has been awarded the new Meadows Prize by Southern Methodist University, one of Texas's most prestigious academic institutions. Named for philanthropists Algur H. and Virginia Meadows, the prize, which was established in August 2009, is given to "professionals with an emerging international profile" and may be given to as many as four recipients each year.

An SMU press release states:

"The [Meadows] prize includes housing for a one-to-three-month residency in Dallas, transportation expenses, studio/office space and project costs, in addition to a substantial prize/stipend. In return, recipients will be expected to interact in a substantive way with Meadows students and to leave a lasting legacy in Dallas."

eighth blackbird is committed to nurturing a new generation of artists, and as part of the prize the ensemble will work with music students at SMU's Meadows School of the Arts and other local schools, as well as in the wider community.

The Meadows Prize is also intended to help spark a local, sustainable contemporary and fringe arts scene in Dallas. Its creation coincided with the opening of the AT&T Performing Arts Center on October 12, an event that marked the completion of one of the world's largest arts districts and that brings vibrancy to the downtown Dallas area. As part of this goal, eighth blackbird will curate a new music series in partnership with the Dallas Arts District. Dallas’s new AT&T Performing Arts Center, which opened this week, is the center of a revived arts scene in the downtown area.

"This is a huge honor,” says Tim Munro, eighth blackbird’s flutist. “SMU’s School of the Arts has a strong national reputation with a distinguished faculty, and the AT&T center looks amazing. We can't wait to get our feet wet in this fascinating project!"

eighth blackbird was nominated for the Meadows Prize by a committee including choreographer Paul Taylor, producer/director James Houghton, composer John Zorn and actor Laura Linney. The other recipient is CreativeTime, an artist collective and arts consulting group.

eighth blackbird, currently in residence at the University of Southern California’s Thornton School, moves shortly to its recurring residency at the University of Richmond (VA). The ensemble will also be in residence at Philadelphia’s esteemed Curtis Institute of Music in February. In the near future eighth blackbird plays concerts in Chicago, Louisville, La Jolla, San Diego, Cincinnati and elsewhere. Details at www.eighthblackbird.com

www.eighthblackbird.com

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Gluck’s revolutionary opera Iphigénie en Tauride returns to Toronto!

Toronto, ON Opera Atelier begins its 2009/10 season with a revival of Christoph Willibald Gluck’s great reform opera, Iphigénie en Tauride. The opera attacked the very core of French operatic tradition and caused a sensation when it premiered at the Paris Opera in 1779, and again when Opera Atelier first staged it in 2003.

Iphigénie en Tauride tells the story of the Greek princess Iphigénie, daughter of Agamemnon, who is abandoned on the island of Tauride for the duration of the Trojan War. Miraculously reunited with her brother Oreste following the murder of their mother (Clytemnestra), Iphigénie’s courage and self-sacrifice ensure their safe return to Greece.

Hailed as a work of genius by ecstatic critics, Iphigénie en Tauride is considered the greatest triumph of Gluck’s career. “It is melodrama in the best sense of the word,” says OA’s co-artistic director Marshall Pynkoski. “Huge human emotions are being explored with a psychological depth that is unique for the 18th century. Gluck points the way to the intense interest in human psychology that is usually associated with the 19th century. There is nothing superfluous.”

Iphigénie en Tauride runs October 31, November 1, 3, 4, 6 and 7, 2009 and is sung in French with English SURTITLESTM. Performances are at Toronto’s Elgin Theatre (189 Yonge Street) and begin at 7:30 p.m. with the exception of the November 1st matinee at
3 p.m.

American soprano Peggy Kriha Dye, a favourite with OA audiences, returns as Iphigénie, the incredibly courageous young heroine. Croatian tenor Kresimir Spicer, who sang the title role in OA’s Idomeneo, makes his role debut as her brother Oreste. Both Ms. Kriha Dye and Mr. Spicer received Dora nominations for their performances in Opera Atelier’s 2008 production of Idomeneo. Canadian tenor Thomas Macleay makes his company debut as Pylade, beloved companion of Oreste. Thoas, King of Tauride, is sung by bass-baritone Olivier Laquerre, and bass-baritone Curtis Sullivan sings the role of Le Ministre. Esteemed British conductor Andrew Parrott will lead the Tafelmusik Orchestra and Chamber Choir and the full corps of Artists of Atelier Ballet. This production is directed by Marshall Pynkoski and choreographed by Jeannette Lajeunesse Zingg with set designs by Gerard Gauci, costumes by Dora Rust D’Eye, lighting by Kevin Fraser and fight direction by Jenny Parr.

Tickets for Iphigénie en Tauride are $30 to $135 and are available by calling TicketMaster at 416-872-5555, on-line at www.ticketmaster.ca or at the Elgin Theatre box office. Operatix are $20 and may be purchased by people under the age of 30 with valid I.D. in person at the Elgin Theatre Box Office (subject to availability). Group discounts (15 people +) are available by calling 416-703-3767 ext. 22. For podcasts and more information visit www.operaatelier.com or check out our Vox Populi blog at www.operaatelier.com/blog/

Opera Atelier also gratefully acknowledges the ongoing support of The Canada Council for the Arts, the Ontario Arts Council, the City of Toronto through the Toronto Arts Council, and the Creative Trust.

2009/10 Season Sponsor: Sun Life Financial
Iphigénie Production Sponsor: BMO Financial Group
2009/10 Major Sponsors: Scotiabank, TD Canada Trust Music, The Dominion of Canada General Assurance Company

Opera Atelier is Canada’s premier baroque theatre company, dedicated to producing opera, ballet and drama from the 17th and 18th centuries. While drawing upon the aesthetics and ideals of the period, Opera Atelier goes beyond “reconstruction” and infuses each production with an inventive theatricality that resonates with modern audiences. For more than two decades, under the direction of founders Marshall Pynkoski and Jeannette Lajeunesse Zingg, Opera Atelier has garnered acclaim for its performances at home as well as in the United States, Europe and Asia.

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Phiaton Offers Book Lovers a Great Listen; Announces $100 Discount With Audiobooks from Audible.com!

Irvine, CA – Phiaton, a top premium headphone brand is giving book lovers an ultimate audiobook experience from Audible.com, a leading provider of premium digital spoken-word information and entertainment. Starting today, customers who sign up to enjoy Audible's more than 60,000 titles for one year can get a $100 discount on any of Phiaton's headphone and earbud models purchased from Amazon.com (www.audible.com/phiaton).

More and more savvy audio book lovers are stepping up to premium headphones for their increased comfort and enhanced fidelity over long listening periods. As Phiaton's James Baik notes, "Great headphones are like reading glasses for your audio book, and are the best choice to ensure that you hear every word clearly and avoid ear fatigue over long periods of listening. Phiaton's headphones and ear phones are the perfect way to enjoy all your favorite Audible selections whether it's an audiobook, magazine, radio show, stand-up comedy or timeless classic."

Here's some key things to think about when buying headphone for extended periods of audio book enjoyment:

-- Make sure the headphone fit is right for you. No matter how great and expensive your headphone is, if the fit isn't right for you, you won't get the best experience. Fit can make a huge difference in terms of sound quality.

-- Make sure the headphones are comfortable. Many headphones and earphones that seem fine at first can become quite uncomfortable during extended use. The pressure from the earphones and the weight affect how a model feels. With any headphones, prolonged listening can make your ears warm and sweaty. High quality headphones offer great comfort and quality with soft ear-cushions and pads, and via material that controls the pressure level. For example, Phiaton uses steel band which helps to maintain the original tension of the headband.

-- For the best sound, stick with corded models. Most corded models and some wireless sets are fine for use with a TV or, if you're not too critical, for listening to music. Over-the-ear corded headphones are often the best choice for serious audio and music listening at home. While wireless headphones can be convenient, many have background hissing and/or dynamic range compression that flattens the sound to some extent.

-- Size Matters. Portable Headphones may sacrifice some sound quality for small size, but they are handy. Ear buds and insert models are great for listening to audio and music during on-the-go activities. If you'll be doing a lot of flying, or listening in a noisy environment, we recommend noise cancelling technology. Also, over-the-ear and insert types can block ambient noise. All of Phiaton's M and S small sized headphones are designed to be folded in to two steps for easy travel.

Just as Audible.com offers one of the widest selections of digital spoken-word information and entertainment, Phiaton offers a full array of premium headphones and earbuds, including the MS 400 headphones ($249 MSRP), PS 320 headphones ($199 MSRP), PS 300 NC Noise Cancelling headphones ($299 MSRP), and the PS 200 earphones ($249 MSRP).

About Phiaton Corporation
Phiaton Corporation is a premium manufacturer of high-end noise cancelling headphones, earphones and Music Docking Stations for consumers who appreciate design, technology and aesthetics. The Phiaton brand is created for audiophiles who demand the extraordinary from the consumer electronics they buy. All Phiaton products provide authentic sound reproduction, eye-catching design, and comfortable fit.

Phiaton's parent company, Cresyn Company Ltd., was founded in 1959 to develop and manufacture high quality phonograph needles. Under the leadership of Chairman Jon

Bae Lee, Cresyn has heavily invested in R&D and developed a significant portfolio of patented audio technologies. Over time, these technologies have become an integral part of today's most popular leading personal audio brands. Today, Cresyn markets its own growing family of industry leading products, including headphones, noise canceling headphones, earphones, Bluetooth headsets and camera modules.

About Audible.com
Audible, Inc. (www.audible.com) is a leading provider of premium digital spoken audio information and entertainment on the internet. Content from Audible is downloaded and played back on personal computers, CDs, or AudibleReady computer-based and wireless mobile devices. Audible has over 50,000 audio programs from more than 800 content providers that include leading audiobook publishers, broadcasters, entertainers, magazine and newspaper publishers, and business information providers. Audible is the preeminent provider of spoken-word audio products for Apple's iTunes Store. Audible, Audible.com, AudibleListener, AudibleReady and AudibleKids are trademarks of Audible, Inc. or its affiliates. Other product or service names mentioned herein may be the trademarks of their respective owners.

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Le premier concert de la saison montréalaise de l'ensemble Masques intitulé L'Europe baroque

English below

Montréal, QC, le 13 octobre 2009 - Ne manquez pas le premier concert de la saison montréalaise de l'ensemble Masques intitulé L'Europe baroque. Au programme, des chefs d'œuvres des compositeurs J.S. BACH, F. COUPERIN, A. VIVALDI, H.I.F. von BIBER et J.M. LECLAIR. Ce concert mettra en vedette les violonistes Sophie GENT (Australie), Tuomo SUNI (Finlande), la violoncelliste Kate HAYNES (Boston), l'altiste Kathleen Kajioka (Toronto), la gambiste et flûtiste Mélisande CORRIVEAU ainsi que le claveciniste Olivier FORTIN (Montréal).

Ce concert sera présenté le jeudi 22 octobre prochain à 20h à la Chapelle Notre-Dame-de-Bon-Secours, dans le Vieux-Montréal, avant d'être repris en tournée la semaine suivante à la Frick Collection de New York, à la National Gallery de Washington ainsi qu'à l'Université du Vermont. Une chance unique d'entendre un programme mettant en valeur les qualités exceptionnelles des musiciens de l'ensemble MASQUES qui, avec un calendrier de tournées internationales bien rempli, se produira seulement à deux reprises à Montréal cette année.

L'Ensemble Masques a été formé à Montréal en 1998 afin de se consacrer à l'interprétation du répertoire vocal et instrumental des XVIIe et XVIIIe siècles. Constitué des meilleurs musiciens canadiens de la relève jouant sur instruments originaux, l'ensemble travaille en étroite collaboration avec de jeunes talents européens, favorisant ainsi ses échanges avec des interprètes issus de différents milieux. Les musiciens de l'ensemble se produisent fréquemment en tant que solistes et instrumentistes à travers le Canada, les États-Unis et l'Europe au sein d'ensembles tels Capricio Stravagante, Tafelmusik, La Petite Bande, Les Voix humaines et le Ricercar Consort.

En juin dernier, Masques présentait son premier opéra (Dido and Aeneas de Purcell) dans le cadre du Festival Montréal Baroque ainsi qu'au Domaine Forget. Plus tôt, l'ensemble avait déjà présenté un showcase (en mars 2009) à Musicora (Paris).

L'Ensemble Masques s'est rapidement distingué sur la scène internationale, notamment en remportant le Premier Prix du Concours Dorian/Early Music America en 2000. L'ensemble s'est par la suite produit en concert d'un océan à l'autre dans de prestigieux festivals et séries allant de Vancouver à New York, où il fit ses débuts à la Frick Collection. En 2008, Masques signe un contrat de représentation avec l'agence Colbert Artists Management de New York. Cette agence hautement respectée lui ouvre de nombreuses perspectives et déjà de nombreux contrats sont signés pour la nouvelle saison, incluant un retour à la Frick Collection de New York ainsi que de nombreux autres concerts.

Dès 2002, l'ensemble poursuit ses activités d'enregistrement avec la maison canadienne Analekta. Ses enregistrements (au nombre de cinq, pour la maison Analekta) reçoivent des criques élogieuses dans des revues spécialisées telles Diapason et Le Monde de la Musique, en plus de remporter un Prix Opus dans la catégorie disque baroque de l'année avec Mensa Sonora en 2006. Récemment, l'Ensemble Masques convenait avec la maison ATMA classique, d'une nouvelle entente.

VOUS AIMEZ NOTRE TRAVAIL et désirez contribuer à notre développement? Masques est un organisme à but non lucratif enregistré auprès de l'Agence de Revenu du Canada. Nous pouvons émettre des reçus d'impôts pour les dons émis à notre organisme. Contactez-nous pour plus d'information: 514 349 9639.

L'EUROPE BAROQUE
Jeudi le 22 octobre 2009, 20h
Chapelle Notre-Dame-de-Bon-Secours
400, rue St-Paul Est, Vieux-Montréal, QC
Informations et réservations : 514 349 9639
Admission générale et Age d'Or: $20 / Étudiants $10
www.ensemblemasques.org

PROGRAMME
Heinrich Ignaz Franz von Biber (1644-1704)
Sonata VIII a cinque in G Major (extrait de Sonatae tam aris quam aulis servientes, 1676)

Jean-Marie Leclair (1697-1764)
Ouvertura op.13 Nr.3 (extrait de Ouvertures et sonates en trio, op.13, Paris 1753)
- Grave - Allegro - Largo - Allegro assai

François Couperin (1668-1733)
Huitième Concert dans le goût théâtral (extrait du recueil Les Goûts Réunis - Paris, 1724)
- Ouverture - Grande Ritournéle - Air tendre - Rondeau - Air animé et léger - Sarabande - Air de Baccantes - Très animé.

Antonio Vivaldi (1668-1741)
Concerto RV443 en do majeur pour flûte sopranino (Mélisande Corriveau, soliste)

Johann-Sebastian Bach (1685-1750)
Sonate en trio en ré mineur BWV527
- Allegro - Adagio - Allegro

Dietrich Buxtehude (1637-1707)
Sonate en trio en la mineur pour violon, basse de viole et basse continue BuxWV27

H.I.F von Biber
Sonata III en ré mineur a cinque (extraite de Fidicinium sacro-profanum, 1683)

***

Montréal, QC, October 13th, 2009 - Don't miss the first concert of the Montreal season of Masques Ensemble dedicated to some of the majors European composers of the baroque Era. Join us for an extraordinary evening of fine music by great composers such as tels J.S. BACH, F. COUPERIN, A. VIVALDI, H. BIBER and J.M. LECLAIR with the violinists Sophie Gent (Australia) and Tuomo SUNI (Finland), the cellist Kate HAYNES (Boston) and the violist Kathleen KAJIOKA (Toronto) as well as the recorder and gamba player Mélisande CORRIVEAU and the harpsichordist Olivier FORTIN.

This concert will be presented on Thursady, October 22nd at 8pm at the Chapelle Notre-Dame-de-Bon-Secours, in Old Montreal. The following week, Masques will present this program in the prestigious venues of the Frick Collection (New York), the National Gallery (Washington) and the University of Vermont (Burlington). A unique chance to hear this exceptional group of musicians playing in Montreal this year!

Founded in 1998, Montreal-based Masques is dedicated to the performance of vocal and instrumental music of the 16th and 17th on period instruments. Under the leadership of harpsichordist Olivier Fortin and violinist Sophie Gent, Masques has become a meeting point for Canada's young musicians and collaborates regularly with up and coming European talents, thereby maintaining close ties with musicians from diverse backgrounds.

All the performers of Masques have enviable performing experience and regularly concertize as soloists and chamber musicians throughout Canada, the United States and Europe with world famous ensembles such as Tafelmusik, Capriccio Stravagante or Ricercar Consort. The core group is formed of six musicians and varies its size according to the different projects it presents. Last June, Masques has presented his first opera (Dido and Aeneas by Purcell) during the Montreal Baroque Festival.

The ensemble has risen rapidly to international attention, winning the Grand Prize in the Dorian/Early Music America competition in 2000. Following the release of the ensemble first's recording on the Dorian label, Masques has been heard coast to coast in various festivals around Canada and the US.

Since 2004, Masques is recording exclusively for the Canadian label Analekta. Five cds have been released and have all been critically acclaimed by the musical press around the globe. Praised for the generosity of its sound, a highly stylistic and refined approach to the music as well as lively and engaged interpretations, Masques is today recognised as a one of the top North-American early music ensembles. The ensemble discography includes music by Bach, Purcell, Biber and Charpentier. All titles are available on iTunes.
Masques presents it's own concert series in Montreal.

L'EUROPE BAROQUE
Thursday October 22nd 2009, 8PM
Chapelle Notre-Dame-de-Bon-Secours
400, St-Paul East St.
Montreal, QC
Informations and reservations : 514 349 9639
General admission and Seniors: $20 / Students $10
www.ensemblemasques.org

PROGRAM
Heinrich Ignaz Franz von Biber (1644-1704)
Sonata VIII a cinque in G Major (From Sonatae tam aris quam aulis servientes, 1676)

Jean-Marie Leclair (1697-1764)
Ouvertura op.13 Nr.3 (From Ouvertures et sonates en trio, op.13, Paris 1753)
- Grave - Allegro - Largo - Allegro assai

François Couperin (1668-1733)
Huitième Concert dans le goût théatral (From Les Goûts Réunis - Paris, 1724)
- Ouverture - Grande Ritournéle - Air tendre - Rondeau - Air animé et léger - Sarabande - Air de Baccantes - Très animé.

Antonio Vivaldi (1668-1741)
Concerto RV443 in C major for sopranino recorder (Mélisande Corriveau, soloist)

Johann-Sebastian Bach (1685-1750)
Trio sonata in D minor BWV527
- Allegro - Adagio - Allegro

Dietrich Buxtehude (1637-1707)
Trio Sonata in A minor for violin, bass viol and basso continuo BuxWV27

H.I.F von Biber
Sonata III in D minor a cinque (From Fidicinium sacro-profanum, 1683)

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Nosferatu: A Special Hallowe’en Night with the VSO!

VANCOUVER, BC – The VSO announces A Hallowe’en spectacular! The great 1922 Silent Film Nosferatu will be presented with the music performed live by the Vancouver Symphony Orchestra on Halloween Night, Saturday October 31st, 8pm, at the Orpheum Theatre. Guest conductor Gillian Anderson leads the orchestra. For one fun night, the Orpheum is transformed back into the movie house that it used to be for the camp and terror that awaits audiences who will thrill to this great silent film with the chilling and dramatic score performed live by the full Vancouver Symphony Orchestra!

Although, commonly referred as just Nosferatu the complete title is fittingly named Nosferatu: A Symphony of Horror (In German: Nosferatu: eine Symphonie des Grauens). This German Expressionist horror film was directed by F.W. Murnau and starred the brilliantly frightening Max Schreck as Count Orlock. No charming aristocrat like later Draculas, this vampire is scary and macabre, a living corpse who feeds mercilessly on his victims. The wonderful Hans Erdmann score has thrilled audiences for generations, with its moody orchestral colours and drama lending a tangible weight and anticipation to the film itself. Hailed as one of the greatest movie adaptations of the vampire legend, you’ll never have more fun being scared!
Concertgoers are encouraged to come in costume. Give us your best zombie, vampire, werewolf – or whatever you dream up – and win Cash and Ticket Prizes!

CONCERT INFO
Saturday, October 31, 8pm, Orpheum Theatre
Nosferatu! A Special Hallowe’en Presentation
Gillian Anderson, conductor
Vancouver Symphony Orchestra
Tickets: $25 - $30 (senior, student and subscriber discounts available)
Tickets available online at www.vancouversymphony.ca or by calling VSO customer service at 604.876.3434

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Thrills and chills in weekend of Halloween Pops concerts - Oct. 30 & 31

Robbins Pops
Trick-or-treat through a ghoulish graveyard of unnerving melodies

Halloween: The Concert
Friday, October 30th – 8:00 pm
Saturday, October 31st – 8:00 pm

Edmonton, AB … Expect the unexpected when your Edmonton Symphony Orchestra (ESO), conductor Bruce Hangen, and a creepy cast haunt the concert hall with a frightening mix of music. In this Halloween weekend of concerts, the orchestra will send all the right chills down your spine, while filling the Francis Winspear Centre for Music with a spooky spirit.

These ghoulish performances with eerie special effects will see a number of musicians from the strings to the brass dressed up in cryptic costumes, performing suspenseful selections from Phantom of the Opera, Psycho, and Pictures at an Exhibition. Dukas’ The Sorcerer’s Apprentice and Saint-Saëns’ Danse macabre are also daunting highlights in these concerts of grave consequences.

Wear your most spooktacular Halloween costumes and trick-or-treat down to the Winspear Centre Box Office for tickets. Ticket prices range from $24 – $79 (agency fees apply). Purchase by phone at (780) 428-1414 or 1-800-563-5081, or online at www.edmontonsymphony.com.

The next Robbins Pops performances – the most anticipated of the season – take place on December 18th and 19th. Steve Reineke returns to conduct our yearly tidings of carols, light classics, and sing-a-longs in A Very Merry Pops.

Thank you to our generous series’ sponsor, Bill and Mary Jo Robbins, and our season media sponsor CBC.

The Edmonton Symphony Orchestra, marking its 58th season in 2009-2010, has taken its place as one of Canada's foremost orchestral ensemble. Its current roster includes 56 musicians from Canada and around the world, performing a wide-ranging repertoire from the great classical masterworks to pops and children's concerts. The presence of the orchestra and its enrichment of the community's quality of life are key elements in the stature and profile of Edmonton on the national and international scene.

Winspear Centre Box Office:
#4 Sir Winston Churchill Square
(780) 428-1414 or 1-800-563-5081
www.edmontonsymphony.com

Biography
Bruce Hangen is Director of Orchestral Activities at the Boston Conservatory, serving as the Conservatory’s principal orchestral conductor as well as director of both the orchestra and conducting programs. The 2008/2009 season marked his 11th season as the Music Director of the Indian Hill Symphony. Recently, Mr. Hangen completed his tenure as the Principal Pops Guest Conductor of the Boston Pops. This position was created in May 2002 especially for Mr. Hangen, reflecting the strong musical relationship built over two decades of regular guest conducting. Other past positions include Music Director of the Omaha Symphony. From 1998 to 2000, he was Acting Resident Conductor of both the Utah and Kansas City Symphony Orchestras. Mr. Hangen was for ten seasons (1976-86) Music Director and Conductor of the Portland (Maine) Symphony; 1973-79 Associate Conductor of the Denver Symphony; 1975-79 Music Director of the Arapahoe Chamber Orchestra in Denver; six summer seasons (1966-72) Assistant Conductor of the Colorado Philharmonic.

A graduate of the Eastman School of Music with a major in conducting, Hangen was also a conducting fellow at the Berkshire Music Center at Tanglewood for two summers, where his conducting teachers included Seiji Ozawa, Leonard Bernstein, Michael Tilson Thomas, and Stanislaw Skrowaczewski. His recent appearances have included concerts with the Florida Philharmonic and Boston Symphony as well as the orchestras of St. Louis, Baltimore, Pittsburgh, San Francisco, Atlanta, Jacksonville, Naples (FL), and Houston. His repeat engagements with the Boston Pops and Boston Pops Esplanade Orchestras alone totaled well over 200 performances since 1979. Mr. Hangen is the recipient of an Honorary Doctor of Fine Arts degree from the University of New England, and in Omaha he received the ICAN Foundation’s 1990 Browning Award for Career Excellence and Vision. Bruce Hangen was born in Pottstown, Pennsylvania and was raised in Great Falls, Montana.

Mr. Hangen last appeared with the ESO in September, 2008.

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York Artists offer a Contemporary Take on an Ancient Tale with A Compendium of Scenes from Virgil





Toronto
, October 14, 2009: York University’s Music Department celebrates the heroic genesis of a new era with The Aeneid: A Compendium of Scenes from Virgil, an original cycle of musical tableaux based on the famed Latin epic. 

A dynamic mix of opera, oratorio, cantata, dance and digital media, this contemporary retelling of an ancient tale unfolds November 11 in York U’s Tribute Communities Recital Hall.

The founding myth of classical Roman culture, The Aeneid was the final work of the poet Virgil, who dedicated it to Rome’s first emperor, Caesar Augustus. The story follows the warrior-hero Aeneas and his fellow Trojans as they sail to find a second home after the fall of Troy. Fraught with divine intervention, their journey encompasses momentous battles, love affairs, suffering and sacrifice. It culminates in a final battle in Italy where Aeneas emerges victorious, setting the stage for a glorious new epoch leading to the founding of Rome.



Bringing Virgil’s myth-history to life are professional musicians, performers, academics and students in York U’s Music Department and Faculty of Fine Arts, joined by leading guest artists. 

Music Professor Michael Coghlan conceived the project, composed the music and scripted the (English and Latin) texts, devising a distinctive musical setting for each of the twelve dramatic scenes.



Featured performers include York U faculty members, mezzo soprano Catherine Robbin, multi-instrumentalist Rob Simms, choral conductor Lisette Canton, Bill Thomas, conductor of the York U Wind Symphony, clarinetist Patricia Wait and flamenco guitarist Roger Scannura. Guest artists include the award-winning Mississauga Children's Choir, internationally renowned trumpeter Guido Basso, bass/baritones Daniel Lichti and Peter Wall, and York U alumna, soprano Leigh Anne Martin.



Coghlan, the director of York’s Graduate Program in Music, has extensive professional credits as a composer, performer, conductor, record producer and music director. He has worked in a wide range of musical genres and techniques, from medieval and classical to jazz, popular, world and contemporary music, with dozens of published scores and recorded compositions. His most recent compositions are two pieces, Peregrine Riffs and Lucky Cube 343, commissioned for the Royal Canadian College of Organists’ 100th anniversary this year. A specialist in digital music production, he is known nationally for his work in the development and use of contemporary music technologies in artistic and pedagogical practices.



The Aeneid: A Compendium of Scenes from Virgil is a YU50 event, created in celebration of York University’s 50th anniversary.



When: Wed. November 11 at 7:30pm 
Where: Tribute Communities Recital Hall, Accolade East Building, York University, 4700 Keele St. Admission: $15 | $5 students & seniors 
Box Office: 416.736.5888 | www.yorku.ca/perform/boxoffice




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Que la danse commence : Premier spectacle de la série danse au Théâtre Centennial

Man and Mouse avec The Choreographers

Mardi 20 octobre 2009 20 h

Causerie avant-spectacle 19 h 15 - Foyer du Théâtre Centennial
Régulier $24.00, Aîné (60+) $15.00, Étudiant (avec carte) $15.00

Les personnages de Lennie et George sont gravés dans les mémoires de ceux qui ont lu ou vu Des souris et des hommes de John Steinbeck. Les Choreographers décrivent gestuellement l’amitié qui lie les deux hommes et les conflits qui les habitent l’un l’autre. Cela donne quelques belles foires d’empoigne, des prises à bras-le-corps assez coriaces et des accolades bien senties. L’enchevêtrement des corps et la musique donnent le ton à cette incursion de jeunes chorégraphes dans la littérature américaine. Des jeunes à suivre… Ce sont Katie Ward, Audrée Juteau, Peter Trosztmer et Thea Patterson.

En collaboration avec le Centre Culturel de l’Université de Sherbrooke, le Théâtre Centennial invite le public à s’abonner à 5 spectacles de danse (parmi une sélection de 9 spectacles) pour $100. Les abonnés sont automatiquement éligibles au concours Une sortie de première avec le Toronto Dance Theatre à Toronto qui permettra à une personne gagnante d’aller assister à la première de la nouvelle production du Toronto Dance Theatre au Harborfront Centre à Toronto. Ce prix comprend deux billets de train allez-retour Montréal-Toronto, une nuit à l’Hôtel et deux billets pour le spectacle du Toronto Dance Theatre. Ce voyage aura lieu du 16 au 17 février 2010. La valeur de ce prix est de 640 $. Détails du concours et la programmation sur notre site www.centennialtheatre.ca

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Rabbit Rabbit and Suburban Motel in Montreal

November 10 - 29
Infinithéâtre
presents
RABBIT RABBIT
By Amy Lee Lavoie
Directed by Guy Sprung
Starring Ashley Dunn & Howard Rosenstein

Larry, a paedophilic birthday clown, is on

a "date" with Britney, a sixteen-year-old prostitute working for a fetish escort service. If Britney gets another bad score from a client - she's had a string of bad-luck lately - her pimp will put her back out on the street. Larry asked for his usual girl, twelve-year-old Sabrina, who wasn't available. He really wanted his regular fix, as he has his sights set on a young girl who he will be seeing next week at a birthday party, his next clown job. He knows what he will do if he doesn't get some relief. It is D-Day in the hotel room. Through embarrassing, traumatic attempts at having sex, and in spite of Britney's nerves and Larry's broken routine, the two characters form a unique bond. The hotel room becomes a confessional for dark secrets and future dreams.

Bain St-Michel

5300 St-Dominique
Tues. thru Sat. - 8 PM
Sun. matinée - 2 PM
Adult.: $20 - Students & Seniors: $15 - Groups (6+): $10 MATURE SUBJECT MATTER
(514) 987 - 1774
www.infinitheatre.com

"Rabbit author"(Amy Lee Lavoie) at

tached - courtesy of Infinithéâtre


November 10 - 29

Tableau D'Hôte Theatre
presents
SUBURBAN MOTEL
By George F. Walker

Set in the same seedy motel room in no-place Canada, Governor General Award winning playwright George F. Walker brings us this hilarious and tragic series of six plays that can exist on their own but also share one interconnecting theme. The first time all six plays have been produced consecutively, Tableau D'Hôte Theatre invites you to celebrate some of Canada's most exciting talent, featuring over thirty local actors, directors, and designers in this Montréal first.

Mainline Theatre
3997, boul. St-Laurent
Tues. thru Sat. - 8 PM
Sun. matinée - 2 PM
Adult.: $20 - Students & Seniors: $15 - Special Group Rates available MATURE SUBJECT MATTER
514-849-FEST (3378)
www.tableaudhotetheatre.ca/

"Motel Collage" photo attached by Martin Reisch

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Roland Announces Regional Finalists in V-Drums Contest

CNW Group Portfolio E-Mail



ROLAND CANADA LTD.

The Best from the East and West Will Battle it out at Montreal Drum Festival

RICHMOND, BC, Oct. 14 /CNW/ - The 1st Roland V-Drums Contest has come to a close, and the two regional finalists will battle it out for the title of Canada's V-Drums Contest National Grand Champion on the Montreal Drum Fest stage. Representing the East is Francois Laliberté from Montreal, QC, who will face off with Western Regional Finalist Gary Grace from Port Coquitlam, BC.

After trying both the guitar and piano, at the age of eight Francois picked up his first pair of drumsticks. Since then, he has studied with many internationally known percussionists including Aldo Mazza and Dom Famularo, and is currently studying under Mario Roy at Cegep St-Laurent in Montreal. Francois has been recognized in both regional and international competitions; in 2008 he received honourable mention at the Modern Drummer's Undiscovered Drummer Contest. Francois dreams of using his music as a tool for peace, and of bringing his music all over the world.

Gary Grace was born into a family of drummers, following in the footsteps of both his father and older brother. Growing up, Gary was interested in many different genres and musical styles. Gary went on to study at the Crane School of Music in New York and has studied under many other drumming greats including Joe Morello and Jim Chapin. He has shared the stage with many great Canadian musicians and currently performs with the Canadian classic rock band "Prism." When not performing, Gary passes on his talent and knowledge to his students.
For the past few months, Roland Canada has been hosting the Roland V-Drums Contest, a national drum solo competition that gives drummers from across Canada the chance to compete for an autographed, top-of-the-line, Roland V-Drums TD-20KX V-Pro Series kit and the opportunity to perform at the prestigious Montreal Drum Fest this fall. The finals will be held on October 24, 2009 at 11:00am on the Montreal Drum Fest stage.

About Roland Canada Ltd.
Roland is a world leader in the design, manufacture and distribution of electronic musical instruments, professional audio equipment, multimedia products and music accessories. The Roland brand family includes Roland, BOSS, EDIROL by Roland, Rodgers, RSS by Roland, and Cakewalk by Roland. Roland's impressive line of products includes, but is far from limited to, guitar effects pedals, electronic percussion, acclaimed digital pianos, synthesizers, digital mixers and music production software.

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Symphony Nova Scotia to perform Macmillan's Suite Silver Dart at Celtic Colours

Halifax, NS – Symphony Nova Scotia takes to the road this week to be part of the annual Celtic Colours Festival in Cape Breton. The orchestra will perform the world premiere of Nova Scotia guitarist/composer Scott Macmillan’s newest work, Suite Silver Dart, on Friday, October 16, 2009 at 7:30 pm at Glace Bay’s Savoy Theatre and on Saturday, October 17 at 2:00 pm at Mabou’s Strathspey Place.

The Suite Silver Dart commemorates the 100th anniversary of the first powered flight in Canada. Spearheaded by Alexander Graham Bell and the Aerial Experiment Association, the first flight of the Silver Dart took place on February 23, 1909 in Baddeck, Cape Breton. Commissioned by Celtic Colours, the Silver Dart Centennial Association, and the Centre Bras d'Or, Suite Silver Dart is a musical exploration of the hard work, anticipation, and celebration surrounding this historic event.

Suite Silver Dart will be conducted by Symphony Nova Scotia resident conductor (and native Cape Bretoner) Martin MacDonald, and will feature Chris Stout, violin; Catroina McKay, harp; Paula-Jane Francis, piano; and of course, composer/guitarist Scott Macmillan. The concert program will also include highlights of Alexander Graham Bell’s favourite symphonic music, featuring vocalists Peter Gillis and Laurel Brown.

“I’m so excited about returning home to Cape Breton for the second time in a year with Symphony Nova Scotia,” says Symphony Nova Scotia resident conductor Martin MacDonald. “It’s such an honour to be collaborating with Scott Macmillan and Celtic Colours to present the Suite Silver Dart on this very special occasion.”

Tickets for both performances range from $20-35 and are available at 1.888.355.7744 or www.celtic-colours.com.

About Symphony Nova Scotia
Symphony Nova Scotia is Nova Scotia’s orchestra. Each year more than 50,000 audience members (including 15,000 young music lovers) join us in communities across Nova Scotia for performances of the music they love – from baroque and classical to pop and rock and folk. Under the inspirational leadership of Music Director Bernhard Gueller, Symphony Nova Scotia is recognized as one of the finest orchestras in the country. Visit www.SymphonyNovaScotia.ca to learn more, listen online, or subscribe today!

Symphony Nova Scotia is grateful to the Canada Council for the Arts, Nova Scotia Tourism, Culture, and Heritage, and the Halifax Regional Municipality for their continued support.

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Canada Council for the Arts announces the finalists for the 2009 Governor General's Literary Awards



TORONTO, ONTARIO--(Marketwire - Oct. 14, 2009) - The Canada Council for the Arts today announced the finalists for the 2009 Governor General's Literary Awards. The finalists include authors, illustrators and translators from ages 27 to 78. The English and French awards are in the categories of fiction, non-fiction, poetry, drama, children's literature (text and illustration) and translation. In total, 70 books are shortlisted.

This year marks the 50th anniversary of Canada Council involvement with the Governor General's Literary Awards. A total of 1,541 eligible books were submitted for this year's awards. Thirty-eight of the 75 finalists are nominated for the first time. At least seven of the finalists are under the age of 35 and three of the finalists are aboriginal. A sense of belonging, family, war and religion are themes that figure prominently in several of the books.

The names of the finalists, the titles of their works, and the peer assessment committees' citations for each work as well as the names of the members of the 14 committees (seven English and seven French) are listed here:
www.canadacouncil.ca/news/releases/2009/wi128999467161854957

Download images of the shortlisted books:
www.canadacouncil.ca/imagegallery/ga128999385012522209

Additional information about the 2009 Awards is available on the Canada Council website at www.canadacouncil.ca/prizes/ggla.

CONTACT INFORMATION:
350 Albert Street
Post Office Box 1047

Ottawa, Ontario K1P 5V8
 www.canadacouncil.ca

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La collection des Impatients s'expose en présentant les œuvres d'Antonio Mazza

Montréal, le mercredi 14 octobre 2009-Le commissaire Éric Mattson et la directrice générale des Impatients, Lorraine Palardy, sont heureux de présenter, pour la première fois, les œuvres de l'artiste Impatient Antonio Mazza dans le cadre de l'exposition « Antonio Mazza, Le quotidien, Les écritures ». L'exposition sera présentée du 14 octobre au 18 décembre 2009.

Antonio Mazza est né en 1964 à Montréal, d'une famille d'origine italienne. Il fréquente les ateliers depuis le tout début de la création des ateliers. Il utilise des crayons aquarelle pour illustrer avec des effets visuels très colorés de petites narrations pleines de détails soigneusement ordonnés. De nombreuses descriptions vivantes disent ses souvenirs avec cocasserie. Au premier abord, c'est bénin parfois même gentiment inoffensif. Une lecture un peu plus attentive nous fait découvrir l'imminence du malheur : le professeur va sévir, l'espiègle sera douloureusement électrocuté, et, quant à nous, nous cesserons de trouver le dessin simplement drôle.

Éric Mattson est un commissaire indépendant montréalais qui poursuit deux passions : la musique et l'art brut. Son travail en audio est reconnu tant sur la scène locale qu'à l'étranger. Cofondateur de la regrettée Société des arts indiscipliné, devenu travailleur indépendant, il s'associe en l'an 2000 aux Impatients. Après de nombreuses années à développer le site internet de la FATABQ et à effectuer la documentation des concerts et des expositions qu'elle produit, il réalise ici une exposition majeure, celle d'Antonio Mazza, une des figures emblématiques des Impatients, conteur en images peintes du quotidien.
Le Centre Les Impatients a pour double mission d'offrir un lieu d'expression artistique aux personnes souffrant de problèmes de santé mentale et de favoriser les échanges avec la communauté par la diffusion de leurs réalisations.

L'exposition Antonio Mazza, Le quotidien, Les écritures sera présentée du 14 octobre au 18 décembre 2009. La galerie sera ouverte du lundi au vendredi de 10 h à 17 h et le samedi et dimanche de 13 h à 17 h.

Les Impatients
100, rue Sherbrooke Est,4e étage à Montréal
Information : 514-842-1043

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Pierre Gauvreau et Janine Carreau vont envahir la Galerie Michel-Ange dans le Vieux-Montréal du 14 octobre au 1er novembre 2009


EXPOSITION du 14 octobre au 1er novembre 2009.
ÉCHOS D'UN AUTRE MONDE
VERNISSAGE, le 14 octobre dès 18 heures.


Notre équipe sera à votre disposition pour vous faire découvrir l'univers fascinant des Cadavres exquis de Pierre Gauvreau et Janine Carreau. On pourra en voir une trentaine, ainsi que des tableaux individuels qui permettront de mieux identifier la participation de chacun dans l'œuvre exécutée à deux, toujours sans voir la contribution de l'autre avant le dévoilement final, selon l'impératif du jeu surréaliste. On aura accès à des œuvres récentes et à quelques œuvres charnières, qui nous permettront de comprendre leur parcours individuel.

Peintre, réalisateur, auteur et pionnier de la télévision, Pierre Gauvreau s'est vu attribuer plusieurs reconnaissances par le grand public et par ses pairs. Ce signataire de Refus Global, continue à Quatre-­vingt-sept ans, de peindre avec la détermination du jeune homme en colère. Janine Carreau, elle travaille la peinture et la photographie et intègre les deux dans ses photomontages.

En décidant de vivre ensemble il y a bientôt trente-quatre ans, ils ont fait le pacte d'axer leur vie sur la création. Ils n'ont pas dérogé. Janine Carreau pratique le cadavre exquis depuis plus de vingt-cinq ans, mais surtout avec Pierre Gauvreau depuis quinze ans. Leurs œuvres sont modernes, explosives, énergisantes. Que ce soit sur toile avec des caches, ou à la manière « montréalaise » comme l'appelle Ray Ellenwood dans un texte de l'ouvrage qui accompagne l'exposition, les œuvres sont toujours imprévues. Les pièces découpées de manière égales et structurées ou libres, permettent un dialogue que Carreau et Gauvreau s'amusent à renouveler. Leurs flamboiements ne sont pas sans rappeler leur jardin. Osez pénétrer dans cet univers unique aux mille et deux couleurs.

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Lemony Snicket’s children’s story comes alive with
 composer Nathaniel Stookey



Winnipeg, MB - October 13, 2009 – Admired children’s author Lemony Snicket’s The Composer is Dead comes to Winnipeg in a breathtaking interactive performance of a symphonic murder mystery perfect for families being performed by the Winnipeg Symphony Orchestra (WSO). Mr. Snicket is also known for the wildly popular book: “A Series of Unfortunate Events.”
Composer Nathaniel Stookey presents and narrates this best selling novel with original text by Lemony Snicket on Sunday, October 18 at 2:00 p.m. at the Centennial Concert Hall in the Great-West Life, Great Explorations Sundays with the Family concert series. Original music by Mr. Stookey is based on symphonic masterpieces.

This New York Times best-selling picture book, with music by Nathaniel Stookey, is a mystery that needs to be solved at the Centennial Concert Hall, and all the suspects are lurking somewhere on stage! Each instrument is brought to dramatic life in this engaging introduction to the sections of the orchestra.

“It’s a guide to the orchestra in the guise of a murder mystery,” says composer Mr. Stookey. “The narrator takes the role of the inspector who is investigating the murder of the composer. He interrogates all the sections of the orchestra as to why they would have wanted to off the composer. And they all have very good reasons.”

Nathaniel Stookey, a native of San Francisco, CA, has collaborated with a remarkable range of artists, from The Mars Volta to the Philadelphia Orchestra. At 23, he was awarded the first Hallé Orchestra Composition Fellowship, serving as resident composer under Kent Nagano from 1993-1996. In 2006, the San Francisco Symphony premiered their commissioned work, The Composer is Dead, with libretto by Lemony Snicket, which was immediately taken up by the Toronto Symphony’s New Creations Festival and has since been programmed by orchestras across North America.

In partnership with Music for Young Children, families can also participate in pre-concert musical activities at 1:00 pm with crafts, rhythm ensembles and round-singing. Children can visit the Conducting Station where they get a chance to conduct a group of musicians or visit the Instrument Petting Zoo.

Sundays with the Family concert series is sponsored by Great-West Life.
Nathaniel Stookey is an accomplished living composer who is not entirely above suspicion in this perplexing murder mystery and available for interviews. Also available for media interviews is former Winnipegger Susan Rich who is Lemony Snicket’s Editor.

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Shanghai Symphony Orch, historic N. American Tour comes launches at Carnegie Hall, Nov '09

This November, the Shanghai Symphony Orchestra (SSO), the oldest orchestra in Asia and one of the oldest classical ensembles in the world, will make history as it tours the U.S. and Canada under the baton of Maestro Long Yu. Celebrating the 60th Anniversary of the People's Republic of China and the 130th anniversary as one of Asia's best-known cultural ambassadors, the SSO will bring a rare musical experience to American audiences. The tour launches Tuesday, November 10th in New York City at Carnegie Hall.

As the Music Director of the SSO, China Philharmonic and Guangzhou Symphony and as the Artistic Director and co-founder of the Beijing Music Festival, Maestro Long Yu has also made appearances with the Chicago Symphony Orchestra, The Philadelphia Orchestra, Los Angeles Philharmonic, National Symphony Orchestra, Hamburg State Opera, and the Sydney Symphony, among many others.

One of the most influential leaders of the classical music scene in China today, Long Yu has a bold vision for the future of SSO. Only in his first year as its Music Director, Maestro Yu has rebuilt and re-energized the orchestra by inviting some of the finest international players, who were hand picked through recent auditions in New York and Berlin.

"I am honored to become the Music Director of the extraordinary Shanghai Symphony Orchestra, whose past is legendary and whose future is full of endless possibility" says Maestro Long Yu "Because of its high artistic level and bold approach to classical music, this ensemble is in a unique position to serve as a cultural bridge between the East and the West. The musicians, the staff and myself are looking forward to sharing the legacy of the Shanghai Symphony Orchestra with new audiences in China and worldwide."

Both at home and on tour SSO frequently features the world's brightest classical stars, including Lang Lang, who will perform Rachmaninoff's Piano Concerto No. 2 in C minor, Op. 18. Along with the standard Western Repertoire, SSO consistently programs new music, including Chen Qigang's iconic Iris dévoilée, which will be performed in the composer's presence at Carnegie Hall, as part of the Ancient Paths, Modern Voices festival celebrating Chinese culture.

The program of the 12-city North American tour will also include China Air Suite by another living Chinese composer Bao Yuan Kai. Guest soloists will be the up-and-coming Chinese pianists Yuja Wang and Peng Peng. During the two weeks following the Carnegie Hall performance SSO will travel across the North American continent, visiting Fairfax, Santa Barbara, Berkeley, Toronto, etc.

Formed in 1879, SSO has always promoted the European classical tradition and trained Chinese musicians in this style, bridging the gap between East and West. Having played over 10,000 concerts, this esteemed ensemble has an extensive discography, which includes the soundtrack of the Oscar and Grammy-winning film Crouching Tiger, Hidden Dragon.

TOUR SCHEDULE & PROGRAM

Tues, Nov 10, 2009 – NEW YORK, NY
Isaac Stern Hall, Carnegie Hall
Soloist: Lang Lang, piano
Program: RACHMANINOFF, Piano Concerto No. 2; CHEN QIGANG, Iris dévoilée
For tickets: 212-247-7800, www.carnegiehall.org

Wed, Nov 11, 2009 – WORCESTER, MA
Mechanics Hall
Soloist: Yuja Wang, piano
Program: MUSSORGSKY, Khovantchina: Intro (Dawn…Moscow River); RACHMANINOFF, Piano Concerto No. 2; CHEN QIGANG, Iris dévoilée
For tickets 508-752-0888, www.mechanicshall.org

Thu, Nov 12, 2009 – NEW BRUNSWICK, NJ
State Theatre, Regional Arts Center
Soloist: Yuja Wang, piano
Program: MUSSORGSKY, Khovantchina: Intro (Dawn…Moscow River); RACHMANINOFF, Piano Concerto No. 2; CHEN QIGANG, Iris dévoilée
For tickets: 732-246-7469, www.statetheatrenj.org

Fri, Nov 13, 2009 – GREENVALE, NY
North Fork Hall, Tilles Center
Soloist: Yuja Wang, piano
Program: TCHAIKOVSKY, Romeo and Juliet Overture; BAO YUANKAI, China Air Suite; RACHMANINOFF, Piano Concerto No. 2
For tickets 516-299-3100, www.tillescenter.org

Sat, Nov 14, 2009 – FAIRFAX, VA
Center for the Arts , George Mason Univ.
Soloist: Peng Peng, piano
Program: TCHAIKOVSKY, Romeo and Juliet Overture; BAO YUANKAI, China Air Suite; RACHMANINOFF, Piano Concerto No. 2
For tickets: 888-945-2468/703-993-2787, www.gmu.edu/cfa/

Mon, Nov 16, 2009 – TORONTO, ON, CANADA
Roy Thomson Hall
Soloist Yuja Wang, piano
Program: MUSSORGSKY, Khovantchina: Intro (Dawn…Moscow River); RACHMANINOFF, Piano Concerto No. 2; CHEN QIGANG, Iris dévoilée
For tickets: 416-872-4255, www.roythomson.com

Thu, Nov 19, 2009 – LA JOLLA, CA
Copley Symphony Hall
Soloist: Yuja Wang, piano
Program: TCHAIKOVSKY, Romeo and Juliet Overture; BAO YUANKAI, China Air Suite; RACHMANINOFF, Piano Concerto No. 2
For tickets: 858-459-3728, www.ljms.org/Performances-and-Tickets/Venues-and-Directions/Copley-Symphony-Hall.html

Fri, Nov 20, 2009 – SANTA BARBARA, CA
Grenada Theatre
Soloist: Yuja Wang, piano
Program: MUSSORGSKY, Khovantchina: Intro (Dawn…Moscow River); RACHMANINOFF, Piano Concerto No. 2; CHEN QIGANG, Iris dévoilée
For tickets: 805-899-2222, www.camasb.org

Sat, Nov 21, 2009 – DAVIS, CA
Jackson Hall, Mondavi Center
Soloist: Yuja Wang, piano
Program: TCHAIKOVSKY, Romeo and Juliet Overture; BAO YUANKAI, China Air Suite; RACHMANINOFF, Piano
For tickets 530-754-2787, www.mondaviarts.org

Sun, Nov 22, 2009 – BERKELEY, CA
Zellerbach Hall, UC Berkeley
Soloist Yuja Wang, piano
Program: MUSSORGSKY, Khovantchina: Intro (Dawn…Moscow River); RACHMANINOFF, Piano Concerto No. 2; CHEN QIGANG, Iris dévoilée
For tickets: 510-642-9988, www.calperfs.berkeley.edu

Tue, Nov 24, 2009 – COSTA MESA, CA
Segerstrom Concert Hall
Soloist Yuja Wang, piano
Program: MUSSORGSKY, Khovantchina: Intro (Dawn…Moscow River); RACHMANINOFF, Piano Concerto No. 2; CHEN QIGANG, Iris dévoilée
For tickets: 949-553-2422, www.philharmonicsociety.org

Wed, Nov 25, 2009 – PALM DEERT, CA
McCallum Theatre
Program: MUSSORGSKY, Khovantchina: Intro (Dawn…Moscow River); RACHMANINOFF, Piano Concerto No. 2; CHEN QIGANG, Iris dévoilée
For tickets: 760-340-1787, www.mccallumtheatre.com


ABOUT THE ARTISTS
LONG YU, Music Director and Conductor, will conduct all 12 concerts with various artists during the SSO North American Tour 2009. Programs including Rachmaninoff Piano Concerto No. 2, Iris dévoilée by Chen Qigang, Khovantchina: Intro by Mussorgsky, China Air Suite by Bao Yuankai, and Romeo and Juliet Overture by Tchaikovsky. As one of the most distinguished Chinese conductors with an established international reputation, Maestro Long Yu is currently Artistic Director and Principal Conductor of the China Philharmonic Orchestra, Music Director of the Guangzhou Symphony Orchestra, President of the Beijing Music Festival Artistic Committee and President of the Artistic Committee of the Shanghai Oriental Center. Besides his concerts throughout the year with the China Philharmonic and the Guangzhou Symphony, Long Yu has appeared with the world's major orchestras and opera companies, including the Chicago Symphony, the Philadelphia Orchestra, the National Symphony Orchestra in Washington DC, the Hamburg State Opera, the Rundfunk Sinfonieorchester Berlin, the Radio Symphony Orchestra of Leipzig, the Budapest Radio Symphony Orchestra, Le Theatre de Nice, the Ireland National Philharmonic Orchestra, Sydney Symphony Orchestra, the Hong Kong Philharmonic Orchestra, the Tokyo Philharmonic, the Singapore Symphony Orchestra and the Teatro La Fenice in Venice. Long Yu was born in Shanghai in 1964 into a family of musicians. He received his early music education from his grandfather Ding Shande, a celebrated composer and an educator of high prestige. This prepared him for the rigorous formal music education he subsequently received first at the Shanghai Music Conservatory and then at the Hochschule der Kunst in Berlin. In 1992, he was appointed Principal Conductor of the Central Opera Theatre in Beijing. In the same year, he was involved in organizing the inaugural Beijing New Year's Concert, now an annual event, and served as its conductor for three successive years. In 1998, he founded the Beijing Music Festival held the position of Artistic Director and has been President of the Beijing Music Festival Arts Foundation since 2005. Under his leadership the Beijing Music Festival has become one of the internationally acclaimed festivals. Along with numerous performances by world-renowned ensembles and artists, the festival has been commissioning new music from composers such as Krzysztof Penderecki, Philip Glass and Guo Wenjing. In 2000, Long Yu co-founded the China Philharmonic Orchestra and was appointed Artistic Director and Principal Conductor. Now entering his 7th season with the CPO, he has maintained the high standard of orchestral performance and artistic administration. In 2003, Long Yu was appointed the Music Director of the Guangzhou Symphony Orchestra. He has toured extensively with the China Philharmonic and the Guangzhou Symphony. From February to April 2005, the China Philharmonic Orchestra took an international tour under the baton of Maestro Long Yu. Within 40 days they appeared in 22 cities throughout North America and Europe. This is the first time a symphony orchestra gave performances in the two continents in China's history, a tour de force even among orchestras all over the world. Mr. Long Yu's recordings include, on Deutsche Grammophon with the China Philharmonic, Brahms's Piano Quartet in G Minor (orch. Arnold Schoenberg) and Wagner's Tannhäuser Overture, highlights of Chinese symphonic music and Yellow River Concerto with Lang Lang. Recordings on Naxos include Korngold's Violin Concerto and Ding Shande's Long March Symphony. Long Yu received the 2002 Montblanc Arts Patronage Award from the Montblanc Cultural Foundation, and in 2003 came Le grade de chevalier dans l'ordre des Arts et des Lettres (The Honor of Chevalier of French Art and Culture) from the Government of France. In 2005, Italian President honored Maestro Long Yu L'onorificenza di commendatore.

LANG LANG, pianist, will play Rachmaninoff Piano Concert No. 2 with SSO as the soloist on Nov. 10, 2009 at Carnegie Hall, which is the opening concert of SSO North American Tour, and also the closing ceremony of the China Festival at Carnegie Hall. Heralded as the "hottest artist on the classical music planet" by the New York Times, 27-year-old Lang Lang has played sold out recitals and concerts in every major city in the world and is the first Chinese pianist to be engaged by the Berlin Philharmonic, the Vienna Philharmonic and the top American orchestras. Testimony to his success, Lang Lang recently appeared in the 2009 Time 100 – Time magazine's annual list of the 100 Most Influential People in the World. In 2008, over five billion people viewed Lang Lang's performance in Beijing's opening ceremony for the Games of the XXIX Olympiad where he was seen as a symbol of the youth and future of China. This status has inspired over 40 million Chinese children to learn to play classical piano – a phenomenon coined by The Today Show as "the Lang Lang effect." Recognizing Lang Lang's powerful cultural influence, in 2008, the Recording Academy named him their Cultural Ambassador to China. Most recently, Lang Lang has been chosen as an official worldwide ambassador to the 2010 Shanghai Expo. Continuing his presence on the world stage, Lang Lang was featured at the 2008 Grammy's, pairing up with jazz great Herbie Hancock,for an astounding performance that was broadcast live to 45 million viewers worldwide. The two pianists continued their collaboration with an inaugural world tour in summer 2009. 

Lang Lang has made it his mission to share classical music around the world, with an emphasis on training children and young musicians through education and outreach programs. To that effect, in October 2008 he launched the Lang Lang International Music Foundation in New York with the support of the Grammy's and UNICEF. The Lang Lang International Music Foundation was created to enrich the lives of children through a deeper understanding and enjoyment of classical music and to inspire and financially support the next generation of musicians. In May 2009, Lang Lang and his three chosen scholars from the foundation – aged between 8 and 10 years old – performed together on The Oprah Winfrey Show on "Oprah's Search for the World's Most Smartest and Most Talented Kids." Lang Lang also continues to give master classes regularly throughout the world at the invitation of the most prestigious music institutions, including the Juilliard School, the Curtis Institute of Music, Manhattan School of Music and Hanover Conservatory, as well as all the top conservatories of China where he holds honorary professorships. He has held music residencies in Chicago, Toronto, San Francisco, London, Rome and Stockholm, which include master classes for exceptional students. In addition to his numerous commitments, Lang Lang holds the title of the first Ambassador of the YouTube Symphony Orchestra. His role in this groundbreaking project created by YouTube and Google reflects his devotion to building new audiences and bringing classical music to young people worldwide. In 2009, Lang Lang continues his busy touring schedule around the world. As the youngest instrumentalist to ever receive an invitation, Lang Lang will also be in residence with the Berlin Philharmonic - where, among other shows, he will perform on the New Year's Eve concert with 100 school children from Berlin. Furthermore, Lang Lang will also be featured in a special tour of Japan with the Vienna Philharmonic. www.langlang.com

YUJA WANG, pianist, will play Rachmaninoff Piano Concert No. 2 in 10 of the 12 concerts with SSO during the tour as the soloist. Wang's performance dates: Nov. 11, 2009 in Worcester, MA; Nov. 12, 2009 in New Brunswick, NJ; Nov. 13, 2009 in Greenvale, NJ; Nov. 16, 2009 in Toronto, Canada; Nov. 19, 2009 in La Jolla, Canada; Nov. 20, 2009 in Santa Barbara, CA; Nov. 21, 2009 in Davis, CA; Nov. 22, 2009 in Berkeley, CA; Nov. 24, 2009 in Costa Mesa, CA; Nov. 25, 2009 in Palm Desert, CA. Twenty-two year old Chinese pianist Yuja Wang is widely recognized for playing that combines the spontaneity and fearless imagination of youth with the discipline and precision of a mature artist. Yuja's command of the piano has been described as "astounding" and "superhuman," and she has been praised for her authority over the most complex technical demands of the repertoire, the depth of her musical insight, as well as her fresh interpretations and graceful, charismatic stage presence. Yuja has already performed with many of the world's leading orchestras including the Baltimore, Boston, Chicago, Dallas, Detroit, Houston, National, New World, and San Francisco symphonies, the Los Angeles Philharmonic and the Philadelphia Orchestra in the U.S., and abroad with the Tonhalle Orchestra, the China, London and Nagoya philharmonics, the NHK Symphony and Orchestra Mozart. In 2006 Yuja made her New York Philharmonic debut at the Bravo! Vail Music Festival and performed with the orchestra the following season under Lorin Maazel during the Philharmonic's Japan/Korea visit. In 2008, she toured the U.S. with the Academy of St. Martin in the Fields led by Sir Neville Marriner and in 2009 Yuja performed as a soloist with the You Tube Symphony Orchestra. Yuja has given recitals in major cities throughout North America and abroad, makes regular appearances at festivals, and is a dedicated performer of chamber music. Highlights of Yuja's 2009-10 season include her recent Carnegie Hall orchestral debut with the Philadelphia Orchestra and the world premiere of Jennifer Higdon's piano concerto with the National Symphony Orchestra. In addition to her tour of the U.S. with the Shanghai Symphony Orchestra, she will tour with the Russian National Orchestra and perform with the Indianapolis, New World and San Francisco symphonies, the Lucerne Festival Orchestra in Beijing, the Royal Philharmonic Orchestra in London and Spain, and the Hong Kong Philharmonic. She will give recitals in San Francisco, Vancouver, Philadelphia, and Washington DC, among other cities worldwide, and will return to the Santa Fe Chamber Music Festival and the Verbier Festival in the summer of 2010. Yuja is an exclusive recording artist for Deutsche Grammophon. Her debut recording, titled Sonatas & Etudes, was released in the spring of 2009. Born in Beijing, Yuja began studying piano at age six, and then at the Central Conservatory of Music in Beijing. After attending three Morningside Music summer programs at Calgary's Mount Royal College from 1999-2001, she moved to Canada to study at the Mount Royal College Conservatory. Yuja moved to the U.S. at 15 to study with Gary Graffman at The Curtis Institute of Music, where she graduated in 2008. In 2006 Yuja received the Gilmore Young Artist Award.

PENG PENG, pianist, will perform Rachmaninoff Piano Concerto No. 2 as pianist on Nov. 14, 2009 in Fairfax, CA. Born in China, 16-year-old pianist and composer Peng Peng began piano lessons at the age of five and gave his first public recital in Nanjing at the age of eight. In 2002 he made his concerto debut with the Xiamen Philharmonic Orchestra performing Beethoven's Piano Concerto No. 1. He appeared on NPR's From the Top and performed in Red Cross benefits at Carnegie's Weill Recital Hall. Peng Peng made his Lincoln Center debut performing in Alice Tully Hall with Itzhak Perlman conducting the Julliard Pre-College Chamber Orchestra. He has also performed with the Aspen Festival Orchestra led by Leonard Slatkin and made his European debut at Musée de Louvre. Peng Peng was also on the Spring 2006 national TV broadcast of PBS' Live from Lincoln Center as part of Juilliard's Celebrating 100 Years Gala in which he performed the opening movement of Rachmaninofff's Second Piano Concertoio with conductor/composer John Williams. In February 2007, he performed Tchaikovsky's Piano Concerto No. 1 with the San Francisco Symphony for their Chinese New Year celebration concert, and again joined the symphony twice in 2008 with pianist/composer Conrad Tao. In the 2007 Peng Peng appeared as guest soloist at the 2007 American Symphony Orchestra League Conference with the conference sponsoring orchestra, the Nashville Symphony, conducted by Mr. Slatkin. In September 2007 he again joined Mr. Slatkin for the National Symphony's opening season gala. This season he will give recitals in Florida, Missouri, and San Jose, and perform in Beijing with the China National Symphony. Peng Peng has won numerous competitions including the Junior Category of the 2005 New Jersey Philharmonic Orchestra's competition and the Juilliard School's 2003-04 and 2005-06 Pre-College Mozart Piano Concerto Competitions. Over the past two seasons he has appeared with the Big Spring Symphony, Philharmonic of New Jersey, Midland-Odessa Symphony, Orlando Philharmonic, Corpus Christi Symphony, Orchestra of St. Lukes, Norwalk Symphony, Nashua Symphony, San Diego Symphony, Nashville Symphony, U.S. National Symphony, Dominican Republic National Symphony, RTV Slovenia Symphony, Brazilian National Symphony, and California Symphony. He has also given recitals throughout the United States and China. An avid composer, Peng Peng studies composition at Juilliard with Andrew Thomas. He has written numerous works for piano, chamber ensembles and orchestras. In 2006, Peng Peng won an ASCAP Foundation Young Composer Award, the Charlotte V. Bergen Scholarship, for his piano work "Immortal Struggle." His work, "Exit, Stage Left!," "Scherzo for Orchestra" won the 2004-05 Juilliard Pre-College Division Composition Competition. Peng Peng currently studies piano with Yoheved Kaplinsky at Juilliard. http://www.opus3artists.com/artists/peng-peng

XIAODUO CHEN, Soprano, will perform as the first soprano in Qigang Chen's Iris dévoilée on the following dates: Nov 10, 2009 in New York, NY; Nov 11, 2009 in Worcester, MA; Nov 12, 2009 in New Brunswick, NJ; Nov 16, 2009 in Toronto, Canada; Nov 20, 2009 in Santa Barbara, CA; Nov 22, 2009 in Berkeley, CA; Nov 24, 2009 in Costa Mesa, CA; Nov 25, 2009 in Palm Desert, CA An active performer in China and around the world, Xiaoduo Chen was a prizewinner at Beijing's 2004 National Singing Competition and Belgium's Queen Elizabeth Competition. Ms. Chen won the 2001 Vera Rosa Award for most promising singer in Belgium and the 2002 Best New Singer award in Taiwan. She has performed with the China Philharmonic, Beijing Symphony Orchestra, Shanghai Symphony Orchestra, and at the Central Opera House of China. In 2004 she was asked to serve as a cultural ambassador by China's Ministry of Culture. She studied at the China Conservatory of Music and the Royal Academy of Music. Touring across the United States and Canada, Ms. Chen received critical acclaim as the lead role in the musical Terracotta Warriors. She performed at the Gwangju Jungyoulsung International Music Festival in Korea and toured as a guest performer with Italian singer Renzo Arbore. In 2006 she sang the lead role in the Chinese opera Ms. Du Shi Niang at the Central Opera House.

MENG MENG, Soprano, will perform as the second soprano in Qigang Chen's Iris dévoilée on the following dates: Nov 10, 2009 in New York, NY; Nov 11, 2009 in Worcester, MA; Nov 12, 2009 in New Brunswick, NJ; Nov 16, 2009 in Toronto, Canada; Nov 20, 2009 in Santa Barbara, CA; Nov 22, 2009 in Berkeley, CA; Nov 24, 2009 in Costa Mesa, CA; Nov 25, 2009 in Palm Desert, CA. Meng Meng, currently a student at the China Conservatory of Music, was admitted to the Shan Dong Opera School at age twelve, where she won first prize in the New Talents Cup and second prize in the A Cappella Group competition. Ms. Meng has performed in many productions at the Qing Dao Theater and sang in the Chinese ballet Da Hong Deng Long Gao Gao Gua in 2003. She is a first-prize winner of the China Opera Essay Competition. Singing in Qigang Chen's symphonic work Die Lian Hua with the Guangzhou Symphony Orchestra, Ms. Meng performed in Guangzhou, Australia, France, Germany, Belgium and Egypt.

Three young Chinese traditional instrumentalists, NAN WANG, JIA LI and XIN SUN, will perform in Qigang Chen's Iris dévoilée on the following dates: Nov 10, 2009 in New York, NY; Nov 11, 2009 in Worcester, MA; Nov 12, 2009 in New Brunswick, NJ; Nov 16, 2009 in Toronto, Canada; Nov 20, 2009 in Santa Barbara, CA; Nov 22, 2009 in Berkeley, CA; Nov 24, 2009 in Costa Mesa, CA; Nov 25, 2009 in Palm Desert, CA. Both Nan Wang and Jia Li were featured soloist with the National Orchestra of France at the world premiere of this piece.

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L'Orchestre Symphonique des Musiciens du Monde présente L'Est rejoint l'ouest - le monde s'unit par la musique

Joseph Milo, Chef d'orchestre Lundi 19 octobre au Centre Pierre Péladeau

MONTREAL, Le Octobre 2009 – L'orchestre symphonique des musiciens du monde (OSMM) sous la direction de Joseph Milo, a le plaisir d'annoncer un concert de music folklorique et classique mettant en vedette plusieurs troupes d'artistes invitées provenant de cinq régions différentes du monde. En effet, durant la première partie du spectacle, des musiciens de Chine, de l'Inde, du Moyen Orient, du Pérou et d'Afrique vous enchanteront avec leur vaste répertoire de pièces. Ensuite, ils se joindront à l'orchestre symphonique des musiciens du monde pour vous entraîner encore plus loin.

L'OSMM a connu beaucoup de succès en trois ans d'existence, en effet, depuis qu'ils sont ensemble ils ont mis sur pied plus de 20 concerts. Le programme du concert international en question inclus: The Butterfly Lovers, des extraits du concerto pour violon interprète par la soliste Venus Fu qui est imbue de culture folklorique chinoise ancienne, Ragleela, un groupe qui interprète des pièces reflétant la spiritualité des Indes, Okto Echo, un groupe dédié a l'évolution de la music du moyen orient vers un style moderne, Armonia Andina qui se spécialise en mélodies émouvantes des Andes, un mélangé de mélangé de musique Péruvienne, Argentine et Bolivienne ainsi que Samajam, une troupe de percussion africaine soulevante qui viendra finir la soirée avec des rythmes entrainants !

Après l'entracte, tous ces musiciens invites se joindrons ensuite a l'OSMM pour présenter la pièce Dvorak une symphonie du Nouveau monde, soutitree The Global Sound. Dans le contexte de cette œuvre, ils interprèterons des solos dans un in dialogue fascinant avec les musiciens de l'orchestre. L'inspiration de composer la Symphonie du Nouveau monde vient de ce que Dvorak a vu en Amérique surtout les gens différents de ceux en Europe. Le concert se terminera par une grande finale ou tous seront intègres artistiquement accompagnes de la musique inspirante 'paix sur la terre'. Cette expérience de concert spécial ne doit pas être manquée.

L'OSMM a été créée pour répondre à un besoin particulier de la communauté musicale de Montréal. Le chef d'orchestre, Joseph Milo, a réalisé que plusieurs musiciens ayant beaucoup de talent et provenant de partout au monde, qui après leur immigration au Canada, n'avaient aucunes opportunités d'exprimer leur talent. Il a donc, pris l'initiative de former un orchestre multiculturel qui permettrait à ces derniers de déployer leur talent et de s'intégrer dans la communauté musicale de Montréal. Pour Milo, l'OSMM dépasse la somme de ses membres. « En ce qui concerne le concert l'est rejoint l'ouest, ceci est encoure plus vrai, « Nous à l'OSMM, représentons un pont reliant la musique du monde entier et les fervents de musique à travers le monde.»

Cet orchestre est extrêmement important pour tous les membres et ce concert en particulier, personnifie la mission de l'orchestre. Faire parti de l'OSMM est vital pour Venus Fu, notre maître de concert. « L'orchestre apporte un nouvel espoir à tous ces musiciens immigrants. Ils peuvent à nouveau contribuer leur talent à la promotion des arts et de la culture. » Pour Paul Serralheiro, l'OSMM a élargie son monde musical, « L'orchestre représente un tremplin qui m'a permis de sortir et de faire parti d'un monde actif de la musique ». Pour plusieurs comme Anna Levitina, être membre de l'OSMM a un impact plus grand que celui de jouer en groupe, « L'orchestre m'a donné la chance de rencontrer des gens magnifiques, m'a servi de stimulus pour améliorer ma performance et a enrichi ma vie en général. »

L'OSMM qui comprend plus de 50 musiciens provenant de partout au monde est le premier orchestre de ce genre au Canada. Il a été reconnu avec enthousiasme par la Ville de Montréal. Le rêve de tous ses membres est de faire une tournée à travers tous leurs pays d'origine donc la Korê, la Chine, la Russie, l'Arménie, la Romanie, l'Allemagne, l'Iran, la Nouvelle Zélande, le Venezuela, l'Estonie, la Grèce, les ÉU, la Moldovie, le Kazakhstan, l'Égypte, la Hongrie, la Scandinavie, l'Israël, l'Albanie, le Portugal and la Belarusse et d'autres.

« Au départ, certains musiciens ne voulaient même être assis ensemble dans la même, cependant la musique et le besoin de collègues et d'amis ont très vite rendu le groupe solidaire et ont fait dissiper les egos. »

-Lucy Ravinsky, Directrice Exécutive OSMM


Pour de plus amples renseignements prière de visiter le site suivant: www.musiciansoftheworld.ca

Salle Pierre Mercure au the Centre Pierre Péladeau
300 boulevard de Maisonneuve Est
Billets: 35$, 25$ pour les étudiants et pour les aînés. Prix de groupe disponibles.
Billets en vente au Bureaux de l'Orchestre: 514 484-7428 ou à la Salle Pierre Mercure 514 987-6919 ainsi aux bureaux d'admission, 514-790-1245, www.admission.com
(des frais de service sont applicables donc économisez en achetant vos billets directement au guichet ou en les réservant au bureau de l'orchestre)

Joseph Milo, Fondateur et Chef d'orchestre
Joseph Milo est chef d'orchestre, compositeur et pianiste diplômé de l'Académie de Musique d'Israël. Il a étudié avec plusieurs grands maîtres aux ÉU et en Italie. Il est aussi diplômé avec distinction de l'université McGill dans les disciples de chef d'orchestre sous la tutelle d'Alexander Brott. Il a vécu à New York où, il a dirigé plusieurs ensembles orchestraux, des chorales et les troupes de théâtre musical et a aussi enseigné dans plusieurs écoles de musique. Depuis qu'il habite Montréal, il a dirigé l'Orchestre symphonique junior de Montréal sous le patronage de Sir Wilfrid Pelletier, l'Orchestre de chambre de Hampstead et plusieurs chorales. De plus, pendant plusieurs années, il a été le directeur musical du Centre des Arts Saidye Bronfman. Mr Milo a fondé l'Orchestre symphonique des musiciens du monde en 2006 afin d'offrir aux immigrants qui sont musiciens professionnels une avenue pour déployer leur talent à Montréal.

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World famous pianist André Laplante appears with the Winnipeg Symphony Orchestra



Winnipeg, MB - October 13, 2009 – The Winnipeg Symphony Orchestra (WSO) is proud to present world famous Canadian pianist, André Laplante, in two concerts this week.

Over the last decade, Canadian pianist André Laplante has firmly established himself as one of the great romantic virtuosos. He garnered international attention after winning prizes at the Geneva and Sydney International Piano Competitions, then capturing the silver medal at the International Tchaïkovsky Competition in Moscow.

In 2006, Mr. Laplante was awarded the prestigious Opus Award for “Best Performer of the Year”. He was honored to be named an Officer of the Order of Canada. His performance of Jacques Hetu's Piano Concerto No. 2 for CBC Records won the 2004 Juno award for orchestral recordings, as well as the Western Canadian Music Award.

In February 2008, the world’s leading classical music magazine Gramaphone voted Laplante’s recording of Brahms’ Sonata No. 3 as its top pick among all currently available CDs of that work.

In recent years, Laplante has appeared as soloist with the Montréal and Chicago Symphony Orchestras, the Czech Philharmonic Orchestra at Carnegie Hall and the Kennedy Center, the Minnesota Orchestra conducted by Sir Neville Marriner, on tour in Europe with the Toronto Symphony under Andrew Davis and with the Royal Philharmonic under the baton of the late Sir Yehudi Menuhin during their extensive North American tour.

Mr. Laplante will be performing Beethoven’s Piano Concerto No. 5 at the Centennial Concert Hall on October 16 at 8:00 pm in the Musically Speaking series. In addition, patrons are invited to explore the long-standing connection between music and royalty with composers Handel, Johann Strauss and Antonio Salieri.

Mr. Laplante will also be performing Beethoven’s Piano Concerto No. 5 at the October 17 Masterworks concert at the Centennial Concert Hall at 8:00 pm; in addition patrons will be able to hear Brahms’ masterpiece: Symphony No. 4.

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EMI & LiveHereNow capture Berlioz event live in U.K.

EMI Classics Is Set to Capture Collaboration of City of Birmingham Symphony and Mariinsky Theatre Symphony Orchestras and Choirs Conducted by Valery Gergiev at Birmingham's Symphony Hall

LiveHereNow Will Produce Live Instant Recordings of Berlioz's Requiem (Grande messe des morts, Op. 5), Available Only on Night of Performance

Dates:
Wednesday, October 14, 2009
Thursday, October 15, 2009

When the combined forces of the City of Birmingham Symphony Orchestra and Chorus and the Orchestra and Chorus of the Mariinsky Theatre, St. Petersburg, take over Birmingham's Symphony Hall on October 14 and 15, 2009, their performances of Hector Berlioz's spectacular Requiem (Grande messe des morts, Op. 5), will be uniquely documented. In a first for EMI Classics, through the LiveHereNow initiative and in partnership with the CBSO, Mariinsky Theatre, and Town Hall & Symphony Hall, Birmingham, the event will be recorded and a strictly limited edition of CDs burned per night, available to those who purchase at the event itself. The CDs – to be prepared in the foyers of Symphony Hall – will be hot off the presses within minutes of the end of the concert, and ready for audience members to experience once again what promises to be the musical event of a lifetime.

Stephen Johns, Head of Artists & Repertoire for EMI Classics, said, "Through history, recordings have endeavored to capture the essence of the live experience and make it available for listeners to appreciate again and again. EMI Classics, who have been making recordings for over 112 years, are pleased to announce their first live recording to be available to the audience on CD immediately following the recorded performance. For such an innovative project, the recording is of a suitable scale – Berlioz's monumental Requiem (Grande messe des morts, Op. 5), written for large chorus, orchestra, and four additional brass groups – the latter, in this case, spread around Birmingham's justifiably famous auditorium. The unique nature of this project is heightened by the one-off combination of performers – the joint orchestras and choirs of the City of Birmingham Symphony Orchestra and the Mariinsky Theatre, St Petersburg, conducted by one of the great musicians of our time, Valery Gergiev."

Berlioz composed the Requiem to commemorate the fallen heroes of the French Revolution of 1830. In addition to being a Grande messe des morts, the work can be heard as a celebration of the glory of the French nation. Through his Requiem, Berlioz, who was not a religious man, wished to create a communal experience akin to the Day of Judgement in which each listener would be "shaken to the depths of his soul." The composer achieved this through his magnificent score and his use of massive choral and orchestral forces, including four brass bands and extra percussion intended to fill the immense open spaces of Paris's Cathedral of Saint-Louis-des-Invalides. In a footnote to the manuscript, Berlioz wrote: "The number [of performers] indicated is only relative. If space permits, the chorus may be doubled or tripled and the orchestra be proportionally increased." Four hundred performers took part in the premiere of Berlioz's Requiem in December 1837. The joint orchestral and choral forces in Birmingham next week will total around 380.

Valery Gergiev's inspired leadership as Artistic and General Director of the Mariinsky Theatre since 1988 has taken Mariinsky ensembles to 45 countries, presenting the best of Russian opera and ballets as well as the complete Shostakovich and Prokofiev symphonies and Wagner's Ring cycle, and has brought universal acclaim to this legendary institution. Presently Principal Conductor of the London Symphony Orchestra, Valery Gergiev is also founder and Artistic Director of the "Stars of the White Nights" Festival and New Horizons Festival in St. Petersburg, the Moscow Easter Festival, the Gergiev Rotterdam Festival, the Mikkeli International Festival, and the Red Sea Festival in Eilat, Israel. In 1998, Valery Gergiev succeeded Sir Georg Solti as conductor of the World Orchestra for Peace.

The City of Birmingham Symphony Orchestra (CBSO) is a world-renowned orchestra at the heart of the U.K. that has been celebrating music and musical talent for nearly 100 years. The arrival of Andris Nelsons as its Music Director in 2008 has seen the orchestra go from strength to strength with record ticket sales and huge acclaim both in the U.K. and internationally. CBSO's "Ignite" program inspires individuals to sing, play, compose, and experience music and includes five talented and renowned choruses, a youth orchestra, and an education and outreach program that reaches over 50,000 people regionally each year. The CBSO is a charity that is core-funded by the Arts Council of England and Birmingham City Council. The CBSO was one of the first U.K. orchestras to invite Valery Gergiev to perform with them; he made his debut with the orchestra in 1989, conducting several concerts over subsequent seasons in Birmingham's Town Hall, and visiting Symphony Hall before its public opening.



The Mariinsky Theatre Symphony Orchestra enjoys a long and distinguished history as one of the oldest musical institutions in Russia. Founded in the 18th century during the reign of Peter the Great and housed in St. Petersburg's famed Mariinsky Theatre since 1860, the Orchestra entered its "golden age" in the second half of the 19th century under the musical direction of Eduard Nápravník, who single-handedly ruled the Theatre for more than half a century (1863-1916). The Mariinsky Theatre was also the birthplace of numerous operas and ballets regarded as masterpieces of the 19th and 20th centuries, having presented world premieres of works by Glinka, Borodin, Mussorgsky, Rimsky-Korsakov, Tchaikovsky, Shostakovich, Prokofiev, and Khachaturian. Renamed the "Kirov" during the Soviet era, the Orchestra continued to maintain its high artistic standards under the leadership of Yevgeny Mravinsky and Yuri Temirkanov. Now, in the post-Glasnost era, the Theatre has reclaimed the Mariinsky name and under the leadership of Valery Gergiev has forged important relationships with the world's greatest opera houses and concert halls as it has entered its second "golden age." In addition to touring extensively with the Opera and Ballet Companies, the Orchestra has performed throughout the world to international acclaim, and has been acknowledged in the London press as one of the ten best orchestras in the world.

The performances in Birmingham, which will also feature Prokofiev's Cantata for the 20th Anniversary of the October Revolution, form the centerpiece of the Mariinsky Opera's October 2009 U.K. tour, managed by the Mariinsky Theatre Trust. The tour will also include three concerts in the Wales Millennium Centre, Cardiff; the opening concert of the 2009 Belfast International Festival; and the opening concert of the Glasgow Royal Concert Hall's International Classical Concert series. The Mariinsky Theatre Trust is a U.K. charity established in 1993 with Valery Gergiev. As well as supporting Mariinsky projects in Russia, the Trust plays an active role in facilitating performances of the Mariinsky's most innovative projects and repertoire in the U.K.

With its world-famous acoustics and unique design, Symphony Hall, Birmingham is one of the few concert halls in the U.K. capable of presenting a project the size of Berlioz's Requiem. The performances on October 14 and 15 will be two of the biggest concerts ever presented on its stage. Symphony Hall, which is promoting and funding this unique pair of concerts, has a long-standing relationship with Maestro Gergiev and his Mariinsky company, dating back to 1991 when the Kirov (as it was then known) became the first opera company to perform in the newly-opened concert hall.

The concerts on October 14 and 15, 2009 represent an Anglo-Russian cultural venture on an unprecedented scale. Over a period of four days of rehearsals and performances, British and Russian musicians will work closely together with conductor Valery Gergiev to form one huge international ensemble. Stephen Maddock, Chief Executive of the CBSO, said: "We are thrilled to be taking part in what will be one of the greatest orchestral spectacles of its kind, in the acoustics of one of the best concert halls in the world. Gergiev has an energy that captures the imagination of the audience: we will certainly be in for a treat." Andrew Jowett, Director of Town Hall & Symphony Hall, said, "During Symphony Hall's long association with the Mariinsky company we have enjoyed some very memorable concerts. However, this new opportunity, which brings together Gergiev's great opera company with Birmingham's own celebrated symphony orchestra and chorus, may yet surpass them!"

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Over the River & Through the Woods this Sunday Oct 18 @ 4 pm

Oct 13, 2009 - Choral works by Stephen Smith, John Rutter, Aaron Copeland, Paul Halley and more will be heard this coming Sunday afternoon (4 pm) at Vancouver's Christ Church Cathedral as the Vancouver Children's Choir welcome their special guests and Vancouver's newest 'elder' choir, EnChor, for Over the River & Through the Woods.

This Thanksgiving concert will feature each ensemble in solo sets as well as in combined selections, bringing the lightness of youth and the warmth of age into a fine mix of music. There will be plenty of opportunity for the audience to sing along as well in a selection of favourite Thanksgiving hymns, and the entire audience is invited to a pumpkin pie reception following the concert! Over the River and Through the Woods is a perfect way to celebrate the bounty of the season and the joys of family - we hope to see you there.

Vancouver Children's Choir
Rupert Lang, Founder and Director
presents
Over the River and Through the Woods
with special guests

EnChor
Diane Loomer, C.M., Artistic Director

Sunday, October 18, 2009 ~ 4 pm
Christ Church Cathedral
690 Burrard St, Vancouver BC
Admission by donation
(suggested donation $10 per person, $20 per family)
Pumpkin pie reception to follow.
information: 604.682.636

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Multiple Award-winning Bassist, Composer and Arranger, Dave Young, Releases New Quartet CD, Mean What You Say

Featuring Kevin Turcotte, Robi Botos and Frank Botos
and...celebrates his new recording with a Special CD Launch at Toronto’s vibrant new Jazz Venue, “The TRANE STUDIO Jazz Lounge”
Thursday – November 12th – from 8:00 pm

“To my way of thinking, Dave Young is one of the most talented bassists on the jazz scene. His harmonic simpatico and unerring sense of time have kept him in the foreground of the jazz picture.”
-Dr. Oscar Peterson

“...Flawless time, big buoyant tone and bold solo ideas...keen instincts and depth of musicality. The results of (his playing) are a testament to his ability to listen and adapt his concept of time from player to player.”
-Bill Milkowski, JAZZ TIMES

“Dave Young has been properly acclaimed as a musician with bold solo ideas, flawless timekeeping and a large, gorgeous tone.”
-Geoff Chapman, The Toronto Star

TORONTO – OCT. 7, 2009 – On this coming November 12th, Award-winning and internationally recognized jazz bassist, composer and arranger, Dave Young will be releasing his third excellent CD as a leader. On the footsteps of Dave’s previous hit jazz recordings, Tale of the Fingers and Mainly Mingus (JustinTime), Mean What You Say is an independent release and a thrilling musical collaboration (as well as bass-centric jazz recording masterpiece). In addition to Dave on bass, the quartet recording also features the considerable talents of first-call trumpet genius Kevin Turcotte, as well as gifted pianist Robi Botos and dynamic drummer Frank Botos.

Well-Produced by noted award-winning bassist, composer and producer Roberto Occhipinti, Mean What You Say is comprised of material from some of the most intriguing jazz composers of the modern musical era (e.g. title-track author Thad Jones, Oscar Pettiford, Sam Jones, W.C. Handy, Bud Powell, Cole Porter and Matt Dennis) as well as original pieces by Dave Young himself. “The TRANE Studio Jazz Lounge” is located at 964 Bathurst St. (at Fallis Ave. – South of Dupont Ave.). For reservations (HIGHLY recommended) and further venue info, please call 416-913-8197, or log on to www.tranestudio.com. “The Trane Studio Jazz Lounge” is also a Fine Arts Gallery, and is currently exhibiting Mark Tearle’s photographic tribute: “Doug Richardson: 1937 -2007”. Nouvelle gourmet appetizer and full dinner menus (from 6:00 PM) are available. Performances will begin at 8:00 PM, and there will be a $10 Music Charge for the general public.

The eclectic, musically sophisticated and deeply swinging material on Mean What You Say includes the title track, written by legendary jazz trumpeter, arranger and bandleader Thad Jones (one third of the Pontiac, Michigan jazz dynasty that includes late drum legend Elvin and still swinging pianist Hank Jones). It’s only natural that Thad’s tune should be a feature for Kevin Turcotte’s agile and sumptuous sound while also including strong rhythmic work from Frank Botos and inspired solos from Robi Botos and Dave. “Will You Still Be Mine” comes from the late, prolific Sinatra inspired vocalist/composer Matt Dennis, and is arranged here as a jaunty, rhythmic swing with an impressive arco solo by Dave as well as more exquisite lead trumpet work from Turcotte and strong solo piano sections from Robi Botos. Innovative bass/cello genius Oscar Pettiford’s “Bohemia After Dark” is a bass-centric stand out, and one of the most appealing tracks on the CD. Of particular beauty are penultimate American tunesmith Cole Porter’s classic and moving ballads, “Every Time We Say Good-bye” and the sumptuous, more up-tempo “Dream Dancing” – both of which display the communicative sensitivity and superb musicianship of the entire quartet. Other highlights of Mean What You Say include “Celia”, by revered seminal bop pianist Bud Powell; Dave Young’s original compositions “Sandu” (which features a gorgeous pizzicato bass solo), “Minor 101” and the emotionally evocative “Last Time I Saw Her”. Also, avant-garde jazz bassist/composer Sam Jones’ progressively smooth bopper, “Seven Minds” and the gospel-tinged bass feature, “Morning Star” from jazz progenitor and rag-time king, W.C. Handy.

About Dave Young......
Toronto-based and Winnipeg-born multiple award-winning bassist and composer Dave Young, is, without a doubt, one of Canada’s most valuable and beloved musical exports. Whether he’s performing as part of a classical symphony, or as an integral member of an iconic jazz trio (with the likes of the late Oscar Peterson), or leading any of his dynamic ensembles, Dave remains a total musician, with artistic soul in abundance. He first began studying the guitar and violin at age ten, but a turn of events at his first gig (a University dance band) compelled him to pick up the bass. Equally comfortable in the worlds of orchestral classical music and jazz, Dave is a multiple threat. As a classical musician, he has been a member of The Edmonton Symphony, The Winnipeg Symphony and The Hamilton Philharmonic.

As a jazz artist, he is a chameleon-like bassist, who often shines brightest in collaborative efforts with other musicians. Because of his technical skill, few bassists (jazz or otherwise) are able to dig in, swing hard and still render a lyrical arco solo as Dave can.

One of Dave’s most beloved gigs was a five year stint (1961-66) as a member of iconic jazz guitarist Lenny Breau’s quartet. Recently, Randy Bachman’s “Guitar Archives” label has released Bourbon Street – a LIVE recording of Dave and Lenny in duo format, digitally restored and originally recorded on a primitive reel to reel at Toronto’s late, lamented jazz venue. The list of musicians with whom Dave has shared the stage is a virtual “Who’s Who” of international jazz...including the late Oscar Peterson (with whom Dave had a thirty-five year musical relationship), Clark Terry, Harry “Sweets” Edison, Zoot Simms, Joe Williams, Oliver Jones, Kenny Burrell, Cedar Walton, Hank Jones, Nat Adderly, Peter Appleyard, Gary Burton, Barney Kessell, Ed Bickert, Ranee Lee, Marcus Belgrave, Don Thompson, Kenny Burrell and James Moody.

In recent years, Dave Young has released a number of excellent CDs as leader: the JUNO winning Fables and Dreams with co-leader Phil Dwyer (Justin Time Records); We Three with Phil Dwyer and Michele Lambert (torontosound.com) and Two by Two – Volumes 1 & 2 (1995 & 96) which featured Dave in duet performances with jazz legends Oscar Peterson, Cedar Walton, John Hicks, Mulgrew Miller, Tommy Flanagan, Ellis Marsalis, Barry Harris, Kenny Barron, Renee Rosnes, Cyrus Chestnut and Oliver Jones and the hit recordings Tale of the Fingers with Special Guest Mulgrew Miller (Justin Time), and the excellent quintet album, Mainly Mingus (Justin Time), which features Dave’s re-imaginings of the music of Charles Mingus and Horace Silver.

In addition to club appearances, touring, recording and concert/festival performance work, Dave is also a dedicated jazz educator, having taught at numerous music seminars and jazz clinics, as well as being an ongoing member of the Faculty of Music at Humber College and The University of Toronto. In the classical milieu, Dave regularly tours with clarinettist James Campbell and pianist Gene Di Novi in a successful programme of “Classical Fusion”. He also stretches both his classical and jazz chops at the annual “Festival of the Sound” in Perry Sound, Ontario, where he has been an integral part of this two-week eclectic musical event for some years.

Dave Young was recently named as a member to The Order of Canada – our country’s highest and most prestigious civilian honour. He was installed for his huge international contribution to the music world and to Canada. Dave Young is also the winner (several times over) of the prestigious National Jazz Award “Bassist of the Year”. Dave is currently performing as part of the 17-piece orchestra accompanying award-winning choreographer Twyla Tharp’s latest Broadway-bound dance extravaganza: “Come Fly With Me” – The Music of Frank Sinatra. The orchestra (led by drummer/arranger Dennis Mackrel) is performing “LIVE” to vocal tracks drawn from Sinatra’s long, distinguished recording career. Vocalist Dee Daniels (also “LIVE”) adds her unique voice to the performance. The show has already received rave reviews, and will be touring major U.S. and Canadian cities prior to what promises to be a long run on The Great White Way.

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Nikki Chooi's debut performance on the $4.3M violin with the Victoria Symphony

Victoria, BC – On October 19 at the Royal Theatre, Nikki Chooi, winner of the use of a 1729 Guarneri del Gesù, debuts the historic instrument with the Victoria Symphony. This concert, Dvořák Symphony no. 8, conducted by Alain Trudel, features Nikki Chooi performing Saint-Saëns' violin concerto.

The Victoria Symphony's Dvořák Symphony no. 8 concert will be the first time Nikki Chooi will play the "Ex-Heath" Guarneri del Gesù of 1729 in public, since being declared on of the winners of the Canada Council's Musical Instrument Bank competition on September 23, 2009. He will be performing Camille Saint-Saëns' (1835-1921) Concerto no. 3 in B Minor for Violin and Orchestra, op. 61. The Concerto no. 3 is one of Saint-Saëns' great works that has survived from its composition in 1880 to the present day.

This concert also marks the debut of Alain Trudel as Principal Guest Conductor of the Victoria Symphony and the performance of his piece Rhea. Rhea, named after one of the most respected divinities in the Greek mythology, is commissioned by and dedicated to Andrea Alexander, whose was the inspiration behind this work.

Finishing the repertoire is the concert title piece, Dvorak Symphony no. 8. Surprised by his own force of inspiration, Dvorak wrote Symphony no. 8 in G major in the summer and autumn of 1889. His work achieved golden opinions worldwide on the basis of their sense of unity and sheer melodic charm.

Alain Trudel, Principal Guest Conductor of the Victoria Symphony, is also the Music Director of l'Orchestra Symphonique de Laval and was the Artistic Advisor to the Manitoba Chamber Orchestra in 2008-09. Trudel made his conducting debut in Russia with the St.Petersburg Symphony Orchestra and conducted the National Youth Orchestra of Canada in 2009.

Nikki Chooi born in 1989 in Victoria, British Columbia, Nikki Chooi, is enrolled at the Curtis Institute of Music, studying with renowned violinists Joseph Silverstein and Ida Kavafian. His previous teachers include Bill van der Sloot at the Mount Royal Conservatory, and Sydney Humphreys at the Victoria Conservatory of Music. He is a recent recipient of the Sylva Gelber Foundation Award of the Canada Council of the Arts. (Full bio of Nikki Chooi attached.)

The Victoria Symphony is Vancouver Island's largest and most active arts organization performing for more than 125,000 people each year, including 10,000 schoolchildren. Showcasing the outstanding talents of its musicians and guest artists, the Victoria Symphony's 2009-2010 season offers a diverse and exciting line-up of over 50 concerts led by its vibrant Music Director Tania Miller.

The Victoria Symphony wishes to acknowledge the generous support of Series Sponsor Butler Brothers.

Dvořák Symphony no. 8
October 19, 2009 at 8pm, Royal Theatre
250.385.6515 or 250.386.6121
$12, $29.50, $39.50, $48.50
www.victoriasymphony.ca

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NEC Announces Launch of Abreu Fellows, Major Initiative of El Sistema USA

10 Outstanding Musicians from US, Canada, South America to Begin Training October 13 at NEC

Fellows To Divide Time Between Boston and Venezuela

“It is not enough for them to love their instruments; they must learn to love their responsibility as citizens. They need to be apostles to society.”
—José Antonio Abreu on the obligations of young professional musicians.

Ten outstanding graduate-level musicians will converge on New England Conservatory Oct. 13, as NEC launches the Abreu Fellows training program, one of the first major initiatives of El Sistema USA. The Fellows will spend a year studying at NEC and in Venezuela developing the leadership skills needed to direct nucleos (music education centers) in the US and beyond. Hailing from the US, Canada, and Central America, the Fellows are the first of a projected 50 who will receive training at the Conservatory. The program envisions Fellows establishing nucleos in Boston and in many cities nationally and internationally.

The Fellows were selected on the basis of their passion for music and for social justice and their probability of success in leading programs that further social action through music. Members of the class include a conductor, an education and community engagement director from the North Carolina Symphony, a "music teacher of the year" in the Juneau, Alaska public schools, a participant in the NEA's Chamber Music for Rural America Initiative, and an entrepreneur who has developed infrastructure for Morningstar Investments' Pan-European and Asian Fund research initiative. The Fellows' ages range from 22 to 44. All are graduates of university or conservatory music programs and they play trombone, trumpet, piano, French horn, flute, clarinet, bassoon, viola and percussion.

Founded earlier this year, El Sistema USA serves as the major support network for the El Sistema movement in the United States. Headquartered at NEC, it allows the many local programs inspired by Venezuela's model of social change through music to share ideas, collaborate, and connect. In addition to the Abreu Fellows program, it will educate about and advocate for the movement as well as identify funding sources and providing valuable resource and training materials. It will also provide a direct US link to the El Sistema organization in Venezuela.

NEC's central role in El Sistema USA stems from the Conservatory's long friendship with the Venezuelan organization and its founder/director José Antonio Abreu, spearheaded by NEC's Dean and Artistic Director of Preparatory and Continuing Education, Mark Churchill. By creating a national music movement of change and transformation, the Conservatory believes it is fulfilling its the mission and core values to “ensure music a central place in contemporary society” and “to share our sublime art with the widest possible audience.” During a 2008 study tour to Caracas led by NEC President Tony Woodcock, Dr. Abreu "anointed" NEC to lead the American effort. Awarded the prestigious TED Prize in February, Dr. Abreu was granted a "Wish to Change the World," and asked the TED community to support the creation and documentation of an El sistema leadership training program at NEC.

The post-graduate certificate-granting Abreu Fellows program, administered by NEC's School of Continuing Education, is headed by Mark Churchill. Planning for the curriculum and selection of Fellows was done in conjunction with a national advisory committee that includes representatives from Los Angeles, Baltimore, New York, Chicago, Miami, and the League of American Orchestras. The much admired teaching artist and arts-in-education national leader Eric Booth serves as Senior Advisor, helping guide the curriculum, faculty selection, evaluation, and project design for the program. Seminar Director Eli Epstein, a horn player for the Cleveland Orchestra from 1987—2005, will prepare and host faculty, moderate discussions, review progress on projects, and advise Fellows. Mark Churchill has taken on the additional role of NEC's El Sistema USA Director, and Stephanie Scherpf is Managing Director of El Sistema USA.

Now 32 years old, Venezuela's El Sistema is a phenomenally successful program of social action through music education that transforms the lives of at-risk children. It currently provides free music lessons and orchestral playing experience to 300,000 children and young adults throughout Venezuela. Its intent is to provide poor children with what Dr. Abreu terms "affluence of the spirit." Through its intense time commitment, rigor, loving concern for each child, and emphasis on the individual player as an essential member of the ensemble, it has rescued many youngsters from the social ills they might otherwise experience. Many graduates continue to play in professional orchestras and many have gone on to college and successful working lives. El Sistema's flagship orchestra, the Símon Bolívar Youth Orchestra of Venezuela has become internationally renowned. And the young El Sistema-bred conductor, Gustavo Dudamel, has become a superstar, recently opening his first season as Music Director of the Los Angeles Philharmonic.

One of the hallmarks of El Sistema music training is an emphasis on the love of music and the pleasures of performing rather than a dogged stress on instrumental technique. A goal of the Abreu Fellows program will be to inculcate this special El Sistema teaching style in trainees so they can inspire youngsters in the US and abroad. The Fellows will also receive an immersion course in the various proficiencies—from child psychology to fundraising to publicity—they will need to run nucleos. During the second semester, they will spend two months closely observing the operations of and teaching in nucleos throughout Venezuela. At the end of the year-long course, they will be required to devote at least one year to advance or found an El Sistema program outside Venezuela. Half of the Fellows already have positions in US cities beginning in the fall of 2010, and there is serious interest in hiring Abreu Fellows by a dozen other US and international organizations.

The Abreu Fellows 2009-10
Daniel Berkowitz received his bachelor degrees in both music and economics from Northwestern University, where he studied trombone with Michael Mulcahy, Randall Hawes and Charles Vernon. He has performed across Europe, Asia, and the US, including a residency in China with the Xiamen Philharmonic Orchestra. As an instructor, Berkowitz held master classes in China, and served on the staff of the Pennsylvania Governor’s School for the Arts and Northwestern’s National High School Music Institute. From 2008-2009, he lived and worked in London, studying with many of Europe’s most well-respected trombonists. In parallel, Berkowitz worked as an entrepreneur developing the infrastructure for Morningstar’s Pan European and Asian Fund research endeavor. He looks forward to combining his broad musical background and entrepreneurial experience to serve the Abreu Fellows Program

Jonathan Andrew Govias holds a Bachelor of Music (BM) degree with distinction from the University of Victoria (Canada), a certificate in arts administration from the International Institute of Culture Management (Munich), and a Master of Music (MM) degree in orchestral conducting from the University of Denver. He has served in a variety of artistic and administrative roles worldwide, including the Director of Marketing for the Victoria Symphony (Canada), the Assistant Conductor of the Colorado Youth Symphony, and Music Director for the Calcutta Orchestra (India). He is the recipient of multiple international awards, including the Reinhold Mohn Fellowship given by the German media company Bertelsmann AG, which recognized his achievements in cultural and social entrepreneurship. He has presented at a number of prominent business schools and conferences, hosted by leading institutions in Spain, Germany and China. His artistic accomplishments are no less significant. Appointed Music Director of the Calcutta Orchestra immediately after finishing his undergraduate degree, he has performed with orchestras on three continents, including a June 2009 debut with Canada’s National Arts Centre Orchestra, and participated in highest level workshops with Kurt Masur, Jorma Panula, Marin Alsop and Gustav Meier.

Lorrie Heagy is a music teacher and librarian at Glacier Valley Elementary School in Juneau, Alaska, where she works with community, parents and teachers to integrate and advocate the arts for all kids. Named "music teacher of the year, she initiated the Art is Elementary program, which won the Kennedy Center’s Creative Ticket National School of Distinction Award, an honor given annually to only five schools in the country. The instrumental music program she helped initiate at Glacier Valley spread to other Juneau elementary schools through grants and school district funding. Lorrie also teaches at University of Alaska Southeast for its MAT Program in Elementary Education, and at the Basic Arts Summer Institutes for Alaskan teachers. She accompanies for local arts organizations throughout Juneau and was one of fifty teachers selected nationally as a 2009 Yale School of Music Distinguished Music Educator.

Rebecca Levi was born and raised in New York City. She studied classical music from an early age, playing piano and flute at the Mannes and Manhattan School of Music Preparatory Divisions. She then attended Yale University, where she played piano for musical theater productions and sang in the folk music group Tangled Up In Blue. In 2007, she graduated with a B.A. in Italian and English Literature. Since then, she has been living in Urubamba, Peru, working in a home for abused children and teaching music and English classes.

David Malek, clarinetist, hails from San Antonio, Texas. In 1987, he made his solo clarinet debut with the San Antonio Symphony performing Debussy’s Premiere Rhapsody. His clarinet studies led him to the North Carolina School of the Performing Arts under the instruction of Robert Listokin. Here David was one of three students selected by Affiliate Artists, Inc. New York for their Search for Talent in America competition. In addition to an active chamber music career, David has performed in orchestras across Europe and the US. David’s chamber music group, Group du Jour, was selected as the first ensemble to participate in the Chamber Music for Rural America Initiative sponsored by the National Endowment for the Arts and Affiliate Artists, Inc. After touring with The Russ Morgan Orchestra, the longest continuously touring big band in the country, he joined the United States Air Force Band in San Antonio, Texas as principal clarinet. While in San Antonio, David was professor of clarinet at St. Mary’s University for eight years and played clarinet in the Corpus Christi and Victoria Symphony Orchestras. Recently David was selected to play principal clarinet in the inaugural concert of the International Wind Symphony in New York’s Avery Fisher Hall. David’s passion for teaching has led him to working with kids in rural parts of America, inner-city high schools in San Antonio and most recently as a member of the Harmony Project, where he worked with underserved students in South Central Los Angeles.

Dantes Rameau, born in Ontario, Canada, is of Haitian and Cameroonian descent. He attended McGill University for a Bachelor of Music in Bassoon Performance, studying with Stéphane Lévesque and Mathieu Harel of the Montreal Symphony Orchestra. He graduated from McGill in 2005, receiving the award for “Outstanding Performance in Bassoon”. He then attended Yale University School of Music where he received his Master of Music in 2007. Dantes then went on to the Performance Residency Program at Carnegie Mellon University, studying with Nancy Goeres of the Pittsburgh Symphony. Among festivals he has attended are the Orford Arts Center (2000, 2002), Banff Festival (2004, 2005) and Aspen Music Festival (2006, 2007). He has performed with Charleston Symphony, Wallingford Symphony and Aspen Chamber Symphony. He was a finalist for African American Fellowships with both the Detroit Symphony (2009) and Pittsburgh Symphony (2008). His teaching credits include the Yale School of Music Outreach program (2006-2007), Coach at Carnegie Mellon University Basketball camp (2008), and volunteer, camp counselor, lifeguard and swimming instructor at the Downtown YMCA in Ottawa. He will volunteer for the Leading Note Foundation, an El Sistema-inspired music education program in Ottawa in September 2009.

Álvaro Rodas, who was born and raised in Guatemala City, Guatemala, is a percussionist, teacher and arts administrator. A Fulbright Scholar, Álvaro holds a Masters degree in Arts Administration from Columbia University. From 1992 to 2004 he was principal percussionist at the Guatemala National Symphony. He also taught percussion at the Guatemala National Conservatory. For two years he co-directed an 80-piece high school marching band that was the first Latin American ensemble to take part in the 1994 Hollywood Christmas Parade. Since 1997, he has been deeply involved in the replication of El Sistema in Guatemala. He has served as an administrator, percussion instructor, and coordinator of programs throughout the country, including the formation of a youth orchestra in Quetzaltenango with a grant from the World Bank in 2000-2001. More recently, Álvaro worked in a remote Mayan village as a percussion teacher and administrative consultant for a rural youth orchestra supported by World Vision Guatemala. During 2008, he created an audience development project which included the first performing arts audience survey in Guatemala City.

Stanford Leon Thompson is a native of Decatur, GA where he began his musical studies at the age of eight. He studied trumpet with members of the Atlanta Symphony Orchestra and Georgia State University. Stanford earned a Bachelor of Music from The Curtis Institute of Music where he held the William A. Loeb Fellowship. While in Philadelphia, he had the opportunity to perform with the Seoul Philharmonic Orchestra, Curtis Symphony Orchestra, Lancaster Symphony Orchestra, and Symphony in C, and recorded on the Ondine label with Christoph Eschenbach. Stanford also appeared as soloist with the Atlanta Symphony Orchestra, Ocean City Pops Orchestra and the North Springs Philharmonic. He has led residencies with his brass quintet, Philos Brass, and performed extensively with the Rittenhouse Jazz Quintet. He has collaborated with such organizations as the Atlanta Symphony Orchestra, Kenyan Urithi Education Fund, The Curtis Institute of Music, Musicopia, and Symphony in C to design and present programs for students and adults. In addition to serving as the founding Artistic Director of the Reading Summer Music Institute, Stanford also serves as the Director of Operations for the Atlanta Trumpet Festival and served on the faculty of the Atlanta Academy of Music and Symphony in C Summer Camp. He manages professional music ensembles, maintains a private trumpet studio and counsels musicians of all ages.

Christine Witkowski has shaped a musical career in both performance and outreach. At Northwestern University, she studied horn performance with Gail Williams and William Barnewitz, receiving her Bachelor of Music in 2007. While living in Evanston duringher undergraduate studies, Christine began volunteering for Youth Organizations Umbrella Inc. and soon became the program director for “Breakfast Club,” a mentoring and tutoring program for disadvantaged youth. During her time at Northwestern, Christine was fortunate to have many fulfilling musical experiences, including attending the Colorado College Summer music festival, playing principal horn in the New York String Orchestra and attending the Norfolk chamber music festival.

In the fall of 2007, Christine moved to Montreal to study horn with John Zirbel and attend McGill University for her Master’s degree. While in Montreal, Christine appeared with the McGill Symphony Orchestra as a soloist playing Haydn's First Horn Concerto, played extra horn with the Montreal Symphony, and was awarded a full fellowship to study at the Aspen Music Festival and School. Dedicated to music outreach, Christine recently won the horn position in the Miami Music Project in Miami, Florida, an organization that is dedicated to bringing music performance to children in the Miami area.

Kathryn Wyatt is an accomplished musician and new personality in orchestra management. As Director of Education and Community Engagement for the North Carolina Symphony from 2007-2009, she created and expanded programs that would inspire and captivate young audiences for the future of symphony orchestras. In 2006, she was selected to be an Orchestra Management Fellow of the League of American Orchestras. This year-long leadership training program is designed to launch executive careers in orchestra management through the observation of management practices in host orchestras, an intense course of study and hands-on work experience. Leading up to her work in orchestra management, Wyatt was a violist with the New World Symphony and the Youth Orchestra of the Americas. Her call to leadership in the arts was inspired by YOA’s joint performances with the Símon Bolívar Orchestra of Caracas, VZ in 2005. The power and success of El Sistema moved her to begin thinking how and where else this passion for music could translate to benefitting communities.

Wyatt holds bachelor degrees in Political Science and Viola Performance from Indiana University as well as a Master’s Degree in Viola Performance from the Cleveland Institute of Music. She has performed with the indie folk-rock chamber orchestra Lost in the Trees, the New World Symphony, Verbier Festival Orchestra, Columbus Symphony Orchestra, Youth Orchestra of the Americas, and the Spoleto Festival USA Orchestra of Charleston, S.C.

For further information including interviews with the Fellows, check the NEC Website or the El Sistema USA website at www.elsistemausa.org

ABOUT NEW ENGLAND CONSERVATORY
Recognized nationally and internationally as a leader among music schools, New England Conservatory offers rigorous training in an intimate, nurturing community to 720 undergraduate, graduate, and doctoral music students from around the world. Its faculty of 225 boasts internationally esteemed artist-teachers and scholars. Its alumni go on to fill orchestra chairs, concert hall stages, jazz clubs, recording studios, and arts management positions worldwide. Nearly half of the Boston Symphony Orchestra is composed of NEC trained musicians and faculty.

The oldest independent school of music in the United States, NEC was founded in 1867 by Eben Tourjee. Its curriculum is remarkable for its wide range of styles and traditions. On the college level, it features training in classical, jazz, Contemporary Improvisation, world and early music. Through its Preparatory School, School of Continuing Education, and Community Collaboration Programs, it provides training and performance opportunities for children, pre-college students, adults, and seniors. Through its outreach projects, it allows young musicians to engage with non-traditional audiences in schools, hospitals, and nursing homes—thereby bringing pleasure to new listeners and enlarging the universe for classical music and jazz.

NEC presents more than 600 free concerts each year, many of them in Jordan Hall, its world- renowned, 106-year old, beautifully restored concert hall. These programs range from solo recitals to chamber music to orchestral programs to jazz and opera scenes. Every year, NEC’s opera studies department also presents two fully staged opera productions at the Cutler Majestic Theatre in Boston.


NEC is co-founder and educational partner of From the Top, a weekly radio program that celebrates outstanding young classical musicians from the entire country. With its broadcast home in Jordan Hall, the show is now carried by National Public Radio and is heard on 250 stations throughout the United States.

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T&T Legend Desmond Waithe delivers the 2009 Lise Waxer Memorial Lecture at York U: ‘Steelpan and Calypso – Trinidad and Tobago’s Troubadours’


Toronto, October 13, 2009: Caribbean music icon Desmond Waithe will be the featured speaker for the 2009 Lise Waxer Memorial Lecture in the Department of Music at York University on October 23. His talk on “Steelpan and Calypso – Trinidad and Tobago’s Troubadours” will be framed by vintage calypso music performed live by a guest quintet comprising keyboards, bass, pan, percussion and quarto.

Waithe’s lecture will cover the history of steelpan and calypso, from the pan’s ‘tamboo-bamboo’ roots in the 1920s and ‘30s, through the evolution of the instruments using oil drums in the ‘40s, to calypso’s important role in spreading news about current events, fighting the censorship of the British government and pushing the boundaries of free speech.

A native of Trinidad, Waithe is an internationally recognized expert in calypso and pan music. His career spans well over four decades of composing, arranging, teaching and promoting steelpan music. Currently on faculty with the University of Trinidad and Tobago, he is also a regional coordinator for T&T’s Ministry of Education, developing curriculum for pan in the classroom. As a musical director, he leads the champion Exocubs Junior Steel Orchestra and the Renegades Steel Orchestra, who recently performed to standing ovations at the Kennedy Center in Washington D.C. with T&T’s finest opera singers in celebration of the 47th anniversary of the independence of the Republic of Trinidad and Tobago.

“I have the pleasure of knowing Mr. Desmond Waithe for over four decades as friend and as a mentor” said Lindy Burgess, who directs the Caribbean ensemble in York’s world music program. “He’s an extremely talented, accomplished musician who has travelled the globe promoting the music of Trinidad and Tobago. Along the way he has amassed numerous awards and accolades for his contributions. His visit to York University will have a lasting impact on those privileged to hear him.”

“Bringing this world-renowned musician to York is a natural choice for the Lise Waxer Memorial Lecture, since Ms. Waxer's primary area of research was Latin American music, said Professor Michael Coghlan, Director of York’s Graduate Program in Music which is hosting Waithe’s visit. “We are honoured that our students will have the opportunity to learn directly from a true pioneer of T&T’s most treasured instrument.”

The lecture commemorates musician, ethnomusicologist, author and educator Lise Aerinne Waxer, an alumna of York’s music program who passed away in 2002. Waxer's work in ethnomusicology included producing and hosting one of Toronto's first world music radio programs on CIUT 89.5 FM and conducting fieldwork on salsa music in Cali, Colombia. She also authored two books: Situating Salsa: Global Markets and Local Meanings in Latin American Popular Music (Routledge 2002) and The City of Musical Memory: Salsa, Record Grooves, and Popular Culture in Cali, Colombia (Wesleyan University Press 2002), which received the 2003 Alan P. Merriam Prize and the 2003 ASCAP-Deems Taylor Award for popular music. At the time of her death, Waxer was a faculty member in the music department at Trinity College, Hartford, Connecticut.

Waxer's family, friends and colleagues established the Lise Waxer Memorial Lecture at York University to celebrate her love of music of all cultures and her joy in sharing that passion with others. Previous speakers in the series include acclaimed Canadian jazz artist Jane Bunnett; York music Professor Michael Marcuzzi; T.M. Scruggs, professor of ethnomusicology at the University of Iowa; and Gage Averill, then Chair of the Music Department and director of the Program in Ethnomusicology at New York University.

The music curriculum at York University features numerous courses which expose students to a wide variety of Latin American music styles. Offerings include Caribbean steelpan; Cuban music; bossa nova workshop; ska, reggae and dancehall; Escola de Samba; Latin and Caribbean popular music; music of the Americas; and popular music of the world.

What: Desmond Waithe delivers the 2009 Lise Waxer Memorial Lecture at York U: ‘Steelpan and Calypso – Trinidad and Tobago’s Troubadours’
When: Friday, October 23, 7:30pm
Where: Sterling Beckwith Studio, 235 Accolade East Building, York University, 4700 Keele St
Admission: Free
Information: www.yorku.ca/finearts/music/events

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Classical Archives Features Exclusive Interview with Joshua Bell

Palo Alto, CA -- Classical Archives (www.classicalarchives.com), the ultimate classical music destination, proudly presents a high-profile Exclusive Interview with star of the classical music world, violinist Joshua Bell, who has a stellar new release.

The engaging and fascinating interview with preeminent violinist Joshua Bell was conducted one day before the release of his new Sony Classical album, At Home With Friends – which soared to Number 1 on the Billboard Classical Albums Chart! In a rich discussion with Classical Archives Artistic Director Dr. Nolan Gasser, Mr. Bell discusses the impetus behind the new cross-genre release, which features collaborations with some of the brightest stars in the broader music world – including Sting, Josh Groban, Kristin Chenoweth, Chris Botti, and new vocal sensation Regina Spektor. The album stems largely from a series of informal soirées held at Mr. Bell's Manhattan apartment – which he describes as "a kind of a dream I've had to have a regular salon-type series at my house." The interview also touches on the musical approach to arrangements on the album, his experience in the recording studio, future plans, and much more. A must read!

Classical Archives also features its new Home Page layout, offering a dynamic presentations of this week's Featured Composer (Giuseppe Verdi); Featured Artist (new LA Philharmonic conductor Gustavo Dudamel); and an array of New Releases by the major classical labels.

All this and unlimited streaming of our entire classical catalogue can be enjoyed at no cost by signing up for a 14-day Free Trial today!

Visit the Classical Archives at www.ClassicalArchives.com

About Classical Archives
Classical Archives (www.classicalarchives.com), the ultimate classical music destination, is the largest digital music subscription service dedicated to classical music. The site offers more than 620,000 tracks, 7,800 composers, and 27,000 artists representing more than 110 record labels. It also features a breakthrough in site navigation that allows users to search and cross-reference by any relevant criteria: composer, work title, artist, albums, historical period, instrument, genre, and many others that make finding and comparing the best classical recordings easier than it has ever been. Classical Archives offers unique membership opportunities that allow users to take advantage of its vast resources easily and affordably. Fees are $9.95/month or $99.50/year. Benefits include the ability to listen to music from the entire site (complete tracks or full works); a 10% discount on all downloads (which are yours to keep for life!); and the first two weeks as a free trial of the service. Subscribers also benefit from the playlist capabilities to store their favorite pieces in a single list, for one-click access, which they may share with anyone.

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Jackie Richardson Adds Soul to the STARS Gala

Toronto, October 13, 2009 – Mixed Company Theatre is delighted to announce that Jackie Richardson will be performing at the 1st Annual STARS Awards Gala, Mixed Company Theatre’s 25th Anniversary celebration.

One of Canada's foremost singers of gospel, blues and jazz, Richardson has a powerful and supple voice and a warm, vibrant stage presence. The music of Jackie Richardson is an experience of soul, a profoundly personal synthesis of the remarkable gospel, blues and jazz women she has embodied on stage and screen. A veteran of the stage and the small and large screens, Jackie Richardson forged a very successful acting career with roles in "No! No! Nanette Anything Goes"; "Hello Dolly!" and “Raisin in the Sun". She became well known for her part in "Ain't Misbehaving", which earned her a Dora Award.

Richardson has worked with Mixed Company Artistic Director, Simon Malbogat, and Mixed Company is excited to partner with her for the 1st Annual STARS Awards Gala.

Enhanced by artistic performances, a silent auction, award ceremony and cocktail reception, celebrating Mixed Company Theatre’s 25 years of positive change will be an evening to remember.

WHERE: SHAMBA foundation, 48 Yonge Street, Suite 1200, Toronto, ON

WHEN: Wednesday, November 25, 2009 6:00 pm - 10:00 pm

ADDITIONAL DETAILS: Tickets are $75 per person or $200 for 3 people and can be purchased by calling 416 515 8080 or visiting www.mixedcompanytheatre.com.

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Friday, October 16, 2009

Rappel Les Borèades, concert jeudi 15 oct. 20h Chapelle Notre-Dame-de-Bon-Secours. Le Baroque, c'est jouissif !

Montréal, jeudi 8 octobre 2009 — Les Boréades, sous la direction artistique de Francis Colpron, présente son premier concert de saison Telemann et quelques Français, le jeudi 15 octobre 2009 à 20 h à la Chapelle Notre-Dame-de-Bon-Secours, lieu de prédilection de l’ensemble.

À l’image de sa 14e saison qui allie musique expressive, plaisirs et raffinement, les compositeurs au programme, Georg PhilippTelemann (le prolifique), Michel Corrette (le ludique) et Pierre-Gabriel Buffardin (le virtuose) opèrent une fascinante fusion des goûts. Les passionnés de musique sont conviés à une soirée de concertos où variété des timbres, contraste des couleurs et des tempos et virtuosité des musiciens sont de mise. Ils pourront entendre un instrument rare, le chalumeau, ancêtre de la clarinette. Le Baroque, c’est jouissif !

Né en Italie et à l’origine prévu pour le violon, le concerto s’est répandu en Europe comme une traînée de poudre, chaque pays adaptant l’exubérance italienne à son caractère national. Les maîtres français ainsi que Telemann écrivaient des concertos pour la flûte traversière et pour tous les instruments de l’époque, parmi lesquels, le chalumeau.

Les musiciens Francis Colpron (flûte traversière), Hélène Plouffe (violon) ; Mark Simons (chalumeau) ; Colin Savage (chalumeau) ; Eric Milnes (clavecin) ; Émilie Brulé (violon) ; Jacques-André Houle (alto) ; Ellie Nimeroski (alto) ; Mélisande Corriveau (violoncelle) et Francis Pelletier-Palma (violone), interpréteront les œuvres suivantes :

Georg Philipp Telemann (Allemagne, 1681-1767)
Concerto pour flûte traversière, cordes et basse continue en ré majeur.
Concerto pour 2 chalumeaux, cordes et basse continue en ré mineur.
Concerto pour flûte traversière, violon principal, cordes et basse continue en mi mineur.

Telemann était à l'affût de toutes les nouveautés. Il emploie tous les instruments de son temps, les mêle, les agence et les fait dialoguer afin d’exploiter leurs qualités sonores propres, se montrant tout à fait moderne. Ses concertos ont contribué en leur temps à la définition du style musical germanique et à l’émergence d’une conscience artistique nationale. Telemann, c’est l’élégance, l’ingéniosité, la vitalité, la variété et la liberté.

Michel Corrette (France, 1709-1795)
Concerto comique nº 25 Les Sauvages pour violon concertant, flûte traversière, cordes et basse continue en sol mineur.
Concerto pour clavecin, chalumeau*, cordes et basse continue en ré mineur opus 25 nº 6.
* La traversière prévue par Corrette est remplacée ici par le chalumeau.

Corrette, compositeur fécond et organiste, a été le premier en France à écrire des concertos pour vents. On pourrait dire de lui qu’il est un précurseur de la musicothérapie, puisqu’il estimait ses Concertos comiques « utiles aux mélancoliques ». Ceux-ci ont été composés sur des thèmes populaires (J’ai du bon tabac) qui servaient de divertissements dansés entre les pièces de théâtre.

Pierre-Gabriel Buffardin (France, 1690-1768)
Concerto pour flûte traversière, cordes et basse continue en mi mineur.

Buffardin, éminent flûtiste, d’une extraordinaire virtuosité, a enseigné la flûte à Johann Jacob Bac et a été membre de l’orchestre de la cour de l’électeur de Saxe à Dresde. Il a joué en France son Concerto en mi mineur au Concert spirituel en 1726 et en 1737.

Ce concert est enregistré par Espace musique, la radio musicale de Radio-Canada (100, 7 FM à Montréal) et sera diffusé ultérieurement sur ses ondes dans le cadre des Soirées classiques, animées par Michel Keable, du lundi au jeudi à 20 h, d'un bout à l'autre du pays. Il sera également disponible pour écoute sur demande sur la webradio classique d'Espace musique à Radio-Canada.ca/musique.

Spécialisé dans le répertoire baroque, l’ensemble Les Boréades (www.boreades.com) a été fondé en 1991 par Francis Colpron. Il a choisi comme approche une interprétation fidèle, tant par le respect des règles de la pratique ancienne que par l’emploi d’instruments d’époque. Ses prestations fluides font resurgir une sonorité particulièrement riche pour révéler une musique aussi raffinée que ludique. La critique et le public au Canada et à l’étranger ont unanimement salué la verve, la spontanéité ainsi que le jeu théâtral, expressif et élégant de l’ensemble, qualités qui témoignent d’une compréhension intime de l’esprit du Baroque. L’ensemble a déjà à son actif une solide discographie de vingt enregistrements distribués à travers le monde.

À son époque, le baroque était porteur de modernité, d’imagination et de créativité… Les Boréades renoue plus que jamais avec cet état d’esprit en proposant une 14e saison particulièrement festive qui conjuguera musique expressive, plaisirs gastronomiques et théâtre burlesque.

CONCERTS ET ACTIVITÉS À VENIR

JEUDI 12 NOVEMBRE 2009, 18 h, Belvédère du Centre des Sciences de Montréal

GRAND GALA BÉNÉFICE BOUCHÉES EXQUISES POUR MUSIQUE BAROQUE
Sous la présidence d’honneur de Liliane Colpron, présidente de Première Moisson, ce grand cocktail dînatoire sera animé par la comédienne Sophie Faucher. Dix musiciens des Boréades interpréteront des extraits d’œuvres de leur répertoire et le chef propriétaire du restaurant Chez L’Épicier, Laurent Godbout, offrira aux convives quelques-unes de ses créations culinaires, développées à partir des produits Première Moisson.

LANCEMENT D’UN Disque / livreT de recettes Du baroque à la bouche
Sous étiquette ATMA Classique, le coffret rassemble une compilation de huit œuvres issues de la discographie des Boréades qui accompagne huit recettes illustrées, élaborées par des chefs de Première Moisson. Disque en vente dans toutes les succursales Première Moisson dès le 13 novembre 2009.

SAMEDI 30 JANVIER 2010, 20 h, Monument-National

TABARINADES
Musique et théâtre des variétés façon XVIIe siècle, avec 12 musiciens des Boréades et les comédiens Jean-François Gagnon dans la peau de Tabarin, prédécesseur de Molière, farceur notoire du théâtre de foire à la verve truculente ; et Carl Béchard dans celle du Maître Mondor. Je joue moi non plus !

JEUDI 22 AVRIL 2010, 20 h, Chapelle Notre-Dame-de-Bon-Secours

LA VOCE DEL CORNETTO
Musique italienne et allemande du XVIIe siècle - Avec William Dongois, cornet à bouquin et quatre musiciens des Boréades. E la voce va !

Les Boréades reçoit l’appui du Conseil des arts et des lettres du Québec, du Conseil des Arts du Canada et du Conseil des arts de Montréal.

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Ottawa Chamber Music Society ~ Arion Baroque Orchestra

Beautiful and impressive playing like this sets the standards to which others must aspire.
- Early Music Review (United Kingdom)

Ottawa (October 13, 2009) – The Ottawa Chamber Music Society (OCMS), under the Artistic Direction of Roman Borys, the Gryphon Trio, in partnership with Front+Centre/Shenkman Arts Centre presents the first concert of the OCMS’ annual fall/winter Concert Series. The Arion Baroque Orchestra will perform on Saturday, October 17 at 8 PM at the Shenkman Arts Centre, 245 Centrum Boulevard, Orleans.

Arion is a Montreal-based baroque orchestra which performs on period instruments. Arion’s concerts have been unanimously acclaimed for their clarity and gusto, as well as their refined and expressive performances which have been chosen from a wide array of early music works. Their program will include works by Vivaldi, Telemann, Locatelli and Johann Sebastian Bach. This concert is a co-production with Front+Centre/Shenkman Arts Centre, the first of two during the 2009/2010 OCMS Concert Series.

...this is generally music-making of such high quality and imagination that, regardless of what you may have heard before, there are plenty of new insights to be had.
- Laurence Vittes, Gramophone

The Arion ensemble was founded in 1981 by flautist Claire Guimond, violinist Chantal Rémillard, gambist Betsy MacMillan and harpsichordist Hank Knox. Claire Guimond has been Arion’s artistic director ever since its first concerts. Meticulous attention to detail has placed Arion’s artistic achievements amongst those of the greatest current early music ensembles.

By playing on period instruments, the Arion players want to recreate the sound and colours that the composer originally intended for the music. “It takes away a couple of hundred years in between the composer and you,” flautist Claire Guimond says. “It sounds like the music was composed today for those instruments with its original colours. It speaks the music better.” (Vue Weekly)

A recipient of numerous awards and grants, Arion has toured extensively throughout Canada, Europe, Mexico and the United States. Arion’s discography features 25 CDs, distributed internationally both as a quartet and in a larger setting with the collaboration of such fine artists as soprano Suzie LeBlanc, mezzo Kimberly Barber, countertenors Matthew White and Daniel Taylor, as well as some of the country’s top baroque soloists.

OCMS Concert Series
The OCMS’ annual fall/winter Concert Series promises exceptional artistry and great variety. “We are thrilled to present the world-class talents of the Arion Baroque Orchestra, the Cantata Singers and Capital BrassWorks, the Württemburg Chamber Orchestra of Heilbronn, Rob Kapilow, Cecilia String Quartet, the Tallis Scholars, and of course the Gryphon Trio. What a phenomenal series we have to look forward to!” said Glenn Hodgins, Executive Director of the OCMS.

In the spirit of community interaction and collaboration, the OCMS has welcomed opportunities to partner with the new Shenkman Arts Centre, the Cantata Singers/Capital BrassWorks and the Ottawa New Music Creators. “Helping other organizations in the community achieve their goals while adding quality and programming diversity to our own concert offerings is a winning formula. The Shenkman Arts Centre is an outstanding new venue that allows the OCMS to get closer to a community that for many years championed chamber music with its own chamber music series. Collaborating with the Cantata Singers and Capital BrassWorks gives us the opportunity commemorate Remembrance Day on a grand scale, and our partnering with the Ottawa New Music Creators helps give this new organization the momentum and presence it requires in order to continue its very important work for years to come,” says Roman Borys.

Ticket Information

Full 2009-2010 Concert Series details are available on the OCMS’ website at www.chamberfest.com.

Subscription benefits include: access to the best seats in the house, a 40% savings off single tickets, and the ability to exchange tickets for other concerts during the season. Single tickets are also available. For more information, please contact the OCMS office at 613-234-6306.

Mark your calendars! Chamberfest 2010 will take place from July 24 to August 7.

The Ottawa Chamber Music Society gratefully acknowledges the support of its sponsors, partners and donors.

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Minnesota Orchestra Names Sarah Hicks Principal Conductor of Pops and Presentations

Ms. Hicks to lead Orchestra's U.S. Bank Pops Season through August 2013

October 12, 2009 -- Sarah Hicks has been appointed the Minnesota Orchestra's Principal Conductor of Pops and Presentations, Orchestra President and CEO Michael Henson announced today. Ms. Hicks, who will assume the new role immediately, will lead the Orchestra's signature U.S. Bank Pops Season for a term of four years, through 2012-13. Ms. Hicks joined the Orchestra as assistant conductor in 2006, making history as the first woman to hold a titled conducting post with the Minnesota Orchestra.

"Pops concerts play an important role in the Minnesota Orchestra's artistic offerings, and we have taken our time in identifying a new pops leader in order to find the right fit with audiences, the Orchestra—and the music itself," says Michael Henson. "We've discovered that Sarah Hicks is made for this role. She sparks great connections with audiences; she has earned the respect of the musicians; she is a creative programmer; and she wants to focus her creative energies on expanding the boundaries of pops programming for new audiences."

Says Music Director Osmo Vänskä, "We knew from the start of Sarah's tenure with the Minnesota Orchestra that she was a conductor to watch, someone who had a great deal to offer. Today we share that conviction with the public with this important appointment. I have always said that we must take care of all the music we present and our pops performances will be in very capable hands with Sarah. She is ready to lead them in new directions."

Ms. Hicks will oversee artistic planning for the Orchestra's pops season and will conduct a minimum of four sets of pops concerts each year. Under the terms of the agreement, she will also "cross over" to lead programs of many types with the Minnesota Orchestra every year. She will continue to conduct and program the popular Inside the Classics concerts and will lead holiday concerts and additional performances presented by the Orchestra. In the upcoming two weeks, for example, Ms. Hicks will lead Beethoven's Pastoral Symphony in a pair of Inside the Classics concerts, a Broadway-themed pops performance, a "sampler" program introducing audiences to the Orchestra's varied offerings, and the Minnesota Orchestra debut of singer-songwriter Ben Folds.

"Being able to conduct concerts with such great variety, from Beethoven to Ben Folds, is my dream job," says Ms. Hicks. "I am thrilled to embark on this new role with the Minnesota Orchestra because I believe there is tremendous artistic potential for where we might go. While the Orchestra has an established tradition of celebrating American popular music, from Broadway to Big Band—which we'll continue to do—there are many other avenues across the spectrum of popular music for us to explore, and I look forward to that journey in upcoming seasons."

In the 2009-10 pops season, Ms. Hicks will conduct the return of country star Kathy Mattea, "Scandinavian Christmas" performances in December, jazz guitarist John Pizzarelli in a Valentine's Day celebration and Michael Cavanaugh singing the music of Billy Joel, among other concerts.

Ms. Hicks joins the Minnesota Orchestra artistic leadership team that includes Music Director Osmo Vänskä, Artistic Director of Sommerfest Andrew Litton, and Artistic Director of Jazz Irvin Mayfield. Trumpeter Doc Severinsen served as the Orchestra's Principal Pops Conductor from 1993 to 2007, and now serves as Pops Conductor Laureate.

"The Minnesota Orchestra offers a great range of concerts through its season—from classical and jazz to pops and summer fare—and we are pleased to have top artistic leadership in place for all of this music to thrive for years to come for Minnesota audiences," says Mr. Henson.



Sarah Hicks joined the Minnesota Orchestra as assistant conductor in 2006. In 2007 the Orchestra launched a new three-concert series called Inside the Classics, tapping Ms. Hicks to serve as conductor and co-host with violist Sam Bergman, with whom she now maintains a blog at insidetheclassics.org. Offering a fresh take on symphonic classics, Inside the Classics is written and programmed by Ms. Hicks and Bergman and, in its third season, has achieved series renewals exceeding 95 percent, a 35 percent increase over the prior year. In December 2008, Ms. Hicks introduced a new holiday offering, arranging music for and conducting "A Scandinavian Christmas," which will return for its second season in December 2009. Ms. Hicks made her classical subscription debut last October and returns to that series this November conducting performances of Hansel and Gretel.

Before joining the Minnesota Orchestra, Ms. Hicks served as associate conductor of the Richmond Symphony. She was previously resident conductor of the Florida Philharmonic and assistant conductor of the Reading Symphony Orchestra and the Philadelphia Singers, the chorus of the Philadelphia Orchestra. She has also served as music director of the Hawaii Symphony, an ensemble she founded in 1991 and led for five seasons. In September 2009 she was appointed associate conductor of the North Carolina Symphony.

Ms. Hicks has guest conducted both in the U.S. and abroad, leading such ensembles as the Los Angeles Philharmonic, San Francisco Symphony, Detroit Symphony Orchestra, Prime Philharmonic of Korea and the East Slovak State Opera. Her engagements for the 2009-10 season include guest performances with the National Symphony Orchestra and sessions to complete a recording project with the Vermont Symphony for release on the Koch label.

Born in Tokyo and raised in Honolulu, Ms. Hicks received her bachelor's degree from Harvard University as a composition major; her AIDS Oratorio was premiered there in May 1993 and received a second performance at Harvard's Fogg Art Museum. She holds an artist's diploma in conducting from the Curtis Institute of Music, where she studied with renowned pedagogue Otto-Werner Mueller. After graduation, she maintained her association with Curtis as a faculty member from 2000 to 2005. Ms. Hicks and her husband, a horn player, recently bought a home in Minneapolis.

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Darlene Miller releases debut album, "Concerto Night"

Darlene Miller, the extremely gifted pianist from Englewood, OH, has just released the debut album, "Concerto Night" which contains 'Concerto in C minor' by Beethoven, and 'Concerto in G minor' by Saint Saens. Her performance is like no other, bringing life into the piano with every touch of the keys, and touching your soul. This recording will truly please all who listen, experience, and feel her music.

It doesn't take long for those who have recently discovered the incredible talent of Darlene Miller to become a fan of this very gifted concert pianist. Darlene plays with her entire heart and soul. She creates that strong emotional connection that immediately draws you into the music. Her technical mastery of the piano is evident in her flawless technique and incredible control over her dynamics. Darlene seems to feel every note, and the music seems to flow out of her like an endless refreshing spring. Darlene is extremely versatile, and flawlessly performs sophisticated compositions from classical to jazz with tremendous heart, soul and emotion.

Expect to see a lot more of Darlene Miller, as she is poised to become one of the most visible and influential pianists in modern times.

"Concerto Night" is currently available for sale at the official Darlene Miller site, www.DarleneMillerMusic.com.

Darlene has grown up playing the piano, since she was a very tender age. She currently resides in Englewood, Ohio. Darlene's favorite quote is "I have to play from my toenails.....for the heart stops too short in the chest".

Radio, press and bulk order inquiries can be directed to Olympic Advantage at 615.627.7523

Radio Stations, music directors and DJs can listen to and download Darlene Miller's songs and artwork, by going to www.AirplayDirect.com/DarleneMiller.

Marketing and Promotion by Olympic Advantage
Nashville, Tennessee

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Music for Heart and Soul

October 10, 2009 - Toronto General Hospital invites musical performers to participate in its Concert series, Music for Heart and Soul. Performances are on Thursday and Sunday afternoons in the DeGasperis Conservatory, cardiac wing. The series which has been presented for four years welcomes new performers to share their music with patients, families, staff and public.

In addition to performers, volunteers are welcomed to join to assist with concerts as hosts and other capacities.

Please call, 416-340-4115 or noramr@sympatico.ca for further information about performance or volunteer opportunities.

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Les Jeunesses Musicales du Canada célèbrent leur 60e anniversaire tournées vers l'avenir




English follows.

MONTRÉAL, LE VENDREDI 9 OCTOBRE 2009 - 
Les Jeunesses Musicales du Canada annoncent officiellement la programmation complète de leur 60e saison.



En bref:


- Marc Hervieux, porte-parole officiel

- Plus de 800 concerts et plus de 700 ateliers présentés d’un bout à l’autre du Canada

- Quelque 80 artistes

- 200 lieux de diffusion au Québec, en Ontario, dans les provinces maritimes, en particulier au Nouveau-Brunswick, et en Colombie-Britannique

- Conférences musicales pour les enfants des écoles défavorisées de Montréal, présentées du 14 au 16 juin 2010 à la Maison JMC par le pianiste et communicateur Alain Lefèvre

- Festival Chopin, présenté du 22 au 25 avril 2010 à la Maison JMC

- Un coffret-souvenir (3 DCs) produit par le label canadien Analekta mis en vente au printemps

- Plusieurs émissions et reportages consacrés aux JMC, présentés par Espace musique, Espace classique et CBC Radio Two

- Un tout nouveau site web JMC, en ligne le 16 octobre 2009

- Tout au long de l’année, plusieurs ensembles musicaux du pays souligneront le 60e anniversaire des Jeunesses Musicales du Canada par des concerts-hommages, saluant la contribution du mouvement à la vie musicale canadienne.

- Quatuor Cecilia de l’École de musique Schulich de l’Université McGill, en résidence à la Maison JMC pour deux ans

- Des concerts offerts par des artistes JMC à différents établissements de santé du Québec par la Société 
pour les arts en milieux de santé

- Les JMC collaborent désormais avec « Être », cabinet-conseil en relations philanthropiques, et bénéficient de conseils stratégiques de pointe pour la poursuite de leurs objectifs de notoriété et de financement.

Consultez le www.jeunessesmusicales.com pour connaître les programmes musicaux détaillés

***************************************


Jeunesses Musicales of canada celebrates its 60th anniversary looking to the future


MONTREAL, FRIDAY, OCTOBER 9, 2009 - Jeunesses Musicales of Canada officially announces the programming for its 60th season.


At a glance:


- Marc Hervieux, official spokesman

- Over 800 concerts and more than 700 workshops from coast to coast across Canada
- Some 80 artists

- 200 venues in Quebec, Ontario, the Maritimes—in New Brunswick in particular—and in British Columbia

- Musical lectures for children from Montreal’s underprivileged schools, presented from June 14 to 16, 2010 at the JMC House by pianist and presenter Alain Lefèvre

- Chopin Festival, from April 22 to 25, 2010 at the JMC House

- A souvenir box-set (CDs) produced by Canadian record label Analekta, on sale in the spring

- Several programmes and reports on JMC broadcast on Espace musique, Espace classique, and CBC Radio Two

- An all-new JMC website, online on October 16, 2009

- All year long, several of the country’s musical ensembles will mark Jeunesses Musicales of Canada’s 60th anniversary with tribute concerts, paying homage to the movement’s contribution to Canadian musical life.

- Cecilia Quartet of the Schulich School of Music, Quartet in residence at Jeunesses Musicales Canada House

- Concerts given by JMC artists at various health care establishments in Québec, presented by the Société pour les arts en milieux de santé


Visit www.jeunessesmusicales.com to see the complete musical programme and detailed schedule for each of the concerts.

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Premier concert de la saison de Pentaèdre / 15 octobre

PENTAÈDRE présente


CONCOURS AU CONSERVATOIRE

ou la terrible épreuve des pièces imposées


Le quintette à vent Pentaèdre

Louise Lessard, piano

M Traiteur – Jean-François Vachon, chef


Jeudi 15 octobre, 17 h

Salle Tudor, Ogilvy
1307, Ste-Catherine Ouest, 5e étage
 
30 $ (buffet inclus)

Billets : 514-790-1245 www.admission.com

Réservations par Pentaèdre: 514-270-2558

www.pentaedre.com

Montréal, 25 septembre 2009 - Pour ouvrir sa saison 2009-2010, Pentaèdre vous invite à un concert « Musique au salon », formule qui permet d’écouter des pièces musicales originales, tout en dégustant vins et bouchées en lien avec le thème du concert, français cette fois.
 


Chaque année depuis 1824, les étudiants finissants du Conservatoire national supérieur de Paris doivent interpréter une œuvre imposée en vue d’obtenir le prestigieux diplôme de cette institution réputée. Depuis 185 ans, des compositeurs célèbres ou complètement oubliés se sont prêtés au jeu de fournir des « pièces de concours ». Pentaèdre présentera cinq de ces pièces, écrites il y a un siècle pour les aspirants diplômés de 1909 et 1910 en plus de deux quintettes à vent rarement entendus. 


Vins et bouchées à la française accompagneront le concert.
 




Programme :



Albert Perilhou
Ballade en sol mineur


Émile Paladilhe
Solo


Claude Debussy
Première rhapsodie


Florent Schmitt
Lied et Scherzo


Henri Büsser
Récit et thème varié


André Souris
Rengaines


Adrien Barthe
Passacaille 



***
Depuis ses débuts en 1985, PENTAÈDRE se consacre à la découverte d'un répertoire de musique de chambre varié, original et souvent moins connu. Composé de cinq musiciens talentueux, dont la technique et la précision de jeu sont unanimement reconnues, Pentaèdre effectue des tournées au Québec, au Canada, aux États-Unis et en Europe. Pentaèdre collabore avec des artistes de renom et participe à des créations audacieuses, dont récemment l’opéra comique A Chair in Love ou L’amour est un opéra muet avec les mimes Omnibus. Pentaèdre a reçu deux Prix OPUS : Meilleur disque 2008, musique classique, romantique, postromantique, impressionniste pour son Winterreise avec le ténor Christoph Prégardien, qui s’est attiré de nombreux éloges internationalement, et Meilleur concert de l’année 2002, musiques actuelle, contemporaine, électroacoustique.

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Thursday, October 15, 2009


Quatuor Alcan
 En concert à Montréal !
 
Dans le cadre des activités soulignant leur 20e anniversaire

à 

Mercredi 14 octobre, 20 h

 
Chapelle historique du Bon-Pasteur

100, rue Sherbrooke Est

Information : 514 872-5338


Montréal, 9 octobre 2009 – Juste avant de s’envoler pour la Chine, où il effectuera une tournée du 15 au 28 octobre , le Quatuor Alcan s’arrête à la Chapelle historique du Bon-Pasteur de Montréal le mercredi 14 octobre prochain pour une soirée où Bethoven, Evangelista, Annunziata, MacMillan et Mendelssohn seront à l’honneur.
 

La saison 2009-2010 marque le début, pour le Quatuor Alcan, d’une troisième décennie d’activités dans une carrière riche en projets artistiques aussi passionnants qu’inspirants. Au cours des vingt dernières années, les membres du Quatuor Alcan ont offert tant aux aficionados de musique de chambre qu’aux amoureux de la musique en général des performances brillantes et enthousiastes, d’une qualité artistique irréprochable. 




PROGRAMME


Quatuor a cordes no. 4 en do mineur, op.18 (1800)
L. van Beethoven 
(1770-1827)

I. Allegro ma non troppo
II. Andante scherzoso quasi Allegretto
III. Menuetto (Allegretto)

IV. Allegro



Spanish Garland (1992)
12 chansons folkloriques espagnol
José Evangelista (1943 - )



Meltemi (2001)
Alessandro Annunziata (1968 - )


Deux Esquisses pour quatuor à cordes (1927)
Ernest MacMillan (1893-1973)
-Notre Seigneur en pauvre

À Saint-Malo 

Quatuor à cordes en fa mineur op.80 (1847)
F. Mendelssohn (1809-1847)

I. Allegro vivace assai
II. Allegro assai

III. Adagio
IV. Finale: Allegro molto


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Prestigious CD Label Features Canadian Composer

Lamentatio Jeremiae Prophetae by Peter-Anthony Togni
A deeply expressive piece with ancient origins for modern times

Performance & CD Launch on ECM label – A Canadian First!
Saturday, November 14, 2009 at 3:00 p.m. at St. Anne’s Anglican Church
Elmer Iseler Singers - Lydia Adams, Conductor
Jeff Reilly, Bass Clarinet and Rebecca Whelan, Soprano
Special Guest: Peter-Anthony Togni

Toronto, ON, October 9, 2009: Virtuoso bass clarinetist Jeff Reilly and soprano Rebecca Whelan join the celebrated Elmer Iseler Singers and conductor Lydia Adams for the performance and CD launch of Lamentatio Jeremiae Prophetae: Concerto for bass clarinet and choir (2007), by Halifax composer Peter-Anthony Togni on Saturday, November 14, 2009 at 3:00 p.m. (please note starting time) at St. Anne’s Anglican Church in Toronto. The new CD will be available at the November 14 concert, and will become available at Canadian retailers in January 2010.

Weaving an intricate, universal tale of a prophet who speaks the truth and is disregarded, Jeff Reilly, often improvising the bass clarinet, Rebecca Whelan, and the 20-voiced ensemble offer a poignant interpretation of Lamentatio Jeremiae Prophetae (Lamentations of Jeremiah), a compelling and expressive piece that was commissioned by the Canada Council for the Arts. This is the first work by a Canadian composer to appear on the prestigious ECM label (under the guidance of producer/guru Manfred Eicher) as part of the ECM New Series, which has launched the careers of some of the world's most famous contemporary composers. In the year of its 40th anniversary, ECM Records has been named both Classical and Jazz Label Of The Year by the world's leading publications in these genres, Gramophone and Downbeat respectively.

After a world premiere in Toronto in 2007 and a 2008 tour in Nova Scotia, Lamentatio Jeremiae Prophetae was recorded in Halifax in October 2008 in the richly acoustical All Saints Cathedral in Halifax, Nova Scotia. As Keith Horner explains in his CD liner notes, Lamentatio Jeremiae Prophetae is “a virtuoso concerto, incorporating improvisation and choral support”. Composer Peter-Anthony Togni points out that the origins of the word ‘concerto’ embrace the concept of ‘playing together.’ “So I wanted this sense of performing together, and still have the bass clarinet as concerto virtuoso and improviser, and then combine this with the challenge of telling a story,” adds Togni.

"Togni's music is deeply felt, simply put well-crafted and irradiated by a personal sense of the divine… Jeff Reilly is an undisputed master of the Bass Clarinet who has gone to the end to explore its sonic universe."
– Halifax Herald

Lamentatio Jeremiae Prophetae (Lamentations of Jeremiah): Concert/CD Launch
Saturday, November 14, 2009 at 3:00 p.m.
The Elmer Iseler Singers, Lydia Adams, conductor
Soloists: Bass clarinetist/improviser Jeff Reilly, soprano Rebecca Whelan
Special Guest: Peter-Anthony Togni
St. Anne’s Anglican Church: 270 Gladstone Avenue, Toronto
For tickets (Reg. $35/ Sen. $30/ Students $10) please call 416-217-0537
Group rates available http://www.elmeriselersingers.com/

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Wednesday, October 14, 2009

L'Automne à l'Outremont

MONTRÉAL, LE 9 OCTOBRE 2009 - D'ici à la fin octobre l'arrondissement d'Outremont offre à son jeune public l'occasion de découvrir deux compagnies théâtrales dont la renommée n'est plus à faire. Dans le cadre des dimanches jeune famille Youtheatre présentera Simon et l'œuf et le Théâtre de l'Avant-Pays, la pièce de l'auteure Marie-Christine Lê-Huu, Le voyage. Par ailleurs, le 22 octobre, l'Orchestre Métropolitain présentera le concert À la russe. À cette occasion, l'OM sera dirigé par le chef britannique Leo Hussain.

Différents forfaits sont disponibles pour profiter de la programmation de l'arrondissement d'Outremont. Tous les billets sont disponibles à la billetterie du Théâtre Outremont (1248, avenue Bernard Ouest); informez-vous en téléphonant au (514) 495-9944. Cependant les achats téléphoniques se font exclusivement via Ticketpro au (514) 908-9090.
www.theatreoutremont.ca

BIENTÔT À L'OUTREMONT

Le mardi 27 octobre, à 19 h 30
CIBLER (danse)

Le dimanche 1er novembre, à 16 h
LA MIGRATION DES OISEAUX INVISIBLES (théâtre, Dimanche jeune famille)

Le mardi 3 novembre, à 19 h 30
LES FRÈRES LAFORÊT (Théâtre)

Le dimanche 8 novembre, à 16 h
C'EST PAS MOI, JE LE JURE ! (Ciné-Zoom)

Le mardi 10 novembre, à 19 h 30
RYTHMES NOMADES : LE 8E FEU (Musique)

Le dimanche 20 décembre, à 16 h
LA VÉRITABLE HISTOIRE DU PÈRE NOËL (Film)
Simon et l'Oeuf
Le dimanche 18 octobre, à 16 h

L'Homme reçoit, de la part d'un certain Simon, un colis contenant un œuf géant brillant de lumière qui le transporte sur une île fragile et mystérieuse nommée Penumbra. L'île semble d'abord paradisiaque, mais l'Homme constate rapidement les effets néfastes de changements climatiques et de catastrophes environnementales ! Ne sachant toujours pas pourquoi il se retrouve sur cette île, l'Homme s'aperçoit que Penumbra ressemble étrangement à sa planète, la Terre. Il découvre alors l'importance de ne pas abandonner l'espoir d'un monde meilleur.

www.youtheatre.ca

© Alexis Chartrand
Le voyage
Le dimanche 25 octobre, à 16 h

Un enfant et sa mère marchent à travers les montagnes, au Japon, pour atteindre un village. Ils sont dans la neige, au milieu de nulle part. Leur survie dépend de ce trajet épuisant pour l'enfant. Sa mère, pour lui donner du courage, lui racontera trois histoires. Des histoires d'amour, de courage et de patience, qui l'aideront non seulement à marcher dans le froid et le noir, mais aussi à apprivoiser la nouvelle vie qui les attend tous deux. Cette nouvelle vie dont l'enfant ne voulait pas vraiment…

Le Théâtre de l'Avant-Pays a débuté ses activités en 1976. Tout au long de son histoire et à travers 31 productions différentes, la compagnie a présenté à son public enfance-jeunesse et adulte la diversité du langage « marionnettique ». À travers ses 32 saisons, la compagnie aura donné 3 291 représentations au Québec, en Ontario, au Nouveau-Brunswick, en France, en Belgique, en Allemagne et aux États-Unis rejoignant plus de 712 000 spectateurs. Plusieurs de ses spectacles ont marqué la pratique de la marionnette au Québec. Soucieux de populariser le médium de la marionnette, la compagnie a participé à plusieurs festivals et organisé de nombreuses expositions.
www.avant-pays.com

Orchestre Métropolitain : À la russe
Le jeudi 22 octobre, à 19 h 30
Conférence pré-concert à 18 h 30

Trois des plus grands compositeurs russes de l'époque romantique sont ici réunis pour notre bonheur. Composée immédiatement après le Capriccio espagnol et Shéhérazade, l'ouverture de concert La Grande Pâque Russe restitue de manière saisissante la majesté et la couleur si particulière des offices religieux de l'église orthodoxe.

Avec Casse-Noisette, l'irrésistible Concerto pour violon de Tchaïkovski compte parmi les œuvres les plus joyeuses du compositeur. C'est aussi l'un des concertos les plus virtuoses et les plus populaires du répertoire violonistique tout entier. Il sera interprété par le violoniste belge d'origine hongroise Yossif Ivanov.

Par ses sources d'inspiration, la Symphonie no 2 de Borodine, dite « épique » est voisine de son opéra Le Prince Igor. Comme ce dernier, elle s'inspire de l'histoire de la Russie médiévale avec, tour à tour, des épisodes enflammés, des échos de danses russes et des mélodies nostalgiques d'une grande beauté.

Le jeune chef d'orchestre britannique Leo Hussain, qui a collaboré avec Yannick Nézet-Séguin à Salzbourg à l'été 2008, sera sur le podium.

www.orchestremetropolitain.com

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Veteran journalist Rosemary Thompson named National Arts Centre Director of Communications and Public Affairs

(Ottawa, Canada) – The National Arts Centre (NAC) today announced the appointment of Rosemary Thompson as Director of Communications and Public Affairs.

Ms. Thompson, an award-winning reporter who is currently deputy bureau chief for the national CTV News, will start her new role at the NAC on November 2nd. She takes over the position from Jayne Watson, who was recently named CEO of the National Arts
Centre Foundation, the organization’s fundraising arm.

“Journalism is a calling, but so are the arts.” said Ms. Thompson, who is fluently bilingual in French and English. “CTV has let me do everything a journalist could dream of doing. But I also have a passion for music and theatre and dance. I'll be telling the Canadian story in a different way through the National Arts Centre.” 


“We are thrilled to have Rosemary on board,” said Peter Herrndorf, President and CEO of the National Arts Centre. “She brings a pan Canadian view to the position, having lived in both the eastern and western parts of Canada. Her experience and extensive contacts will be invaluable as we continue working with artists, arts organizations and arts educators across the country.”

As a journalist, Rosemary Thompson has covered it all. She was CTV's Montreal Bureau Chief in 1995 and had a seat on the campaign bus during the referendum. She was posted in Washington as CTV’s correspondent in 2000 and covered the events of 9-11 and its aftermath. Then it was off to Ottawa where she has covered every leadership convention and election over the past seven years.

Ms. Thompson’s western ties will be a definite asset to the NAC as it prepares to host the 2011 Prairie Scene festival to feature hundreds of artists from Manitoba and Saskatchewan.

“My journalistic roots are firmly planted in the prairies,” said Ms. Thompson. “CBC Winnipeg gave me my first break in television. I was a cub reporter at the Manitoba Legislature when Gary Doer was an opposition Member of the Legislative Assembly.” (Ms. Thompson’s has another strong prairie connection through her sister Virginia Thompson who was executive producer of Corner Gas, the wildly successful TV series set in Saskatchewan.)

At the age of five, Rosemary Thompson's father enrolled her in piano lessons at Vincent D'Indy, a well known conservatory in Montreal. For 15 years she practised, and hoped one day she would work in the arts. “I am excited to come back to the arts and to be part of the NAC team,” added Ms. Thompson.

Ms. Thompson has won numerous awards during her journalistic career for her coverage of major news events, including a nod from America’s National Academy of Television Arts and Sciences in recognition of her reporting of the September 11, 2001, attacks and their aftermath. She was also nominated for a Gemini for her work on Million Dollar Babies, a documentary about the Dionne Quintuplets.

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Un nouveau venu dans les relations arts-affaires: artsScène Montréal

L'équipe de artsScène Montréal souhaite vous inviter au lancement de sa première saison d'activités à Montréal. Créé par Le monde des affaires pour les arts (Business for the arts), artsScène propose des activités, de l'information et une plateforme de réseautage pour tous les jeunes professionnels de Montréal qui croient à la créativité et qui souhaitent découvrir et soutenir le milieu culturel. Nous savons que vous travaillez fort pour diversifier vos publics et multiplier les contacts avec la communauté d'affaires. Aussi, souhaitons-nous agir en complémentarité avec vous pour rassembler les jeunes professionnels autour des arts et les convaincre de l'importance de s'impliquer à différents niveaux, pour soutenir vos activités de création, que ce soit par l'achat de billets de spectacle, le bénévolat ou encore le mécénat.

Pour le lancement de la saison 2009-2010 nous visiterons le Centre Canadien d'Architecture et entamerons une discussion que nous souhaitons ouverte et inspirante sur le thème La créativité dans les liens entre le milieu culturel et celui des affaires. Lorraine Pintal, directrice artistique et générale du Théâtre du Nouveau Monde, animera un panel qui réunira Mirko Zardini, directeur et conservateur en chef du Centre Canadien d'Architecture, Jean-François Bouchard, président et associé principal de SIDLEE, D. Kimm, directrice générale et artistique de Les Filles électriques et Jan-Fryderyk Pleszczynski, directeur général et vice-président affaires de Digital Dimension. Vous trouverez en pièce jointe l'invitation pour la soirée de lancement du 14 octobre, ainsi que le communiqué de presse. Les billets sont en vente au lien suivant: http://bfta-artsscene-montreal.eventbrite.com/.

N'hésitez pas à nous écrire pour plus de renseignements, notre volonté étant de travailler en étroite collaboration avec vous et vos organisations. En espérant que vous accueillerez favorablement ce nouveau venu dans les liens arts-affaires issu de la volonté de quelques jeunes gens d'affaires engagés pour les arts, veuillez recevoir nos meilleures salutations.

L'équipe de artsScène Montréal
Gwenola Appéré, Julie Arsenault, Anne-Marie Bergeron, Hélène Brown, Natalie Chapdelaine, Kim Darlington, Robert Landry, Dominic Pilon, Mélisande Simard, Sophie Tarnowska
artsscenemontreal@businessforthearts.org
www.businessforthearts.org/artsScene-Montreal

artsScène Montréal bénéficie de l'appui du Conseil des arts de Montréal, de la Jeune Chambre de commerce de Montréal, de Bénévoles d'Affaires et de ses précieux mécènes-fondateurs:

Me Brian Levitt, Associé et co-président chez Osler et Président du conseil d'administration du Musée des beaux-arts de Montréal

Me Maurice Forget, Associé chez Fasken-Martineau et ancien Président du Conseil des arts de Montréal

Pierre Bourgie, Président et chef de la direction de la fondation ArteMusica

Jean-Pierre Desrosiers, Associé chez KPMG et Président du conseil d'administration du Cirque Éloize

François Dufresne, Associé chez Ernst & Young et Président de la Fondation du Musée d'art contemporain de Montréal

Amel Chamandy, Présidente et Directrice Artistique de Galerie NuEdge, Membre du conseil d'administration de la Fondation du Musée des beaux-arts et membre du comité consultatif de la Faculté des arts et des sciences de l'Université McGill

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Roy and Gaudet - Winnipeg Debut

WINNIPEG­ October 9, 2009 — On Saturday, October 17, 2009, Virtuosi Concerts will host the western Canadian debut of violinist Jean-Sébastien Roy and pianist, Mathieu Gaudet. CBC radio will record this Winnipeg concert which is also the first in a series of appearances under the auspices of Prairie Debut that will take the duo across Manitoba and Saskatchewan.

"As this will be the first time either of us has performed in Winnipeg, we are particularly pleased to include Quebec composer, André Mathieu in our programme," says Roy. "We've enjoyed a revival of his work in our home province but not many western Canadians have had the pleasure of discovering what I could only call his genius."

Jean-Sébastien Roy studied at the Conservatoire de Musique de Montréal, earning his first prize at the Conservatory with great distinction. He also obtained his master's degree in interpretation from the Université de Montréal in May 2004. During his career, Roy has won top prizes, including the Cleveland Institute of Music Competition and the OSM contest, the Prix d'Europe and the Prix Joseph Rouleau at the Concours International de Musique de Montreal. He has performed across Canada, the United States and Europe where he recently performed in London, Munich and Paris.

Since his acclaimed début in Baltimore, USA with Brahms' Piano Concerto No 2, Pianist Mathieu Gaudet has become much in demand as a soloist, accompanist and chamber musician. He is the co-founder of Gros Morne Summer Music, a highly successful concert series in Newfoundland, Canada. In addition to his busy musical life, Mathieu Gaudet is studying medicine at Université de Montréal.

Programme: MATHIEU, Sonata for violin and piano; BLOCH, Nigun; FAURÉ, Quatre pièces; FRANCK, Sonata for violin and piano; SAINT-SAENS, Introduction and rondo capriccioso

Concert Information: 8PM, Eckhardt-Grammatté Hall, University of Winnipeg, 515 Portage Ave. www.virtuosi.mb.ca . For Tickets call 786-9000: Adults $29 / Full-time post-secondary students $10/ High-School students $5 (subject to availability at door)

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Tournée en Chine de l'Orchestre I Musici de Montréal

English follows

Montréal, le 9 octobre 2009 — L'Orchestre de chambre I Musici de Montréal (IMM) finalise ses derniers préparatifs pour sa prochaine tournée en Chine. Du 14 au 25 octobre, l'Orchestre dirigé par maestro Yuli Turovsky visitera sept villes de la République populaire de Chine : Dongguan, Shenzhen, Shanghai, Changzhou, Wuhan, Zhengzhou et Beijing. Le répertoire inclura notamment Souvenir de Florence, l'ultime œuvre de musique de chambre de Tchaïkovski qui a fait d'ailleurs l'objet d'un enregistrement récent par I Musici, sous étiquette Analekta.

Quatrième tournée en Chine pour IMM
La dernière visite dans l'Empire du Milieu de l'orchestre montréalais remonte à 1997. La première escale de 2009 se fera au Dongguan Yulan Grand Theatre puis au Shenzhen Poly Theatre. L'un des temps forts de la tournée sera une prestation au prestigieux Concert Hall du Shanghai Oriental Art Center. Dotée d'une acoustique remarquable, cette salle de concert a vu se produire plusieurs instrumentistes de renom tels que Yoyo Ma et Isaac Stern ainsi que plusieurs orchestres de la cité, dont le Shanghai Symphony Orchestra. Par la suite, la tournée se poursuivra au Changzhou Grand Theater puis au Wuhan Quintai Grand Theatre. Le 22 octobre, un concert sera présenté au splendide Henan Art Center de Zhengzhou — un complexe architectural moderne et hautement sophistiqué, réalisé par l'architecte canadien Carlos Ott. Finalement, la tournée d'I Musici de Montréal se terminera dans la capitale chinoise au Beijing Forbidden City Concert Hall, situé à proximité de Tian'anmen dans l'enceinte de la Cité interdite.

Le programme de la tournée présentera des pages incontournables au répertoire de l'Orchestre. Divertimento K 136 de Mozart, le huitième quatuor à cordes de Chostakovitch et trois pièces majeures de Tchaïkovski : Sérénades pour cordes, Andante Cantabile et Souvenir de Florence. Cette dernière œuvre, qui baigne dans une contagieuse joie de vivre, est considérée comme l'une de ses compositions les plus lumineuses. L'album Souvenir de Florence mis en valeur dans une splendide transcription orchestrale de Yuli Turovsky est disponible chez les disquaires depuis le 22 septembre dernier. Enregistré à l'église Saint-Matthieu de Beloeil, ce nouvel opus, le 52e enregistrement d'I Musici de Montréal, est sous étiquette Analekta (AN 2 9954).

La tournée en Chine de l'Orchestre de chambre I Musici de Montréal est rendue possible grâce au soutien financier du Conseil des Arts du Canada, du Conseil des arts et des lettres du Québec. I Musici de Montréal tient également à remercier chaleureusement Power Corporation Canada, commanditaire majeur pour cette tournée.

Pour être au fait des dernières nouvelles de l'Orchestre, visitez notre site Internet : imusici.com

I MUSICI DE MONTRÉAL TO TOUR CHINA

Montreal, October 9, 2009 — I Musici de Montréal is thrilled to be returning for the fourth time to China for a seven-city concert tour between October 14-25, 2009! Maestro Yuli Turovsky and the fifteen string players will perform at prestigious concert halls in Shanghai, Dongguan, Shenzhen, Zhengchou, Changzhou, Wuhan and end the tour in splendour, playing at the Forbidden City Concert Hall in Beijing.

The orchestra will have the privilege of performing in state-of-the-art concert halls such as the Dongguan Yulan Grand Theatre, the Shenzhen Poly Theatre, the Shanghai Oriental Art Centre and the Henan Art Centre in Zhengzhou; a sophisticated building created by the Canadian architect Carlos Ott.

I Musici de Montréal will perform a wonderful programme of works by Mozart, Tchaikovsky and Shostakovich. The highlights will include Shostakovich's "Chamber Symphony in C minor", Opus 110a and Tchaikovsky's "Souvenir de Florence", Opus 70, and his famous "Serenade for Strings". The latter work can be enjoyed, accompanied by Tchaikovsky's delightful "First String Quartet in D major" Opus 11, on I Musici's most recent recording on the Analekta label. Both works are splendid string orchestral transcriptions created by Maestro Turovsky.

The tour has been made possible thanks to the support of the Canada Arts Council, the Conseil des Arts et des Lettres du Québec as well as the generosity of Power Corporation of Canada, the principal sponsor of the tour.

To learn all the latest news on the orchestra, visit our web site at imusici.com

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Diouf : l'antidote idéal pour contrer la grisaille automnale

Montréal, le 9 octobre 2009 — De retour d'une tournée mondiale de plus de deux ans avec le spectacle Delirium du Cirque du Soleil, le groupe Diouf présentera à la salle Cassavetes un spectacle festif et métissé. Au programme : une solide dose de musique du monde colorée d'afrobeat, de reggae et de rythmes chauds et ensoleillés!

Installés à Montréal depuis le milieu des années 1990, les frères El Hadji Fall et Pape Abdou Karim Diouf, originaires du Sénégal, ont su s'imposer rapidement dans l'univers musical québécois. Percussionnistes émérites et compositeurs inspirés, El Hadji et Karim ont multiplié les collaborations avec des groupes tels que Dubmatique, Loco Locass et Les Colocs.

En 2003, sous le nom Diouf, le groupe enregistre un premier disque très attendu, Dund (« vivre », en wolof), qui recevra un Prix Étoiles Galaxie de Radio-Canada. Fort de ce premier succès, Diouf prépare actuellement son second opus.

Entourés d'un batteur, d'un guitariste, d'un bassiste et d'un claviériste, les frères Diouf, chanteurs, musiciens et grands rassembleurs, vous convient à une grande fête montréalaise. Si vous n'avez pas encore vu Diouf en spectacle, attention! Le plaisir croît avec l'usage...

Jeudi 29 octobre à 20 h 30, salle Cassavetes

BILLETTERIE : excentris.com | ticketpro : 514 790 1111 | info : 514 847 0399

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Tiny Tots: Concerts for the Little Ones!

VANCOUVER, BC – The Vancouver Symphony’s Tiny Tots is a 4-concert series for children up to four years of age, focusing on fun and music education for early childhood development. Concerts take place on Fridays at 10:00am, 11:30am, and 1:30pm at the Playhouse Theatre in downtown Vancouver and Saturdays at 10:00am and 11:30am at the Terry Fox Theatre in Port Coquitlam. This series features professional music educators and musicians, Let Your Music Shine with Lisa and Linda, in their own musical presentations for kids.

The Tiny Tots series begins on October 23rd and 24th with Musical Olympics for Tots, a concert of winning melodies and favourite classics. The next concert in the series takes place in December – Holiday Hooray! features the music of Tchaikovsky’s Nutcracker and other frosty favourites for children to sing-along with. The Cirque de Classic concert in March presents music by Beethoven, Haydn and Mozart and features magic, movement, and classic miniatures. The final concert of this series, Gallop and Go!, takes place in May and will be a symphonic adventure into farmyard fun.

Lisa Grace Allison and Linda Sebenius, the creators of Let Your Music Shine!, are Redmond-based twin sisters, educators, composers, and performers. They have performed their original musical theatre scores for thousands of Northwest families, as well as releasing multiple award-winning CD’s and DVD’s. Music Shine Media, LLC is a multi-media production company devoted to developing, producing, and distributing the original products and performances of Let Your Music Shine! with Lisa & Linda.

Check out Let Your Music Shine’s new YouTube channel at: http://www.youtube.com/user/LetYourMusicShine

Single concert tickets: Adult $15, Child $7, Children under 6 months by donation
Tickets available online at www.vancouversymphony.ca or by calling VSO customer service at 604.876.3434

TELUS Premier Education Partner

The VSO’s Tiny Tots series has been endowed by a generous gift from Mary and Gordon Christopher.


CONCERT INFO

Friday, October 23, 10am, 11:30am, 1:30pm, Vancouver Playhouse Theatre
Saturday, October 24, 10am, 11:30am, Terry Fox Theatre
Musical Olympics for Tots
Let Your Music Shine with Lisa & Linda, children’s entertainers

I can sing, I can play! Winning melodies and favourite classics highlight this GOLD medal show.


Friday, December 11, 10am, 11:30am, 1:30pm, Vancouver Playhouse Theatre
Saturday, December 12, 10am, 11:30am, Terry Fox Theatre
Holiday Hooray!
Let Your Music Shine with Lisa & Linda, children’s entertainers

Featuring the music of Tchaikovsky. Move-along with the Nutcracker and sing-a-long to frosty favourites!


Friday, March 26, 10am, 11:30am, 1:30pm, Vancouver Playhouse Theatre
Saturday, March 27, 10am, 11:30am, Terry Fox Theatre
Cirque de Classic
Let Your Music Shine with Lisa & Linda, children’s entertainers

Let's all go to the 3-ring musical circus! Filled with magic, movement and classic miniatures.


Friday, May 21, 10am, 11:30am, 1:30pm, Vancouver Playhouse Theatre
Saturday, May 22, 10am, 11:30am, Terry Fox Theatre
Gallop and Go!
Let Your Music Shine with Lisa & Linda, children’s entertainers

This symphonic adventure into farmyard fun will have tots bouncing to that barnyard beat.


BIOGRAPHIES

Let Your Music Shine with Linda and Lisa, children’s entertainers

Lisa G. Allison and Linda Sebenius, are composers, producers and educators. Their performance duo is committed to presenting the highest quality original, engaging, and age appropriate music education programs and products for young children.

Lisa G. Allison, Artistic Director (M.A. Music Education)
As Artistic Director, Lisa co-ordinates staging, set design, and costuming for live performances. In addition, Lisa is footage coordinator and lead editor for Music Shine Media video productions. When not performing with Let Your Music Shine and editing amazing footage, Lisa is a Voice/Performance Coach and Director of LGMusic Voice Studio and an Elementary Music Specialist for the Lake Washington School District.

Linda Sebenius, Music Director (B.A. Music Theory/Composition)
As Music Director, Linda is the lead orchestrator and arranger for Let Your Music Shine. Whether it is a brass quartet playing Beethoven's Fifth, or a string quartet playing Vivaldi's Four Seasons, Linda makes the magic of classical music come alive for the youngest listener. As a composer, Linda's original works were featured in the 2003 and 2005 New Works/New Hope concerts to benefit Gilda's Club. Linda also scores music for film and won a 1999 Nell Shipman award for the hilarious short film "Pendemonium."

For more information, please visit www.letyourmusicshine.com

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Cleveland Orchestra launches Celebrity series at Severance Hall on November 7

Program saluting John Williams features music from many of his best-known films

CLEVELAND, October 8, 2009 – The Cleveland Orchestra presents the first program in its new three-concert Celebrity series at Severance Hall on Saturday, November 7, at 8:00 p.m. The new Celebrity series explores the avenues of orchestral music that stretch beyond the borders of the classical world – movie scores, jazz riffs, Broadway, and beyond. The opening program, titled A Salute to John Williams, will be led by MGM conductor and movie expert Richard Kaufman and will feature music from Williams’s film scores for E.T. the Extra-Terrestrial, Harry Potter and the Sorcerer’s Stone, Jaws, Raiders of the Lost Ark, Star Wars, Superman, and more. During the November 7 concert, Mr. Kaufman, who made his Cleveland Orchestra debut this past May leading its sold-out “Music from the Movies” concert, will share insights and behind-the-scenes stories with the audience. A complete program listing follows at the end of this release.

Additional Celebrity series programs this season:
March 30, 2010: Pink Martini, a “little orchestra” from Portland, Oregon, is steeped in jazz, Japanese pop, Italian film scores, and French cabaret. They have performed their multicultural repertoire on concert stages and with symphony orchestras throughout Europe, Asia, Greece, Turkey, Lebanon, Canada, and the United States – including multiple concerts with the Boston Pops and the Hollywood Bowl Orchestra, the grand opening of Walt Disney Concert Hall in Los Angeles, and the opening party of New York’s Museum of Modern Art. The group will bring their eclectic sounds to this performance with The Cleveland Orchestra for a vibrant evening of fun.

April 25, 2010: Chris Botti – Jazz trumpeter Chris Botti joins The Cleveland Orchestra for an evening that combines jazz standards and classical hits. Botti has recorded familiar songs including “When I Fall in Love” and “To Love Again” and has worked with many musicians, including Joshua Bell, Michael Bublé, Andrea Bocelli, Josh Groban, Yo-Yo Ma, Frank Sinatra, and Sting. He also has performed with many leading symphony orchestras and at prestigious events including the World Series and the Nobel Peace Prize Ceremony. Botti’s 2008 performances with the Boston Pops, titled Chris Botti in Boston, have been featured on the PBS network, with which he has an ongoing association, and are available on CD, DVD, and Blu-ray.

* * *
The Cleveland Orchestra’s 2009-10 season at Severance Hall is sponsored by UBS. Headquartered in Zurich and Basel, Switzerland, UBS is a global firm providing services to private, corporate and institutional clients. Its strategy is to focus on international wealth management and the Swiss banking business alongside its global expertise in investment banking and asset management. In Switzerland, UBS is the market leader in retail and commercial banking.

UBS is a significant supporter of orchestral music globally. In addition to its season sponsorship of The Cleveland Orchestra, the firm currently sponsors several other outstanding symphony orchestras, such as the Boston Symphony Orchestra and The Philadelphia Orchestra. These partnerships reflect UBS’s dedication to supporting the communities where it operates, as well as a philosophy of working collaboratively with its clients to deliver the customized solutions that help them pursue their goals.

“UBS is proud of our ongoing relationship as Season Sponsor of The Cleveland Orchestra,” said Marten Hoekstra, CEO, UBS Wealth Management Americas. “Supporting the arts is ingrained in our corporate culture and we view our partnership with this internationally renowned orchestra as a reflection of our ongoing commitment to communities where we live and work.”

SUBSCRIPTIONS to the Celebrity series are still available at three concerts for the price of two. Subscriptions begin at $66. Call the Cleveland Orchestra Subscription Office at (216) 231-1111 or 800-686-1141, or order online at clevelandorchestra.com.

SINGLE TICKET PRICES: Box: $84; Orchestra: $66, $51; Dress Circle: $66, $45, $33; Balcony: $45, $33.

TICKET SERVICES:
The Severance Hall Ticket Office is located in the Smith Lobby. The entrance and 15-minute Ticket Service parking are along East Boulevard. Single tickets for all concerts in the 2009-10 season are now on sale.

Severance Hall Ticket Office Hours:
M-F 9-6
Sat. 10-6
Closed Sundays and major holidays, except for those days with performances, when the Ticket Office opens three hours prior to the performance start time.

To charge tickets by telephone on American Express, Discover Card, MasterCard, and Visa, call Cleveland Orchestra Ticket Services at (216) 231-1111 (Cleveland) or 800-686-1141 during the regular ticket office hours listed above. Subscriptions and single tickets are also available through The Cleveland Orchestra’s website at clevelandorchestra.com. The website offers secure ticket transactions with any major credit card and provides complete concert listings.

PARKING:
For evening subscription concerts at Severance Hall, parking can be purchased for $10 per vehicle, when space permits, in the Campus Center Garage (the underground garage located directly behind Severance Hall). Pre-paid parking for the Campus Center Garage can be purchased in advance through the Ticket Office at the cost of $14 per concert (this includes City of Cleveland parking tax and handling fee). The pre-paid parking ensures patrons a parking space, but availability of these pre-paid parking passes is limited.

For further information, or to order pre-paid parking, patrons should call the Cleveland Orchestra Ticket Office during regular office hours at (216) 231-1111 or 800-686-1141. Pre-paid parking passes are also available through The Cleveland Orchestra’s website at clevelandorchestra.com.

Saturday, November 7, at 8:00 p.m.
Severance Hall
Celebrity Series Concert
THE CLEVELAND ORCHESTRA
RICHARD KAUFMAN, conductor
A Salute to John Williams

WILLIAMS
March from Superman
Music from Jurassic Park
“Sayuri’s Theme” from Memoirs of a Geisha
“Harry’s Wondrous World” from Harry Potter and the Sorcerer’s Stone
Suite from Far and Away
Main Theme from Star Wars
“The Raiders March” from Raiders of the Lost Ark
“The Face of Pan” from Hook
“Flight to Neverland” from Hook
Main Theme from Jaws
Suite from Close Encounters of the Third Kind
“Adventures on Earth” from E.T. the Extra-Terrestrial

Ticket Prices: $33-$84 – Call (216) 231-1111 or 800-686-1141, or order online at clevelandorchestra.com

Season Sponsor: UBS

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The Cleveland Orchestra’s annual holiday concerts take place at Severance Hall from December 10-21

Mercedes-Benz of Bedford is new Holiday Festival sponsor
Cleveland Orchestra Store offers unique gift ideas

CLEVELAND, October 8, 2009 – The Cleveland Orchestra’s 2009 Holiday Festival sponsored by Mercedes-Benz of Bedford takes place from December 11-21. The 10-day festival consists of eight Christmas Concerts with The Cleveland Orchestra and Choruses; two performances of Eileen Ivers – An Irish Christmas (a concert by Eileen Ivers & Immigrant Soul with The Cleveland Orchestra, telling the story of a real Irish Christmas through music and dance); and two performances of Burning River Brass, featuring the 12-member Burning River Brass ensemble and organist Todd Wilson.

Additional holiday concerts are two performances of Handel’s Messiah, on Thursday, December 10, and Saturday, December 12; and three different PNC Holiday Musical Rainbow programs for children up to age 10 – “Music of Chanukah,” “All About Kwanzaa,” and “Christmas Brass Quintet,” featuring members of the Orchestra and guests.

Families can arrive early for the 3:00 p.m. Christmas Concerts on December 12, 13, 19, and 20 and enjoy Lunch with Santa in Severance Restaurant from 12:00 p.m. until 3 p.m. Call (216) 231-7373 or email reservations@clevelandorchestra.com for reservations.

The Cleveland Orchestra’s holiday concerts season gets underway with the placement of a lighted wreath on the front of Severance Hall on Monday, November 30, at 11:00 a.m.

An updated calendar for all holiday concerts at Severance Hall follows. Single tickets for all holiday concerts are now on sale. Tickets for groups of 10 or more are also available. Information on purchasing tickets is provided below.

* * *
HOLIDAY GIFT IDEAS
The Cleveland Orchestra Store offers many unique gift items for the holidays, including the latest Cleveland Orchestra CD and DVD recordings along with an extensive discography from years past, music boxes and decorative glass from Italy and Israel, music-themed holiday ornaments, stationery, books, stuffed toys and musical gifts for children of all ages, fashion scarves, jewelry, and Cleveland Orchestra logo apparel. The Store is open Tuesday through Friday during regular Store hours from 11 a.m. to 6 p.m. and before, during, and after concerts. The Store phone number is (216) 231-7478 and may be visited online at clevelandorchestra.com.

In addition, Cleveland Orchestra gift certificates and Blossom Lawn Ticket Books for The Cleveland Orchestra’s 2010 Summer Season at Blossom Music Center are available at the Severance Hall Ticket Office by calling (216) 231-1111 or (800) 686-1141, or at clevelandorchestra.com.

For 42 years, the Schreibman family of Pepper Pike has sold engraved Silver Bells to benefit The Cleveland Orchestra’s education programs. The Silver Bells, engraved with “Christmas 2009” and priced at $20 each, have become a favorite holiday tradition and are available for purchase at the Cleveland Orchestra Store and several gift shops in greater Cleveland. Contact the Store at (216) 231-7478 for details or shop online at clevelandorchestra.com.
* * *
TICKET SERVICES:
The Severance Hall Ticket Office is located in the Smith Lobby. The entrance and 15-minute Ticket Service parking are along East Boulevard. Single tickets for all concerts in the 2009-10 season are now on sale.

Severance Hall Ticket Office Hours:
M-F 9-6
Sat. 10-6
Closed Sundays and major holidays, except for those days with performances, when the Ticket Office opens three hours prior to the performance start time.

To charge tickets by telephone on American Express, Discover Card, MasterCard, and Visa, call Cleveland Orchestra Ticket Services at (216) 231-1111 (Cleveland) or 800-686-1141 during the regular ticket office hours listed above. Subscriptions and single tickets are also available through The Cleveland Orchestra’s website at clevelandorchestra.com. The website offers secure ticket transactions with any major credit card and provides complete concert listings.
Tickets for groups of 10 or more are also available for The Cleveland Orchestra’s holiday concerts. To order group tickets, visit clevelandorchestra.com; call (216) 231-7463; or email groupsales@clevelandorchestra.com.
___________________________________

CLEVELAND ORCHESTRA CHRISTMAS CONCERTS

Traditional holiday programs of seasonal music, sing-along selections, and Christmas classics
with choruses and The Cleveland Orchestra.

Friday, December 11, 2009 at 8:00 p.m.
Saturday, December 12, 2009 at 3:00 p.m.
Sunday, December 13, 2009 at 3:00 p.m.
Friday, December 18, 2009 at 8:00 p.m.
Saturday, December 19, 2009 at 3:00 & 8:00 p.m.
Sunday, December 20, 2009 at 3:00 & 7:00 p.m.

Severance Hall

THE CLEVELAND ORCHESTRA
ROBERT PORCO, conductor
CLEVELAND ORCHESTRA CHORUS (all concerts)
Robert Porco, director
CLEVELAND ORCHESTRA CHILDREN’S CHORUS (Dec. 13, 19, and 20 at 3:00 p.m.)
Ann Usher, director
MEMBERS OF THE CLEVELAND STATE UNIVERSITY CHORALE (Dec. 11 and 12)
Brian Bailey, director

The program will include favorites such as O Come, All Ye Faithful, the Hallelujah Chorus from Handel’s Messiah, Joy to the World, Sleigh Bells, and White Christmas, among many others.

TICKETS: $33-$63; Box seats $80
Call (216) 231-1111 or 800-686-1141, or order online at clevelandorchestra.com
___________________________________

EILEEN IVERS – AN IRISH CHRISTMAS

Wednesday, December 16, 2009 at 8:00 p.m.
Thursday, December 17, 2009 at 8:00 p.m.

Severance Hall

Eileen Ivers & Immigrant Soul
The Cleveland Orchestra
James Feddeck, conductor

The program features Irish fiddle player Eileen Ivers & Immigrant Soul along with local Irish dancers performing with The Cleveland Orchestra in traditional Irish songs and airs from the 12th century to the present, telling the story of a real Irish Christmas through music and dance.

TICKETS: $33-$63; Box seats $80
Call (216) 231-1111 or 800-686-1141, or order online at clevelandorchestra.com
___________________________________

BURNING RIVER BRASS

Monday, December 21, 2009 at 8:00 p.m.

Severance Hall

Burning River Brass
Todd Wilson, organ

A holiday favorite, the twelve-piece Burning River Brass ensemble entertains
with its signature style.

TICKETS: $26-$48; Box seats $60
Call (216) 231-1111 or 800-686-1141, or order online at clevelandorchestra.com


**************************************************

ADDITIONAL CLEVELAND ORCHESTRA HOLIDAY CONCERTS:

HANDEL’S “MESSIAH”

Thursday, December 10, 2009 at 8:00 p.m.
Saturday, December 12, 2009 at 8:00 p.m.

Severance Hall

THE CLEVELAND ORCHESTRA
ROBERT PORCO, conductor
MARY WILSON, soprano
ANTHONY ROTH COSTANZO, countertenor
ALEK SCHRADER, tenor
JOHN RELYEA, bass-baritone
CLEVELAND ORCHESTRA CHAMBER CHORUS
Robert Porco, director

HANDEL Messiah

Concert Sponsor: National City, Now a part of PNC

TICKETS: $31-$92; Box seats $117
Call (216) 231-1111 or 800-686-1141, or order online at clevelandorchestra.com
___________________________________

PNC HOLIDAY MUSICAL RAINBOWS
(for children up to age 9)
Friday, December 11, 2009 at 10:00 a.m.
Sunday, December 13, 2009 at 12:30 p.m.
Reinberger Chamber Hall at Severance Hall

Music of Chanukah
Carolyn Warner, violin and piano
Stephen Warner, violin
Kathryn Wolfe Sebo, cantor
Maryann Nagel, host
___________________________________

Thursday, December 17, 2009 at 10:00 a.m.
Reinberger Chamber Hall at Severance Hall
Saturday, December 19, 2009 at 11:00 a.m.
Main Concert Hall at Severance Hall

Christmas Brass Quintet
Jack Sutte, trumpet
Michael Miller, trumpet
Hans Clebsch, horn
Edward Zadrozny, trombone
Ronald Bishop, tuba
Maryann Nagel, host
___________________________________

Friday, December 18, 2009 at 10:00 a.m.
Reinberger Chamber Hall at Severance Hall

All About Kwanzaa
Barbara Eady, storyteller, from the Cleveland Association of Black Storytellers
William Clarence Marshall III, bass
Mell Csicsila, percussion
Andrew Pongracz, percussion
Maryann Nagel, host

TICKETS: $7 General Admission
Call (216) 231-1111 or 800-686-1141, or order online at clevelandorchestra.com

The PNC Musical Rainbow Series is endowed by the Pysht Fund.
___________________________________

All artists and programs are subject to change.

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Amanda Martinez - Friday, October 23, 2009 at 8 PM, Koerner Hall at The Royal Conservatory

Toronto, ON. October 8, 2009: A new concert hall, a new recording and a new chapter in the promising career of Canadian Latin-jazz songstress Amanda Martinez begins at Koerner Hall on October 23rd, 2009. Backed by an award winning 6-piece band featuring guitarist Kevin Laliberté and special guests including pianist Robi Botos, Martinez will debut a bevy of songs penned for her long-awaited sophomore release, Amor – a disc radiant with the soulful array of original bossa-infused Jazz, Afro-Cuban and Mexican folk songs that have been earning the Toronto-based Martinez rave reviews across the country. The concert will also feature a string quartet led by Vancouver based cellist Harold Birston.

Perhaps best known to Toronto Latin music fans as the charismatic host of the JazzFM.91's Cafe Latino, Amanda Martinez is a staple on the city's Latin live music circuit. Her lustrous vocal stylings and emotive delivery have prompted notable praise from critics including CBC Radio Host Matt Galloway who states her new album Amor is “a tremendously confident leap ahead from her Sola debut; polished but with none of the passion missing. Slow dancing is encouraged."

In February 2008, Martinez accepted an invitation to travel with award winning guitarist Jesse Cook to perform at the International Jazz Festival of Dubai and then to New York to perform at Dizzy’s Club at Jazz at Lincoln Centre. Her talents have been recognized with the Emerging Artist Award from FACTOR, 3-consecutive National Jazz Award nominations (2007-2009) including Latin Jazz Singer of the Year; and an invitation to make her debut at New York’s legendary Blue Note Club this November.

Born in Canada to a Mexican father and South African mother, Amanda grew up in a house that loved music. Although she spent her school years studying classical piano and ballet, Amanda obtained an undergraduate degree in biology and later completed her master’s degree in international business. It was only after her first year as associate director of finance at one of Canada’s leading banks that she made the decision to pursue music professionally. Her debut album “Sola” won Best World Music at the Toronto Independent Music Awards, selling over 6000 copies and becoming Toronto’s top selling independent release.

AMANDA MARTINEZ
Friday, October 23, 2009 at 8 pm
Koerner Hall / 273 Bloor Street West, Toronto / Tickets $49.50 - $39.50
Roy Thomson Hall Box Office - 416-872-4255 / www.roythomson.com
The Royal Conservatory Box Office - 416-408-0208 / www.rcmusic.ca

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Lancement de l’album Projet Bali X

Bali... RemiX!

Le mercredi 21 octobre prochain au Club Lambi, 4465 Saint-Laurent, un vent de nouveauté soufflera dans le paysage musical québécois avec le lancement de Projet Bali X, premier album très attendu du gamelan Giri Kedaton, en résidence à la Faculté de musique de l’Université de Montréal.

Projet Bali X, c’est 26 musiciens d’ici, un gigantesque ensemble de percussions balinaises, des guitares, des synthés tout droit sortis de la guerre des étoiles, des tambours cubains batà, la batterie frénétique de Jean-Sébastien Nicol, de l’électro et des beats, des beats, beaucoup de beats, qui vous cloueront sur votre fauteuil pour un hallucinant voyage entre le soleil chaud de Bali et les planchers de danse enflammés de la planète!

Après plus de deux ans de travail acharné, le groupe, bien connu du public pour ses interprétations flamboyantes de musique balinaise traditionnelle, dévoile enfin le fruit du travail de 7 créateurs montréalais, tous membres de Giri Kedaton. Dirigé par Éric Vandal, Nino Gabrielli et Gabriel Evangelista, l’album comprend 7 morceaux, tous plus audacieux les uns que les autres.

Projet Bali X est un album iconoclaste et éclectique qui nous transporte d’un monde à l’autre. Dans ce feu roulant d’émotions, on passe du surf rock aux réminiscences d’Ennio Morricone, des rythmes cubains hypnotiques au métal, de la gentille balade aux technobeats, tout ceci, bien sûr, marié avec la musique traditionnelle de Bali, que Giri Kedaton pousse à l’extrême! Avec la gentille permission du quintette britannique, le groupe fait d’ailleurs paraître sa propre version de la pièce Kid A de Radiohead, adaptée pour le gamelan.

Dites adieu à la musique prédigérée et aux mièvreries sirupeuses des radios commerciales... Projet Bali X, un album pour les amateurs de sensations fortes et tous ceux qui souhaitent être dépaysés!

Giri Kedaton
Lancement de l’album Projet Bali X

Mercredi 21 octobre 2009 au Club Lambi

4465, rue Saint-Laurent (Métro Mont-Royal)

À partir de 18h / Prestation du groupe à 19h15
 

En vente dès maintenant sur : http://www.espace-emergence.com/giri-kedaton-projet-bali-x.html

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Friday, October 9, 2009

Art & Fine Living with Jona Partners with The Montreal Bach Festival 2009

Proudly promoting music and arts for over a decade!
Program airs:
Sundays at 4pm; Tuesdays at 11pm

Jona Rapoport's radio show, Art & Fine Living with Jona on CJRS 1650 in Montreal, is proud to announce media partnership with the third edition of the Montreal Bach Festival. The festival, inspired by the venerable tradition of the Bach festivals in Europe, runs from November 24th to December 5th , bringing together many of the most prestigious classical music artists on the international stage with the best of the classical music scene in Montreal.

Art & Fine Living with Jona is the brainchild of Montreal radio host and producer, Jona Rapoport, who has contributed to Radio Shalom for over a decade. It is a veritable showcase of some of the world's renowned and emerging talents in music, theatre, cinema, dance, literature, visual and performing art. The show has been lauded as a unique platform which supports the arts through insightful interviews, cultural news, coverage of upscale lifestyle trends and presentation of new releases in classical music and jazz. The show is also a proud media partner of L'Opera de Montreal and the Centaur Theatre Company. Jona Rapoport is also an artist manager and publicist who represents acclaimed American composer Lori Laitman.

Art & Fine Living with Jona has been endorsed by some of Canada's leading cultural institutions and presenters, among them Celebritas, The Centaur Theatre Company, The Montreal Symphony Orchestra, The Opera de Montreal, I Musici and many others.

For more information on the festival's events visit www.bach-academie-montreal.com


Visit Art & Fine Living with Jona at www.radio-shalom.ca.
Visit Jona Rapoport's official website at www.jonarapoport.com

Guests who appeared on Art & Fine Living with Jona include, among many others, the prolific piano virtuoso Lang Lang, Orford Artistic Director Davis Joachim, Festival Lanaudiere Artistic Director Alex Benjamin, Jazz vocalist Susie Arioli, Montreal International Jazz Festival Programming Director, Caroline Johnson, Violinist Alexandre da Costa, Playwright Vittorio Rossi, Singer Sean Lennon, Soprano Marie-Josee Lord, Violinist Gil Shaham, Actor/Director Maurice Podbrey, Pianist Elena Bashkirova, Soprano Natalie Dessay, Film director Mike Newell, Cellist/Conductor Yuli Turovsky, Poet David Mason,Soprano Measha Brueggergosman, Ritz Chef Paul Little, Actress Caroline Cave, Saxophonist Walter Blanding, Choreographer Peter Quanz, Director Bryna Wasserman, Conductor Yoav Talmi, Saxophonist Bill Prouten, Opera Atelier director, Chantal Lambert, Conductor Jacques Lacombe, Grand Ballets Alain Dancyger, Composer Lori Laitman, Violinist Jonathan Crow, Conductor Yannick Nezet-Seguin, Playwright Daniel Lillford, Comedy duo Bowser & Blue, Bassist Alain Caron, Bass Denis Sedov, Soprano Suzie Leblanc, Recital series director Richard Turp, Dancer Callie Robinson, Choreographer Stijn Celis, Director Peter Hinton, Violinist James Ehnes, Choreographer Shen Wei, Tenor Richard Margison, Photographer Varda Pollak-Sahm, Choreographer Ohad Naharin, Composer Ofer Ben-Amots, Director Roy Surette, Pianist Simon Tedeschi, Tenor Marc Hervieux, Composer Ofer Ben-Amots, Film Producer George Weiss, Cellist Denise Djokic, Dancer/Choreographer Margie Gillis, Conductor Bernard Labadie, Jazz Vocalist Sophie Milman, Artist Boaz Kaizman Tenor Ben Heppner and dozens of other fine artists!

Jona's website: www.jonarapoport.com
Radio: www.radio-shalom.ca

Jona Rapoport
Executive Producer/Host

Art & Fine Living with Jona is a veritable showcase of some of the world's renowned and emerging talents in music, theatre, cinema, dance, literature, visual and performing arts. The show has been lauded as a unique platform which supports the arts through insightful interviews, cultural news, coverage of upscale lifestyle trends and presentation of new releases in classical music and jazz.

www.jonarapoport.com

Jona Rapoport
Executive Producer & Host
Art & Fine Living with Jona
 CJRS 1650 AM
 Tel: 514: 488-0246
www.radio-shalom.ca
www.jonarapoport.com

Media Partner of:

The Centaur Theatre Company 
L'Opera de Montreal
The Montreal Bach Festival 2009

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Vancouver Opera Receives Largest Special-Event Sponsorship in its History

Vancouver Opera Celebrates 50 Years of Spectacular Music with Golden Anniversary Concert & Gala



Vancouver, BC ~ On November 6, 2009, Vancouver Opera will salute 50 years of touching lives with music, drama and spectacle, at a very special celebration: The Golden Anniversary Concert & Gala.

Toasting VO’s illustrious past and looking ahead to its shining future, the glamorous evening will celebrate this milestone anniversary with magnificent performances at the Golden Anniversary Concert at the Orpheum Theatre, followed by a Gala Dinner at the historic Commodore Ballroom.


The Golden Anniversary Concert

The Golden Anniversary Concert will feature performances from international and Canadian opera stars, including Tracy Dahl, Brett Polegato, Yalun Zhang, Kimberly Barber, Kathleen Brett, Benjamin Butterfield, Alain Coulombe and Sally Dibblee, with the VO Orchestra and Chorus, all under the baton of VO’s music director, Maestro Jonathan Darlington.

The program will include favourites from Puccini, Mozart, Verdi, Bizet, Richard Strauss and Korngold, as well as two very special treats: a sneak-peek at Lillian Alling, a brand-new opera by John Estacio and John Murrell commissioned by VO that will round out the Golden Anniversary celebrations with its world premiere in October 2010; and the ensemble performance of a selection from Johann Strauss’s beloved and highly entertaining Die Fledermaus. The scene is a party at the home of Prince Orlofsky, where the only rule is that each does according to his or her own taste: “chacun à son goût!”. With surprise guests and, of course, virtuosic singing, this delightful performance will reflect the merriment of the Golden Anniversary celebrations.

Attendees will also view a display of masterful, highly decorative cakes - celebrating VO’s Golden Anniversary - from some of the city’s most talented cake artists, including Queen of Tarts, sweet e’s, and Cake Tease. Gala Package ticket holders will be treated to an exclusive pre-Concert Cocktail Reception.

The Golden Anniversary Gala

Following the Concert, Gala package ticket holders will continue the celebration at the historic Commodore Ballroom with a sumptuous dinner catered by the Four Seasons Hotel Vancouver.

Stars from the opera world will dine alongside attendees, and Associate Conductor and VO Chorus Director Leslie Dala will lead soprano Heather Pawsey and mezzo-soprano Barbara Towell in cabaret-style musical entertainment. Some of the biggest stars in the opera world will make presentations in person and by video link. The evening’s entertainment will include a cross-cultural collaboration of the Japanese and First Nations performance groups Sawagi and Tiqilap.


Tickets

The Golden Anniversary Concert & Gala celebration takes place on Friday, November 6, 2009.

The Concert begins at 7:00pm at the Orpheum Theatre; the Gala begins at 8:30pm at the historic Commodore Ballroom.

Tickets to the Golden Anniversary Concert are $19 - $75 and are available at www.vancouveropera.ca or through the VO Ticket Centre at 604-683-0222.

Gala Package tickets include both the Concert and Gala portions of the evening as well as a private pre-Concert Reception and valet parking. The Gala Package is $650 (includes $300 tax receipt) and is available exclusively through the VO Ticket Centre at 604-683-0222.


Artists and program are subject to change


-30-

Hello,

Vancouver Opera is pleased to recognize the support of Scotiabank Group for the Scotiabank Group Golden Anniversary Concert & Gala. PDF of the news release is attached and text is below. Please let me know if you need any more information.

Many thanks!
Selina
Selina Rajani
Communications Manager | Vancouver Opera

T. 604-331-4824
835 Cambie Street, Vancouver, BC V6B 2P4
www.vancouveropera.ca


Celebrating Vancouver Opera’s Golden Anniversary Season 2009 – 2010
GALA CONCERT & DINNER | NORMA | NIXON IN CHINA | THE MARRIAGE OF FIGARO | MADAMA BUTTERFLY

VOIS ON TOUR: JACK PINE
VO Receives Largest Special-Event Sponsorship in its History for Scotiabank Group Golden Anniversary Concert & Gala
VANCOUVER OPERA
NEWS RELEASE

FOR IMMEDIATE RELEASE
Vancouver, BC ~ Vancouver Opera is proud to recognize the support of Scotiabank Group for the Scotiabank Group Golden Anniversary Concert & Gala on November 6, 2009, celebrating 50 years of touching lives with music, drama and spectacle.

Scotiabank Group is the title sponsor for this very special celebration with a generous Diamond Level contribution of $100,000. This is the largest special-event sponsorship in the history of Vancouver Opera.

“We are extremely grateful to Scotiabank Group for its generosity on this very special occasion,” said VO’s General Director James W. Wright. “We are thrilled to have them on board as we toast VO’s illustrious past and shining future. Through its support of this special fundraising celebration, Scotiabank Group shows that it recognizes the value of all that Vancouver Opera has brought to the community over five decades: exciting mainstage productions, popular education and touring programs that have reached more than 1.6 million children, and innovative community-engagement events that directly connect this marvelous art form to people’s lives. This sponsorship also showcases Scotiabank Group’s commitment to our community and province, for which we are all very grateful.”

Scotiabank Group Golden Anniversary Concert & Gala information

Vancouver Opera invites all to celebrate this milestone season with a sublime evening of sumptuous dining, gracious company and magnificent performances.

The Scotiabank Group Golden Anniversary Concert & Gala celebration takes place on Friday, November 6, 2009.

The Concert begins at 7:00pm at the Orpheum Theatre; the Gala begins at 8:30pm at the historic Commodore Ballroom.

Tickets to the Scotiabank Group Golden Anniversary Concert are $19 - $75 and are available at www.vancouveropera.ca or through the VO Ticket Centre at 604-683-0222.

Gala Package tickets include both the Concert and Gala portions of the evening as well as a private pre-Concert Reception. The Gala Package is $650 (includes $300 tax receipt) and is available exclusively through the VO Ticket Centre at 604-683-0222.

Artists and program are subject to change

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Hold the Dates! Altera Vitae Productions Presents Bent

By Martin Sherman
Directed by Carolyn Fe

Mark these dates in your fall calendar

Thursday, Nov. 5 – Sunday, No