LSM Newswire

Saturday, December 26, 2009

Symphony Nova Scotia performs new music in partnership with the Canadian New Music Network

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Halifax, NS Symphony Nova Scotia partners with the Canadian New Music Network, Upstream Music Association, and Vocalypse Productions to present New Music for a New Year, an innovative concert of all-new Canadian music on Wednesday, January 7 at 7:30 pm at the Sir James Dunn Theatre, Halifax.

Conducted by Symphony Nova Scotia Music Director Bernhard Gueller, New Music for the New Year features six brand-new diverse Canadian works for orchestra by composers Mark Armanini, Sandeep Baghwati, Jrme Blais, Tim Brady, Paul Cram, and Derek Charke. The performance also serves as the opening event of the Canadian New Music Networks international Forum 2010 conference, Partnering Diversity.

Symphony Nova Scotia is always ready to rise to a challenge, says Gueller. And what can be more challenging for musicians and interesting for audiences than to have a whole concert dedicated to contemporary music?

We are very happy to collaborate with the Canadian New Music Network. The music that was sent to me for consideration showed again what at what a high level our composers produce. The first challenge for me was to choose from amongst the submissions. I know audiences will also enjoy the challenge, for the pieces range from very free improvisation to formally structured notation, with lyricism and minimalism.

Each of the works on the program presents an imaginative new vision of creating music in the 21st century. Paul Cram's Beyond Benghazi is a rollicking collision of jazz improvisation and high-energy orchestral composition, while Derek Charke's Inuit Throat Singing Games is a colourful score crossing cultural boundaries into the North.

Mark Armanini's Heartland features the ethereal playing of Vancouver erhu player Lan Tung, Jerome Blais' Dremlen Feigl oyf di tsvaygn is sung in Yiddish by Halifax's own Janice Jackson, and Tim Brady's Three or Four Days After the Death of Kurt Cobain uses music from the Nirvana song Smells Like Teen Spirit to create a haunting orchestral miniature.

The program also features Sandeep Baghwati's Steel 3 for James Tenney, a work that makes the conductor "compose" the music in real time, working with the players to create the piece during the performance.

During the concert, the composers and soloists will be interacting with the audience and musicians, sharing inside stories about the process, results, and motivations behind their works.

Tickets for this unique performance are $20 / $15 / $10, and are available at the Dalhousie Arts Centre Box Office at 494.3820 or 1.800.874.1669 or online at http://artscentre.dal.ca.

For more information about the Forum 2010 Partnering Diversity and other concerts during the conference, visit www.newmusicnetwork.ca.

About Symphony Nova Scotia

Symphony Nova Scotia is Nova Scotias orchestra. Each year more than 50,000 audience members (including 15,000 young music lovers) join us in communities across Nova Scotia for performances of the music they love from baroque and classical to pop and rock and folk. Under the inspirational leadership of Music Director Bernhard Gueller, Symphony Nova Scotia is recognized as one of the finest orchestras in the country. Visit www.SymphonyNovaScotia.ca to learn more, listen online, or subscribe today!

About the Canadian New Music Network

The Canadian New Music Network (CNMN) / Rseau canadien pour les musiques nouvelles (RCMN) is a network of artists, ensembles, orchestras, production companies, record labels, music educators, music media, musicologists, music lovers and fans who believe in the importance and value of creative music making in Canadian society. The CNMN was founded in November 2005, after almost 3 years of discussions with the national new music community.

Symphony Nova Scotia is grateful to the Canada Council for the Arts, Nova Scotia Tourism, Culture, and Heritage, and the Halifax Regional Municipality for their continued support.

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Performing Arts Looks Towards Greening Industry First Ever Survey and Study on Greening the Performing Arts Released

Arts Presenters

NEW YORK, NY On Friday, January 8, 2010, Arts Presenters, in partnership with the Wolf Trap Foundation for the Performing Arts and leading consulting firm Booz Allen Hamilton, will hold a press conference to announce the findings and analysis of the first study of greening in the performing arts industry. In a rapidly changing environment, Arts Presenters and its partners seeks to both raise awareness and activate change within the industry, and the individuals and communities it serves to collectively move towards sustainability.

WHO: Sandra Gibson, President and CEO, Arts Presenters
Terrence D. Jones, President and CEO,
Wolf Trap Foundation for the Performing Arts
David Erne, Senior Associate, Booz Allen Hamilton
WHAT: Press Conference
WHEN: Friday, January 8, 2010 at 10:00 a.m. EDT
WHERE: New York Hilton
1335 Avenue of the Americas (on Avenue of the Americas (6th Ave.) between West 53rd and West 54th Streets)
Room: Petite Trianon

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Beethovens Symphony No. 9 Ode to Joy

Vancouver, BC Beethovens Symphony No. 9 was his final complete symphony, and arguably the greatest piece of music ever written. The Vancouver Symphony Orchestra presents this epic piece along with Beethovens Ah, Perfido! and Fidelio: Overture on January 2nd and 4th at 8pm at the Orpheum Theatre. Maestro Bramwell Tovey conducts a concert that features soprano Joni Henson, mezzo-soprano Norine Burgess, tenor Michael Colvin, baritone Greg Dahl and the Vancouver Bach Choir.

Truly one of the most profound creations of the human mind, Beethoven's Ninth is always fresh and current, and always the most inspiring, uplifting and joyful concert experience one can hope to have. The Ode to Joy also makes a particularly significant prelude to Vancouver's 2010 Winter Olympic Games, and rings in the new decade with a message of hope, joy and brotherhood.

Composed over a ten-month period in 1823/1824, the Ninth was Beethovens last symphony, a genre he had not written in for ten years. And as much as the Ninth is seen as being revolutionary, and in many ways it is, much of the work harks back to styles and influences of Beethovens past. Even the famous final melody was an earlier creation, dating to 1794 in the guise of a song called Gegenliebe (Mutual Love), then used again by Beethoven as the principal theme of the 1808 Choral Fantasia before finding its apotheosis as the choral finale of the Ninth. The truly revolutionary aspect of the Ninth was the addition of solo vocalists and a choir to the final movement. This had not been done before to any effect, and changed music forever. The choral finale of the Ninth is also no mere added bauble it brings the work together with Beethovens musical setting of Frederick Schillers ode, To Joy, a poem Beethoven had long desired to set to music (in fact, it seems Beethoven did manage to set the entire poem to music as he wanted to, but the work was tragically lost). The aggressive, operatic choral writing adds weight and brilliance to the conclusion, giving the words a profound credibility.

The Ninth is, in a very real sense, a musical and metaphorical journey, the centerpiece of which is a struggle for D minor to find its way to D Major, reflecting a very human struggle to overcome the troubles of the world with peace, and enter into the fields of Elysium. D Major ultimately finds its way, after being thwarted and parried and teased throughout, bursting forth triumphantly in the final movement in stunning fashion, heralding the arrival of the people into Elysium. The choral finale is of course the most famous part of the piece, and rightly so it is a magnificent statement of hope, happiness and friendship, as well as a powerful, dramatic and joyful end to a musical journey, a musical career, and, in many ways, a musical life.

CONCERT INFO

PricewaterhouseCoopers Masterworks Silver Series

Saturday and Monday, January 2 & 4, 8pm, Orpheum Theatre

Beethovens Ode to Joy

Bramwell Tovey, conductor

Joni Henson, soprano

Norine Burgess, mezzo-soprano

Michael Colvin, tenor

Greg Dahl, baritone

Vancouver Bach Choir

Beethoven Fidelio: Overture

Beethoven Ah, Perfido!

Beethoven Symphony No. 9 in D minor

Visit Joni Henson at: www.jonihensonsoprano.com

Visit Norine Burgess at: www.norineburgess.com

Visit Michael Colvin at: www.michaelcolvin.com

Visit Greg Dahl at: www.gregorydahl.com

Visit the Vancouver Bach Choir at: www.vancouverbachchoir.com

Series Sponsor: PricewaterhouseCoopers

Video Screen Sponsor: TELUS

Special Video Screen Presentations Created and Produced by: Columbia Academy

Tickets: $25 - $78.50 (senior, student and subscriber discounts available)

Tickets available online at www.vancouversymphony.ca or by calling VSO customer service at 604.876.3434

BIOGRAPHIES

Bramwell Tovey, conductor

A musician of striking versatility, Bramwell Tovey is acknowledged around the world for his artistic depth and his warm, charismatic personality on the podium. Toveys career as a conductor is uniquely enhanced by his work as a composer and pianist, lending him a remarkable musical perspective. His tenures as music director with the Vancouver Symphony, Luxembourg Philharmonic and Winnipeg Symphony Orchestras have been characterized by his expertise in operatic, choral, British and contemporary repertoire.

He continues as Principal Guest Conductor of the Los Angeles Philharmonic at the Hollywood Bowl, and as founding host and conductor of the New York Philharmonics Summertime Classics series at Avery Fisher Hall. An esteemed guest conductor, Tovey has worked with orchestras in Europe and the UK including the London Philharmonic, London Symphony, Frankfurt Radio and Bournemouth Symphony Orchestras. This season, Tovey returns to the Ulster and Helsingborg Orchestras having made his successful debut in 2008/09 and to Opera North and Trondheim Symphony. He makes his debut with Bergen Philharmonic in 2009/10 and will also return to Melbourne as curator of the contemporary Metropolis Festival in summer 2010 and to the main subscription season in autumn 2011. That season, he will also conduct the Sydney Symphony Orchestra for the first time. In North America, along with his work with the New York and Los Angeles Philharmonics, Tovey has made guest appearances with the orchestras of Baltimore, Philadelphia, St. Louis, Pittsburgh, Detroit, Seattle, Montreal as well as ongoing performances with Toronto, where he conducts each season.

With a profound commitment to new music, Tovey has established himself as a formidable composer and is the first artist to win a Juno Award in both conducting and composing. He has been commissioned by the Calgary Opera to compose the companys third original full-length opera.

He has also recorded several DVDs, of works including Holsts The Planets Suite with distinguished guests such as percussionist Evelyn Glennie, among many others.

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Franz Welser-Mst leads The Cleveland Orchestra in concerts featuring Brahmss Symphony No. 2 at Severance Hall on January 14, 15, and 16

Leila Josefowicz (Photo by J. Henry Fair)

Program for Thursday and Saturday includes Cleveland Orchestra premiere of Thomas Adss Violin Concerto with Leila Josefowicz as soloist


CLEVELAND, December 18, 2009 Music Director Franz Welser-Mst will conduct The Cleveland Orchestra in a program featuring Brahmss Symphony No. 2 at Severance Hall on Thursday, January 14, at 8:00 p.m.; Friday, January 15, at 11:00 a.m.; and Saturday, January 16, at 8:00 p.m.

The program for Thursday and Saturday evenings begins with Richard Strausss Don Juan, Opus 20, followed by the first Cleveland Orchestra performances of Thomas Adss Violin Concerto: Concentric Paths, Opus 23, with Leila Josefowicz as soloist. After intermission, the program concludes with Johannes Brahmss Symphony No. 2 in D major, Opus 73. The Friday morning concert, performed without intermission, consists of the works by Strauss and Brahms.

About Thomas Adss Violin Concerto: Concentric Paths

British composer Thomas Adss Violin Concerto was written in 2004-05 and given its world premiere in September 2005. Born in London in 1971, Ads is widely regarded as the outstanding composer of his generation. In 2000, he became the youngest composer ever to receive the prestigious Grawemeyer Award, often described as the Nobel Prize of music. Program annotator Paul Schiavo has written that the Violin Concerto bears the title Concentric Paths, an allusion that carries possible poetic and certainly formal connotations. Circular patterns, both large and small, permeate the work. The music unfolds in a traditional concerto format of three movements [titled Rings, Paths, and Rounds] Ķ arranged in a familiar fast-slow-fast patternĶ.

Canadian violinist Leila Josefowicz attracts audiences around the world with her fresh approach to repertoire and dynamic virtuosity. She came to national attention with her Carnegie Hall debut in 1994, at the age of 16. In recognition of her advocacy and commitment to contemporary music, Ms. Josefowicz was awarded a 2008 MacArthur Foundation Fellowship. She has collaborated with contemporary composers including John Adams and Oliver Knussen, and last season she premiered concertos written for her by Steve Mackey, Colin Matthews, and Esa-Pekka Salonen. Ms. Josefowicz first performed with The Cleveland Orchestra in July 1991 and most recently appeared with the Orchestra in October 2005.

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Mixed Company Theatre Springs into 2010 with Ontario Arts Council Support

Mixed Company Theatre Banner

Toronto, December 18, 2009 - The Ontario Arts Council has confirmed their support for Mixed Companys Spring 2010 Educational Tour. This assistance from the Ontario Arts Council will help students understand issues from the perspective of others through Mixed Companys delivery of interactive, entertaining, and age-appropriate theatrical presentations. Secondary and elementary level offerings for the coming season include:

DISS - Touring March 22 April 16 2010

For Grades 9-12

Why is gang life so appealing? Mixed Companys acclaimed 2009 Summer production focuses on gang presence in our neighbourhoods and the pressures youth face finding social connection and identity. Created in collaboration with the Toronto Police Service and youth who have experienced violence, the plot covers snitching, family relationships, friendship, theft, gun violence and many other issues that affect young people living with gang presence in their communities.

Morro and Jasp...GO GREEN! - Touring April 12 30 2010

For Grades K-6

Mixed Company Theatre partners with UNIT - Up Your Nose and In Your Toes to tour their best show yet: an eco-tainment piece about environmental issues that's both funny and informational for youngsters. (NOW Magazine, Toronto, July 4, 2008). Clowns Morro and Jasp turn assumptions about being green on their heads, teaching that every little bit does make a difference. This show delivers the going green message like never before!

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Thursday, December 17, 2009

Canadian Debut of Alt-Classical Quartet Highlight of January Performances

The New Year is almost upon us, and The Royal Conservatory will kick off the next decade with a wide ranging set of performances encompassing classical music, flamenco dance, and the blues.

Concerts begin on January 16, when musical globetrotters Quartetto Gelato come to Koerner Hall. Praised by The New York Times for their warm, endearing vitality, they will warm up the winter with selections from their latest disc, Musica Latina, which explores the hot and cool sounds of South America. Joining them in a double bill is New York-based alt-classical string quartet, ETHEL, in their Canadian debut. This amplified ensemble of Juilliard graduates has been described by The Guardian as the fiercest string quartet this side of hell. Having collaborated with everyone from Ornette Coleman to Lenny Kravitz, their music fuses classical, rock, blues, and jazz. Dedicated to educational outreach, the group will also present a free public master class on January 15. The concert is sponsored by CBC Radio 2, who will be recording the performance for future broadcast.

A blast of blues will hit Koerner Hall on January 18, when the TBS Maple Blues Awards come to The Royal Conservatory for the first time. Co-presented by the Toronto Blues Society, the 13th edition of Canadas only national blues awards program will honour the best blues musicians across Canada. Hosting duties will be handled by popular blues performer and radio host Danny Marks, along with Nanaimos Juno-nominated blues musician David Gogo. Performers include Quebec Citys Clio & The Blues Highway, Vancouvers The Twisters, Torontos Paul Reddick, B.C.-based Harry Manx, and The Maple Blues Band, featuring Gary Kendall, Michael Fonfara, Teddy Leonard, Tom Bona, Al Lerman, Chris Whiteley, Pat Carey, and Chris Murphy.

Koerner Halls first dance performance comes courtesy of the electrifying Spanish touring company, Noche Flamenca, and its incomparable dancer, Soledad Barrio. Hailed for their emotional performances, Noche Flamenca is recognized as the most authentic flamenco touring group in the field today. The Village Voice has exclaimed that the company digs deep into flamencos dark soul. Their thrilling combination of music, song, and dance makes a welcome two night return to Toronto on January 30 and 31, as part of their North American tour.

Performances in Mazzoleni Hall begin on January 17, with distinguished Toronto musicians and Conservatory faculty members Bryan Epperson and Dianne Werner. These frequent collaborators will present a diverse program of Beethoven, Rachmaninov, and modern Polish composer Andrzej Panufnik.

Beautiful chamber music continues on January 31, when the highly sought-after ensemble, The Duke Trio, comes to Mazzoleni Hall. Having performed in recitals across North America, Conservatory faculty members Mark Fewer (violin), Thomas Wiebe (cello), and Peter Longworth (piano) will perform an all-Brahms program of duo and trio works, and will be joined by violist Douglas McNabney for the Piano Quintet in G Minor.

Founded in 1886, The Royal Conservatory is the largest and oldest independent arts educator in Canada. It is an internationally renowned centre for performance and learning, providing opportunities for personal development through music and arts education in over 300 communities across Canada and a dozen countries around the world. Each year, more than 500,000 Canadians take part in RCM programs, exams, and public school initiatives.

The Royal Conservatory acknowledges all of its donors and recognizes the remarkable generosity of:

TELUS Official season sponsor of the 2009-10 Koerner Hall Concert Season

The Globe and Mail Season media sponsor

CONCERTS AND EVENTS AT THE ROYAL CONSERVATORY JANUARY 2010

KH Koerner Hall; MH Mazzoleni Hall; CT Conservatory Theatre

ETHEL Master Class: Friday, January 15, 2010 at 5pm; FREE (CT)

Quartetto Gelato & ETHEL: Saturday, January 16, 2010 at 8pm; $20-$50 (KH)

Bryan Epperson with Dianne Werner: Sunday, January 17, 2010 at 2pm; $30 (students $20) (MH)

TBS Maple Blues Awards: Monday, January 18, 2010 at 7pm; $20-$28 (KH)

Noche Flamenca: Saturday, January 30, 2010 at 8pm and

Sunday, January 31, 2010 at 3pm; $30-$75 (KH)

The Duke Trio: Sunday, January 31, 2010 at 2pm; $30 (students $20) (MH)

INDEPENDENT PRESENTATIONS

Arianna Huffington: The Brave New World of the New Media (Advertising Week 2010):

Tuesday, January 26, 2010 at 4pm; $75 (KH)

Penderecki Plus! (Esprit Orchestra): Friday, January 29, 2010 at 8pm; $15-$43 (KH)

Tickets are available online at www.rcmusic.ca, by calling 416.408.0208,

or in person at the Weston Family Box Office, 273 Bloor Street West, Toronto

More information about upcoming concerts and events is available The Royal Conservatory website at www.rcmusic.ca.

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Severance Hall offers free MLK Day Community Open House on Monday, January 18

Event includes performances by the Cleveland Orchestra Youth Orchestra and the Cleveland Orchestra Youth Chorus

Ensembles including Cleveland Metropolitan School District All-City Choir and Drum Line, Opera Per Tutti, and Gabriels Horns to perform during the day

CLEVELAND, December 17, 2009 Severance Hall will hold its eleventh annual Martin Luther King Jr. Day Community Open House on Monday, January 18, 2010, from 12:00 to 5:15 p.m. The free day of activities and performances celebrates the legacy of Dr. King and will include performances by some of Clevelands finest community performing arts groups, including the Cleveland Orchestra Youth Orchestra and the Cleveland Orchestra Youth Chorus. Other performances include the Cleveland Metropolitan School District All-City Choir and Drum Line; On Ma Journey: A Celebration of the Negro Spiritual by Opera Per Tutti; and a big band/jazz performance by Gabriels Horns. Activities throughout the afternoon include the I Have a Dream wall where children can color their dreams, the Picture Yourself At Severance Hall photo activity, and popular DJ Terry Macklins Sounds of Entertainment.

Performances and Activities

The Community Open House kicks off in Reinberger Chamber Hall at 12:10 p.m. with a performance by the Cleveland Metropolitan School District All-City Choir. At 12:45 p.m., the Cleveland Metropolitan School District All-City Drum Line will lead concertgoers up into the Grand Foyer for their performance, then into the Main Concert Hall. The All-City Arts Program is a district-wide, after-school and weekend program providing artistic and college-readiness skill development for students of the Cleveland Metropolitan School District.

At 1:00 p.m. in the Main Concert Hall, an ensemble of French horn students from area middle schools, high schools, and colleges, and including members of The Cleveland Orchestras horn section, will perform selections by Weber, Schubert, and Bach, led by Loras John Schissel. The students are participating in a special day of clinics and masterclasses titled Hornapalooza, led by members of The Cleveland Orchestras horn section.

At 2:00 p.m., the Cleveland Orchestra Youth Orchestra will perform under its music director, James Feddeck. Their program includes Coplands Fanfare for the Common Man, including members of The Cleveland Orchestras horn section; Coplands Simple Gifts Theme from the Appalachian Spring Suite; Ravels Piano Concerto in G major featuring Stephanie Lee as soloist; George Walkers Lyric for Strings; and the first movement of Brahmss Symphony No. 4. The Cleveland Orchestra Youth Orchestra is supported by generous grants from the Martha Holden Jennings Foundation, the Surdna Foundation, and many other donors. Endowment support is provided by The George Gund Foundation and Christine Gitlin Miles.

At 3:00 p.m. in the Main Concert Hall, Opera Per Tutti will perform On Ma Journey: A Celebration of the Negro Spiritual. Opera Per Tutti is a non-profit organization that brings opera to Northeast Ohioans at performances throughout the community including the Art Walk in Little Italy, the annual Home & Garden Show at Clevelands IX Center, and al fresco concerts at the Italian Cultural Garden in Rockefeller Park.

At 4:00 p.m., Gabriels Horns will perform big band and jazz music in the Main Concert Hall. The ensemble, directed by James T. May, Jr., is a Cleveland-based, non-profit community jazz-praise big band whose members include professional and amateur musicians, music teachers, youth pastors, ministers, high-school and college students, and talented youth.

The Community Open House concludes with a 4:45 concert by the Cleveland Orchestra Youth Chorus under its director, Frank A. Bianchi. The Youth Chorus program will feature music from around the world, including Glinkas Russian folk tune Traveling Song, a traditional Negro spiritual Ezekiel Saw De Wheel (arranged by Moses Hogan), a Spanish folk song titled El Vito, and classical selections. The concert will conclude with a performance of Jai Ho, the theme song from the 2008 hit movie Slumdog Millionaire. The Cleveland Orchestra Youth Chorus is supported by the Edward and Ruth Wilkof Foundation.

Throughout the day, and especially in between Concert Hall performances, attendees can enjoy a DJ from Terry Macklins Sounds of Entertainment DJ-driven musical fun including line-dancing for the whole family, in the Bogomolny-Kozerefski Grand Foyer. Attendees will have an opportunity to write their dreams for the world or color line drawings of Dr. King, to be included on the I Have a Dream Wall in Severance Halls Smith Lobby. And, attendees can participate in Picture Yourself At Severance Hall (sponsored by Macys Foundation) a photo opportunity where you can pretend you are performing on the Severance Hall main stage.

A complete schedule of Community Open House performances and activities follows.

Shopping, Food & Parking

The Cleveland Orchestra Store, located in the Lerner Lobby, will be open to the public from 12:00 to 5:00 p.m. Offering a unique shopping experience, the store features Cleveland Orchestra recordings and signature merchandise as well as specialty musical gift items and childrens toys.

Light concessions will be available for purchase in the Smith Lobby.

Parking will be available in the Case Western Reserve University Campus Center Garage (the underground garage located directly behind Severance Hall). Convenient off-site and alternative parking options include the Cleveland Botanical Garden, which offers two levels of covered parking. The garage is located on the corner of East Boulevard and Wade Oval Drive. CWRU Lot 1, located off Euclid Avenue across from Severance Hall, and University Circle Lot 13A on Adelbert Road are surface lots within walking distance of Severance Hall. There is also metered street parking along East Boulevard between Severance Hall and the Cleveland Museum of Art. Visit universitycircle.org for more details on parking.

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The 2010 MLK Day Community Open House is sponsored by Medical Mutual of Ohio, the exclusive health insurer of The Cleveland Orchestra and a Cleveland Orchestra Partner in Excellence. Additional support is provided by Cuyahoga Arts and Culture and the Ohio Arts Council.

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Cleveland Orchestra to perform 30th annual Martin Luther King Jr. Celebration Concert on January 17

Music Director Franz Welser-Mst to lead free program at Severance Hall featuring the Martin Luther King Jr. Celebration Chorus, the Central State University Chorus, and Sphinx Competition prizewinner Tony Rymer

Mayor Frank G. Jackson to participate in Dr. Martin Luther King Jr. Celebration Community Service Award presentation

Pre-concert talk with James Rose to begin at 6:00 p.m.

Concert to be broadcast live on WCLV, WCPN, and WNWV radio stations

CLEVELAND, December 17, 2009 The Musical Arts Association and Mayor Frank G. Jackson today announced The Cleveland Orchestras 30th annual concert in celebration of the birthday of Martin Luther King Jr. The concert will take place at Severance Hall on Sunday, January 17, 2010, at 7:00 p.m., under the direction of Franz Welser-Mst. The program will feature selections by Ludwig van Beethoven, Antonn Dvok, and Aaron Copland, as well as spirituals and gospel songs. Performing as cello soloist in this years celebration concert is Sphinx Competition prizewinner Tony Rymer. The Martin Luther King Jr. Celebration Chorus and the Central State University Chorus, prepared by William Henry Caldwell, also will participate.
The Martin Luther King Jr. Celebration Chorus is a 125-member volunteer chorus from the greater Cleveland community, and the internationally acclaimed Central State University Chorus (directed by William Henry Caldwell) is the official choir of Central State University, located in Wilberforce, Ohio. Cellist Tony Rymer, first-prize winner from the 2009 Sphinx Competition for Black and Latino string players, Senior Division, will make his Cleveland Orchestra debut as soloist in a performance of Dvoks Cello Concerto in B minor, Opus 104 (First Movement). The Orchestras performance of Bernsteins One Hand, One Heart from West Side Story features two students from John Hay High School: soprano Imaris Rivera and tenor Martin Parries.


PRE-CONCERT TALK WITH JAMES ROSE
James Rose, vice president, sales and national accounts for OEConnections, will give the pre-concert talk, beginning at 6:00 p.m. in the Concert Hall. The talk is free to ticket holders for the evenings concert. A native of Detroit, Mr. Rose has served as mentor for Detroit Symphony Youth Orchestra musicians for more than 16 years, played horn with the Detroit Metropolitan Orchestra, and has been involved with the national Sphinx Competition.

COMMUNITY SERVICE AWARDS TO BE PRESENTED AT CONCERT
In cooperation with the City of Cleveland, The Cleveland Orchestra and the Greater Cleveland Partnership will present the Dr. Martin Luther King Jr. Celebration Community Service Awards at the Orchestras 2010 Martin Luther King Jr. Celebration Concert. Awards will be presented in recognition of the services and achievements of an individual, a business or organization, and a youth who have positively impacted Cleveland in the spirit of the teachings and example of Dr. King.

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Midemnet Lab Unveils 15 Innovative Startups

Paris, 17 December 2009 MidemNet Lab, the showcase for cutting-edge digital initiatives, today unveils the 15 start-ups chosen to take part in the inaugural edition. This line-up, which covers every aspect of the music sector and brings together some of the most promising digital innovations of the moment, forms a palette of services responding to the music industrys changing needs. The 15 companies will showcase their activities in the area of the market dedicated to the MidemNet Lab for the duration of MIDEM, from 23 to 27 January in Cannes.

The first edition of MidemNet Lab is extremely encouraging. Thanks to a selection process designed by MIDEM, involving a call for entries and selection by a jury of entrepreneurs, we have succeeded in unearthing some very innovative projects from all around the world. It is extremely exciting to put these 15 companies in contact with the wider music industry, said Dominique Leguern, director of MIDEM.

The 15 start-ups chosen to participate in the MidemNet Lab by Music Ally and the entrepreneurs jury, operate across a wide range of digital fields that offer opportunities for the industry, such as live applications (Awdio, Songkick, Streamjam), digital licensing of sheet music and lyrics (DigiClef, TuneWiki), artist management (BandCentral), managing key data for artists (Band Metrics), digital distribution (Pops Worldwide), web radio (Radionomy), remixing (Aviary, GoMix and Tracksandfields), musical discovery (Thesixtyone), artistic financing (Kickstarter) and on-line advertising (Silence Media).

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La SCENA lance sa Carte verte pour les amateurs dart

Une solution encore plus conomique pour nos lecteurs soucieux de lenvironnement

[English version]


Montral, QC Le 8 dcembre 2009 Les amateurs dart soucieux de lenvironnement peuvent maintenant lire les magazines de musique classique et de jazz les plus complets du Canada leurs ordinateurs. LSM, lditeur de La Scena Musicale / The Music Scene / La SCENA, est fire de lancer cet hiver sa nouvelle Carte verte La SCENA pour les amateurs dart. Les membres du club Carte verte conomiseront 15 $ labonnement et plus de 65 % du prix en kiosques.


Pour seulement 25 $ par anne, les membres recevront des versions lectroniques en haute rsolution des dix numros de La Scena Musicale (lactualit en musique classique, jazz et musique du monde), 4 numros de La SCENA (spcialise dans les arts visuels, la danse, le thtre et le cinma) et 2 numros de The Music Scene (couvrant la musique dans le Canada anglais). En tout, cest 16 magazines chaque anne. Non seulement les abonns sont-ils les premiers connatre les concerts et disques venir, mais ils ont en plus un accs exclusif la vaste Discothque Naxos, o ils peuvent couter plus de 39 000 CD (cest presque 3000 jours de musique ininterrompue !) et peuvent tlcharger gratuitement chaque mois un nouveau CD Dcouverte (produit en partenariat avec les Disques XXI) mettant en vedette les meilleurs musiciens du Canada du pass et du prsent. Les dtenteurs de la Carte verte peuvent galement tlcharger la totalit de la collection de CD Dcouverte publie jusquici (10 CD). Et ce nest pas tout : la Carte verte vous donne droit des escomptes exclusifs dans dautres commerces et institutions, dont Archambault, lOrchestre symphonique de Montral et lOpra de Montral. Qui plus est, nous offrons des CD et billets chaque mois un abonn chanceux et, comme membre du club, vous recevrez des invitations particulires des confrences, des lancements et dautres vnements spciaux du secteur culturel.

Gtez-vous en cette fin danne et devenez membre du club. Et pendant que vous y tes, quoi de mieux que doffrir vos amis et vos proches le cadeau de la musique et des arts domicile avec un abonnement LSM ? lapproche des ftes, cest le moment parfait. Chaque abonn joue un rle actif dans la promotion de la musique classique et des arts en appuyant LSM, un organisme sans but lucratif enregistr. Et avec la nouvelle Carte verte ainsi que notre forfait dabonnement habituel, vous tes assur de faire plaisir tout amateur dart sur votre liste de cadeaux de Nol.

Information:

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LSM lance sa campagne Fonds de dotation 2010

Chaque dollar donn LSM vaudra en contrepartie 1,50 $ du gouvernement du Qubec




Montral, QC Le 8 dcembre 2009 La Scne musicale / The Music Scene (LSM), lorganisme sans but lucratif qui publie les magazines dart La Scena Musicale / The Music Scene / La SCENA, est heureuse dannoncer quelle a obtenu le statut dorganisme ayant droit au programme de subventions de contrepartie Placements Culture du gouvernement du Qubec. Pour chaque dollar donn LSM avant le 30 novembre 2010, le gouvernement du Qubec versera 1,50 $ lorganisme.


Placements Culture est conu pour inciter les organismes culturels sans but lucratif crer des fonds de dotation. LSM entend collecter 100 000 $ au cours des 12 prochains mois, ce qui, ajout la contribution gouvernementale de 150 000 $, crera un fonds de dotation de 250 000 $. Cela est extrmement important pour la prennit des magazines La Scena Musicale, rcipiendaire dun Prix du magazine canadien, ainsi que La SCENA et The Music Scene, du site Web SCENA.org, couronn par de nombreux prix, et des autres activits de promotion des arts de LSM.


Clbrant cette anne ses 14 ans dexistence, LSM est un organisme sans but lucratif vou la promotion de la musique et des arts dans ses trois magazines, un site Web et dautres activits de diffusion. LSM runit les musiciens/artistes, la communaut des arts et les amateurs de musique et dart au moyen de lducation et linformation. Aidez-nous poursuivre notre uvre en faisant un don (en argent, biens ou services) et en devenant bnvole.


Souhaitant profiter de cette nouvelle subvention de Placements Culture, LSM lance donc sa campagne Fonds de dotation 2010 et espre que durant cette saison des ftes, les amateurs dart de partout se montreront gnreux. Tous les dons faits avant le 31 dcembre donneront droit un reu dimpt pour 2009. En appuyant LSM, chaque donateur joue un rle actif dans la promotion de la musique classique et des arts.


Donnez gnreusement !
Pour plus dinformation, composez le 514-948-2520 ou allez info@lascena.org
Faites un don CanadaDon.org
ou par
Paypal


No dorganisme de charit : 14199 6579 RR0001

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Icewine Plus Jazz Equals A Unique Niagara Experience

Throughout January Niagara-on-the-Lake celebrates Icewine with the sounds of jazz

NIAGARA-ON-THE-LAKE, ONTARIO--(Marketwire - Dec. 17, 2009) - On New Year's Day Niagara-on-the-Lake will launch a month-long Icewine and Jazz Celebration featuring numerous events in local restaurants and retailers, in the town's Heritage District and in the Wineries of Niagara-on-the-Lake.

Icewine and jazz are a natural pairing because Niagara-on-the-Lake will soon be home to the future Canadian Jazz Hall of Fame, a national centre of recognition for the great jazz musicians of Canada.

In addition to daily events at the Wineries of Niagara-on-the-Lake, three special weekends are planned for the town's Heritage District featuring Icewine culinary events, tasting seminars and an Icewine cocktail competition. On Sunday January 17, the Canadian Jazz Quartet will entertain jazz lovers at the Canadian Jazz Hall of Fame Brunch (which will also feature Icewine, of course).

Full details about the featured weekends and a complete listing of all wineries and restaurants Icewine and Jazz Celebration events are available at: www.wineriesofniagaraonthelake.com/icejazzjanuary.

"This is the only region in the world that produces and celebrates Icewine annually," said Sherri Lockwood, chair of the Wineries of Niagara-on-the-Lake. "And since our Canadian Jazz artists -- some of the finest in the world -- will be celebrated here for all time at the new Jazz Hall of Fame, it's natural that we acknowledge their special place in Canadian culture together."

Special weekend packages -- including accommodations and admission to selected events -- are available, and each of the Wineries of Niagara-on-the-Lake has special tour and tasting experiences scheduled during the month.

"Canadian wines are taking root with wine-lovers all over the world," added Ms. Lockwood, "but Icewine has already become a Canadian icon worldwide."

About the Wineries of Niagara-on-the-Lake

The Wineries of Niagara-on-the-Lake is a group comprised of 22 distinctive wineries located in one unforgettable place nestled below the Niagara Escarpment amidst a landscape of vineyards and orchards. The 22 wineries are: Cattail Creek, Chateau des Charmes, Coyote's Run, Hillebrand, Inniskillin, Jackson-Triggs, Joseph's, Konzelmann, Lailey, Maleta, Marynissen, Niagara College, Palatine, Peller, Pillitteri, Ravine, Reif, Southbrook, Stonechurch, Stratus, Strewn, Sunnybrook Farm. More information about each of the wineries can be found at www.wineriesofniagaraonthelake.com.

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Wednesday, December 16, 2009

Le Festival de Lanaudire annonce la venue de lOrchestre symphonique de Pittsburgh et de lOrchestre symphonique de Montral

Montral, le 11 dcembre 2009 Alex Benjamin, directeur artistique du Festival de Lanaudire, est heureux dannoncer deux concerts donns par lun des orchestres amricains les plus rputs, lOrchestre symphonique de Pittsburgh, et deux autres concerts par un grand orchestre de chez nous, lOrchestre symphonique de Montral.

Le Festival reoit lOrchestre symphonique de Pittsburgh

Le Festival de Lanaudire est lune des rares institutions qubcoises donner aux mlomanes loccasion dentendre en concert de grands orchestres trangers. Depuis de nombreuses annes, il invite des ensembles marquants de la scne internationale se produire lAmphithtre de Joliette et, en 2010, lOrchestre symphonique de Pittsburgh, dirig par son directeur musical, lautrichien Manfred Honeck, offrira deux concerts sur la scne de lAmphithtre, les 23 et 24 juillet 2010.

Le vendredi 23 juillet, lOrchestre livrera un concert tout Beethoven avec la Symphonie no 7 et le Concerto pour piano no 5 ( Empereur ), uvres toujours favorites du public. Le lendemain, le concert sera consacr Wagner (Lohengrin : Prlude), Richard Strauss (Don Juan) et Mahler (Symphonie no 1). Le plus rcent enregistrement de lOrchestre de la Symphonie no 1 de Mahler a dailleurs reu un accueil unanime de la critique pour lexceptionnel jeu des musiciens et la qualit, laudace et la fracheur de linterprtation.

La clture du Festival confie lOrchestre symphonique de Montral

En 2010, lOrchestre symphonique de Montral, dirig par Kent Nagano, se verra confier la clture classique du Festival, les 6 et 7 aot, lors de deux concerts aux programmes trs diffrents lun de lautre.

Le vendredi 6 aot, la violoniste Isabelle Faust se joindra lOSM pour interprter le Concerto pour violon en r majeur, op. 77, de Brahms. Le programme de ce concert sera complt par la Symphonie no 10 de Dmitri Chostakovitch, lune des symphonies les plus connues du compositeur.

Les amateurs dart lyrique se donneront certainement rendez-vous le samedi 7 aot pour entendre lOSM, trois solistes et le Chur St-Laurent dans ce qui est aujourdhui considr comme lun des plus grands chefs-duvre de Haydn, loratorio La Cration.





Chques-cadeaux en vente ds aujourdhui

Le public peut se procurer des chques-cadeaux changeables la billetterie du Festival ds aujourdhui sur le site Internet www.lanaudiere.org, dans la section Boutique en ligne.

Ces certificats sont changeables pour lensemble des activits proposes par le Festival en 2010.

La programmation complte disponible en mars 2010

La programmation complte de la 33e saison du Festival de Lanaudire sera dvoile en mars 2010. Consultez le site Internet du Festival pour obtenir davantage de dtails et pour vous inscrire pour la recevoir aussitt quelle sera disponible au www.lanaudiere.org.

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Le Prix Mnmo 2010 est dcern cette anne Jean-Nicolas Orhon pour l'excellence de son film Tant qu'il reste une voix.

Tant qu'il reste une voix

La remise du Prix a eu lieu samedi dernier, le 12 dcembre, la Maison de la culture Villeray Saint-Michel Parc-Extension (Salle le Prvost) dans le cadre de la Vire dans Villeray, organise conjointement par la Socit pour la promotion de la danse traditionnelle qubcoise (SPDTQ) et la Maison de la culture.

Tant quil reste une voix est une rflexion potique sur la mmoire et le collectage qui pouse le regard et le parcours de Francine Brunel-Reeves. Sur les traces de La Blanche Biche une chanson qui la passionne, transmise de bouche oreille, dune culture une autre et dun ocan lautre depuis des sicles elle remonte aussi le fil de sa propre vie.

Le cinaste Jean-Nicolas Orhon rend hommage de trs belle faon la mmoire, au temps, la passion. La dmarche ethnologique est bien situe. Francine Brunel-Reeves place bien ses mots, ses ides et ses motions tandis que les divers intervenants, du chanteur au chercheur, donnent un appui solide au discours ethnologique qui met en valeur la tradition orale par le fil conducteur de la Blanche biche.

De plus, la mise en images, le choix des intervenants et l'utilisation d'archives contribuent faire sentir la continuit dans le temps. Ce patrimoine oral et souvent intangible voyage au gr des souvenirs et des apparitions dans les rpertoires de l'un ou de l'autre. Il renat chaque fois comme dit si bien Francine, c'est une de ses beauts. On fait comprendre aux gens que ce n'est pas que passiste tout a. Il met en relief la possibilit de recherche sur chaque chanson mais surtout la passion qui anime autant les chercheurs que les amateurs ou les simples passeurs. On y sent aussi le plaisir, la convivialit, le partage!

TANT QUIL RESTE UNE VOIX
Un documentaire de Jean-Nicolas Orhon
2008, 52 minutes, HD, couleur
Disponible aux Distributions Netima. Vous pouvez l'acheter en ligne au cot de 25$.
Plus de dtails venir sur le site du Centre Mnmo

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The National Arts Centre English Theatre Company extends A Christmas Carol!

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National Arts Centre English Theatre

Peter Hinton, Artistic Director


Based on the Novel by Charles Dickens
Performance added Sunday, December 27
2 p.m. in the NAC Theatre

Ottawa, Ontario With tickets selling at a brisk pace this holiday season, the NAC English Theatre is pleased to announce that an additional performance of Charles Dickens A Christmas Carol has been added on Sunday, December 27 at 2 p.m.

A Christmas Carol is as well known as any work can be. For the first time, a faithful telling of Charles Dickens cherished holiday story of a misers last chance for redemption is presented by the National Arts Centre English Theatre, on the full Shakespearean thrust stage.. The production stars Stephen Ouimette as Scrooge alongside the 40th Anniversary NAC English Theatre Acting Company.

Purchase your tickets at the NAC Box Office, by phone at 613-755-1111, or at Ticketmaster.ca.
To learn more about the NAC English Theatre Companys production of
A Christmas Carol, go to www.nac-cna.ca/en/theatre/0910/christmascarol.


The Ottawa Citizen is a proud sponsor of Theatre5 Series.
Supported by Trinity Development Group Share the Spirit.

A Christmas Carol plays December 8 - 27, 2009 in the Theatre at the National Arts Centre.

Adults: $20 - $61
Students: $11.25 - $31.75

For any information, please call:
Sean Fitzpatrick, Communications Officer, National Arts Centre English Theatre
613-947-7000 ext. 389; e-mail:
sfitzpat@nac-cna.ca
or visit the NAC website at
www.nac-cna.ca

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Cirque du Soleil unveils Viva ELVIS


Written and Directed by Vincent Paterson

LAS VEGAS December 15, 2009 Cirque du Soleil, in partnership with Elvis Presley Enterprises, a CKX, Inc (NASDAQ: CKXE) company, was thrilled to unveil today its latest resident show Viva ELVISѢ, at ARIA Resort & CasinoѢ at CityCenter in Las Vegas. Preview performances for Viva ELVIS will start on December 18, 2009.

The show

Viva ELVIS, a harmonious fusion of dance, acrobatics and live music, is a tribute to the life and music of Elvis Presley. Nostalgia, modernity and raw emotion provide the backdrop for his immortal voice and the exhilaration and beauty of his music.

Created in the image of The King of Rock n Roll powerful, sexy, whimsical, truly unique and larger than life the show highlights an American icon who transformed popular music and whose image embodies the freedom, excitement and turbulence of his era.

Significant moments in his life intimate, playful and grandiose blend with timeless songs that remain as relevant today as when they first hit the top of the charts. Viva ELVIS focuses on the essential humanity of the one superstar whose name will forever be linked with the history of Las Vegas: Elvis Presley.

On a creative level, it was extremely stimulating to draw our inspiration from this musical icon, said Guy Lalibert, Founder of Cirque du Soleil. Viva ELVIS showcases the raw energy and pure talent of Elvis and highlights the exhilaration and beauty of his music on a grand scale.

It makes perfect sense that Elvis should live on in Las Vegas, where his iconic status was cemented, said Robert F.X. Sillerman, Chairman and Chief Executive Officer of CKX, Inc. When we teamed with Cirque du Soleil, we knew that any show they created would match Elvis larger-than-life presence. So we were pleased to open the vaults at Graceland and make available to Cirque du Soleil historic archival materials, recordings and concert footage that would help them create a show that will carry Elvis legacy into the future.

An evolutionary destination designed to transform Las Vegas at its core, CityCenter is larger than life, just like Elvis himself, said Bill McBeath, President and COO of ARIA Resort & Casino. We want to bring the element of fun to ARIA, the centerpiece of CityCenter. Viva ELVIS will bring the King of Rock n Roll back to Las Vegas for millions of his fans and create a buzz that will enable his persona to attract untold numbers of new followers.

Elvis has always been in the forefront of new, contemporary entertainment and technology, said Priscilla Presley. I believe Viva ELVIS continues this and reaches out and expands his legacy in a new, creative and exciting way.

The shows acrobatic elements, set designs and other artistic components are part of an overall creative vision designed to showcase the timeless music of Elvis, his unique voice and unequaled talent as a performer, said Gilles Ste-Croix, Senior Vice-president of Creative Content and New Project Development at Cirque du Soleil.

The unique strength and power of Elvis was in his voice, said Vincent Paterson, the shows Writer and Director. I was greatly inspired by the originality and complexity of this musical legend. What I tried to paint, in all humility, is the show he might have created today.

The creative team

Artistic Guide Guy Lalibert

Artistic Guide Gilles Ste-Croix

Writer and Director Vincent Paterson

Director of Creation Armand Thomas

Musical Director and Arranger Erich van Tourneau

Set Designer Mark Fisher

Costume Designer Stefano Canulli

Acrobatic performance Designer Daniel Cola

Acrobatic Equipment

and Rigging Designer Guy St-Amour

Lighting Designer marc brickman

Image Content Designer Ivan Dudynsky

Sound Designer Jonathan Deans

Choreographers Bonnie Story

Napoleon and Tabitha Dumo

Mark Swanhart

Catherine Archambault

Props Designer Patricia Ruel

Makeup Designer Nathalie Gagn

Viva ELVIS will be presented exclusively in the custom-built Elvis Theater at ARIA Resort & Casino at CityCenter in Las Vegas. Preview performances for Viva ELVIS begin December 18, 2009. The premiere will be held Friday, February 19, 2010.


TICKET PRICES

*$175, $150, $125, $99

All preview performances* will be discounted 25 percent.

*Preview performances for Viva ELVIS begin December 18, 2009. During these performances, the creative team is in the very final stages of production for the show. The audiences reaction and participation is an important step in this process.

Please consult the most current show schedule at www.cirquedusoleil.com/vivaelvis. Schedule is subject to change without notice.

Following the preview period and beginning February 21, 2010, Viva ELVIS will be performed Friday through Tuesday at 7:00 pm & 9:30 pm. There will be no shows on Wednesdays or Thursdays.

TO RESERVE TICKETS

By phone: 877-253-5847 or 702-531-2031

Online: www.cirquedusoleil.com/vivaelvis

In person: At the Elvis Theater box office at ARIA Resort & Casino at CityCenter or any of the MGM MIRAGE box offices in Las Vegas.

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Appel aux artistes de la rgion

La Maison Trestler invite tous les artistes de la rgion soumettre une uvre dart pour son exposition/vente duvres darts annuel ļļEntre-NousĆĆ. Le vernissage aura lieu le jeudi 14 janvier 2010 19h30; lexposition se poursuivra jusquau dimanche 21 fvrier 2010. Les uvres seront reues les 5 et 6 janvier 2010 de 10h00 12h00 et entre 13h00 15h30 la Maison Trestler. Le tableau doit tre encadr ou avoir des rebords finis et ne devra dpasser le format maximal de 36" x 36", incluant lencadrement. Les sculptures seront aussi acceptes. Un bref curriculum vitae et une description de la dmarche artistique, dactylographis sur papier 8 X 11 seraient apprcis. Un cot de participation de 10.00$ sera exig lors de votre inscription. Pour obtenir plus de dtails, voir linvitation sur le panneau lextrieur de la Maison Trestler, 85 chemin de la Commune Vaudreuil-Dorion. Nhsitez pas communiquer avec nous au (450) 455-6290 ou par courriel : info@trestler.qc.ca. Veuillez noter que la Maison Trestler sera ferme du 18 dcembre midi au 3 janvier 2010 inclusivement.

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Sybarbite5 and the cell announce 2010 residency

SYBARITE5@the cell, 338 W. 23RD STREET: JANUARY 22-24; OCTOBER 22-24; DECEMBER 10-12

NINE-CONCERT RESIDENCY JUXTAPOSES THE WORKS OF STRAVINSKY, DVORAK, AND MOZART WITH RE-IMAGINED ARRANGEMENTS OF RADIOHEAD AND OTHER WORKS WRITTEN FOR SYBARITE5

Sybarite5, known for breaking down musical boundaries, embarks on a nine-concert residency, Sybarite5@the cell. The residency, part of the ensembles Alternative Venue Initiative, continues the groups tradition of innovative programming in non-traditional performance spaces.

The three weekend-long programs explore the spectrum of Sybarite5s artistic mission, juxtaposing the works of Dvorak, Mozart, Piazolla and Stravinsky, with arrangements of Radiohead songs and works by contemporary composers Piotr Szewczyk, Dan Visconti, Matt Van Brink, Deborah Barnekow and Thomas Osborne.

As Louis Levitt the Director of Sybarite5 says, Our programming has always tried to reflect our commitment to both the traditional chamber music repertoire and the music of our generation. By performing the music of Radiohead alongside composers like Stravinsky and Dvork we hope to move chamber music into the future while still respecting the traditions of the past.

"We are excited to embark on this residency with the cell. We hope this collaboration will establish a new venue for New Yorks music lovers to hear interesting chamber music. Chelsea will now have a resident string quintet at their front door.

Nancy Manocherian, Founding Director of the cell, We are thrilled to expand our programming to include top-notch chamber music. We look forward to collaborating with Sybarite5 to establish a new home for great music.

Tickets for individual programs are $20; tickets for all three programs $50 available by calling (513) 543-1981 or rsvp@sybarite5.org or at the cell box office: 338 W.23rd Street, NYC.

The complete programs are as follows (subject to change):

January 22, 2010 (repeated January 23, 24, 2010)

ORIGINS/ROOTS/UMAMI:
Examining the roots of the ensemble, in classical music and as individuals.


Piotr Szewczyk - The Rebel
Igor Stravinsky - Pulcinella Suite, arr. Levitt/Barnes
---
Dan Visconti - Black Bend
Astor Piazolla - Tango Suite
Radiohead Remixed Project - Arr. Paul Sanho Kim
Selections TBD


October 22, 2010 (repeated October 23, 24, 2010)

EXPLORE/INNOVATE/ADVANCE:
Exploring new works commissioned for the ensemble along with pieces that have changed the landscape of classical music.


Matt Van Brink - Tureasca
Deborah Barnekow - Yesterdays Rose (NY Premier)
Led Zeppelin
Selections TBD
---
Dave Brubeck - Blue Rondo a la Turk
Radiohead Remixed
Selections TBD
Thomas Osborne- Furioso: Vendetta for String Quintet

December 10, 2010 (repeated December, 11, 12, 2010)


JUXTAPOSE/CONTRAST/SHUFFLE:
Pressing the shuffle button on a live iPod: Sybarite5. Mozart, Radiohead, Stravinsky, Dvorak, Led Zeppelin, Visconti & many more.


About Sybarite5:

Devoted to expanding the repertoire for string quintet, SYBARITE5 challenges conventional musical boundaries to boldly step forward into a new genre of chamber music. SYBARITE5 has been featured on American Public Radios Performance Today, the CBS Early Show, Strings Magazine and the international classical music channel Medici.tv. They have performed at Lincoln Center in New York City and numerous Aspen Music Festival Concerts in Colorado. In August of 2008, they were invited to perform for former Secretary of State Condoleezza Rice & Madeline Albright. Their innovative fusion of the Baroque with multi-media resulted in the critically acclaimed DIDO Project; a new production of Henry Purcells Dido and Aeneas, performed at the Samsung Experience in New York City.

They were the first string quintet admitted to the Aspen Music Festival and Schools Advanced Quartet Studies program, where they worked with Earl Carlyss of The Juilliard Quartet, bassist Edgar Meyer, as well as the Cavani, American, and Ying String Quartets.

Recent projects include: Radiohead Remixed- commissioning, performing, and recording classical works inspired and influenced by the British band Radiohead; as well as The DIDO Project- melding art technology & humanism in the heart of New Yorks Time Warner Center at Columbus Circle.

Other ongoing projects include: the Alternative Venues Initiative seeking out untraditional performance venues as well as an International Composition Contest. In June of 2009 SYBARITE5 represented the Aspen Music Festival in a new capacity as the AMFS Alumni Ensemble.

Based in New York City, SYBARITE5 is a non-profit arts organization that continues to perform and educate at the Aspen Music Festival and across the US.

For more information on Sybarite5 please visit www.sybarite5.org

About the players:

Sami Merdinian, violin

Argentinian violinist Sami Merdinian has received worldwide recognition for his outstanding performances as a soloist and chamber musician. Sami has recently appeared as a soloist with the Montevideo Philharmonic, the Argentinian National Symphony, The Charlemagne Orchestre, Symphony Pro Musica, The Gagneung Philharmonic in South Korea, and Philharmonia of the Nations at the Concertgebouw in Amsterdam. As chamber musician, Mr. Merdinian has performed in Spoleto, Italy, The Perlman Chamber Music Workshop, The Festival of The Hamptons, Bargemusic, Carnegie Hall, Lincoln Center, Concertgebouw, among other venues. Also a member of Sejong Soloists since 2008, Sami has performed throughout the United States and Asia, including a West Coast Tour with Gil Shaham, and has recorded for Universal Records. Mr. Merdinian has been prize-winner in several international competitions including Gold Medal in the XII International Young Solo Instrumentalists Competition in Argentina and the New Talent Competition in Slovakia organized by the European Radio. He has also received the Rising Star Award by Tiffany & Co. and was named Outstanding Artist of the Year by the Argentinian Press. While at The Juilliard School and Yale University, Mr. Merdinian was a pupil of Dorothy Delay, Naoko Tanaka and Peter Oundjian, and has participated in masterclasses for artists such as Itzahk Perlman, Ruggiero Ricci, Emmanuel Ax, Pamela Frank and members of the Tokyo, Cleveland and Guarnieri String Quartets.


Sarah Whitney, violin

Sarah Whitney, an active solo, and chamber musician, has been heard worldwide across stages in Europe, Asia, South America and the United States. As a chamber musician, Ms. Whitney has performed as guest artist on the Cleveland Institute of Music Faculty Concert Series, the Cleveland Composers Guild and the Memphis Chamber Music Society Solo Concert Series As a soloist she received second prize in the 2000 Philharmonic Society of Arlington, MA Young Artists Competition. Most recently, Ms. Whitney led the Cleveland Central Philharmonic Chamber Orchestra as concertmaster on tour to Carnegie Hall and again returned to the stage with the New World Symphony. She has participated in festivals in Italy, France, and China as well as the Aspen Music Festival, the Music Academy of the West and the Spoleto Music Festival USA. She has also collaborated with the Josh Ritter Band and can be heard on their latest album, The Historical Conquests of Josh Ritter, produced by Sony Music BMG. Ms. Whitney received her M.M. from the Cleveland Institute of Music and her B.M with honors from the University of Michigan. Her teachers include Kathleen Winkler, Aaron Berfosky, Cyrus Forough, Stephen Shipps, Paul Kantor and William Preucil. Ms. Whitney plays on a Luigi Sofritti violin made in 1885.

Angela Pickett, viola

Angela Pickett has performed as a violist, violinist, and fiddler throughout North America and Europe. A member of the Princeton Symphony, Angela has also performed with Wet Ink Music, Ne(x)tworks, Continuum, and recently premiered a new version of Helmut Lachenmanns Mouvement with the Argento Chamber Ensemble. In 2006, Angela performed Ann Southams Re-Tuning for viola and tape at the 34th International Viola Congress, and a subsequent performance of Re-Tuning at the 2006 International Sound Symposium was recorded for national radio broadcast. As a fiddler, she has performed with Irish tenor John McDermott, the Chieftains, and appeared on numerous recordings of Irish/Newfoundland traditional music. A doctoral candidate in viola performance at the Manhattan School of Music, Angela completed a Masters degree from The Juilliard School and a Bachelor of Music in her hometown of St. Johns, Newfoundland, Canada. Angela has attended Tanglewood Music Centre, Aldeburgh Festival, Banff Centre for the Arts, Centre dArts Orford, and has twice been a recipient of the Canada Council for the Arts Grant for Classical Musicians. Angelas principal teachers include Michael Tree, Samuel Rhodes, Karen Tuttle and Karen Dreyfus.

Laura Metcalf, Cello

Cellist Laura Metcalf enjoys an active performing career in and around New York City, having been heard recently such venues as Weill Recital Hall and Zankel Hall at Carnegie Hall, the French Consulate of New York, the Tenri Cultural Institute, the J.P. Morgan Library, St. John the Divine Cathedral, and Lincoln Center's Alice Tully Hall. As a member of the Stella Piano Trio, she gave her Carnegie Hall debut at Weill Recital Hall in 2006, and in 2007 participated in the ARD Competition in Munich, Germany, where the trio was the top-ranked North American ensemble. She gave her New York concerto debut in 2007 performing Beethovens Triple Concerto with the Ensemble 212 Orchestra, and was named a semi-finalist in the 2007 Hudson Valley Concerto Competition. Laura has performed at music festivals including Taos, IMS Prussia Cove, Sarasota, Aspen, and Fontainebleau (France). As an orchestral musician, she was recently appointed assistant principal cellist of the Chamber Orchestra of New York, and performs regularly as a member of Michael Tilson Thomass New World Symphony. She studied with Timothy Eddy and Michael Reynolds, and is a faculty member at the Opus 118 Harlem School of Music.

Louis Levitt, double bass

Louis Levitt has performed with the Pittsburgh Symphony, the New World Symphony, Sarasota Orchestra, Orchestra of the S.E.M. and was principal of the Springfield Symphony. An active chamber musician Mr. Levitt has performed along side the Grammy nominated Quartet San Francisco, and multiple Grammy-winning composer Bob James. Other appearances include the Aspen Music Festival Salida Chamber Series, American Modern Ensemble, LaSalle Chamber Music Series in Cincinnati Ohio, as well as the Telluride Music Festival in Colorado. He has appeared as a soloist performing Frank Proto's Carmen Fantasy with orchestra, Jean Francaix's Mozart New Look, and most recently David Andersons Capriccio at the WABASS Institute for 21st Century Bassists. Mr. Levitt received his degrees from the Cincinnati College Conservatory of Music where he studied with Albert Laszlo. He has also received multiple fellowships to the Aspen Music Festival where he studied with Paul Ellison, Albert Laszlo, Eugene Levinson, Bruce Bransby, and Stuart Sankey. Mr. Levitt is originally from Sarasota Florida, where he studied with John Miller.

About the cell:

the cells mission is to incubate and present new works that mine the mind, pierce the heart and awaken the soul. the cell is located at 338 W. 23rd Street, NYC.

For more information please visit www.thecelltheatre.org org>

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Parsons Dance presents Remember Me

an all-new version of the dance/rock opera
with the lead vocalists and music of the
Grammy Award-nominated

EAST VILLAGE OPERA COMPANY
The Joyce Theater, February 2 - 14, 2010

Parsons Dance presents REMEMBER ME, an all-new version of last season's collaboration with the lead vocalists of East Village Opera Company (EVOC), featuring the music of the acclaimed rock opera band at The Joyce Theater from February 2-14, 2010. Following last season's World Premiere at The Joyce Theater, a PBS Special and a year-long national tour, REMEMBER ME returns to NYC with new choreography, lighting design by Tony Award-winning designer Howell Binkley and costume design by Project Runway designer Austin Scarlett. Program A features REMEMBER ME with EVOC's two lead vocalists live onstage with Parsons Dance. Program B will feature Parsons Dance favorites including the stroboscopic Caught.

"Awesome dancing and a backbeat to knock it all home. Eye-popping digital effects. Excellent showbiz-savvy performers. Perpetually smoldering. Lusty, sensual movement."
- Deborah Jowitt, The Village Voice

David Parsons, Tyley Ross (lead male vocalist and co-founder of EVOC) and AnnMarie Milazzo (lead female vocalist) have created a storyline that connects EVOC's signature operatic arias (fourteen songs from the band's albums) with David Parsons' original choreography. REMEMBER ME is a thoroughly modern re-telling of a classic story of a tragic love triangle. With contemporary dance, aerial dance, live and recorded music, video projections, complex digital lighting and visual effects, REMEMBER ME is the most ambitious production created by Parsons Dance in its 22 year history.

"After completing our first national tour of Remember Me, we are thrilled to bring this show back to New York audiences, in a completely revamped version," said David Parsons, artistic director of Parsons Dance.

EVOC's signature works re-imagine opera arias as popular songs, including pieces by Verdi, Puccini, Mozart and Schubert. These classics collide with electric sounds from the golden era of rock and roll, pop, R&B, and soul, exploding into a mosaic of sound in a triumphant musical celebration. They have received commissions to pen new works from both the New York Public Theatre and New York City Opera, with whom they have also performed at Lincoln Center. EVOC alternately headlines in prestigious classical concert halls and rock clubs, and records exclusively for Decca/Universal records. They have released three CD's. "Pop-infused, hard-hitting arrangements of arias and ensembles from classic operas. The group has won fans among both opera buffs and rockers."- The New York Times

Parsons Dance creates American works of extraordinary artistry that are engaging and uplifting to audiences throughout the world. It is the goal of Parsons Dance to make contemporary dance accessible to the widest possible audiences. In addition to choreography and performance, Parsons Dance positively impacts children, students, and communities through student performances, lecture-demonstrations, master classes, post-show discussions and more. Parsons Dance has a company of eleven full-time dancers and maintains a repertory of more than 70 works choreographed by David Parsons, twenty of which feature originally commissioned scores by leading composers and musicians, including Dave Matthews, Michael Gordon and Milton Nascimento. Parsons Dance has collaborated with many other leading artists, including Julie Taymor, William Ivey Long, Annie Leibovitz, Donna Karan and Alex Katz (to name a few). The New York Times called David Parsons "one of the great movers of modern dance." New York Magazine referred to him as "one of modern dance's great living dance-makers."

Parsons Dance dancers are Julie Blume, Eric Bourne, Sarah Braverman, John Corsa, Zac Hammer, Lauren Putty, Miguel Quinones, Abby Silva, Billy Smith, Melissa Ullom and Steven Vaughn.

The two programs follow:

Program A:
Tuesday, Wednesday, Sunday at 7:30pm; Thursday - Saturday at 8pm
REMEMBER ME featuring the music of EVOC: Overture, Maria, Mari!, Habanera, Che Gelida Manina, Flower Duet, La Donna E Mobile, Ave Maria, O Mio Babbino Caro, Una Furtiva Lagrima, Ebben? Ne Andro Lontana, When I Am Laid in Earth, Butterfly Duet

Program B:
Saturday and Sunday at 2pm - Family Matinees
Caught (female dancer), Hand Dance, Wolfgang, Sleep Study, Scrutiny, Caught (male dancer)

Caught (1981) is an internationally renowned stroboscopic dance masterpiece that features a solo dancer performing more than 100 leaps in less than six minutes. Each leap is "caught" by the flash of a strobe light, to create a breathtaking illusion of flight. Caught has been performed thousands of times, worldwide, for more than 27 years. Hand Dance (2003), a playful work set to the vibrant music of Kenji Bunch, features ten "hands" that decide to take on a life of their own. Through gesture and mime, five dancers offer "an endless variety of imaginative evocations, from grasping and forming pistons of a locomotive to playing air cello." Imaginative and fun, Hand Dance leaves audiences laughing and begging for more. A relentless display of movement, Wolfgang (2005) juxtaposes the classical music of Mozart with the modern choreography of David Parsons. This piece highlights the dancers' technique and musicality, while underscoring their ability to make the constant motion seem effortless and fluid. Sleep Study (1987), a delightfully charming crowd-pleaser, translates common, universal movements into clever choreography. Audience-goers of all ages can easily recognize and identify with the familiar bedtime stirring that David Parsons has cleverly infused with humor, creating a true slumber party. In Scrutiny (1987), David Parsons explores the societal pressures to conform. This work premiered with the Parsons Dance Company on August 25, 1987 in Beckett, Mass. as part of Jacob's Pillow. It received a land grant from Jacob's Pillow.
Parsons Dance will perform February 2-14, 2010 at The Joyce Theater, with performances Tuesday, Wednesday, Sunday at 7:30pm; Thursday - Saturday at 8pm; and Saturday and Sunday at 2pm. The Joyce Theater is located at 175 Eighth Avenue (at 19th Street), NYC. Tickets start at$10 and are available by phone at 212-242-0800 or joyce.org.
Parsons Dance is committed to building new audiences for contemporary dance by creating American works of extraordinary artistry that are engaging and uplifting to audiences throughout the world. The company tours regionally, nationally and internationally. Since 1985, Parsons Dance has toured an average of 32 weeks per year, to a total more than 235 cities, 30 countries, six continents and millions of audience members. Many others have seen Parsons Dance on PBS, Bravo, A&E Network, and the Discovery Channel. Millions watched Parsons Dance perform live in Times Square as part of the internationally broadcast, 24-hour Millennium New Year's Eve celebration. In New York City, Parsons Dance has been featured at The Joyce Theater, City Center, New Victory Theater, Central Park Summerstage, Guggenheim Museum, Metropolitan Museum of Art and The World Trade Center.

David Parsons (Artistic Director/Founder) has enjoyed a remarkable career as a performer, choreographer, teacher, director and producer of dance. Mr. Parsons was born in Chicago and raised in Kansas City. He was a leading dancer with The Paul Taylor Dance Company, where Mr. Taylor created many roles for him in works such as Arden Court, Last Look and Roses. He is a recipient of the 2000 Dance Magazine Award, as well as the 2001 American Choreography Award, for his work as a co-producer of AEROS, a production featuring the Romanian Gymnastic Federation that was featured on Bravo. Mr. Parsons has created more than 70 works for Parsons Dance. He has received commissions over the years from The American Ballet Theatre, New York City Ballet, Alvin Ailey American Dance Theater, the American Dance Festival, Jacob's Pillow, the Spoleto Festival and Het Muziektheater in Amsterdam, to name a few. His work has been performed by Paris Opera Ballet, Joffrey Ballet, Nederlands Danse Theatre, National Ballet of Canada, Hubbard Street Dance and BatSheva Dance Company of Israel, among many others. In June 2007, Mr. Parsons was honored to be the very first contemporary choreographer ever to stage work at the centuries-old Arena di Verona, in Verona Italy, where he choreographed Verdi's Aida. The Arena is one of Italy's most respected operatic venues. In September 2007, he directed and choreographed Gotham Chamber Opera's production of Mara de Buenos Aires, which made its world premiere at a sold-out engagement in New York, at NYU's Skirball Center for the Arts.

East Village Opera Company was formed in New York City's East Village in 2004 by Canadians Peter Kiesewalter and Tyley Ross. The East Village Opera Company turned the heads of New York's music community with a series of electric genre defying shows at Joe's Pub, the intimate venue housed by the Public Theatre. Initially meant as a one-off project, they were quickly signed to Decca/Universal records and met with universal praise from both classical and rock critics and fans. The Washington Post proclaimed that "Opera crossover acts are becoming a veritable cottage industry, but the East Village Opera Co. is markedly different." They have toured the world with a unique live show, combining a seemingly incongruous classical string section with a powerhouse rock band. Time Out New York stated that the group "electrifies the classics for a new generation." The Associated Press mused the band was "dramatic" and "mesmerizing" while the Wall Street Journal agreed, noting "The band rocks hard, and deranges the opera stuff with savvy skill." In a rare feat not many artists can claim, EVOC headlines around the world in both eclectic rock clubs as well as some of the most prestigious classical concert halls. The band's appeal is evident in both cases. The Chicago Tribune raved "Nobody puts a fresher, friskier contemporary spin on opera's greatest hits than the East Village Opera Company." The band has also performed at esteemed events such as the Sundance Film Festival, the Miss USA pageant (nationally televised on NBC), and the world-premiere of "The Da Vinci Code" in Hong Kong. EVOC's PBS Special "EVOC LIVE" was celebrated with an Emmy at the 2006 Emmy Awards. Their most recent Decca album entitled Olde School was nominated for a Grammy in the Classical Crossover Album category.

Tyley Ross (Male Vocalist / EVOC co-founder) A native of Ottawa Canada, Tyley started performing professionally in his early teens while still a student at Canterbury's school of the Arts. In the years since then, has been a street busker, a cartoon and voice artist, acted for the small and large screen, written and recorded two solo albums (his composition You Take My Breath Away was featured in the film Woman Wanted directed by Kiefer Sutherland and starring Holly Hunter), and he has performed as a guest soloist with orchestras across Canada and in the USA. After being discovered by Pete Townshend of The Who in 1994, Tyley was cast in the title role of the Canadian premiere of the Who's Tommy. For his work in that show, he was honored with the Dora Award for Outstanding Performance in a Musical. He spent the next ten years on musical stages across North America, including starring roles at the Shaw and Stratford Festivals, and on Broadway. In 2001, Tyley was introduced to Peter Kiesewalter and they began experimenting with recording opera arias in a variety of modern contexts. This project led to the release of the CD La Donna and the unveiling of the East Village Opera Company in 2004 with a series of acclaimed performances at New York's Joe's Pub. Within a year the band had signed a multi-record deal with Decca/Universal, and has since released two CD's: East Village Opera Company (2005) and Olde School (2008). Tyley has his master's degree in voice studies from London's Central School of Speech and Drama.

AnnMarie Milazzo (Female Vocalist) is a singer, arranger, composer and lyricist living in NYC. She has done the vocal arrangements for Spring Awakening, the Broadway musical at the Eugene O'Neill Theater; Next To Normal, which premiered Off Broadway at Second Stage Theatre; Bright Lights, Big City at New York Theatre Workshop; and the Paramount feature film "The Marc Pease Experience" starring Ben Stiller. Some of her most recent work includes a new musical Pretty Dead Girl, which premiered at The Sundance Film Festival and is now being produced by the Araca Group in New York City, book by David Henry Wang. Also currently in progress is the musical Sea Change based on the Lois Gould novel, book by Karen Hartman. AnnMarie is the lyricist for Franco Dragone's Carmen, which premiered at The Jolla Playhouse and will open in Madrid, 2009. She is currently writing lyrics for Cirque du Soleil's, Le Reve, at the Wynn Hotel in Las Vegas. AnnMarie's singing credits include working with artists such as Angelique Kidjo on her Black Ivory Soul Tour also singing with Carlos Santana. She also toured with Jonatha Brooke and performed on her DVD Back In The Circus, shot live in NYC.

The Joyce Theater Foundation, Inc., a non-profit organization, has proudly served the dance community and its audiences since 1982. The founders, Cora Cahan and Eliot Feld, acquired and renovated the Elgin Theater in Chelsea, which opened as The Joyce Theater in 1982. The Joyce is named in honor of Joyce Mertz, beloved daughter of LuEsther T. Mertz. It was LuEsther's clear, undaunted vision and abundant generosity that made it imaginable and ultimately possible to establish the theater. One of the only theaters built by dancers for dance, The Joyce Theater has provided an intimate and elegant New York home for more than 290 domestic and international companies. The Joyce has also commissioned more than 130 new dances since 1992. In 1996, The Joyce created Joyce SoHo, a dance center providing highly subsidized rehearsal and performance space to hundreds of dance artists. New York City public school students and teachers annually benefit from The Joyce's Dance Education Program, and adult audiences get closer to dance through pre-engagement Dance Talks and post-performance Humanities discussions. The Joyce Theater now features an annual season of approximately 48 weeks with over 340 performances for audiences in excess of 135,000. Additionally, for the last five years The Joyce has co-produced Evening Stars as part of the River To River Festival in Battery Park.
The World Premiere production is made possible by lead commissioning support from The Ellsworth Kelly Foundation; and Dr. and Mrs. Edward J. Prostic, in honor and memory of their daughter Elizabeth Anne Prostic.

For more information, visit parsonsdance.org and eastvillageoperacompany.com.

PARSONS DANCE
The Joyce Theater, 175 Eighth Avenue (at 19th Street), NYC
February 2-14, 2009

Tuesday, Wednesday, Sunday at 7:30pm; Thursday - Saturday at 8pm; Saturday and Sunday at 2pm
Tickets start at $10
JoyceCharge: 212-242-0800
joyce.org

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Les Productions Strada prsentent Kadou - Chansons pour le solstice d'hiver


Occitanie, Angleterre, Mexique, Hanouka, Gorgie, Pologne, Bulgarie, Grce


Lundi 21 dcembre glise Saint-Jean-Baptiste 19 h 30
4237, avenue Henri-Julien

10$ par personne, 12 ans et moins gratuit

Mardi 22 dcembre St. Matthias' Church 19 h 30

10 avenue Church Hill

10$ par personne, 12 ans et moins gratuit



Montral le 7 dcembre 2009 - Depuis la nuit des temps, le solstice hivernal a donn lieu des ftes entourant le retour de la lumire. Des quatre coins de lEurope, Strada en rapporte les plus belles traditions musicales.

Tour tour mnestriers ou bergers, les artistes du spectacle Kadou chantent, jouent et racontent les histoires qui ont forg limaginaire qui nous habite toujours. labor autour des nols de Provence, le rpertoire souvre aux colinde de Bulgarie, aux kalantas grecs, aux alilos de Gorgie et aux chansons de la Fte des Lumires juive : Hanouka. Un tonnant voyage musical et un merveilleux kadou soffrir en famille, durant les longs mois dhiver.


Kadou : driv du roumain cadou qui signifie cadeau ou trenne.

Pierre Langevin (clarinettes, fltes, cornemuses et dulcimer), Gabrielle Bouthillier (fltes, cromorne et voix), Liette Remon (violon, clarinette, cornemuse et voix),

Jean-Philippe Reny (oud et banjo), Pierre Tanguay (percussions et guimbardes) et Andrew Wells-Oberegger (bouzouki et laouto)


Concerts Kadou chansons pour le solstice dhiver Qubec

Samedi 19 dcembre glise de Cap-Rouge, Qubec 19 h 30

1460, rue Provancher, Cap-Rouge

10$ par personne, 12 ans et moins gratuit, billets en vente la porte

Dimanche 20 dcembre La Chapelle du Muse, Qubec 14 h

2, cte de la Fabrique, Qubec

10$ par personne, 12 ans et moins gratuit, billets en vente la porte

www.strada.ca

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Curtis Celebrates Centenary of Samuel Barber (34) with New Production of Antony and Cleopatra by Curtis Opera Theatre

PHILADELPHIA A principal theme of the world-renowned Curtis Institute of Musics performance season is the 100th birthday of composer Samuel Barber (34), one of the schools most illustrious alumni. Events center around the Barber anniversary in March 2010, with Curtis 20/21, the schools contemporary music ensemble, performing an all-Barber program on the composers 100th birthday, March 9. Later that month, the Curtis Opera Theatre presents Barbers Antony and Cleopatra at the Perelman Theater in Philadelphias Kimmel Center, in a new production directed by Chas Rader-Shieber and conducted by George Manahan. Curtis On Tour marks the centenary with performances of Barbers String Quartet No. 1, the source of the famous Adagio for Strings, in New York and nationwide in February and March.

The Curtis Symphony Orchestra performs Barbers Symphony No. 1 under conductor Giancarlo Guerrero at Philadelphias Verizon Hall on April 24. Curtis alumni will also join the centennial celebrations, giving two special recitals at the schools Field Concert Hall in January and March; and Curtis student recitals from January through May also feature works by the celebrated alumnus.

One of the most important American composers of the last century, Samuel Barber (1910-81) made distinguished contributions to the orchestral, choral, operatic, piano and chamber music repertories. His Adagio for Strings is widely considered a modern masterpiece. Barber came from a musical family, and was among the first students to enter the Curtis Institute of Music when it opened in 1924. Studying composition with Rosario Scalero and piano with the renowned Isabelle Vengerova, he added a third major, voice, in 1926. It was while studying at Curtis that he met his future collaborator and life-partner, opera composer and librettist Gian Carlo Menotti (33).

Even before his graduation from Curtis in 1934, Barbers works were premiered by the Philadelphia Orchestra and Eugene Ormandy. The composer soon established himself within Americas classical community, winning the favor of such important artists as Koussevitzky and Horowitz.

While espousing no one school or style, Barber has sometimes been labeled neo-Romantic. His work is essentially tonal, and yet too dissonant and experimental to be considered anything but modern. His numerous honors include two Pulitzer Prizes, the Rome Prize, and election to the American Academy of Arts and Letters.

On the 100th anniversary of Barbers birth, March 9, 2010, Curtis 20/21 the schools contemporary music ensemble, dedicated to the music of the 20th and 21st centuries presents a celebratory program in Field Concert Hall. Curtis 20/21 will perform vocal and chamber works by Barber, and Barber-inspired works by Curtis alumnus Jonathan Holland (96) and current student Christopher Rogerson. Two days earlier, the same concert will be performed in Barbers hometown, West Chester, PA, at his family church, the First Presbyterian Church; and on March 15, Curtis 20/21 takes the celebratory program to the Library of Congress in Washington, DC.

Also in March, the Curtis Opera Theatre will present Barbers Antony and Cleopatra at the Perelman Theater at Philadelphias Kimmel Center. This new production is directed by Chas Rader-Shieber, described as a force to be reckoned with in the opera world (Torontos Classical 96.3 FM). Presented in association with Kimmel Center Presents and the Opera Company of Philadelphia, the production features a cast of Curtis opera and voice students with the Curtis Symphony Orchestra under George Manahan. The opera was first performed in New York City in 1966, at the grand opening of the new Metropolitan Opera House, and then substantially revised eight years later, with the help of Menotti. Writing in the New York Times in 1984, Tim Page reported that Barber always felt that Antony and Cleopatra was his finest work. After Manahan conducted a performance of the opera at Carnegie Hall this past January, the New York Timess Anthony Tommasini praised the fervent and sensitive performance that Mr. Manahan presided over, and described the work itself:

Barbers score is rich with restless chromatic harmony, arching melodic outpourings, lush orchestration, percussive flourishes to evoke the conquering Romans, and reedy, harmonically astringent writing to conjure up Egyptian exotica. Ķ[I]n recent decades plenty of safely conventional, neo-Romantic new operas have been produced that showed nothing like the intelligence and ingenuity of this Barber work.

Curtis On Tour, which continues to bring the extraordinary artistry of the Curtis Institute to audiences nationwide and abroad, marks the centenary with performances of Barbers String Quartet No. 1 (1936), whose slow movement is the source of his popular Adagio for Strings. Violinist Ida Kavafian and cellist Peter Wiley (74), both Curtis faculty members, appear with Curtis students on the 2009-10 tour, which includes a special New York appearance on March 10 at the Allen Room in Frederick P. Rose Hall, home of Jazz at Lincoln Center. One of New Yorks most spectacular venues, this lovely setting overlooks Central Park South. Its superb acoustic will beautifully complement a program that presents the Barber quartet alongside Dvorks Piano Quintet No. 2 and world premieres of new works commissioned from two current composition students at Curtis: Christopher Rogerson and Daniel Shapiro. In addition to the New York performance, stops on the tour include Detroit, MI; Davis, CA; Seattle, WA; Rockport, ME; and Highland Park, IL.

Called an orchestra that any city would be lucky to have as its professional ensemble (Philadelphia Inquirer) and praised for its professional level of sophistication (New York Times), the Curtis Symphony Orchestra performs Samuel Barbers Symphony No. 1 under conductor Giancarlo Guerrero on April 24 at Verizon Hall. Barber wrote his first symphony a one-movement work in three sections in Rome in 1936 after winning the Rome Prize. In his program note for the New York premiere the following year, the composer described its form as a synthetic treatment of the four-movement classical symphony; the New York Times reports that warm applauseĶgreeted the world premiere, and the work has since been praised for the compositional mastery and sincerity of feeling [Barber] commanded in it (Londons Independent, 1992). Rounding out the April program will be Mussorgskys Songs and Dances of Death, featuring soloist John Relyea (96); Ligetis Atmosphres; and Strausss Also sprach Zarathustra.

January 17 sees the first of two Curtis alumni events in the schools Field Concert Hall celebrating the centennial. The Dolce Suono Ensemble offers a performance titled Samuel Barber at 100 The Composer and His World. Founded by flutist and artistic director Mimi Stillman (99), the Dolce Suono Ensemble includes many Curtis alumni. The group will perform music by Barber and his contemporaries and successors, all of whom have connections to Curtis, from emeritus faculty member Ned Rorem (44) to current faculty member Jennifer Higdon (88). Soon after the centenary itself, on March 16, Leon McCawley (95) performs a piano recital juxtaposing Barbers works with those of Chopin. McCawley, whose extensive discography includes Barbers complete works for piano on the EMI/Virgin Classics label, is a leading member of Englands new generation of pianists. The New York Times described his New York debut as a lyrical, heartfelt performance.

A chronological listing of Curtiss Barber centenary performances follows.

About the Curtis Institute of Music

Described by the New York Times as one of Americas elite conservatories and recently highlighted in U.S. News and World Reports 2010 college survey as the most selective institution in the United States for students seeking a bachelors degree, the world-renowned Curtis Institute of Music presents an exciting season with more than 130 concerts, operas, and recitals. With an enrollment of 160, Curtis provides an intimate environment in which students receive personalized attention from a celebrated faculty. A busy schedule of performances is at the heart of Curtiss distinctive learn by doing approach. Since the schools founding in 1924, this philosophy has produced an impressive number of notable artists, from such legends as Barber and Leonard Bernstein to current stars Juan Diego Flrez, Alan Gilbert, Hilary Hahn, Jennifer Higdon, Lang Lang, and Time for Three.

CURTIS INSTITUTE OF MUSIC

Samuel Barber Centenary

2009-10 Season

Sunday, January 17 at 3pm

Guest recital: Dolce Suono Ensembles Samuel Barber at 100 The Composer and His World

Field Concert Hall, Curtis Institute of Music, 1726 Locust Street, Philadelphia

Barber Summer Music; Capricorn Concerto

Rorem Trio

Higdon Autumn Music

Ludwig Haiku Catharsis

February 26 March 26

Curtis On Tour (venues and dates below)

Barber String Quartet No. 1, Op.11

Rogerson Lullaby: no bad dreams

Shapiro Sonata for Viola and Piano

Dvork Piano Quintet No. 2 in A, Op. 81

Ida Kavafian and Benjamin Beilman, violins; Hyo Bi Sim, viola; Peter Wiley, cello (74); Yekwon Sunwoo, piano

Philadelphia Friday, February 26 at 8pm

Detroit Sunday, February 28 at 7pm

Seattle Tuesday, March 2 at 7:30pm

Davis, CA Saturday, March 6 at 8pm and Sunday, March 7 at 2pm

New York Wednesday, March 10 at 8pm

Kennett Square, PA Saturday, March 13 at 8pm

Orono, ME Friday, March 19 at 8pm

Rockport, ME Saturday, March 20 at 7pm

Highland Park, IL Friday, March 26 at 8pm

For ticket and venue information, visit www.curtis.edu/html/50600.shtml#tour

Tuesday, March 9 at 8pm

Curtis 20/21: Samuel Barber Centenary Celebration

Field Concert Hall, Curtis Institute of Music, 1726 Locust Street, Philadelphia

Barber Hermit Songs; Dover Beach; Sonata in E-flat minor; Summer Music

Rogerson Lullaby: no bad dreams

Holland commissioned work TBA

This program will also be performed on March 7 at 3pm at First Presbyterian Church, West Chester, PA; and on March 15 at 12pm at Coolidge Auditorium of Library of Congress, Washington, DC.

Tuesday, March 16 at 8pm

Guest recital: Leon McCawley, piano (95)

Field Concert Hall, Curtis Institute of Music, 1726 Locust Street, Philadelphia

Chopin Four Mazurkas, Op. 6; Sonata No. 2 in B-flat minor, Op. 35;

Nocturne in C-sharp minor, Op. 27 No. 1

Barber Excursions; Nocturne: Homage to John Field; Sonata in E-flat minor

Wednesday, March 17 at 7:30pm

Friday, March 19 at 8pm

Sunday, March 21 at 2:30pm

Barber: Antony and Cleopatra

Perelman Theater at the Kimmel Center, Philadelphia

Curtis Opera Theatre

George Manahan, conductor

Chas Rader-Shieber, stage director

Presented by Kimmel Center Presents in association with the Opera Company of Philadelphia

Saturday, April 24, 2010 at 8pm

Verizon Hall at the Kimmel Center, Philadelphia

Curtis Symphony Orchestra

Jack Wolgin Orchestral Concerts

Giancarlo Guerrero, conductor

John Relyea, bass-baritone (96)

Barber Symphony No. 1

Mussorgsky Songs and Dances of Death

Ligeti Atmosphres

R. Strauss Also sprach Zarathustra

www.curtis.edu

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Dr. Norman Bethune Celebrates new Works by Richard Saucedo

Monday May 31, 7:30 p.m., musicians from Dr. Norman Bethune C.I. invite you to celebrate spring with their musicians and vocalists at Markham Theatre. The concert will feature new and published works by the composer Richard Sausedo who will conduct his works.

In addition to the band works, the concert will feature the choir led by Ann Willoughby; Jazz Ensemble led by Rick Humphrey; Drum Line led by Jason Alaksa and featuring the premiere of a work by Bill Thomas, educator and composer. The Junior Band led by Nora Mular-Richards will perform Saucedos work Meeting at Tryon Palace and the Senior Band will perform the premiere of a new work by Saucedo.

Tickets are $15. For further information or tickets, please call 416-396-8200 ext. 20137.

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Un concert de musique classique Franz Schubert sera donn le 16.01.2010 au Thtre du Conservatoire National Suprieur d'Art Dramatique (au profit de

http://mail.google.com/a/lascena.org/?ui=2&ik=40fe1fc82c&view=att&th=12596d9bd64e5980&attid=0.1&disp=inline&realattid=f_g39wrqgx0&zw

Au programme : Trio en Mi b majeur D.929 et Quintette en La majeur "Die Forelle" D.667

Michle Scharapan: piano
Thomas Gautier: violon
Hlne Desaint: Alto
Martine Bailly: violoncelle
Marc Marder: contrebasse

Amis dans la vie, musiciens sur scne, ces 5 artistes joueront pour notre plaisir dans le magnifique dcor du conservatoire dart dramatique de Paris. La salle o Berlioz cra la symphonie fantastique bnficie dune acoustique remarquable. Elle sera rendue, pour un soir, sa vocation premire.
Un rendez vous ne pas manquer.

Informations pratiques
16.10.2010 20h30
Thtre du Conservatoire National Suprieur d'Art Dramatique
2 bis rue du conservatoire, 75009 Paris (metro Grands Boulevards)
Placement libre
Billetterie
- en ligne http://boutique.l214.com/index.php?cat=9
- par messagerie chiavedimi@demaret.eu
- par tlphone au 06 23 08 55 55 aprs 16 heures (chques lordre de Chiave di Mi)

20Ǩ tarif normal - 15Ǩ tudiants et chmeurs - 10Ǩ groupe partir de 10 personnes
Propos par Michle Scharapan http://www.michele-scharapan.com

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Andre Mathieu Music on Art & Fine Living with Jona Radio Show Dec. 2009

By Jona Rapoport
Jona Rapoport Artist Management/Radio Host
December 15, 2009


Art & Fine Living with Jona marks the end of 2009 with a special program to air four (4) times, from December 20th to the 30th, 2009. It is dedicated entirely to the music of Canadian pianist/composer Andre Mathieu (1929-1968). Mathieu's Songs for Choir and Orchestra and his entire Concerto No. 4 in E Minor are presented on the program. These appear on the 2008 Analekta recording with pianist Alain Lefevre, who was given the lost piano recordings and commissioned the full orchesration of the concerto.

The very first West Coast performance of Mathieu's Concerto No. 4 will be conducted by Israeli-born Nir Kabaretti, music and artistic director of The Santa Barbara Symphony, in January 2010.

Closed captioning for this program is provided by:

Composer Lori Laitman: Vedem Oratorio premiere, Music of Remembrance, May 2010.

Conductor Nir Kabaretti: Ooh La La:Pianist Alain Lefevre in works by Mathieu/Franck, Santa Barbara Symphony Orchestra, January 23-24, 2010.



Music: Andre Mathieu: Concerto No.4; Orchestral Works - Alain Lefevre/George Hanson & Tucson Symphony Orchestra (Analekta, 2008)

Art & Fine Living with Jona airs on 1650 AM in Montreal, and live stream on our website at www.radio-shalom.ca.

Art & Fine Living with Jona is the brainchild of Montreal radio host and producer, Jona Rapoport, who has contributed to Radio Shalom for over a decade. It is a veritable showcase of some of the worlds renowned and emerging talents in music, theatre, cinema, dance, literature, visual and performing art. The show has been lauded as a unique platform which supports the arts through insightful interviews, cultural news, coverage of upscale lifestyle trends and presentation of new releases in classical music and jazz. The show is the proud media partner of LOpera de Montreal, The Centaur Theatre Company and The Montreal Bach Festival. Jona Rapoport is also an artist manager and publicist who represents acclaimed American composer Lori Laitman. Art & Fine Living with Jona has been endorsed by some of Canada's leading cultural institutions and presenters, among them Celebritas, The Centaur Theatre Company, The Montreal Symphony Orchestra, The Opera de Montreal, I Musici Chamber Orchestra and many others.

Guests who appeared on Art & Fine Living with Jona include, among many others, the prolific piano virtuoso Lang Lang, Director Gordon McCall, Orford Artistic Director Davis Joachim, Festival Lanaudiere Artistic Director Alex Benjamin, Jazz vocalist Susie Arioli, Montreal International Jazz Festival Programming Director, Caroline Johnson, Violinist Alexandre da Costa, Playwright Vittorio Rossi, Singer Sean Lennon, Soprano Marie-Josee Lord, Violinist Gil Shaham, Actor/Director Maurice Podbrey, Pianist Elena Bashkirova, Soprano Natalie Dessay, Film director Mike Newell, Cellist/Conductor Yuli Turovsky, Vocalist Nikki Yanofsky, Poet David Mason,Soprano Measha Brueggergosman, Ritz Chef Paul Little, Actress Caroline Cave, Saxophonist Walter Blanding, Choreographer Peter Quanz, Director Bryna Wasserman, Conductor Yoav Talmi, Saxophonist Bill Prouten, Opera Atelier director, Chantal Lambert, Conductor Jacques Lacombe, Grand Ballets Alain Dancyger, Composer Lori Laitman, Violinist Jonathan Crow, Conductor Yannick Nezet-Seguin, Playwright Daniel Lillford, Comedy duo Bowser & Blue, Bassist Alain Caron, Bass Denis Sedov, Soprano Suzie Leblanc, Recital series director Richard Turp, Dancer Callie Robinson, Choreographer Stijn Celis, Director Peter Hinton, Violinist James Ehnes, Choreographer Shen Wei, Tenor Richard Margison, Photographer Varda Pollak-Sahm, Choreographer Ohad Naharin, Composer Ofer Ben-Amots, Director Roy Surette, Pianist Simon Tedeschi, Tenor Marc Hervieux, Composer Ofer Ben-Amots, Film Producer George Weiss, Cellist Denise Djokic, Dancer/Choreographer Margie Gillis, Conductor Bernard Labadie, Jazz Vocalist Sophie Milman, Artist Boaz Kaizman, Tenor Ben Heppner and dozens of other fine artists.

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Richard King, recording engineer and associate professor at the Schulich School of Music nominated for 5 Grammy Awards

Montreal, Tuesday, December 15, 2009 Richard King, recording engineer and associate professor of at McGill University, has been nominated for 5 different Grammy and Grammy Gratis Awards by the Academy of Recording Arts. The awards will be presented at the 52nd annual Grammy Awards to be held at the end of next month.

King has been nominated for:

  • Best Classical Album (Award to the Artist(s) and to the Album Producer(s) if other than the Artist):

    Bernstein: Mass

    Marin Alsop, conductor; Jubilant Sykes; Steven Epstein, producer;

    Richard King, engineer/mixer (Asher Edward Wulfman; Baltimore Symphony

    Orchestra; Morgan State University Choir & Peabody Children's Chorus)

    [Naxos]

  • Best Classical Crossover Album:

    The Melody Of Rhythm

    Leonard Slatkin, conductor; Bla Fleck, Zakir Hussain & Edgar Meyer

    (Detroit Symphony Orchestra)

    [E1 Music]

      Yo-Yo Ma & Friends: Songs Of Joy And Peace

      Yo-Yo Ma (Odair Assad, Sergio Assad, Chris Botti, Dave Brubeck, Matt

      Brubeck, John Clayton, Paquito d'Rivera, Rene Fleming, Diana Krall,

      Alison Krauss, Natalie McMaster, Edgar Meyer, Cristina Pato, Joshua

      Redman, Jake Shimabukuro, Silk Road Ensemble, James Taylor, Chris Thile, Wu Tong, Alon Yavnai & Amelia Zirin-Brown)

      [Sony Classical]

  • Best Tropical Latin Album (Vocal or Instrumental):

    Bach In Havana

    Tiempo Libre

    [Sony Classical]

  • Best Contemporary Jazz Album (For albums containing 51% or more playing time of INSTRUMENTAL tracks):

    Sounding Point

    Julian Lage

    [Emarcy/Decca]

  • Best Classical Vocal Performance (Award to the Vocal Soloist(s)):

    Verismo Arias

      Rene Fleming (Marco Armiliato; Jonas Kaufmann; Orchestra Sinfonica Di Milano, Giuseppi Verdi; Coro Sinfonica Di Milano Giuseppi Verdi)

      [Decca]

The Grammy Awards are the only peer-presented award to honour artistic achievement, technical proficiency and overall excellence in the recording industry without regard to album sales or chart position. The 52nd Grammy Awards will be held on January 31st, 2010, at the Staples Center in Los Angeles.

Schulich Music Students Win Awards / Les tudiants de lcole de musique Schulich gagnent des prix

Montreal, December 11, 2009 Schulich School of Music Students end the year with prizes and nominations from the OSM Standard Life Competition, The Canada Council for the Arts and the Recording Academy.

OSM Standard Life Competition

Masters students Tristan Longval-Gagn, piano and Benjamin Duinker, percussion have each won first prizes at the 70th OSM Standard Life Competition, held November 18-21. Longval-Gagn won $10,000 in the piano category (class A) and also claimed the $2,000 prize for Best Performance of a Canadian Work, and also received an Orford Arts Center prize, covering tuition and accommodation for a two-week music session at the Orford Arts Center in 2010. Duinker, who won the $10,000 first prize in the percussion category, also claimed a $2,000 prize for Best Performance of a Canadian Work in the percussion category. In addition to the first place wins, percussion student Noam Bierstone won third prize in that category and received the Domaine Forget Prize, a scholarship covering tuition and accommodation for a two-week music session at Domaine Forget in 2010.

Grammy nomination

Graduate voice students Jonathan Woody and Garry McLinn, vocal students of baritone Sanford Sylvan, are part of a cast recording of John Mustos Volpone, which has been nominated for a 2009 Grammy Award for Best Opera Recording. The Grammy Awards are the only peer-presented award to honour artistic achievement, technical proficiency and overall excellence in the recording industry without regard to album sales or chart position. The 52 Annual Grammy Awards will be held on Sunday, January 31, 2010.

Jules Lger Prize

Doctoral Composition Student Jimmie LeBlanc won the Canada Council for the Arts 2009 Jules Lger Prize for New Chamber Music for his work LEspace intrieur du monde. The work was created for 15 musicians and electronics, and premiered in March 2008 in Lyon, France by the Nouvel Ensemble Moderne. The $7500 prize, established in 1978, is designed to encourage the creation of new Canadian chamber music and to encourage its performance by Canadian ensembles. LeBlancs winning work will be broadcast nationally by CBC Radio 2 and also by Radio Canadas Espace-Musique at a later date.

About the Schulich School of Music:

Founded in 1904, the Schulich School of Music of McGill University embodies the highest international standards of excellence in professional training and research. The school is renowned for its orchestral, operatic, jazz, contemporary and early music training programs as well as its music research disciplines.Its leadership in sound recording and music technology are unparalleled in North America, and helps foster unique collaborative projects each year. The Schulich School of Music is recognized as one of the top music schools in North America and abroad and the reputation of its more than 240 professors attracts over 850 undergraduate and graduate students each year. The school presents approximately 700 concerts and events annually.

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Montral, le 11 dcembre 2009 Les tudiants de l'cole de musique Schulich terminent l'anne en rcoltant prix et nominations du Concours OSM Standard Life, du Conseil des Arts du Canada et de la Recording Academy.

Concours OSM Standard Life

Les tudiants de matrise Tristan Longval-Gagn, pianiste, et Benjamin Duinker, percussionniste, ont remport chacun des premiers prix au 70e Concours OSM Standard Life qui s'est tenu du 18 au 21 novembre. M. Longval-Gagn a obtenu le prix de 10 000 $ dans la catgorie piano (classe A) et s'est vu galement octroyer le prix de 2 000 $ pour la meilleure excution d'une uvre canadienne ; il a aussi reu un prix du Centre d'Arts Orford qui couvre les frais et l'hbergement pour un stage de musique d'une dure de deux semaines au Centre en 2010. M. Duinker a gagn le premier prix de 10 000 $ dans la catgorie percussion ainsi qu'un prix de 2 000 $ pour la meilleure excution d'une uvre canadienne dans cette catgorie. En plus des premiers prix gagns, le troisime prix dans la catgorie percussion a t dcern l'tudiant percussionniste Noam Bierstone qui a galement mrit le prix Domaine Forget, soit une bourse couvrant les frais et l'hbergement pour un stage de musique de deux semaines au Domaine Forget en 2010.

Nomination pour un prix Grammy

Les diplms en chant Jonathan Woody et Garry McLinn, tudiants du baryton Sanford Sylvan, font partie du groupe d'enregistrement de l'opra Volpone de John Musto qui a t mis en nomination pour le Grammy 2009 du meilleur enregistrement d'opra. Les prix Grammy sont les seuls prix remis par des pairs pour souligner la ralisation artistique, le savoir-faire technique et lexcellence gnrale dans lindustrie de lenregistrement sans gard au nombre dalbums ni la position au palmars. Les 52 prix Grammy annuels seront dcerns le dimanche 31 janvier 2010.

Prix Jules-Lger

Ltudiant en composition au doctorat Jimmie LeBlanc a t le laurat du Prix Jules-Lger 2009 de la nouvelle musique de chambre du Conseil des Arts du Canada pour son uvre LEspace intrieur du monde . Luvre a t cre pour 15 musiciens et lectronique, et a t joue pour la premire fois en mars 2008 Lyon, France, par le Nouvel Ensemble Moderne. Le prix de 7 500 $ tabli en 1978 a pour but dencourager la cration de nouvelles uvres de musique de chambre canadienne et dencourager leur excution par des ensembles canadiens. Luvre prime de M. LeBlanc sera diffuse lchelle nationale sur Radio 2 de CBC et sur Espace Musique de Radio-Canada une date ultrieure.

cole de musique Schulich

Fonde en 1904, lcole de musique Schulich de lUniversit McGill incarne les plus hauts standards internationaux dexcellence en formation professionnelle et en recherche. Elle est rpute pour ses programmes en formation orchestrale et opratique, en jazz, en musique ancienne et contemporaine. Son statut de chef de file en enregistrement sonore et technologie de la musique lui permet duniques possibilits de collaboration avec le milieu musical. Reconnue aujourdhui comme lune des coles les plus importantes dAmrique du Nord, la rputation de ses 240 professeurs, les quelque 750 concerts et vnements prsents par anne ainsi que ses programmes de recherche en technologies attirent chaque anne plus de 850 tudiants du Qubec, du Canada et de ltranger.

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Ludovico Ensemble presents the 2010 Roman Garnett Concert Series

(BOSTON DECEMBER 2009) The Ludovico Ensemble, now entering into its seventh season as an Ensemble-in-Residence at The Boston Conservatory, presents the second annual Roman Garnett Concert Series featuring two evenings consisting of a prelude and main event concert of evening length works.
Tickets are $12 general admission, $7 for seniors and free to all students. Tickets can be purchased starting on January 13, 2010 through The Boston Conservatory Box Office: 617-922-9222 or online at http://bostonconservatory.ticketforce.com/.
Concert I
Tuesday, January 26, 2010, 6:00pm
Recitations by George Aperghis
with Jennifer Ashe, soprano
Concert II
Tuesday, January 26, 2010, 8:00pm
Aspern Suite by Salvatore Sciarrino
with Aliana de la Guardia, soprano, and Jeffery Means, conductor
Concert III
Saturday, January 30, 2010, 5:00pm
Klavierstke by Karlheinz Stockhausen (selected)
with Karolina Rojahn, piano
Concert IV
Saturday, January 30, 2010, 8:00pm
Strange and Sacred Noise by John Luther Adams
with percussionists Nicholas Tolle, Jeffrey Means, Aya Kaminaguchi, and Tomas Schmidt
Restriction has been the underlying theme in Ludovicos past for several seasons, and this year the ensemble takes it a bit further: one piece per concert.
Pieces of this length are often difficult to program because of how much room they take up on a program, but we sought them out for precisely that reason. Nicholas Tolle, Director
The Ludovico Ensemble, founded in 2002 by percussionist Nick Tolle, dually promotes rarely heard works of the European avant-garde as well as works by Boston-area composers. The core of this ensemble consists of four local artists; Pianist Karolina Rojahn, Soprano Aliana de la Guardia, Percussionist Nick Tolle and Cellist Eliza Jacques. In addition to the core members, the ensemble expands as required by the repertoire often inviting accomplished guest artists to participate in the concert series.

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La Fondation Arte Musica prsente le Temps des Ftes en Musique

Sous les fresques de Michel-Ange

Concerts de musique polychorale avec le Studio de musique ancienne de Montral (SMAM) sous la direction de Christopher Jackson

Le dimanche 27 dcembre 14 h
le mardi 29 dcembre 14 h
et le mercredi 30 dcembre 14 h

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Salle des miroirs du pavillon Michal et Renata Hornstein
Muse des beaux-arts de Montral
1379, rue Sherbrooke Ouest
fondationartemusica.ca



Montral, le 3 dcembre 2009
La Fondation Arte Musica prsente une nouvelle srie de concerts de musique vocale entre Nol et le jour de lAn. Cette priode de lanne offrant peu de concerts, la Fondation est heureuse de convier le public une pause favorable au recueillement dans le dcor vocateur de la Salle des miroirs.

Cette anne, lensemble invit est le Studio de musique ancienne de Montral (SMAM) qui prsente un concert intitul Sous les fresques de Michel-Ange. Ces concerts voquent la musique entendue la chapelle Sixtine au XVIe sicle. Au programme, des uvres de Palestrina, Roland di Lassus et Luis de Victoria, ainsi que le clbre motet Miserere dAllegri. Ces matres de la Renaissance ont cultiv lcriture plusieurs churs qui tire partie de lespace et du son dans une strophonie avant la lettre. Veuillez noter que le programme est le mme pour chacun des concerts.

Reconnu comme lun des meilleurs ensembles vocaux de musique ancienne au pays, le SMAM est form de 12 chanteurs choisis pour la puret et la clart remarquables de leurs voix. Il a t fond en 1974 par Christopher Jackson qui le dirige encore avec la passion des premiers jours.

Atelier choral gratuit
Ne manquez pas lactivit pr-concert pour la famille : un atelier choral gratuit (avec billet de concert) qui sera prsent dans le Lab Design le dimanche 27 dcembre de 13 h 15 13 h 45. Dirig par le jeune chef de chur et clarinettiste de formation Xavier Brossard-Mnard, latelier permettra aux petits et aux grands de chanter en famille un canon de la Renaissance, en lien avec le rpertoire qui sera entendu au concert du SMAM !



Programme des concerts

Musique polychorale de la Renaissance

Fleuron de la civilisation occidentale, la polyphonie vocale atteint son apoge au XVIe sicle. Se jouant de toutes les complexits au moyen dun contrepoint aussi souple que savant, les matres de la Renaissance cultivent lcriture plusieurs churs, dans une strophonie avant la lettre qui tire partie la fois de lespace et du son.

Giovanni de Macque (v.1550-1614)
Motet Ave Regina clorum 12 voix en 3 churs

Toms Luis de Victoria (1548-1611)
Motet Ave Maria (In annuntiationis Beata Maria Virginis) 8 voix

Giovanni Pierluigi da Palestrina (v.1525-1594)
Motet Laudate pueri Domine 8 voix en 2 churs

Luca Marenzio (1553-1599)
Motet Lamentabatur Jacob 12 voix en 3 churs

Gregorio Allegri (1582-1652)
Motet Miserere 9 voix en 2 churs

Luca Marenzio
Motet Super flumina Babylonis 12 voix en 3 churs

Nicolas Gombert (1495-1560)
Motet Tulerunt meum Dominum 8 voix

Roland de Lassus (v. 1532-1594)
Motet Domine quid multiplicati sunt 12 voix en 3 churs

Toms Luis de Victoria
Motet Laetatus sum 12 voix en 3 churs

Billets de concert :
Grand public : 25 $
30 ans ou moins : 12,50 $
VIP du MBAM : 18 $
16 ans ou moins : GRATUIT

En vente :
par tlphone (jusquau 23 dcembre 16 h) : 514-285-2000 # 5
en ligne : mbam.qc.ca/concerts
en personne la Billetterie du Muse
ou lentre de la Salle des miroirs partir de 12 h 30 le jour de chaque concert

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Atlanta Symphony Orchestra Appoints New Concertmaster


Music Director Robert Spano and the Atlanta Symphony Orchestra today announced the appointment of violinist David Coucheron as ASO Concertmaster, effective September 2010. Mr. Coucherons chair is endowed by Mr. and Mrs. Howard R. Peevy. He succeeds Cecylia Arzewski, who completed her tenure with the Atlanta Symphony at the end of the 2007-08 season.

Originally from Oslo, Norway, Mr. Coucheron began playing violin at the age of three. He earned his Bachelor of Music degree from The Curtis Institute of Music, his Master of Music from The Juilliard School, and his Master of Musical Performance from the Guildhall School of Music and Drama, studying with teachers including Igor Ozim, Aaron Rosand, Lewis Kaplan, and David Takeno Mr. Coucheron has worked with conductors such as Robert Spano, Alan Gilbert, Michael Tilson Thomas, Simon Rattle, Mstislav Rostropovich, David Zinman, Roger Norrington, Simone Young, and Charles Dutoit, and performed as a soloist with orchestras including the BBC Symphony Orchestra, the Bergen Philharmonic Orchestra (Maxim Vengerov conducting), the Sendai Symphony Orchestra, the Oslo Philharmonic Orchestra, and the Trondheim Symphony Orchestra. He has played solo recitals at the Oslo Chamber Music Festival, Carnegie Hall, Wigmore Hall (London), the Kennedy Center, the Olympic Winter Games (Salt Lake City, Utah), as well as in Beograd, Serbia, and Shanghai, China. Mr. Coucherons chamber music performances have included appearances at Suntory Hall, Wigmore Hall, the Oslo Chamber Music Festival, and Alice Tully Hall. His recordings with sister, and pianist, Julie Coucheron, include David and Julie (Naxos/Mudi), and Debut (Naxos). Some of his awards and recognitions are first prize at the Concorso Internazionale di Musica Citta di Pinerolo Competition in 2009 (Turin, Italy), first prize at The Princess Astrid Competition in 2002 (Trondheim, Norway), and Third Prize at the Manchester International Violin Competition in 2005 (Manchester, U.K.). Mr. Coucheron plays a 1725 Stradivarius.


Mr. Coucheron impressed us all through this long and detailed search process, said Music Director Robert Spano. It is very exciting to have such a vital and dynamic talent join us. We eagerly anticipate welcoming him to Atlanta.


I am so excited to work with the warm, wonderful, and talented musicians of the Atlanta Symphony Orchestra, said Atlanta Symphony Orchestra Concertmaster Designate David Coucheron. I am especially anticipating collaborations with Music Director Robert Spano and Principal Guest Conductor Donald Runnicles
they are both so inspiring, and always bring out the very best in this Orchestra. Although it is early in my career, I recognize the responsibilities that come with this position. I am thrilled to be here, and I look forward to heightening the musicianship of this great Orchestra so that we continue to offer the very best musical experience for our audience.


I am just delighted for David, said violinist and teacher Aaron Rosand. David worked with me for five years at The Curtis Institute he is a gifted and thorough musician, and resonates qualities of leadership, presence, and a very gentle character with a wonderful demeanor. I think David is the ideal person for this position, and I know the ASOs audience will love him.

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Continuum Contemporary Music presents Chrysalis: A workshop for emerging composers

Sunday, January 24, 2010 (2-6 pm)

Gallery 345 Free Admission

Toronto, December 14, 2009: Intrigued by the creative process of composing? Continuum invites audience members to step inside the creative process by presenting Chrysalis, Sunday, January 24 (2-6 pm) at Torontos Gallery 345. The concert / workshop led by the insightful Victoria composer Christopher Butterfield is a rare opportunity to gain insight into the specific challenges of writing music, through discussion and performance. Composers Anna Hostman, Lan-Chee Lam, William Peltier, Chris Thornborrow and Hiroki Tsurumoto (selected from a local call for scores) will have works performed by Continuums ensemble. Shedding a light on the craft of writing music, the lively composition master class - a discussion between Butterfield and participating composers can be described as a behind-the-scene experience. The event also includes a performance of Butterfields four pearls for piccolo, violin, cello and piano. Admission is free.

The Continuum ensembles experienced musicians (Anne Thompson, flute; Max Christie, clarinet; Carol Lynn Fujino, violin; Paul Widner, cello; Laurent Philippe, piano; and Ryan Scott, percussion) and their unique ensemble chemistry promise a memorable event for participants and audience alike as they perform ghosts of swallows (Anna Hostman); La Defense (Lan-Chee Lam); Springtime for Gentle Risings within Gridlock (William Peltier); Music for Marionettes (Chris Thornborrow); and Code Thumbnail 1 (Hiroki Tsurumoto). Continuum has performed workshops at UBC, Banff, U of T, York University, University of Aberdeen (Scotland), and Trinity College of Music (England).

Christopher Butterfield has established himself as one of Canadas leading composers and educators through

performance art, rock n roll, opera, installations, multi-disciplinary work, and chamber music (for which he has received the Jules-Lger Prize). His music has been played and broadcast across Canada, as well as in Finland, Slovakia, France and Russia. He studied composition with Rudolf Komorous at the University of Victoria (B.Mus. 1975) and with Blent Arel at the State University of New York at Stony Brook (M.A. 1977). He lived in Toronto between 1977 and 1992, where he was active as a performance artist, rock guitar player, and composer. In 1979/1980 he taught in the graduate visual arts department at Concordia University in Montreal, and in 1986 and 1989 he taught in the School for the Contemporary Arts at Simon Fraser University in Vancouver. In 1992 he was appointed assistant professor of composition at the University of Victoria. His music has been performed across Canada and in Europe, and is recorded on the CBC and Artifact labels.

Featured composers:

  • A doctoral student in composition at the University of Toronto, Anna Hostman has written works ranging from opera and orchestral to chamber and installation.
  • Lan-chee Lam trained in her native Hong Kong and is now a doctoral student at the University of Toronto. She has received numerous international awards, including the Grand Prize of the Georges Enescu Competition (symphonic section).
  • William Peltier is a composer re-emerging after a lengthy hiatus. He has some history at Wilfrid Laurier and McGill and early on was performed at Gaudeamus Music Week in Amsterdam; more recently he has had performances in New York, Cuba and various places in Europe.
  • Chris Thornborrow studied at Wilfrid Laurier University and is now in the doctoral programme at the University of Toronto. He is a member of Toy Piano Composers Collective.
  • Hiroki Tsurumoto has an undergraduate degree in economics, and degrees in composition from the CUNY and the University of Toronto. His works have been performed in Asia, North America and Europe.

Led by artistic director Jennifer Waring, Continuum presents concerts featuring the core ensemble of flute, clarinet, violin, cello, piano, and percussion, as well as unusual instrumental combinations. The organization has commissioned and premiered more than 100 new works from emerging Canadian and international composers, and also established composers charting new territory. Increasingly the group engages in collaboration and interdisciplinary work. Continuum has toured to Banff, Brandon, Kitchener, Montreal, Ottawa, Vancouver and Winnipeg; touring twice to Europe, it has appeared in Aberdeen, Amsterdam, Ghent, Huddersfield, Leeuwarden, London, and s-Hertogenbosch. The group has recorded two CDs on its own label, formed the recording ensemble for a Centrediscs release of works by Chris Paul Harman and is soon to record a CD of works by James Rolfe, also for Centrediscs.

Continuums 25th anniversary season continues on February 28th with a performance of chamber works by James Rolfe at The Royal Conservatorys Mazzoleni Hall, in preparation for a Centrediscs recording of Rolfes works. The season concludes with performances May 20th, as part of the free concert series at the Richard Bradshaw Amphitheatre, and May 21st at the Music Gallery, both featuring soprano Carla Huhtanen, the latter headlined by actor RH Thomson as narrator in works by Tom Johnson and a commission by Juliet Palmer on a text by Thomas King.

Continuum is generously supported by the Canada Council for the Arts, the Ontario Arts Council, the City of Toronto through the Toronto Arts Council, SOCAN Foundation, the George Cedric Metcalf Charitable Foundation through its Strategic Initiatives programme and many private donors.

Continuum Contemporary Music presents

Chrysalis

A workshop for emerging composers

Sunday, January 24, 2010, 2-6 pm at Gallery 345

345 Sorauren Avenue, south of Dundas

Free admission, open to the public

For more information on this concert please visit www.continuummusic.org,

email josh@continuummusic.org or call (416) 924-4945.

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Production 30e Anniversaire : Tosca de Giacomo Puccini

http://mail.google.com/a/lascena.org/?ui=2&ik=40fe1fc82c&view=att&th=1258f1cab5fb3c78&attid=0.3&disp=inline&zw

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TOSCA

de Giacomo Puccini

Salle Wilfrid-Pelletier, Place des Arts

30 janvier, 3, 6, 8, 11 fvrier 2010 20 h & 13 fvrier 2010 14 h


AIMER MORT

Montral, 14 dcembre 2009 Il y a 30 ans, lOpra de Montral lanait sa compagnie avec le drame et la passion de Tosca de Giacomo Puccini. Pour souligner ses trente ans dexistence, lOpra de Montral remet laffiche luvre de Puccini, ici au sommet de son art, dans une nouvelle production du San Diego Opera. Pour incarner lhistoire tragique de Floria Tosca confronte un dilemme insoluble pour sauver la vie de son amant, deux chanteurs qui font leurs dbuts la compagnie : la soprano germano-italienne Nicola Beller Carbone incarnera lintense rle-titre et le tnor canadien David Pomeroy celui de son amant, le peintre Mario Cavaradossi. leurs cts, le baryton-basse amricain Greer Grimsley (Barbe-Bleue 2003) incarnera le sinistre Scarpia, le chef de la police, le baryton-basse canadien Alexandre Sylvestre (Ltoile 2005), celui du Sacristain et le baryton-basse canadien Stephen Hegedus, le rle de Cesare Angelotti.

La production voluera dans des dcors signs par le concepteur franais Jean-Pierre Ponnelle, des costumes de Malabar et des clairages dAnne-Catherine Simard-Deraspe. La mise en scne a t confie au Canadien Michael Cavanagh qui signait Turandot (1997), Madame Butterfly (2002) et Romo et Juliette (2007) pour la compagnie. LOrchestre Mtropolitain et le Chur de lOpra de Montral seront dirigs par le chef Paul Nadler. Messieurs Cavanagh et Nadler ont dailleurs contribu la russite de la production de Romo et Juliette prsente la compagnie en 2007.

Apro lOpra

La grande gagnante du projet Apro lOpra, la soprano Annie Sanschagrin (Crabtree), participera galement la production de Tosca : dans les dcors et avec orchestre, elle chantera le grand air Vissi darte et le duo du premier acte avec le tnor de la production David Pomeroy lors de la reprsentation du 13 fvrier 2010 et ce, aprs la reprsentation rgulire. Apro lOpra fait lobjet dune srie documentaire de sept pisodes en collaboration avec La Presse Tl et diffuse sur ARTV ds le mardi 26 janvier 19 h (rediffusion : les samedis 15 h 30 et dimanches 9 h et 18 h); cette srie prsentera toutes les coulisses du projet et le travail des six candidats qui ont suivi une formation intensive de chanteurs dopra tout lautomne lOpra de Montral.

Puccini

Puccini pense mettre en musique la pice de Sardou ds 1896, peine six mois aprs la premire de La bohme, et finit par obtenir lautorisation de lauteur qui accepte la suppression dun acte mais exige le maintien de la fin rapide et violente de luvre. La premire reprsentation fut un chec complet, mais Tosca ralliera trs vite le public. Le livret de Giacosa et dIllica resserre la trame narrative et vacue pratiquement le contexte historico-politique. Il concentre laction sur laffrontement entre Tosca, Cavaradossi et Scarpia, vritable moteur du drame. Lintrigue correspond la mise en place du pige quil manigance et qui le mne la mort avant de se refermer sur Tosca et Mario.

Avec son superbe thme caractristique, Puccini compose une uvre forte o le dialogue dramatique prdomine et colle au vrisme par lexpression des passions exposes crment et ce souci du ralisme. Latmosphre est sombre (Puccini choisit des tessitures basses et une seule voix fminine) et oppressante, et la fine musique de Puccini ne cde aucun dbordement. Le pivot dramatique de luvre, lacte II, est laffrontement huis clos des trois protagonistes, o Puccini dpeint avec beaucoup dacuit ltouffement, le pige qui se referme sur les amants. Avec Tosca, Puccini brille defficacit et livre lmotion, quon pense seulement lair de lamentation du deuxime acte o Tosca chante sa douleur (Vissi darte, vissi damore), et celui de dsespoir de Cavaradossi au dbut du troisime acte (E lucevan le stelle).

Parmi les plus clbres cantatrices qui ont interprt le rle de Tosca, une place particulire doit tre rserve Maria Callas qui y dbuta le 27 aot 1942, et acheva sa carrire scnique par ce rle ftiche, le 5 juin 1965. Elle est considre comme la Tosca du sicle .

T O S C A

de GIACOMO PUCCINI


A R G U M E N T

La cantatrice Floria Tosca est la matresse du peintre Mario Cavaradossi, qui vient d'aider son ami Angelotti fuir Rome. Le chef de la police, Scarpia, joue sur la jalousie de Tosca pour piger Cavaradossi. On annonce la victoire de Napolon Marengo. Cavaradossi est arrt et Scarpia exerce un odieux chantage sur Tosca : qu'elle cde et son amant sera sauv. Tosca accepte et Scarpia donne l'ordre qu'on simule l'excution de Cavaradossi. Discrtement, il donne un contre-ordre, puis signe le sauf-conduit des deux amants. Lorsqu'il s'approche de Tosca, cette dernire le poignarde. Elle se prcipite au chteau Saint-Ange et rassure son amant : I'excution ne sera qu'un simulacre. Mais Mario est fusill et c'est un cadavre cribl de balles que Tosca retrouve. La mort de Scarpia est dcouverte. Tosca enjambe le parapet et se jette dans le vide.

Opra : Puccini Tosca | 30 janvier, 3, 6, 8, 11 fvrier 2010 20 h & 13 fvrier 2010 14 h

Genre : Drame tragique

Structure : En trois actes

Langue : En italien avec surtitres franais et anglais

Livret : Giuseppe Giacosa et Luigi Illica (daprs la pice de Victorien Sardou)

Cration : Rome, Teatro Costanzi, le 14 janvier 1900

Production : San Diego Opera

Dernire production la compagnie : mars 2002


DISTRIBUTION

Floria Tosca

Nicola Beller Carbone, soprano (Allemagne)

Directrice artistique du Piccolo Teatro SantAndrea et membre de Le Arti Orafe Academy de Lucques, Nicola Beller Carbone tudie dabord lart dramatique avant de se tourner vers le chant. Parmi ses engagements des dernires saisons, on remarque le rle-titre de Salome lAalto Theater dEssen, au Deutsches Nationaltheater de Weimar, au Teatro Regio de Turin et au Grand Thtre de Genve ; le rle-titre dans Tosca au Staatstheater de Darmstadt, lOpra de Nice, lOpra de Nantes et lOpra National de Grce ; Marie (Wozzeck) lAalto Theater dEssen ; Jenny (Rise and Fall of the City of Mahagonny) et Santuzza (Cavalleria rusticana) au Deutsche Oper de Berlin. Dbuts lOdM.


Cavaradossi

David Pomeroy, tnor (Canada)

Dot dune riche voix de tnor et de notes aigus sensationnelles, David Pomeroy a attir lattention des directeurs artistiques partout travers le monde. Ses engagements rcents lui ont permis daborder Ladislov (Les deux veuves) au Edinburgh Festival en cosse, Pinkerton (Madame Butterfly) lOpera Theatre de St. Louis et au Michigan Opera Theatre, Ruggero (La Rondine) aussi au Michigan Opera Theatre, Skuratov (De la maison des morts) la Canadian Opera Company, le Duc de Mantoue (Rigoletto) au Calgary Opera et Don Jos (Carmen) au Vancouver Opera. Il a aussi chant avec la plupart des orchestres et socits chorales dimportance au Canada, en plus de participer des enregistrements pour la compagnie Centrediscs. Dernire prsence lOdM : Dbuts lOdM.


Scarpia

Greer Grimsley, baryton-basse (tats-Unis)

Greer Grimsley est reconnu travers le monde pour ses dons remarquables de chanteur et dacteur, en plus dtre un chef de file parmi les interprtes du rpertoire wagnrien. Il a fait ses dbuts au Metropolitan Opera dans le rle du Capitaine Balstrode (Peter Grimes) pour ensuite y interprter Escamillo (Carmen), Jokanaan (Salom), Scarpia (Tosca), Telramund (Lohengrin) et Amfortas (Parsifal). Il a dabord retenu lattention internationale dans Escamillo (La tragdie de Carmen) partout travers le monde. Parmi ses plus rcentes apparitions sur scne on remarque Don Pizzarro (Fidelio) avec lOpera Company of Philadelphia, le Portland Opera et lOpra National Portugais, ainsi que Scarpia (Tosca) avec le San Diego Opera. Dernire prsence lOdM : Le chteau de Barbe-Bleue (2004).


Le Sacristain

Alexandre Sylvestre, baryton-basse (Canada)

Ancien membre de lAtelier lyrique de lOpra de Montral, Alexandre Sylvestre a fait ses dbuts lOpra de Montral dans les rles de Zalzal et du Chef de police (Ltoile) en 2005, pour tre ensuite invit chanter au Gala 2006. Parmi ses plus rcentes prises de rle : le Duc de Vrone (Romo et Juliette), le Prince Yamadori (Madame Butterfly) et Jack Wallace (La fanciulla del West) lOpra de Montral, le deuxime Prtre (La flte enchante) pour le Pacific Opera de Victoria et Orchestra London, ainsi que le Stabat Mater de Haydn avec Les Violons du Roy. Dernire prsence lOdM : Le Gala (2009).

Angelotti

Stephen Hegedus baryton-basse (Canada)

Un ancien de lAtelier lyrique de lOpra de Montral, Stephen Hegedus a t dcrit comme un acteur charmant et, mieux encore, un chanteur au potentiel norme (Opera Canada). Il a fait ses dbuts lOpra de Montral dans le rle de Silvano (Un bal masqu) et y revient en Grgorio (Romo et Juliette), Fiorello (Le barbiere de Sville) et Il Commissario (Madame Butterfly). Parmi ses engagements rcents : le rle-titre des Noces de Figaro au Teatro Municipal de Santiago, le rle de Don Alfonso (Cos fan tutte), avec lAtelier lyrique, et la Messe en si mineur de Bach au Carnegie Hall. Dernire prsence lOdM : Macbeth (2009).


Spoletta

AARON FERGUSON, TNOR (Canada)

Prsentement en premire anne lAtelier lyrique de lOpra de Montral, il chantera Charles Gill (Nelligan) dans la production de lAtelier et Le Doyen de la Facult (Cendrillon) lOpra de Montral. Aussi, il est soliste du spectacle Nol lopra avec lOrchestre Mtropolitain et dans le Requiem de Mozart avec lOrchestre symphonique de Laval. Rcemment, il a chant Apollo (Semele) et un Cnobite (Thas) au Pacific Opera Victoria, de mme que dans lOde to St. Cecilias Day de Handel avec le Victoria Symphony. Dernire prsence la compagnie : Le Gala (2009).


Sciarrone

Roy del Valle, baRYTON (MEXIQUE)

Natif du Mexique, Roy Del Valle en est sa deuxime saison lAtelier lyrique de lOpra de Montral. Il a chant dans plusieurs productions canadiennes notamment au Banff Centre for the Arts, lInstitut dtudes mditerranennes de Montral, avec le McGill Chamber Orchestra, lOrchestre Mtropolitain et lAtelier lyrique et lOpra de Montral. lOpra de Montral, il chantera Le Surintendant des Plaisirs (Cendrillon). Dernire prsence la compagnie : Macbeth (2009).


Gelier

Pierre Rancourt, barYTON (Canada)

En premire anne lAtelier lyrique de lOpra de Montral, Pierre Rancourt participe cette saison aux productions de Gianni Schicchi, La flte enchante, Tosca et Cendrillon lOpra de Montral et celle de Nelligan de lAtelier lyrique. Avant son entre lAtelier, il a chant Don Magnifico (La Cenerentola) Opera NUOVA, Giove (La Calisto) lAtelier dopra de lUniversit Laval et la Messe Nelson de Haydn avec lEnsemble Polyphonia de Qubec. Dernire prsence la compagnie : La flte enchante (2009).


Berger

Suzanne Rigden, SOPRANO (CANADA)

En premire anne lAtelier lyrique, Suzanne Rigden a dj reu de nombreux prix de chant dont le Metropolitan Opera First Encouragement Award 2009; elle est lune des laurates du concours des Jeunes ambassadeurs lyriques 2009. On a pu lentendre rcemment sur notre scne dans lun des trois esprits dans La flte enchante et chantera Gertrude (Nelligan) dans la production de lAtelier lyrique de lOpra de Montral. Dernire prsence la compagnie : La flte enchante (2009).


Chef dorchestre

Paul Nadler (tats-Unis)

Lun des chefs les plus enthousiasmants les plus respects au monde, il a dirig plus de 50 reprsentations au Metropolitan Opera, parmi lesquelles Rigoletto, Un bal masqu, Aida, Le barbier de Sville, Tannhuser, Don Carlo, Andrea Chnier, La traviata, Carmen et Fidelio, avec des vedettes telles Luciano Pavarotti, Plcido Domingo, Karita Mattila, Bryn Terfel et Ben Heppner. Il a aussi collabor avec des solistes renomms : Garrick Ohlsson, Emmanuel Ax, Misha Dichter, Elmar Olivera et Glenn Dicterow. Il est le directeur musical honoraire du Southwest Florida Symphony Orchestra, principal chef invit du Filarmonica de Stat Iasi (Roumanie), co-directeur et fondateur de lInternational Vocal Arts Institute et fondateur du Cincinnati Chamber Orchestra. Dernire prsence lOdM : Le Gala (2008).


Metteur en scne

Michael Cavanagh (Canada)

Lun des metteurs en scne les plus polyvalents et les plus populaires de tout le Canada, il a dirig des opras partout au pays : au Vancouver Opera (LItalienne Alger, Carmen, The Rake's Progress, Don Giovanni, Madame Butterfly), au Edmonton Opera (Macbeth, Of Mice and Men, La traviata, La bohme, The Rake's Progress), Opera Lyra Ottawa (La fille du rgiment, Un bal masqu, Les pcheurs de perles), lOpra de Montral (Turandot, Madame Butterfly), au Manitoba Opera (Cavalleria rusticana, Pagliacci) et au Calgary Opera (Tosca, Le barbier de Sville, La traviata, La Cenerentola). Aux tats-Unis, il a travaill pour plusieurs compagnies, parmi lesquelles le Minnesota Opera, le Hawaii Opera Theatre, lArizona Opera, lAustin Lyric Opera et le Tulsa Opera. Dernire prsence lOdM : Romo et Juliette (2007).


Dcors

Jean-Pierre Ponnelle (FRANCE)

Jean-Pierre Ponnelle (1932-1988) a t un grand metteur en scne qui a laiss sa marque sur plusieurs opras, auprs des plus grandes maisons dEurope et des tats-Unis. Il fit ses dbuts en Allemagne en 1952 avec la conception de lopra Boulevard Solitude de Henze. Aprs avoir fait les dcors et la mise en scne de Tristan und Isolde en 1962, il dcida de soccuper de tous les aspects de la mise en scne dopra. Il fut un partisan de la premire heure des co-productions internationales, dans lesquelles deux ou plusieurs compagnies dopra partagent le succs dune nouvelle mise en scne. Parmi ses uvres, on compte de nombreuses productions au Metropolitan Opera et au San Francisco Opera, mais aussi des versions filmes dopras pour la tlvision et le cinma. Dbuts lOdM.


clairages

ANNE-CATHERINE SIMARD-DERASPE (Canada)

Au thtre, elle a conu les clairages pour Les fourberies de Scapin (Thtre Denise-Pelletier), Le caillou de saturne (Thtre du p'tit loup), Le pre Lonidas et la Raction (Montreal Arts Interculturel), Ce fou de Platonov (Thtre Prospero); Molire en hiver (Bain St-Michel) et Thtre sans animaux (Thtre La Licorne) lopra, elle a ralis les clairages pour Il tabarro/Suor Angelica (Opra de Montral, 2006) et tait assistante aux clairages pour Thas (Palm Beach Opera). Directrice technique et conceptrice pour I Musici de Montral, elle est prsentement directrice technique au Centre d'Arts Orford. Dernire prsence la compagnie : La flte enchante (2009).


MtrOpra autour de Puccini et lopra italien par les chanteurs de lAtelier lyrique de lOpra de Montral. Dates : dterminer ; station : Berri-UQAM.

PrOpra - confrence sur luvre, donne par le musicologue Pierre Vachon avant chaque reprsentation, 18 h 45 (soire) ou 12 h 45 (matine), au Piano Nobile de la PDA.


Opra de Montral | Saison 0910


Tous les opras sont prsents en langue originelle, avec surtitres bilingues projets au-dessus de la scne.


Salle Wilfrid-Pelletier de la Place des Arts (PDA)

Verdi Simon Boccanegra | 13, 17, 20, 22, 25 mars 2010 20 h

Massenet Cendrillon | 22, 26, 29, 31 mai 2010 & 3 juin 2010 20 h

Monument-National

Atelier lyrique de lOpra de Montral

Gagnon-Tremblay Nelligan | 6, 8, 10, 11 mars 2010 20 h & 13 mars 2010 14 h

Vente de Billets

Abonnement pour les 18 30 ans : La banque td temmne lopra

Grce au soutien de TD Canada Trust, lOpra de Montral poursuit son offre spciale dabonnement destine aux jeunes de 18 30 ans : 30 $ le billet avec labonnement ! Achat minimal requis de deux opras de la saison rgulire. Abonnements offerts la billetterie de la Place des Arts.

Billets la Pice

Billetterie de la Place des Arts : 514-842-2112 Ģ 1 866 842-2112

partir de 46 $.

operademontreal.com

Labels:

And If the Song Be Worth A Smile: An Evening of American Song, Featuring The Work of Six Living Composers

SOPRANO LISA DELAN, WITH MATT HAIMOVITZ AND KRISTIN PANKONIN, PERFORM THE ART SONGS OF BOLCOM, GETTY, HEGGIE, GARNER, CORIGLIANO, AND WOOLF, FRIDAY, MAY 21, 2010, 8 P.M.

AT ROSE THEATER IN FREDERICK P. ROSE HALL

HOME OF JAZZ AT LINCOLN CENTER


Soprano Lisa Delan, pianist Kristin Pankonin and cellist Matt Haimovitz, present a rich and varied collection of art songs by living American composers entitled AND IF THE SONG BE WORTH A SMILE: AN EVENING OF AMERICAN SONG, Friday, May 21, 2010 at 8 p.m. at Rose Theater in Frederick P. Rose Hall, home of Jazz at Lincoln Center, Broadway at 60th Street.


This evening of music, presented by PentaTone Classics, pays tribute to the American art song, a form which has grown in popularity and stature in recent years. The program will include works by William Bolcom, John Corigliano, David Garner, Gordon Getty, Jake Heggie and Luna Pearl Woolf.


The program celebrates the release of the SACD available from PentaTone Classics also entitled AND IF THE SONG BE WORTH A SMILE (PTC 5186 099), featuring the same performers.


Tickets to the May 21 concert are $25-$35, Students/Seniors $15.

For Tickets:

Jazz at Lincoln Center Box Office

Broadway at 60th Street, Ground Floor

Monday-Saturday 10am-6pm, Sunday 12pm-6pm

CenterCharge 212-721-6500

www.jalc.org

The program is as follows (subject to change):

Four Cabaret Songs William Bolcom

(b. 1938)

Amor

Oh Close the Curtain

Waitin

Toothbrush Time

Poor Peter Gordon Getty

(b. 1933)

Where is My Lady

Tune the Fiddle

The Ballad of Poor Peter

Three Songs Jake Heggie

(b. 1961)

Barbry Allen

Hes gone away

The Leather-Winged Bat

Phenomenal Woman David Garner

(b. 1954)

Call Letters: Mrs. V.B.

Impeccable Conception

Lord, in My Heart

The Gamut

Request

No Loser, No Weeper

Phenomenal Woman

Three Cabaret Songs John Corigliano

(b. 1938)

Dodecaphonia

Marvelous Invention

End of the Line

Odas de Todo el Mundo Luna Pearl Woolf

(b. 1973)

Michael Kaeshammer makes his orchestral debut with the Victoria Symphony


Victoria, BC On December 19, at the Royal Theatre, charismatic jazz sensation Michael Kaeshammer makes his orchestral debut with the Victoria Symphony. Performing uniquely stylized Christmas favourites and songs from his latest album lovelight, this concert provides a brilliant and broad range of entertainment.

Michael Kaeshammer, the triple threat sensation singer/songwriter/pianist, selected the Victoria Symphony for his orchestral debut. Conducted under the baton of Giuseppe Pietraroia, The Days of Christmas concert features charming seasonal songs such as Merry Christmas Baby, I'll Be Home for Christmas, Marshmallow World, and Mary's Little Boy Child along with the gorgeous pop ballad Isabelle and a cover of Sam Cookes Cupid with lyrical piano playing and a jaunt melody.

Having my orchestral debut with the Victoria Symphony is a very special moment for me. Victoria is my home and I started my career here, so performing my music with the Victoria Symphony Orchestra means a lot to me. It being Christmas makes it even more personal. I cant wait! exclaims Michael Kaeshammer.

Kaeshammers live rhythm section, noted Toronto players Marc Roger (bass) and Mark McLean (drums) will join the Victoria Symphonys orchestra on stage, providing a broad stylistic range of songs. Kaeshammers vocal work is both relaxed and convincing, exhibiting an appealing confident and sexy swagger. His boyish good looks, natural and quick-witted sense of humour, and endless talent sells out his shows nationally and internationally.

Michael Kaeshammers on stage charm has helped him become an in-demand entertainer across North America and Europe, recently selling out across Germany and in Toronto. He has received a Juno Award nomination for three of his albums and, in 2002, Kaeshammer won the West Coast Music Awards in the Musician of the Year and Performer of the Year categories. Kaeshammer has been nominated for three Smooth Jazz Awards in the categories Male Vocalist of the Year, Keyboardist/Pianist of the Year, and Best Original Composition (for Isabelle), just announced last month.

Giuseppe Pietraroia, conductor in residence for the Victoria Symphony and Pacific Opera Victoria, has been the Music Director of the Victoria Choral Society since 2005. Giuseppe Pietraroia is the recipient of the George and Jane Heffelfinger Pacific Opera Victoria Artist of the Year Award and the Canada Councils Jean-Marie Beaudet Award in Orchestral Conducting.

The Victoria Symphony is Vancouver Islands largest and most active arts organization performing for more than 125,000 people each year, including 10,000 schoolchildren. Showcasing the outstanding talents of its musicians and guest artists, the Victoria Symphonys 2009-2010 season offers a diverse and exciting line-up of over 50 concerts led by its vibrant Music Director Tania Miller.

Michael Kaeshammer The Days of Christmas

December 19 at 8:00pm, Royal Theatre

250.385.6515 or 250.386.6121

$12, $35, $45

www.victoriasymphony.ca.

Labels:

L'Olympiade culturelle de Vancouver 2010: les corps en mouvement dans l'il des cinastes canadiens, et de nouvelles avenues dans la mire de CODE En d

VANCOUVER, le 14 dc. /CNW/ - Deux danseurs en une treinte passionne, qui pirouettent pour ensuite fusionner, donnant vie une danse originale couper le souffle : telle est l'essence du court-mtrage Duet, o la beaut de la danse rivalise avec l'ingniosit de la cration. Dans un entrept de Vancouver, les visiteurs voient la place qu'ils occupent dans l'univers grce la juxtaposition de leur position et du noir de l'espace, projet intitul We Are Stardust. Il s'agit l de deux uvres qu'on prsentera pendant les Jeux dans le cadre de CODE, l'dition numrique de l'Olympiade culturelle de Vancouver 2010.

L'annonce d'aujourd'hui marque la fin du dvoilement des projets qui constituent l'Olympiade culturelle de Vancouver 2010, une prsentation de Bell. Ces projets auront lieu un peu partout dans la rgion mtropolitaine de Vancouver et le corridor Sea to Sky pendant le festival de grande envergure, qui commencera le 22 janvier 2010. Cet vnement culturel de huit semaines, qui s'inscrit dans l'esprit Des Jeux pour tout le Canada, est le premier intgrer l'exprience olympique la technologie du numrique pour clbrer la culture et les arts.

    CODE Cin-kin
--------------

Duet est l'un des 16 courts-mtrages de 2 minutes crs expressment pour les Jeux d'hiver de 2010, qu'un jury a slectionns parmi plus de 200 uvres reues de tous les coins du pays. Les films, que des dizaines de milliers de spectateurs et d'athltes olympiques pourront dcouvrir sur les grands crans aux sites de clbrations de la rgion mtropolitaine de Vancouver et de Whistler utiliss pendant les Jeux, mettront en vedette les corps humains en mouvement. Dans certains cas, ils feront voler en clats les ides prconues des spectateurs et changeront compltement leur faon de voir les limites du corps et de l'esprit humains confronts des situations extrmes. Tous les films bnficient d'un financement qui provient de Tlfilm Canada et leur agence provinciale ou territorial respective.

D'une vision humoristique de notre passion pour les sports d'hiver une exploration enjoue des jeux d'enfants, en passant par un portrait poignant de toutes les tapes de la vie, les films illustrent un grand ventail de sujets et d'motions et donnent voix diffrentes rgions du pays.

"La porte, la vision et le talent artistiques des crations qu'ont prsentes des ralisateurs de tout le Canada nous ont subjugus", explique Burke Taylor, vice-prsident, programme de culture et clbrations du Comit d'organisation des Jeux olympiques et paralympiques d'hiver de 2010 Vancouver (COVAN). "Nous avons pu compter sur l'aide d'un comit de slection reprsentant nos partenaires, Tlfilm Canada et l'association des organismes provinciaux et territoriaux de financement de films, pour procder la slection des uvres poustouflantes qui composent le programme annonc aujourd'hui."

On peut voir cinq (5) des 16 films en avant-premire ds maintenant sur le rseau olympique de Bell Mobilit compter de la mi-dcembre, et pendant toute la dure des Jeux. Grce cette initiative, les Canadiens pourront faire l'exprience de ces courts-mtrages sur leurs appareils portatifs, o qu'ils soient. L'un des cinq films que Bell prsente est Inuit High Kick, de la ralisatrice Alethea Arnaquq-Baril, du Nunavut. Mettant en vedette Johnny Issaluk, l'uvre tourne au ralenti fait dcouvrir aux spectateurs tous les efforts musculaires qu'exige ce sport unique pratiqu dans le Grand Nord canadien.

CODE Cin-kin prsentera galement 15 autres courts-mtrages, tous raliss par des cinastes diffrents. Il s'agit de 365 (Matt Embry, Alb.); Aerial Artistry (Talia Pura, Man.); Climb (Brett Bell, Sask.); Duet (Raul Inglis, C. B.); Geared-Up (Kenneth Sharman, Ont.); Hand to Hand (Tamas Wormser, Qc); Joy (Zuzana Hudackova, Ont.); Patin Fute (Emmanuel Lagac, Priscillia Rousseau, Jonathan Beaudry, Mlanie Breton, Diana M. Cortijo et Christine Thriault, Qc); Play (Lisa Porter, T. N. L.); Momentum (Sheona McDonald, C. B.); RGB Move (Ryan Enn Hughes, Ont.); Sheng Qi (Maxime-Claude L'cuyer, Qc); Skywriter (Josh Usheroff, Qc); Spring (Lynne Kamm, Ont.); et The Rushing of Time (Daniel Conrad, C. B.). Pendant les Jeux, il sera aussi possible de voir les films l'adresse www.vancouver2010.com/codefr et bord des vols d'Air Canada, socit arienne officielle des Jeux d'hiver de 2010, qui les offrira dans son systme de divertissement.

    CODE En direct
--------------

We Are Stardust est l'une des quelque 40 uvres d'art numrique de CODE En direct, un vnement spcial d'une dure de 18 jours qui se tiendra en fvrier lors de l'Olympiade culturelle de Vancouver 2010. Dans le cadre de cet vnement, les visiteurs pourront admirer tout fait gratuitement une exposition d'uvres d'art visuel ralises par de grands artistes avant-gardistes canadiens et de renomme internationale, dont ceux annoncs aujourd'hui. Ils pourront galement assister, sur prsentation d'un laissez-passer, aux performances nocturnes de musiciens exceptionnels, notamment lors des spectacles du phnomnal platiniste vido Mike Relm, du duo britannique Addictive TV, de Kid Koala et de Chromeo ainsi que lors du Hard Rubber Orchestra's Drum & Light Festival. Les laissez-passer sont en vente l'adresse www.vancouver2010.com.

CODE En direct dbutera le 4 fvrier 2010 dans trois grands tablissements de Vancouver favorisant la crativit et l'ouverture d'esprit : le Campus Great Northern Way (577, Great Northern Way), l'Emily Carr University (1399, rue Johnston) et la Bibliothque publique de Vancouver (350, rue Georgia Ouest), situe en plein centre-ville. Des installations individuelles seront aussi exposes un peu partout dans la ville et la Surrey Art Gallery.

CODE En direct bnficie du soutien de Bell, du ministre du Patrimoine canadien et du Conseil des arts du Canada ainsi que de la contribution financire d'artistes de l'Alberta, de l'Ontario, du Qubec et du Nunavut.

"CODE prsente des projets trs diversifis, du spectacle de lumires Vectorial Elevation projet sur la baie English aux vtements interactifs, en passant par les courts-mtrages et la musique lectronique, mais ces projets sont tous anims par le mme esprit. Nous utilisons la technologie numrique pour largir l'espace cratif dans lequel les artistes et le public crent des liens", explique Rae Hull, directrice artistique de CODE. "Le but est de rapprocher le spectateur de l'art, que ce soit en lui donnant simplement plus de choix quant au moment ou la faon de s'engager ou encore en le plaant au cur du travail de cration. CODE se veut un outil de rapprochement, de cration et de collaboration."

Au Campus Great Northern Way, on prsente le projet nerlandais Dune 4.0, cr par Studio Roosegaarde, o les visiteurs sont invits emprunter un sentier bord de lumires DEL qui s'illuminent et se balancent sur leur passage, comme un champ de bl au vent. l'intrieur de la galerie, les visiteurs peuvent galement explorer la profondeur de l'espace et faire un voyage panoramique autour du monde grce aux projets We Are Stardust et Vested, crs respectivement par George Legrady et Don Ritter.

l'Emily Carr University, on propose aux visiteurs d'essayer des vtements lectroniques qui sont sensibles au toucher ou qui agissent de faon imprvisible dans le cadre du spectacle de groupe Electromode. On leur propose galement de faire le tour de Granville Island et de dcouvrir comment on les observe partir des installations cres par Simon Levin, Jer Thorpe et les tudiants de l'universit pour CODE.lab.

Grce au Muse des beaux-arts du Canada, les visiteurs les plus aventureux peuvent galement dcouvrir une salle de cinma miniature et visionner The Paradise Institute, un court-mtrage canadien de renomme internationale cr par Janet Cardiff et Georges Bures Miller qui permet au spectateur de plonger dans un monde o la ralit et la fiction s'entremlent de faon inattendue et d'explorer un environnement sonore complmentaire.

L'atrium du rez-de-chausse et le foss de l'tage infrieur de la Bibliothque publique de Vancouver sont tout dsigns pour accueillir des uvres d'art axes sur la culture, le mouvement et la collectivit. Seen, de David Rokeby, enregistre le mouvement des passants et le reproduit par juxtaposition sur des crans adjacents, ce qui donne lieu des motifs surprenants. Le projet d'art participatif Room to Make your Peace donne aux visiteurs l'occasion de collaborer en ligne avec des contributeurs et de rflchir sur ce qu'il faut faire pour rtablir la paix, dans le cadre de l'initiative Trve olympique pour Vancouver 2010.

Remarque aux diteurs de photos

Il est possible de tlcharger en haute rsolution les images des projets dans la galerie d'images du Centre des mdias, www.vancouver2010.com/fr/plus-information-2010/centre-des-mdias/galerie-d'images/photos-de-l'olympiade-culturelle/.

Au sujet de l'Olympiade culturelle

L'Olympiade culturelle de Vancouver 2010, prsente par Bell, est une srie de festivals multidisciplinaires et de programmes numriques prsentant le meilleur de la culture populaire et des arts canadiens et internationaux. Lanc en 2008, le programme se terminera en grand avec l'Olympiade culturelle 2010 d'une dure de 60 jours (du 22 janvier au 21 mars 2010), qui commencera avant les Jeux et se poursuivra pendant les Jeux olympiques et paralympiques d'hiver en 2010. CODE est l'dition numrique de l'Olympiade culturelle, une srie de programmes conus pour encourager de faon crative la participation du public national et international grce la technologie numrique.

Partenariats

Bell

Bell est la plus grande entreprise de communications du Canada, offrant aux consommateurs et aux entreprises des solutions tous leurs besoins de communications, y compris les services sans fil de Bell Mobilit, les services haute vitesse Bell Internet, les services de tlvision directe par satellite Bell Tl, le service local et interurbain Bell Tlphonie, les services IP-large bande ainsi que les services des technologies de l'information et des communications. Bell est fire d'tre un Grand partenaire national et le partenaire exclusif en matire de tlcommunications des Jeux olympiques et paralympiques d'hiver de 2010 Vancouver. Bell est la proprit exclusive de BCE Inc. (TSX, NYSE : BCE). Pour plus d'information sur les produits et services de Bell, visitez le site www.bell.ca; pour plus d'information sur BCE, visitez le site www.bce.ca.

Tlfilm Canada

Tlfilm Canada est un organisme culturel fdral vou au dveloppement et la promotion de l'industrie audiovisuelle canadienne. Il offre un soutien financier au secteur priv pour crer des produits distinctement canadiens qui rejoignent un auditoire national et international. La socit administre aussi les programmes de financement du Fonds du long mtrage du Canada, du Fonds canadien de tlvision et du Fonds des nouveaux mdias du Canada. Visitez www.telefilm.gc.ca.

Association des organismes provinciaux et territoriaux de financement de films

Cette association est un regroupement d'organismes provinciaux et territoriaux responsables du dveloppement de l'industrie canadienne de la production cinmatographique et tlvisuelle. Ces organismes travaillent en collaboration dans le but de rpondre aux questions nationales et d'appuyer les initiatives qui contribuent la croissance du secteur.

Gouvernements

L'Olympiade culturelle de Vancouver 2010 est reconnaissante du soutien du gouvernement du Canada et des gouvernements de toutes les provinces et de tous les territoires canadiens, ainsi que de leurs agences culturelles respectives : Colombie-Britannique, Alberta, Saskatchewan, Manitoba, Ontario, Qubec, Nouvelle-cosse, Nouveau-Brunswick, le-du-Prince-douard, Terre-Neuve-et-Labrador, Nunavut, Territoires du Nord-Ouest et Yukon. En plus des entreprises partenaires et des partenaires gouvernementaux de l'Olympiade culturelle, le Conseil des Arts du Canada et l'Office national du film du Canada appuient firement CODE. New Media BC et Wavefront Innovation Society participent aussi activement au projet. Le Conseil des Arts du Canada appuie gnreusement le Programme de tourne et de spectacles nationaux.

propos du COVAN

Le COVAN est responsable de la planification, de l'organisation, du financement et de la tenue des XXIes Jeux olympiques d'hiver et des Xes Jeux paralympiques d'hiver en 2010. Les Jeux olympiques d'hiver de 2010 auront lieu Vancouver et Whistler du 12 au 28 fvrier 2010. Vancouver et Whistler accueilleront les Jeux paralympiques d'hiver du 12 au 21 mars 2010. Visiter www.vancouver2010.com.

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Sophie Lemaire poursuit sa route artistique

(Montral, 14 dcembre 2009) - Le projet Apro lOpra auquel Sophie Lemaire participait depuis le dbut de lautomne sest termin en grande pompe sur la scne Wilfrid-Pelletier de la Place des Arts Montral, dimanche dernier avec la prsentation du majestueux Gala 2009. Le projet Apro lOpra comportait deux prix : un premier grand prix (chanter dans Tosca) et un deuxime prix (chanter au Gala).


Rappelons que Sophie Lemaire, aprs six semaines intenses de formation lAtelier lyrique de lOpra de Montral, avait t proclame laurate du prix qui tait de chanter au Gala. Pour loccasion, elle y a interprt LE NOZZE DI FIGARO, Acte IV de Wolfgang Amadeus Mozart. Elle partageait cet honneur avec deux de ses pairs, Lise Brunelle et Annie Sanschagrin. Cest dailleurs cette dernire qui a remport le grand prix de chanter dans Tosca.

sophie_lemaire_Noel_1


Sophie Lemaire possde des qualits vocales, musicales et scniques qui manquent bien des professionnels. - Claude Gingras, La Presse


Laventure se poursuit pour Sophie Lemaire car, en plus davoir vcu cette exprience trs enrichissante, elle sera la doublure dAnnie Sanschagrin pour son rle dans Tosca. Ce mandat implique quelle suive toutes les tapes de rptitions de Tosca comme sa premire interprte. Pour Sophie Lemaire, cette prochaine exprience lui permet de profiter, encore une fois, dune aventure hors du commun et dun milieu de formation exceptionnel.


Sophie Lemaire ne boude pas la chanteuse populaire en elle pour autant. Elle prpare aussi son propre spectacle qui fera cho la sortie de son premier album, Toujours dimanche. Elle sera dailleurs sur la scne du Studio-thtre de la Place des Arts le 27 fvrier 2010 dans le cadre de la srie Les week-ends de la chanson Quebecor.


Dici l, son album Toujours dimanche et les billets de son spectacle du 26 fvrier prochain savrent de trs bonnes ides cadeau! Pour plus dinformations, visitez www.sophielemaire.com

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Symtrie fte ses 10 ans !

Depuis 1999, Symtrie se consacre exclusivement la musique travers la publication douvrages de rfrence, de beaux livres, de revues et de partitions.

Cration de la collection Symtrie Recherche

loccasion de cet anniversaire, Symtrie a le plaisir de vous annoncer la cration de sa nouvelle collection de livres scientifiques, Symtrie Recherche, dirige par un comit scientifique prsid par Patrick Taeb. Cette collection accueille des ouvrages de fond sur la musique sous ses diffrentes formes et dans ses rapports multiples avec les autres arts, lhistoire et la socit.

Symtrie Recherche se dcline en plusieurs sries thmatiques :

Ģ Anciens et Modernes, srie consacre la musique ancienne, du Moyen ge lpoque baroque, dirige par Marc Desmet (universit Jean-Monnet de Saint-tienne) ;

Ģ Musique romantique franaise, srie en partenariat avec le Palazzetto Bru Zane, dirige par Alexandre Dratwicki (Centre de musique romantique franaise, Venise) ;

Ģ 20-21, srie ddie aux musiques contemporaines, des annes 1920 nos jours, dirige par Nicolas Donin (IRCAM-Centre Pompidou, Paris) ;

Ģ Histoire du concert, srie proposant des outils de recherche et des essais, dirige par Patrick Taeb (R.P.C.F. et universit de Rouen).

Symtrie Recherche sinscrit dans un dsir toujours renouvel de proposer au public des ouvrages alliant rigueur scientifique, conception ditoriale de qualit et got du savoir partag.

Lquipe de Symtrie

Fonde par des musiciens diplms du Conservatoire national suprieur de musique et de danse de Lyon, Symtrie est riche dune quipe de 12 personnes qui prennent en charge toutes les tapes dun processus ditorial de qualit. Grce la prsence en interne de toutes les comptences (prparation, dition, correction, gravure musicale, recherche iconographique, typographie, graphisme, informatique et P.A.O.), Symtrie peut intgrer ses ouvrages de nombreux lments : fac-simils, iconographie en couleur, exemples musicaux, index dtaills, disques compacts audio, cdroms interactifs. La matrise des technologies modernes lui permet galement de dvelopper des bases de donnes ou des sites compagnons associs certains ouvrages ainsi que des livres lectroniques.

Nos partenaires

Les ouvrages de Symtrie reoivent rgulirement le soutien de nombreuses institutions, publiques et prives, parmi lesquelles lAcadmie musicale de Villecroze, lAgence Rhne-Alpes pour le livre et la documentation (ARALD), le Centre national de la recherche scientifique (C.N.R.S.), le Centre national du livre (C.N.L.), le Chteau-Muse de Dieppe, lcole des hautes tudes en sciences sociales (E.H.E.S.S.), la Fondation dentreprise La Poste, la Fondation Francis et Mica Salabert, lInstitut de recherche sur le patrimoine musical en France (I.R.P.M.F.), lObservatoire international de la cration et des cultures musicales (O.I.C.C.M.), la Socit des auteurs, compositeurs et diteurs de musique (SACEM), luniversit Paris Sorbonne-Paris IV, luniversit Jean-Monnet (Saint-tienne), luniversit de Rouen, luniversit Franois-Rabelais (Tours)Ķ

Symtrie a galement men des projets ditoriaux en collaboration avec le Concours international de musique de chambre de Lyon (C.I.M.C.L.), le Conservatoire national suprieur de musique et de danse de Lyon (C.N.S.M.D.), Deutsche Grammophon, les ditions Durand-Salabert, les ditions Leduc, France culture, France musique, la Lettre du musicien, les Presses de luniversit de Saint-tienne (PUSE), Universal musicĶ

Symtrie est en outre lditeur associ du Palazzetto Bru Zane Centre de musique romantique franaise, qui a pour vocation de valoriser le rpertoire musical franais de la priode 1780-1920, notamment travers la recherche et ldition de partitions et de livres.

Nous profitons galement de ce message pour vous souhaiter de bonnes ftes de fin danne.

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Tel Aviv Museum of Art Opens Critical Exhibition of Mature Israeli Artist Joram Rozov

17 Dec 2009 through 13 Feb 2010

Joram Rozov's (b. 1938) exhibition Landscapes and Milestones features works from the series "Landscapes" (1983-2009), which presents vistas embedding his overt and covert life story, and "Milestones" (2003-2009), which presents landmarks extracted from the vast panorama of the artist's life: childhood, military service, engagement with wars, educational and other travels in the world. Through his immediate surroundingslandscapes of the Galilee, Hebron, Africa, Tuscany, views of foliage, trees, Sabra hedges, etc.and their modes of symbolization, he delves into broad, intricate realities.

Over the course of time, Rozov's works have come to indicate the end of the age of innocence of Eretz-Israeli Zionism. The disillusionment with the Zionist dream was already discernible in his early works where he portrayed pilots, soldiers, and arms, and subsequently in the depictions of cracked walls, and his turning to distant views during his travels. Concurrently, the artist's fascination with the "Other" manifests his search for broader, hidden strata of meaning.
Rozov creates a threatening atmosphere; a sense of destruction often reminiscent of apocalyptic cinematic scenes. Violence is often present in his works in an indirect, restrained manner. Some of the scenes are depopulated, and are typified by excessive detail, attesting to anxiety. Many of them feature battle situations, solitude, alienation, and pain associated with political, national, religious or personal violence. The portrayals of wartime reality form an indirect, personal allusion to the death of the artist's father, in June 1967, the month in which the Six-Day War was fought.

Addressing violence linked with situations of excess or lack, Rozov frequently ties the beautiful with the terrible, spectacle with horror. His works possess a documentary facet, often abstract or implied, out of conscious decision to avoid direct depictions of atrocity, or possibly due to the desire to transcend the particular case and engage in the universal, mythical dimension.
Rozov's works combine local and European painterly traditions. They are characterized by realism abounding with textures, and by intricate baroque compositions with rich coloration and accentuated voluminosity. Most of Rozov's works fuse "warm" personal expression with "cold" technical photographic mediationsinstilling his works with an air of desistence. The camera functions as a tool which may facilitate renewal of the lost affinity with the local setting, as well as "conquest" of a foreign territory.

GENERAL INFORMATION:
Tel Aviv Museum of ArtĮ
Sun CLOSED; Mon, Wed 10-16; Tues, Thurs 10-22; Fri 10-14; Sat 10-16Į
Box Office+972 3 6077020, Reservations by phone 14-21 daily
ĮAddress: 27 Shaul Hamelech Boulevard, Tel Aviv, IsraelĮ
Website:
www.tamuseum.com

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2010: The Concert announces hosts for Celebration of Culture

Winnipeg, MB December 12, 2009 Winnipeg Symphony Orchestra (WSO), Winnipeg Cultural Capital of Canada 2010, and Manitoba Homecoming 2010 are pleased to announce that Monique LaCoste and Wab Kinew will be the hosts for 2010: The Concert. The event, which was announced earlier, will feature a diverse and impressive array of seventeen performances that will dazzle and awe the audience!

Bios on the hosts and featured guest artists are detailed below:

Hosts:

Monique LaCoste: A seasoned TV and radio host, Monique LaCoste is best known for her many years with Radio-Canada Manitoba. Fluently bilingual, this veteran voice over artist and Master of Ceremonies has lent her voice to hundreds of commercials, documentaries, and corporate projects worldwide. In February, she will realize her Olympic dream by taking part in the Vancouver 2010 Winter Games, as an announcer for the team welcome ceremonies as well as the curling venue.

Wab Kinew: Wab Kinew (pron: WOB ka-NOO) is a one-of-a-kind musical talent, becoming one of the artists to watch for emerging from the Prairie Provinces. He is a hip-hop artist and CBC radio producer/host based in Winnipeg, Manitoba. Wab exemplifies what it means to be multicultural in Canada today, holding both a Bachelor of Arts degree in economics and training in the traditional Medicine ways of his Anishinaabe people.

Guest Artists:

Monica Huisman: Touted as the next great voice on the Canadian Opera scene exuding dramatic flair with a resonant voice as rich as melted chocolate (Winnipeg Free Press), lyric soprano Monica Huisman has already made her mark in the musical world. Born and raised in Winnipeg, Ms. Huisman received her operatic training at the University of Toronto in the studio of Mary Morrison. Ms. Huisman continued on to the International Opera Centre of the Netherlands, where she made her European debut at the famous Concertgebouw in Amsterdam. She has sung with Pacific Opera Victoria, Vancouver Opera, Edmonton and Calgary Opera and Opera Hamilton and, of course, Manitoba Opera.

School of Contemporary Dancers: is recognized as a leading national centre for professional contemporary dance training in Canada whose mandate is to prepare students for careers in contemporary dance performance. The Professional Program of The School of Contemporary Dancers is a four-year professional training program for dancers seeking a career in contemporary dance performance. The Fourth-Year of the Program is a special bridging year from the professional student to the professional emerging artist level. Fourth-Year dancers are given opportunities to connect with the professional community and to undertake professional projects. The School of Contemporary Dancers is co-directed by Odette Heyn-Penner and Faye Thomson.

Steve Bell: Singer, song writer, story teller, Steve Bells music offers an astonishing combination of familiar and fresh, provocative and comforting, exuberant and reflective, salty and sweet. Immediately attractive, it rewards repeated listening: the genuine beauty on the surface gives away to treasures in the depths. In a normal year of touring, Steve Bell performs about one hundred concerts. Steves concerts feature his award winning songwriting and evocative tenor vocals, as well as his scintillating finger style acoustic guitar artistry and his captivating story telling.

D.Rangers: From where else but Winnipeg could come an operation like the D.Rangers? Their brand of music is simultaneously dangerous-as-hell and brilliantly inventive. Blending bluegrass, western swing, punk rock, and just about anything else, the D.Rangers are one of a kind. Described as mutant bluegrass, un-country, and arm-swinging hillbilly-stomp, their live shows are an engaging mix of originals, traditional classics and off-the-wall covers.

Fred Penner: At a recent keynote address to an early childhood education conference, acclaimed family entertainer, singer/songwriter, composer, actor, writer, author, TV host and keynote speaker Fred Penner delivered a simple, yet powerful message. "Never underestimate your ability to make a difference in the life of a child." A gentle giant with kind eyes and an undeniable ability to make you feel good about yourself, this musical master brings 25 years of commitment, consistency and depth to a career that skillfully blends the many genres of performing and communication. Dubbed "Mr. Multi-Media" by Billboard Magazine, his diverse repertoire includes a prolific 12 Childrens albums and countless energetically packed live shows for throngs of eager audiences across North America.

Fubuki Daiko: Audiences everywhere are energized by Fubuki Daiko's (Blizzard Drums) high-powered style of Japanese drumming. The group's North American roots push the envelope of tradition to create a truly eclectic experience that is part martial arts, part meditation and all rhythm. For Hiroshi Koshiyama, Naomi Guilbert, and Bruce Robertson, taiko is not just a performance art form but a way of life. Performing, training, and teaching year-round, each member has over ten years of taiko experience including four years of traditional Japanese apprenticeship under the watchful and highly critical eye of Grandmaster Seiichi Tanaka, founder of the San Francisco Taiko Dojo and the father of North American taiko. After performing at Carnegie Hall and leaving with their Sensei's blessing, the three core members relocated to Winnipeg, Manitoba where they expanded into the five member professional touring ensemble that is Fubuki Daiko. The group has since gone on to electrify audiences in festivals, rodeos, bars, temples, schools, legions, hockey arenas, land fills and concert halls from San Francisco to Prince Edward Island with their innovative brand of taiko.

Camerata Nova: Camerata Nova was founded in Winnipeg in 1996 as a choral ensemble dedicated to the exploration and performance of a cappella Renaissance music. As the group has evolved, it has branched out well beyond this period to medieval and early Baroque works as well as 20th-century repertoire, including compositions by Andrew Balfour, the groups Artistic Director. Camerata Nova takes an increasingly innovative approach to performance, experimenting with unusual venues and exploring the use of unconventional sounds, including throat and overtone singing, and instruments such as crystal bowls, sackbut, and didgeridoo, in contemporary compositions and in arrangements of traditional works.

Sierra Noble: Best known as a fiddle virtuoso who breezes through Celtic, Bluegrass, Jazz, World beat and other styles of music with stunning ease, Sierra's breadth of experience is impressive. Her talent has taken her around the world where she has visited countries in Asia, Europe and North America. She amazes audiences with compelling contemporary performances which feature exceptional instrumentals, beautiful innovative vocals, and her infectious down to earth charm. Sierra dedicates much of her time to various causes, from her involvement with the global fight to ban landmines, her work with welcoming war-affected refugee families to Canada, as well as programs for inner-city youth in Winnipeg, all in an effort to make the world a better place.

Anna-Lisa Kirby: Before moving to Winnipeg in 2003, Anna-Lisa Kirby established her professional career as a jazz vocalist in New York City. She has had the privilege of sharing the stage with many world-class jazz artists. Some of these include Steve Kirby, Wynton Marsalis, Cyrus Chestnut, Ted Nash, Stefon Harris and Xavier Davis. Anna-Lisa is featured on the Larry Roy and Steve Kirby 2008 CD-release Wicked Grin and is the vocalist for Steve Kirbys acclaimed Oceanic Jazz Orchestra.

Steve Kirbys career as a jazz musician spans over 25 years of performance collaboration with many of the finest artists in the field, both in North America and abroad. Throughout these years, his role as an educator has been a fundamental and vital part of his commitment to music. Steve has performed extensively and recorded with some of the most high profile jazz artists on the scene today. He spent two years as bassist for Elvin Jones and Jazz Machine and four years with Cyrus Chestnut Trio. He is the bass player on two of Mr. Chestnuts Atlantic Recordings: the critically acclaimed Dark Before the Dawn and Earth Stories. He has also performed in club and/or concert hall settings with Wynton Marsalis and Jazz @ Lincoln Center, opera star Kathleen Battle, legendary Jazz vocalist Abbey Lincoln, Jazz violinist Regina Carter and The Joanne Brackeen Trio featuring Horatio "El Negro" Hernandez. In the summer of 2003, Steve Kirby accepted the position as the Director of Jazz Studies at the University of Manitoba. Since then, Steve has overseen a full-fledged rejuvenation of the jazz scene in Winnipeg.

Momentum Aerial: Momentum is comprised of performers who share a background of dance, gymnastics, and the aerial arts. The performance group is dedicated to bringing dance, acrobatics, and the circus arts of aerial fabric, hoop, and trapeze together in the spirit of exploration to create exciting new works for Winnipeg audiences in both indoor and outdoor venues. Troupe members have studied and performed across Canada, the United States and Europe. Locally, members have performed during the 1999 Pan Am Games, The Festival of the Arts at The Forks, The Festival of Trees & Lights at The Winnipeg Convention Centre, The MTS Opening, The Junos held at MTS Centre, and various school and sporting events throughout Winnipeg.

Rusalka Ukrainian Dance Ensemble: For nearly half a century Rusalka has been capturing the imagination of audiences around the world with its often fiery, always colourful presentation of Ukrainian dance. Tours of North America, South America, Europe, Asia and Australia, combined with performances for heads of state, religious figures and royalty, have placed Rusalka among the most widely recognized Ukrainian dance groups in the world. The Ensemble embarks on a new era as it begins preparing for its 50th Anniversary in 2012 under the Artistic Directorship of Marijka Stanowych, a former Rusalka dancer/instructor and professional Ballet teacher with Canadas Royal Winnipeg Ballet Schools, who studied at the Choreographic School of the Ukrainian Folk Dance Ensemble named after Pavlo Virsky. Deep within each dancer burns a passion to showcase the power and beauty of Ukrainian dance and they are eager to enchant audiences with the experience that is, Rusalka!

James Keelaghan: "I love touching people with my music as a performer," James Keelaghan says. "Putting a song across so that people get inside the story. I love the immediacy of it, the feedback. James is one of Canada's greatest songwriters, and he's written songs recorded by the likes of Cry,Cry,Cry. But he can sing too, you know. Like, really sing. In a resonant baritone voice that has been called everything from sweet and smooth, to coffee-rich, to glorious. "Keelaghan's voice is so easy to listen to that the thorns in his lyrics can catch the listeners unawares," comments Dirty Linen. "I am not just a pen," James points out wryly. "I am a voice as well."

Daniel ROA: Daniel ROA = francophone pop with a worldly twist and a unique blend of socially aware, witty and intelligent lyrics, touching matters of the heart and of everyday life. Daniel ROA's fiery musical universe is rich in flavor, overflowing with humor, candor and intelligence. In love with life, song and poetry, Daniel presents an alternative pop woven with original sounds in a style like no other. With an ear consistently attuned to new sounds, and an eye forever gazing on the human condition, the leader of the highly-acclaimed Johnny Cajun performs music that will have you dancing to a Rio swing before exploding into modern pop, with stops from spacious all the way to funky.

Stacey Nattrass: Stacey Nattrass is a versatile vocalist known to musical theatre, jazz and classical audiences alike. In addition to performing with the Winnipeg Symphony Orchestra, she has appeared with the Winnipeg Jazz Orchestra, Winnipegs Classical Guitar Society, and Winnipegs Contemporary Dancers. Staceys stage credits include The Full Monty, The Sound of Music, The Wizard Of Oz, Miss Saigon, Joseph and the Amazing Technicolor Dreamcoat and Footloose (Rainbow Stage), My Fair Lady (MTC), and Strike!

Royal Winnipeg Ballet: Versatility, technical excellence, and a captivating style are the trademarks of Canada's Royal Winnipeg Ballet; qualities that have garnered both critical and audience acclaim. These qualities keep the RWB in demand as it presents more than 100 performances every season. Founded in 1939, the Royal Winnipeg Ballet holds the double distinction of being Canada's premier ballet company and the longest continuously operating ballet company in North America. In 1953, the Company received its royal title, the first granted under the reign of Queen Elizabeth II. In 1958, Arnold Spohr was appointed artistic director, and under his direction, the Royal Winnipeg Ballet grew and developed to take its place among the world's internationally renowned companies.

Eagle & Hawk:
One listen to Eagle & Hawks distinctive sound and youll be hooked. By blending inspired vision with musical talent, Eagle & Hawk have created a progressive style of rock steeped in roots, fusion, and solid songwriting that continues to earn fans and loads of fanfare worldwide. Eagle & Hawks music takes the lead in defining the genre of contemporary Indigenous music. Envisioning a sound that fused modern rock with traditional elements, guitarist and bandleader Vince Fontaine founded Eagle & Hawk in 1994. The journey took the band from Winnipeg, Manitoba to stages in European capitals where they blasted onto the scene with a powerful live show. While their effervescent performances won over international and national audiences, their talent and determination quietly garnered respect from fans and critics alike.

Tickets to 2010: The Concert are affordably priced at $20.10 in order to be accessible to all Winnipeggers. The faster you buy tickets the better chance you have at choice seating.

To purchase tickets, please call the WSO Box Office at 949-3999; go to www.wso.ca; call Ticketmaster at 780-3333 or go to www.ticketmaster.ca.

Winnipeg, MB December 12, 2009 Winnipeg Symphony Orchestra (WSO), Winnipeg Cultural Capital of Canada 2010, and Manitoba Homecoming 2010 are pleased to announce that Monique LaCoste and Wab Kinew will be the hosts for 2010: The Concert. The event, which was announced earlier, will feature a diverse and impressive array of seventeen performances that will dazzle and awe the audience!

Bios on the hosts and featured guest artists are detailed below:

Hosts:

Monique LaCoste: A seasoned TV and radio host, Monique LaCoste is best known for her many years with Radio-Canada Manitoba. Fluently bilingual, this veteran voice over artist and Master of Ceremonies has lent her voice to hundreds of commercials, documentaries, and corporate projects worldwide. In February, she will realize her Olympic dream by taking part in the Vancouver 2010 Winter Games, as an announcer for the team welcome ceremonies as well as the curling venue.

Wab Kinew: Wab Kinew (pron: WOB ka-NOO) is a one-of-a-kind musical talent, becoming one of the artists to watch for emerging from the Prairie Provinces. He is a hip-hop artist and CBC radio producer/host based in Winnipeg, Manitoba. Wab exemplifies what it means to be multicultural in Canada today, holding both a Bachelor of Arts degree in economics and training in the traditional Medicine ways of his Anishinaabe people.

Guest Artists:

Monica Huisman: Touted as the next great voice on the Canadian Opera scene exuding dramatic flair with a resonant voice as rich as melted chocolate (Winnipeg Free Press), lyric soprano Monica Huisman has already made her mark in the musical world. Born and raised in Winnipeg, Ms. Huisman received her operatic training at the University of Toronto in the studio of Mary Morrison. Ms. Huisman continued on to the International Opera Centre of the Netherlands, where she made her European debut at the famous Concertgebouw in Amsterdam. She has sung with Pacific Opera Victoria, Vancouver Opera, Edmonton and Calgary Opera and Opera Hamilton and, of course, Manitoba Opera.

School of Contemporary Dancers: is recognized as a leading national centre for professional contemporary dance training in Canada whose mandate is to prepare students for careers in contemporary dance performance. The Professional Program of The School of Contemporary Dancers is a four-year professional training program for dancers seeking a career in contemporary dance performance. The Fourth-Year of the Program is a special bridging year from the professional student to the professional emerging artist level. Fourth-Year dancers are given opportunities to connect with the professional community and to undertake professional projects. The School of Contemporary Dancers is co-directed by Odette Heyn-Penner and Faye Thomson.

Steve Bell: Singer, song writer, story teller, Steve Bells music offers an astonishing combination of familiar and fresh, provocative and comforting, exuberant and reflective, salty and sweet. Immediately attractive, it rewards repeated listening: the genuine beauty on the surface gives away to treasures in the depths. In a normal year of touring, Steve Bell performs about one hundred concerts. Steves concerts feature his award winning songwriting and evocative tenor vocals, as well as his scintillating finger style acoustic guitar artistry and his captivating story telling.

D.Rangers: From where else but Winnipeg could come an operation like the D.Rangers? Their brand of music is simultaneously dangerous-as-hell and brilliantly inventive. Blending bluegrass, western swing, punk rock, and just about anything else, the D.Rangers are one of a kind. Described as mutant bluegrass, un-country, and arm-swinging hillbilly-stomp, their live shows are an engaging mix of originals, traditional classics and off-the-wall covers.

Fred Penner: At a recent keynote address to an early childhood education conference, acclaimed family entertainer, singer/songwriter, composer, actor, writer, author, TV host and keynote speaker Fred Penner delivered a simple, yet powerful message. "Never underestimate your ability to make a difference in the life of a child." A gentle giant with kind eyes and an undeniable ability to make you feel good about yourself, this musical master brings 25 years of commitment, consistency and depth to a career that skillfully blends the many genres of performing and communication. Dubbed "Mr. Multi-Media" by Billboard Magazine, his diverse repertoire includes a prolific 12 Childrens albums and countless energetically packed live shows for throngs of eager audiences across North America.

Fubuki Daiko: Audiences everywhere are energized by Fubuki Daiko's (Blizzard Drums) high-powered style of Japanese drumming. The group's North American roots push the envelope of tradition to create a truly eclectic experience that is part martial arts, part meditation and all rhythm. For Hiroshi Koshiyama, Naomi Guilbert, and Bruce Robertson, taiko is not just a performance art form but a way of life. Performing, training, and teaching year-round, each member has over ten years of taiko experience including four years of traditional Japanese apprenticeship under the watchful and highly critical eye of Grandmaster Seiichi Tanaka, founder of the San Francisco Taiko Dojo and the father of North American taiko. After performing at Carnegie Hall and leaving with their Sensei's blessing, the three core members relocated to Winnipeg, Manitoba where they expanded into the five member professional touring ensemble that is Fubuki Daiko. The group has since gone on to electrify audiences in festivals, rodeos, bars, temples, schools, legions, hockey arenas, land fills and concert halls from San Francisco to Prince Edward Island with their innovative brand of taiko.

Camerata Nova: Camerata Nova was founded in Winnipeg in 1996 as a choral ensemble dedicated to the exploration and performance of a cappella Renaissance music. As the group has evolved, it has branched out well beyond this period to medieval and early Baroque works as well as 20th-century repertoire, including compositions by Andrew Balfour, the groups Artistic Director. Camerata Nova takes an increasingly innovative approach to performance, experimenting with unusual venues and exploring the use of unconventional sounds, including throat and overtone singing, and instruments such as crystal bowls, sackbut, and didgeridoo, in contemporary compositions and in arrangements of traditional works.

Sierra Noble: Best known as a fiddle virtuoso who breezes through Celtic, Bluegrass, Jazz, World beat and other styles of music with stunning ease, Sierra's breadth of experience is impressive. Her talent has taken her around the world where she has visited countries in Asia, Europe and North America. She amazes audiences with compelling contemporary performances which feature exceptional instrumentals, beautiful innovative vocals, and her infectious down to earth charm. Sierra dedicates much of her time to various causes, from her involvement with the global fight to ban landmines, her work with welcoming war-affected refugee families to Canada, as well as programs for inner-city youth in Winnipeg, all in an effort to make the world a better place.

Anna-Lisa Kirby: Before moving to Winnipeg in 2003, Anna-Lisa Kirby established her professional career as a jazz vocalist in New York City. She has had the privilege of sharing the stage with many world-class jazz artists. Some of these include Steve Kirby, Wynton Marsalis, Cyrus Chestnut, Ted Nash, Stefon Harris and Xavier Davis. Anna-Lisa is featured on the Larry Roy and Steve Kirby 2008 CD-release Wicked Grin and is the vocalist for Steve Kirbys acclaimed Oceanic Jazz Orchestra.

Steve Kirbys career as a jazz musician spans over 25 years of performance collaboration with many of the finest artists in the field, both in North America and abroad. Throughout these years, his role as an educator has been a fundamental and vital part of his commitment to music. Steve has performed extensively and recorded with some of the most high profile jazz artists on the scene today. He spent two years as bassist for Elvin Jones and Jazz Machine and four years with Cyrus Chestnut Trio. He is the bass player on two of Mr. Chestnuts Atlantic Recordings: the critically acclaimed Dark Before the Dawn and Earth Stories. He has also performed in club and/or concert hall settings with Wynton Marsalis and Jazz @ Lincoln Center, opera star Kathleen Battle, legendary Jazz vocalist Abbey Lincoln, Jazz violinist Regina Carter and The Joanne Brackeen Trio featuring Horatio "El Negro" Hernandez. In the summer of 2003, Steve Kirby accepted the position as the Director of Jazz Studies at the University of Manitoba. Since then, Steve has overseen a full-fledged rejuvenation of the jazz scene in Winnipeg.

Momentum Aerial: Momentum is comprised of performers who share a background of dance, gymnastics, and the aerial arts. The performance group is dedicated to bringing dance, acrobatics, and the circus arts of aerial fabric, hoop, and trapeze together in the spirit of exploration to create exciting new works for Winnipeg audiences in both indoor and outdoor venues. Troupe members have studied and performed across Canada, the United States and Europe. Locally, members have performed during the 1999 Pan Am Games, The Festival of the Arts at The Forks, The Festival of Trees & Lights at The Winnipeg Convention Centre, The MTS Opening, The Junos held at MTS Centre, and various school and sporting events throughout Winnipeg.

Rusalka Ukrainian Dance Ensemble: For nearly half a century Rusalka has been capturing the imagination of audiences around the world with its often fiery, always colourful presentation of Ukrainian dance. Tours of North America, South America, Europe, Asia and Australia, combined with performances for heads of state, religious figures and royalty, have placed Rusalka among the most widely recognized Ukrainian dance groups in the world. The Ensemble embarks on a new era as it begins preparing for its 50th Anniversary in 2012 under the Artistic Directorship of Marijka Stanowych, a former Rusalka dancer/instructor and professional Ballet teacher with Canadas Royal Winnipeg Ballet Schools, who studied at the Choreographic School of the Ukrainian Folk Dance Ensemble named after Pavlo Virsky. Deep within each dancer burns a passion to showcase the power and beauty of Ukrainian dance and they are eager to enchant audiences with the experience that is, Rusalka!

James Keelaghan: "I love touching people with my music as a performer," James Keelaghan says. "Putting a song across so that people get inside the story. I love the immediacy of it, the feedback. James is one of Canada's greatest songwriters, and he's written songs recorded by the likes of Cry,Cry,Cry. But he can sing too, you know. Like, really sing. In a resonant baritone voice that has been called everything from sweet and smooth, to coffee-rich, to glorious. "Keelaghan's voice is so easy to listen to that the thorns in his lyrics can catch the listeners unawares," comments Dirty Linen. "I am not just a pen," James points out wryly. "I am a voice as well."

Daniel ROA: Daniel ROA = francophone pop with a worldly twist and a unique blend of socially aware, witty and intelligent lyrics, touching matters of the heart and of everyday life. Daniel ROA's fiery musical universe is rich in flavor, overflowing with humor, candor and intelligence. In love with life, song and poetry, Daniel presents an alternative pop woven with original sounds in a style like no other. With an ear consistently attuned to new sounds, and an eye forever gazing on the human condition, the leader of the highly-acclaimed Johnny Cajun performs music that will have you dancing to a Rio swing before exploding into modern pop, with stops from spacious all the way to funky.

Stacey Nattrass: Stacey Nattrass is a versatile vocalist known to musical theatre, jazz and classical audiences alike. In addition to performing with the Winnipeg Symphony Orchestra, she has appeared with the Winnipeg Jazz Orchestra, Winnipegs Classical Guitar Society, and Winnipegs Contemporary Dancers. Staceys stage credits include The Full Monty, The Sound of Music, The Wizard Of Oz, Miss Saigon, Joseph and the Amazing Technicolor Dreamcoat and Footloose (Rainbow Stage), My Fair Lady (MTC), and Strike!

Royal Winnipeg Ballet: Versatility, technical excellence, and a captivating style are the trademarks of Canada's Royal Winnipeg Ballet; qualities that have garnered both critical and audience acclaim. These qualities keep the RWB in demand as it presents more than 100 performances every season. Founded in 1939, the Royal Winnipeg Ballet holds the double distinction of being Canada's premier ballet company and the longest continuously operating ballet company in North America. In 1953, the Company received its royal title, the first granted under the reign of Queen Elizabeth II. In 1958, Arnold Spohr was appointed artistic director, and under his direction, the Royal Winnipeg Ballet grew and developed to take its place among the world's internationally renowned companies.

Eagle & Hawk:
One listen to Eagle & Hawks distinctive sound and youll be hooked. By blending inspired vision with musical talent, Eagle & Hawk have created a progressive style of rock steeped in roots, fusion, and solid songwriting that continues to earn fans and loads of fanfare worldwide. Eagle & Hawks music takes the lead in defining the genre of contemporary Indigenous music. Envisioning a sound that fused modern rock with traditional elements, guitarist and bandleader Vince Fontaine founded Eagle & Hawk in 1994. The journey took the band from Winnipeg, Manitoba to stages in European capitals where they blasted onto the scene with a powerful live show. While their effervescent performances won over international and national audiences, their talent and determination quietly garnered respect from fans and critics alike.

Tickets to 2010: The Concert are affordably priced at $20.10 in order to be accessible to all Winnipeggers. The faster you buy tickets the better chance you have at choice seating.

To purchase tickets, please call the WSO Box Office at 949-3999; go to www.wso.ca; call Ticketmaster at 780-3333 or go to www.ticketmaster.ca.

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En primeur Qubec chez Sillons le disquaire, CD Mlomane et Musique du Faubourg ds le 15 dcembre 2009

Michel Ct, saxophone

Andr Lachance, guitare

Franois Ct, batterie

Guillaume Bouchard, contrebasse et composition

En magasin ds le 19 janvier 2010


Qubec, le 11 dcembre 2009 - Aprs Happy Blue, duo de contrebasses avec Michel Donato enregistr en 2006 sous le label parisien Zig-Zag Territoires, le contrebassiste qubcois Guillaume Bouchard lance son nouveau disque Chemins. Guillaume Bouchard nous surprend par ses compositions o les mlodies qui nous transportent se mlent une harmonie toujours riche et recherche. Entour des excellents musiciens Michel Ct (saxophone), Andr Lachance (guitare) et Franois Ct (batterie), Guillaume Bouchard nous prsente cet album, qui se place dans la grande ligne du jazz traditionnel, comme un voyage dans son univers musical.


Lancement de lalbum le 22 dcembre 2009 17h

au bar de lHtel Clarendon, 57 rue Sainte-Anne, Qubec

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La carrire du chef dorchestre qubcois Jean-Michal Lavoie progresse rapidement !

Montral, 11 dcembre 2009 Install en France depuis un an, le jeune chef dorchestre qubcois Jean-Michal Lavoie se dmarque de plus en plus comme tant un chef au talent remarquable et au professionnalisme irrprochable.

Tout dernirement, il a t finaliste pour le poste de Directeur musical et Chef Principal de l'Orchestre de Besanon Franche-Comt. Pour un nouveau venu, se rendre ce stade de la comptition relve presque du miracle, ce qui dmontre lintrt rapide et grandissant que les tablissements franais portent Jean-Michal Lavoie.

preuve, voici les engagements qui jalonnent lhoraire de Jean-Michal pour les prochains mois :

- Chef Associ du Choeur Accentus pour lautomne 2009

- Chef invit de l'Ensemble orchestral de Paris (11-12 dcembre 2009 et 11, 17, 18, 19 fvrier 2010)
http://www.ensemble-orchestral-paris.com/orchestre/ensemble-orchestral-paris
orchestral-paris.com/orchestre/ensemble-orchestral-paris>
- Chef invit de l'Orchestre de Bretagne pour une tourne de 7 concerts (juin-juillet-aot 2010)
- Avril 2010 : Enregistrement d'un disque pour l'tiquette Nave avec l'Orchestre de Bretagne
http://www.orchestre-de-bretagne.com/
<http://www.orchestre-de-bretagne.com/>

Pour en savoir plus sur la carrire de Jean-Michal Lavoie, consultez son site internet :
www.jean-michaellavoie.com
<http://www.jean-michaellavoie.com/>


***

Choisi par Pierre Boulez et Susanna Mlkki pour tre chef assistant de lEnsemble intercontemporain (EIC), slectionn parmi 47 candidats et premier canadien occuper ce poste, Jean-Michal Lavoie a rapidement gagn la confiance de la prestigieuse formation parisienne. Il a dirig son premier concert la tte de lEnsemble en janvier 2009.

Natif de Saint-Csaire en Montrgie, Jean-Michal Lavoie complte ses tudes musicales Montral la Schulich School of Music de lUniversit McGill, o il a tudi le piano dans la classe de Richard Raymond en plus de se spcialiser en direction dorchestre, analyse, orchestration et histoire de la musique.

Chef dorchestre actif au Canada, il est dabord chef assistant du McGill Contemporary Music Ensemble de 2003 2007 et chef assistant Opera McGill en 2005 et 2006. Il fait des dbuts trs remarqus en 2006 la SMCQ loccasion du concert douverture du 40e anniversaire de la Socit. Il est tout de suite rinvit pour diriger deux crations nord-amricaines lors du Festival international Montral/Nouvelles Musiques en mars 2007. Dabord chef assistant du Chur de Radio-Canada depuis fvrier 2006, il est rapidement nomm directeur artistique adjoint pour la saison musicale 2007/08.

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Tuesday, December 15, 2009

LSM launches 2010 Endowment Fund Campaign

Every $1 Donated Will be Matched by $1.50 From Quebec Government



[Version franaise]


Montreal, QC December 8, 2009 La Scne musicale / The Music Scene (LSM), the non-profit organization that publishes the arts magazines La Scena Musicale / The Music Scene / La SCENA is pleased to announce that it has been awarded a spot in the matching program, Placements Culture, by the Quebec government. For every $1 donated to LSM by November 30, 2010, the Quebec government will contribute $1.50.


Placements Culture is designed to create endowment funds for charitable arts organizations. LSM plans to raise $100,000 over the next 12 months, which, combined with the government contribution, will create a $250,000 endowment. This is highly important for the longevity of the Canada National Magazine Awards-honoured La Scena Musicale, La SCENA and The Music Scene magazines, the multiple award-winning website SCENA.org, and LSMs other arts promotion activities.


Now celebrating its 14th year, LSM is a registered non-profit charity promoting music and the arts through three magazines, a website, and other outreach activities. It connects musicians/artists, the arts community and music/art lovers together through education and information. Help us continue our work with a donation (cash and goods are helpful) and by volunteering.


In light of the new Placements Culture subsidy, LSM is launching its 2010 Endowment Fund campaign and hopes that during this holiday season of giving, arts lovers everywhere will donate generously. All contributions made by December 31 will qualify for a 2009 tax receipt. Every donor will play an active part in promoting classical music and the arts by supporting LSM.



Donations Requested:

For more information, please contact 514-948-2520 or info@lascena.org

Donate at CanadaHelps.org or through Paypal

Charitable tax no. 14199 6579 RR0001

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La SCENA Green Card Launched For Arts Lovers

[Version franaise]

Environmentally-Friendly Membership Offers Cheaper Alternative


Montreal, QC December 8, 2009 Environmentally conscious arts lovers can now enjoy Canadas most comprehensive classical music and jazz magazines from the comfort of their computers. La Scena Musicale / The Music Scene / La SCENA (LSM) proudly launches the new La SCENA Green Card for Arts Lovers this winter. Green Card club members will save $15 off the traditional subscription fee and over 65% off newsstand prices.

For only $25 a year, members will receive high-resolution electronic versions of all 10 issues of La Scena Musicale (the latest in classical, jazz, and world music), 4 issues of La SCENA (specializing in visual arts, dance, theatre, cinema), and 2 issues of The Music Scene (focus on music in English-language Canada): thats 16 magazines every year. Not only are subscribers the first to know about upcoming concerts and recordings but they gain exclusive access to the extensive Naxos Music Library , where they can listen to over 39,000 CDs (thats almost 3,000 non-stop days of music!), as well as receive a new Discovery CD monthly (in partnership with XXI Records) featuring Canadas top musicians of the past and future for download. Green Card members can also download the entire past Discovery CD Collection (10 CDs already). And thats not all: the Green Card gives you access to special subscriber-only discounts from other retailers and institutions including Archambault, the Montreal Symphony Orchestra, and the Opra de Montral. Whats more, we give away CDs and tickets each month to a lucky subscriber, and as a special club member you will always receive select invitations to conferences, launches, and other special arts industry events.

Treat yourself this season and join the club. While you are at it, what can be better than offering your friends and family the gift of music and the arts at their doorstep with a LSM subscription? As the holidays approach, this is the perfect time to give LSM. Every subscriber plays an active part in promoting classical music and the arts by supporting LSM, a registered non-profit charity. And with the new Green Card as well as our traditional subscription package to choose from, you are sure to please any arts lover on your shopping list.

Info:

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Japanese Opera Star Mihoko Kinoshita to Sing in Phoneix

http://mail.google.com/a/lascena.org/?ui=2&ik=40fe1fc82c&view=att&th=1257f0b12c212efc&attid=0.1&disp=inline&zw

WILL STAR AS CIO-CIO-SAN IN PHOENIX OPERAS MADAMA BUTTERFLY

ACCLAIMED BY CRITICS FOR HER BUTTERFLY INTERPRETATION

Madama Butterfly

February 12, 14, 2010

In February Phoenix Opera will present an internationally renowned soprano in the role of Cio-Cio-San in Puccinis Madama Butterfly at the Orpheum Theatre. Mihoko Kinoshita has been called by some the greatest Cio-Cio-San due to her rich and incomparably controlled voice, and her unparalleled portrayal of the wide spectrum of emotions necessary for the role. Kinoshita has sung the role of Butterfly throughout Europe, Japan, and several major cities in the United States to enthusiastic reviews:

ĶKinoshitas vocal accomplishment is absolute. Ķbound up in Kinoshitas vocal prowess is her stage savvy. Her acting instincts elevate her singing to a devastating naturalism. We believe in this ingenuous Butterfly as surely as she believes in her marriage to the long-departed Lt. Pinkerton.

- The Detroit News

Ķgaining strength and richness; dramatically on target, with a wealth of detail in the acting. Kinoshita left quite a vivid mark on the [Butterfly] roleĶ

- Baltimore Sun

Soprano's brilliant performance carries Butterfly'

- Midland Daily News


http://mail.google.com/a/lascena.org/?ui=2&ik=40fe1fc82c&view=att&th=1257f0b12c212efc&attid=0.2&disp=inline&zw

Mihoko Kinoshita was born in Kagoshima, Japan. She completed both her Bachelor and Master's Degree at the Musashino Academy of Music. In 2001, she began studying abroad in Italy. She has been awarded numerous prizes, such as first place in the Santa Margherita International Opera Competition and Bevagna International Opera Competition, as well as second place in Verdian voice International Competition in Busseto and the Riccardo Zandonai International Opera Competition. She was also awarded the New Nippon Steal Award-Fresh artist award (2006), and the Idemitsu Music Award (2007), one of Japan's highest awards in the field of arts.

In 2007, Kinoshita was awarded first prize in the Licia Albanese Puccini Foundation Competition and caused a sensation in their winner's concert at Lincoln Center. Her "One Fine Day" (Un bel di vedremo) fascinated not only her audience but also the other winners.

She had her Baltimore Opera debut, in May 2008, as Madama Butterfly, following her debut with the Midland Symphony Orchestra in the same role. She also made her Detroit Opera debut at Michigan Opera Theater (MOT) in November. In all of the performances, her brilliant talent showed her full range of the Butterfly character, and won her much approval from critics and the public. Even now, audiences seldom have the chance to see such a talented Japanese singer, who can perform the title role as brilliantly.

In December, she was invited to the Puccini 150th Anniversary Gala Concert by Di Capo Opera and sang the "Love Duet" from Madama Butterfly with Raul Melo at Lincoln Center.

She has recognized as major interpreter of the role of Cio-Cio-San in Madama Butterfly, having sung the role at the Santa Margherita Opera Festival in Italy (2002), Belgrade Opera (2003), Sofia National Opera (2004), Tokyo Bunkakaikan of Nikikai Opera Theater (2004, 2006), the Kanagawa Philharmonic (2004) and the Sofia summer Festival (2006).

Kinoshita will make her Canadian debut as "Cio-Cio-San" at Vancouver in 2010. She resides in New York.

In the opera, Lieutenant B.F. Pinkerton marries a young Japanese girl, Cio-Cio-San. Taking his marriage vows lightly, Pinkerton abandons Cio-Cio-San and returns to America where he finds a new wife. Only realizing that she had been abandoned three years later, shortly before a return visit by Pinkerton and his new wife, Cio-Cio-San begins to set the stage for the third acts shocking conclusion. Madama Butterfly premiered at LaScala. In Milan, in 1904 and has consistently been one of the most performed operas in the repertoire.

Puccinis Madama Butterfly will be presented on February 12th and 14th, 2010 at the Orpheum Theatre in downtown Phoenix. Tickets are available at Ticketmaster or by calling the Orpheum Theatre at 602-262-7272.

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Classiques: vnements d'intrt communautaire / Community Events

vnement d'intrt communautaire

vnement : Cours de violon pour tous

Date : Ds maintenant

Heure : Sur rendez-vous

Adresse : 176, chemin du Bord-du-Lac Lakeshore, Pointe-Claire

Cot : Varie selon le niveau de llve.

Description : Apprendre jouer du violon, un instrument des plus expressifsĶ pourquoi pas ? Nos trois professeures hautement qualifies utilisent la Mthode Suzuki avec les enfants qui apprennent tout en samusant et dveloppent un sentiment de confiance en soi et de fiert. Il reste encore quelques places tard en aprs-midi les mardis, mercredis et samedis. Pour les 5 85 ansĶ ou plus ! Ne tardez pas, tlphonez pour plus dinformation.

Organisation : Centre culturel de Pointe-Claire, Stewart Hall

Contact : Rceptionniste

Tlphone : 514-630-1220


Community Event

Event: Violin Lessons

Date: On going

Time: By appointment only

Address: 176 ch. du Bord-du-Lac Lakeshore, Pointe-Claire

Cost: Varies according to students level

Description: Why not learn to play the violin, a most expressive and versatile instrument? Give yourself or your kids this very special and enjoyable skill. Using the Suzuki Method with the children, our three highly qualified and experienced professors make learning the violin a fun experience, instilling at the same time a sense of accomplishment and pride. There are still spaces available in the late afternoon on Tuesdays, Wednesdays and Saturdays. All ages are welcome! Dont wait, call us for information.

Organization: Pointe-Claire Cultural Centre, Stewart Hall.

Contact name: Receptionist

Telephone: 514-630-1220


vnement d'intrt communautaire

vnement : Cours de flte traversire (pour enfants ou adultes)

Date : Ds maintenant

Heure : Sur rendez-vous seulement

Adresse : 176, chemin du Bord-du-Lac Lakeshore, Pointe-Claire

Cot : Varie selon le niveau de llve.

Description : Ah, la flte ! Qui peut rester indiffrent la musique exquise et si douce qui mane de cet instrument ? Rares sont ceux qui ne peuvent apprendre le jouer avec plaisir, surtout avec notre professeur remarquable, Claire Marchand, fltiste renomme. Offrez-vous ce plaisir ou offrez votre enfant un passe-temps qui cultivera aptitudes rythmiques et mlodiques tout en dveloppant concentration et confiance en soi, un don qui lui servira toute la vie. Pour les jeunes et moins jeunes. Ne tardez pas, venez nous parler : cest sans obligation aucune.

Organisation : Centre culturel de Pointe-Claire, Stewart Hall

Contact : Rceptionniste

Tlphone : 514-630-1220


Community Event

Event: Transverse Flute Classes (for children or adults)

Date: Register now

Time: By appointment only

Address: 176 ch. du Bord-du-Lac Lakeshore, Pointe-Claire

Cost: Varies according to students level

Description: Ah, the flute! Who is not moved by the exquisite and gentle music emanating from this instrument? Few cannot learn to play it with pleasure, especially with our outstanding professor, Claire Marchand, a flutist of some renown. Give yourself this most satisfying pleasure, or give your child a pass-time that will develop rhythmic and melodic ability, and foster concentration and self confidence at the same time, a gift that will last a lifetime! For young and old. Dont wait, call now! Theres no obligation.

Organization: Pointe-Claire Cultural Centre, Stewart Hall.

Contact name: Receptionist

Telephone: 514-630-1220

Labels:

Jordan Wentworth Farrars The Day Boy and the Night Girl

A World Premiere Opera

An operatic re-imagining of a classic Victorian fairy tale


DayBoy/NightGirl logo - Please 'load' images


The Day Boy and the Night Girl

Written by Jordan Wentworth Farrar

Directed by Louisa Jonason and Rebecca Bani Kerr


Conducted by Jordan Wentworth Farrar


Adapted from the book by George MacDonald




Commissioned by the After Dinner Opera Company to commemorate its
60th anniversary.



Leonard Nimoy Thalia Hall at Symphony Space

December 29 and 30 at 7:30 p.m.


2537 Broadway at 95th Street, New York, NY 10025


Tickets: $12 students and seniors, $15 general admission, $10 each for groups of
10 or more.

Call 212-864-5400 or go to
symphonyspace.org.



New York, N.Y.
The After Dinner Opera Company presents the world premiere of Jordan Wentworth Farrars The Day Boy and the Night Girl, an operatic re-imagining of the classic Victorian fairy tale by George MacDonald. Wentworth Farrars new three-act opera debuts at Symphony Space on December 29, 2009.


The Day Boy and the Night Girl follows the lives of Phytogen and Nycteris, both of whom have been imprisoned by the sorcery of Watho, the she-wolf. The boy, Phytogen, has been cursed never to see night while Nycteris, the girl, is doomed never to see the light of day. This retelling of the fairy tale was adapted by Wentworth Farrar from her memory of reading the story as a child. I wanted to take the premise of the book and make it my own, she says.


According to Curator Magazine, Wentworth Farrars music is tonal, with haunting melodic themes interspersed with tightly stacked vocal harmonies... a new and unusual work.


DigitalCity notes "an eerie yet beautifully melodic chorus adorned with splendid vocal harmonies reverberates out from a fantastical scene of dancing fireflies, mystical mermaids and other apparitions."


The Village Voice calls it "An enchanted evening."


The opera also marks the 60th anniversary of the After Dinner Opera Company, which commissioned The Day Boy and Night Girl to celebrate its milestone birthday. Since 1950, the After Dinner Opera has produced hundreds of American chamber operas by more than 70 composers, including Duke Ellington and Leonard Bernstein.



About Jordan Wentworth Farrar:
Jordan Wentworth Farrar is a New York City based composer and singer. Her performances include roles and solo engagements with Gran Teatre del Liceu of Barcelona, New Yorks Amato Opera, Austin Civic Opera, and the Civic Light Opera of Seattle. The Day Boy and the Night Girl


For more information about THE DAY BOY AND THE NIGHT GIRL by JORDAN WENTWORTH FARRAR please visit dayboynightgirl.com.


Hear music samples from The Day Boy and the Night Girl on the DBNG Facebook page.
is her first opera.

Labels:

Highlights at Midem Jazz 2010





Sophie Hunger
Benoit Peverelli

Tigran Hamasyan
Christian Ducasse

Klaus Doldinger
Warner Music Group


Paris, 11 December 2009 The MIDEM Jazz event will once again be welcoming a selection of international artists next month. A sparkling line-up of performers will take the stage at the events jazz club in the Salon Zphyr at the Hotel Carlton from 24-26 January 2010.

For the third consecutive year, the Talent Jazz stage will offer one concert each evening from Sunday through Tuesday:

Ģ Sunday 24 January, Swiss singer Sophie Hunger will transport the audience to her unique universe, where folk meets pop and jazz. The composer, pianist, guitar player and singer will be joined by trombonist Michael Flury and Christian Prader (flute, piano and guitar).
Ģ Monday 25 January will see Tigran Hamasyan performing his virtuoso improvisations. The 22 year old New York-based Armenian pianist has already produced three albums, won prizes from international competitions (Montreux, Juan-les-Pins and the Martial Solal Competition) and collaborated with the likes of Wayne Shorter, Herbie Hancock and John McLaughlin.
Ģ Tuesday 26 January is when Canadian pianist Franois Bourassa will share his daring musical explorations. This master of polyrhythm, whose remarkable compositions are heavily influenced by French music, has spent the last twenty five years travelling the world with his musical collaborators.

Each night, Talent Jazz will be followed by MIDEM Jazz Club, from 11pm to 1.30am:

Ģ Sunday 24 January will have a Spanish flavour with two of the hottest acts from the Catalan scene: Double bass player Giulia Valle will explore her experimental rhythms, followed by a concert from the Xavier Dotras Trio.
Ģ Monday 25 January, MIDEM will be presenting the Carte Blanche SACEM evening. The line-up includes guitarist Louis Winsberg, winner of the Django dOr 2008, and his amazing Jaleo project where jazz blends with flamenco and Indian music. The second part of the evening will be dedicated to Davy Sicard, with his Creole-tinted jazz and its Madagascan, Indian and African influences.
Ģ Tuesday 26 January, MIDEM will be honouring German producer Siggi Loch, founder of the Act label. Two exceptional events will mark the celebrations: The reforming of the mythical jazz fusion group of the 1970s that made his name, Passport, with its leader Klaus Doldinger; followed by a unique session with artists from his hotbed of budding talent brought together under the moniker Act Family Band: Niels Landgren, Michael Wollny, Lars Danielsson, Fry Aagre, Wolfgang Haffner and Nguyen L.

New this year:
Ģ MidemNet for free! - Access to the cutting-edge digital business conference included in MIDEM registration.
Ģ MidemNet Lab - Discover the latest digital innovations through the selection of 15 promising start-ups, chosen by a jury of successful entrepreneurs.
Ģ MIDEM+ - Innovative networking solutions and one-on-one expert guidance to boost business efficiency.
Ģ Redesigned exhibition zone - Networking, knowledge and open meeting places right at the heart of the market.
Ģ The Fringe - A friendly and efficient manner to showcase artists to the world.

Discover all the latest news on our website www.midem.com.

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Time For the WSO to Go Baroque

Winnipeg, MB December 10, 2009 The Winnipeg Symphony Orchestra (WSO), together with Virtuosi Concerts, are proud to present Baroque I Bach & Sons. The two concerts being held at the Eckhardt-Gramatt Hall at The University of Winnipeg, on December 12 and 13, will feature the WSOs Gwen Hoebig, Yuri Hooker, and the Baroque Chamber Players performing classics by Bach.

Johann Sebastian Bach's towering musical stature produced sons whose music reflected both their heritage and their times. With stories and insights to complement the music, we explore the mightiest of musical families.

Recognized as one of Canada's most outstanding violinists, Gwen Hoebig is a graduate of the Juilliard School in New York City and has been the WSO concertmaster since 1987, a position she was awarded by a unanimous choice of the audition committee. Gwen was recently recognized at the 50th anniversary celebrations for the Canadian Music Centre for her exemplary commitment to the performance of the music of Canadian composers.

Principle Cellist with the WSO and Manitoba Chamber Orchestra (MBO) and an avid chamber musician, Yuri Hooker has performed with a variety of ensembles at numerous venues throughout Western Canada and the United States. In past seasons he has performed concertos with the WSO, MCO and MusikBarock, arranged and performed music for the MCO Chamber Music Night, and has been featured on CBC Radio's Arts Encounters.

For more information, visit www.wso.ca or www.virtuosi.mb.ca.

In partnership with Virtuosi Concerts, the WSO presents Baroque I on Sunday, December 12 at 8 pm and Saturday, December 13 at 2 pm at the Eckhardt-Gramatt Hall at The University of Winnipeg.

Regular tickets are $29 and student tickets are just $10. Tickets for Saturday are nearly sold out and are only available through Virtuosi at 785-9000. Tickets for Sunday are available at the WSO box office until noon on Friday, December 11, at 949-3999 or wso.ca. After noon, tickets will be available through Virtuosi.

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Monday, December 14, 2009

Vivaldis Four Seasons with the VSO and Elizabeth Wallfisch

Vancouver BC Vivaldis Four Seasons is a timeless classic and a staple of the Holiday season. This year, Elizabeth Wallfisch will lead the orchestra from the violin in her interpretation of the piece, as well as chamber works by Purcell and Handel. Additionally, VSO Principal Oboist Roger Cole will be featured in Bachs Concerto for Oboe d'amore in A Major. The concerts take place on December 18th and 19th at the Chan Centre for Performing Arts and Massey Theatre in New Westminster on December 21st for one performance at 7:30pm.

Elizabeth Wallfisch is in demand world-wide as a soloist on both modern and period instruments, and as leader directing from her instrument. Her playing has taken her from the Lincoln Center in New York, where she led the Orchestra of the Enlightenment in the opening concert of the 2003 Handel Festival, to Zimbabwe, where she appeared as soloist with the Harare Symphony Orchestra. Libby - as she is universally known - proves herself time and again as a favourite with both audiences and orchestras because of her superb instrumental abilities, her generous and sparkling personality and her impeccable musicianship.

Vivaldis Four Seasons is one of the most popular works ever written. Vivaldi played a significant role in many important music developments, most notably the rise of the concerto. He wrote over five hundred concerti for various instruments, the most popular of those being for the violin. Vivaldi was paid the tremendous compliment of having Johannes Sebastian Bach transcribe many of his concerti. The Four Seasons are of course Vivaldis most enduringly popular works, probably due both to their exceptional quality and the programmatic, or descriptive, nature of the music. Vivaldi made pioneering efforts in the area of descriptive composition, and was explicit to a greater degree than any of his other compositions in terms of his elaborate description of what the music portrays. The Four Seasons has become an iconic work, standing alongside the likes of Beethovens 9th as the most recognized and loved music ever written.

CONCERT INFO

Friday and Saturday, December 18 and 19, 8pm, Chan Centre for the Performing Arts at UBC

Monday, December 21, 7:30pm, Massey Theatre

Vivaldis Four Seasons

Elizabeth Wallfisch, conductor/violin

Roger Cole, oboe damore

Purcell Abdelazar, Z.570: Suite

Handel Concerto Grosso, Op 6, No. 9, HWV 327, in F Major

JS Bach Concerto for Oboe d'amore in A major, BMV 1055

Vivaldi The Four Seasons