Musical Fundraiser at Cafe Sarajevo, Feb. 28- for 'night, Mother presented by Altera Vitae

For information: Carolyn-Fe Trinidad: askus@alteravitae.com, 514 823-8823

A FUNDRAISING MUSIC EVENT for

The upcoming production of

'night, Mother

By Marsha Norman (1983 Pulitzer Prize)

(at Mainline Theatre, March 19 to 30, 2008)

ALTERA VITAE PRODUCTIONS AND FSOS (FAMILY SURVIVORS OF SUICIDE)

PRESENT AN EVENING OF MUSIC AND AWARENESS

This exciting musical evening will take place at:

Caf�� Sarajevo

Thursday, February 28, 2008

8:00 PM

6548 Boul St-Laurent (below Beaubien)

Metro: Beaubien

$15.00, tickets available at the door

includes

Refreshments & Hors D'Oeuvres

DJ

Dance

Live music provided by hot Montreal talents

Daniel Iorio (www.danieliorio.com)

DD Swank (www.ddswank.com)

Dush (www.myspace.com/templeofdush)

'night, Mother original soundtrack available on CD for $10

5$ of every CD sold is donated to FSOS (www.suicideaftermath.com)

Plus- Raffle prizes:

'night, Mother Original Soundtrack CD

Tickets to 'night, Mother

HELP US HELP THOSE WHO NEED TO BE HEARD!

Details of National Performing Arts Convention: June 10-14 in Denver

Registration Now Open for First Large-Scale

National Performing Arts Convention, June 10-14

• Dance, Opera, Music and Theatre All Coming Together in Denver
• Discounted Early-Bird Registration Closes March 31
• Over 60 Sessions and Presentations to Take Place: More Presenters Announced

January 29, 2008 (New York, NY) - Registration opened last week for the nation's first truly combined National Performing Arts Convention (NPAC) at www.performingartsconvention.org. Scheduled for June 10-14 in Denver, NPAC will bring together nearly 5,000 people, with a diverse range of interests in the non-profit performing arts, to shape the direction of the industry over the next decade. Attendance is open to anyone, including: actors, agents, arts administrators, businesses, composers, conductors, critics, dancers, directors, educators, fundraisers, instrumentalists, marketers, musicians, producers, singers, trustees and volunteers.

Discounted 'Early-Bird' registration rates are in place until March 31; they represent a savings of between 17 and 33 percent off full price. Full details are available at www.performingartsconvention.org. While NPAC has been designed to engage attendees in shared, multi-disciplinary content where they will learn best practices and meet colleagues from other fields, time has also been reserved for each artistic discipline's organization to convene its own members for special events and programming. During NPAC's online registration process, participants will be prompted to also enroll in discipline-specific sessions of special interest to them, at an additional cost.

NPAC is being presented by nearly 25 national performing arts service organizations that are rolling up their sleeves and coming together to develop, design, fund and facilitate the 2008 convention in close partnership with colleagues from the Denver performing arts community. "We expect this historic collaboration will more clearly communicate the importance of the performing arts to the nation's quality of life, economy and identity," said Ann Meier Baker, co-chair of NPAC and President/CEO of Chorus America. "By working together, performing arts leaders will be able to more effectively bring the value of what we do to a wider audience, not least of all to policymakers and politicians through an online Advocacy Center that will be operating through the convention," added Marc A. Scorca, co-chair of NPAC and President/CEO of OPERA America.

In addition to general session speaker Jim Collins, acclaimed author of Good to Great: Why Some Companies Make the Leap��and Others Don't, nearly 100 speakers and presenters of note have been confirmed. Some of the diverse names include: Pulitzer prize-winning playwright Paula Vogel, Baltimore Symphony music director Marin Alsop, Venezuelan music education phenomenon Jose Antonio Abreu, Jazz at Lincoln Center executive director Adrian Ellis, current and former National Endowment for the Arts chairs Dana Gioia and Bill Ivey, contemporary American tenor John Duykers, New York Times critic and founder of the Lincoln Center Festival John Rockwell and Louisiana Lt. Governor Mitch Landrieu is also tentatively scheduled - to name a few. A full list of speakers and presenters can be found at www.performingartsconvention.org.

Examples of some of the 60 planned sessions include: Taking Art Off the Shelf: Making the Arts Relevant Again; The Art of Living, or Living for Art: A Survival Guide for Individual Artists; The Value of A Seat; Design, Evaluation and Research on Arts Education Programs; Playwriting Bootcamp; Fun with Critics; The Changing Technological Universe and its Potential for the Arts Sector; Boomers: A Blooming Audience, or Fading Flowers in the Cultural Scene?; Artists from Abroad: Everything You Need to Know about Visa and Tax Issues; Opera: From Soap to Nuts; It Ain't Easy Being Green!; and, Art and Activism: Making Art, Making a Difference.

The participating NPAC arts service organizations include: American Composers Forum, American Music Center, Americans for the Arts, Association of Performing Arts Presenters, Chamber Music America, Chorus America, Conductors Guild, Creative Capital, Dance USA, Early Music America, Folk Alliance, Grantmakers in the Arts, International Association for Jazz Education, League of American Orchestras, Meet the Composer, Music Critics Association of North America, National Assembly of State Arts Agencies, National Guild of Community Schools of the Arts, National Performance Network, North American Performing Arts Managers and Agents, OPERA America, Theatre Communications Group, and University/Resident Theatre Association.

NPAC also expects more than 150 different companies to exhibit: ranging from artist managers and music publishers - for example - to acousticians, staging, apparel and recording companies in the convention's 100,000 square foot exhibition hall, located an escalator ride away from the majority of the programming. NPAC is made possible through the generous support of a range of donors and sponsors. A full list is available at www.performingartsconvention.org/sponsors.

***

Media website: www.performingartsconvention.org/press.htm

***

The Midem Classical Awards Winners 2008

Cannes, 31 January 2008 - The fourth edition of the MIDEM Classical Awards, which took place yesterday evening in Cannes as part of MIDEM (International Music Market, 27-31 January), awarded prizes to 12 CDs and three DVDs recorded in 2007 from 17 international labels.

Several major figures from the international music scene participated in the gala evening. Of special note was the legendary German mezzo-soprano Christa Ludwig, honorary patron of MIDEM Classic 2008, who received the Lifetime Achievement Award to a standing ovation given by the audience. David Zinman, the renowned American conductor, best known for his prolific discography which includes the complete symphonies of Beethoven, was presented with the Artist of the Year Award. Robert von Bahr, founder of the Swedish label Bis Records, was awarded the Label of the Year Award, in recognition of Bis' exceptional catalogue of Scandinavian and contemporary music.

Hosted by reputed classic journalists Genie Godula and James Jolly in the Debussy Theatre of the Palais des Festivals, the fourth edition of the MIDEM Classical Awards staged a prestigious and diverse programme of works.

The Orchestre R��gional Provence Alpes C��te d'Azur, conducted by Philippe Bender, accompanied the young Czech soprano L��via ��ghov��, winner of the best Opera Recording Award for Kral a Uhlir by Antonin Dvorak, in Rusalka's Aria also by Dvorak and also the Canadian violinist Corey Cerovsek, winner of the Best Chamber Music Award for his recordings of Beethoven's sonatas released by Claves, in an interpretation of the Polonaise de Concert for violin and orchestra in D major by Hendryk Wieniawski.

Polish violinist Patrycja Pietkutowska, accompanied by pianist Janusz Olejniczak, won the Contemporary Music category for their recorded works of composer Krzysztof Penderecki released by Dux, the duo charmed the audience with their interpretation of the Miniatures by the same composer; and English Navarra Quartet, chosen by the jury as Outstanding Young Artist, gave an impressive performance of the first movement of Felix Mendelssohn's String Quartet in A minor.

The prestigious Jury Nomination prize was awarded to the recording of Vin Herb�� by Franck Martin released on Harmonia Mundi, and the Recording of the Year award went to the complete Beethoven Sonatas by Daniel Barenboim released on DVD by EMI.

Winners of the 2008 MIDEM Classical Awards

Early Music
Christophorus Columbus
Paraisos Perdidos
Hesp��rion XXI, de La Capella Reial de Catalunya, Figueras, Savall
Alia Vox AVSA 9850 A+B

Baroque Music
Handel
Messiah (Dublin Version)
Hamilton, Gil, Wilkinson, Mulroy, Dunedin Consort & Players, Butt
Linn Records CKD 285

Vocal Recitals
Heroes: Vivaldi - Opera Arias
Jaroussky, Ensermble Matheus, Spinosi
Virgin Classics 9463634142

Choral Works
Sch��neberg
Gurrelieder
Diener, Naef, Smith, Siegel, Lukas, Schmidt, Chor des Bayerischen Rundfunks, MDR Rundfunkchor Leipzig, SWR Sinfonieorchester Baden-Baden und Freiburg Gielen
H��nssler Classic SACD 93.198

Solo Instrument
Scriabin
��tude, Sonata No. 2, Four Mazurkas, Nuances, Po��me, etc.
Sudbin
BIS SACD1568

Chamber Music
Beethoven
The 10 Violon Sonatas
Cerovsek, Jumppanen
Claves CD 50 2610/12

Opera
Dvorak
Kr��l a Uhl��r
Jenis, Mikulas, Breedt, Aghova, Lehotsky, Sch��fer, Prager Kammerchor,
WDR Rundfunkchor K��ln, WDR Sinfonieorchester K��ln, Albrecht.
Orfeo C 678062 H

Contemporary Music
Penderecki
Capriccio, De Natura Sonoris II, Piano Concerto I
Piekutowska, Bilinska, The National Polish Radio Symphony
Orchestra Katowice, Penderecki
Dux 0582

Historical
Schumann
Das Paradies und die Peri
Price, Miljakovic, Howells, Wright, Hollweg, Gaifa, Brendel,
Amis el Hage, Coro e Orchestra Sinfonica RAI di Roma, Giulini
Arts Music 43076-2

Concertos
Sibelius / Lindberg
Violin Concertos
Batiashvili, Finnish Radio Symphony Orchestra, Oramo
Sony Classical 886971293623

Symphonic Works
Bart��k: Kossuth, The Wooden Prince
Hungarian National Philharmonic, Kocsis
Hungaroton HSACD 32502

First Recording
Britten on Film: Coal Face, Night Mail, Rossini Suite,
The King's Stamp, etc.
Beale, Carewe, Birmingham Contemporary Music Group, City of
Birmingham Symphony Chorus, Choir of King Edward's School, Brabbins
NMC D 112

DVD: Opera/Ballet
Shostakovich: Lady Macbeth of Mtsensk
Westbroek, Ventris, Wilson, Vaneev, Poulson, Ludha, Kravets, Chorus of
De Nederlandse Opera, Royal Concertgebouw Orchestra
Jansons, Kusej
Opus Arte OA 0965 D

DVD : Concerts
Barenboim on Beethoven
The Complete Piano Sonatas
Barenboim
EMI Classics 0946 3 68993 9 8

DVD: Documentaries
Jacqueline du Pr��: A Celebration
Du Pr��, Zukerman, Perlman, Mehta, Barenboim, Fischer-Dieskau,
Ashkenazy, Barbirolli, etc.
Allegro Films A 07CN D

Classical Download
Mozart
Piano Concertos Nos. 17 KV 453 and 18 KV 456,
Symphony No. 33 KV 319
Chamber Orchestra of Europe, Aimard
DG Concerts D/D/D/4776436 /G/HD

Jury Nomination
Martin
Le Vin herb��
Piau, Davislim, B��hnert, Wiedemann, Bartsch, Burhmann, Hartmann,
RIAS Kammerschor, Scharoun-Ensemble, Reuss
Harmonia Mundi HMC 901935.36

Label of the Year
Bis Records, Sweden

Outstanding Young Artist
Navarra Quartet

Artist of the Year
David Zinman

Lifetime Achievement Award
Christa Ludwig

For further information about Reed MIDEM visit www.reedmidem.com.

For more information please contact:
Reed MIDEM
Jane GARTON, Press Manager
Tel: +33 (0)1 41 90 44 39, Email: jane.garton@reedmidem.com
M��lanie AIGLE, Press Officer
Tel : +33 (0)1 41 90 49 95, Email : melanie.aigle@reedmidem.com
Fax: +33 (0)1 41 90 67 24

Sequenza, MIDEM Classique & Jazz Press Service
Marianne GAUSSIAT, mgaussiat@sequenza-comprod.com
Julie NEVEU, jneveu@sequenza-comprod.com
Agathe BLONDEL, contact@sequenza-comprod.com
10 avenue Jean Moulin, 75014 Paris
Tel/Fax + 33 (0)1 45 43 77 58

www.midem.com

J.S. Bach Meets the Great Glenn Gould at the next TD Canada Trust Family Adventures with the NAC Orchestra conducted by Boris Brott on February 9

Ottawa (Canada) - The TD Canada Trust Family Adventures with the National Arts Centre Orchestra series continues on Saturday, February 9 with J.S. Bach Meets the Great Glenn Gould at 13:30 and 15:30 in the afternoon with pre-concert activities in TuneTown beginning 45 minutes prior to each concert. Principal Youth and Family Conductor Boris Brott returns to the podium for the bilingual concerts which are perfect for kids 5 and up, and their grown-up friends. He is joined by the brilliant young Calgary pianist Jan Lisiecki, Ottawa's fiddling sensation Sarah Burnell and the Sarah Burnell Band, Stellae Boreales (SuzukiMusic senior string ensemble), organist Thomas Annand, and the Christ Church Cathedral Choir of Men and Boys.

Johann Sebastian Bach (performed by actor Luc Th��riault) visits the NAC Orchestra to tell you about his life and times, and of course his music. Audiences will hear musical excerpts from Bach's Magnificat, Jesu Joy of Man's Desiring and the B-Minor Mass performed by the Christ Church Cathedral Choir of Men and Boys; the Suite No. 2 featuring flutist Camille Churchfield; as well as the Brandenburg Concerto No. 5.and Concerto for Two Violins in D minor featuring Stellae Boreales. Star fiddler Sarah Burnell and her ensemble improvise on the Orchestral Suite No. 3. Jan Lisiecki, the 12-year-old piano prodigy who studies at Calgary's Mount Royal College Conservatory and has participated in the NAC Young Artists Programme, has already performed three times with the NAC Orchestra including this series, Canada Day celebrations, and the prestigious 2006 NAC Gala. He will perform Bach's Goldberg Variations as well as the Keyboard Concerto in B-flat major by Bach's son Johann Christian Bach. The concert includes a special appearance on the giant NACOtron screen by Glenn Gould, the legendary Canadian pianist and Bach specialist.

The concert ticket includes "TuneTown", pre-concert activities in the NAC Foyer organized by Friends of the NAC Orchestra 45 minutes prior to each concert, beginning at 12:45 for the first concert and 14:45 for the second concert. The activities and community partners for J.S. Bach Meets the Great Glenn Gould include short recitals by students of the Ontario Registered Music Teachers Association; an Ottawa Public Library book display; a demonstration of how pianos are constructed and tuned with NACO piano tuner Don C��t��; a percussion demo with Music for Young Children; an info booth with the Christ Church Cathedral Men & Boys Choir; a craft station to make Bach and Glenn Gould ID tags; an instrument petting zoo with stringed instruments, and a chance for subscribers to meet "Boris the Explorer". After the concert, the audience also has the chance to meet fiddler Sarah Burnell in the Foyer.

All TD Canada Trust Family Adventures feature NACOtron presented in collaboration with Rogers Television. Five television cameras positioned on stage and in the hall capture live video images of the musicians while they are performing, and these images are projected onto a giant screen above the stage allowing the audience to watch the action in close-up.

The Ottawa Citizen is the media partner of the TD Canada Trust Family Adventures with the NAC Orchestra.

Tickets for J.S. Bach Meets the Great Glenn Gould on Saturday, February 9 at 13:30 and 15:30, including TuneTown Pre-Concert Activities, are $12.00 for children and $20.00 for adults (including GST and Facility Fee where applicable) and are on sale now at the NAC Box Office (Monday to Saturday from 10:00 to 21:00), and through Ticketmaster (with surcharges) at 613-755-1111. Visit the National Arts Centre's web site at www.nac-cna.ca.

Groups of 10 and more save 15% to 20% off the regular price of tickets to NAC Music, Theatre and Dance performances. To reserve your seats call 613-947-7000 ext. 384 or email grp@nac-cna.ca.

- 30 -

Jane Morris

Communications Officer/Agente de communication

National Arts Centre Orchestra/Orchestre du Centre national des Arts

Telephone/T��l��phone: 613-947-7000 x 335

Fax: 613-996-2828

www.nac-cna.ca

www.artsalive.ca

OCNA, le 9 f��vrier : Aventures familiales TD Canada Trust proposent J. S. Bach face �� Glenn Gould

Le 30 janvier 2008

Les prochaines Aventures familiales TD Canada Trust avec l'Orchestre du CNA, sous la direction de Boris Brott, proposent J. S. Bach face �� Glenn Gould , le 9 f��vrier

Ottawa (Canada) - L'Orchestre du Centre national des Arts poursuit la s��rie des Aventures familiales TD Canada Trust et pr��sente J. S. Bach face �� Glenn Gould le samedi 9 f��vrier �� 13 h 30 et 15 h 30, au cours de deux concerts pr��c��d��s par Dor��miville, un ensemble d'activit��s qui d��butent 45 minutes avant chaque concert. Boris Brott, le premier chef des concerts jeunesse et famille sera de retour au podium pour pr��senter ces concerts bilingues destin��s aux jeunes de cinq ans et plus, ainsi qu'�� leurs amis adultes. Il accueillera sur sc��ne le brillant jeune pianiste de Calgary Jan Lisiecki, la sensationnelle violoniste d'Ottawa Sarah Burnell et le Sarah Burnell Band, Stellae Boreales (ensemble de cordes ��m��rite de SuzukiMusic), l'organiste Thomas Annand et le Choeur d'hommes et de gar��ons de la cath��drale Christ Church.

En visite �� l'Orchestre du CNA, Jean-S��bastien Bach (incarn�� par le com��dien Luc Th��riault) parle de sa vie, de son ��poque et, bien entendu, de sa musique. L'auditoire pourra entendre des extraits musicaux du Magnificat, de J��sus que ma joie demeure et de la Messe en si mineur de Bach interpr��t��s par le Choeur d'hommes et de gar��ons de la cath��drale Christ Church; la Suite n^o 2 mettant en vedette la fl��tiste Camille Churchfield; ainsi que le Concerto brandebourgeois n^o 5 et le Concerto pour deux violons en r�� mineur avec l'ensemble Stellae Boreales. La c��l��bre violoniste Sarah Burnell et son ensemble improviseront sur la Suite orchestrale n^o 3. Jan Lisiecki, jeune pianiste prodige de 12 ans, ancien stagiaire du Programme des jeunes artistes du CNA, qui ��tudie au conservatoire du Coll��ge Mount Royal de Calgary, s'est d��j�� produit trois fois avec l'Orchestre du CNA, en l'occurrence dans cette m��me s��rie, �� l'occasion de la f��te nationale du Canada et �� l'��dition 2006 du prestigieux Gala du CNA. Il interpr��tera les Variations Goldberg de Bach, ainsi que le Concerto pour clavier en si b��mol majeur de Johann Christian Bach, le fils de Jean-S��bastien. Au cours du concert, l'��cran g��ant de l'OCNAtron permettra aux spectateurs de d��couvrir Glenn Gould, l��gendaire pianiste canadien sp��cialiste de Bach.

Le billet inclut les activit��s �� Dor��miville �� pr��sent��es avant le concert dans le Foyer du CNA par les Amis de l'Orchestre du CNA, 45 minutes avant le d��but de chaque concert, soit �� 12 h 45 pour le premier concert et 14 h 45 pour le second. Avant le concert J. S. Bach face �� Glenn Gould, divers partenaires locaux pr��senteront les activit��s suivantes : les ��l��ves de l'Association des professeur(e)s de musique de l'Ontario proposeront de brefs r��citals; la Biblioth��que publique d'Ottawa apportera une s��lection de livres; Don C��t��, l'accordeur de pianos de l'OCNA expliquera comment on construit et accorde un piano; Musique pour jeunes enfants fera une d��monstration de percussion; le Choeur d'hommes et de gar��ons de la cath��drale Christ Church aura un stand d'information; il y aura un atelier de bricolage permettant de r��aliser des pi��ces d'identit�� au nom de Bach et de Glenn Gould; les spectateurs pourront participer �� une activit�� touche-��-tout d'instruments �� cordes et auront la chance de rencontrer �� Boris l'explorateur ��. Apr��s le concert, le public pourra ��galement rencontrer la violoniste Sarah Burnell dans le Foyer.

Tous les Aventures familiales TD Canada Trust b��n��ficient de l'OCNAtron pr��sent�� en collaboration avec la T��l��vision Rogers. Cinq cam��ras de t��l��vision install��es sur sc��ne et dans la salle enregistrent en direct des images vid��o des musiciens pendant qu'ils jouent sur sc��ne et les transmettent sur l'��cran g��ant surplombant la sc��ne, afin de permettre au public de suivre de pr��s tout ce qui se passe.

Les billets pour les Aventures familiales TD Canada Trust pr��sent�� le samedi 9 f��vrier �� 13 h 30 et 15 h 30, incluant les activit��s d'avant-concert, sont en vente d��s maintenant �� 12 $ pour les enfants et 20 $ pour les adultes (TPS et frais d'��tablissement inclus dans les cas qui s'appliquent), �� la Billetterie du CNA (du lundi au samedi de 10 h �� 21 h) et par l'entremise du r��seau Ticketmaster (frais de service en sus) au (613) 755-1111. Consultez le site Web du Centre national des Arts �� l'adresse www.nac-cna.ca .

Formez un groupe de 10 personnes et plus, et ��conomisez de 15% �� 20% sur le prix r��gulier des billets pour l'Orchestre du Centre national des Arts, la Danse et le Th����tre. Pour r��server appelez 947-7000 poste 384 ou ��crivez �� grp@nac-cna.ca.

The Ottawa Citizen est le m��dia partenaire des Aventures familiales TD Canada Trust avec l'Orchestre du CNA.

- 30 -

Jane Morris

Communications Officer/Agente de communication

National Arts Centre Orchestra/Orchestre du Centre national des Arts

Telephone/T��l��phone: 613-947-7000 x 335

Fax: 613-996-2828

www.nac-cna.ca

www.artsalive.ca

Hold the dates: Ireland's Own Carmel O'Reilly Tonite!

Hold the Dates!

If you would like to interview Colleen Curran, Corey Castle or Glenn Roy- Media Relations: Janis Kirshner, (514) 287-8912, jkirshner@sympatico.ca

Derry Queen

Presents

Ireland's Own Carmel O'Reilly Tonite!

A new play by Colleen Curran

Directed by Corey Castle

Mark these dates in your spring calendar

Tuesday, March 4 - Sunday, March 9, 2008

A play that's the best Irish party in town!

Starring Colleen Curran and Glenn Roy.

Ireland's Own Carmel O'Reilly Tonite!

Theatre Ste. Catherine

264 Ste. Catherine St. East

Box Office: (514) 284-3939 or reservations@theatrestecatherine.com

Seven shows only!

Tuesday to Saturday 8:00 p.m.

Matin��es: Saturday & Sunday 2:00 p.m.

Media opening night is Tuesday, March 4

Press Release to follow

Media Contact: Janis Kirshner jkirshner@sympatico.ca (514) 287-8912

This is an Equity approved co-op.

NACO, Feb. 6-7: Tchaikovsky Celebration features Russian pianist Boris Berezovsky

Ottawa (Canada) - Russian pianist Boris Berozovsky, winner of the Gold Medal at the 1990 International Tchaikovsky Competition in Moscow, will make his National Arts Centre Orchestra debut performing Tchaikovsky's Piano Concerto No. 1 with its dazzling pyrotechnics and soaring melodies in Bostonian Bravo Series concerts on Wednesday, February 6 and Thursday, February 7 at 20:00 in the NAC's Southam Hall. Norwegian conductor Arild Remmereit returns to lead this Tchaikovsky Celebration, opening the programme with orchestral selections from Tchaikovsky's opera Eugene Onegin and concluding it with the composer's rarely heard Symphony No. 3, a sparkling gem nicknamed the "Polish" Symphony for its dance rhythms, melodies and evocative colouring.

These concerts include Musically Speaking pre-concert talks in French at 19:00 entitled "Tcha��kovski en trois temps" given by music critic Jean-Jacques Van Vlasselaer.

Of Boris Berezovsky, Gramophone magazine declared: "Here, surely, we have the truest successor to the great Russian pianists". The Moscow-born Berezovsky has established a remarkable reputation, both as the most powerful of virtuoso pianists and as a musician of unique insight and sensitivity. Following his London debut at Wigmore Hall in 1988, The Times described him as "an artist of exceptional promise, a player of dazzling virtuosity and formidable power". Two years later that promise was fulfilled when he won the Gold Medal at the 1990 International Tchaikovsky Competition in Moscow. He works regularly as a concerto soloist with orchestras including the Concertgebouw, New Japan Philharmonic, and Dallas Symphony Orchestra. In recital and as a chamber musician he performs regularly in recital series and festivals world-wide. Boris Berezovsky's recent recordings of the complete Beethoven Concerti with the Swedish Chamber Orchestra with Thomas Dausgaard have been greeted with high critical acclaim. He has also made a considerable number of records for Teldec including concertos by Tchaikovsky, Rachmaninov and Liszt.

Born in Norway, conductor Arild Remmereit studied piano, voice and composition at the Norwegian Conservatory of Music in Oslo, graduating in 1986. He has also studied with Leonard Bernstein, and appeared as an assistant for Myung-Whun Chung in Oslo and Paris, and for Mariss Jansons in Vienna. His critically acclaimed debuts in recent years include the NAC Orchestra in 2006, as well as the Pittsburgh Symphony, the Baltimore Symphony, Milan's Filarmonica della Scala, the Vienna Symphony, and the Munich Philharmonic, the Dallas Symphony, the Deutsches Symphonie Orchester Berlin, the Houston Symphony, and the Detroit Symphony.

Tickets for these Bostonian Bravo Series concerts on Wednesday, February 6 and Thursday, February 7 at 20:00 are on sale now at $19.00, $29.00, $49.00, $59.00, $69.00 with box seats at $83.00 (GST and Facility Fee included) at the NAC Box Office (Monday to Saturday from 10:00 to 21:00), and through Ticketmaster (with surcharges) at 613-755-1111. Ticketmaster may also be accessed through the NAC's website at www.nac-cna.ca.

Half-price tickets for students in all sections of the hall are on sale in person at the NAC Box Office upon presentation of a valid student ID card. Same-day Live Rush tickets (subject to availability) for full-time students (aged 13 to 29) are $10 at the NAC Box Office between 14:00 and 18:00 on the day of performance only, upon presentation of a valid Live Rush card.

Groups of 10 and more save 15% to 20% off the regular price of tickets to NAC Music, Theatre and Dance performances. To reserve your seats call 613-947-7000 ext. 384 or email grp@nac-cna.ca.

-30-

Jane Morris

Communications Officer/Agente de communication

National Arts Centre Orchestra/Orchestre du Centre national des Arts

Telephone/T��l��phone: 613-947-7000 x 335

Fax: 613-996-2828

www.nac-cna.ca

www.artsalive.ca

OCNA, les 6 et 7 f��vr. : Hommage �� Tcha��kovski mettant en vedette Boris Berezovsky, pianiste russe

Orchestre du Centre national des Arts / Communiqu��

Le 29 janvier 2008

pour diffusion imm��diate

L'Orchestre du CNA pr��sente un concert-hommage �� Tcha��kovski mettant en vedette Boris Berezovsky, pianiste russe couronn�� de nombreux prix, les 6 et 7 f��vrier

Ottawa (Canada) - Le pianiste russe Boris Berezovsky, laur��at de la M��daille d'or au Concours international Tcha��kovski de Moscou, en 1990, effectuera ses d��buts avec l'Orchestre du Centre national des Arts dans le Concerto pour piano n^o 1 de Tcha��kovski, oeuvre c��l��bre pour sa pyrotechnie ��tincelante et ses m��lodies c��lestes, dans le cadre des concerts de la s��rie Bravo Bostonian, le mercredi 6 et le jeudi 7 f��vrier �� 20 heures, �� la salle Southam du CNA. Le chef d'orchestre norv��gien Arild Remmereit sera de retour au podium pour diriger ce concert-hommage �� Tcha��kovski, dont le programme d��bute par des extraits orchestraux de l'op��ra Eug��ne On��guine et s'ach��ve avec la Symphonie n^o 3, oeuvre rarement jou��e, v��ritable joyau qui porte le sous-titre de �� Polonaise �� en raison de ses rythmes de danse, de ses m��lodies et de ses couleurs ��vocatrices.

Ces concerts seront pr��c��d��s �� 19 heures par une causerie intitul��e �� Tcha��kovski en trois temps �� donn��e par le critique musical Jean-Jacques Van Vlasselaer dans le cadre de la s��rie Parlons musique.

La revue Gramophone a ��crit au sujet de Boris Berezovsky : �� Voici assur��ment le v��ritable successeur des grands pianistes russes. �� N�� �� Moscou, le pianiste jouit d'une r��putation enviable. Il est �� la fois le plus puissant des pianistes virtuoses et un musicien d'une intuition et d'une sensibilit�� sans ��gales. Apr��s ses d��buts au Wigmore Hall de Londres en 1988, le Times l'a pr��sent�� comme un �� artiste exceptionnellement prometteur, un pianiste d'une virtuosit�� ��blouissante et d'une puissance formidable ��. Deux ans plus tard, il a montr�� qu'il ��tait �� la hauteur de ces attentes en d��crochant la M��daille d'or au Concours international Tcha��kovski de Moscou, en 1990. Il se produit r��guli��rement comme concertiste avec des orchestres tels que celui du Concertgebouw, le New Japan Philharmonic et l'Orchestre symphonique de Dallas. Il donne fr��quemment des r��citals et des prestations de musique de chambre dans diverses s��ries de r��citals et dans des festivals du monde entier. Boris Berezovsky a remport�� r��cemment un immense succ��s critique lors de la publication de son enregistrement de l'int��grale des concertos de Beethoven avec l'Orchestre de chambre de Su��de et Thomas Dausgaard. Il a ��galement grav�� de nombreux enregistrements pour Teldec, notamment des concertos de Tcha��kovski, Rachmaninov et Liszt.

N�� en Norv��ge, le chef d'orchestre Arild Remmereit a ��tudi�� le piano, le chant et la composition au Conservatoire de musique de Norv��ge �� Oslo dont il est sorti dipl��m�� en 1986. Il a aussi ��tudi�� sous la tutelle de Leonard Bernstein et a ��t�� l'assistant de Myung-Whun Chung �� Oslo et �� Paris et celui de Mariss Jansons �� Vienne. Depuis quelques ann��es, la critique a salu�� ses d��buts au podium de l'Orchestre du CNA (2006), des orchestres symphoniques de Pittsburgh, Baltimore, Vienne, Dallas, Houston et Detroit, de la Filarmonica della Scala de Milan, de l'Orchestre philharmonique de Munich et du Deutsches Symphonie Orchester Berlin.

Les billets pour ces concerts de la s��rie Bravo Bostonian des 6 et 7 f��vrier sont en vente maintenant au co��t de 19 $, 29 $, 49 $, 59 $, 69$ pour une place dans la salle, et �� 83 $ pour un fauteuil dans les loges (TPS de 6 % et frais d'��tablissement inclus), �� la Billetterie du CNA (du lundi au samedi de 10 h �� 21 h) et, par l'entremise de Ticketmaster (frais de service en sus), au 613-755-1111 ou en ligne, sur le site Web du CNA �� l'adresse www.nac-cna.ca.

Les ��tudiants peuvent se procurer des billets �� moiti�� prix pour toutes les sections de la salle en se pr��sentant en personne �� la Billetterie du CNA, munis d'une carte d'��tudiant en r��gle. Les billets Buzz en direct disponibles le jour m��me (s'il en reste), r��serv��s aux ��tudiant �� temps plein de treize �� vingt-neuf ans, sont vendus 10 $ �� la Billetterie du CNA, de 14 h �� 18 h le jour du concert seulement, sur pr��sentation d'une carte de membre Buzz en direct d��ment enregistr��e. Les groupes de dix personnes et plus ��pargnent de 15 �� 20 p. cent du prix courant des billets pour toutes les repr��sentations de Musique, de Th����tre ou de Danse du CNA. R��servations : 613-947-7000, poste 384, ou grp@nac-cna.ca.

-30-

Jane Morris

Communications Officer/Agente de communication

National Arts Centre Orchestra/Orchestre du Centre national des Arts

Telephone/T��l��phone: 613-947-7000 x 335

Fax: 613-996-2828

www.nac-cna.ca

www.artsalive.ca

Prix Opus 2008 : la Facult�� de musique de l'UdeM f��licite ses laur��ats

Communiqu�� de presse

pour diffusion imm��diate

Prix Opus 2008 : la Facult�� de musique de l'UdeM f��licite ses laur��ats

Montr��al, le 28 janvier 2008 - La Facult�� de musique de l'Universit�� de Montr��al est fi��re de souligner la pr��sence, parmi les laur��ats des prix Opus 2008, de nombreux de ses enseignants, dipl��m��s ou ��tudiants. Les prix Opus ont ��t�� remis hier �� la salle Claude-Champagne.

La Facult�� de musique souhaite ainsi f��liciter :

• Quasar (Marie-Chantal Leclair, Mathieu Leclair et Andr�� Leroux, dipl��m��s; Jean-Marc Bouchard, dipl��m�� et charg�� de cours) : Concert de l'ann��e - Musiques actuelle, ��lectroacoustique, pour Quasar, dans le cadre de la s��rie Les nouvelles lutheries ��lectroniques, en coproduction avec Innovations en concert (27 septembre 2006)

• Jean-Fran��ois Rivest (professeur), conception et direction de Marisol et R��mi sur le chemin de la nuit, Orchestre symphonique de Montr��al (5 novembre 2006) : Production Jeune public de l'ann��e

• Margaret Little (dipl��m��e et directrice de l'Atelier de musique baroque de l'Universit�� de Montr��al), membre de l'ensemble Les Voix humaines, avec Susie Napper. Le duo remporte le prix Interpr��te de l'ann��e.

• Alexander Weimann (accompagnateur �� la Facult��), direction de l'ensemble Les Voix baroques pour Buxtehude : Membra Jesu Nostri (Atma classique) : Disque de l'ann��e - Musiques m��di��vale, de la Renaissance, baroque

• Marc Boucher, baryton (dipl��m��), et Olivier Godin, piano (accompagnateur), pour Th��odore Dubois : Musiques sur l'eau et autres m��lodies (XXI-21 Productions) : Disque de l'ann��e -Musiques classique, romantique, postromantique, impressionniste

• Le Nouvel Ensemble Moderne et Lorraine Vaillancourt, direction, pour Oesterle, Provost, Tremblay : �� quelle heure commence le temps? (Atma classique) : Disque de l'ann��e - Musiques moderne, contemporaine

• Marcelle Desch��nes (dipl��m��e et ex-professeure) pour petits Big Bangs (Empreintes DIGITALes) : Disque de l'ann��e - Musiques actuelle, ��lectroacoustique

• Airat Ichmouratov et Elvira Misbakhova (dipl��m��s), de l'ensemble Kleztory, pour Nomade (Amerix) - Disque de l'ann��e - Jazz, musiques du monde

• Marie-H��l��ne Benoit-Otis (doctorante) pour �� Une cl��mence inattendue : La th��matique du pardon dans Die Entf��hrung aus dem Serail de Stephanie et Mozart ��, Revue de musicologie, vol. 92, no 2, d��cembre 2006 - Article de l'ann��e

• Philip Gareau (doctorant) pour La musique de Morton Feldman ou le temps en libert��, L'Harmattan - Livre de l'ann��e

• Isabelle Bozzini et St��phanie Bozzini (dipl��m��es), membres du Quatuor Bozzini, laur��at du prix Rayonnement �� l'��tranger

Cr���� par le Conseil qu��b��cois de la musique, le gala des prix Opus vise �� souligner l'excellence de la musique de concert au Qu��bec dans ses diff��rents r��pertoires.

- 30 -

Source :

Julie Fortier

Facult�� de musique - Universit�� de Montr��al

514.343.6365

Julie.c.fortier@umontreal.ca

Collecte de fonds de la Saint-Valentin : La Scena Musicale vous invite �� l'op��ra Le Barbier de S��ville

[English version]

Cette ann��e, la collecte de fonds annuelle de la Saint-Valentin de La Scena Musicale est jumel��e �� une soir��e �� l'op��ra. Vous pourrez assister, le jeudi 14 f��vrier, �� la pr��sentation de l'Op��ra de Montr��al du Barbier de S��ville de Rossini, l'histoire de deux jeunes amoureux qui surmontent les obstacles �� leur union. Le prix comprend un enregistrement-cadeau de l'op��ra de Rossini. Les billets sont offerts en quantit��s limit��es.

Rossini : Le Barbier de S��ville
Op��ra de Montr��al
Date : le jeudi 14 f��vrier 2008 �� 20 h
Endroit : salle Wilfrid-Pelletier, Place des Arts, Montr��al
Info : 514-948-2520
Courriel : kali@scena.org

Notez : 10% de rabais pour les abonn��s de La Scena Musicale

Offre 1 (DVD):
Simple
* Un billet de cat��gorie 1 (valeur de 123 $)
* Un DVD du Barbier de S��ville* (valeur de 40 $)

Prix : 123 $ (taxes incluses)

Double (10 % de r��duction)
* Deux billets de cat��gorie 1 (valeur de 246 $)
* Un DVD du Barbier de S��ville* (valeur de 40 $)
* [Pour non-abonn��s] Abonnement 1 an : La Scena Musicale (valeur de 43$)
Prix : 221,40 $ (taxes incluses)

Offre 2 (CD):
Simple
* Un billet de cat��gorie 2 (valeur de 96 $)
* Un CD d'extraits du Barbier de S��ville ** (valeur de 10 $)
Prix : 96 $ (taxes incluses)

Double (10 % de r��duction)
* Deux billets de cat��gorie 2 (valeur de 192 $)
* Un CD d'extraits du Barbier de S��ville ** (valeur de 10 $)
* [Pour non-abonn��s] Abonnement 1 an : La Scena Musicale (valeur de 43$)
Prix : 172,80 $ (taxes incluses)

Note :
* DVD : pr��cisions �� venir.
** CD : pr��cisions �� venir.

Houdini, The Leanor and Alvin Segal Theatre- February 10-March 2

Press Release

For Immediate Release

First Class Theatre

The Leanor and Alvin Segal Theatre,

The Montreal Highlights Festival and Ernst & Young

Present

Houdini

Book by Ben Gonshor

Music and Lyrics by Elan Kunin

Directed by Bryna Wasserman

February 10 - March 2, 2008

"We are in an age of wonder, there is magic in the air��."
From Houdini

MONTREAL January 2008- The Leanor and Alvin Segal Theatre, in association with The Montreal Highlights Festival and Ernst & Young, proudly presents Houdini �� a world premiere musical about the life and magic of America's first great popular entertainer. For the first time in the Festival's nine-year history, a Segal Theatre production will be one of the showcased productions.

Houdini features some of the legendary escape artist's most famous routines. Don't miss this entertaining, musical ride through Houdini's life- from his humble vaudeville beginnings to the heights of his fame.

Director Bryna Wasserman, recognized for her staging of large-scale musicals, was eager to bring Harry Houdini's story to a bigger audience after the success of the Dora Wasserman Yiddish Theatre's The Great Houdini in 2000. The book for this all-new production is by Ben Gonshor, with music and lyrics by Elan Kunin. For Wasserman, the story speaks to modern audiences: "This is a throwback to the turn of the twentieth century, a time when theatre was there to involve and engage the public." She continues, "The idea of the world and technologies changing and moving forward was also prevalent at that time. People were moving away from live entertainment and seeking out the newer inventions, like movies." Playwright Ben Gonshor understands the complexities of mounting a musical of this scale: "It's one hell of a challenge but we're committed to making magic happen for you on stage. In a sense, we're "pulling a Houdini!"

For this very physical production, Wasserman is joined by a dazzling cast comprising Kevin Kraft in the title role, along with Valerie Boyle, Rod Campbell, Gab Desmond, Gabrielle Maes, Paul McQuillan, Christopher Ryan and Lauren Stanford. The ensemble features Paul Cagelet, Francois Dagenais, Claire Duncan, Rachel Gauthier, Holly Gauthier-Frankel, Alison Gelinas, Jason Noel, Brad Picken, Holly Raye, Lauren Roy and Jake Smith.

This production will present a live, six-piece band with such well-known Montreal musicians as Chet Doxas, Jim Doxas, Dave Martin, Morgan Moore and bandleader, John Roney. Albin Konopka is the music supervisor and John Gilbert is the music consultant.

The creative design team includes Yannik Lariv��e, set; Luc Prairie, lighting; Sara Brians, choreography; Sarah Armstrong, costumes and Rob Denton, sound. The magic consultant is Greg Kramer and Yves Nevue is the artistic/circus consultant. Lorna Wayne is the assistant director, Merissa Tordjman is the stage manager and Melanie St-Jacques completes the team as assistant stage manager.

"What does he mean, "be careful?!" I hang myself upside down in straight jackets

one hundred feet in the air and he's telling me to be careful!" - Houdini

88.5 CBC Radio One proudly presents Sunday-@-the-Segal with Dr. Joe Schwarcz

Sunday, November 18th, 11am. Admission is free.

Join us for another season of intimate conversation and riveting lectures. Dr. Joe will be sharing his insight and passion about Houdini in his lecture, Houdini: The Man and the Myth.

Monday Night Talkbacks presented by Pratt and Whitney Canada

As usual following the play, some of the actors and/or designers will remain on stage to take questions from the audience. Monday Night Talkbacks provides an intimate opportunity for audiences to engage up close and personal with the personalities bringing first class professional English language theatre to Montreal.

The MEDIA CALL for Houdini will be held on Wednesday, February 6 at 12:30 pm. This is an occasion for camera footage, interviews and still photography. Please confirm by Monday, February 4

Janis Kirshner, Publicist (514) 287-8912 jkirshner@sympatico.ca

Tickets and Media Information

Run:

February 10-March 2, 2008

Previews:

February 10 1:30 pm

February 11-18 8:00 pm (Feb. 16 at 8:30 pm)

Sunday-@-the-Segal:

February 10 11:00 am

Media Opening Night:

Tuesday, February 19 8:00 pm

Performances:

Monday - Thursday, 8:00 pm

Saturday 8:30 pm

Sunday 7:00 pm

Matin��es:

Wednesdays 1:00 pm

Sundays 2:00 pm

Box Office:

(514) 739-7944

www.segalcentre.org

Admission

(514) 790-1245

www.admission.com

Segal Centre for Performing Arts at the Saidye

5170 cote St. Catherine Rd.

Bryna Wasserman- Director

Bryna is Artistic and Executive Director of The Leanor and Alvin Segal Theatre. A graduate of New York University's prestigious Tisch School of Fine Arts, her extensive career includes work at the American Place Theatre, The Vivian Beaumont Theatre at Lincoln Centre, the Mercer Street Theatre, the Vancouver Opera Company and the Folksbiene Playhouse. Recent credits with the Dora Wasserman Yiddish Theatre include God of Vengeance, Lies My Father Told Me, Fiddler on The Roof, The Golden Land, Double Identity, The Dybbuk, On Second Avenue (the Drama Desk Award-nominated, historic co-production with New York's Folksbiene Yiddish Theatre) and most recently Those Were The Days. In 2000 she was awarded the Montreal English Critics Circle Award (MECCA) of Distinction for her contribution to the development of the Montreal theatre scene.

Ben Gonshor �� Playwright

Ben Gonshor is a writer, actor and musician. A native Montrealer, he has performed bass guitar with various local artists for over fifteen years and been a contributing writer to numerous local publications. A lifelong member of The Dora Wasserman Yiddish Theatre, he most recently starred in the company's original musical production of Lies My Father Told Me and performed in the orchestra for Those Were The Days. He holds an M.F.A. in Motion Picture Producing from the prestigious Peter Stark Producing Program of the School of Cinematic Arts at the University of Southern California. He currently serves as Director of Marketing and Communications & Executive Producer of Online and New Media for the Segal Centre. Houdini is his first play.

Elan Kunin- Music and lyrics

Elan Kunin began his professional musical career as the star and orchestrator in The Apprenticeship of Duddy Kravitz for the Dora Wasserman Yiddish Theatre. He subsequently went on to become the lead actor, music director, composer and arranger for numerous plays including On Second Avenue, Old Wicked Songs, The Threepenny Opera, Double Identity, Fiddler on the Roof, Lies My Father Told Me (music and lyrics) and The Great Houdini which won the Masque award for best semi-professional production. Elan was last seen in the Drama Desk nominated On Second Avenue Off-Broadway in New York and later in Los Angeles.

Kevin Kraft- Houdini

Kevin has performed extensively across the U.S. and has appeared on Broadway in Forum and off-Broadway in Johnny Guitar, American Dreams and The Fartiste. Other theatre credits include She Loves Me (Arena Stage), Floyd Collins (Actors Theatre of Louisville), As You Like It (The Acting Company) and The Full Monty (West Virginia Public). TV and film credits include: The Nanny Diaries, All My Children, Ed and Duston Checks In.

-30-

Valentine's Day Fundraiser: La Scena Musicale takes you to the Barber of Seville

[Version fran��aise]

This year, La Scena Musicale's annual Valentine's Day Fundraising activity is an outing on Thursday, February 14 to the Op��ra de Montr��al's performance of Rossini's Barber of Seville, a story of young love overcoming adversity. Included in this package will be a gift bag containing a recording of Rossini's opera. Tickets are limited.

Rossini: Barber of Seville

Op��ra de Montr��al

Date: Thursday, February 14, 2008 at 8 p.m.

Place: Salle Wilfrid-Pelletier, Places des Arts, Montreal

Info: 514-948-2520

Email: kali@scena.org

Note: 10% discount for subscribers of La Scena Musicale

Package 1 (DVD):

Single

* One Category 1 ticket ($123 value)

* One DVD of the Barber of Seville* ($39.99 value)

Price: $123 (taxes included)

Pair (10% discount)

* Two Category 1 tickets ($246 value)

* One DVD of the Barber of Seville* ($39.99 value)
* [For non-subcribers] 1-year subscription to La Scena Musicale ($43 value)

Price: $221.40(taxes included)

Package 2 (CD):

Single

* One Category 2 ticket ($96 value)

* CD highlights of the Barber of Seville** ($9.99 value)

Price: $96 (taxes included)

Pair (10% discount)

* Two Category 2 tickets ($192 value)

* One CD highlights of the Barber of Seville* ($9.99 value)

* [For non-subcribers] 1-year subscription to La Scena Musicale ($43 value)
Price: $172.80 (taxes included)

Note:

* DVD: details to come.

** CD: details to come.

The Festival International de Jazz de Montr��al wins the prestigious 2007 Silver Adrian Award

Montreal, Monday, January 28, 2008 - The Hospitality Sales and Marketing Association International presented the prestigious Silver Adrian Award 2007 to the Festival International de Jazz de Montr��al during a ceremony held today in New York.

This was the 51^st anniversary of the Silver Adrian Award, considered a very high distinction in the travel sector. A jury consisting of experts from the domains of hotel management, travel, tourism and media considered no fewer than 1,300 submissions before choosing the Festival in the category of "Attractions/Theme Park for Feature Placement Print-Consumer Newspaper" after having read an account in the San Francisco Chronicle.

"We are very honoured to receive this prestigious award. It is the result of years of work by the Festival to develop and deploy a marketing strategy, which appears to have paid off handsomely, judging by the growing number of tourists who flock to Montreal each year for our annual 'high mass' of jazz. I would also like to highlight the excellent work and commitment of Lou Hammond & Associates, the agency which has represented us for years in the U.S. market," stated Andr�� M��nard, co-founder and artistic director of the Festival.

Every summer, the Festival International de Jazz de Montr��al presents over 650 shows, including over 280 indoor performances and 372 free outdoor concerts on 25 different stages. Close to 3000 musicians from some 30 countries take part in this massive musical party, with over 2.1 million people pouring onto the site to enjoy it all. For its upcoming edition, the Festival is preparing an enticing outdoor program set to groove to the rhythms of the world. The 29^th edition of the Festival International de Jazz de Montr��al takes place from June 26 to July 6, 2008.

- 30 -

Source :

Festival International de Jazz de Montr��al - 514-523-3378

Renseignements (m��dias) :

Marie-Eve Boisvert, directrice principale - relations de presse - 514-523-3378, poste 5666 ; marie-eve.boisvert@equipespectra.ca

Greg Kitzler, attach�� de presse - 514-523-3378, poste 5622 ; greg.kitzler@equipespectra.ca

Gala des Prix Opus 2006-2007 : Une onzi��me ��dition sous le signe de la f��te

dimanche 27 janvier 2008 �� 17h30

GALA DES PRIX OPUS 2006-2007 : UNE ONZI��ME ��DITION SOUS LE SIGNE DE LA F��TE

Montr��al, le 27 janvier 2008 - C'est dans une atmosph��re festive que la 11^e ��dition du Gala des prix Opus s'est tenue aujourd'hui �� la Salle Claude-Champagne, �� Montr��al. Les artisans de la musique de concert, r��unis pour cette f��te annuelle, ont chaleureusement applaudi tout au long de la remise de prix. Anim�� par Mario Paquet d'Espace Musique et Martin Bernier, le gala a mis �� l'honneur la musique et les musiciens. Pour l'occasion, 12 musiciens parmi les plus actifs sur la sc��ne musicale qu��b��coise ont accompagn�� la remise de prix avec des arrangements sign��s Louis Babin. Au total, 26 prix ont r��compens�� le talent des interpr��tes, compositeurs, musicologues, producteurs et diffuseurs qu��b��cois qui ont marqu�� la saison s'��chelonnant du 1^er septembre 2006 au 31 ao��t 2007 Les prestations musicales mettaient en vedette plusieurs ensembles issus de r��pertoires vari��s : le Effendi Jazzlab, l'ensemble de percussions Sixtrum, le Quatuor Molinari et Espaces Sonores Illimit��s. Le guitariste Davis Joachim a interpr��t�� une oeuvre de son p��re, le compositeur Otto Joachim �� qui le Conseil qu��b��cois de la musique a rendu hommage.

Compositeur, professeur, interpr��te, Otto Joachim est n�� �� D��sseldorf en Allemagne, qu'il quitte en 1934 apr��s l'arriv��e d'Hitler au pouvoir. Il s��journera en Asie avant de s'��tablir �� Montr��al en 1949. Tr��s actif sur la sc��ne musicale qu��b��coise dans les ann��es 50, il fut alto solo de l'Orchestre symphonique de Montr��al et de l'Orchestre de chambre McGill. En 1955, il fonde le Quatuor �� cordes de Montr��al qui a contribu�� �� la diffusion d'oeuvres de compositeurs d'ici dont son ami Jean Papineau-Couture. En 1958, il fonde l'Ensemble des instruments anciens de Montr��al. �� cette m��me ��poque, il entreprend des recherches dans le domaine de l'��lectroacoustique, s'ouvrant �� un monde sonore encore peu connu de ses contemporains. On lui doit la pi��ce de musique ��lectroacoustique Katimavik compos��e pour la sonorisation du Pavillon canadien d'Expo 67. Artiste pluridisciplinaire avant l'heure, Otto Joachim a aussi poursuivi une activit�� de peintre. Ses oeuvres ont ��t�� projet��es tout au long de la c��romonie. Pour compl��ter cet hommage, le critique musical de La Presse Claude Gingras a t��moign�� de son respect envers le doyen de nos compositeurs.

Cr���� par le Conseil qu��b��cois de la musique, ce gala souligne l'excellence de la musique de concert au Qu��bec dans ses diff��rents r��pertoires. Le Qu��bec regorge de musiciens de talent et la qualit�� des laur��ats 2006-2007 nous a permis encore une fois de le constater. L'��v��nement vise �� rendre hommage aux musiciens d'ici, mais aussi et surtout, transmettre au public et aux m��lomanes le go��t de d��couvrir la musique de concert.

Le Conseil qu��b��cois de la musique a remerci�� les principaux partenaires du gala, soit le Conseil des arts et des lettres du Qu��bec, Musicaction, le Conseil des Arts du Canada, le minist��re de la Culture, des Communications et de la Condition f��minine du Qu��bec, la Soci��t�� de d��veloppement des entreprises culturelles, le Conseil des arts de Montr��al, Galaxie, le r��seau de musique continue de Radio-Canada, Espace Musique, la Guilde des musiciens et musiciennes du Qu��bec, Le Devoir, la Facult�� de musique de l'Universit�� de Montr��al, la Librairie Monet et La Scena Musicale.

La liste des laur��ats accompagne ce communiqu��.

- 30 -

Relations de presse : Lise Raymond Communications, (450) 640-0500

Prix Opus - Laur��ats 2006-2007

Concert de l'ann��e - Montr��al

(prix accompagn�� d'une bourse de 3 000 $ du Conseil des arts de Montr��al)

Le Quatuor selon Bart��k - Quatuor Molinari

3 d��cembre 2006

Concert de l'ann��e - Qu��bec

Grieg, chantre nordique - Orchestre symphonique de Qu��bec

23 et 24 mai 2007

Concert de l'ann��e - R��gions

Marie-Nicole Lemieux, �� la rencontre d'une grande voix - Centre d'arts Orford

4 ao��t 2007

Concert de l'ann��e - Musiques m��di��vale, de la Renaissance, baroque

Le ciel des terres froides - Beno��t Marineau, orgue, Studio de musique ancienne de Montr��al dans le cadre du Festival Montr��al Baroque

24 juin 2007

Concert de l'ann��e - Musiques classique, romantique, postromantique, impressionniste

Bruckner & Strauss : moments d'��ternit�� - Orchestre M��tropolitain du Grand Montr��al

18 et 22 septembre 2006

Concert de l'ann��e - Musiques moderne, contemporaine

Le Quatuor selon Bart��k - Quatuor Molinari

3 d��cembre 2006

Concert de l'ann��e - Musiques actuelle, ��lectroacoustique

Quasar, dans le cadre de la s��rie Les nouvelles lutheries num��riques - Quasar, quatuor de saxophones en coproduction avec Innovations en concert

27 septembre 2006

Concert de l'ann��e - Jazz, musiques du monde

Richard Gagnon & Trombones Actions - Richard Gagnon

3 avril 2007

Concert de l'ann��e - Jeune public

(prix accompagn�� d'une bourse de 5 000 $ du minist��re de la Culture et des Communications du Qu��bec)

Marisol et R��mi sur le chemin de la nuit - Orchestre symphonique de Montr��al

5 novembre 2006

Disque de l'ann��e - Musiques m��di��vale, de la Renaissance, baroque

Buxtehude : Membra Jesu Nostri, Les Voix Baroques, Alexander Weimann, direction

Atma Classique

Disque de l'ann��e - Musiques classique, romantique, postromantique, impressionniste

Th��odore Dubois : Musiques sur l'eau et autres m��lodies, Marc Boucher, baryton, Olivier Godin, piano - Disques XXI-21 Productions

Disque de l'ann��e - Musiques moderne, contemporaine

Oesterle, Provost, Tremblay : �� quelle heure commence le temps?, Nouvel Ensemble Moderne, Lorraine Vaillancourt, direction - Atma Classique

Disque de l'ann��e - Musiques actuelle, ��lectroacoustique

petits Big Bangs, Marcelle Desch��nes - Empreintes DIGITALes

Disque de l'ann��e - Jazz, musiques du monde

Nomade, Kleztory - Amerix

Cr��ation de l'ann��e

L'entreprise de s��duction, Nicolas Gilbert, compositeur, Ensemble contemporain de Montr��al et Espace musique, Musiques �� longues port��es! Une soir��e Espace musique, 9 mai 2007

Livre de l'ann��e

Philip Gareau, La musique de Morton Feldman ou le temps en libert��, L'Harmattan

Article de l'ann��e

Marie-H��l��ne Benoit-Otis, Une cl��mence inattendue : La th��matique du pardon dans Die Entf��hrung aus dem Serail de Stephanie et Mozart, Revue de musicologie, vol. 92, no 2, d��cembre 2006

Prix Hommage

Otto Joachim, compositeur, interpr��te, professeur

Rayonnement �� l'��tranger

Quatuor Bozzini

Directeur artistique de l'ann��e

V��ronique Lacroix

Ensemble contemporain de Montr��al

D��couverte de l'ann��e

(prix accompagn�� d'une bourse de 5 000 $ de Galaxie, le r��seau de musique continue de Radio-Canada et d'une ann��e en r��sidence �� la radio de Radio-Canada)

Marianne Fiset, soprano

Reconnaissance �� un facteur d'instruments

(prix accompagn�� d'une bourse de 5 000 $ de la Soci��t�� de d��veloppement des entreprises culturelles)

Accord��on M��lodie, Raynald Ouellet et Sylvain V��zina

Compositeur de l'ann��e

(prix accompagn�� d'une bourse de 10 000 $ du Conseil des arts et des lettres du Qu��bec)

Serge Arcuri

Interpr��te de l'ann��e

(prix accompagn�� d'une bourse de 5 000 $ du Conseil des Arts du Canada)

Les Voix humaines

Diffuseur de l'ann��e

Festival de Lanaudi��re - Saison du 30e anniversaire

��v��nement musical de l'ann��e

Concert d'ouverture de Kent Nagano

Orchestre symphonique de Montr��al

6 septembre 2006

��qui Vox Montr��al

Offre de bourse du Fonds de rel��ve Alcan/��qui Vox Montr��al �� une ��tudiante en musique

Nous sommes �� la recherche d'une ��tudiante en musique de niveau universitaire pour l'ann��e 2008-2009 int��ress��e �� participer activement aux activit��s de la chorale ��qui Vox Montr��al, en vue d'acqu��rir une exp��rience lui permettant d'��tre un jour chef de choeur ou encore d'accro��tre ses qualit��s de musicienne.

Le fonds de rel��ve Alcan/��qui Vox Montr��al offrira �� l'��tudiante s��lectionn��e une contribution de 1 500 $ �� ses frais de scolarit�� des sessions d'automne-hiver d'ann��e universitaire.

CRIT��RES D'ADMISSIBILIT��

1) ��tre une ��tudiante en musique de niveau universitaire �� plein temps

2) ��tre pr��te �� participer activement aux activit��s du choeur ��qui Vox Montr��al tant sur le plan musical (support de la qualit�� musicale de l'ensemble etc.) que de l'organisation d'activit��s propres �� la chorale (Chant-o-thon, concert de No��l, concert de fin d'ann��e, etc.)

3) D��tenir un dossier acad��mique au-dessus de la moyenne

4) ��tre admissible �� l'aide financi��re aux ��tudiants

5) Partager les valeurs de la chorale ��qui Vox Montr��al*

Si vous avez envie de vous joindre �� nous, consultez notre site au www.equivox.org/Montreal puis envoyez :

- votre CV

- votre plus r��cent relev�� de notes scolaires

- une lettre de motivation

- une lettre de recommandation d'un de vos professeurs de musique

DATE LIMITE : le 30 avril 2008

�� Madame Claire Cloutier, chef du choeur ��qui Vox �� claire@equivox.org

Nous serons �� enchant��es �� de recevoir vos candidatures!

[Montr��al] Sixtrum pr��sente Paysages Imaginaires - les Percussions de John Cage

L'Ensemble �� percussion Sixtrum consacre son prochain concert
�� la musique de John Cage

L'Ensemble �� percussion Sixtrum pr��sente un ��v��nement unique, le mercredi 30 janvier 2008, �� 20 h, �� la salle Claude-Champagne de l'Universit�� de Montr��al : �� Paysages Imaginaires - les Percussions de John Cage ��. C'est tout le cheminement de l'une des figures les plus marquantes de la musique du XXe si��cle que Sixtrum vous propose de parcourir, �� travers onze de ses oeuvres pour percussion dont la composition s'��chelonne de 1939 �� 1990.

L'ensemble interpr��tera les cinq Imaginary Landscapes de John Cage - pr��sent��es dans leur totalit�� pour la premi��re fois �� Montr��al - et ses trois Constructions, oeuvres ��crites en d��but de carri��re et qui marqueront d��j�� l'esth��tique du compositeur. En contraste avec les pr��c��dentes, s'ajouteront trois oeuvres plus r��centes, Music for Six, Child of Tree et One4, davantage bas��es sur le hasard et l'ind��terminisme.

Aucun ��v��nement consacr�� �� John Cage ne serait complet sans que soit mis en ��vidence son sens de "l'anarchie musicale". Sixtrum pr��sentera donc, en avant-concert, un MusiCircus au cours duquel on pourra entendre diff��rents solistes et groupes d'��tudiants de la Facult�� de musique de l'Universit�� de Montr��al. Ce MusiCircus symbolisera la constante remise en question des hi��rarchies entourant la prestation musicale, telles que la relation entre le musicien et le public, une pr��occupation constante du compositeur.

Cette soir��e, remplie de surprises et caract��ristique du parcours de John Cage, sera d��di��e �� la m��moire de Robert L��onard, musicien, p��dagogue, animateur et cr��ateur d��c��d�� �� l'��t�� 2006 et dont les travaux furent largement inspir��s de la musique de Cage.

John Cage (1912-1992)

Le compositeur am��ricain John Cage fut l'une des figures les plus marquantes de la cr��ation musicale du XXe si��cle. Son catalogue se distingue par son extraordinaire vari��t�� ainsi que par le fort sentiment de libert�� qui s'en d��gage : John Cage, loin des institutions dominantes de l'��poque en mati��re de composition et d��fendant toujours son originalit��, a puis�� son inspiration �� diverses sources - la danse (il collabore ��troitement avec Merce Cunningham), certaines philosophies asiatiques : l'��tude approfondie du zen l'am��ne �� nier le principe d'intentionnalit�� dans l'acte cr��ateur et il recourra souvent au I Ching pour fixer certains param��tres musicaux. Sa recherche timbrale le pousse �� utiliser des instruments jusqu'alors inusit��s dans la musique contemporaine de tradition savante, tels des circuits ��lectriques et des objets de la vie courante. Son oeuvre, qui a grandement contribu�� au d��veloppement du r��pertoire pour percussion, est une v��ritable ode �� la cr��ation, �� l'artiste et �� sa libert��.

�� I can't understand why people are frightened of new ideas. I'm frightened of the old ones. ��
John Cage

Sixtrum

Cr���� en 2007 par les percussionnistes les plus actifs de la sc��ne montr��alaise, Sixtrum r��unit D'Arcy Philip Gray, Julien Gr��goire, Philip Hornsey, Kristie Ibrahim, Robert Leroux et Fabrice Marandola. L'ambition du nouveau groupe : renouveler un genre d��velopp�� au cours de la deuxi��me moiti�� du XXe si��cle par des groupes pr��curseurs tels que les Percussions de Strasbourg. Les objectifs de Sixtrum sont regroup��s autour de deux grands axes : la recherche-cr��ation et l'innovation d'une part et la formation/animation/sensibilisation d'autre part.

Le concert inaugural de Sixtrum, Pl����ades, pr��sent�� le 17 octobre 2007, figure au palmar��s des 10 meilleurs concerts de musique classique de l'ann��e 2007 du critique Christophe Huss du quotidien Le Devoir.

�� Paysages imaginaires - les Percussions de John Cage ��

First Construction (1939)
Child of Tree (1975)
Second Construction (1940)
One4 (1990)
Third Construction (1941)

Imaginary Landscapes 1 �� 5 (1939-1952)
Music for 6 (1987)

Sixtrum: D'Arcy Philip Gray, Julien Gr��goire, Philip Hornsey,
Kristie Ibrahim. Robert Leroux, Fabrice Marandola
Percussionniste stagiaire: Sandra Joseph

Le mercredi 30 janvier 2008
19 h - Musicircus
20 h - Concert

Salle Claude-Champagne de l'Universit�� de Montr��al
220, Vincent-d'Indy, Montr��al (m��tro Edouard-Montpetit)
20 $ (r��gulier), 10 $ (��tudiants)
Gratuit pour les ��tudiants de la Facult�� de musique de l'Universit�� de Montr��al
Billetterie ADMISSION : 514 790-1245
Renseignements : 514 343-6427

��On n'imite pas, on ne refait pas Cage : on laboure et on s��me les champs qu'il a d��frich��s��
Robert L��onard

Contact: info@sixtrum.com

Pour faire retirer votre nom de cette liste d'envoi, cliquez ici

York U Music: Mark Chambers Faculty Concert Series Feb 7

Diverse duets of cello and piano in Mark Chambers' Faculty Concert Series performance

Toronto, January 24, 2008: Cellist Mark Chambers headlines the Faculty Concert Series of York University's Music Department on February 7 with a wide-ranging program of duets for cello and piano, partnered by his department colleague and frequent collaborator, Christina Petrowska Quilico. The concert takes place at 7:30pm in the Tribute Communities Recital Hall at York.

The artists will showcase their versatility and musicianship in selections from the classical repertoire spanning two centuries and a variety of stylistic idioms, including romantic, popular and modern music. The diverse program features Beethoven's Sonata in A major for Cello and Piano, op. 69; Robert Schumann's romantic, lyrical Fantasy Pieces; Arvo P��rt's minimalist Fratres for violoncello and piano; and Astor Piazzolla's jazz-influenced Libertango.

Chambers, who serves as associate Chair and coordinator of the department's classical music area, is a performer, conductor and early music specialist. He studied cello with Martha Gerschefski, Lubomir Georgiev and David Miller and has performed extensively throughout the United States and Ontario as both a chamber musician and orchestral player. He currently plays in a piano trio with Petrowska Quilico and his wife Heather Chambers, and is also active as a clinician and adjudicator. At York, he directs the York University Symphony Orchestra and the Baroque Ensemble.

A former Theodore Presser Foundation Fellow, Chambers' research interests include Baroque music, period instrument performance practice, the 'Tartini Tone', and scordatura, altered tunings for strings. He has authored several articles for the American String Teachers Journal and is a contributor to the New Grove Dictionary of Music and Musicians. He joined York's Music Department in 2005.

An internationally known pianist and recording artist. Petrowska Quilico has devoted her career to bridging the gulf between traditional and contemporary classical keyboard music. Widely recognized as a champion of Canadian and new music, she is equally at home in 19^th century European romantic repertoire. She has appeared in solo recitals, chamber settings and with orchestra on four continents, and collaborates frequently in live and recorded performances with her faculty colleagues at York, where she has taught piano performance and musicology since 1987.

__________________

What: York University Faculty Concert Series featuring Mark Chambers, cello, with Christina Petrowska Quilico, piano
When: Thurs. Feb 7 at 7:30pm
Where: Tribute Communities Recital Hall, Accolade East Building, York University, 4700 Keele St. [Map]
Admission: $15, students $5.
Box Office: 416.736.5888 | www.yorku.ca/perform/boxoffice

This is the fifth of seven performances in the Faculty Concert Series spotlighting faculty artists in the Department of Music at York University. Upcoming concerts will feature Catherine Robbin and Barry Elmes.

-30-

Media Contact:
Amy Stewart, Communications, Faculty of Fine Arts, York University
416.736.2100 ext. 20421 | amy.stewart@yorku.ca

--  Amy P. Stewart Communications, Faculty of Fine Arts York University 4700 Keele Street, Toronto ON Canada M3J 1P3 tel 416.736.2100 ext. 20421 fax 416.736.5447 amy.stewart@yorku.ca www.yorku.ca/finearts

La Facult�� de musique de l'Universit�� de Montr��al accueille le sociologue Pierre-Michel Menger

Le sp��cialiste fran��ais inaugure la nouvelle s��rie de conf��rences de prestige

��Bilans et tendances des musicologies ��

Montr��al, le 24 janvier 2008 - Le secteur de musicologie et d'ethnomusicologie de la Facult�� de musique de l'Universit�� de Montr��al est heureux d'annoncer le lancement de sa s��rie de conf��rences de prestige : �� Bilans et tendances des musicologies ��.

Cette s��rie de conf��rences permettra �� une grande personnalit�� internationalement reconnue dans les domaines de la musicologie ou de l'ethnomusicologie et dont les travaux se pr��occupent aussi de questions fondamentales �� l'ensemble des sciences humaines de pr��senter ses vues personnelles dans son champ sp��cifique de recherche.

Cette s��rie de conf��rences sera inaugur��e ce mois-ci par quatre conf��rences de Pierre-Michel Menger, professeur de sociologie �� l'��cole des Hautes ��tudes en Sciences Sociales de Paris. Dans le cadre de l'invitation de la Facult�� de musique de l'Universit�� de Montr��al, Pierre-Michel Menger tentera de r��pondre �� la question : �� O�� en est la sociologie de la musique ? �� par quatre conf��rences qui seront autant d'essais de sociologie de la musique.

Ces conf��rences seront donn��es les 29 et 31 janvier et les 5 et 7 f��vrier.

Pierre-Michel Menger est connu dans le monde musical, entre autres, pour son ouvrage Le paradoxe du musicien. Le compositeur, le m��lomane et l'��tat dans la soci��t�� contemporaine (Flammarion, 1983). Il est l'un des premiers sociologues de l'art �� avoir questionn�� la l��gitimit�� des musiques d'avant-garde de l'��poque en soutenant qu'elles ne survivaient que gr��ce aux subventions de l'��tat et en se fondant sur des enqu��tes pointues aupr��s des publics d'institutions musicales bien connues comme l'IRCAM et l'Ensemble InterContemporain. Il est reconnu aujourd'hui comme l'un des chercheurs qui a favoris�� l'��mergence et le d��veloppement du postmodernisme dans le domaine de la musique et de la musicologie.

Quatre essais de sociologie de la musique, conf��rences de Pierre-Michel Menger

La sociologie de la musique s'est d��velopp��e sur deux versants : une contribution aux recherches sp��cialis��es sur les oeuvres, leur signification, leurs contextes socio-historiques de production et de r��ception, et sur les divisions en types et genres de musique, et ce, en coop��ration ou en comp��tition avec d'autres disciplines - musicologie, ethnologie, histoire, notamment; et une application des outils de la sociologie �� l'��tude de la musique comme syst��me d'activit�� dot�� de ses professions, organisations, m��canismes de comp��tition, conventions d'��valuation et de patrimonialisation, et comportements de consommation.

Les quatre conf��rences se situeront principalement sur le second versant, mais s'efforceront de montrer qu'un tel ancrage, loin de se r��duire �� une simple extension des objets de recherche de la sociologie (ce qu'il est assur��ment aussi), peut permettre d'aborder des questions centrales comme celle de la valeur, du travail cr��ateur, de la diff��rence de talent et de l'historicit�� de la notion d'oeuvre autrement que dans les termes aujourd'hui devenus st��riles de la sp��culation th��oricienne des premiers temps de la sociologie de la musique. Les conf��rences prendront notamment appui sur les recherches qui ont ��t�� men��es par l'auteur, principalement sur le monde de la musique �� savante ��.

4 conf��rences de Pierre-Michel Menger

Mardi 29 janvier, 17 h : �� La position des arts et de la musique dans le d��veloppement de la sociologie �� (salle Jean-Papineau-Couture, B-421)

*Un cocktail organis�� par l'Observatoire international de la cr��ation et des cultures musicales et le Cercle de musicologie de l'Universit�� de Montr��al suivra cette premi��re conf��rence.

Jeudi 31 janvier, 16 h 30 : �� Le musicien et son travail : professions, march��s du travail, organisations �� (salle Serge-Garant, B-484)

Mardi 5 f��vrier, 16 h 30 : Controverses sociologiques : comment analyser le talent cr��ateur ? Une r��futation du relativisme constructionniste �� (salle Serge-Garant, B-484)

Jeudi 7 f��vrier, 16 h 30 : �� Que peut dire la sociologie de l'oeuvre musicale ? Propositions. �� (salle Serge-Garant, B-484)

Facult�� de musique de l'Universit�� de Montr��al

200, Vincent-d'Indy, Montr��al (m��tro ��douard-Montpetit)

Entr��e libre

Pierre-Michel Menger

Pierre-Michel Menger est directeur de recherche au Centre National de la Recherche Scientifique et directeur d'��tudes �� l'��cole des Hautes ��tudes en Sciences Sociales (Paris). M��daill�� d'argent du CNRS (1999), professeur invit�� �� l'Universit�� du Qu��bec, fellow du Wissenschaftskolleg de Berlin (2006-2007), il est Visiting Scholar �� Columbia University au d��but 2008.

Apr��s des ��tudes de philosophie �� l'��cole Normale Sup��rieure, il a consacr�� son doctorat de sociologie �� la cr��ation musicale contemporaine (Le Paradoxe du musicien. Le compositeur, le m��lomane et l'��tat dans la soci��t�� contemporaine, Paris, Flammarion, 1983, r����d. L'Harmattan, 2001). Une autre recherche a suivi sur la cr��ation et l'informatique musicales, notamment �� partir d'une enqu��te �� l'IRCAM (Les laboratoires de la cr��ation musicale, Paris, Documentation fran��aise, 1989). Ses travaux ont port�� ult��rieurement sur les professions et les march��s du travail artistique (La profession de com��dien, Paris, Documentation fran��aise, 1998) et sur la sociologie g��n��rale des professions (Les professions et leurs sociologies, Paris, Editions de la MSH, 2003). Ses recherches sur les arts ont donn�� lieu �� des collaborations avec des coll��gues historiens (PM. Menger et J. Revel, eds, �� Les Mondes de l'art ��, n�� sp��cial des Annales, 1993) et ��conomistes (V. Ginsburgh et PM. Menger, eds, Economics of the Arts, Amsterdam, North Holland, 1996). Une recherche pluridisciplinaire sur la mod��lisation et l'analyse descriptive en sciences sociales a ��t�� publi��e dans Le mod��le et le r��cit, codirig�� par JY Grenier, C. Grignon et PM. Menger (Paris, ��ditions de la MSH, 2001). Ses travaux r��cents, notamment, visent �� situer l'artiste et le travail artistique dans l'��volution contemporaine des syst��mes d'emploi et de cotation du travail et dans l'examen des dilemmes flexibilit��/s��curit��/autonomie/risque. Trois ouvrages sont issus de ce programme de recherche : Les intermittents du spectacle, sociologie d'une exception (Paris, ��ditions de l'EHESS, 2005), Profession artiste, extension du domaine de la cr��ation (Paris, Textuel, 2005), et Le travail cr��ateur (�� para��tre en 2008). Les recherches actuelles de PM. Menger portent notamment sur deux questions : �� Qu'est-ce qu'achever une oeuvre ? �� et �� Le march�� du travail scientifique ��.

- 30 -

Source :

Secteur musicologie et ethnomusicologie

Facult�� de musique - Universit�� de Montr��al

Renseignements :

Julie Fortier

Facult�� de musique - Universit�� de Montr��al

514 343-6365

julie.c.fortier@umontreal.ca

2009 Honens International Piano Competition Announces Jury and Featured Artists

Canada's prestigious Honens International Piano Competition

makes first announcement for 2009 Competition

CALGARY, AB, January 24, 2008 - Honens announced today the juries and featured artists of the Sixth Honens International Piano Competition:

JURIES

First Jury - Stage One

Angela Cheng, Chairwoman Canada

Katherine Chi Canada

Matthias Kirschnereit Germany

Ronan O'Hora United Kingdom

Second Jury - Quarterfinals, Semifinals, Finals

William Aide, Chairman Canada

Jean-Efflam Bavouzet France

Iain Burnside United Kingdom

Hung-Kuan Chen Germany

Jane Coop Canada

Aleksander Madzar Belgium

Anne-Marie McDermott United States

COLLABORATING ARTISTS

Quarterfinals

Brian Current, composer Canada

Erika Raum, violin Canada

Semifinals

Marie-Nicole Lemieux, contralto Canada

Finals

Calgary Philharmonic Orchestra Canada

Christoph Campestrini, conductor Austria

Canada's Honens International Piano Competition is a wonderfully different kind of music competition. Honens looks for artists whose interpretations grow from a wide cultural context and keen imagination, whose performances are informed yet flavoured by a fascination for life outside the practice studio, and whose talent inspires the heart and engages the intellect. Honens is dedicated to "Discovering the Complete Artist" - every aspect of the Competition reflects this philosophy.

After the Competition, Honens serves an essential need in the lives of emerging concert artists, those of mentorship and management. The laureates of the Honens Competition are supported in their budding careers by a robust career development program lasting three seasons - a program that provides opportunities for creative development, career growth and exposure.

Applications for the Competition will be available at honens.com starting February 1. The deadline for applying is October 31, 2008.

The Sixth Honens International Piano Competition takes place in Calgary, October 22 to November 6, 2009, and is presented by Nexen Inc. and supported by Steinway & Sons, Irene Besse Keyboards Ltd, TransAlta, Arcis Corporation, Alberta Views, Bantrel Co., Canadian Natural Resources Ltd, McCarthy T��trault LLP, Masters Gallery, CBC Radio 2, WAX Partnership, and RPM Piano Movers. For more information about Honens, visit honens.com.

- 30 -

Information:

Julie Wright

Honens

403 299 0130 x 138

jwright@honens.com

Backgrounders:

Competition schedule

Collaborating Artists and Jury bios

Dilettante Launches Online Classical Community

On Monday 28th January 2008 Dilettante Music goes live.
www.dilettantemusic.com

Dilettante is the first specialist classical music community on the Internet with tools for musicians, listeners and novices. The site aims to create a global network where classical musicians and fans can discover, present and share the music they love.

Why "Dilettante"?
Dilettante comes from the Italian dilettare meaning "to delight", so a dilettante is anyone who enjoys the arts.

Why classical? Why now?
Record industry sales figures show that classical is currently the fastest-growing genre of music, with digital downloads of classical music outpacing those of any other genre. Meanwhile, the demographic of classical music listeners is changing. Boasting a total listenership of 6.5million, the UK's ClassicFM recently reported a 52% increase in listeners under the age of 15 in a mere three-month period. As the Canadian news magazine Maclean's put it, "maybe classical music isn't dying, just relocating to the Internet."

Juliana Farha, the company's Canadian founder, was determined to use the Internet to revive the true spirit of dilettantism in music.

She says: "I was convinced that new listeners could discover classical music if they were given the right tools. Dilettante is designed to guide listeners on a journey through that often-daunting world". At the same time, Juliana wanted to support talented and committed young classical performers. "The best way to accomplish both was to help them find each other," she says.

The Site
At the heart of the Dilettante site is an unprecedented level of integration between the members' network and music pages. The Dilettante music catalogue is enhanced by the web's most comprehensive data about classical performers, composers and their works; supplied by All Media Guide.

Web 2.0 tools enable classical music lovers and novices alike to harness the power of the Internet for covert exploration and discovery. Members of the Dilettante community create online profiles that:

- showcase their repertoire and influences
-'fingerprint' (tag) music according to mood and other criteria
- highlight other skills, such as composing or teaching
- use blogs to share their news and views
- link their profiles to their own recordings for sale in the Dilettante shop, powered by Amazon.

In the coming weeks, we'll be adding tools to enhance user profiles, including:

- mp3 uploads of musicians' own performances and compositions
- a public events calendar, with concerts linked back to performer's profiles.

In addition, Dilettante will collaborate with producers to present classical music events in non-traditional venues.

These are the ingredients for a classical revolution; the only qualification to join is curiosity.


Rising Stars Webcast
The Dilettante uprising begins with a series of webcasts featuring some of the UK's rising stars. On 28th January 2008, The Harpham Quartet are first in the spotlight. Recent music college graduates, these fantastic young musicians have already made their Wigmore Hall debut and been featured live on BBC London.

L'Ensemble Transatlantik Schrammel et l'accord��oniste viennoise Barbara Fasst en tourn��e au Qu��bec en f��vrier

D��NER OU SOUPER CONCERT �� LA BUTTE ST-JACQUES �� MTL

CONCERT AU CENTRE D'ART LA CHAPELLE �� QU��BEC

Quelle tristesse, vous n'��tiez pas du voyage lors des concerts �� Garmisch-Partenkirchen et �� Vienne de l'Ensemble Transatlantik Schrammel l'hiver dernier. Consolez-vous ! Le m��me programme vous sera offert en compagnie de la viennoise, virtuose de l'accord��on chromatique Schrammel Barbara Faast ici m��me �� Qu��bec. Venez entendre. �� quelques jours de la ST-VALENTIN, des valses de Strauss, Sibelius, Boudreau et Schostakovitch ainsi que d'autres danses �� saveur champ��tre et romantiques de l'��poque de l'empire d'Autriche.

Samedi 9 f��vrier �� 20h au Centre d'art La chapelle situ�� au 620 avenue Plante. pr��vente 20$ / porte 25$ Info et r��servation 686-5032.

Dimanche 10 f��vrier �� la Butte St-Jacques, 50 rue St-Jacques Ouest �� Montr��al

2 repr��sentations

11h concert et d��ner OU

14h30 concert et souper

concert et repas 5 services (taxes et service inclus) 37$

Info et r��servation 450-435-1611

Une pr��sentation de la Soci��t�� de musique viennoise du Qu��bec

(www.viennamontreal.ca )

Merci de votre pr��cieuse collaboration et bonne saison

Source Jean Desch��nes

Professional Grant Proposal Writing Workshop (March 2008: Los Angeles, California)

The Grant Institute: Certificate in Professional Program Development and Grant Communication will be held in Los Angeles, California, March 17 - 21, 2008. Interested development professionals, researchers, faculty, and graduate students should register as soon as possible, as demand means that seats will fill up quickly. Please forward, post, and distribute this e-mail to your colleagues and listservs.

All participants will receive certification in professional grant writing from the Institute, as well as 3.5 CEU units. For more information call (888) 824 - 4424 or visit The Grant Institute at www.thegrantinstitute.com

Please find the program description below:

The Grant Institute

Certificate in Professional Program Development and Grant Communication

will be held in

Los Angeles, California

March 17 - 21, 2008

8:00 AM - 5:00 PM

The Grant Institute: Certificate in Professional Program Development and Grant Communication is a five-day intensive and interactive experience in which participants will be led through the program development, grant writing, and funding acquisition processes through the completion of four courses. The Grant Institute is not a seminar. Participants will actively engage in exercises and activities designed to strengthen their mastery of grant acquisition. Through the completion of varying assignments, students will leave The Grant Institute with a real grant proposal outline complete with quality research, solid content, and expert review. The Grant Institute focuses on combining the fundamentals of grant proposal writing with expert knowledge of communication principles such as Strategic Research, Persuasion, Argumentation, and Framing.

The Grant Institute trainers and consultants do not merely lecture participants, but act as personal consultants and coaches dedicated to encouraging participants to succeed beyond their own expectations. While The Grant Institute uses collaboration and small groups for many exercises, each participant will work on their organization's pro ject. Participants are not overwhelmed with negativity or discouragement, but will be given the highest level of expertise to generate confidence in pursuing any funding project.

At The Grant Institute , participants don't j ust learn to write grant proposals from top to bottom. Participants become specialists in our unique area of expertise: Grant Communication. Simply put, this is not your grandfather's grantwriting workshop. Our graduates are strategic, innovative, and confident. Whether you are new to professional grantwriting, or an experienced professional, you will not want to miss The Grant Institute.

The Grant Institute consists of four (4) courses that will be completed during the five-day workshop.

(1) Program Development and Evaluation

This course is centered around the belief that "it's all about the program." This intensive course will teach professional program development essentials and program evaluation. While most grantwriting "workshops" treat program development and evaluation as separate from the writing of a proposal, this class will teach students the relationship between overall program planning and all strategic communication, including grantwriting. Consistent in our belief in grant communication, this class encourages students to understand successful program development and to think strategically about funding as an integral part of the overall program planning process. This class turns students into experts by teaching how to take ideas and concepts and turn them into professionally developed programs.

(2) Advanced Grant Writing

Designed for both the novice and experienced grantwriter, this course will make each student an overall fundraising communication specialist. In addition to teaching the basic components of a grant proposal, successful approaches, and the do's and don'ts of grantwriting, this course is infused with expert principles that will lead to a mastery of the process. Strategy resides at the forefront of this course's intent to illustrate grantwriting as an integrated, multidimensional, and dynamic endeavor. Each student will learn to stop writing the grant and to start writing the story. Ultimately, this class will illustrate how each component of the grant proposal represents an opportunity to use proven techniques for generating support.

(3) Strategic Grant Research

At its foundation, this course will address the basics of foundation, corporation, and government grant research. However, this course will teach a strategic funding research approach that encourages students to see research not as something they do before they write a proposal, but as an integrated part of the grant seeking process. Students will be exposed to online and database research tools, as well as publications and directories which contain information about foundation, corporation, and government grant opportunities. Focusing on funding sources and basic social science research, this course teaches students how to use research as part of a strategic communication effort.

(4) Advanced Communication Strategies: Institute for Communication Improvement Persuasion and Argumentation Techniques

This course, designed by Institute for Communication Improvement, will provide students with an arsenal of advanced persuasion and argumentation techniques. Centered around expert communication principles, this class will change the way students conceptualize grant proposals and other fundraising tools. Students will leave this course with ICI's masterful methods and will be more than j ust confident grantwriters, but communication specialists. This course is grounded on the idea that fundraising and nonprofit development represent profound communication activity. Without question, this course is part of The Grant Institute difference.

Registration

$997.00 tuition includes all materials and certificates.

Each student will receive:

*The Grant Institute Certificate in Professional Program Development and Grant Communication

*The Grant Institute's Guide to Successful Grant Writing

*Grant Institute Grant Writer's Workbook with sample proposals, forms, and outlines

*3.5 CEU Units, Association of Fundraising Professionals

*The Grant Institute's 2007 Funding Resource CD

Registration Methods

1) On-Line - Complete the online registration form at www.thegrantinstitute.com under Register Now. We'll send your confirmation by e-mail.

2) By Phone - Call (888) 824 - 4424 to register by phone. Our friendly Program Coordinators will be happy to assist you and answer your questions.

3) By E-mail - Send an e-mail with your name, organization, and basic contact information to info@thegrantinstitute.com and we will reserve your slot and send your Confirmation Packet.

La Scena Musicale, La SCENA and The Music Scene introduces its New Releases Section

Our readers are always on the lookout for something new. Concertgoers and music lovers want to know about the latest CDs, DVDs, and books. Musicians want to know about new instruments and accessories for themselves and their students. Why not show them your latest goodies? Whether it's musical or relevant to any of the arts (theatre, dance, visual art, etc.), your product will benefit from great visibility in our magazines' latest feature, the New Releases Section. This is a new and remarkably affordable advertising supplement, starting at only $25 per listing! It will appear next to the Reviews section in all three of our magazines, creating national exposure for your product. Best of all, our culturally passionate and musically inclined readers are tailor-made for your new releases, allowing you to appeal to an ideal targeted market.

The NEW Release Section will begin in the February 2008 issue of La Scena Musicale. For the February 2008 issue, you can include the new releases since the fall.

The deadline for reservations is: Friday, January 25, 2008

Reservations email: wkchan@scena.org

Deadline for text and images: Monday, January 28, 2008 at 3 p.m.

Email for text and images: kali@scena.org

Pricing (based on a listing inserted in ONE of our magazines, taxes extra):

o Basic listing: $25

o Descriptive listing: $85 (includes cover image and 50-word description)

o Frequency discounts available

Characteristics:

o Glossy colour page

o Location: next to Reviews page

o In all three magazines

o Products: CDs, DVDs, Books, Instruments, Accessories

o Open to Music and the Arts

FORM

Basic:

- Label: ________________

- Website: _______________

- Title: _________________

- Artists: ________________

- Catalogue no: ___________

- Timing:________________

- No of discs/ # of pages: _________

Descriptive Listing:

- Description (50-words): ___________________

- CD Image

To view a mockup, click on http://www.scena.org/pdf-files/LSM_Newreleasessample.pdf

-- 

--
Wah Keung Chan
Publisher / ��diteur
email: wkchan@scena.org -- or/ou -- wkchan@videotron.ca

** La Scena Musicale ** http://www.scena.org
5409 Waverly, Montreal, Quebec, Canada, H2T 2X8
Tel: (514)274-1128 | Fax: (514)274-9456 |
Advertising / Publicit�� : (514) 948-2520
email: info@scena.org

--
Help promote classical music. Make a donation to La Scena Musicale.
Pour la promotion de la musique classique. Faites un don �� La Scena Musicale !
Charitable Tax No. / Num��ro d'organisme charitable 141996579 RR0001.

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Read the NEW La Scena Musicale Blog http://www.scena.org/blog for regular news on music and the arts.
Voyez le nouveau blogue de La Scena Musicale �� http://www.scena.org/blog pour les derni��res nouvelles sur la musique et les arts.

La Scena Musicale, Honourable Mention at the 2007 Canada National Magazine Awards, Arts & Entertainment category
La Scena Musicale, mention d'honneur aux Prix du magazine canadien de 2007, cat��gorie arts et spectacles

Calgary Opera announces Hold Over Performance of TOSCA

January 23, 2008 08-09

For Immediate Release

Calgary Opera Announces Hold-Over Performance of TOSCA

Calgary, AB - Calgary Opera has announced a fourth performance of Tosca on Sunday, April 27^th at 2pm due to public demand for tickets. One of the greatest tales of love and loss, Puccini's Tosca runs April 19, 23, 25 & 27 2008 at the Southern Alberta Jubilee Auditorium. Tickets for the hold-over performance go on sale February 11^th.

"We opened our current season with a new built-in-Calgary production of Rigoletto, followed by the Canadian premiere of The Ballad of Baby Doe, which opens this week," says W.R. (Bob) McPhee, General Director & CEO. "We're thrilled to end the mainstage season with one of the most beloved tragedies in the repertoire, and to open up another performance for people to attend. The extra performance will give newcomers to opera a chance to get excellent seats to this grand opera experience as well as giving our core audience an opportunity to share this opera with family and friends."

The Calgary Opera production features an all-star cast including Soprano Michele Capalbo making her company debut in the title role, Tenor Marc Hervieux (Frobisher 2007) as Cavaradossi, and Baritone Ga��tan Laperri��re (Filumena 2003) as the evil Scarpia. Rounding out the cast are Baritone Phillip Addis in his Calgary Opera debut, Bass-Baritone Brian McIntosh (Cinderella 2007), Tenor Stephen Bell (alumnus of the Calgary Opera Emerging Artist Development Program 2006-2007), and Baritone Steven Pitkanen (Tales of Hoffmann 2004). Robert Dean conducts, Michael Cavanagh directs.

Tosca is sponsored by Nexen, with the Calgary Opera Chorus sponsored by Petro-Canada. Tickets for the hold-over performance go on sale February 11^th and range from $36 - $133. Tickets are available by calling Calgary Opera at 262-7286 or at www.calgaryopera.com.

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For further information, please contact: Helen Moore-Parkhouse, Calgary Opera 802-3406, or hmp@calgaryopera.com

Helen Moore-Parkhouse

Director of Development & Marketing

Calgary Opera

802-3406

Premier concours chor��graphique / Les Grands Ballets Canadiens de Montr��al

Communiqu��

Pour diffusion imm��diate

Les Grands Ballets Canadiens de Montr��al

lancent leur PREMIER concours chor��graphique en 2008

Montr��al, le 15 janvier 2007 - Une grande premi��re aux Grands Ballets Canadiens de Montr��al ! Soucieux de d��couvrir de nouveaux talents et de soutenir la cr��ation en ballet, la compagnie initie en ce d��but d'ann��e un concours chor��graphique unique en son genre �� travers le Canada. Les jeunes chor��graphes canadiens ou r��sidents permanents de 30 ans et moins, dont la formation, la d��marche et la sensibilit�� artistiques s'appuient sur la technique de ballet classique, sont invit��s �� s'y inscrire d'ici le 18 avril prochain.

Le concours chor��graphique des Grands Ballets Canadiens de Montr��al, lanc�� aujourd'hui, offre l'occasion �� quatre artistes du pays, dont un du Qu��bec, de concevoir une oeuvre ne d��passant pas 25 minutes, pour au plus quatre danseurs de la troupe. Les laur��ats pourront r��aliser leurs cr��ations au cours d'une p��riode de cinq semaines, s'��chelonnant de la mi-ao��t �� la fin septembre 2008. Celles-ci seront pr��sent��es �� l'Agora de la danse, partenaire de pr��sentation du projet, les 25, 26 et 27 septembre 2008, �� la suite d'une r��sidence technique de trois jours au sein de ce chaleureux th����tre de la danse.

Fait important : dans le cadre de ce projet, les laur��ats b��n��ficieront tout au long du processus de cr��ation du mentorat ��clair�� de Gradimir Pankov, directeur artistique des Grands Ballets, et de celui ��galement de St��phan P��pin, directeur de production de l'institution. Le concepteur d'��clairages, Marc Parent, fera de plus partie de l'��quipe.

D��s son arriv��e aux Grands Ballets, en 2000, Gradimir Pankov r��vait d'��tablir un tel concours innovateur. Identifier, encourager et solliciter la participation de talents ��mergents, soutenir la cr��ation, contribuer au d��veloppement et au rayonnement du ballet dans ses diverses expressions ont toujours ��t�� ses premiers objectifs. Par ce concours, il esp��re de plus ��tablir des relations �� long terme avec les jeunes chor��graphes au pays et int��grer les cr��ateurs les plus talentueux �� l'int��rieur m��me de la programmation r��guli��re de la compagnie.

Les Grands Ballets ont �� diff��rentes occasions command�� des pi��ces �� des chor��graphes qu��b��cois et canadiens, dont par le pass�� Ginette Laurin, ��douard Lock et Shawn Hounsell, et aujourd'hui Peter Quanz. Toutefois, le nombre d'oeuvres canadiennes pr��sent��es a diminu�� au cours des derni��res ann��es en raison d'un manque de plateformes qui auraient permis aux nouveaux talents en chor��graphie d'acqu��rir de l'exp��rience. Tremplin pour les jeunes artistes, le concours chor��graphique des Grands Ballets se veut une solution pour pallier cette situation.

Cr��er dans un cadre exceptionnel, ��tre conseill�� et soutenu par des professionnels, travailler avec des danseurs accomplis et jouir de la cr��dibilit�� et de la r��putation de la troupe : voil�� ce que le concours chor��graphique des Grands Ballets Canadiens de Montr��al offre aux futurs laur��ats.

Les candidats int��ress��s peuvent se procurer le feuillet d'information du concours sur le site Internet de la compagnie www.grandsballets.com. Date limite d'inscription : 18 avril 2008.

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Renseignements : Francine Arsenault, communications

(514) 849-8681, poste 227 / farsenault@grandsballets.com

www.grandsballets.com

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PRESS RELEASE

For immediate release

Les Grands Ballets Canadiens de Montr��al

lAUNCHES ITS FIRST CHOREOGRAPHIC COMPETITION IN 2008

Montr��al, January 15, 2007 - A major "premi��re" for Les Grands Ballets Canadiens de Montr��al! With an eye to discovering new talent and supporting creation work in the ballet world, the company is initiating a choreographic competition...the only one of its kind in Canada. Young Canadian choreographers (citizens and permanent residents) aged 30 and under, whose training, approach and artistic sensibility are based on classical ballet techniques, are invited to enter by this April 18.

Les Grands Ballets Canadiens de Montr��al choreographic competition, launched today, will give four artists from Canada, including one from Qu��bec, the opportunity to create works a maximum of 25 minutes long for at most four of the troupe's dancers. Winners will direct their creations over a five-week period running from mid-August to late September 2008. The works will then be performed at the Agora de la danse, the project's presenting partner, on September 25, 26 and 27, following a three-day technical residence.

An important note: as part of the project, throughout the creation process winners will benefit from the enlightened mentorship of Gradimir Pankov, Artistic Director of Les Grands Ballets, as well as that of St��phan P��pin, the institution's Production Director. Resident lighting designer Marc Parent will also be part of the team.

Ever since his arrival at Les Grands Ballets in 2000, Mr. Pankov has dreamed of founding an innovative competition like this one. His main objectives have always been to find, encourage and seek the participation of emerging talent, support their creation work and contribute to the development and growth of ballet in its various expressions. Through the competition, he hopes to establish long-term relationships with the country's young choreographers and integrate the most talented creators' work into the company's regular programming.

Les Grands Ballets has at various times commissioned works from Qu��b��cois and Canadian choreographers; past contributors include Ginette Laurin, ��douard Lock and Shawn Hounsell, and a current one is Peter Quanz. However, the number of Canadian works performed has diminished in recent years due to a notable lack of choreographers who master the arts of both ballet and choreography. As a spring plank for young artists, Les Grands Ballets choreographic competition aims to help improve this situation.

The opportunity to create within an exceptional framework, to receive the advice and support of professionals, to work with accomplished dancers and to benefit from the troupe's credibility and reputation: this is what Les Grands Ballets Canadiens de Montr��al choreographic competition offers future winners.

Interested candidates can see the competition information sheet on the company's website at www.grandsballets.com. The deadline for entry is April 18, 2008.

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Information: Francine Arsenault, Communications

(514) 849-8681, ext. 227 / farsenault@grandsballets.com

www.grandsballets.com

Les ��t��s de la danse / Les Grands Ballets Canadiens de Montr��al

COMMUNIQU��

Pour diffusion imm��diate

LE PRESTIGIEUX FESTIVAL

LES ��T��S DE LA DANSE DE PARIS
RE��OIT LES GRANDS BALLETS CANADIENS DE MONTR��AL

AU GRAND PALAIS

DANS LE CADRE DU 400^e ANNIVERSAIRE DE LA VILLE DE QU��BEC

Montr��al, le 15 janvier 2008 - En juillet prochain, Les Grands Ballets Canadiens de Montr��al seront les invit��s des ��t��s de la danse de Paris, l'un des plus prestigieux festivals de ballet au monde.

Sous la pr��sidence de Mme Jacques Chirac, Les ��t��s de la danse enrichissent Paris durant la saison estivale d'une grande manifestation enti��rement d��di��e �� la danse depuis sa fondation en 2005. L'��v��nement, dirig�� par M. Val��ry Colin, re��oit chaque ann��e une seule compagnie de r��putation internationale et mobilise tout autant la France enti��re, par le biais d'une vaste campagne publicitaire, que les m��dias internationaux. Le San Francisco Ballet, l'Alvin Ailey American Dance Theater et le Ballet National de Cuba y ont d��j�� ��t�� re��us.

Les Grands Ballets, qui ne se sont pas pr��sent��s �� Paris depuis trois d��cennies, ont ��t�� convi��s �� se produire en plein coeur de la capitale fran��aise, du 9 au 29 juillet 2008, pour une r��sidence de plus de 3 semaines et un total de 16 spectacles dans le cadre de la 4^e ��dition de la manifestation. La compagnie devient ainsi le premier organisme culturel du Qu��bec et du Canada �� avoir ��t�� retenu pour illustrer l'excellence, le dynamisme et l'innovation en danse.

�� Je suis particuli��rement fier de pr��senter le nouveau visage des Grands Ballets dans une vitrine aussi exceptionnelle que ce festival ��, affirme le directeur artistique, Gradimir Pankov. ��Cette invitation est une cons��cration pour tout le travail, les efforts et l'��nergie consentis par tous les artistes, danseurs, concepteurs et artisans. Elle sera sans conteste l'un des grands moments de notre histoire ��, ajoute le directeur g��n��ral, Alain Dancyger.

Les Grands Ballets Canadiens de Montr��al pr��senteront trois programmes diff��rents, r��unissant des oeuvres r��cemment cr����es pour la compagnie, dont Minus One de Ohad Naharin, Toot de Didy Veldman, Noces de Stijn Celis et Les Quatre Saisons de Mauro Bigonzetti. Les spectacles seront donn��s sur une sc��ne enti��rement construite dans la partie centrale du Grand Palais, b��timent patrimonial et lieu mythique situ�� entre La Seine et les Champs ��lys��es. Ils constitueront l'un des grands ��v��nements marquants des c��l��brations du 400^e anniversaire de la ville de Qu��bec dans la capitale fran��aise. Plus de 45 000 spectateurs y sont attendus !

Un grand gala, sous la pr��sidence d'honneur de l'Ambassadeur du Canada, M. Marc Lortie, et du D��l��gu�� g��n��ral du Qu��bec �� Paris, M. Wilfrid Guy-Licari, et en pr��sence de personnalit��s des mondes politiques et artistiques fran��ais, qu��b��cois et canadiens, marquera la soir��e d'ouverture le 9 juillet 2008.

Les GBCM sont heureux d'��tre associ��s aux partenaires de prestige que sont Alcan, Power Corporation, Tourisme Montr��al et le minist��re du Tourisme du Qu��bec, dans le cadre de cet ��v��nement. La compagnie est particuli��rement fi��re de compter Air Canada comme partenaire privil��gi�� et transporteur officiel. Les GBCM remercient ��galement la D��l��gation g��n��rale du Qu��bec et l'Ambassade du Canada, �� Paris, de leur aimable collaboration.

Les Grands Ballets Canadiens de Montr��al font vibrer leur ville au rythme de leurs cr��ations chor��graphiques depuis 1957. Interculturelle et plurielle, telle est la stature de l'institution. En 2000, celle-ci a pris un grand virage sous l'impulsion ��clair��e de son nouveau directeur artistique, Gradimir Pankov, fort d'une longue exp��rience internationale. D��s son arriv��e, il a fait des GBCM une compagnie de cr��ation et de r��pertoire refl��tant les tendances actuelles en ballet, et toujours tr��s active au pays comme �� l'��tranger. Vivier propre �� l'��closion de talents nouveaux, elle incarne aujourd'hui la cr��ativit�� et l'audace. Elle offre une vision diff��rente du monde par la danse, une vision plus que jamais ��motive, th����trale et passionnante.

Les GBCM b��n��ficient du g��n��reux soutien du Conseil des arts et des lettres du Qu��bec, du Conseil des Arts du Canada, du Conseil des arts de Montr��al, des Affaires ��trang��res et Commerce international Canada et de Patrimoine canadien.

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Renseignements : Francine Arsenault, communications

(514) 849-8681, poste 227 / farsenault@grandsballets.com

www.grandsballets.com

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NEWS

For immediate release

PRESTIGIOUS LES ��T��S DE LA DANSE DE PARIS
HOSTS LES GRANDS BALLETS CANADIENS DE MONTR��AL

AT THE GRAND PALAIS

AS PART OF QU��BEC CITY'S 400^TH ANNIVERSARY CELEBRATIONS

Montr��al, January 15, 2008 - In July, Les Grands Ballets Canadiens de Montr��al will be the featured guest company of Les ��t��s de la danse de Paris, one of the world's most prestigious ballet festivals.

Since 2005, under the chairmanship of Mrs. Jacques Chirac, Les ��t��s de la danse has crowned the summer season in Paris with a major event dedicated entirely to dance. The event, directed by Val��ry Colin, hosts one internationally acclaimed company each year, and attracts the attention not only of the international media but also all of France thanks to a major advertising campaign. The San Francisco Ballet, Alvin Ailey American Dance Theater and Ballet Nacional de Cuba have preceded Les Grands Ballets as featured guest companies at this festival.

Les Grands Ballets, which has not performed in Paris for three decades, has been invited to perform in the heart of the French capital from July 9 to 29, for a three-week and a half, 16-show residence as part of the event's 4th edition. Les Grands Ballets is the first cultural organization from Qu��bec and Canada to be chosen for this event to illustrate excellence, dynamism and innovation in dance.

"I am particularly proud to present the new face of Les Grands Ballets in such an exceptional showcase as the festival," says the company's Artistic Director, Gradimir Pankov. Adds its Executive Director Alain Dancyger: "This invitation is a testament to all the work, effort and energy invested by all our artists, dancers, creators and artisans. It will be, without any doubt, one of the milestones in our history."

Les Grands Ballets Canadiens will perform three different programs, bringing together several works recently created for the company, including Minus One by Ohad Naharin, Toot by Didy Veldman, Noces by Stijn Celis and Four Seasons by Mauro Bigonzetti. The shows will be performed on a stage entirely constructed in the central part of the Grand Palais, a legendary heritage building situated on the lower part of the Champs ��lys��es. Les Grands Ballets shows will constitute one of the main celebrations in the French capital marking the 400^th anniversary of the founding of Qu��bec City. More than 45,000 spectators are expected to attend!

A gala event will mark the opening night on July 9, with Ambassador of Canada, Mr. Marc Lortie, and Qu��bec's Delegate General in Paris, Mr. Wilfrid Guy-Licari, as honorary chairs, and guests including notable political and artistic figures from France, Qu��bec and the rest of Canada.

Les Grands Ballets Canadiens is pleased to be associated with prestigious partners Alcan, Power Corporation, Tourisme Montr��al and the Minist��re du Tourisme du Qu��bec for this festival. The company is particularly proud to have Air Canada as a special partner and official carrier. Les GBCM would also like to thank the D��l��gation g��n��rale du Qu��bec and the Canadian Embassy, in Paris, for their valued contribution.

Les Grands Ballets Canadiens has enriched Montr��al with its choreographic creations since 1957. Intercultural and pluralistic, this is the nature of the institution. In 2000, Mr. Pankov took the helm as Artistic Director; under his guidance and because of his extensive international experience, the company took a new turn. From the moment of his arrival, he has transformed Les Grands into a creative and repertory company that reflects current trends in ballet, and that remains very active both at home and abroad. An incubator for new talent, the company today embodies innovation and daring. Les Grands Ballets offers an alternative vision of the world through an art form it holds dear: one that is more emotional, theatrical, and exciting, than ever.

Les Grands Ballets Canadiens de Montr��al receives generous support from the Conseil des arts et des lettres du Qu��bec, the Canada Council for the Arts, the Conseil des arts de Montr��al, Foreign Affairs and International Trade Canada, and Canadian Heritage.

-30-

Information: Francine Arsenault, Communications

514 849-8681, ext. 227 / farsenault@grandsballets.com

www.grandsballets.com

[Ottawa] 11th Black & White Opera Soiree

MICHAEL SCHADE AND RUSSELL BRAUN INVITE YOU TO STEP INTO THEIR PARLOUR: PROGRAMMING ANNOUNCED FOR

THE 11th BLACK & WHITE OPERA SOIREE

OTTAWA, January 15, 2008 -- The 11th annual Black & White Opera Soiree -- on Saturday, February 23 at 20:00 in Southam Hall of the National Arts Centre -- showcases an all-Canadian cast of headliners, including internationally acclaimed opera superstars, tenor Michael Schade and baritone Russell Braun, and rising star, mezzo-soprano Lauren Segal. The world of opera meets the world of pop music as host for the evening will be singer-songwriter Steven Page of Barenaked Ladies, a long-time friend and fan of Michael Schade. Giovanni Reggioli will conduct the National Arts Centre Orchestra, and Michael Zaugg is the Chorus Master for the Opera Lyra Ottawa Chorus.

The Black & White Opera Soiree is presented by Bell, the founding sponsor of this annual fundraiser, in association with major sponsors EMC Canada and Vale Inco.

Both Michael Schade and Russell Braun have sung extensively in Austria. Indeed, Mr. Schade's career was launched in Vienna in 1991. He maintains an apartment in the centre of the city, has sung many of his most acclaimed roles there, and has appeared at the Salzburg Festival almost every year since 1994, always to great acclaim. The Black & White opera Soiree celebrates this unique connection by re-creating an enticing Viennese salon onstage in Southam Hall. Michael and Russell welcome their guests -- and the audience -- into the 'Gem��tlichkeit', or 'warm and friendly atmosphere,' of a uniquely charming Viennese parlour. Inviting furniture will be scattered about, the musical guests will remain onstage throughout the evening, and the Opera Lyra Ottawa Chorus, festively attired, will mingle among the singers.

Although some repertoire is still under discussion, much of the programming has been confirmed. The evening will feature familiar, soaring melodies from some of the most popular operas in the canon, including Il barbiere di Siviglia (The Barber of Seville) by Rossini, Cosi fan tutte, Le nozze di Figaro (The Marriage of Figaro), and Don Giovanni by Mozart, Carmen by Georges Bizet, Die Fledermaus by Johann Strauss Jr., and Die lustige Witwe (The Merry Widow) by Franz Leh��r. Surtitles projected above the stage allow the audience to enjoy an aria's lyrics as well as the music.

The Barber of Seville deserves special mention, as Michael Schade and Russell Braun have made a specialty of recreating the outrageous high-comedy antics of opera's most famous barber; selections from Barber include 'Largo al Factotum' -- the famous 'Figaro, Figaro, Figaro' aria -- by Russell Braun, 'Ecco, ridente in cielo' a romantic aria sung by Michael Schade, and the saucy 'Una voce poco fa' performed by Lauren Segal. Ms Segal will also be featured in a selection from Carmen, Cherubino's yearning 'Voi che sapete' from Le nozze di Figaro, and romantic duets with both Michael Schade ('So kommen Sie' from The Merry Widow) and Russell Braun ('La ci darem la mano' from Don Giovanni and 'Lippen schweigen' from The Merry Widow).

Michael Schade, one of the leading Mozart tenors on the stage today, will perform Don Ottavio's showpiece 'Il mio tesoro intanto' from Don Giovanni. Russell Braun will perform 'Finch'han dal vino', the famous 'Champagne aria' from Don Giovanni and the sprightly 'O Vaterland' from The Merry Widow, and together they will sing the tenderly expressive 'Secondate, aurette amiche' from Cosi fan tutte.


Steven Page -- who will not attempt opera -- will join the soloists for some crowd-pleasing favourites from the pop repertoire.

The Opera Lyra Ottawa Chorus will be featured in the 'Humming Chorus' from Puccini's Madama Butterfly, as well as in excerpts from Die lustige Witwe and Die Fledermaus. The NAC Orchestra will shine in renditions of the overture and entr'acte to Die Fledermaus and familiar selections from Die lustige Witwe.

"Tenor Michael Schade, who has built his high-profile international career on a beautiful, strong voice coupled with powerful artistry, communicated the full drama of every text he sang."
Toronto Star, December 17, 2007

[Russell Braun as Figaro] "-- the manner more commanding, the handsome, burry voice more fully rounded, the handsome face and figure more pliantly expressive. Vocally and artistically, he seems to have reached an enviable point of equilibrium. Sexy and smart and fully his colleagues' peer in either high notes or low comedy...." Opera Canada, Summer 2007

"�� Lauren Segal consistently sang her part with power and a fine mezzo voice, capable of true expression and power." Robert Harris, The Globe and Mail, February 6, 2002

The Black & White Opera Soiree is an annual winter benefit for the National Arts Centre Orchestra and Opera Lyra Ottawa. Accessible and entertaining, the evening is a tantalising mix of fine food, high fashion, and some of the most beautiful music ever written. The Black & White Opera Soiree proudly showcases Canadian talent, with proceeds divided equally between the two arts organizations. Since its inception in 1998, the Soiree has contributed more than $1.8 million to help foster Canada's next generation of talented musical artists through training, mentoring, and showcasing.

The Black & White Opera Soiree takes place on Saturday, February 23, 2008 at the National Arts Centre.
o Soiree tickets are $325, which includes a cocktail reception, dinner, concert, and a post-concert party with the stars. Soiree tickets can be purchased through the NAC Foundation at 613-947-7000, ext.322 or at Opera Lyra Ottawa by contacting 613-233-9200, ext. 224.
o Concert-only tickets are $80, $70, and $55.

Tickets are available at the NAC Box Office (in person) and through Ticketmaster (with surcharges) at 613-755-1111; Ticketmaster may also be accessed through the NAC's web-site at www.nac-cna.ca. For more information on the event please visit the NAC website or www.operalyra.ca.

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Information:
Gerald Morris, National Arts Centre Karl Balisch, Opera Lyra Ottawa
613-947-7000, x249 613-233-9200, x229
gmorris@nac-cna.ca marketing@operalyra.ca

RCM to confer Fellowships on R.Murray Schafer, Steven Staryk and John Perry

Composer R. Murray Schafer, Violinist Steven Staryk and Pianist John Perry to Receive Honorary Fellowships from The Royal Conservatory of Music

Convocation Ceremony for Class of 2007 to be held Saturday, January 26

Toronto, January 22, 2008 - Internationally acclaimed Canadian composer R. Murray Schafer, Canadian-born violinist Steven Staryk and American pianist John Perry will be named Honorary Fellows of The Royal Conservatory of Music (RCM) at the Convocation Ceremony which will be held at 2:00 pm on Saturday, January 26 at the Toronto Centre for the Arts in North York. This year's honourees join a distinguished group of colleagues including the late Oscar Peterson, Mario Bernardi, Mme. Aline Chr��tien, Adrienne Clarkson, Maureen Forrester, Teresa Stratas, A.Charles Baillie, David Mirvish, Thomson Highway and Robertson Davis.

In conferring the honorary fellowships, Dr. Peter Simon, President of The Royal Conservatory of Music said, "These three extraordinary artists have made a substantial contribution to the development of music and music education in Canada, earning them the affection of the music community, the recognition of their peers and the respect of this country. All three have very strong links with the Conservatory, having studied and taught here. Thanks to their contribution, the Conservatory continues to have an immense impact on the cultural and social life of our entire nation."

RCM graduates from as far away as Vancouver, Calgary, Edmonton, Moose Jaw, Winnipeg, Montreal and Fredericton, as well as from communities across Ontario, travelled to Toronto to take part in the Convocation ceremonies. Each of the RCM graduates receives an ARCT certificate, becoming an Associate of the Royal Conservatory of Music, an internationally recognized certificate for teaching or performing.

This year's Convocation Ceremony will also feature a special performance by a 15-year old violinist Bora Kim, a student at the Conservatory's Young Artists Academy (YAPA) and a recipient of the RCME Gold Medal for Excellence in Theory.

Founded in 1886, The Royal Conservatory of Music is the largest and oldest independent arts educator in Canada, serving more than 500,000 active participants each year. To provide an even wider reach for its programs, the Conservatory has launched the Building National Dreams Campaign to restore its Victorian home and to build a state-of-the-art performance and learning centre.

Opening in 2008, the TELUS Centre for Performance and Learning will be one of the world's greatest arts and education venues and a wonderful resource for all Canadians. Designed by Kuwabara Payne McKenna Blumberg Architects (KPMB), this stunning facility will feature new academic and performance space, including an acoustically perfect 1,140-seat concert hall, new studios and classrooms, a new media centre, library and rehearsal hall. Technologically sophisticated, it will be the heart of creative education in Canada.

Biographical Sketches of Honorary Fellows:

Pianist John Perry earned his bachelor's and master's degrees at the Eastman School of Music. Mr. Perry has achieved considerable acclaim as a touring and recording artist and has won numerous prizes in international competitions. He has performed extensively throughout Europe and North America. Mr. Perry records for labels including Telefunken, Musical Heritage Society, CBC, Fox and ACA, which recently released his recording of three major American works for piano solo: Paul Cooper's Sinfonia, Sam Jones' Sonata for Piano, and the Piano Sonata of Donald Keats. As a respected chamber musician, Mr. Perry collaborates with some of the world's finest instrumentalists.

He has also attained an international reputation as a teacher, presenting master classes throughout the world. His students have been first prize winners in major competitions including the Rubinstein, Music Teachers' National Association, Naumburg Chopin National competition, Beethoven Foundation competition, Federated Music Clubs, the Young Keyboard Artists Association, American Music Society Competition and Young Musicians Foundation.

John Perry is a faculty member of the Colbourn School for Performing Arts, a frequent guest faculty member at the Banff Centre, artist-faculty member of the Aspen Music Festival, the Sarasota Festival and the Holland Music Sessions. During the academic year, he is a faculty member of the Thornton School of Music, the University of Southern California and The Glenn Gould School of The Royal Conservatory of Music in Toronto.

R. Murray Schafer has earned a reputation as one of Canada's most important composers and music educators. His works have ranged from orchestral compositions and choral music to musical theatre and multi-media productions. He has won national and international acclaim not only for his musical compositions, but also as a dramatist, educator, environmentalist, literary scholar and visual artist. Born in Sarnia, Ontario, Mr. Schafer suppressed a youthful urge to become a painter to study music at The Royal Conservatory of Music and the University of Toronto and obtained a piano degree from the Royal College of Music in London, England. During his stays in Vienna and London between 1956 and 1961, he taught himself journalism, languages, literature, music and philosophy.

His diversity of interests is reflected by the enormous range and depth of such works as Loving (1965), Lustro (1972), Music for Wilderness Lake (1979), Flute Concerto (1984), and the World Soundscape Project, as well as his 12-part Patria music theatre cycle. His most important book, The Tuning of the World (1977), documents the findings of the World Soundscape Project, which united the social, scientific and artistic aspects of sound and introduced the concept of acoustic ecology.

His many honours include the Fromm Foundation Award in 1972, the Canadian Music Council Medal in 1972, a Guggenheim Fellowship in 1974, the William Harold Moon Award in 1974, the Composer of the Year Award from the Canadian Music Council in 1976, the Jules L��ger Prize for New Chamber Music in 1977 (for String Quartet No. 2, Waves). In 1980, he received the Prix Honegger for String Quartet No.1 and in 1987 he became the first recipient of the triennial Glenn Gould Prize for Music and its Communication. In 1993, he received the Canada Council for the Arts Molson Prize and in 1999 he became the recipient of the Louis Applebaum Composer's Award. In 2005, he won the Walter Carsen Prize for Excellence in the Performing Arts. R. Murray Schafer also holds honorary doctorates from universities in Canada, France and Argentina.

A renowned teacher, acclaimed orchestral and chamber musician, and international soloist, Steven Staryk is considered a leading Canadian-born violinist of his generation. He has won the respect of his peers and of the critics for his virtuosity and orchestral leadership.

Mr. Staryk made his recital debut for CBC radio at 14 and at 17 he performed Paganini's Concerto No. 1 with the Royal Conservatory Orchestra at Massey Hall. In 1956, he was runner-up in the International Competition for Musical Performers in Geneva. He was runner-up again at the Carl Flesch International Competition in London.

Following the competition in London, he became concertmaster of the Royal Philharmonic Orchestra at the age of 24 - the youngest in its history. This earned him the title of the "king of concertmasters" from the prestigious Strad magazine. He went on to serve as concertmaster of the Concertgebouw Orchestra in Amsterdam, Amsterdam Chamber Orchestra, the Chicago Symphony Orchestra and the Toronto Symphony Orchestra.

Mr. Staryk is also a well known master teacher and has taught at the Amsterdam Conservatory, Northwestern University and the American Conservatory in Chicago. He became the youngest full professor at Oberlin College Conservatory in Ohio. He served as a head of the string department at the Vancouver Academy of Music and taught at the University of Victoria.

His other teaching positions include the University of Ottawa, the University of Western Ontario, The Royal Conservatory of Music and the University of Toronto. His teaching career culminated with the University of Washington in Seattle, which conferred on him its distinguished Teaching Award, the first ever given to a professor in its School of Music.

Mr. Staryk was a member of the Oberlin String Quartet, a founding member of Quartet Canada, led the CBC String Quartet and formed the Staryk-Perry Duo with pianist John Perry. Steven Staryk also served as the first Canadian adjudicator for the Tchaikovsky Competition in Moscow in 1982.

Media Contact: Jack Kado, Director of Public Relations

Tel. 416-408-2824 ext. 461; email: jack.kado@rcmusic.ca

FLIP Adds Muscle to its Music Division!

For Immediate Release: January 22, 2008

FLIP ADDS MUSCLE TO ITS MUSIC DIVISION

From Classical to Punk and everything in between!

FLIP Publicity & Promotions is thrilled to announce that music publicists Barbora Krsek and Mavis Harris have joined the FLIP team. Barbora will work with FLIP's classical music and choral clients, including the Toronto Symphony Orchestra, and Mavis will work with FLIP's contemporary music and performing arts clients, including North by Northeast (NXNE) Music and Film Festival & Conference.


A tireless promoter of classical culture, Barbora Kresk was publicist for the world-renowned Canadian Opera Company (COC), where she worked on the world premiere of The Golden Ass (libretto from Canadian literary lion Robertson Davies), on Francois Girard's award-winning production of Stravinsky's Oedipus Rex with Symphony of Psalms, and the COC's 50th Anniversary Celebration, all of which garnered international media attention. After promoting the COC to local, national and international media for several years, Barbora left the company to work directly with Canadian artists, including soprano Isabel Bayrakdarian, baritone James Westman, mezzo-soprano Krisztina Szabo and bass Alain Coulombe. She also worked with the legendary Niki Goldschmidt on The Joy of Singing Festival and the Benjamin Britten Festival, and managed publicity for the annual Arthur Ellis Awards for the Crime Writers of Canada.


Barbora's talent for communications extends beyond the realm of publicity. She is Associate Editor with Opera Canada magazine and speaks several languages, including Slovak, Czech, Russian and some Spanish. In her free time, Barbora enjoys listening to speed metal (just kidding-classical, opera and The King are her faves) and relaxing on a hot beach in the Dominican Republic.


Mavis Harris consumes music the way she consumes twizzlers - passionately, obsessively and voraciously! A graduate of Durham College's PR program, Mavis launched her career as an intern with FLIP, where she worked on projects such as Toronto Downtown Jazz Festival, UMOJA - The Spirit of Togetherness and Terracotta Warriors. Following her internship with FLIP, Mavis joined MapleMusic where, as publicist, she worked with artists such as Vinnie Paul, Tegan & Sara, Radiohead and C'MON. Mavis thrived in the fast-paced, ever-changing music business but was powerless to deny her inner FLIPster. And so, after three years with MapleMusic, Mavis returns to FLIP, bringing with her an encyclopedic knowledge of rock 'n' roll, a sassy wit and a "never-say-die" attitude. When she's not working, Mavis enjoys checking out new bands, hanging out at the Bovine and wrestling jigsaw puzzles into submission.


FLIP Publicity & Promotions is Canada's preeminent entertainment PR agency. Firmly ensconced in the world of theatre and performing arts, FLIP has expanded its music division to better serve its growing list of music clients including Cirque du Soleil, Paquin Entertainment, House of Blues, Show One Productions, Naomi Judd, Angela Hewitt, Dmitri Hvorostovsky, and artists from the Universal Music roster including Ron Sexsmith, Esthero and Collective Soul.


Media Contact:
Carrie Sager
President
FLIP Publicity & Promotions Inc.
720 Bathurst Street, Suite 403
Toronto, ON, Canada M5S 2R4
416.533.7710 X224 fax 416.533.7797
carrie@flip-publicity.com
--

In Memoriam: Talivaldis Kenins

(Toronto, ON - January 22, 2008) The Canadian Music Centre regrets to announce the passing of one of Canada's pioneering composers Talivaldis Kenins. The eminent Canadian composer and professor emeritus of the University of Toronto's Faculty of Music passed away on Sunday night, at the age of 88.

Born in Liepaja, Latvia in 1919, Talivaldis Kenins was a child of parents eminent in the cultural and political life of that country. His father, Atis-a lawyer, educator, diplomat, politician, minister of Education and Justice-was also a poet and translator, while his mother, Anna, was a noted writer and journalist. Raised in this milieu, young "Tali" started piano studies at age five and his first compositions were written when he was eight.

He pursued formal education at the College de Menton and Lyc��e de Grenoble, France, where he received his "Bachelier des lettres" in 1939. He then pursued composition at the State Conservatory in Riga under Joseph Wihtol, but was forced to leave Latvia by the second Soviet occupation following World War II. He returned to France, and in 1945 entered the Conservatoire National Superieur de Paris, where his teachers included Simone Pl��-Caussade, Tony Aubin and Olivier Messiaen. The student composer supported himself in postwar Paris by accompanying vocalists, serving as pianist for theatrical productions, and playing in dance bands. Despite these financial challenges, Kenins completed all course requirements, received the Perilhou, Gouy d'Arcy and Halphen music prizes, and graduated in 1950 with the "Grand Prix Laureate" in composition. Also in 1950, he was awarded a scholarship by the UNESCO International Music Council (which permitted a full-year of postgraduate work), and Herman Scherchen conducted his Septet (1949) at the Darmstadt New Music Festival later the same year.

Following his marriage to compatriot Vlada Dreimane, Kenins moved to Canada in 1951 to assume duties as organist and music director at St. Andrews Latvian Lutheran Church in Toronto. He joined the Faculty of Music at the University of Toronto the following year, teaching composition and contrapuntal techniques. Kenins was appointed full professor in 1973, and served as co-ordinator of the composition division between 1977-79. Among his many talented students are Edward Laufer, Walter Kemp, Bruce Mather, Imant Raminsh, and Arthur Ozolins as well as younger composers Tomas Dusatko, James Rolfe and Ronald Smith.

In addition to his academic duties, Kenins had been very active in Canada's professional musical life. He founded the Latvian Concert Association of Toronto in 1959, was an active member of the Canadian League of Composers for many years (and its president in 1973-4), and lectured on contemporary music and Canadiana at institutions, conferences and symposia around the world.

Kenins was the author of a great many works of chamber music as well as eight symphonies, twelve concertos, three cantatas, an oratorio, choral works and a number of educational pieces. The clarity of his musical expression and consistency of his craft have resulted in Talivaldis Kenins becoming one of our most commissioned and performed composers. His music has been included on numerous national and international festivals and he has been the recipient of many honours. Invested with the Champollion Silver Medal (Grenoble), created Officer of the National Three-Star Order of the Republic of Latvia, named Professor Emeritus by the University of Toronto after 32 years of distinguished teaching, appointed an Honourary Professor by the Music Academy of Latvia, Talivaldis Kenins became the subject of a film documentary prepared in 1990 by the Latvian Radio and Television Services. In 1989, a four-CD set devoted to Kenins' music was released by RCI as part of its Anthology of Canadian Music series, and in 2003 the Centrediscs recording label featured him in documentary and music as part of the Canadian Composers Portraits series of CD sets. In tribute to Kenins on his 75th anniversary, a major biography of the composer, written by Dr. Ingrida Zemzare, was published by Gara Pupa Editions in Latvia. The Canadian musicologist Dr. Paul Rapoport is currently working on an English-language book on Talivaldis Kenins.

The funeral will be held at St. Andrew's Latvian Lutheran Church, at the corner of Carlton and Jarvis, on Friday, January 25, at 1:00 p.m., with visitation the previous day from 1:00 to 3:00 p.m., and 6:00 to 8:00 p.m. at Roasar-Morrison on Sherbourne.with a reception to follow at the Canadian Latvian Centre. (Eglinton, just east of the Don Valley Parkway.)


Canadian Music Centre
Ontario Region
20 St. Joseph St.
Toronto, ON
M4Y 1J9
T. 416-961-6601 x. 207
F. 416-961-7198
E. ontario@musiccentre.ca

[Montreal] Offres d'emploi au Conseil des arts et des lettres du Qu��bec

APPEL DE CANDIDATURES

Le Conseil des arts et des lettres du Qu��bec cherche �� combler les postes suivants pour son bureau de Montr��al :

DIRECTEUR OU DIRECTRICE DE LA MUSIQUE ET DE LA DANSE

ADJOINT OU ADJOINTE ADMINISTRATIF(VE)

Le Conseil invite les personnes int��ress��es �� consulter les offres d'emploi sur son site Web pour plus de renseignements concernant la nature des postes, les exigences requises, les conditions d'admissibilit�� et les renseignements pour soumettre leur candidature. Le Conseil accepte les candidatures jusqu'au 1er f��vrier 2008.

Le Conseil des arts et des lettres du Qu��bec applique un programme d'acc��s �� l'��galit�� et invite les femmes, les membres des minorit��s visibles et des minorit��s ethniques �� pr��senter leur candidature.

Chris Paul Harman wins 2007 Jules L��ger Prize for New Chamber Music

[Ottawa] January 22, 2008 - The Canada Council for the Arts announced today that the work Postludio a rovescio by composer Chris Paul Harman is the winner of the 2007 Jules L��ger Prize for New Chamber Music. Postludio a rovescio was commissioned in 2006 by the Nieuw Ensemble, and will receive its Canadian premiere under the baton of Robert Aitken on April 11 at Glenn Gould Studio in Toronto. It is the second time Mr. Harman has won the prize (the first time was in 2001 for Amerika).

Awarded annually in partnership with the Canada Council, Canadian Music Centre and the Canadian Broadcasting Corporation/Soci��t�� Radio-Canada, the Jules L��ger Prize for New Chamber Music is designed to encourage the creation of new Canadian chamber music and to foster its performance by Canadian chamber groups. The $7,500 prize was established in 1978 by the Right Honourable Jules L��ger, then Governor General of Canada.

"Postludio a rovescio, scored for an instrumental ensemble favouring plucked instruments, is an elaboration of an earlier work I had composed for solo violin," said Mr. Harman. "The source material for both works is drawn from the Passacaglia for solo violin by Heinrich Biber. The title, meaning 'inside out postlude' in Italian, refers to the way in which many of the structural and gestural elements of Biber's original music have been 'inverted' in my own work."

The competition for the prize is administered by the Canadian Music Centre. The Canada Council funds the award, selects the peer assessment committee and organizes the prize presentation ceremony. Every year, the winning work is broadcast nationally by CBC Radio 2 and Espace musique, Radio-Canada's music network.

The prize will be presented to Mr. Harman on Friday, April 11 at 8 p.m. during a concert by New Music Concerts at Glenn Gould Studio, in the Canadian Broadcasting Centre in Toronto. Postludio a rovescio will be broadcast by CBC Radio 2 on the April 14 edition of The Signal, with host Laurie Brown, between 10 p.m. and 1 a.m. and on Espace Musique at a later date.

The members of the peer assessment committee for the 2007 Jules L��ger Prize were violinist Jeremy Bell (Waterloo), composer Gregory Lee Newsome (Toronto) and composer Clark Ross (St. John's, NL). The committee was a "blind jury" which evaluated the works without knowing the names of the composers.

The jury said "this piece is a sonic tour-de-force, well-structured, and developing in a convincing and imaginative way. It is a truly impressive composition, filled with sonic treats that keep the listener's interest throughout."

The jury made a special mention of two other works submitted for the Jules L��ger Prize. They described per essere fresco by Giorgio Magnanensi (Roberts Creek, BC) as "a unique, sonic melee of tremendous virtuosity, demonstrating a powerful artistic vision." This is the second consecutive year that Giorgio Magnanensi is the first runner-up for this work.

The jury also praised Nicole Liz��e of Lachine, Quebec for her work This will not be televised which "assimilates elements of club/urban, pop and contemporary classical music in a fresh and convincing way."

Previous winners of the Jules L��ger Prize include James Rolfe, Linda Catlin Smith, Patrick Saint-Denis, ��ric Morin, Yannick Plamondon, Andr�� Ristic, Alexina Louie, Michael Oesterle, Omar Daniel, Christos Hatzis, John Burke, Peter Paul Koprowski, Bruce Mather, John Rea, Donald Steven, Michael Colgrass, Denys Bouliane, Michel Longtin,
Brian Cherney, John Hawkins, Walter Boudreau, Serge Garant and R. Murray Schafer.

Chris Paul Harman
Chris Paul Harman was born in 1970 in Toronto where he studied classical guitar, cello and electronic music with Barton Wigg, Alan Stellings and Wes Wraggett, respectively. His works have been performed by many ensembles and orchestras in Canada and abroad, including the Asko Ensemble, the CBC Radio Orchestra, the Esprit Orchestra, the Montreal Symphony Orchestra, the New Music Concerts Ensemble, the Noordhollands Philharmonisch, the Seoul Philharmonic Orchestra, the Tokyo Symphony, and the Toronto Symphony Orchestra.

In 1986, Mr. Harman was a finalist in the CBC Radio National Competition for Young Composers. In 1990, he was the Grand Prize Winner in that same competition for his work Iridescence, which was the selected work in the category for Composers under 30 years of age at the 1991 International Rostrum of Composers in Paris. At the International Rostrum of Composers in 2004, his Concerto for Oboe and Strings was chosen as a Recommended Work in the general category. As a result, both works have been broadcast in some 25 countries.

In 2001, Mr. Harman's work Uta received an honourable mention at the Gaudeamus International Music Week. The same year, his work Amerika was awarded the Jules L��ger Prize and was short listed for the Prix de Composition de la Fondation Prince Pierre de Monaco.

In 2005, Mr. Harman was appointed Assistant Professor of Composition at the Schulich School of Music of McGill University in Montreal.

General information
In addition to its principal role of promoting and fostering the arts in Canada, the Canada Council administers awards and fellowships to over 200 artists and scholars annually in the arts, humanities, social sciences, natural and health sciences, and engineering. Among these are the Governor General's Awards in Visual and Media Arts, the Killam Prizes, the Killam Research Fellowships, the Canada Council for the Arts Molson Prizes, the Governor General's Literary Awards and the Walter Carsen Prize for Excellence in the Performing Arts. Other music awards include the Sylva Gelber Foundation Award, the Virginia Parker Prize, the Bernard Diamant Prize, and loans of fine stringed instruments through the Musical Instrument Bank.

For more information about these awards, including nomination procedures, contact Janet Riedel Pigott, Acting Director of Endowments and Prizes, at 613-566-4414, or 1-800-263-5588, ext. 5041, e-mail: janet.riedel@canadacouncil.ca; or
Carole Breton, Acting Endowments and Prizes Officer, at 613-566-4414, or 1-800-263-5588, ext. 4116, e-mail: carole.breton@canadacouncil.ca.

- 30 -

Media Contact: Heather McAfee: 613-566-4414 or 1-800-263-5588, ext. 4523

E-mail: heather.mcafee@canadacouncil.ca

Donna Balkan: 613-566-4305 or 1-800-263-5588, ext. 4134

E-mail: donna.balkan@canadacouncil.ca

Visit our web site at www.canadacouncil.ca.

Tous les documents du Conseil des Arts du Canada sont offerts en fran��ais et en anglais.

Sony BMG Masterworks Releases The Essential Leon Fleisher

Sony BMG Masterworks releases The Essential Leon Fleisher, a commemorative anthology that features highlights from his greatest recordings. A special digital-only edition, with exclusive bonus tracks, is available on iTunes.

The 2-CD set features recordings released for the first time on CD - the 1963 recording with the Juilliard String Quartet of the Scherzo from the Brahms Piano Quintet in F Minor and the opening movement (Molto Moderato) of the Schubert Sonata in B-Flat Major, Fleisher's first recording for Columbia Masterworks in 1954.

The pillars of the set are the opening tracks on each disc: the first movement of Beethoven's "Emperor" Concerto, which was recently inducted to the GRAMMY Hall of Fame, and on disc 2, the first movement of the Brahms Piano Concerto No. 1, which Yo-Yo Ma named one of his top five favorite recordings on NPR Music. Another highlight is the Brahms transcription of the Bach Chaconne, for left hand.

"Fleisher [is] one of the first American-born classical music stars." - Yo-Yo Ma

"...his musical mastery is beyond reproach." - Jason Victor Serinus, Stereophile

"... inspiring confidence and expressive power..." - Tim Smith, Baltimore Sun

"...a musician's musician." - Ben Finane, The Star Ledger

For an in-depth overview, listen to Tom Hall's interview feature with Fleisher on WYPR's Maryland Morning.

____________________________________________

To learn more about Leon Fleisher or Boss Sounds:

Nell Mulderry 212.741.7959 nell@bosssounds.com

NACO, Jan. 30-31: principal oboe Charles Hamann solos in Strauss's Oboe Concerto with Pinchas Zukerman

National Arts Centre Orchestra / News Release

January 22, 2008

For immediate release

NAC Orchestra principal oboe Charles Hamann solos in Strauss's Oboe Concerto with Pinchas Zukerman on the podium on January 30-31

"The concert should not be missed because this concerto is arguably the greatest concerto written for our instrument and takes pride of place on the program with arguably the greatest symphony Mozart wrote, along with a sparkling overture by Handel featuring the dancing lines of a pair of oboes." - Charles "Chip" Hamann, NAC Orchestra principal oboe and soloist in the Richard Strauss Oboe Concerto.

Ottawa, Canada - The National Arts Centre Orchestra's superb principal oboe Charles "Chip" Hamann steps to the spotlight to perform Richard Strauss's magnificent Oboe Concerto under the baton of Music Director Pinchas Zukerman in Ovation Series concerts on Wednesday, January 30 and Thursday, January 31at 20:00 in the NAC's Southam Hall. The programme opens with Handel's Entrance of the Queen of Sheba and closes with Mozart's final symphonic masterpiece, the "Jupiter" Symphony No. 41.

There will be pre-concert talks in French offered at the NAC both nights at 19:00 by Montreal musicologist Fran��ois Tousignant entitled "Des musiques d��moniaques".

Soloist Chip Hamann has been eagerly waiting 20 years for the opportunity to play the Strauss Oboe Concerto. He says: "All three of the composers on the programme (Haydn, Strauss and Mozart) were great masters of vocal music, and in particular, opera. It is no coincidence, I believe, that all three also wrote oboe concertos that are considered among the masterpieces in the genre. The Strauss is the grandest and most distinguished of these concerti, with the kind of soaring melodies and long lines you think of in his great operas. Yet this concerto looks backward towards Mozart and Handel in terms of the forces used in the orchestra and in the textures, harmonic language, and interplay between soloist and orchestra... It's definitely Mozart's voice finding its way into Strauss's world in terms of transparency, clarity and use of orchestral colour."

Recognized as one of Canada's foremost oboists, Chip Hamann has been principal oboe of the NAC Orchestra since 1995 after acting in the position from 1993. This month he had the honour of being invited to join the Royal Philharmonic Orchestra of London as acting principal oboe on its 2008 North American tour led by Maestro Zukerman in cities across the U.S., including Chip's hometown of Lincoln, Nebraska! He participates annually in the Ottawa Chamber Music Festival, and has toured in Canada and in the United States with the National Arts Centre Wind Quintet. Charles Hamann's solo appearances include the Lincoln Symphony, Ottawa's Thirteen Strings, and Les Violons du Roy. He has appeared with NACO as soloist on many occasions.

In looking forward to the upcoming performance of the Strauss, Hamann adds: "To be able to collaborate with PZ on this piece is a special treat. He has such a way with the German Romantic tradition, and I can already see his sweeping gestures in the orchestral tuttis that will carry the orchestra and audience into Strauss's world... After our nearly ten years of making music together at the NAC, I'm sure there will be an instinctual understanding between us regarding how things should come together."

Tickets for these Ovation Series concerts on Wednesday, January 30 and Thursday, January 31 at 20:00 are on sale now at $19.00, $29.00, $49.00, $59.00, $69.00 with box seats at $83.00 (GST and Facility Fee included) at the NAC Box Office (Monday to Saturday from 10:00 to 21:00), and through Ticketmaster (with surcharges) at 613-755-1111. Ticketmaster may also be accessed through the NAC's website at www.nac-cna.ca.

Half-price tickets for students in all sections of the hall are on sale in person at the NAC Box Office upon presentation of a valid student ID card. Same-day Live Rush tickets (subject to availability) for full-time students (aged 13 to 29) are $10 at the NAC Box Office between 14:00 and 18:00 on the day of performance only, upon presentation of a valid Live Rush card.

Groups of 10 and more save 15% to 20% off the regular price of tickets to NAC Music, Theatre and Dance performances. To reserve your seats call 613-947-7000 ext. 384 or email grp@nac-cna.ca.

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Jane Morris

Communications Officer/Agente de communication

National Arts Centre Orchestra/Orchestre du Centre national des Arts

Telephone/T��l��phone: 613-947-7000 x 335

Fax: 613-996-2828

www.nac-cna.ca

www.artsalive.ca

s Hamann, hautbois solo de l'Orchestre du CNA, interpr��te le Concerto pour hautbois de StraussOCNA, les 30 et 31 janvier : Charle

Orchestre du Centre national des Arts / Communiqu��

Le 22 janvier 2008

Pour diffusion imm��diate

Charles Hamann, hautbois solo de l'Orchestre du CNA, interpr��te le Concerto pour hautbois de Strauss sous la direction de Pinchas Zukerman les 30 et 31 janvier

�� C'est un concert �� ne pas manquer, ��tant donn�� que ce concerto est sans doute le plus grand concerto ��crit pour notre instrument et qu'il a l'honneur de partager l'affiche avec ce qui est probablement la plus grande symphonie de Mozart et avec une brillante ouverture de Haendel o�� se d��marquent les lignes m��lodiques dansantes d'une paire de hautbois. ��

- Charles �� Chip �� Hamann, hautbois solo de l'Orchestre du CNA et soliste du Concerto pour hautbois de Richard Strauss.

Ottawa (Canada) - Charles "Chip" Hamann, le superbe hautbois solo de l'Orchestre du Centre national des Arts (CNA), prend l'avant-sc��ne pour interpr��ter le magnifique Concerto pour hautbois de Richard Strauss sous la baguette du directeur musical Pinchas Zukerman, dans le cadre des concerts de la s��rie Ovation des mercredi 30 et jeudi 31 janvier �� 20 h �� la salle Southam du CNA. En ouverture du programme, on entendra l'Entr��e de la reine de Saba de Haendel, et les concerts se concluront par l'ultime chef-d'oeuvre symphonique de Mozart, la Symphonie �� Jupiter �� n^o 41.

Des causeries d'avant-concert en fran��ais, ayant pour th��me Des musiques d��moniaques, seront offertes au CNA les deux soirs �� 19 h par le musicologue montr��alais Fran��ois Tousignant.

Le soliste Chip Hamann attendait depuis vingt ans l'occasion de jouer le Concerto pour hautbois de Strauss. �� Les trois compositeurs au programme de ces concerts (Haydn, Strauss et Mozart) ��taient de grands ma��tres de la musique vocale et en particulier de l'op��ra ��, fait-il remarquer. �� Selon moi, ce n'est pas par hasard que ces trois compositeurs ont ��galement consacr�� au hautbois des concertos qui sont consid��r��s comme des chefs-d'oeuvre du genre. Le concerto de Strauss est le plus grand et le plus distingu�� de ces concertos avec ses m��lodies exaltantes et ses longues lignes musicales qui rappellent ses grands op��ras tels Der Rosenkavalier, Daphn�� et Arabella. Et pourtant, ce concerto rappelle Mozart et Haendel sur le plan des effectifs orchestraux et des textures, du langage harmonique et des ��changes entre le soliste et l'orchestre... C'est vraiment la voix de Mozart qui se fraie un chemin dans le monde de Strauss et que l'on reconna��t �� sa transparence, sa clart�� et son utilisation de la couleur orchestrale. ��

Reconnu comme l'un des plus brillants hautbo��stes du Canada, Chip Hamann occupe le poste de hautbois solo au sein de l'Orchestre du CNA depuis 1995, apr��s avoir assum�� les m��mes fonctions par int��rim d��s 1993. Ce mois-ci, il a eu l'honneur d'��tre invit�� �� se joindre �� la tourn��e am��ricaine de janvier 2008 du Royal Philharmonic Orchestra de Londres, dans le poste de hautbois solo int��rim sous la direction de Pinchas Zukerman. L'orchestre s'est produit notamment �� Lincoln (Nebraska), ville natale du hautbo��ste! Il participe annuellement au Festival de musique de chambre d'Ottawa, et a fait plusieurs tourn��es au Canada et aux ��tats-Unis avec le Quintette �� vents du Centre national des Arts. Il s'est produit maintes fois comme soliste avec l'Orchestre du CNA, et a aussi ��t�� soliste notamment avec le Lincoln Symphony, Thirteen Strings d'Ottawa et Les Violons du Roy.

�� Je me sens tout sp��cialement privil��gi�� de pouvoir collaborer avec Pinchas Zukerman pour interpr��ter cette oeuvre ��, se r��jouit-il en r��f��rence au Concerto de Strauss. �� Il a une fa��on particuli��re de diriger les oeuvres de la tradition romantique allemande, et je peux d��j�� imaginer les gestes amples qu'il aura dans les tutti orchestraux pour transporter l'orchestre et l'auditoire dans le monde de Strauss... Depuis pratiquement dix ans, nous faisons de la musique ensemble au CNA, et je suis certain que nous trouverons instinctivement et d'un commun accord de quelle mani��re interpr��ter cette oeuvre. ��

Les billets pour ces concerts de la s��rie Ovation des 30 et 31 janvier sont en vente maintenant au co��t de 19 $, 29 $, 49 $, 59 $, 69$ pour une place dans la salle, et �� 83 $ pour un fauteuil dans les loges (TPS de 6 % et frais d'��tablissement inclus), �� la Billetterie du CNA (du lundi au samedi de 10 h �� 21 h) et, par l'entremise de Ticketmaster (frais de service en sus), au 613-755-1111 ou en ligne, sur le site Web du CNA �� l'adresse www.nac-cna.ca.

Les ��tudiants peuvent se procurer des billets �� moiti�� prix pour toutes les sections de la salle en se pr��sentant en personne �� la Billetterie du CNA, munis d'une carte d'��tudiant en r��gle. Les billets Buzz en direct disponibles le jour m��me (s'il en reste), r��serv��s aux ��tudiant �� temps plein de treize �� vingt-neuf ans, sont vendus 10 $ �� la Billetterie du CNA, de 14 h �� 18 h le jour du concert seulement, sur pr��sentation d'une carte de membre Buzz en direct d��ment enregistr��e.

Les groupes de dix personnes et plus ��pargnent de 15 �� 20 p. cent du prix courant des billets pour toutes les repr��sentations de Musique, de Th����tre ou de Danse du CNA. R��servations : 613-947-7000, poste 384, ou grp@nac-cna.ca . Il est encore possible de s'abonner en communiquant avec le Bureau des abonnements au 613-947-7000, poste 620.

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Jane Morris

Communications Officer/Agente de communication

National Arts Centre Orchestra/Orchestre du Centre national des Arts

Telephone/T��l��phone: 613-947-7000 x 335

Fax: 613-996-2828

www.nac-cna.ca

www.artsalive.ca

Canadian artists release their platform on copyright reform

C.C.C.: Creators' Copyright Coalition

http://www.creatorscopyright.ca/

COPYRIGHT REFORM KEY PROTECTION FOR CANADA'S ARTISTS

FOR IMMEDIATE RELEASE

January 21, 2008

TORONTO: Canadian artists have released their platform on copyright reform in anticipation of the Canadian government's expected new copyright legislation. You will find it attached.

The result of months of research and study, the Creators' Copyright Coalition position paper outlines the reforms that creator groups would ideally like to see in Canadian law.

Members of the CCC believe that the making of art and contemporary Canadian culture is a vital part of life, and an essential ingredient of the information economy. If the new copyright reforms enhance and protect the rights of creators, then it will encourage art, contribute to our culture and enrich the lives of all Canadians.

"Without protection for performers and creators, we risk more than harming our international reputation, we risk damaging our industry at large. It's in the public interest that artists and their work be protected so they can earn a living wage and contribute to our culture and economy," said Stephen Waddell, ACTRA National Executive Director.

John Degen, novelist and Executive Director of the Professional Writers Association of Canada: "I believe Canada can have a strong copyright law protecting the work and careers of all professional creators, while fairly and reasonably addressing the concerns of both corporations and consumers. The CCC statement is meant as a step in that direction."

Stan Meissner, songwriter, past president of the Songwriters Association of Canada: "While the digital age has offered music creators wonderful opportunities, it is clear that the rampant unpaid online consumption of music and other content has had a devastating effect. We need up-to-date copyright legislation that will protect the value of our rights, ensuring us a future where creators will be compensated for the use and enjoyment of our work."

Bill Freeman, the chair of the CCC, said: "Creators have been waiting far too long for copyright reform. It is time to protect the rights of all authors and performers in the Internet age."

The Creators Copyright Coalition (CCC) is an alliance of 16 professional associations of individual creators and performers and copyright collective societies active in the theatre, the visual arts, the applied arts, literature, music, recording and audiovisual (radio, television, film and commercials). Together these 16 associations and collectives represent more than 100,000 creators (authors and performers) who are copyright owners.

Contact: Bill Freeman, Chair, CCC, 416 203-2956

John Degen, PWAC: 416- 504-1645

ATMA News and New Releases: January 2008

ATMA rings in the New Year with two superb new recordings.

Wind chill
SCHUBERT - WINTERREISE
chamber version

Christoph Pr��gardien - tenor
Joseph Petric - accordion
Penta��dre - wind ensemble
Dani��le Bourget - piccolo, flute, alto flute
Martin Carpentier - clarinet, bass clarinet
Norman Forget - oboe d'amore
Louis-Philippe Marsolais - horn, baroque horn
Matthieu Lussier - bassoon

Winterreise as you've never heard it before!

ATMA launches the New Year with a unique recording that offers a fresh take on Schubert's superb song cycle, Winterreise, originally scored for voice and piano. This new version by oboeist Normand Forget features one the world's foremost lyric tenors Christoph Pr��gardien in an arrangement for voice, accordion (Joseph Petric) and wind ensemble (Penta��dre). While remaining faithful to the original text, Forget's arrangement breathes new life into Schubert's melodies and evokes all the colours of the original piano score.

Franz SCHUBERT (1797-1828): Winterreise - Cycle of 24 lieder on poems by Wilhelm M��ller

ATMA ACD2 2546

Forget's version of Winterreise will be performed by Penta��dre, Joseph Petric and baritone Philip Addis at the Almonte Town Hall in Almonte, Ontario on February 9, 2008. Visit www.pentaedre.com for details.

Pax Romana

ROMA TRIUMPHANS
Polychoral music in the churches of Rome and the Vatican

Studio de musique ancienne de Montr��al

Christopher Jackson, Artistic Director

Sylvain Bergeron - theorbo
Karen Kadevarek - cello
R��jean Poirer - positive organ


Roma Triumphans is the newest recording by Christopher Jackson's Roma Triumphans includes music for two or more choirs by Italian and Spanish Renaissance composers. Some of these works called for as many as ten choirs, with singers placed on platforms in the nave of St. Peter's Basilica - an aural parallel to the building's splendid architecture!

Luca Marenzio (1553-1599); Tom��s Luis de Victoria (1548-1611); G.P. da Palestrina
(1525?-1594); Orazio Benevoli (1605-1672); Giovanni Giorgi (?-1762);
Vincenzo Ugolini (1570-1638)eorg Frideric HANDEL (1685-1759).
Studio de musique ancienne de Montr��al (SMAM), and brings to life the glory of Rome's polychoral tradition. Recorded in hybrid SACD format and featuring music composed for the Vatican and several other Roman churches,
ATMA SACD2 2507

Christopher Jackson leads the SMAM in several concerts performed in churches in and around Montr��al from March 13-28, 2008. The program features music included on the Roma Triumphans recording. Visit www.smam-montreal.com for details.

Looking ahead in 2008...

Several ATMA recordings were short-listed for Best of 2007 lists by major music critics across Canada and beyond. In 2008, look for more new releases by brilliant artists performing inspiring repertoire. Herewith, a sneak preview of what's in store over the coming months. Visit www.atmaclassique.com for updates.

Soprano Suzie LeBlanc headlines a stellar cast of singers including Allyson McHardy, Nathalie Paulin and Matthew White in Antonio Caldara's 1715 oratorio, La Conversione di Clodoveo, Re di Francia.

Conductor Yannick N��zet-S��guin - who adds the title of Principal Guest Conductor of the London Philharmonic to his list of prestigious international posts, which includes Music Director of the Rotterdam Philharmonic Orchestra - returns with a recording of Bruckner's monumental Symphony No. 9 with the Orchestre M��tropolitain du Grand Montr��al, the second CD in ATMA's Bruckner cycle. Volume II of harpsichordist Alexander Weimann's recordings of the complete keyboard works by Alessandro Scarlatti will be released this year, as will lutenist Sylvain Bergeron's first solo disc.

Dream-team Nathan Berg and Julius Drake make their ATMA debut with a much-anticipated program of German lieder recorded last spring in London's Henry Wood Hall. Canadian mezzo-soprano and Jessye Norman prot��g�� Susan Platts returns with a recording of German romantic repertoire by Clara Schumann, Robert Schumann and Brahms. Virginia Parker prize-winning pianist David Jalbert makes his ATMA debut with a stunning recording of music by Shostakovich.

Contributing to ATMA's rich roster of vocal ensembles is The Nederlands Kamerchor (Netherlands Chamber Choir), a professional vocal ensemble that concentrates on a wide range of a cappella repertoire. Watch for the choir's debut ATMA recording featuring music by Alessandro Scarlatti. Award-winning vocal chamber ensemble Les Voix Baroques was founded by Canadian countertenor Matthew White, and returns with a recording of settings of the Song of Songs by various composers ranging from Palestrina to Willan.

[Toronto] York U Music, Marcuzzi's Cuban Retrospective Jan 24

Please find below more info on Michael Marcuzzi's From Salon to Solar: A Retropective of Cuban Music Jan 24, aspart of York Univeristy Department of Music Faculty Concert Series. Live dance and a large music ensemble bring a century of Cuban music to the Tribute Community's Recital Hall in York U's Accolade East building. Photos and interviews are available upon request.

From Salon to Solar

The Michael Marcuzzi Ensemble offers a Retrospective of Cuban Music

Toronto, January 18, 2008: Michael Marcuzzi headlines the Faculty Concert Series of York University's Music Department on January 24 in a dynamic concert of Cuban music featuring a large ensemble of guest artists with a wide range of instruments, voice and live dance performance. The evening, titled "From salon to solar: A Retrospective of Cuban Music", takes place at 7:30pm in the Tribute Communities Recital Hall in the Accolade East building at York.

Marcuzzi's research and publications focus on Cuba's popular music and its African-derived religious traditions, and these interests have inspired the title and program of his concert.

"A 'solar' is the courtyard of the Spanish-style Cuban tenements, where a lot of improvised music like rumba would be played. 'From salon to solar' is a metaphor illustrating how this retrospective draws from both gentrified European classical music and also from more traditional and African-influenced folk music," Marcuzzi said.

The concert program will span a century of Cuban music, from the early 1900s to the present day. It includes works by composers Lecuona, Romeu and Pedro Louis Ferrer as well as original compositions by Marcuzzi. The musicians will be joined by dancers in traditional costumes: guest artist Orlando Cardoso and Melissa Noventa, a graduate student in York's Dance Department, performing rumba and Afrocuban dance.

Marcuzzi and the dancers will share the stage with guest singers Daniel Stone and Laura Lindo, as well as instructors and graduate students from York's music department. Performers include Ruben Esguerra, Glenda del Monte, Tara Fernandez, David Font-Navarette, Julie Kwan, Rick Shadrach Lazar, Steve Mancuso, Paul Ormandy, Bernardo Padr��n and the 12-member York Latin Ensemble, a charanga-style group playing flute, violin, cello, bass piano and percussion.

Marcuzzi is a multi-instrumental performer, arranger, composer, ethnomusicologist and teacher with broad experience in classical, jazz, Cuban, Latin and popular music. He advanced his training through orchestral studies with trumpeters James Spragg and Barton Woomert of the Toronto Symphony Orchestra; jazz studies with Kenny Wheeler, Herbie Williams, Marcus Belgrave and Donald Byrd; and percussion studies at the Escuela de Superacion Profesional, Ignacio Cervantes in Havana,, Cuba. He has played trumpet as a sideman with artists such as Cleo Laine, Sid Caesar, Al Martino, The Four Tops, The Drifters and The Temptations, and has performed with numerous musicians in Cuba and with many local Latin ensembles. His credits as arranger and composer include work with the Canadian Brass, University of Memphis Jazz Orchestra, and Toronto-based Latin ensembles Orquesta Fantasia and Pacande.

______________________________________

What: Michael Marcuzzi Ensemble: "From salon to solar: A Retrospective of Cuban Music"
When: Thurs. Jan. 24 at 7:30pm
Where: Tribute Communities Recital Hall, Accolade East Building, York University, 4700 Keele St. [Map]
Admission: $15, students $5.
Box Office: 416.736.5888 | www.yorku.ca/perform/boxoffice

This is the fourth of seven performances in the Faculty Concert Series spotlighting faculty artists in the Department of Music at York University. Upcoming concerts will feature Mark Chambers, Catherine Robbin and Barry Elmes.

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Media Contact:
Amy Stewart, Communications, Faculty of Fine Arts, York University
416.736.2100 ext. 20421 | amy.stewart@yorku.ca

--  Amy P. Stewart Communications, Faculty of Fine Arts York University 4700 Keele Street, Toronto ON Canada M3J 1P3 tel 416.736.2100 ext. 20421 fax 416.736.5447 amy.stewart@yorku.ca www.yorku.ca/finearts

The Music Managers Forum Canada Introduces New Music Panel at the 2008 East Coast Music Awards Festival and Conference

For Immediate Release: January 18^th, 2008

THE MUSIC MANAGERS FORUM CANADA INTRODUCES NEW MUSIC PANEL AT THE 2008 EAST COST MUSIC AWARDS, FESTIVAL & CONFERENCE

Toronto, ON - For the first time The Music Managers Forum Canada (The MMF Canada) will be collaborating with the East Coast Music Association (ECMA) to host The Music Managers Forum Canada Panel as part of the ECMA 2008 Conference. This round table discussion will focus on the role of the "Manager" and how the responsibilities and challenges are changing in 2008. The event will take place on Saturday February 9 ^th, 2008 at the Crown Plaza in Fredericton, New Brunswick.

The panel is open to ECMA delegates and will address the needs of music managers at all stages in their careers. Moderating the panel will be Brian Hetherman , President of The MMF Canada. Attendees will benefit from the experience and insights of panel speakers and industry veterans; Larry Wanagas of Bumstead Productions, Doug Kirby of LiveTourArtists, and Louis Thomas of Sonic Entertainment Group. Discussions will provide a realistic view of being a music manager, and will provide tools to tackle today's rapidly evolving music industry.

"We are very excited to be a part of the ECMA's" says Brian Hetherman. "This panel reflects the key principles of The MMF Canada, and creates another national opportunity to educate managers".

This year the East Coast Music Awards, Festival and Conference will be held in Fredericton, New Brunswick. Currently in their 20 ^th year, this event is a four-day music and industry festival featuring Canada's premiere East Coast musical talent. More than 2,500 individuals from the Canadian music industry are expected to attend the awards show, festival and conferences.

When: Saturday February 9 ^th, 2008

4:00pm - 5:15pm

Where: Crown Plaza Fredericton - Saint John/Miramachi/Restigouche Room

659 Queen St.

For additional information about The Music Managers Forum Panel please visit www.ecma.com.

For additional information about The MMF Canada please visit www.musicmanagersforum.ca

About The Music Managers Forum Canada: The Music Managers Forum Canada (The MMF Canada) is a non-profit organization operating under the umbrella organization, International Music Managers Forum (IMMF). The overall goal of the IMMF and 14 MMF chapters around the world is to raise the professional standards and profile of music managers and most importantly their artists. The MMF Canada focuses on three main principles: education through workshops and panels; providing networking platforms between music managers and other relative sectors in the music industry; and lobbying on behalf of its members on key issues that shape the future of music. With over 100 members nationally, The MMF Canada has grown to become a tool to unify music managers.

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For additional information regarding The MMF Canada, please contact:

Anisha Gliddon, Strut Entertainment:

416.861.0387 or anisha@strutentertainment.com

For additional information regarding the ECMA 2008 Conference, please contact:

Lynn Daigle, ECMA 2008 Conference Coordinator:

506.381.3820 or lynn@ecma.ca

Anisha Gliddon

Public Relations Manager
Strut Entertainment
96 Spadina Ave, Suite 310
Toronto, Ont M5V 2J6

P: 416 861-0387
F: 416 861-9179

E: anisha@strutentertainment.com

Publicity, Event Management, Publishing & Sponsorships

--
Wah Keung Chan
Publisher/Editor
La Scena Musicale
La SCENA
The Music Scene
12 years of promoting music and the arts

5409 Waverly, Montreal, QC Canada H2T 2X8

http://www.scena.org
514-274-1128 (office/bureau)
514-815-0465 (cell)
wkchan@scena.org

--

Read the NEW La Scena Musicale Blog http://www.scena.org/blog for regular news on music and the arts.
Voyez le nouveau blogue de La Scena Musicale �� http://www.scena.org/blog pour les derni��res nouvelles sur la musique et les arts.

La Scena Musicale, Honourable Mention at the 2007 Canada National Magazine Awards, Arts & Entertainment category
La Scena Musicale, mention d'honneur aux Prix du magazine canadien de
2007, cat��gorie arts et spectacles

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[Qu��bec] AOJM - Concert b��n��fice - Natalie Choquette - 17 f��vrier 2008

COMMUNIQU��

Pour diffusion imm��diate

Concert-b��n��fice : Natalie Choquette et l'Orchestre symphonique des jeunes de la Mont��r��gie �� Longueuil

Saint-Lambert, le 10 janvier 2008 - En vue de financer sa tourn��e europ��enne de l'��t�� prochain, l'Orchestre symphonique des jeunes de la Mont��r��gie (OSJM) pr��sentera un concert-b��n��fice mettant en vedette la soprano de grande renomm��e Natalie Choquette. Pr��sent�� par le Canadien Pacifique, l'��v��nement aura lieu le 17 f��vrier, �� 19h30, �� la Salle Pratt & Whitney du Th����tre de la Ville, 150, rue de Gentilly Est, �� Longueuil.

C��l��bre �� la fois pour sa voix prodigieuse et pour sa facult�� d'allier l'op��ra et l'humour, Natalie Choquette offrira au public des extraits de son spectacle La complainte des dames de ces messieurs. Un bouquet de grands airs figure au programme de cette soir��e : le choral-pr��lude Dormeurs r��veillez-vous et l'Air sur la corde de sol de Jean-S��bastien Bach, deux extraits de l'op��ra La fl��te enchant��e de Mozart, des extraits de l'op��ra Rigoletto de Verdi, de m��me que des airs de Johann Strauss (Unter Donner und Blitz), Richard Strauss (Morgen) et Leonard Bernstein (West Side Story).

Sous la direction de Luc Chaput, l'Orchestre symphonique des jeunes de la Mont��r��gie (OSJM) rassemble 80 musiciens de la r��gion ��g��s de 14 �� 25 ans.

L'OSJM effectuera une tourn��e en Europe l'��t�� prochain, du 5 au 15 ao��t. Les musiciens se produiront �� Salzbourg, Prague et Vienne.

Toutes les places pour ce concert-b��n��fice sont offertes au prix unique de 30$, �� l'exception d'un nombre limit�� de si��ges pour ��tudiants �� 10$. Pour plus d'informations sur les activit��s de l'AOJM et l'achat de billets : 450 923-3733 ou www.aojm.org

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Source : L'Association des orchestres de jeunes de la Mont��r��gie

(450) 923-3733

Bulletin de La Scena Musicale - janvier 2008

Bonne ann��e!

Pour lire en anglais
To read this in English click here:

---

Andr�� Moisan en couverture de La Scena Musicale, f��vrier 2008 : 30 ans d��j�� !

Le premier num��ro de La Scena Musicale pour la nouvelle ann��e va f��ter les 30 ans de carri��re professionnelle du clarinettiste montr��alais Andr�� Moisan. Soliste, chef d'orchestre, professeur et clarinette basse de l'Orchestre symphonique de Montr��al (avec qui on le trouvera comme soliste en f��vrier), Andr�� parlera de sa carri��re avec Marc Ch��nard. Sur la sc��ne vocale, LSM fait un reportage sur Le Barbier de S��ville, le classique de Rossini, qui sera pr��sent�� par l'Op��ra de Montr��al du 2 au 16 f��vrier avec Aaron St. Clair Nicholson, Julie Boulianne et l'Orchestre M��tropolitain du Grand Montr��al dirig�� par Jacques Lacombe. On rend hommage �� deux g��ants musicaux qui nous ont quitt��s en d��cembre : le pianiste et compositeur de jazz montr��alais Oscar Peterson et Karlheinz Stockhausen, un des compositeurs des plus importants du 20e si��cle. Notre guide sp��cial de f��vrier va examiner l'��ducation musical au primaire et secondaire; en plus de mettre l'accent sur quelques ��coles qui s'int��ressent �� la musique, nous honorons un professeur exceptionnel. Nos reportages mensuels comprendront les sections Jazz et Musiques du monde, les critiques des CD et DVD et surtout notre calendrier r��gional de musique de f��vrier. Enfin, se poursuit notre s��rie sur Claude Vivier, un ��tudiant de Stockhausen et bien s��r un des grands compositeurs canadiens.

Nous sommes fiers de pr��senter le blogue de La Scena Musicale (www.scena.org/blog), id��al pour trouver les commentaires et les nouvelles de la musique et des arts au Canada et �� travers le monde. Nos journalistes affichent tr��s r��guli��rement les actualit��s en musique. Nous vous invitons ��galement �� d��couvrir notre blogue de fil de presse, www.scena.org/blog/newswire, un nouveau service pour les organisations des arts qui veulent afficher leurs communiqu��s. Les d��tails des concerts, les diffusions �� la radio et la t��l��vision, les ��v��nements des arts en ligne��vous y trouverez tout cela !

La Scena Musicale, La SCENA et The Music Scene lancent leur page �� Nouveaut��s ��

Nos lecteurs sont toujours �� la recherche de nouveaut��s. Les amateurs de concerts et les m��lomanes aiment se tenir au courant des derniers livres, CD et DVD. Les musiciens veulent ��tre inform��s des nouveaux instruments et accessoires pour eux et pour leurs ��l��ves. Pourquoi ne pas leur faire conna��tre vos derniers joyaux ? Qu'il soit musical ou qu'il rel��ve des arts (th����tre, danse, arts visuels, etc.), votre produit jouira d'une grande visibilit�� dans le nouveau suppl��ment publicitaire extr��mement abordable de nos magazines, les Nouveaut��s. L'annonce de base ne co��te que 25 $ ! Elle para��tra avec la section des critiques dans nos trois magazines et assurera une publicit�� nationale �� votre produit. Mieux encore, nos lecteurs avides de culture et de musique sont tout d��sign��s pour vos communiqu��s, vous pourrez ainsi rejoindre un public cibl�� id��al.

Prix (pour une parution dans l'UN de nos magazines) :

• Parution de base : 25 $
• Parution avec description : 85 $ (comprend image et description de 50 mots)
• Escomptes de fr��quence pour les clients r��guliers

Caract��ristiques :

• Page couleur glac��e
• Parution dans la section des critiques
• Dans les trois magazines
• Produits : CD, DVD, livres, instruments, accessoires
• Ouvert �� la musique et �� tous les arts

Pour plus d'informations, t��l��chargez la fiche des renseignements (http://www.scena.org/pdf-files/newreleases.pdf) ou bien contactez wkchan@scena.org.

Pourquoi passer une annonce dans La SCENA/La Scena Musicale ? Trouvez les consommateurs canadiens les plus friands de culture

Vous d��sirez trouver des lecteurs de 35 ans et plus avertis et plus �� l'aise financi��rement que la moyenne ? Ou bien des musiciens/artistes professionnels et les ��tudiants ?

La Scena Musicale vous invite chez 100 000 Canadiens ��duqu��s, m��lomanes, passionn��s de culture. Nos lecteurs s'int��ressent �� la musique, la danse, le th����tre, le cin��ma, les arts visuels, la cuisine et la mode.

Nos revues renomm��es La Scena Musicale, La SCENA et The Music Scene publient des articles et critiques qui font r��fl��chir. La Scena Musicale et La SCENA sont les seules publications bilingues �� Montr��al consacr��es �� la musique de concert (classique, jazz et musiques du monde) et aux arts et �� la culture (la musique, la danse, le th����tre, le cin��ma et les arts visuels). En plus, le calendrier culturel le plus complet au Canada assure que la lecture sera r��p��t��e (plus que 225 000 par mois).

Ci-dessous, vous trouverez des renseignements pour les prochains num��ros de La Scena Musciale, La SCENA, et The Music Scene. Pour de l'information sur les tarifs de publicit�� et la production, veuillez visiter http://ads.scena.org ou contacter notre service des ventes au 514-948-2520 ou sales@scena.org.

Wah Keung Chan
��diteur fondateur
La Scena Musicale
La SCENA
The Music Scene

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La Scena Musicale : f��vrier 2008

• En couverture: Andr�� Moisan
• Hommage �� Oscar Peterson et Karlheinz Stockhausen
• S��rie Claude Vivier
• Le Barbier de S��ville : l'Op��ra de Montr��al
• Philanthropie: Noel Spinelli, deuxi��me partie

Guide sp��cial:

• Guide de l'��ducation musical au primaire et au secondaire : http://www.scena.org/pdf-files/Guide_Edu2008_fr.pdf

50 000 lecteurs

Distribution : 25 000

• Montr��al : 20 500
• Qu��bec : 500
• En kiosque : 2000
• Abonnements : 2000

Sortie : le 30 janvier
Tomb��e publicitaire : le 25 janvier
Maquettes : le 25 janvier

La SCENA : printemps 2008 / La Scena Musicale : mars 2008

Guides sp��ciaux:

• Les camps musicaux d'��t�� : http://www.scena.org/pdf-files/Camps_Musicaux_2008.pdf
• Guide des festivals des arts internationals :
http://www.scena.org/pdf-files/International_Fest_08_FR.pdf

50 000 lecteurs

Distribution : 25 000

• Montr��al : 20 500
• Qu��bec : 500
• En kiosque : 2000
• Abonnements : 2000

Sortie : le 29 f��vrier
Tomb��e publicitaire : le 20 f��vrier
Maquettes : le 21 f��vrier

The Music Scene : printemps 2008

Guides sp��ciaux:

• Les camps musicaux d'��t�� : http://www.scena.org/pdf-files/Camps_Musicaux_2008.pdf
• Guide des festivals des arts internationals :
http://www.scena.org/pdf-files/International_Fest_08_FR.pdf

50 000 lecteurs

Distribution : 25 000

• Toronto : 15 000
• Ottawa : 5000
• Reste du Canada : 5000

Sortie : le 17 mars
Tomb��e publicitaire : le 5 mars

Maquettes : le 7 mars

R��pr��sentants en vente

- Mario Felton-Coletti, 514-234-7724 cell, mario@scena.org

- Christine Rogers, 514-656-3948, christinerogers@scena.org

- Julie Roy, 514-948-0509 bureau, julieroy@scena.org

- Gregory Cerallo, 514-656-3947, gcerallo@scena.org

- Wah Keung Chan, 514-274-1128 bureau, 514-815-0465 cell, wkchan@scena.org

Info : http://ads.scena.org

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Pour d��sabonner, wkchan2@scena.org

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--
Wah Keung Chan
Publisher / ��diteur
email: wkchan@scena.org -- or/ou -- wkchan@videotron.ca

** La Scena Musicale ** http://www.scena.org
5409 Waverly, Montreal, Quebec, Canada, H2T 2X8
Tel: (514)274-1128 | Fax: (514)274-9456 |
Advertising / Publicit�� : (514) 948-2520
email: info@scena.org

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Help promote classical music. Make a donation to La Scena Musicale.
Pour la promotion de la musique classique. Faites un don �� La Scena Musicale !
Charitable Tax No. / Num��ro d'organisme charitable 141996579 RR0001.

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Read the NEW La Scena Musicale Blog http://www.scena.org/blog for regular news on music and the arts.
Voyez le nouveau blogue de La Scena Musicale �� http://www.scena.org/blog pour les derni��res nouvelles sur la musique et les arts.

La Scena Musicale, Honourable Mention at the 2007 Canada National Magazine Awards, Arts & Entertainment category
La Scena Musicale, mention d'honneur aux Prix du magazine canadien de 2007, cat��gorie arts et spectacles

[Competitions] Announcing the 2008 Vakhtang Jordania International Conducting Competition in Chattanooga, Tennessee

January 17, 2008
For Immediate Release
Contact: Jeffrey James Arts Consulting
516-586-3433 or jamesarts@worldnet.att.net

Announcing the 2008 Vakhtang Jordania International Conducting
Competition in Chattanooga, Tennessee

The Vakhtang Jordania International Conducting Competition, the
University of Tennessee at Chattanooga and Jeffrey James Arts
Consulting announce the seventh Vakhtang Jordania International
Conducting Competition. To be held between June 1 and June 7, 2008 in
the beautiful, historic city of Chattanooga, Tennessee, this
competition will be open to conductors, regardless of age, sex or
nationality. Entries will be screened by an international panel of
judges. 24 people will be selected to compete in the first round of
the competition. Repertoire for the competition and other information
is at http://www.jamesarts.com/VJKRKVCNDCMP08.htm. A downloadable
entry form is available at

http://www.jamesarts.com/VJKRKVCNDCMP08APP.htm.

Competition week also includes Master Classes and Seminars with
Jordania Competition jury members and competition staff.

Prizes include the Jordania Grand Prize of $7, 500 to the winning
conductor, the William L. Montague, Jr. Second Prize of $5,000 and
the Third Prize of $2,500.

Complete applications must be postmarked by April 1, 2008. All
materials must be submitted in one package. No partial or email
applications will be accepted. Decisions will be announced by April
15, 2008.

Contestants must submit entry form, a curriculum vitae, recent photo,
biographical sketch, repertoire list and a performance videotape or
DVD (please see entry form on website for special video instructions)
along with a non-refundable processing fee of $150 (U.S. Funds only -
no bank transfers - payable to Vakhtang Jordania International
Conducting Competition) to:

Vakhtang Jordania International Conducting Competition
7457 Preston Circle
Chattanooga Tennessee 37421
USA

Complete competition information and entry form available at

http://www.jamesarts.com. Questions about the competition can be
directed to Jeffrey James Arts Consulting at
jamesarts@worldnet.att.net, or 516-586-3433 or Joan Murray at
clownjoni@aol.com or 423-894-5748.

-30-

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Jeffrey James Arts Consulting
45 Grant Avenue
Farmingdale, NY 11735 USA
Tel: 516-586-3433
E-mail: jamesarts@worldnet.att.net
Website: http://www.jamesarts.com

La Scena Musicale Newsletter January 2008: LSM February Issue

February's La Scena Musicale: Andr�� Moisan celebrates 30 years in music and much more!

[Pour lire en fran��ais]

LSM's first issue of 2008 will feature legendary Montreal clarinetist Andr�� Moisan on the cover as he celebrates this remarkable milestone. Recording artist, conductor, educator, and bass clarinetist with l'Orchestre symphonique de Montr��al (with whom he will appear as soloist in February), Andr�� sits down with Marc Ch��nard and discusses his career. On the vocal front, La Scena Musicale features the Op��ra de Montr��al presentation of Rossini's gem, The Barber of Seville, from February 2-16, featuring Aaron St. Clair Nicholson, Julie Boulianne, conductor Jacques Lacombe, and the Orchestre M��tropolitain du Grand Montr��al. We will pay tribute to two great musical masters who are sadly no longer with us: Montreal-born jazz piano legend Oscar Peterson and Karlheinz Stockhausen, one of the most important composers of the 20th century. Our special guide in this month's issue focuses on primary and secondary school music education; in addition to highlighting some schools that are particularly devoted to music, we will feature a teacher who has gone above and beyond in his or her contributions to music education in our schools. Our other regular features this month include the Jazz and World music sections, CD and DVD reviews, and of course the February regional music calendar. Finally, February will also see an installment in our continuing series on Stockhausen student Claude Vivier, one of Canada's greatest composers.

New La Scena Musicale Online Features: Blog and Newswire

We are proud to unveil the La Scena Musicale Blog (www.scena.org/blog), which is the ideal place to check out commentary and news on music and the arts in Canada and around the world. Our writers will be posting regularly to keep you up to date on the latest developments throughout the musical world. In addition to the blog, we invite you to check out our online newswire (www.scena.org/blog/newswire), a new service for arts organizations who wish to post press releases related to music, arts, and culture. Concert details, radio and television events, the arts onlineSit's all there!

NEW: La Scena Musicale, La SCENA and The Music Scene introduces its New Releases Page

Our readers are always on the lookout for something new. Concertgoers and music lovers want to know about the latest CDs, DVDs, and books. Musicians want to know about new instruments and accessories for themselves and their students. Why not show them your latest goodies? Whether it's musical or relevant to any of the arts (theatre, dance, visual art, etc.), your product will benefit from great visibility in our magazines' latest feature, the New Releases Page. This is a new and remarkably affordable advertising supplement, starting at only $25 per listing! It will appear next to the Reviews section in all three of our magazines, creating national exposure for your product. Best of all, our culturally passionate and musically inclined readers are tailor-made for your new releases, allowing you to appeal to an ideal targeted market.

Pricing (based on a listing inserted in ONE of our magazines):

• Basic listing: $25
• Descriptive listing: $85 (includes cover image and 50-word description)
• Frequency discounts available

Characteristics:

• Glossy colour page
• Location: next to Reviews page
• In all three magazines
• Products: CDs, DVDs, Books, Instruments, Accessories
• Open to Music and the Arts

For more info download the info sheet at http://www.scena.org/pdf-files/newreleases.pdf or contact wkchan@scena.org

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Why advertise in La SCENA/La Scena Musicale?

Reach Canada's most cultured consumers

Want to reach the affluent, sophisticated, urban 35+ demographic, or professional and student musicians/artists?

Highly educated and with sophisticated tastes in culture and lifestyle: La Scene Musicale invites you into the lives of 100,000 Canadians. Our readers are passionate about music, dance, theatre, film, visual arts, as well as food, fashion and their homes.

Our award-winning magazines La Scena Musicale, La SCENA and The Music Scene contain thought-provoking articles and reviews. Furthermore, La Scena Musicale and La SCENA are the only bilingual Montreal publications dedicated to covering concert music (classical music, jazz and world music), and arts and culture (music, dance, theatre, film and visual arts). In addition, the inclusion of Canada's most in-depth cultural calendar ensures repeat viewings, over 225,000 per month. Our new direct distribution to affluent households ($100K+) means our magazines truly deliver, meaning they are read and read often.

Enclosed is more info on the next issues of La Scena Musicale, La SCENA, and The Music Scene. For more info on rates and production, please visit http://ads.scena.org, or contact our sales department directly at 514-948-2520 or sales@scena.org

Yours sincerely,

Wah Keung Chan

Founding Publisher and Editor

La Scena Musicale

La SCENA

The Music Scene

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La Scena Musicale: February 2008

Contents:

• On the cover: Andr�� Moisan
• Tribute to Oscar Peterson, Karlheinz Stockhausen
• Claude Vivier
• Barber of Seville at the Opera de Montr��al
• Philanthropy: Noel Spinelli Part II

Special Guide:

• Guide to Primary and Secondary Education. See info.
  

Facts:

• 50,000 readers
• Perfectly bounded

Quebec circulation: 25,000 copies

• Montreal: 20,500
• Qu��bec City: 500
• Newsstands: 2,000
• Mailing: 2,000

Distribution date: January 30

Advertising deadline: January 25

Materials deadline: January 25

La SCENA: Spring 2008 / La Scena Musicale: March 2008

Special Guides:

• Guide to International Arts Festivals
• Summer Arts Camps

Facts:

• 50,000 readers
• Perfectly bounded