LSM Newswire

Wednesday, July 29, 2009

Sonnez Ici ! - Le nouveau rendez-vous estival de musique contemporaine !


INNOVATIONS EN CONCERT
prsente

Sonnez ici !
Le nouveau rendez-vous estival de musique contemporaine

Six concerts
6, 7, 8 aot
Ģ 13, 14, 15 aot
19 h 30

Au Conservatoire de musique de Montral
4750 Henri Julien (Mtro Mont-Royal)
Prix des billets : 10 $ rgulier - 5 $ tudiants, artistes, ans
Renseignements (grand public) : 514.252.8520



Montral, le mardi 28 juillet 2009 Sonnez ici !, voil ce que propose la toute nouvelle srie estivale dInnovations en concerts. Prsents du 6 au 8 et du 13 au 15 aot inclusivement et dune dure dune heure sans entracte, les six concerts de la srie Sonnez ici ! se veulent le reflet de la diversit des tendances du milieu de la nouvelle musique de chambre.

Ce nouveau rendez-vous estival porte un nom qui reflte bien son emprise dans le temps et lespace. Il sadresse dune part lauditoire, qui est invit sonner ici , entrer dans lunivers inou de la musique daujourdhui. Les musiciens, quant eux, sont invits faire sonner leurs instruments dans les nouvelles salles du Conservatoire de musique de Montral pour une exprience sonore palpitante.

Michel Frigon, directeur artistique de Sonnez ici !, a concoct une srie haute en couleur. Au programme: de la musique lectroacoustique, de la musique instrumentale dinfluence orientale et occidentale, de la musique contemporaine inspire des diffrents folklores et la cration de plusieurs nouvelles uvres en compagnie dartistes dici et dailleurs tels que Louis Dufort, In Extensio, Yuki Isami, Jrme Ducharme, QAT, Jeremy Brown, Luciane Cardassi et Quasar.

Sonnez ici !
Six concerts envotants et intrigants qui ne manqueront pas de piquant !


Programmation

Jeudi 6 aot 2009, 19 h 30
Bifurcation
Louis Dufort
musique immersive, David Cronkite piano
Un concert de musique complexe, chaotique et fractalisante
! Ce compositeur rput pour sa musique expressionniste tendance cathartique, nous prsente un concert de primeurs. Il vous fera entendre une nouvelle version de sa pice pour piano et vido en temps rel, Particule III, qui sera interprte par David Cronkite ainsi quune nouvelle pice de musique immersive conue partir dune technique dcriture que le compositeur a imagine suite ces rcentes lectures sur la systmique. Vous entendrez galement son cycle Matrio dans une version octophonique, qui figure sur lalbum Matriaux composs paru chez empreintes DIGITALes.


Vendredi 7 aot 2009, 19 h 30
Jeremy Brown saxophone
, Luciane Cardassi piano
De calgary, le saxophoniste Jeremy Brown et la pianiste Luciane Cardassi, tout deux membres du prestigieux Rubbing Stone Ensemble vous proposent un programme duvres mixtes. Entre autres, des pices pour saxophone et lectronique de Laurie Radford, David Eagle et Chantale Laplante (cration) et une uvre magistrale de Luigi Nono pour piano et bande, ... sofferte onde serene..., o le jeu en rafale de la pianiste vous garantit une exprience de concert inoubliable.

Samedi 8 aot 2009, 19 h 30
QAT
Xavier Brossard-Mnard
clarinette
, Chantal Bergeron violon
Sheila Hannigan violoncelle
, Sonia Wheaton Dudley piano
Cet ensemble gomtrie variable fond en 2004 se consacre linterprtation de pices contemporaines de tous horizons. Mise en espace, improvisation, mouvement, posie et projections sont autant dexpdients que QAT utilise pour crer un contexte musical nouveau. Ils vous prsenteront trois uvres contrastantes : une pice de litalien Marco di Bari qui voque lunivers naturel des oiseaux et qui utilise des appeaux de colombe et de grive; Trails of Gravity and Grace de lalbertain Allan Bell ainsi quune cration de la canadienne dorigine serbe Katarina Curcin rpute pour sa musique aux accents folkloriques.


Jeudi 13 aot 2009, 19 h 30
In Extensio
MariEve Lauzon
flte
, Louise Campbell clarinette, Barah Hon-Morissette percussions
Un concert aux influences folkloriques, In Extensio propose de visiter les reliefs de diffrentes rgions du monde par lentremise des uvres de Ren Ora-Sanchez (Venezuela), Etelka Nyilasi (Hongrie), Malina Rauschenfels (tats-Unis) et Yiorgos Vassilandonakis (Grce). Ce voyage musical nous fera dcouvrir entre autres : la musique rythme de Ren avec la saya bolivienne, un genre musical de racine africaine et celle de Malina qui est pour sa part teinte dhumour et de jazz. Avec la musique de Yiorgos, la gestuelle musicale interagit avec lenvironnement sonore et la complicit des interprtes et finalement la musique dEtelka sinspire de la danse et de la musique irlandaise du Cap Breton.


Vendredi 14 aot 2009, 19 h 30
Yuki Isami flte
, Jrme Ducharme guitare
Lexotisme japonais son meilleur. Ces deux jeunes musiciens vous proposent un concert de musiques qui puisent la fois dans la tradition avec des pices de Sakichi Kineya et Kazuo Fukushima et dans la musique daujourdhui avec Toru Takemitsu dont vous entendrez les uvres sduisantes et mystrieuses Voice, Air et Toward the Sea.


Samedi 15 aot 2009, 19 h 30
Quasar
Marie-Chantal Leclair
saxophone soprano
, Mathieu Leclair saxophone alto
Andr Leroux saxophone tnor
, Jean-Marc Bouchard saxophone baryton
Assister au concert de Quasar la mi-aot, cest monter dans lastronef de lclectisme. Entre lunivers de Simon Martin, fond sur lvolution de sons multiphoniques, et celui de Frank Zappa, charg dune puissante et fantastique ironie, la distance est pour le moins cosmique. Mais nous la franchissons sans vergogne. Au fil de cet hyperespace, vous croiserez Daniel Peter Biro, qui nous offre Hoe Down, uvre tonnante pour saxophone seul; Will Gregory, dont la pice fera giguer le saxo baryton; et le regrett Franco Donatoni, avec un opus dj classique. Attachez vos ceintures!



*************


Fond en 1994, lorganisme Innovations en concert (IEC) se consacre principalement la musique de chambre, aux solistes et aux petits ensembles. Il privilgie ainsi un contact intime et personnel entre les artistes et le public, afin de favoriser le rayonnement de la musique de cration. Dot d'une vision stylistique trs large, l'organisme prsente des concerts de musique classique contemporaine, actuelle, improvise, exprimentale, lectroacoustique et de jazz contemporain. La programmation est partage entre les compositeurs et interprtes rgionaux et nationaux, et l'accueil Montral des artistes trangers en tourne.

Innovations en concertPatrimoine canadien,
le Conseil des arts et des lettres du Qubec et le Conseil des arts de Montral.
remercie de leur appui

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Le Festival de Knowlton accueille la brillante soprano Sumi Jo dans l'opra la Sonnambula

Le Festival de Knowlton accueille la brillante soprano Sumi Jo

dans lopra La Sonnambula dirig par Kent Nagano

Montral et Knowlton, le 29 juillet 2009 Maestro Kent Nagano, le directeur musical de lOSM et directeur artistique du Festival, dirigera deux reprsentations en version concert de La Sonnambula de Vincenzo Bellini les dimanche 9 et samedi 15 aot, avec la spectaculaire soprano Sumi Jo dans le rle titre. LOrchestre du Festival de Knowlton, compos de musiciens slectionns spcialement pour lvnement, accompagnera les solistes lors de ces deux reprsentations et dans les deux concerts Bel Canto.

Lan dernier, Sumi Jo a connu un grand succs auprs des festivaliers lorsque elle a chant des airs de Mozart, Bellini et Donizetti. Nous sommes trs heureux quelle ait accept linvitation de revenir cette anne et de jouer le rle titre dans La Sonnambula, a comment Marco Genoni, directeur excutif du Festival de Knowlton. Cest une soprano exceptionnelle de renomme internationale qui se retrouve encore une fois sous la direction de Kent Nagano dans le cadre champtre de Knowlton.

Sumi Jo, qui revient au Festival pour la deuxime anne conscutive, se distingue comme l'une des plus remarquables sopranos de sa gnration. Parmi ses derniers engagements, notons de nouvelles productions des Contes d'Hoffmann au Washington Opera, l'Opra de Paris, au Los Angeles Opera et au Festival d'Orange. Elle a aussi repris ses clbres interprtations de Lucia di Lammermoor de Donizetti et de la Reine de la Nuit dans Die Zauberflte de Mozart dans plusieurs villes dont Sydney, San Juan, Los Angeles, Orange, Palerme et Paris. Elle a rcemment ajout son rpertoire les rles de Lakm de Delibes, Dinorah de Meyerbeer et Giulietta dans I Capuletti e i Montecchi au Minnesota Opera. En 2008, elle a notamment particip un concert gala aux cts de Jonas Kaufmann, Rene Fleming et Dmitri Hvorostovsky dans le cadre des Jeux olympiques de Beijing. On a pu lentendre quelques jours aprs, lors de ldition 2008 du Festival de Knowlton, dans le rle titre de Norma de Bellini

Le tnor Barry Banks, l'un des meilleurs interprtes actuels du rpertoire italien du bel canto, chantera le rle dElvino. La basse Riccardo Zanellato, laurat du Concours Operalia Tokyo en 1996, sera Rodolfo. Ekatherina Lekhina, laurate du premier prix au Concours Operalia de Paris en 2007, jouera Lisa tandis que Susan Platts, protge de Jessye Norman, le rle de Teresa. Le tnor Juan Noval-Moro, laurat de ldition 2007 du Concours international de chant de Clermont-Ferrand campera quant lui le notaire.

Bellini a compos La Sonnambula en seulement deux mois et luvre a t cre le 6 mars 1831 Milan et, ds la premire, devait connatre un succs qui ne sest jamais dmenti. Le thme de l'amour tendre et contrast entre Amina et Elvino offre Bellini l'occasion d'exalter sa veine lyrique. L'uvre culmine dans l'un des airs pour soprano les plus sublimes, savoir le clbre Ah, non credea mirarti, que le personnage d'Amina chante dans une scne de somnambulisme.

Devant le remarquable succs remport lt dernier, le Festival de Knowlton devient une manifestation annuelle denvergure internationale. Du 4 au 16 aot, se succderont concerts symphoniques, soires dairs d'opra, prsentation en version orchestrale de lopra Bel Canto La Sonnambula de Vincenzo Bellini, rcitals, concerts de la relve, classes de matre pour jeunes chanteurs et activits dinitiation la musique pour enfants.

Les biographies dartistes, la programmation et les coordonnes de la billetterie sont disponibles sur le site du festival au www.festivaldeknowlton.com

Le Festival de Knowlton est prsent par la socit Festival de musique de Knowlton inc. en collaboration de lAccademia Nazionale di Santa Cecilia de Rome et la participation de lOrchestre symphonique de Montral. Le Festival sappuie galement sur lapport important de plusieurs commanditaires et partenaires financiers dont Bombardier inc., BFL Canada, le Cabinet de relations publiques NATIONAL inc., Tourisme Qubec, La Ville de Lac Brome, le Mouvement des caisses Desjardins, Swiss International Air Lines, Groupe StrataTech et Ultramar.

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Tuesday, July 28, 2009

MJF - Solveig Barber

The Markham Jazz Festival 2009
Solveig Barber


Markham, ON-Local Markham resident and acclaimed vocalist Solveig Barber performs on her towns Main Street on Sunday, August 16th with the 12th Annual Markham Jazz Festival.

Norwegian born singer and actress Solveig Barber grew up in Canada where she developed her musical talents. She has performed with the Canadian Opera Company and in upscale nightclubs throughout Ontario and Quebec. She has appeared on television, in movies and has even traveled to the Far East to entertain our Armed Forces. Currently, she performs with the vocal group The Canadian Singers, and as a soloist or with an ensemble for private and special events. She is performing twice with the Markham Jazz Festival this year, first on Sunday August 9th for a promotional concert at Markville Shopping Centre, a silver sponsor of the festival, and then as a quartet with local jazz musician Larry Bond and his trio on Sunday, August 16th on Main Street Markham.

The Markham Jazz Festival runs from August 14th-16th, 2009 and is one of the towns most notable events, attracting thousands from across Ontario to the picturesque main streets of Markham and Unionville. With over 20 performers on four stages, plus many hot spots (local bars and restaurants who book their own acts under the umbrella of the Markham Jazz Festival), this years festival is sure to provide cool sounds for all fans of great music!Solveig Barber

When: Sunday, August 9th 2009
Location: Markville Shopping Centre
Time: 1:00-3:00 pm
When: Sunday, August 16th 2009
Location: Main Street Markham
Time: 3:30-5:00 pm

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Danielle de Niese The Mozart Album

Danielle de Niese
The Mozart Album

Orchestra of the Age of Enlightenment
Sir Charles


In Stores: September 8th, 2009
Album Released to Digital Retailers: August 18th, 2009
Duet with Bryn Terfel Available Exclusively at
iTunes Music Store July 28th, 2009

Her singing is utterly delectable and completely assuredĶSheer joie de vivre and mastery come spilling across, to the eyes as well as the ears. -The New York Times

New York, NY On September 8th, 2009, Decca will release The Mozart Album, the hotly anticipated second solo recording from 30-year-old soprano Danielle de Niese. The full album will be available at digital music retailers including the iTunes Music store on August 18th. On July 28th, iTunes will exclusively offer the single La ci darem la mano performed by Danielle de Niese together with baritone Bryn Terfel.

An Australianborn American soprano of Dutch and Sri Lankan heritage, the exotically beautiful de Niese has been captivating audiences since childhood, when she was a fixture of Los Angeles local television hosting a weekly arts showcase for teenagers, for which she won an Emmy Award. De Niese was just 18 when she was accepted as the youngest artist ever into the Lindemann Young Artist Development Program of the Metropolitan Opera. She made her Met debut as Barbarina in Le nozze di Figaro, alongside Rene Fleming, Bryn Terfel, and Cecilia Bartoli and led by James Levine. On September 22nd of this year, de Niese returns to the Met to perform the leading role of Susanna in the same Jonathan Miller production of Le Nozze di Figaro in which she made her debut over a decade ago.

From the age of 19, when Danielle de Niese made that auspicious Metropolitan Opera debut it was clear that she was destined to be a major Mozart singer, given her extraordinary ability to communicate emotion through her one-of-a-kind voice, personal charisma, star quality and the irresistible force of her personality. So Mozart is a natural next step for de Niese in her recording career following up on her debut album of Handel arias released in 2007. The selections on The Mozart Album reflect her career on stage, as well as her own favorite Mozart arias. Sir Charles Mackerras, a world authority on Mozart, leads the Orchestra of the Age of Enlightenment

In addition to her engagement with the Metropolitan Opera, the 2009-10 season sees Danielle de Niese performing as Susanna in Le nozze di Figaro with Lyric Opera of Chicago under the direction of Edward Gardner. She also appears in Lincoronazione di Poppea with the Teatro Real and Semele with Thtre des Champs Elyses. Additionally, Ms. de Niese will tour Europe with the period instrument group Il giardino armonico with an all Handel program with performances in Amsterdam, Vienna, Berlin and Madrid.

Visit Danielle de Niese on her website at www.danielledeniese.com and join her more than 1000 friends at www.myspace.com/danielledeniese.

Danielle de Niese in Performance USA 2009-2010

Mozart: Le nozze di Figaro
September 22, 29,
October 1, 5, 9,
December 4, 8, 12
Conductor: Edward Gardner
Metropolitan Opera


Mozart: Le nozze di Figaro
February 28,
March 3, 6, 9, 12, 15, 18, 20, 22, 24, 27
Conductor: Edward Gardner
Lyric Opera of Chicago



Danielle de Niese: The Mozart Album Tracklisting
WOLFGANG AMADEUS MOZART (17561791)

Exsultate, jubilate (K.165)
Bella mia fiamma (Concert aria K.528)
Giunse al fin il momento ... Al desio di chi t'adora (Alternative Aria in Act 4 of "The Marriage of Figaro" K.577)
Una donna a quindici anni (from "Cos fan tutte" K.588)
Quando avran fine o mai ... Padre, germani, addio! (from "Idomeneo" K.366)
Ah Fuggi il Traditor (from "Don Giovanni" K.527)
Oh, temerario Arbace! ... Per quel paterno amplesso (Concert aria K.79)
L'amer (from "Il re pastore" K.208)
La ci darem la mano (Duet with Bryn Terfel) (from "Don Giovanni" K.527)
Laudate Dominum (from "Vesperae solennes de Confessore" K.339)

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Monday, July 27, 2009

SweetWater Music Festival 2009

SWEETWATER MUSIC FESTIVAL 2009
Friday Saturday Sunday, September 18, 19, 20 2009

Artistic Director Mark Fewer is pleased to announce the sixth annual SweetWater Music Festival. The Festival presents a series of breathtaking chamber music concerts which features internationally-acclaimed musicians and inspired programming. Music students are encouraged to sign up for Free Masterclass Workshops by Festival artists (see contact details below). September 18 to 20, 2009 at Historic Leith Church in Georgian Highlands (20 min N.E. of Owen Sound) and Division Street United Church in Owen Sound.

The Festival takes a new spin this season! SweetWater welcomes two highly regarded Guest Directors: for Friday evening Barry Shiffman will present music by Gideon Klein, Osvaldo Golijov and Mozart; for Sunday afternoon's concert Adrian Butterfield will present music by Handel, Vivaldi, Couperin, Leclair and Muffat. The commissioned composer for this year is award-winning jazz legend Phil Dwyer. Also, Saturday evening's performance will include a showstopper version of Vivaldi's Four Seasons with four different violin soloists: Jonathan Crow, Adrian Butterfield, Barry Shiffman, and Mark Fewer. Saturday's performance will also feature soprano Melanie Conly singing Edith Piaf and a new arrangement by Mark Fewer of Leonard Cohen's "Suzanne".

Performers for the weekend will include: Virginia Barron; Adrian Butterfield; Melanie Conly; Jonathan Crow; Steven Dann; Denise Djokic; Mark Fewer; Peter Longworth; Myron Lutzke; Douglas McNabney; Joseph Phillips; Ken Slowik; Barry Shiffman.

This year's "Pre-Concert Chat", taking place at 6:45pm before the Saturday evening concert, will take the form of a panel discussion moderated by Mark Fewer, with guest directors Barry Shiffman and Adrian Butterfield as panelists. All Saturday evening patrons are welcome to attend, no extra ticket required.

Tickets:
Fri 8pm (Leith Church) $25, Sat 8pm (Division St. United Church, Owen Sound) $30 (incl. pre-concert chat), Sun 2pm (Leith Church) $25
Three-concert series ticket: $75
Roxy Theatre Box Office 519-371-2833 (1-888-446-ROXY)
or call 519-376-3517
or email info@swmw.ca
http://www.swmf.ca

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Orchestras in the Park: the weather did not stop the music!


Canadas Capital Region The National Capital Commission (NCC) and the National Arts Centre (NAC) thank the 18,700 concert-goers who made the third edition of Orchestras in the Park a resounding success. The program of four free outdoor concerts in LeBreton Flats Park, from July 23 to 26, came to a close yesterday evening.

In spite of weather forecasts that threatened rain all four nights, concert-goers were rewarded with concerts that went ahead on time and in their entirety under almost entirely rainfree skies.

This excerpt from an unsolicited e-mail received this morning summarized what a lot of concert-goers were saying about these four perfect concerts:

My family appreciated the concerts at LeBreton Flats Park. I can't imagine a better way to give the general public an opportunity to hear music that some might not be familiar with. It also provided an opportunity for people who cannot afford to attend concerts at the NAC to hear good music performed by world-class musicians. My wife and I enjoyed Thursday, Friday and Sunday the most. My two granddaughters, however, thought that Natalie MacMaster was wonderful (and she was). The setting and ease of access to the site could not have been better.

Indeed, the National Capital Commission and the National Arts Centre are proud of the strong line-up of performers featured this year with the NAC Orchestra and the Orchestre de la francophonie canadienne: Anton Kuerti, Julian Kuerti, Amy Horvey, Jean-Marie Zeitouni, Erin Wall, Antonio Figueroa, James Westman, Laurence Ewashko, Jean-Philippe Tremblay, Hong Xu and of course, Natalie MacMaster.

Orchestras in the Park is a collaboration between the NAC and the NCC to present a series of free outdoor orchestral concerts at LeBreton Flats Park, the biggest gathering site for cultural events in the Capital.

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Festival to Transform Washington D.C. into Piano Capital of the World

301.230.6556

Festival to Transform Washington D.C. into Piano Capital of the World


2009 Washington International Piano Festival to Feature World-Renowned Lecturers and Artists


Washington, D.C. The nations capital will become the Piano Capital of the World next month as internationally renowned artists and lecturers will be joined by 44 participants from the U.S., China, Japan, Russia and Germany at the 2009 Washington International Piano Festival. The festival, made possible by a partnership with the Catholic University of America, begins the week of August 9th and is an opportunity for young aspiring concert pianists, teachers, amateurs, and piano lovers at-large to participate in an inspiring and informative one-week program.


We are incredibly excited about the Washington International Piano Festival and hope that through beautiful music from some of the worlds most elite artists, participants and observers alike will develop a greater appreciation for the highest standard of classical music, said Nikita Fitenko, Internationally acclaimed pianist and Co-Director of the festival.


Festival participants will have an opportunity to work with prominent instructors in daily one-on-one coaching sessions as well as educational workshops and master classes. The program also includes seminars presented by outstanding guest lecturers, covering such topics as style, technique, methods and the art of teaching, as well as business aspects of teaching among others. Participants will also have an amazing opportunity to perform in concert at the Kennedy Center's Millennium Stage, which will be webcast live at www.kennedy-center.org.


Each day of the festival will conclude with piano concerts featuring renowned artists such as Milen Petroff and Ivo Kaltchev performing at the Kennedy Center's Millennium Stage and Joseph Banowetz, Anderson & Roe and Alessio Bax at the Ward Recital Hall on Campus of the Catholic University of America.


The concerts are open to the community at a cost of $20. Tickets may be purchased at the door or may be reserved by emailing the Washington International Piano Festival at washingtonpianofest@gmail.com. In addition, the 2009 Festival participants will present three concerts that are free and open to the public. To learn more visit www.WashingtonPianoFest.com.


About WIPF

WIPF is a non-profit arts organization dedicated to the performance and teaching of classical music at the highest standard. The Festival is sponsored by Jordan Kitt's Music and Yamaha.

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Gang Violence: From the Streets to the Stage

Gang Violence: From the Streets to the Stage

Toronto, July 27, 2009 Mixed Company Theatre partners with the Toronto Police Service to create theatre for social change with youth affected by gang violence.

"The Toronto Police Service's partnership with Mixed Company Theatre creates an excellent opportunity to engage communities through the use of theatre arts and assists our ongoing efforts to enhance relationships with citizens of Toronto. Positive community relations improve our effectiveness in keeping our community safe, said Staff Superintendent Glenn De Caire, Central Field, Toronto Police Service.

For the next four weeks, youth will meet at York Memorial Collegiate Institute, collaborating with professional theatre, dance and music artists, including Chalmers Award Winning script-writer, Rex Deverell. They will participate in intensive workshops, covering hip-hop, rap, and script-development, learning to express their voices to make their communities safer.

"With support from the Toronto Police Service, Mixed Company Theatre has had the opportunity to connect with many community groups across Toronto, hearing the voices of those who have experienced gang violence. This new interactive performance incorporates these experiences, focusing on gang presence in our neighbourhoods and the pressures youth face finding social connection and identity, remarked Simon Malbogat, Artistic Director, Mixed Company Theatre.

With the help of the Toronto Police Service, Mixed Company Theatre has been reaching out to young people through the Toronto Anti-Violence Intervention Strategy (TAVIS), the Youth in Policing Initiative and other community-based programs such as Project PEACE, Breaking the Cycle and L.O.V.E.. The end result, a forum theatre production addressing gang violence, will debut August 14 and August 16 at York Memorial CI. The presentation will tour to communities within 12 and 31 Divisions plus many more between August 17 21.

Mixed Company Theatre produces innovative, socially relevant drama as a tool to educate, engage and empower for positive change.

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Friday, July 24, 2009

Jayce Ogren conducts The Cleveland Orchestra

David Fray makes his Cleveland Orchestra debut as soloist in Mozarts Piano Concerto No. 25

Jayce Ogren conducts The Cleveland Orchestra in Mozart Masterpieces program featuring Symphonies Nos. 40 and 41 (Jupiter) at the Blossom Festival on August 15

CLEVELAND, July 24, 2009 Cleveland Orchestra Assistant Conductor Jayce Ogren will conduct The Cleveland Orchestra in a program titled Mozart Masterpieces at the Blossom Festival on Saturday, August 15, at 8:00 p.m. The program features Mozarts Symphonies Nos. 40 and 41. French pianist David Fray will make his Cleveland Orchestra debut as soloist in Mozarts Piano Concerto No. 25. The concert will mark Mr. Ogrens final performance with the Orchestra as one of its assistant conductors.

The August 15 program begins with Wolfgang Amad Mozarts Symphony No. 40 in G minor, K. 550. Next on the program is Mozarts Piano Concerto No. 25 in C major, K. 503, with David Fray (pronounced FRY) as soloist. After intermission, the program concludes with Mozarts Symphony No. 41 in C major, K. 551 (Jupiter).

Program notes are available at www.clevelandorchestra.com by the week of the program.

New this season, Lawn/General Admission tickets allow patrons to sit on the lawn or in newly designated General Admission areas in the rear corner sections of the Pavilion, adding 1,500 lower-priced seats in the Pavilion. These seats are available on a first-come, first-served basis to any ticketholder.

Also new in 2009, children 12 and under will be admitted free to the Lawn for all concerts. For each adult ticket purchase, two children will be admitted free to the Lawn. Each child will receive a free Kids Lawn Pass. Kids Lawn Passes will be available at the Severance Hall Ticket Office, the Blossom Box Office, and the Lawn Ticket Booth at Blossom, and also will be available for downloading and printing online at BlossomLawnFun.com. Kids Lawn Passes are required for all children 12 and under on the Lawn. The passes are not valid for entry into the Pavilion. Anyone wishing to sit in the new General Admission area of the Pavilion needs to have a Lawn/General Admission Ticket.

Prior to the concert, The Cleveland Orchestra will offer patrons an All-American Cookout on the Blossom grounds. Gates open at 5:30 p.m. for picnicking. Concertgoers may purchase grilled fare including hot dogs, hamburgers, and ribs as well as potato salad, baked beans, and more, prepared by Blossom chefs. As usual, patrons are welcome to bring their own picnics, packed with everything needed to make the evening complete.

The Blossom Grille will be open for pre-concert dining also. Dinner reservations may be made by calling (330) 916-6063 Monday-Friday between 9:00 a.m. and 5:00 p.m. or after 4:00 p.m. on Festival concert nights.

The August 15 concert is sponsored by The Sherwin-Williams Company. David Frays appearance with The Cleveland Orchestra is made possible by a contribution to the Orchestras Guest Artist Fund from The Hershey Foundation.

Biographical information on Jayce Ogren and David Fray is available on request.

A video clip from a documentary film on David Fray and his CD recording of Bach keyboard concertos is available on YouTube.

* * *

TICKET PRICES: Pavilion $42, $31, $26; Lawn/General Admission $19. $82 box seats include complimentary parking in FirstEnergy Lot A and access to the Kulas Plaza VIP services. Children ages 12 and under are admitted to the Lawn seating area for free for all Blossom Festival concerts.

TICKETS for all remaining 2009 Blossom Festival concerts are now on sale through the Severance Hall Ticket Office, the Blossom Music Center Box Office, online at clevelandorchestra.com and at all Ticketmaster outlets. The Severance Hall Ticket Office is located in the Smith Lobby. The entrance and 15-minute Ticket Service parking are along the west side of the building on East Boulevard. The Ticket Office is open during the summer Monday through Friday, 9:00 a.m. to 6:00 p.m. The Blossom Music Center Box Office is open Fridays, Saturdays, and Sundays, from 1:00 to 5:00 p.m. (and through intermission on Blossom Festival concert dates).

To charge tickets by telephone on American Express, Discover Card, MasterCard and Visa, call Cleveland Orchestra Ticket Services at (216) 231-1111 (local call for 216 and 440 area codes) or (800) 686-1141 during the regular Severance Hall Ticket Office hours listed above. Subscriptions and single tickets are also available through The Cleveland Orchestras website at clevelandorchestra.com. The website offers secure ticket transactions with any major credit card and provides complete concert listings. Please note: There are no added service charges or handling fees for Blossom Festival concert tickets purchased in person or by phone through the Blossom or Severance Hall ticket offices, or online through the Orchestras website.

PARKING: Ample free parking is available. Patrons who buy Pavilion tickets at least 10 days prior to these performances will receive a free dated parking pass for one of Blossoms paved parking lots. (The 10-day advance purchase requirement is to allow time for postal delivery.) These paved parking lots are ADA accessible with ADA transport services to the Pavilion. In addition, there are a limited number of paid parking spaces available in the FirstEnergy Lot A (behind the Box Office) for purchase at $15 per vehicle (10-day advance purchase required). Call (216) 231-1111 or (800) 686-1141 for further details.

CALENDAR LISTING

Saturday, August 15, 2009, at 8:00 p.m.

Blossom Music Center

THE CLEVELAND ORCHESTRA

JAYCE OGREN, conductor

DAVID FRAY, piano

Mozart Masterpieces

MOZART Symphony No. 40, K. 550

MOZART Piano Concerto No. 25, K. 503

MOZART Symphony No. 41 (Jupiter), K. 551

Concert Sponsor: The Sherwin-Williams Company

Guest Artist Fund: The Hershey Foundation

TICKETS: Pavilion $82 (box), $42, $31, $26; Lawn/General Admission $19

Lawn seating for children 12 and under: FREE

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The Devil's Fiddler at Chamberfest

The Devils Fiddler to perform at Chamberfest!

Roby Lakatos, accompanied by his talented five-piece 'Gypsy Band', slithered and scampered his way - at about 100 notes a second - through four show stoppers, each more preposterously exuberant than the last. - The London Times

The Ottawa Chamber Music Society is thrilled to announce the Ottawa debut of Roby Lakatos as a surprise addition at the 16th Ottawa International Chamber Music Festival thanks in part to the support of the Marquee Tourism Events Program. Lakatos and his ensemble, a scorching Hungarian gypsy band will perform at Chamberfest on Wednesday, July 29 at 7 pm at Dominion-Chalmers United Church.

Roby Lakatos is not only an impressive virtuoso, but a musician of amazing versatility. With an unusual musical scope - as composer, classical violinist and gypsy violinist, Roby Lakatos is at home in the Hungarian folklore as well as in classical music and jazz. He was born into a legendary family of gypsy violinists who are descended from Janos Bihari, known as the "King of Gypsy Violinists". His musicianship evolved not only within his own family as he was initiated into secrets of gypsy music as a child, but also at the Bla Bartk Conservatory of Budapest, where he won the first prize for classical violin in 1984.

The combination of his heritage and his nomadic free spirit and classical violin education has allowed Lakatos to become a classical virtuoso, a jazz improviser, a composer and arranger, a fiery violinist all at the same time.

"Since Haydns time the influence of Gypsy music has been evident throughout classical music. There is no other performer or ensemble in this day and age that encapsulates the true essence of the Gypsy tradition, its virtuosity, its passion, and sheer ability to entertain, as does violinist Roby Lakatos and his remarkable ensemble," raves Roman Borys, cellist of the Gryphon Trio, the Artistic Directors of the Festival.

His musical prowess borders on genius. Lakatos follows in the footsteps of masters such as Liszt and Brahms in combining classical music with pulsating, vibrant Hungarian Gypsy overtones. Xpress (Abu Dhabi)

My style has three elements, says Lakatos. The base is Gypsy music, of course, but also it includes classical music and jazz. The arrangements are very classical - but we have a lot of improvisation, too, because Gypsy music is like jazz, he explains. And, of course, we never make the same concert twice.

In addition to sold-out performances at the 2009 festivals of Domaine Forget and Orford, Lakatos and his ensemble have performed to great acclaim in concert halls in North America and Europe, including New Yorks Carnegie Hall, Santa Cecilia in Rome, and the Concertgebouw in Amsterdam. The other members of Roby Lakatos' ensemble are Klmn Cski, Lszl Bni, Oszkr Nmeth and Attila Ront.

Reserved tickets for this performance can be purchased online at www.chamberfest.com, in person at the OCMS office, Dominion Chalmers United Church Box Office, or at any festival concert, or by calling 613-234-6306. General admission tickets are available only at the door. A Festival pass provides access to this, as well as 90 other Chamberfest concerts. Full ticket and pass details are available at www.chamberfest.com or at 613-234-6306.

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Thursday, July 23, 2009

Chamber Music America Announces $253,000 in Grants to Jazz Ensembles

CMA announces $253,000 in grantS to JAZZ ensembles

for the creation and development of new work

Twelve U.S. jazz ensembles to receive support

NEW YORK, NY (July 23, 2009)Chamber Music America (CMA), celebrating its 32nd year of service to ensemble music professionals, today announced the recipients of 12 grants through CMA's New Jazz Works: Commissioning and Ensemble Development program. The grantees were selected in June by an independent, five-member panel of professional jazz musicians. CMA received 161 applications from jazz ensembles in 16 states.

Made possible through the generosity of the Doris Duke Charitable Foundation, New Jazz Works supports the creation and performance of new works by professional U. S. jazz ensembles, funds activities that extend the life of the work, and encourages the development of career-related business skills. Since its inception in 2000, the program has provided support to more than 132 jazz ensembles.

"We're delighted to be offering the New Jazz Works program," said Margaret M. Lioi, chief executive officer of Chamber Music America, "not only because of the new compositions it is supporting, but also because of the opportunities for professional development it will foster for composers over the three-year grant period. More than ever, creative artists need to be competent administrators and promoters of their own work. CMA is grateful to the Doris Duke Charitable Foundation for its generosity in making the program possible, and we look forward to working closely with these exceptional musicians over the next several years."

Grantees and their Projects

Rez Abbasi Group (New York, NY) In Motherland, Abassi will draw from indigenous Pakistani music and his experiences as a Pakistani-American to create a work for his quartetguitar, piano, bass, and drum setand a guest vocalist.

Amir ElSaffar and Two Rivers (Yonkers, NY) ElSaffar's piece for sextet will integrate a harmonic language based on the intervals of the Maqam, a system of melodic modes used in traditional Arabic music; alternative tunings; a melodic and rhythmic template, and improvisation. The piece will feature voice, trumpet, alto saxophone, santour, oud, buzuq, violin, bass, dumbek, frame drum, and drum set.

John Escreet Project (New York, NY) Escreet explores his interest in the relation between speech and music with a new work that looks into the compositional possibilities of multiple, simultaneous speech tracks. His ensemble includes alto saxophone, trumpet, electronics, piano, bass, and drum set.

Ellery Eskelin and Different But the Same (New York, NY) Eskelelin plans a work in which the instrumentalists will improvise as composers, rather than simply playing solos in a pre-composed piece. Instrumentation includes tenor saxophones, bass, and drum set.

Joel Harrison Group (Brooklyn, NY) Harrison draws from the formal concepts of Charles Ives, John Adams, Oliver Messiaen, Gyrgy Ligeti, and Aarvo Prt to construct densely textured suite for alto saxophone, violin, cello, guitar, bass, hajini, dejmbe, frame drum, and drum set.

John Hollenbeck and The Claudia Quintet (New York, NY) Suite Lorrainebased loosely on structures, melodies, and harmonies of select jazz standardswill feature polyrhythms, sonic "tapestries," and rhythmic counterpoint. The piece will be scored for clarinet, tenor saxophone, accordion, vibraphone, bass, piano, percussion, and drum set.

Jason Kao Hwang and Edge (Jersey City, NJ) Jason Kao Hwang will sequence written notation and improvisations, creating "a musical landscape through which each instrument, as a character, will journey." Instrumentation: cornet/flugelhorn, trombone, tuba, violin/viola, erhu, pipa, bass, and drum set.

Rudresh Mahanthappa Quartet (Brooklyn, NY) Gamak is planned as a multi-movement work for alto saxophone, guitar, bass, and drum set. Mahanthappa will explore melodic ornamentation, alternative tunings, and rhythm beat cycles derived from Indian, African, and Indonesian music in a jazz context.

Ole Mathisen and F.F.E.A.R. (New York, NY) Mathisen conceives Mirage as a multi-movement work built on unusual meter, tempo, and micro-tonal relationships. As the title suggests, the piece is meant to project the illusion that the quartet (saxophones, clarinet, trombone, bass, and drum set) is part of a much larger group of instruments.

Josh Moshier and Moshier/Lebrun Collective (Evanston, IL) For a work inspired by Studs Terkel's memoir Touch and Go, the composer will utilize both sequenced song and through-composition in five self-contained songs. The work will be scored for tenor saxophone, piano, guitar, bass, and drum set.

Mario Pavone and Orange Double Tenor Ensemble (Prospect, CT) In anticipation of his 70th birthday, Pavone will compose a polyrhythmic work for sextet that alternates composed sections with structured and open improvised sections. The five-part suite will feature tenor and soprano saxophones, trumpet, piano, bass, and drum set.

Adam Rudolph's Moving Pictures (Maplewood, NJ) Yeyi: A Wordless Psalm of Protypical Vibrations is envisioned as a 12-part suite for six multi-instrumental improvisers. The work will investigate rhythm themes, thematic melodies based on intervallic materials and develop Rudolph's "Cyclic Verticalism" and prototypical signal rhythm patterns. Instrumentation includes winds (B-flat and bass clarinet, soprano saxophone, bansuri, hichiriki, shakuhachi, bass, C and alto flute, cornet, flugelhorn, and kuduhorn), strings (guitars, oud, banjo, dotar, and sintir), and percussion (djembe, dumbek, tarija, cajon, bata, conga, thumb piano, bender, qarqaba, gongs, slit drum, marimbula, udu drum, caxixi, achimevu, and drum set).

Chamber Music America was founded in 1977 to develop and strengthen an evolving chamber music community. With a membership of over 6,000, including musicians, ensembles, presenters, artists' managers, educators, music businesses, and advocates of ensemble music, CMA welcomes members representing a wide range of musical styles and traditions. In addition to its funding programs, CMA provides its members with consulting services, access to health and instrument insurance, conferences, seminars and several publications, including Chamber Music magazine, and a website www.chamber-music.org.

The mission of the Doris Duke Charitable Foundation is to improve the quality of people's lives through grants supporting the performing arts, environmental conservation, medical research and the prevention of child maltreatment, and through preservation of the cultural and environmental legacy of Doris Duke's properties. Visit www.ddcf.org.

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Premire du Nouveau quatuor cordes Orford - ce samedi 25 juillet 20h


FESTIVAL ORFORD 2009

En grande premire mondiale!

Le Nouveau quatuor cordes Orford refait lhistoire!

Avec Jonathan Crow, Andrew Wan, Eric Nowlin et Brian Manker

Le samedi 25 juillet 20 h

Orford, le 22 juillet 2009 Il y a quarante-quatre ans, un nouveau quatuor cordes canadien voyait le jour au camp dt des Jeunesses musicales du Canada (aujourdhui le Centre darts Orford) dans le parc national du Mont-Orford. Le Quatuor cordes Orford a donn son premier concert le 11 aot 1965. Ses nombreux enregistrements et tournes nationales et internationales en ont fait lun des ensembles canadiens les plus clbres. Aprs avoir donn plus de deux mille concerts sur cinq continents pendant vingt-six ans, le quatuor a prsent son dernier rcital le 28 juillet 1991, pour ensuite se dissoudre. Maintenant, en 2009, apparat tel un phnix le Nouveau quatuor cordes Orford dans le sillage de la rputation et de la tradition de son glorieux prdcesseur.

Quand Davis Joachim, directeur gnral, a approch Jonathan Crow pour lui demander de considrer la formation dun nouveau quatuor cordes Orford, son ide ntait pas de simplement crer un autre ensemble qui offrirait quelques concerts de temps autres. Le Centre darts Orford avait besoin dun ensemble de haut niveau qui reprsenterait lexcellence de notre acadmie et de notre festival, et qui vhiculerait le nom dOrford travers le monde. Il voulait aussi honorer les noms et les ralisations de ceux qui sont venus avant, puisquils ont t les artisans de vingt-six annes dhistoire et de concerts remarquables par le premier Quatuor Orford.

Andrew Dawes, membre fondateur et Premier violon du Quatuor Orford original, a travaill avec Davis Joachim afin de sassurer que nous pourrions appeler ce nouvel ensemble le Nouveau quatuor cordes Orford, et Jonathan Crow sest charg de runir autour du projet un groupe de musiciens hors pair.

sa sortie de lUniversit McGill alors quil navait que 19 ans, Jonathan Crow se joignait lOrchestre symphonique de Montral. Nomm Violon solo en 2002, il a occup ce poste jusquen 2006. Il est ainsi devenu le plus jeune premier violon au sein dun orchestre majeur en Amrique du Nord .Il a ainsi runi autour de lui quelques-unes des premires chaises des orchestres symphoniques de Montral et de Toronto. En aot 2008, Andrew Wan a t promu Premier violon assistant de lOrchestre symphonique de Montral, ce qui a fait de lui un des plus jeunes premiers violons dun orchestre majeur en Amrique du Nord. Eric Nowlin est membre rgulier du Jupiter Chamber Players New York et tourne galement avec les ensembles Musicians for Marlboro et Musicians from Ravinias Steans Institute. En plus de sa carrire de soliste et de chambriste, il a rcemment t nomm Altiste solo associ du Toronto Symphony Orchestra. Nomm violoncelle solo lOrchestre symphonique de Montral en 1999, Brian Manker prend un plaisir tout particulier interprter des quatuors cordes depuis son adolescence, et il le fait toujours avec autant de passion. MM. Jonathan Crow et Brian Manker sont galement membres de la facult de lAcadmie Orford 2009.

Poursuivant firement la tradition dinnovation et dexcellence du Centre darts Orford, ce soir, les initiatives de Joachim et de Crow trouveront leur aboutissement dans ce concert inaugural du Nouveau quatuor cordes Orford. Venez nombreux !

LE NOUVEAU QUATUOR CORDES ORFORD

Jonathan Crow and Andrew Wan, violons, Eric Nowlin, alto et Brian Manker, violoncelle

Le samedi 25 juillet 20 h la salle de concert Gilles-Lefebvre, Festival Orford 2009
Billetterie : 819-843-3981 Prix rgulier : 37 $

Joseph Haydn (1732-1809) Quatuor cordes en do majeur, op. 20, no 2

Sir Ernest MacMillan (1893-1973) Quatuor cordes en do mineur

Ludwig van Beethoven (1770-1827) Quatuor cordes no 15 en lamineur, op. 132


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Wednesday, July 22, 2009

Toronto Summer Music Festival Opens

 Toronto Summer Music


TORONTO SUMMER MUSIC FESTIVAL 2009

Opened with a World Premiere and Concludes with an Opera Extravaganza

The fourth annual Toronto Summer Music Festival (TSM) opened last night with the world premiere pairing of Grammy and Juno Award-winning violinist James Ehnes, and Leeds International Competition winner, pianist Jon Kimura Parker, in concert together. This spectacular event was just the beginning of the Festival, which continues until August 13.

August concerts begin with beloved Toronto pianist, Anton Kuerti. Kuerti, who is an Officer of the Order of Canada and was awarded the Canadian Governor General's lifetime artistic achievement award in 2008, sold out his previous appearances with TSM. On August 1, Kuerti will present a programme which includes two composers whose anniversaries are being celebrated by the Festival this year: Haydn (Sonata in E Flat Major) and Mendelssohn (17 Variations Srieuses, Op. 54, and Scherzo Capriccio in F Sharp Minor); and Beethoven's Sonata in F Minor and Robert Schumann's Sonata in G Minor, Op 22.

Long-time collaborator with the TSM, violinist Mayumi Seiler will be joined by fellow violinist Ian Swensen on August 4. Swensen is a winner of the top prize in both solo and chamber music sections of the prestigious Walter W. Naumburg International Competition. Performing together as a duo for the very first time in Toronto, Swensen and Seiler will play rarely performed pieces by Bartk, Corelli, Martinu, Purcell, Saraste, Shostakovich, Telemann, and Vivaldi.

Two hot young string quartets will grace the stage of Walter Hall on August 6: Cecelia String Quartet and the Tokai String Quartet. They bring fresh energy and insight to the works of Haydn, Mozart, and Mendelssohn. In addition, they will present a world premiere of Jacques Htu's Hommage Mendelssohn. Htu himself will present the pre-concert lecture.

Star French flutist Patrick Gallois will be joined by his wife, pianist Cecilia Lfstrand, on August 8. Gallois, who enjoys extraordinary success as a flute soloist, is also currently the Artistic Director and principal conductor of Sinfonia Finlandia. The pair will present an evening of sparkling duo sonatas by Desbire, Gaubert, Poulenc, and Prokofiev.

Juno Award-winning fan favourite and one of the premier chamber ensembles in North America, Gryphon Trio will perform on August 11. They will play Mendelssohn's Trio No. 2 in C Minor and Haydn's Trio in C Major. They will be joined by the sublimely elegant soprano, Monica Whicher, in a variety of Scottish Folk Songs, arranged by Beethoven and Haydn.

Opera Extravaganza will close the festival on August 13, conducted by TSM Artistic Director Agnes Grossmann. She will be joined by star alumni of the TSM's Opera Studio in a varied and delightful programme of arias from Cilea, Donizetti, Verdi, and Mozart, duets from Mozart, Rossini, Verdi, and Richard Strauss, and ensembles from Donizetti and Verdi. Singers will include sopranos Melinda Delorme, Teiya Kasahara and Dsire Till, mezzo-sopranos Erica Iris Huang and Lauren Segal, tenors Joey Niceforo and Paul Ouellette, baritone Phillip Addis, and bass-baritone Tomislav Lavoie.

TORONTO SUMMER MUSIC FESTIVAL

July 21 - August 13, 2009

AUGUST CONCERTS

Anton Kuerti: Saturday, August 1 at 8pm ***

Pre-concert lecture: "Bicentennials and Sonatas" presented by Stephen Cera

Swensen & Seiler: Tuesday, August 4 at 8pm **

Pre-concert lecture: "A Smrgsbord of Paris: Musical Duets over the Centuries" presented by

Dr. Timothy McGee

Cecilia String Quartet and Tokai String Quartet: Thursday, August 6 at 8pm **

Pre-concert lecture: "Mendelssohn: The Child Prodigy" presented by Jacques Htu

Gallois & Lfstrand: Saturday, August 8 at 8pm **

Pre-concert lecture: "The Monk and the Rascal: A Look at Francis Poulenc's dual personality" presented by Charlne St. Aubin

Gryphon Trio with Monica Whicher: Tuesday, August 11 at 8pm **

Pre-concert lecture: "Scotland the Exotic? Scottish Folksong Settings by Haydn and Beethoven" presented by Dr. James Kippen

Opera Extravaganza: Thursday, August 13 at 7:30pm ***

Pre-concert lecture: Presented by one of Canada's leading experts on opera, Ian Scott

JULY CONCERTS

James Ehnes & Jon Kimura Parker: Tuesday, July 21 at 8pm *

Pressler & Friends: Thursday, July 23 at 8pm ***

Tsuyoshi Tsutsumi & Friends: Saturday, July 25 at 8pm **

Anagnoson & Kinton: Tuesday, July 28 at 8pm **

Leipzig String Quartet with Karl Leister: Thursday, July 30 at 8pm ***

Penderecki String Quartet: Friday, July 31 at 8pm **

Festival passes ($120 - $300) and single tickets ($20 - $75) are available online www.torontosummermusic.com or by calling 416.597.7840

Pre-concert lectures are free and take place at 6:45pm the night of the concert in Room 330, Edward Johnson Building

*Carlu Concert Hall, 444 Yonge Street, 7th Floor, Toronto
**Walter Hall, Edward Johnson Building, University of Toronto, Faculty of Music, 80 Queen's Park Crescent, Toronto

***MacMillan Theatre, Edward Johnson Building, University of Toronto, Faculty of Music, 80 Queen's Park Crescent, Toronto

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UBC School of Music announces three new conductors!

Three (Yes 3!) New Conductors Appointed at the UBC School of Music

Vancouver, B.C. ~ UBC School of Music welcomes three new full-time faculty members: Dwight Bennett as Director of the UBC Symphony Orchestra; Dr. Graeme Langager as Director of Choirs; and Dr. Robert Taylor as Director of Bands. Each brings new energy, excitement, and vision to UBC's performing ensembles and conducting courses. September will be wild and exhilarating when auditions take place and rehearsals begin. Almost every student in the School will be involved performing in, or with, one of these large ensembles.

About the appointments Director of the School, Dr. Richard Kurth said,
"It's a rare and exciting moment in the School's history to welcome three new conductors all at once. Professors Bennett, Langager, and Taylor each bring impressive experience, marvelous musicality, and creative energy to the training and programming of their ensembles, and they will build on the wonderful musical legacies of their precursors--Jesse Read, Bruce Pullan, and Marty Berinbaum respectively. The arrival of the new conductors signals an inspiring new era in the School's trajectory. Indeed, it is a special pleasure to welcome them in the 50th anniversary year of our Bachelor of Music program, a year in which we celebrate all the wonderful contributions and achievements so many have made so far, and in which we also strive for new growth and continue our pursuit of excellence, to the lifelong benefit of our students and their audiences."

Get to know our new faculty members:

Dwight Bennett has an extensive international career conducting orchestras and opera companies around the world. He studied with Karel Ancerl, Julius Herford, Franco Ferrara, Kiril Kondrashin, and Bernard Haitink. After winning first prize at the Heinz Unger Conductor's Competition, Dwight Bennett conducted over 100 performances in North America with the Canadian Opera Company.

Mr. Bennett conducted complete symphonic cycles of Haydn, Mozart, Beethoven and Brahms while serving as Music Director and Principal Conductor of the Thunder Bay Symphony Orchestra and the Windsor Symphony. He has recorded with CBC, Verdi and Bongiovanni. He was Assistant Conductor (Vienna State Opera), Resident Conductor (Canadian Opera Company), Chief Conductor/Head of Music (New Israeli Opera), Artistic Director (Royal Opera Canada), and Principal Guest Conductor (Ukrainian State Symphony Orchestra). He has worked at such Festivals as Gars, Westben and Strasbourg, and conducted numerous orchestral tours of Europe and Asia. Mr. Bennett was Director and Professor of Music at Lakehead University, and later Director of the University of Toronto conducting program and Symphony Orchestra. He has recently conducted in Germany, Austria, Italy, the Netherlands, Ukraine, Czech Republic, Croatia, Canada, Taiwan, Korea, and China, including a new production/DVD of Massenet's Don Quichotte for Teatro Verdi (Trieste) and symphonic programs with the Moscow Philharmonic Orchestra. In 2007, he was awarded the title "Commendatore Stella Della Solidariet Italiana" from the President of Italy for his contribution to Italian culture and art.


Dr. Graeme Langager has served as the Director of Choral Activities at the University of Arkansas, and at Cuesta College in San Luis Obispo, California. A native of Lethbridge, Alberta, Dr. Langager received the Doctor of Musical Arts Degree in Choral Conducting from the University of Cincinnati College-Conservatory of Music, and the Master of Music Degree in Choral Conducting from California State University, Long Beach. He has studied under Earl Rivers, Stephen Coker, Lynn Bielefelt, and Marc Hafso, and has received additional training from Helmut Rilling, Anton Armstrong, Thomas Davies, John Alexander, and Robert Page. Dr. Langager has taught in California, Ohio, North Carolina and Arkansas. He is sought after as a clinician and guest conductor, and is an active composer and arranger. Dr. Langager has served on the national board of the National Collegiate Choral Organization, and on the boards of the Arkansas and California Chapters of the American Choral Directors Association. Dr. Langager's choirs have been invited to perform at ACDA, MENC, All-State, and IAJE conferences. His choirs have performed throughout Europe and the United States including such prestigious venues as St. Peter's Basilica in Rome, Stefansdom in Vienna, Notre Dame in Paris, St. Nicholas in Prague, and St. Stephen's in Budapest.

Robert Taylor is the new Director of Bands at the University of British Columbia in Vancouver, BC, where he will conduct the Symphonic Wind Ensemble and teach instrumental conducting. Prior to his appointment at UBC, Dr. Taylor served as Director of Bands at the University of Puget Sound in Tacoma, WA, and Chair of the Performing Arts Department at Eureka High School in northern California. He received the Master of Music and Doctor of Music degrees in conducting from Northwestern University and the Bachelor of Arts degree in Trumpet and Music Education from Humboldt State University. His research has been published in GIA's Teaching Music Through Performance in Band series and featured in presentations at several regional and national music conferences. As a passionate advocate of music in the schools, Dr. Taylor has adjudicated numerous music festivals and is in high demand as a rehearsal clinician and guest conductor throughout North America. Past engagements include collaborations with a wide range of international artists from Allen Vizzutti, Gail Williams, and Ingrid Jensen, to Manhattan Transfer and Big Bad Voodoo Daddy as well as frequent appearances with young musicians as principal conductor of the Puget Sound Youth Wind Ensemble and guest conductor of the CODA/ASTA Honor Orchestra, Humboldt Youth Academy Orchestra, and numerous honor groups.


Catch the downbeats of their first concerts at UBC . . .


Dwight Bennett conducts the UBC Symmphony Orchestra offering the overture to Glinka's opera Russlan and Ludmilla, Tchaikovsky's Romeo and Juilet and Symphony No. 10 by Shostakovich on October 9th at 8:00 pm. Soon after Bennett conducts for the UBC Opera Ensemble's production of Puccini's Suor Angelica and Gianni Schicchi November 5 8.


Graeme Langager conducts the University Singers October 22nd at noon and October 23rd at 8:00pm. Graeme Langager and Dwight Bennett will each conduct a work at the School's big end of term choral and orchestra concert December 5th. This concert brings together the massed choirs of the University Singers and UBC Choral Union with the UBC Symphony Orchestra to perform Bach's Magnificat in D and Beethoven's Mass in C, Op. 86.


Robert Taylor conducts the UBC Symphonic Wind Ensemble October 8th at 8:00 pm. In November concerts are Noon on November 19th and 8:00 pm on November 20th.


All above performances will be held at the Chan Centre for the Performing Arts at UBC

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Juilliard String Quartet's Sony Classical Releases Available Digitally


SONY CLASSICAL RELEASES DIGITAL RECORDINGS FOR DOWNLOAD BY THE JUILLIARD STRING QUARTET


WORKS INCLUDE THE COMPLETE STRING QUARTETS OF BEETHOVEN AND BARTK; QUARTETS BY DEBUSSY, RAVEL AND DUTILLEUX; AND COLLABORATIONS WITH LEGENDARY MUSICIANS


Sony Classical has announced that its catalog of recordings by the Juilliard String Quartet is being made available for download. The Quartet has been associated with Sony since the ensemble's inception in 1946.


The releases are as follows:


Bartk: String Quartets Nos. 1-6

Beethoven: The Early String Quartets (Op. 18, Nos. 1-6)

Beethoven: The Middle String Quartets (Op. 59, Nos. 1-3; Opp. 74 & 95)

Beethoven: The Late String Quartets (Opp. 127, 130, 131, 132, 133 and 135)

Debussy/Ravel/Dutilleux: String Quartets

Great Collaborations


The members of the Juilliard String Quartet jointly stated, "We are thrilled that a substantial amount of our recorded legacy will now be available through the latest technology, for listeners of all ages. With Nick Eanet now joining the Quartet, we look forward to continuing our relationship with this great label."


Alex Miller, General Manager of Sony Masterworks, said, "The Quartet has a long and celebrated relationship with the label and we are delighted to begin making their remarkable and diverse catalogue available to the public digitally."


The first six recordings will include the complete string quartets of Beethoven and Bartk (the latter a Juilliard String Quartet specialty). On CDs, the Beethoven quartets comprised a total of nine discs (three three-disc sets); the Bartk quartets comprised two discs; the French collection one disc; and Great Collaborations two discs. All of the titles to be digitized have been released previously on CD; all titles also appeared on the LP format with the exception of the French disc, which was released on CD only.


The Great Collaborations release includes Dvorak's Piano Quintet with Rudolf Firkusny, piano; Barber's Dover Beach with Dietrich Fischer-Dieskau, baritone; Schoenberg's Verklarte Nacht with Walter Trampler, viola, and Yo-Yo Ma, cello; Schumann's Piano Quintet with Leonard Bernstein, piano; Copland's Sextet for Clarinet, Piano and Strings with Aaron Copland, piano, and Harold Wright, clarinet; and Franck's Piano Quintet with Jorge Bolet, piano.


Each title of the new releases will include a digital booklet of liner notes.


About the Juilliard String Quartet

The Juilliard String Quartet is internationally renowned and admired for performances characterized by clarity of structure, beauty of sound, purity of line and an extraordinary unanimity of purpose. Celebrated for its performances of works by composers as diverse as Beethoven, Schubert, Bartk and Elliott Carter, it has long been recognized as the quintessential American string quartet.


This 2009/10 season is the inaugural season with first violinist Nick Eanet. Highlights include Da Camera of Houston, Philadelphia Chamber Music Society, Shriver Hall Concert Series in Baltimore, dates at The Juilliard School, and tours in Japan and throughout Europe.


Recent seasons heard the JSQ in concert at the Kennedy Center, on tour in Australia, at the Konzerthaus Vienna, at the Palacio Real in Madrid, and at the Cit de la musique in Paris with an accompanying two-day residency at the Conservatoire National Suprieur de Musique. The Juilliard String Quartet offered special programming in recognition of Elliott Carter's 100th birthday, performing the world premiere of his new Clarinet Quintet with Charles Neidich at The Juilliard School, the European premiere of the work at the Konzerthaus in Berlin, and his String Quartet No. 2 in concerts around the world. As ardent advocates of Carter's complex and visionary string quartets, the Juilliard's landmark recording of Quartets Nos. 1-4 was released by Sony in 1991.


The Quartet celebrated its 60th anniversary season with complete Bartk cycles (the Juilliard Quartet played the American premiere of the Bartk cycle at Tanglewood in 1948) in major cities throughout the U.S. and Japan. In honor of both the Juilliard's 60th birthday and the Shostakovich centennial, Sony BMG Masterworks released a 2-CD set of the Juilliard Quartet's recordings of Shostakovich Quartets Nos. 3, 14, 15 and the Piano Quintet with Yefim Bronfman. The Juilliard Quartet also celebrated Mozart's 250th birthday, performing Quartets K. 421, K. 428 and K. 465, newly informed by first-edition parts recently donated to The Juilliard School. Other recent highlights include a pair of concerts presented by the Los Angeles Philharmonic in Disney Hall; the world premiere of Ezequiel Viao's Quartet II, "The Loss and the Silence," commissioned for them by The Juilliard School in honor of its 2006 centennial; and international performances of Bach's "Art of the Fugue."


In 2003 the Quartet marked the celebrations of its 40th anniversary as Quartet-in-Residence at the Library of Congress with a twelve-concert complete Beethoven cycle interspersed with works by American composers whose work the Quartet has championed throughout its existence. The JSQ has performed complete Beethoven cycles in seven-concert series at Alice Tully Hall in New York, at Casals Hall in Tokyo, at Michigan State University and, most recently, at the International Beethoven Festival in Bonn and at the Tonhalle in Dsseldorf.


At Carnegie Hall, the Quartet appeared on Maurizio Pollini's "Perspectives" series with pianist Martha Argerich, and in the Hall's 100th anniversary gala. Annual guests at Tanglewood's Seiji Ozawa Hall, the Juilliards played in the Hall's opening concert and are the lead-off artists in the recent recording celebrating its 10th anniversary. They are frequent guests at the Miyazaki Festival in Japan and at festivals in Europe including the Lucerne Festival and the Schubertiade in Feldkirch. In a departure from the classical norm, the Juilliard Quartet has twice been the featured ensemble comedic and musical on Garrison Keillor's "Prairie Home Companion."


As Quartet-in-Residence at New York City's Juilliard School, the Juilliard String Quartet is widely admired for its seminal influence on aspiring string players around the world. The Quartet continues to play an important role in the formation of new American ensembles and was instrumental in the formation of the Alexander, American, Concord, Emerson, La Salle, New World, Mendelssohn, Tokyo, Brentano, Lark, St. Lawrence, Shanghai and Colorado string quartets.


In a momentous occasion at Tanglewood in 1997, the Juilliard String Quartet's founder and first violinist Robert Mann retired from the group after fifty years. Earlier that season, Musical America named the Quartet "Musicians of the Year," making it the first chamber music ensemble ever to appear on the cover of the publication's annual International Directory of the Performing Arts.


In its history, the Juilliard String Quartet has performed a comprehensive repertoire of some 500 works, ranging from the great classical composers to masters of the current century. It was the first ensemble to play all six Bartk quartets in the United States, and it was through the group's performances that the quartets of Arnold Schoenberg were rescued from obscurity. An ardent champion of contemporary American music, the Quartet has premiered more than 60 compositions of American composers, including works by some of America's finest jazz musicians.


The ensemble has been associated with Sony Classical, in its various incarnations, since 1949. In celebration of the Quartet's 50th anniversary, Sony released seven CDs containing previously unreleased material as well as notable performances from the Quartet's award-winning discography. With more than 100 releases to its credit, the ensemble is one of the most widely recorded string quartets of our time. Its recordings of the complete Beethoven quartets, the complete Schoenberg quartets, and the Debussy and Ravel string quartets have all received Grammy Awards. Inducted into the Hall of Fame of the National Academy for Recording Arts and Sciences in 1986 for its recording of the complete Bartk string quartets, the Juilliard Quartet was awarded the Deutsche Schallplattenkritik Prize in 1993 for Lifetime Achievement in the recording industry. In 1994, its recording of quartets by Ravel, Debussy, and Dutilleux was chosen by the Times of London as one of the 100 best classical CDs ever recorded.


Nick Eanet, Violin (Pronunciation: Eanet, rhymes with "senate")

Nick Eanet began his violin studies at the age of three with Nicole DiCecco, and was an avid chamber musician almost from the beginning, playing quartets by the age of five. When he was only eleven, his young quartet was invited to perform at a festival by Shinichi Suzuki in Matsumoto, Japan. At the age of twelve, he was admitted to The Juilliard School Pre-College where he studied with Dorothy DeLay, continuing at the college with Robert Mann. After graduating from Juilliard with a bachelor of music degree, Mr. Eanet joined the Mendelssohn String Quartet as leader and first violinist.


During his years with the Mendelssohn String Quartet, Mr. Eanet performed around the world in major venues such as Carnegie Hall, Avery Fisher Hall, Wigmore Hall in London, the Concertgebouw in Amsterdam, and the Library of Congress. His teaching responsibilities included posts at Harvard University and the North Carolina School of the Arts. Numerous summer festival appearances include the Mostly Mozart Festival, Sante Fe Chamber Music Festival, Aspen Music Festival, Maui Chamber Music Festival, Steamboat Springs Strings in the Mountains Festival, among others. His playing, hailed by the New York Times as "brilliant and passionate," is in great demand: In addition to performing with the Sea Cliff Chamber Players and at Bargemusic, Mr. Eanet is a key member of Amadeus Virtuosi, a chamber orchestra that he also conducts. He has premiered and recorded the violin music of Frederich Nietzsche, available on the Newport Classic label.


Mr. Eanet's exposure to solo work also began when he was quite young. At age eight he was invited by Zubin Mehta to appear as soloist with the New York Philharmonic in one of the orchestra's Young People's Concerts. Two years later, he performed as soloist on the Philharmonic's subscription series and its New Year's Eve gala concert. Mr. Eanet has since performed as soloist with the Metropolitan Opera Orchestra led by James Levine at Carnegie Hall, the Minnesota Orchestra with Sir Neville Marriner, the New York Youth Symphony, and others.


From 1999 until he joined the Juilliard String Quartet, Mr. Eanet was the concertmaster of the Metropolitan Opera Orchestra, a position appointed by James Levine. During his tenure with the orchestra, Mr. Eanet performed across Europe and Japan, and regularly appeared in orchestral and chamber music concerts at all three venues at Carnegie Hall. Nick Eanet is a native Brooklynite.


Ronald Copes, Violin

Praised by audiences and critics alike for his insightful artistry, violinist Ronald Copes has received international acclaim as concerto soloist, recitalist and chamber musician. Having appeared as a featured performer in the Marlboro, Tanglewood, Bermuda, Cheltenham, Colorado and Olympic music festivals, Mr. Copes has toured extensively with Music From Marlboro ensembles, the Los Angeles and Dunsmuir piano quartets, and, since 1997, with the Juilliard String Quartet in concerts throughout Europe, Asia and North America.


He has recorded numerous solo and chamber music works for radio and television broadcast as well as for Sony Classical, Orion, CRI, Klavier, New World Records, ECM and the Musical Heritage Society. Devoting considerable energy to the development and presentation of contemporary string literature, he has worked closely with composers and has given the first performances of a number of solo and chamber works.


Mr. Copes has garnered prizes in several national and international competitions including the Artists' Advisory Council, the Merriweather Post and the Concours International d'execution Musicale in Geneva. For two decades, he served as Professor of Violin at the University of California, Santa Barbara, and, in 1997, joined the faculty of The Juilliard School in New York City. During the summer he is on the artist-faculty of the Kneisel Hall Chamber Music Festival.


Samuel Rhodes, Viola

Samuel Rhodes is celebrating his 41st year as a member of both the Juilliard String Quartet and the faculty of The Juilliard School where he is chair of the viola department. He has been a participant in the Marlboro Festival since 1960 and is a faculty member of the Tanglewood Music Center. His solo appearances have included several recitals at the Library of Congress in Washington, D.C., and an unaccompanied recital at The Juilliard School. This celebratory season includes recitals in Hamburg, Germany, and at Juilliard. In June 2001, Mr. Rhodes was invited to play a recital in celebration of the 10th anniversary of the festival Viola Space in Tokyo, Japan. He gave the world premiere of Figment IV for solo viola by Elliott Carter in January 2008 in Paris. In 1998, Mr. Rhodes had the honor of being invited to join the late Isaac Stern as a coach at his Chamber Music Workshops in Jerusalem, Israel; Miyazaki, Japan and Carnegie Hall, New York.


A native New Yorker, Samuel Rhodes studied the viola with Sydney Beck and Walter Trampler. He has a bachelor of arts degree from Queens College, New York, and a master of fine arts degree from Princeton University where he studied composition with Roger Sessions and Earl Kim. As a composer, Mr. Rhodes wrote a string quintet for two violins, two violas and cello, which has been performed by the Blair, Composer's, Galimir, Pro Arte and Sequoia quartets. The Pro Arte Quartet recently recorded the work with the composer as guest artist.


Mr. Rhodes has been artist-in-residence at Michigan State University and has been awarded honorary doctorates by Michigan State, the University of Jacksonville and the San Francisco Conservatory. He has appeared as a guest artist with many ensembles including the Beaux Arts and Mannes trios and with the Brentano, Cleveland, Guarneri, and Mendelssohn quartets.


Joel Krosnick, Cello

Joel Krosnick has performed as soloist, recitalist, and chamber musician around the world. As a member of the Juilliard String Quartet since 1974, he has performed the great quartet literature throughout North America, Europe, Asia, and Australia. With his sonata partner of more than 30 years, pianist Gilbert Kalish, Mr. Krosnick has performed recitals throughout the U. S. and Europe. Since 1976, they have given annual series of recitals in New York City and recently presented the series American Milestones of the Last 100 Years at The Juilliard School.


With Mr. Kalish, Mr. Krosnick has recorded the complete sonatas and variations of Beethoven and the sonatas of Brahms as well as works by Poulenc, Prokofiev, Carter, Hindemith, Debussy, Janacek, and Cowell for the Arabesque label. Especially noteworthy is their CD devoted to the cello and piano music of Ralph Shapey. Yet to be released is a CD, Forgotten Americans.


Mr. Krosnick completed his bachelor of arts degree at Columbia College where he began his lifelong commitment to contemporary music. He has performed and premiered a large number of new works by composers including Donald Martino, Ralph Shapey and Richard Wernick. Joel Krosnick's recording of the Sonata for Solo Cello by Artur Schnabel appears on the CP2 label, and his CD of Roger Sessions' Six Pieces for Solo Cello is presented on Koch Classics.


A dedicated and passionate teacher, Mr. Krosnick is chair of the cello department of The Juilliard School and is a member of the faculty of Kneisel Hall Chamber Music Festival in Maine. He has been associated with the Aspen, Marlboro and Tanglewood music festivals, and appeared for the third time as a member of the artist-faculty of the Piatigorsky Seminar at the University of Southern California. A recipient of the Chevalier du Violoncelle Award from the Eva Janzer Memorial Cello Center at the Indiana University School of Music, Mr. Krosnick holds honorary doctoral degrees from Michigan State University, Jacksonville University, and the San Francisco Conservatory of Music.

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Toronto Summer Music Festival August Concerts

TORONTO SUMMER MUSIC FESTIVAL 2009
Opened with a World Premiere and
Concludes with an Opera Extravaganza

The fourth annual Toronto Summer Music Festival (TSM) opened last night with the world premiere pairing of Grammy and Juno Award-winning violinist James Ehnes, and Leeds International Competition winner, pianist Jon Kimura Parker, in concert together. This spectacular event was just the beginning of the Festival, which continues until August 13.

August concerts begin with beloved Toronto pianist, Anton Kuerti. Kuerti, who is an Officer of the Order of Canada and was awarded the Canadian Governor General's lifetime artistic achievement award in 2008, sold out his previous appearances with TSM. On August 1, Kuerti will present a programme which includes two composers whose anniversaries are being celebrated by the Festival this year: Haydn (Sonata in E Flat Major) and Mendelssohn (17 Variations Srieuses, Op. 54, and Scherzo Capriccio in F Sharp Minor); and Beethoven's Sonata in F Minor and Robert Schumann's Sonata in G Minor, Op 22.

Long-time collaborator with the TSM, violinist Mayumi Seiler will be joined by fellow violinist Ian Swensen on August 4. Swensen is a winner of the top prize in both solo and chamber music sections of the prestigious Walter W. Naumburg International Competition. Performing together as a duo for the very first time in Toronto, Swensen and Seiler will play rarely performed pieces by Bartk, Corelli, Martinu, Purcell, Saraste, Shostakovich, Telemann, and Vivaldi.

Two hot young string quartets will grace the stage of Walter Hall on August 6: Cecelia String Quartet and the Tokai String Quartet. They bring fresh energy and insight to the works of Haydn, Mozart, and Mendelssohn. In addition, they will present a world premiere of Jacques Htu's Hommage Mendelssohn. Htu himself will present the pre-concert lecture.

Star French flutist Patrick Gallois will be joined by his wife, pianist Cecilia Lfstrand, on August 8. Gallois, who enjoys extraordinary success as a flute soloist, is also currently the Artistic Director and principal conductor of Sinfonia Finlandia. The pair will present an evening of sparkling duo sonatas by Desbire, Gaubert, Poulenc, and Prokofiev.

Juno Award-winning fan favourite and one of the premier chamber ensembles in North America, Gryphon Trio will perform on August 11. They will play Mendelssohn's Trio No. 2 in C Minor and Haydn's Trio in C Major. They will be joined by the sublimely elegant soprano, Monica Whicher, in a variety of Scottish Folk Songs, arranged by Beethoven and Haydn.

Opera Extravaganza will close the festival on August 13, conducted by TSM Artistic Director Agnes Grossmann. She will be joined by star alumni of the TSM's Opera Studio in a varied and delightful programme of arias from Cilea, Donizetti, Verdi, and Mozart, duets from Mozart, Rossini, Verdi, and Richard Strauss, and ensembles from Donizetti and Verdi. Singers will include sopranos Melinda Delorme, Teiya Kasahara and Dsire Till, mezzo-sopranos Erica Iris Huang and Lauren Segal, tenors Joey Niceforo and Paul Ouellette, baritone Phillip Addis, and bass-baritone Tomislav Lavoie.

TORONTO SUMMER MUSIC FESTIVAL
July 21 - August 13, 2009

August Concerts
Anton Kuerti: Saturday, August 1 at 8pm ***
Pre-concert lecture: "Bicentennials and Sonatas" presented by Stephen Cera
Swensen & Seiler: Tuesday, August 4 at 8pm **
Pre-concert lecture: "A Smrgsbord of Paris: Musical Duets over the Centuries" presented by
Dr. Timothy McGee
Cecilia String Quartet and Tokai String Quartet: Thursday, August 6 at 8pm **
Pre-concert lecture: "Mendelssohn: The Child Prodigy" presented by Jacques Htu
Gallois & Lfstrand: Saturday, August 8 at 8pm **
Pre-concert lecture: "The Monk and the Rascal: A Look at Francis Poulenc's dual personality" presented by Charlne St. Aubin
Gryphon Trio with Monica Whicher: Tuesday, August 11 at 8pm **
Pre-concert lecture: "Scotland the Exotic? Scottish Folksong Settings by Haydn and Beethoven" presented by Dr. James Kippen
Opera Extravaganza: Thursday, August 13 at 7:30pm ***
Pre-concert lecture: Presented by one of Canada's leading experts on opera, Ian Scott

July Concerts
James Ehnes & Jon Kimura Parker: Tuesday, July 21 at 8pm *
Pressler & Friends: Thursday, July 23 at 8pm ***
Tsuyoshi Tsutsumi & Friends: Saturday, July 25 at 8pm **
Anagnoson & Kinton: Tuesday, July 28 at 8pm **
Leipzig String Quartet with Karl Leister: Thursday, July 30 at 8pm ***
Penderecki String Quartet: Friday, July 31 at 8pm **

Festival passes ($120 - $300) and single tickets ($20 - $75) are available online www.torontosummermusic.com or by calling 416.597.7840

Pre-concert lectures are free and take place at 6:45pm the night of the concert
in Room 330, Edward Johnson Building

*Carlu Concert Hall, 444 Yonge Street, 7th Floor, Toronto
**Walter Hall, Edward Johnson Building, University of Toronto, Faculty of Music, 80 Queen's Park Crescent, Toronto
***MacMillan Theatre, Edward Johnson Building, University of Toronto, Faculty of Music, 80 Queen's Park Crescent, Toronto

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Kent Nagano dirige l'intgrale des quatre symphonies de Brahms au Festival de Knowlton


Kent Nagano et l'OSM dans l'intgrale des quatre symphonies de Brahms au Festival de Knowlton

Montral et Knowlton, le 22 juillet 2009 Maestro Kent Nagano, directeur musical de l'OSM et directeur artistique du Festival de Knowlton, dirigera l'OSM dans l'intgrale des quatre symphonies de Johannes Brahms lors de quatre concerts qui auront lieu Knowlton les 7, 8, 13 et 16 aot Ces concerts seront jumels des uvres de musique vocale, interprtes par certains des artistes lyriques les plus en demande sur la scne internationale.

Avec les quatre symphonies de Brahms, Kent Nagano, directeur artistique du Festival de Knowlton, lance le dbut des prsentations symphoniques au festival , a expliqu Marco Genoni, directeur excutif du Festival de Knowlton. . Les spectateurs qui auront la chance d'assister aux quatre symphonies dans un contexte champtre auront galement l'occasion de voir et d'entendre de grands artistes lyriques de renomme internationale, parmi lesquels certains n'ont pas chant au Qubec depuis un long moment.

Les concerts mettront en vedette les artistes suivants :

Le 7 aot, la mezzo-soprano Marie-Nicole Lemieux interprtera la Rhapsodie pour alto, chur d'hommes et orchestre de Brahms et les Deux chants pour voix d'alto, dans lesquels dialoguent deux voix d'alto, l'une humaine et l'autre instrumentale (la partie d'alto sera assure par Neal Gripp, alto solo de l'OSM).

Le 8 aot, le tnor hroque Ben Heppner fera un retour des plus attendus au Qubec dans six lieder de Richard Strauss, dont le sublime Morgen, cadeau de mariage du compositeur sa femme Pauline.

Le baryton Thomas Hampson se joindra l'OSM le 13 aot lors du troisime concert de cette srie, dans trois lieder de Strauss rarement interprts.

Et finalement, le 16 aot, lors du concert de clture du Festival, les sopranos June Anderson, Sumi Jo et Susan Platts offriront des extraits du ptillant opra Le Chevalier la rose, de Richard Strauss. Ce concert, sera suivi d'un grand pique-nique champtre avec Kent Nagano, les artistes et musiciens de l'OSM.

Les symphonies de Brahms, vritables monuments du genre, sont des uvres de musique pure et doivent leur puissance au talent du compositeur jouer avec le langage musical. Un univers vaste et glorieux attend donc l'auditeur prt consacrer quatre soires la musique orchestrale de Brahms. Que ce soit le combat hroque de la Premire Symphonie, la beaut idyllique de la Deuxime, la mlancolie automnale de la Troisime ou la majest imposante de la Quatrime, ces chefs-d'uvre sauront rvler toute leur splendeur.

Devant le remarquable succs remport l't dernier, le Festival de Knowlton devient une manifestation annuelle d'envergure internationale. Du 4 au 16 aot, se succderont concerts symphoniques, soires d'airs d'opra, prsentation en version orchestrale de l'opra Bel Canto La Sonnambula de Vincenzo Bellini, rcitals, concerts de la relve, classes de matre pour jeunes chanteurs et activits d'initiation la musique pour enfants.

Les biographies d'artistes, la programmation et les coordonnes de la billetterie sont disponibles sur le site du festival au www.festivaldeknowlton.com

Le Festival de Knowlton est prsent par la socit Festival de musique de Knowlton inc. avec la participation de l'Orchestre symphonique de Montral et avec la collaboration de l'Accademia Nazionale di Santa Cecilia de Rome. Le Festival s'appuie galement sur l'apport important de plusieurs commanditaires et partenaires financiers dont Bombardier inc., BFL Canada, le Cabinet de relations publiques NATIONAL, le Mouvement des caisses Desjardins, Tourisme Qubec, La Ville de Lac Brome, Swiss International Air Lines, Groupe StrataTech et Ultramar.

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Laitman's Mystery Garners Further Acclaim in Patricia Green's New CD


Laitman's Mystery Garners Further Acclaim in Patricia Green's New CD


"Laitman is one of the best and most prolific song writers at work today," writes Robert Moore in the American Record Guide Review of Patricia Green's new Blue Griffin release, Unsleeping, in which the Canadian mezzo-soprano pays tribute to six living international composers, with Laitman singled out to represent the United States with a song cycle titled Mystery. This version of the 1998 cycle, originally composed for baritone and recorded on Laitman's eponymous first solo CD, has already received several glowing reviews, and serves as a testament to the composer's extraordinary skills in adapting her remarkable art songs to a variety of voice types, making them accessible to a wider tapestry of vocal talent. In speaking of her approach and method, the composer says:

"In my vocal writing, I always compose the vocal line first. I custom construct each melody to emphasize the words or phrases of a poem that I find most important. I also take great care to create a musical line that will work well for the voice. Of course, other musical aspects factor into my work, but having a primary focus on melody makes my songs particularly adaptable to other voice types so long as the accompaniment can function in another key and the text remains appropriate."


The song cycle consists of five settings to poems by American poet Sara Teasdale. Of the current recording Gramophone Magazine writes: "The teaming of composer Lori Laitman and poet Sara Teasdale in Mystery results in five songs of generous lyricism and propulsive ardour." Colin Clarke of Fanfare Magazine says: "LaitmanĶ has made her name in the field of art song, and it is not difficult to hear why. These are exquisitely crafted miniatures. The delicious love song, "Spray" (the cycle's second movement), is most movingly and tenderly rendered here. The quasi-improvised nature of the piano part to "The Mystery" gives it almost a late-night jazz feel before "The Rose" introduces the character of Pierrot in a portrayal of deeply felt regret."


The youngest composer featured on this new recording, Lori Laitman's "exceptional gifts for embracing a poetic text and giving it new and deeper life through music" (The Journal of Singing), finds the composer with over 200 songs to her credit, setting the words of classical and contemporary poets with uncanny skill and unmatched beauty. Laitman's own fourth solo CD, Within These Spaces, was released in May 2009 by Albany Records. The composer's full-length opera, The Scarlet Letter, to poet David Mason's libretto on Hawthorne's literary masterpiece, opened to splendid accolades in November 2008.


Laitman is currently composing Vedem, a Holocaust oratorio commissioned by Music of Remembrance. The work is based on the story of the underground magazine published at the Terezin concentration camp, and weaves poet David Mason's haunting new libretto with poetry written by the Czech boys imprisoned at the camp. Vedem will premiere on May 10, 2010 in Seattle, WA, and will feature musicians from Music of Remembrance as well as the famed Northwest Boy choir. The busy composer's calendar in the upcoming months will see her presenting master classes and workshops at Cleveland Institute of Music, Baldwin-Wallace Conservatory, The Buckeye NATS Fall Workshop, Colorado College, and the Virginia NATS Spring Conference.


Find more information about Lori Laitman's music on her official website at: www.artsongs.com.

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National Youth Orchestra of Canada returns for annual summer visit

National Youth Orchestra of Canada returns to the NAC for its annual summer visit with a free concert under the baton of Alain Trudel on July 28

Ottawa, Canada The National Youth Orchestra of Canada (NYOC) will return to the National Arts Centres Southam Hall on Tuesday, July 28 at 7:30 p.m. for a free concert under the baton of Alain Trudel. The 100-member ensemble of elite young musicians from across Canada will perform Haydns Symphony No. 96 and Mahlers Symphony No. 6 on a program that opens with Dreams of Flying by Canadian composer and NYOC alumnus Rob Teehan, who at age 26 is the youngest composer the NYOC has ever commissioned.

Tickets for the concert on Tuesday, July 28 at 7:30 p.m. are free and may be picked up in person at the NAC Box Office during regular Box Office hours, Monday to Saturday, 10 a.m. to 9 p.m. Once tickets run out, patrons are encouraged to come on the night and will be seated if space becomes available.

The National Arts Centre concert on July 28 is part of a two-week tour across Ontario and Quebec including Notre Dame Basilica in Montreal and Roy Thomson Hall in Toronto sponsored by TD Financial Group. In addition, on August 2, 2009 at 3 p.m. Eastern Daylight Time, the National Youth Orchestra of Canada (NYOC) will make history as one of the first Canadian orchestras to broadcast a concert live via the internet (www.nyoc.org/webcast). In 2010, the NYOC will celebrate its 50-year anniversary with a series of concerts across the country.

National Capital Region participants this summer are Benoit Constant, 20 (violin), Pamela Cummings, 19 (violin), Ruza McIntyre, 17 (violin), Christine Yoo, 16 (violin), Sunmock Yang, 17 (viola), Heather Bourne, 20 (viola), Josh Brintrall, 22 (clarinet), Roxanne Lveille, 23 (clarinet) and Christopher Graham, 22 (trombone). They were chosen from among over 550 applications received from across the country after auditions were held in major cities in January.

For four weeks in June, they underwent intensive training at the University of Western Ontario in London. During this time, they received professional instruction from Canadas top orchestral musicians and had more practical hours of training than most universities offer in a year.

The 2009 NYOC principal conductor is Alain Trudel, who is no stranger to Canadian orchestral music lovers. Mr. Trudel is currently principal conductor of the new National Broadcast Orchestra (which replaced the CBC Radio Orchestra) and principal guest conductor of the Victoria Symphony Orchestra. He is also music director and conductor of lOrchestre symphonique de Laval and serves as artistic advisor to the Manitoba Chamber Orchestra.

The National Youth Orchestra of Canada is Canadas advanced orchestral training institute for musicians ages 14 to 28. Its mission is to educate, elevate, and empower Canadas most gifted young orchestral musicians. The NYOC supports, strengthens and advances the art of orchestral music in Canada through nationally prominent concert tours, recordings, outreach activities, and through the performance and commissioning of Canadian music. Over the years, the reviews and praise bestowed on the NYOC have been nothing short of amazing. It was called the best youth orchestra in the world at the World Youth Orchestra Conference in Tokyo. One third of Canadas professional orchestral musicians (and more than half of the National Arts Centre Orchestra,) got their start in the NYOC. For more information on the NYOC, visit www.nyoc.org.

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Tuesday, July 21, 2009

Musicians of the Portland Symphony Orchestra Ratify New Four-Year Agreement


Musicians of the Portland Symphony Orchestra Ratify New Four-Year Agreement
  • All stakeholders participating in moving towards financial health
  • Terms allow for flexibility and responsiveness to future conditions
  • Utilized new negotiations template
PORTLAND, Maine The Musicians of the Portland Symphony Orchestra (PSO), Boston Musicians Association and the PSO Board of Trustees jointly announced a four-year labor Agreement today the first with the American Federation of Musicians in the PSO's 84-year history. The new Collective Bargaining Agreement, which is retroactive to September 1, 2008 and extends to August 31, 2012, provides stability in Musician/Management relations for four years. The successful ratification of the Agreement is a critical piece of the Sustainability Plan adopted by the Board of Trustees in March 2009 in response to financial challenges and changing economic conditions faced by the institution.

Highlights from the new four-year Agreement include:
  • level funding of all compensatory items with the opportunity to reopen discussions for 2010-11 and 2011-12 seasons if certain predetermined benchmarks of financial health are met;
  • maintaining minimum guaranteed services; and
  • modernized language which allows for greater scheduling flexibility along with new due process procedures for musicians.
Gordon Gayer, President of the PSO Board of Trustees, declared, "I am pleased and honored to announce both a landmark new Agreement that provides for stability, and also a new partnership between our Musicians, the Board of Trustees, and the Boston Musicians Association. We are deeply grateful to all the individuals involved in the negotiations for their hard work and vigilance in producing a new Agreement, particularly in these challenging times. I believe the new Agreement is an essential ingredient in moving towards financial health, while preserving the Symphony's excellence on stage and its place in the community as one of Portland's cultural gems."

"Musicians are dedicated to the long-term health and artistic growth of the orchestra," said Pat Hollenbeck, president of BMA. "We are confident that this new Agreement and partnership with the PSO will support both those priorities for northern New England's largest professional orchestra."

Robert Couture, Boston Musicians Association's Negotiator: "We are pleased to have struck an agreement that promotes the long-term fortunes of the venerable PSO, an institution that nurtures music-making as an art and recognizes its musicians as the elite professionals that they are."

PSO Executive Director Ari Solotoff said, "We were honored to draw upon a new and collaborative framework for negotiations which respected the expertise and professionalism of the parties involved. At the same time, the new Agreement establishes an interest-based model for addressing shared institutional challenges and seizing new opportunities. We are especially grateful for the leadership and counsel from our facilitators at the Harvard Law School Negotiation Project and Triad Consulting."

The PSO began the interest-based negotiation process in July 2008, funded by a grant from the Sam L. Cohen Foundation. Interest-based negotiations focus on collaboratively solving problems, acknowledging interests, and creating new options for moving forward. All parties participated in an intensive two-day training session in interest-based negotiations.

The goals of the grant and new negotiations template included:
  • enhancing collaborative spirit and partnership between musicians, management, and the Board of Trustees;
  • creating a space to explore new community and artistic initiatives;
  • desire to set an example for similarly-sized orchestras to employ these techniques;
  • establishing a template for future negotiations; and
  • increasing awareness, understanding, and respect for stakeholder needs.
In February 2009, the PSO announced a series of administrative and programmatic cuts in response to its significantly deteriorated financial health. In March 2009, the PSO Board of Trustees adopted a three-year Sustainability Plan and Bridge Initiative. Combined with significant reductions in administrative expense, and through the ratification of this new Agreement, the PSO can achieve nearly $1 million, or a 30% reduction, in overall expenses. By doing so, all stakeholders have come together to support long-term financial health while maintaining high standards of artistic quality and performance.

Solotoff continued, "I have confidence that with the efforts and commitment of our Musicians, and the Sustainability Plan, the PSO can be both artistically and fiscally healthy and vibrant. This is the first stage of that process, and we are moving forward together."

Lyle Voss, PSO trustee and chair of the Negotiations Committee, stated, "When we embarked on interest-based bargaining in July 2008 we had no idea how critical this framework would be in meeting the economic challenges faced by all stakeholders. We are particularly grateful to the Musicians for their commitment to the PSO and this process."

"The Musicians are honored to be partners in future strategic planning," said Richard S. Kelly, PSO percussionist and Orchestra Committee Chair. "This new Agreement, and interest-based negotiations, have set the stage for ongoing collaboration and discussions of how the PSO can be most artistically meaningful and relevant to our community."

Negotiation Teams:

Musicians:

  • Richard Kelly, Percussion, Chair
  • Carolyn Cantrell, Horn
  • Sasha Callahan, Violin
  • Tony D'Amico, Bass
  • Tom Parchman, Clarinet
  • Margaret Phillips, Contrabassoon
  • John Tanzer, Tympani
PSO:
  • Ari Solotoff
  • Carolyn Nishon
  • Lyle Voss, Chair
  • Alan Cardinal
  • Deborah Galarneau
  • Gordon Gayer
  • Phyllis Givertz
  • Norm Rapkin
Triad Consulting:
  • Doug Stone
  • Gillien Todd

Choristes recherchs

Choristes recherchs

pour Carmina Burana et Cavalleria Rusticana


Montral, le 21 juillet 2009 - Le Chur philharmonique du Nouveau Monde (CPNM) est la recherche de choristes motivs pour sa prochaine saison septembre 2009 mai 2010 - qui annonce une cuve exceptionnelle axe sur la qualit. Au programme, l'nergique Carmina Burana, de Carl Orff, l'opra Cavalleria Rusticana, de Pietro Mascagni et le grand classique Requiem, de W.A. Mozart, pour ceux et celles qui l'ont dj chant, que le CPNM prsentera pour la 10e anne conscutive la Basilique Notre-Dame en novembre. Une tourne en Italie et en Bulgarie, ouverte tous mais optionnelle, est prvue pour l't 2010. Une voix juste, une bonne oreille et un engagement pour la saison complte sont les pr-requis. L'amour de la musique est essentiel, lire la musique est un atout. Les pratiques se tiennent l'cole Vincent-d'Indy (Outremont) les mardis de 19h15 22h, partir du 1er septembre 2009. Les auditions auront lieu l'cole Vincent d'Indy les mardis, 25 aot, 1er et 8 septembre.


Michel Brousseau est directeur artistique et chef du Chur et de l'Orchestre philharmonique du Nouveau Monde, des Chanteurs de Sainte-Thrse, du Chur classique d'Ottawa et du Chur Tremblant. Il a fait sa marque sur plusieurs grandes scnes au Canada, aux tats-Unis et en Europe. www.michelbrousseau.com


Renseignements et rendez-vous pour les auditions :

Suzanne Tardif (514) 271-5540

suzanne.tardif@micc.gouv.qc.ca

dyth Chaput (514) 761-4210

edyth_chaput@hotmail.com


www.cpnm.ca


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Quartango en spectacle au Corona


L'ensemble Quartango clbre 25 ans de carrire et la parution

d'un 6e album par une srie de spectacles au Corona



Montral, le 21 juillet 2009 Quartango est l'une des rares formations qubcoises qui peuvent se vanter d'exister depuis 25 ans. Et preuve qu'il n'a rien perdu de sa fougue ni de sa ferveur, l'ensemble Quartango a dcid de souligner cet anniversaire en proposant un nouveau spectacle inspir de son plus rcent disque, El Fuego.


Pour l'occasion, Quartango offrira trois spectacles indits conjuguant musique, danse et chant lyrique. Aux quatre membres du groupe se joindront les chanteurs classiques Marc Hervieux, un des tnors les plus recherchs ici et sur la scne internationale, Gianna Corbisiero, une soprano qui a interprt les rles-titres des plus grands opras, de mme que les danseurs argentins Roxana et Fabian Belmonte, qui foulent depuis 20 ans les scnes de tango les plus rputes du monde.


Ce spectacle concept proposera un mlange imprvisible de la grande musique d'opra et des rythmes ensorcelants du tango, de Bizet Piazzolla en passant par Puccini et Gardel. Les danseurs creront pour leur part de vritables tableaux vivants qui transporteront le public au cur de La Boca, le quartier de Buenos Aires qui bat au rythme du tango.


Les reprsentations auront lieu le 7 octobre 20 h et les 9 et 10 octobre 20 h 30 au Thtre Corona. Un souper-spectacle est disponible pour les deux dernires reprsentations. Les billets sont disponibles la billetterie du Thtre Corona, au 514 931-2088, ou via le rseau Admission, au 514 790-1245 ou www.admission.com.


propos de Quartango

Quartango est compos de Ren Gosselin, directeur artistique et contrebassiste, du pianiste Richard Hunt, compositeur et arrangeur, du bandononiste Douglas Schmidt et du violoniste Charles-tienne Marchand. La discographie de Quartango, laurat de trois prix Opus et d'un Flix, comprend cinq enregistrements remarqus pour leur qualit et leur originalit. Le vaste rpertoire de Quartango est caractris par des arrangements musicaux recherchs qui explorent le tango nuevo de Piazzolla, avec des allusions au classique et au jazz.

Monday, July 20, 2009

The VSO Presents Final Fantasy in Concert


The VSO Presents the Canadian Premiere of FINAL FANTASY in Concert with the Vancouver Symphony Orchestra!

Vancouver BC The VSO announces its presentation of Distant Worlds: Music from FINAL FANTASY, on Thursday, October 8, 2009, at the newly renovated Orpheum Theatre. The concert will feature Nobuo Uematsus award-winning music from Square Enixs enormously successful FINAL FANTASY video game series, performed by the Vancouver Symphony Orchestra and conducted by Grammy award-winner Arnie Roth. State of the art videos will be projected on screens to showcase the games most memorable and thrilling sequences. This concert will also feature the North American premiere performance of the FINAL FANTASY VII Main Theme.

FINAL FANTASY is a worldwide sensation, and one of the most successful video game franchises in the history of gaming. One of the top-selling video game franchises, FINAL FANTASY has created a lasting legacy in the video game world as one of the most innovative and influential role-playing games ever released. It has received worldwide critical acclaim for its originality, graphics, and of course, its rich, sumptuous, exciting music scores. Tickets go on-sale to the public on Monday, July 27th at 10am. Tickets are available online at www.vancouversymphony.ca, or call 604.876.3434.

Video game music has become increasingly popular in the last decade with the advancement of gaming console technology and has become essential in enhancing a games overall experience. In fact, the music of FINAL FANTASY has become just as popular as the ongoing video game franchise due to its epic scores, which incorporate a variety of musical styles. The series veteran composer Nobuo Uematsu was named as one of the Innovators in Time Magazines Time 100: The Next Wave Music feature.

A classically trained violinist, conductor, composer, producer and Grammy award-winning artist, Arnie Roth performs across a wide array of musical genres. Mr. Roth has performed with a host of artists, including Il Divo, Diana Ross, Jewel, and Josh Groban. He is also a long-time member of the Grammy award-winning group Mannheim Steamroller. Orchestras which Mr. Roth has conducted include the London Symphony Orchestra, Los Angeles Philharmonic, BBC Symphony, San Francisco Symphony, and Tokyo Philharmonic. Mr. Roth was the music director and conductor of the Dear Friends: music from FINAL FANTASY and VOICES: music from FINAL FANTASY concerts. He then became the principal conductor and music director of PLAY! A Video Game Symphony featuring music from blockbuster video games such as FINAL FANTASY, World of Warcraft, Elder Scrolls III: MorrowindѢ and Battlefield 1942Ѣ.

CONCERT INFO

Specials:

Final Fantasy in Concert

Thursday, October 8, 8pm, Orpheum Theatre

Arnie Roth, conductor

Tickets $25 to $65

Tickets available by phone at 604.876.3434 or online at www.vancouversymphony.ca

BIOGRAPHIES

Arnie Roth, conductor

A classically trained violinist, conductor, composer, producer and Grammy award-winning artist, Arnie Roth performs across a wide array of musical genres. Mr. Roth has performed with a host of artists, including Il Divo, Diana Ross, Jewel, The Three Tenors, The Irish Tenors, Charlotte Church, Josh Groban, Patrick Stewart, Branford Marsalis and Andrea Bocelli. He is also a long-time member of the Grammy award-winning group Mannheim Steamroller. Orchestras which Mr. Roth has conducted include the London Symphony Orchestra, Atlanta Symphony, Hollywood Bowl Philharmonic, Los Angeles Philharmonic, BBC Symphony, San Francisco Symphony, Winnipeg Symphony, Joffrey Ballet Orchestra, Ravinia Festival Orchestra, Tokyo Philharmonic, the WDR Rundfunkorchester Kln, and the Sydney Symphony. Since 2004 Arnie Roth has brought critical acclaim to the Chicagoland Pops Orchestra as music director and principal conductor showcasing artists including Michael Feinstein, Art Garfunkel, Linda Ronstadt, Wynonna Judd, the Beach Boys and Johnny Mathis. Under his direction the Chicagoland Pops Orchestra appeared in a nationally broadcast PBS Special featuring The Irish Tenors.

Mr. Roth was the music director and conductor of Dear Friends: music from FINAL FANTASY. In 2006 Mr. Roth conducted the new VOICES: music from FINAL FANTASY concert in Tokyo with the Tokyo Philharmonic. He then became the principal conductor and music director of PLAY! A Video Game Symphony featuring music from blockbuster video games such as FINAL FANTASY, World of Warcraft, Elder Scrolls III: MorrowindѢ and Battlefield 1942Ѣ. Mr. Roth conducted PLAY! with many international orchestras including the National Symphony, the Detroit Symphony, the Singapore Symphony and the Sydney Symphony at the Sydney Opera House. As both producer and music director, Arnie Roth premiered Distant Worlds: music from FINAL FANTASY in December 2007 with the Royal Stockholm Philharmonic in Sweden. The release of the new Distant Worlds: music from FINAL FANTASY CD recorded by Roth and the Royal Stockholm Philharmonic coincided with the start of the Distant Worlds 2008 world-tour.

As music director, conductor and arranger, Mr. Roth was involved in a number of PBS specials including: Charlotte Church: Enchantment - From Cardiff, Wales for Sony, The Irish Tenors: Heritage, the WTTW Soundstage shows featuring: Jewel, Peter Cetera and Symphony, An Evening with Dennis DeYoung, Lyle Lovett, Randy Newman, Michael McDonald and the Doobie Brothers, and WTTWs Four Seasons in Chicago. In 2006 he was the music director and conductor for a ten part television series for RTE featuring the Irish Tenors. He appeared on NBCs Today Show with Il Divo in 2006.

He is the producer, composer, conductor and arranger for nine of the BarbieѢ Princess CGI animated films from Mattel Entertainment. Mr. Roth won the Best Score Award at the 2003 DVD Premier Awards for his score for the film BarbieѢ as Rapunzel, and was nominated for an Emmy in 2007 for his original song Shine from the movie BarbieѢ in The Twelve Dancing Princesses. 2007 also marks the premiere of Mr. Roth's first live concert creation with Mattel. BarbieѢ at the Symphony is a special film with orchestra presentation of the best-selling BarbieѢ Princess movies. Music director Arnie Roth is touring the world in performances featuring great works by classical composers and BarbieѢ highlights from all of the CGI animated films.


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Mercury Opera presents Il Tabarro on the Edmonton Queen Riverboat


Mercury Opera presents

IL TABARRO

Rollin' on the river with the small but hot opera company

All aboard the Edmonton Queen Riverboat as Mercury Opera presents Puccini's one act opera Il Tabarro. This shocking story of a passionate and tragic love-triangle sets sail on the August 13th and 15th at 7.30pm. Admission, which is $75, includes a riverboat cruise, hors d'hoeuvres, as well as a cash bar, followed by Mercury Opera's intimate and stunning performance of Il Tabarro. Tickets for are on sale now at TIX On The Square, call 780-420-1757 or visit www.tixonthesquare.ca


Il Tabarro (The Cloak), the first in Puccini's Il Trittico, a triptych of one-act operas, is the brooding tale of a barge owner, Michele, and his younger wife, Giorgetta. Traditionally set in 1910 Paris, Mercury Opera's production takes its audience to the banks of sultry New Orleans, where Giorgetta and Luigi, a stevedore, reveal their secret mutual love. As Michele reflects on his marriage's happier days and attempts to uncover his wife's seducer, Luigi plots to kill Michele and flee with Giorgetta.


Mercury Opera's production of Il Tabarro features Georgian baritone Zurab Ninua in his debut as Michele, Edmonton-native and soprano Darcia Parada as Giorgetta, and American tenor Christian ebek as Luigi, as well as Boris Derow, Roland Burks and Lilia Krieger as Tinca, Talpa and Frugola, respectively. The cast includes Mark Gowda, Dan Rowley, Michael Otto, Adam Arnold, Paul Chachia, Russ Bergen, Matt Kinsman, Jonathan Vanderzyde, Connor Meeker, Claire Meeker, Joseph Chambrinho, Jessy Mossop, Michelle Diederichs, Regina Landek, Amanda Clark, Sanja Szakanji, and Nansee Hughes.


A professional company recently relocated to Edmonton from New York, Mercury Opera is tiny but hot, like the planet nearest the sun. With a mission to mount and stage imaginative opera performances in a non-traditional arena, the company presents innovative multimedia productions in intimate settings, making the audience feel it's a part of the action. Proving opera doesn't have to be big to be grand, Pagliacci, Mercury Opera's Edmonton premiere, enjoyed rave reviews last summer, capturing the imaginations of critics and audiences alike during its runs inside a tent in Giovanni Caboto Park and the Edmonton International Fringe Festival.


For more information about Mercury Opera or its production of Il Tabarro, please visit www.mercuryopera.com.

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Morro and Jasp... DO PUBERTY... Again!

Morro and JaspĶ DO PUBERTYĶ Again!


Toronto, July 20, 2009 Mixed Company Theatre is excited to announce that loveable and laughable clowns, Morro and Jasp, have been chosen as Best of the Fringe!

Morro and Jasp have finally reached puberty. Written and Performed by Heather Marie Annis and Amy Lee, this hilarious show explores the trials and tribulations that we all went through, or are about to go through, in becoming a grown-up. Sixty minutes of laughter, longing, tears and tampons!

Funny and touching, its a Fringe winner - Jon Kaplan, NOW Magazine

Ķa must-see of the Fringe - Caroline Lock, Eye Weekly

WHEN: Wednesday July 22 7:00pm; Thursday July 23 9:00pm; Friday July 24 9:00pm; Saturday July 25 9:00pm

WHERE: The Berkeley Street Theatre - 26 Berkeley Street at Front Street

TICKETS: $16.50 - Info available at 416.368.3110 or www.canstage.com or http://fringetoronto.com/fringe09/bestoffringe.html

In partnership with Mixed Company Theatre, Morro and Jasp will also tour to elementary schools across Ontario this Fall as part of our Breaking the Cycle of Violence Program. In The Bully Show: CLOWN IN THE ROUND, the clowns interact with the audience through theatre in the round, inviting students to get involved and suggest their own approaches for dealing with bullies.

Mixed Company Theatre produces innovative, socially relevant drama as a tool to educate, engage and empower for positive change.

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Gotham Chamber Opera presents IL MONDO DELLA LUNA directed by Diane Paulus




GOTHAM CHAMBER OPERA
in partnership with the American Museum of Natural History
and in association with American Repertory Theater
presents


IL MONDO DELLA LUNA
(The World on the Moon)
An opera by Joseph Haydn

at the Hayden Planetarium, Rose Center for Earth and Space,
American Museum of Natural History

Directed by Diane Paulus
January 19 - 28, 2010

Gotham Chamber Opera, in partnership with the American Museum of Natural History and in association with American Repertory Theater, presents Il mondo della luna (The World on the Moon) by Joseph Haydn, in a new production staged by Diane Paulus, director of Hair, which received the 2009 Tony Award for Best Revival of a Musical. Il mondo della luna will run from January 19 - 28, 2010 at the Hayden Planetarium in the Rose Center for Earth and Space at the American Museum of Natural History. Tickets are $30-$125 and are available at www.ticketcentral.com or by phone at 212-279-4200.

For the first time ever, the Hayden Planetarium will be transformed into an intimate opera house using a 180-degree dome and projections courtesy of NASA. Taking advantage of breakthroughs in laser and light technology, Il mondo della luna will fuse live opera and stargazing, immersing the audience in a completely new kind of theatrical event - an out-of-this-world experience for opera lovers, science buffs, and theatergoers alike.

"This is Gotham's grandest and most audacious production in our eight-year history. The combination of Haydn, the Hayden, Diane Paulus, and our incomparable lineup of singers and designers adds up to a once-in-a-lifetime experience," said Neal Goren, Artistic Director and founder of Gotham Chamber Opera.

The production will be directed by Diane Paulus, whom Opera News calls one of the top 25 names in U.S. opera. Leading the 27-piece orchestra is conductor Neal Goren. Video and production design is by Philip Bussmann, costume design is by Anka Lupes, with Andrew Eggert as associate director. Il mondo della luna features Hanan Alattar, Albina Shagimuratova, Rachel Calloway, Nicholas Coppolo, Matthew Tuell, Timothy Kuhn, and Marco Nistic.
Gotham Chamber Opera will literally take audiences to the moon in this production, Haydn's personal favorite of all his operas. Written in 1777, it's the story of a nobleman who refuses to let his daughters marry their true loves. With the help of a fake astronomer and a sleeping potion, the daughters trick their father into believing he's been sent to the moon, where he discovers they do things differently, especially when it comes to courtship. On the moon, women are allowed to choose their own husbands.


Gotham Chamber Opera is the nation's foremost opera company dedicated to producing rarely-performed chamber operas from the Baroque era to the present. The company's mission is to present innovative, fully-staged productions of the highest quality in intimate venues.
Founded by conductor and Artistic Director Neal Goren in 2000, in its short history, Gotham Chamber Opera has presented seven U.S. premieres of 18th- and 20th-century operas, including such masterpieces as Mozart's Il Sogno di Scipione; Darius Milhaud's Les Malheurs d'Orphe; Czech composer Bohuslav Martinu's Dada opera, Les Larmes du Couteau; and Swiss composer Heinrich Sutermeister's Die schwarze Spinne. In February 2005, Gotham presented the U.S. stage premiere of Handel's Arianna in Creta. Also in 2005, Lincoln Center Festival and Spoleto Festival USA presented Gotham Chamber Opera's U.S. premiere of Ottorino Respighi's fantastical puppet opera, La bella dormente nel bosco featuring the puppetry of Basil Twist. In the spring of 2006, Benjamin Britten's Albert Herring received its first professional staging in New York in more than 30 years, and in winter 2007, Rossini's Il signor Bruschino received its first major professional New York staging in over a half century. In the 2007/2008 season, Gotham Chamber Opera celebrated dance with productions of Astor Piazzolla's tango opera Mara de Buenos Aires, directed by David Parsons and featuring Parsons Dance, and with a new work entitled Ariadne Unhinged, directed by Karole Armitage and featuring members of Armitage Gone! Dance. And in 2009, Mark Morris directed the U.S. stage premiere of Haydn's L'isola disabitata. In the future, Gotham Chamber Opera will present Montsalvatge's El gato con botas (Puss in Boots), staged by Tony Award-nominated director Moiss Kaufman.
A.R.T. Artistic Director Diane Paulus is a director of opera and theater. Her recent theater work includes The Public Theater's revival of Hair at the Delacorte in Central Park, now transferred to Broadway (2009 Tony Award winner for Best Revival of a Musical, nominated for 8 Tony Awards including Best Director, as well as winner of a Drama Desk Award, Outer Critics Circle Award and Drama League Award for Best Revival of a Musical). She is the creator and director of The Donkey Show, a disco adaptation of A Midsummer Night's Dream, which ran for six years Off-Broadway, and toured internationally to London, Edinburgh, Madrid, and Evian, France. Other recent work includes Kiss Me Kate at Glimmerglass Opera; Lost Highway, based on the David Lynch film, an ENO co-production with the Young Vic in London, which received The South Bank Show Award for outstanding achievement during 2008; Another Country by James Baldwin at Riverside Church; Turandot: Rumble for the Ring at the Bay Street Theatre; The Golden Mickeys for Disney Creative Entertainment; Best of Both Worlds, a gospel/R&B adaptation of A Winter's Tale produced by Music-Theatre Group and The Women's Project; and The Karaoke Show, an adaptation of Comedy of Errors set in a karaoke bar. She directed the Obie Award-winning and Pulitzer Prize finalist Running Man by jazz composer Diedre Murray and poet Cornelius Eady for Music-Theatre Group, and Swimming with Watermelons, created in association with Project 400, the theater company she co-founded with her husband Randy Weiner. Other work Off-Broadway: Brutal Imagination, and the Obie Award-winning Eli's Comin, featuring the music and lyrics of Laura Nyro. As an opera director, her productions include Don Giovanni, Le nozze di Figaro, Turn of the Screw, Cosi fan tutte, and all three Monteverdi operas, Il ritorno d'Ulisse in patria, L'incoronazione di Poppea, and Orfeo at Chicago Opera Theater. She is a frequent collaborator with British conductor Jane Glover. In 2002, their critically acclaimed production of Orfeo was presented as part of The Monteverdi Cycle at the Brooklyn Academy of Music in New York City. Ms. Paulus has taught at Barnard College/Columbia University, and the Yale School of Drama, and was recently appointed Professor of the Practice in Harvard University's English Department. She is a 2009 recipient of the Harvard College Women's Professional Achievement Award and Columbia University's I.A.L Diamond Award, presented each year to a Columbia University alumnus/a who has demonstrated continued commitment to and has found success in the arts. She graduated Phi Beta Kappa from Harvard University with a B.A. in Social Studies, and has a M.F.A. in Directing from Columbia University's School of the Arts.


The American Repertory Theater (A.R.T.) seeks to expand the boundaries of theater, exploring the best texts from across cultures and ages. A resident company of professional artists, teachers, technicians, and administrators, the A.R.T. provides a home for outstanding directors, a training ground for young artists, and a vital cultural resource for the community.

The American Museum of Natural History is one of the world's preeminent scientific, educational, and cultural institutions. Since its founding in 1869, the Museum has advanced its global mission to explore and interpret human cultures and the natural world through a wide-reaching program of scientific research, education, and exhibitions. The Museum accomplishes this ambitious goal through its extensive facilities and resources. The institution houses 45 permanent exhibition halls, state-of-the-art research laboratories, one of the largest natural history libraries in the Western Hemisphere, and a permanent collection of more than 30 million specimens and cultural artifacts. With a scientific staff of more than 200, the Museum supports research divisions in Anthropology, Paleontology, Invertebrate and Vertebrate Zoology, and the Physical Sciences. The Museum shares its treasures and discoveries with approximately four million on-site visitors from around the world each year. AMNH-produced exhibitions and Space Shows can currently be seen in venues on five continents reaching an audience of millions. In addition, the Museum's Web site, www.amnh.org, extends its collections, exhibitions, and educational programs to millions more beyond the Museum's walls.

Performances of Il mondo della luna are made possible in part with public funds from the New York City Department of Cultural Affairs; the New York State Council on the Arts, a state agency; and the National Endowment for the Arts.

Il mondo della luna will run from January 19 - 28, 2010 at the Hayden Planetarium at the American Museum of Natural History, with performances on Tuesday, January 19 at 7:30pm (Opening Night); Wednesday, January 20 at 8pm; Monday, January 25 at 8pm; Tuesday, January 26 at 8pm; and Thursday, January 28 at 8pm. The Hayden Planetarium at the American Museum of Natural History is located in the Rose Center for Earth and Space on West 81st Street (between Central Park West and Columbus Avenue). Tickets are $30-$125 and are available through Ticket Central at (212) 279-4200 or www.ticketcentral.com. Opening Night and after-party tickets are $500 ($325 tax-deductible) and are available by calling (212) 868-4460.
For more information, visit www.gothamchamberopera.org.





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Saturday, July 18, 2009

Le 23e Festival International Nuits d'Afrique bat son plein

23imedition

Festival International

Nuits d'Afrique

14 au 26 juillet 2009

Le 23e Festival International Nuits d'Afrique bat son plein

Montral le 18 juillet -Aprs quatre jours de concerts et l'ouverture officielle, le 16 juillet, en prsence de l'Orchestre national de Barbs, le festival est bel et bien parti. Les chants aux influences africaines vont continuer rsonner encore plusieurs jours au Club Balattou, au Mtropolis, au Kola Note, au National, au Lion d'Or et la Tulipe.

Les prochains concerts seront l'image du festival : riches d'influences varies, rythms, enthousiasmants. D'Amrique latine, de Somalie, du Cap Vert, d'Algrie, du Maroc, de France et du Qubec, les artistes continueront emmener le public montralais vers des contres o la musique occupe une place part. Voici une petite prsentation de ces magiciens des notes et des rythmes.

Maria de Barros : Choisie par Cesaria Evora pour tre sa filleule, cette chanteuse hors-pair propose une musique aux rythmes chaloups, mis en valeur par sa voix chaude, dans le respect des morna et coladeira traditionnelles. Cette Cap-verdienne a vcu au Sngal, en Mauritanie et aux tats-Unis. Une errance qui lui donne de prcieuses influences qu'elle sait manier avec talent.

Watcha Clan : Ce groupe originaire de Marseille propose un voyage musical tonnant autour de la Mditerrane, du Maroc la France, d'Algrie jusqu'en Isral. Leur fusion mle chabi algrien, sons lectroniques, hip-hop, groove chrifien... Avec une nergie et une curiosit qui ne se dment jamais, ni dans leur album Diaspora Hi-Fi ni sur scne.

Joanne Griffith : aprs une dizaine d'annes dans un chur de gospel, Joanne Griffith s'est lance dans une carrire solo. Son premier album, YY, a montr combien cette dcision fut la bonne. Sa voix chaude et sa volont de varier les instruments aboutissent une musique plurielle o l'afro blues s'immisce dans un air de jazz, o la bguine apparat entre deux rythmes brsiliens.

Empress Deeqa : de sa Somalie natale, Empress Deeqa a gard un sens du rythme certain et une voix profonde et claire. Aujourd'hui, elle mle ces influences avec sa grande passion : le reggae. Une alliance hors du commun qui nous emmne sur des routes o l'oreille se perd, o l'esprit peut vagabonder, entre Jamaque et Afrique de l'est.

-Maria de Barros (Cap Vert)Le 18 juillet, 21:00, au Kola Note

-Watcha Clan (Maroc/France)Le 19 juillet, 20:30, au Kola Note

-Joanne Griffith (Antilles/Qubec) et

-Empress Deeqa (Somalie/Qubec)

Le 19 juillet, 21:00, au Club Balattou

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Friday, July 17, 2009

Cantiques sacrs de Henry Du Mont

Cantiques sacrs de Henry Du Mont (1652)

Henry Du Mont, co-fondateur du Grand Motet pour le Roi Soleil, est aussi l'un des premiers publier de petites uvres vocales liturgiques avec instruments concertant, aujourd'hui appeles petits motets. Les Editions du Centre de Musique Baroque de Versailles viennent de rditer le premier recueil du genre, les Cantica Sacra. Compos de 35 partitions vocales pour 2 voix, 3 voix ou 4 voix, pour femmes, pour hommes ou voix mixtes, avec ou sans instruments, les pices sont varies, contrastes et toutes d'une grande sensibilit. Les churs, les ensembles vocaux et les chanteurs trouveront aisment une uvre leur convenance. Disponibles en dition critique, des recueils spars permettent galement l'interprtation des tarifs trs attractifs.

Plus d'information : http://editions.cmbv.fr

Henry Du Mont :Cantica sacra (1652),
dition scientifique de Jean Lionnet revue et augmente par Jean-Yves Hameline et Thomas Leconte.
Collection Monumentales - Henry Du Mont II.3.1, (1re dition 1997) 2008, CVIII-225 p., 23x31 cm, broch, ISMN M-707034-14-9. La collection monumentale consacre Henry Du Mont est soutenue par le Conseil gnral des Yvelines. Publi avec le soutien de Musica Gallica. Avec : introduction (franais/anglais), illustrations, textes (latin/franais/anglais) notes critiques.


CMBV-014 Cantica sacra, dition critique (revue et augmente) : 76,50 Ǩ

Matriel des uvres vocales disponibles entre 2,60 et 6,90 euros : voir conditions de vente.

Les ditions du Centre de Musique Baroque de Versailles sont disponibles en stock chez nos libraires partenaires (liste sur : http://editions.cmbv.fr/lire/index.php?rubid=1). Elle peuvent galement tre commandes sur Internet (http://editions.cmbv.fr).


Sacred songs by Henry Du Mont (1652)

35 sacred baroque vocal pieces composed for Sun King newly republished!

Henry Du Mont is one of the creator of the Grand Motets for the Sun King. He is also one of the first composer to publish small liturgical works for voices and concerted instruments, today knows as Petits Motets. The Editions du Centre de Musique Baroque de Versailles has just republish the first book for this configuration: the Cantica Sacra. It is included 35 vocal works for 2 voices, 3 voices or 4 voices, for women, for male or for mixed voices, with or without instruments. There is a great variety of works, contrasted and skilful. Choruses, vocal band or singers will easily find something for them. The book is available in a critical edition and works are also available separately for performance for a really affordable price.

Find more information at: http://editions.cmbv.fr

Henry Du Mont: Cantica sacra (1652)
edited by Jean Lionnet, revised by Jean-Yves Hameline and Thomas Leconte.
Series Monumentales - Henry Du Mont II.3.1, (1st publication: 1997) 2008, CVIII-225 p., 23x31 cm, paperback, ISMN M-707034-14-9. The Monumentale series devoted to Henry Du Mont is supported by the Conseil gnral des Yvelines. This publication have been supported by Musica Gallica
too. The book include: an introduction (French/English), illustrations, texts (Latin/French/English), works in sheet music and critical notes.


CMBV-014 Cantica sacra, critical edition (revised) : 76,50 Ǩ
Works and parts available from 2,60 to 6,90 euros: see conditions.


The Editions du Centre de Musique Baroque de Versailles are available from:
The website http://editions.cmbv.fr (delivery all over the world)
In New-York (USA) at OMI (http://www.omifacsimiles.com)
In California (USA) at Theodore Front (http://www.tfront.com)
In Toronto (Canada) at
dance OREMUS danse (http://www.danceoremusdanse.org)
In Hebden Bridge (England) at Jacks Pipe and Hammers (http://www.jackspipesandhammers.com)

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Carolyn Fe sings the blues at Petit Campus, Aug. 26

An Evening of Great Blues with Carolyn Fe

August 26 at Petit Campus

MONTREAL, July 2009 Carolyn Fe will be in top form on Wednesday, August 26 at Petit Campus, performing songs from her current EP Carolyn Fe 100%. Songs from the recording have been getting airplay on 97.7 CHOM FM's Black Cat Alley with Randy Renaud and 91.9 FM Plante Jazz, as well as on online radio stations. On both www.mohawk-radio.com and www.radiorockcafe.com, her songs remain in the Top 5 of their hit list.

Stretching her versatility to the max, Carolyn Fe, produces only original material with phrasing that at once evokes Janis Joplin begging for love, the hard-core, in-your-face strength of Tina Turner or the dreamy allure of Cowboy Junkies' Margo Timmins. Until now, fans have enjoyed Carolyn Fe in a duo or trio format but this time, Carolyn Fe rocks the house with a full band. Fans will be in for a full out Blues treat. She is backed by veteran musicians who've played with the likes of Percy Sledge, Freddie James and Carol Franklin (Aretha's sister).

Carolyn is thrilled to be playing Petit Campus after having to cancel various shows in June and July due to illness, including playing before an audience of 5000 at a fundraiser for Cancer at Parc de Maisonneuve, a recent show celebrating 2009 Martin Luther King Award Winner Ethel Bruneau at Bourbon St. West, and various festivals and gigs around Quebec.

What they had to say about Carolyn Fe:

"It's been a really long time since I've listened to Black Cat Alley and let me tell you, with this recession and job cuts happening everywhere, a good does of the blues really chases the clouds away. I'm sitting here in the middle of a mess of boxes and cannot get a tune out of my head. I checked CHOM's website and playlist. Indigo Heat, by Carolyn Fe is an amazing song. This lady has a haunting voice. I hope you play more of her songs in your upcoming shows."- Alison

"I saw this lady play live a couple of months ago doing an acoustic gig at a small bar on Bishop Street. She has quite a stage presence and pipes to back it up. It's a pleasant surprise to hear her on air. Please keep playing her songs. Long Live CHOM's Black Cat Alley!" Max

"Il y a quelques jours que mes amis m'avaient suggr d'acheter le CD de Carolyn Fe, chanteuse de blues Montralaise. Je n'tais pas sr car je ne la connaissais pas. Maintenant que tu me l'as introduit via Black Cat Alley, je suis certaine que mon achat ne serait pas perdu. Merci beaucoup de l'avoir introduit cette dame avec une voix onctueuse. C'est toujours un plaisir d'entendre du blues qui est trs prs de nous ici Montral." -Mlanie

"Last night during your show, Black Cat Alley, you played a female artist. I've never heard of her before. Caroline Fe? What a smoky voice she has! Can you play more of her tunes?" Alain

Carolyn is a talented performer who wears many hats: actress, singer and producer (more info: www.carolyn-fe.com). As a singer, Carolyn co-founded the band DD Swank (myspace.com/ddswank) and fronted for them under the pseudonym of Mama B, singing in French, English and Spanish. Through song, the band told stories of the life of DD Swank, the elusive lady of the early 1900s. However the urge to do something on her own tugged strongly at her heartstrings.

With influences as diverse as Tom Waits, Patsy Cline and Blind Lemon, it is no surprise that Carolyn Fe's singing style reflects a wide range of genres, all of which she effortlessly slides into, seamlessly morphing from the sweet purity of a Holly Cole to the raunchy rock and roll edge of Tina Turner. Her acting experience gives her the unique ability to infuse lyrics with highly charged emotions. Likely a left-over from her days as a hoofer, Carolyn Fe truly marches to her own beat, with percussion taking the lead in her unconventional treatment of music, able to transform a gospel into steamy jazz or fusing native and blues rhythms.

What, When, Where:

Wednesday, August 26, 2009

Petit Campus, 57 Prince Arthur St. East

Doors open at 8pm

Tickets: 8$ advanced sales, 10$ at the door (plus taxes and service charge)

Tickets can be purchased directly at Petit Campus Box Office (you can save a few dollars on the service charge), 514 844-1010 or

At Admissions: www.admissions.ca, 514 790-1245

The EP, Carolyn Fe 100%, is available at Archambault Musique store on Berri and Ste. Catherine in the blues section or can be ordered online at www.cdbaby.com/carolynfe. The EP will be on sale at the show for 7$ each.

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Thursday, July 16, 2009

Festival de musique de chambre d'Ottawa


Chamberfest '09

La musique dans toute sa splendeur

Du 25 juillet au 8 aot

"Ķ un des vnements les plus attendus en son genre." -- Where Ottawa, aot 008

Du 25 juillet au 8 aot, plus de 250 musiciens de calibre international se produiront dans le cadre du 16ime Festival international de musique de chambre d'Ottawa. Pour une priode de deux semaines, mlomanes et musiciens convergent vers Ottawa pour le populaire festival. Chamberfest '09 offre plus de 90 concerts prsents en divers lieux, dont les plus belles glises et difices historiques d'Ottawa. Le Festival prsente aussi des concerts extrieurs gratuits le long du Canal Rideau (inclus au patrimoine mondial par l'Unesco) et sur les pelouses de Rideau Hall la rsidence de la Gouverneure gnrale. De Mozart Miles Davis, les mlomanes se rgaleront d'un choix estival de musiques inoubliables.

"Chamberfest 09 est un dlicieux mlange de classiques et de saveurs audacieuses manant de nouvelles collaborations. Les amateurs de musique sont invits utiliser leurs laissez-passer comme un passeport, qui les entranera dans un voyage extraordinaire la dcouverte de la musique", dclare Glenn Hodgins, directeur excutif de la Socit de musique de chambre d'Ottawa.

Cette anne marque le 200ime anniversaire de la mort de Haydn et de la naissance de Mendelssohn. Chamberfest '09 a donc invit plus d'une douzaine d'ensembles de musique de chambre provenant des quatre coins du globe pour rendre hommage ces deux grands matres. On soulignera galement le 100ime anniversaire de naissance de Benny Goodman avec un concert runissant James Campbell et Gene DiNovi.

"Chamberfest est une clbration du lien privilgi qui unit l'interprte et l'auditoire, o se manifeste la magie de la communication musicale. Cet change d'nergie qui nous en fait redemander d'avantage est notre thme ", ajoute Roman Borys, porte-parole du Gryphon Trio, qui assume la direction artistique du Festival.

Chamberfest dbute avec un concert bnfice exceptionnel mettant en vedette James Ehnes et Jon Kimura Parker (respectivement rcipiendaires de prix Grammy et Juno), runis sur scne Ottawa pour une premire fois. Leur prestation, nergique et intime la fois, comprend entre autres des oeuvres de Prokofiev, Mozart et Ravel.

Les amateurs de musique ancienne seront choys : Charles Daniels et Les voix baroques, l'Ensemble Caprice (laurat d'un Prix Juno) et la soprano Ann Monoyios accompagne par l'Ottawa Bach Choir et le Festival Baroque Consort offriront diffrentes prestations mmorables. Les mordus de nouvelle musique apprcieront entre autres les interprtations du Quatuor Molinari, de Gary Hayes et des membres de Ottawa New Music Creators et pourront applaudir l'ensemble Toca Loca.. Doreen Taylor-Claxton, originaire d'Ottawa, et Frdric Lacroix interprteront Elemental Voices, un spectacle concept cr par Mme Taylor-Claxton qui incorpore voix et danse. Par ailleurs, Gary Kulesha, compositeur, interprte et ducateur canadien de renom animera les Dialogues sur la nouvelle musique, une srie de concerts mettant en vedette plusieurs interprtes de la rgion d'Ottawa.

Chamberfest '09 fait place la prochaine gnration de virtuoses et prsente Jan Lisiecki, pianiste originaire de Calgary, extraordinairement dou pour ses 14 ans, ainsi que le Quatuor Afiara, ensemble canadien nouvellement apparu sur la scne internationale. Le concert des toiles montantes, vnement toujours aussi populaire, mettra en vedette de jeunes artistes locaux tout aussi accomplis que remarquables.

La srie de concerts Monter en flche au-del de toute attente les femmes et la composition comprend entre autres la premire mondiale de Elektras Tanz de la pianiste et compositrice Heather Schmidt ddie aux femmes compositrices contemporaines (et du XIXe sicle) qui ont fait leur marque dans le monde de la musique. Le Festival clbre aussi Fanny Mendelssohn et Clara Schumann, deux compositrices qui ont su transcender les attentes de leur temps en composant des uvres qui nous meuvent encore.

"J'ai cru une fois que je possdais du talent pour la cration, mais j'ai abandonn cette ide; une femme ne doit pas vouloir composer- il n'y en a encore jamais eu une capable de le faire. Devrais-je croire que je puis tre celle-l? - Clara Schumann 20 ans

Harry Halbreich, musicologue europen de renom, revient cet t avec ses Rveries musicales, alors qu'il partage ses rflexions sur le rpertoire de la journe pour huit jours. Cette anne, la srie comprendra des prestations d'uvres de Haydn en l'honneur du 200ime anniversaire de sa mort. De plus, les Rveries musicales incluent deux prsentations matinales par Yung Chin, matre archetier qui compte parmi les facteurs d'archets les plus respects au monde; il partagera avec les festivaliers les Mystres de l'archet.

Toujours aussi courus et apprcis, les Concerts pour les jeunes sont de retour, ainsi que les sympathiques prsentations destines aux familles, en association avec le Festival du canal Rideau, le samedi 1er aot et le dimanche 2 aot. Le premier concert ncessitera la participation de la foule, non seulement pour jouer de la musique mais pour participer au dfil de bicyclettes du Festival du canal Rideau! Lors du deuxime concert, les musiciens de Chamberfest animeront la Flottille du Festival, o figurent des douzaines de bateaux dcors avec originalit. Les ensembles de cuivres captiveront les festivaliers en jouant bord des bateaux de la flottille, sur le rivage, sur les ponts surplombant et tout autour.

Grce une nouvelle association, la SMCO est heureuse d'annoncer le retour de la trs populaire Srie de fin de soire. Chamberfest transporte ses concerts de fin de soire au Club meraude de Saint Brigid (Centre Saint Brigid pour les arts et humanits, 314 rue St. Patrick, au coin de Cumberland et St. Patrick) - un des endroits les plus branchs de la capitale. Les festivaliers pourront se dtendre devant leur boisson prfre et savourer 15 nuits de classique, jazz et musique du monde tout en se mlant aux musiciens dans une atmosphre dtendue et familire. On peut se rendre au Club ds 21h 30; les prestations dbutent vers 22h 30. L'entre est libre pour les dtenteurs d'un laissez-passer du festival.

Le festival prend fin avec clat avec CelebrEIGHT! - un magnifique concert bnfice mettant en vedette la soprano Donna Brown, originaire d'Ottawa et l'ensemble de violoncelles du Festival (huit violoncelles), qui interprteront les splendides Bachianas Brasilieras No. 5 de Villa-Lobos. Le St. Lawrence String Quartet et le Ying Quartet, deux ensembles fort rputs se runiront pour jouer le fameux Octuor de Mendelssohn.

Le Festival offre une gamme de laissez-passer des cots raisonnables qui conviennent tous les budgets. Les laissez-passer, les billets pour le concert d'ouverture et le concert bnfice de clture sont disponibles ds le 21 mai. Tous les renseignements sur les billets et le programme complet du festival sont disponibles www.chamberfest.com.

On peut se procurer les laissez-passer et les billets au bureau de la Socit de musique de chambre d'Ottawa, au 201-4, rue Florence (au coin de la rue Bank), la billetterie de la SMCO situe l'glise unie Dominion-Chalmers, 355, rue Cooper Street, et en ligne www.chamberfest.com.

La Socit de musique de chambre d'Ottawa tient remercier ses commanditaires, associs et donateurs pour leur gnreux soutien.

Ville d'Ottawa

Conseil des arts de l'Ontario

Patrimoine canadien

Le Fonds pour les manifestations culturelles de l'Ontario

La Fondation Trillium de l'Ontario

Conseil des Arts du Canada


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Youth by Youth Cinema Series


THE CALGARY INTERNATIONAL FILM FESTIVAL ANNOUNCES

CALL FOR SUBMISSIONS FOR YOUTH BY YOUTH CINEMA SERIES


The Calgary International Film Festival's (CIFF's) 3rd Annual Youth by Youth Cinema Competition is looking for young directors to submit their work and compete in the 2009 YYC Competition! Youth by Youth Cinema (YYC) is part of the Calgary International Film Festival and is an open competition for young filmmakers from grades 4 through 12. Over $2000.00 in cash and prizes will be awarded at the event and all finalists will be treated to a one of a kind opportunity as delegates and VIP's of the festival.


Competition Guidelines:

Films must be between 30 seconds and 7 minutes in length.

Both fiction and non-fiction films are accepted.

Films must have been completed after August 2008.

Films must be directed by youth aged 9 18 at the time of the film's completion.

Any one applicant may submit up to three films (including group projects).

All applicable copyrights (music/image/text sources) must be secured by the filmmaker(s).

Preview screeners accepted ONLY on DVD formats.

Preview screeners must be labeled with title, director name, contact email address, and running time.


Submission Deadline: July 31, 2009


Submissions to:

Juan Delgado - YYC Coordinator

Calgary International Film Festival

1320 15th Ave SW, Calgary, Alberta T3C 0X7

P: 403.209.5908 F: 403-457-3784

E: juan@calgaryfilm.com

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Ottawa Chamber Music Festival


Chamberfest 09

Exceptional entertainment, Exceptional value!

July 25-August 8

Ķone of the genres most anticipated annual events. -- Where Ottawa 13/08/2008

From July 25 to August 8, more than 250 of the worlds finest musicians will gather for the 16th Ottawa International Chamber Music Festival Chamberfest 09 for two weeks of superb music-making. Over 90 indoor and outdoor concerts and events will be presented at venues including some of the city's most beautiful churches and heritage sites, including free concerts along the world-famous Rideau Canal (UNESCO World Heritage Site) and the Governor Generals residence, on the grounds of Rideau Hall. From Mozart to Miles Davis, savour a summer sampling of unforgettable sounds!

Chamberfest 09 is a delicious mix of core favourites blended with the bold flavours of new collaborations. I encourage patrons to use their Festival pass as a passport taking them on an extraordinary journey of musical discovery, says Ottawa Chamber Music Society Executive Director Glenn Hodgins.

This year is the celebration of the 200th anniversary of the year of Haydns death and Mendelssohns birth. Over a dozen string quartets from around the world and a handful of piano trios and other ensembles will perform masterpieces by these musical giants during the fourteen days of Chamberfest 09. Another celebration will be a lively concert by James Campbell and Gene DiNovi to celebrate the 100th anniversary of Benny Goodmans birth.

This is a celebration of that special bond between performer and audience, where the magical communication of music happens. We all know and love that exchange of energy that has kept us all coming back for more, says Roman Borys, on behalf of Artistic Directors, the Gryphon Trio.

Chamberfest begins with an outstanding opening benefit concert featuring Grammy and Juno award winner James Ehnes and Jon Kimura Parker partnering on an Ottawa stage for the very first time. Their powerful yet intimate performance will include selections from Prokofiev, Mozart and Ravel.

Early Music aficionados will be thrilled with performances by Les Voix Baroques, the Juno award wining Ensemble Caprice, and world-renowned soprano Ann Monoyios accompanied by the Ottawa Bach Choir and the Festival Baroque Consort.

New Music fans will be captivated by performances by the Molinari Quartet, Gary Hayes and members of the Ottawa New Music Creators, and Toca Loca, to name but a few. Ottawas own Doreen Taylor-Claxton and Frdric Lacroix will perform Elemental Voices, a concept created by Ms. Taylor-Claxton that incorporates voice and dance. Esteemed Canadian composer, performer and educator, Gary Kulesha will offer insights as he hosts New Music Dialogues, a series of concerts featuring many Ottawa performers.

The next generation of virtuosos will be well represented at Chamberfest 09 by the extraordinarily talented Calgary pianist 14 year old Jan Lisiecki and the Afiara Quartet, Canadas hottest new entry on the international quartet scene. The ever-popular Rising Stars concert will feature incredibly accomplished young local artists.

Soaring Beyond Expectation Women in Composition is a series of concerts, including the world premiere of a piece by pianist and composer Heather Schmidt, dedicated to 19th century and contemporary women composers who have made their mark on the musical world. Fanny Mendelssohn and Clara Schumann, both women who were limited by prevailing attitudes of the time, are but two women composers celebrated during the festival.

"I once believed that I possessed creative talent, but I have given up this idea; a woman must not desire to compose there has never yet been one able to do it. Should I expect to be the one?" - Clara Schumann at age 20

Renowned European musicologist Harry Halbreich returns this summer for eight days to offer his Musical Musings on the repertoire of the day. A new feature to this musical start to the festival day will be Highlights from Haydn, the addition of a live performance of a piece by Haydn in honour of the 200th anniversary of his death. In addition to the Musical Musings will be two morning presentations by master bow maker Yung Chin, one of the most respected and sought-after bow makers in the world, to share with festival-goers the Mysteries of the Bow.

Young Peoples Concerts make their popular return, as well as family friendly presentations offered in partnership with the Rideau Canal Festival on Saturday, August 1 and Sunday, August 2. The first of two concerts involves participation from the crowd making music while participating in the Rideau Canal Festivals Bicycle Parade! The second concert will see Chamberfest musicians animating the Canal Festivals Flotilla, which features dozens of elaborately decorated boats. Festival-goers will be captivated by brass musicians performing from flotilla boats, on the shore, on the bridges above, and throughout surrounding areas.

In another new partnership, the OCMS is happy to announce the return of the very popular Late Night Series. Chamberfest brings Late Night concerts to Ottawas coolest hot spot, Saint Brigids Emerald Club (Saint Brigids Centre for the Arts and Humanities, 314 St. Patrick Street at the corner of Cumberland and St. Patrick). Festival-goers can relax with their favourite brew as they enjoy 15 nights of classical, jazz and world music while mingling with musicians in an informal, relaxed atmosphere. Doors open at 9:30 pm, with a 10:30 soft start for performances. Admittance is free with a festival pass.

The festival closes with a dazzling benefit concert. CelebrEIGHT! will include Ottawas own Donna Brown and the Festival Cello Ensemble (eight cellos!) performing the glorious Bachianas Brasilieras No. 5 and the St. Lawrence String Quartet and the Ying Quartet performing Mendelssohns famous Octet.

We have created a range of fairly priced passes with an option to suit every budget. Festival passes and tickets for the Opening and Closing Benefit Concerts are available for purchase as of May 21. All ticket information and the full schedule is available online at www.chamberfest.com.

Passes and tickets are available at the Ottawa Chamber Music Society office at 201-4 Florence Street (at the corner of Bank Street), the OCMS Box Office situated at Dominion-Chalmers United Church, 355 Cooper Street, and online at www.chamberfest.com.

The Ottawa Chamber Music Society gratefully acknowledges the support of its sponsors, partners and donors.

City of Ottawa

Ottawa Arts Council

Canadian Heritage

Ontario Cultural Attractions Fund

The Ontario Trillium Foundation

Canada Council for the Arts

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Jahja Ling conducts The Cleveland Orchestra

Jahja Ling conducts The Cleveland Orchestra in program featuring works by Brahms and Schumann at the Blossom Festival on August 9

Garrick Ohlsson is soloist in Brahmss Piano Concerto No. 2

CLEVELAND, July 16, 2009 Jahja Ling, music director of the San Diego Symphony and former Blossom Festival Director, will conduct The Cleveland Orchestra in a program featuring Brahmss Piano Concerto No. 2, with Garrick Ohlsson as soloist, and Schumanns Symphony No. 2 at the Blossom Festival on Sunday, August 9, at 7:00 p.m.

Mr. Ling, who is celebrating his 25th consecutive season of concerts with The Cleveland Orchestra, also will conduct the Orchestra at Blossom on Sunday, August 2, in a different program.

The August 9 program begins with Robert Schumanns Symphony No. 2 in C major, Opus 61. After intermission, the program concludes with Johannes Brahmss Piano Concerto No. 2 in B-flat major, Opus 83, featuring Garrick Ohlsson as soloist.

Program notes are available at www.clevelandorchestra.com by the week of the program.

New this season, Lawn/General Admission tickets allow patrons to sit on the lawn or in newly designated General Admission areas in the rear corner sections of the Pavilion, adding 1,500 lower-priced seats in the Pavilion. These seats are available on a first-come, first-served basis to any ticketholder.

Also new in 2009, children 12 and under will be admitted free to the Lawn for all concerts. For each adult ticket purchase, two children will be admitted free to the Lawn. Each child will receive a free Kids Lawn Pass. Kids Lawn Passes will be available at the Severance Hall Ticket Office, the Blossom Box Office, and the Lawn Ticket Booth at Blossom, and also will be available for downloading and printing online at BlossomLawnFun.com. Kids Lawn Passes are required for all children 12 and under on the Lawn. The passes are not valid for entry into the Pavilion. Anyone wishing to sit in the new General Admission area of the Pavilion needs to have a Lawn/General Admission Ticket.

The August 9 concert is sponsored by The Mary S. and David C. Corbin Foundation and co-sponsors The Goodyear Tire and Rubber Company and Squire, Sanders & Dempsey L.L.P.

Biographical information is available on request and also at http://www.opus3artists.com/artists/jahja-ling for Jahja Ling. Biographical information on Garrick Ohlsson and a video clip of an interview with him is available at http://www.opus3artists.com/artists/garrick-ohlsson.

* * *

TICKET PRICES: Pavilion $42, $31, $26; Lawn/General Admission $19. $82 box seats include complimentary parking in FirstEnergy Lot A and access to the Kulas Plaza VIP services. Children ages 12 and under are admitted to the Lawn seating area for free for all Blossom Festival concerts.

TICKETS for all remaining 2009 Blossom Festival concerts are now on sale through the Severance Hall Ticket Office, the Blossom Music Center Box Office, online at clevelandorchestra.com and at all Ticketmaster outlets. The Severance Hall Ticket Office is located in the Smith Lobby. The entrance and 15-minute Ticket Service parking are along the west side of the building on East Boulevard. The Ticket Office is open during the summer Monday through Friday, 9:00 a.m. to 6:00 p.m. The Blossom Music Center Box Office is open Fridays, Saturdays, and Sundays, from 1:00 to 5:00 p.m. (and through intermission on Blossom Festival concert dates).

To charge tickets by telephone on American Express, Discover Card, MasterCard and Visa, call Cleveland Orchestra Ticket Services at (216) 231-1111 (local call for 216 and 440 area codes) or (800) 686-1141 during the regular Severance Hall Ticket Office hours listed above. Subscriptions and single tickets are also available through The Cleveland Orchestras website at clevelandorchestra.com. The website offers secure ticket transactions with any major credit card and provides complete concert listings. Please note: There are no added service charges or handling fees for Blossom Festival concert tickets purchased in person or by phone through the Blossom or Severance Hall ticket offices, or online through the Orchestras website.

PARKING: Ample free parking is available. Patrons who buy Pavilion tickets at least 10 days prior to these performances will receive a free dated parking pass for one of Blossoms paved parking lots. (The 10-day advance purchase requirement is to allow time for postal delivery.) These paved parking lots are ADA accessible with ADA transport services to the Pavilion. In addition, there are a limited number of paid parking spaces available in the FirstEnergy Lot A (behind the Box Office) for purchase at $15 per vehicle (10-day advance purchase required). Call (216) 231-1111 or (800) 686-1141 for further details.

CALENDAR LISTING

Sunday, August 9, 2009, at 7:00 p.m.

Blossom Music Center

THE CLEVELAND ORCHESTRA

JAHJA LING, conductor

GARRICK OHLSSON, piano

SCHUMANN Symphony No. 2

BRAHMS Piano Concerto No. 2

Concert Sponsors: The Mary S. and David C. Corbin Foundation and co-sponsors

The Goodyear Tire and Rubber Company and Squire, Sanders & Dempsey L.L.P.

TICKETS: Pavilion $82 (box), $42, $31, $26; Lawn/General Admission $19

Lawn seating for children 12 and under: FREE

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Roberta Gambarini's new album So In Love


Celebrated Singer Roberta Gambarini Affirms Her Status as One of the Most Important Vocalists Today with the Release of So In Love out on Groovin High/Emarcy on August 25, 2009

Every once in a while, a truly great singer comes along who possesses the beauty, individuality and talent to remind us of the magic and majesty of the human voice: that singer is Roberta Gambarini, celebrated throughout the world by fans, critics and many of the worlds greatest musicians.

With the August 25, 2009 release of SO IN LOVE, Roberta Gambarini affirms her status as the true successor to Ella Fitzgerald, Sarah Vaughan, and Carmen McRae (Boston Globe) and the best singer to emerge in over 60 years, as declared by 2009 GRAMMY Lifetime Achievement Award recipient, Mr. Hank Jones.

Mr. Jones, the legendary pianist who accompanied Roberta Gambarinis 2008 major label debut, You Are There, a superb follow-up to Gambarinis GRAMMY-nominated debut, Easy to Love, knows a thing or two about great vocalists he has accompanied almost all of the most renowned vocalists of the 2oth century such as Ella Fitzgerald, Billie Holiday, Sarah Vaughan, Carmen McRae, Peggy Lee, Frank Sinatra, Bing Crosby, Nat King Cole, and Billy Eckstine.

Roberta didnt set out to call the new album So In Love, but looking back at the song list after the recording, she realized that the album is all about love: the love between a man and a woman, the love of song, children, and most of all, the love of life.

As Roberta explains, she rarely goes into the studio with a concept, instead she says that she tries to let the songs come out of a balance between life experience and reflection, capturing the music I feel in the moment.

Joining her in this adventurous journey is a group of exceptionally talented, sensitive, and sympathetic musicians, who are long-time supporters, friends, and collaborators of Roberta since her arrival in the States from Torino, Italy: James Moody; Roy Hargrove; Tamir Hendelman; Eric Gunnison; Gerald Clayton; Chuck Berghofer; Neil Swainson; George Mraz; Jake Hanna; Al Foster; Montez Coleman; and Jeff Hamilton.

Recorded by Al Schmitt at the legendary Capitol Studios, with Roberta arranging all but two of the tracks, So In Love is dedicated to the loving memory of her dear friends, Johnny Griffin, Ronnie Mathews, and David Fathead Newman.

SO IN LOVE Track List:

1. So In Love (Cole Porter)

2. Day In Day Out (Rube Bloom/Johnny Mercer)

3. Get Out Of Town (Cole Porter)

4. Crazy (Willie Nelson)

5. That Old Black Magic (Harold Arlen/Johnny Mercer)

6. Estate (Bruno Martino/Bruno Brighetti)

7. Golden Slumbers / Here, There and Everywhere (Lennon/McCartney)

8. I See Your Face Before Me (Arthur Schwartz/Howard Dietz)

9. From This Moment On (Cole Porter)

10. You Must Believe In Spring (M. Le Grand/J. Demy/A. Bergman/M. Bergman)

11. This Is Always (Harry Warren/Mack Gordon)

12. You Ain't Nothing But a JAMF (Johnny Griffin/lyrics by Roberta Gambarini)

13. Medley from "Cinema Paradiso": Main Theme/For Elena (Ennio Morricone/Andrea Morricone/ English lyrics by A. Stewart)

14. Over the Rainbow (Harold Arlen/E.Y. Harburg)

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Nurhan Arman conducts opening concert of Spanish Festival

NURHAN ARMAN CONDUCTS OPENING CONCERT OF SPANISH FESTIVAL

Nurhan Arman, Music Director of Sinfonia Toronto, will lead the opening concert of Spain's 29th International Montserrat Festival. Maestro Arman will be on the podium on July 20th to conduct the Bratislava Symphony Orchestra in a program of Haydn, Mendelssohn and Schubert. German violinist Karl-Heintz Schulz will be the soloist in Mendelssohn Violin Concerto.

The opening concert of the popular festival will celebrate the anniversaries of two great composers: Haydn with his Symphony No. 49 (La Passione) and Mendelssohn with his violin concerto.

Maestro Arman is a frequent guest conductor in Europe. He has appeared in most of the countries of Europe with numerous European orchestras in cultural centres like Paris, Lisbon, Budapest, Milan, Brussels, Ljubljana and Bucharest. Last November he led Sinfonia Toronto in a five-city tour in Germany.
This spring he conducted an all-Haydn program with Italy's Orchestra del Teatro Olimpico, and he will return to Italy in October for concerts with the Orchestra Sinfonica di Bari. Other European appearances next season will include a series of concerts with Kammerphilharmonie Munchen in Munich and other German cities.

Nurhan Arman's next Toronto appearance will be the opening concert of Sinfonia Toronto's Masterpiece Series on October 23, in their 'Violin Diva' concert with renowned Canadian violinist Lara St. John.

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Ode, une sixime saison dans la Pninsule acadienne

Ode, une sixime saison dans la Pninsule acadienne et un nouveau spectacle

Le collectif Ode entamera ce samedi 18 juillet 2009 sa sixime saison dans la Pninsule acadienne. Avec quatre spectacles diffrents laffiche qui seront prsents 40 fois entre le 18 juillet et le 2 septembre, lquipe dOde sera des plus occupe cet t. Elle accueillera par ailleurs son 200 000e spectateur depuis le premier spectacle prsent lt 2004 Caraquet.

laffiche cet t : Ode lAcadie classique, Carte blanche aux artistes dOde tout revamp, Le Pays dOde, nouveau spectacle, et loccasion du Congrs mondial acadien, lquipe offre une reprsentation unique et ptillante dOde en fte, un party pour faire swigner la compagnie.

Cette anne, le groupe Ode senrichi avec larrive dun jeune musicien originaire du nord du Nouveau-Brunswick, Benot Picard. Comme les six autres artistes sur scne, il met son talent de chanteur et de multi-instrumentiste au service de la belle histoire de la chanson en Acadie. Benoit Picard a commenc sa carrire de musicien au sein de plusieurs formations musicales dans le nord de la province. Il a tudi sept ans en piano et a aussi une formation en contrebasse et en percussion de lUniversit de Moncton. Musicien polyvalent, il joue du piano, de la guitare, de la mandoline, des percussions, de laccordon et de la basse.

Monique Poirier, Patricia Richard, Isabelle Thriault, Christian KIT Goguen, Franois mond et Louise Vautour compltent la distribution de cette troupe dartistes aux multiples talents.

Ode lAcadie

Le public sera invit retrouver lessence des dbuts du dsormais classique Ode lAcadie qui a t modifi au fil des ans. Onze reprsentations de ce spectacle seront prsentes. Ode lAcadie est maintenant reconnu comme le plus grand succs dans le monde du spectacle musical en Acadie. Il a t prsent devant des dizaines de milliers de spectateurs sur trois continents. Lhistoire que raconte le spectacle Ode lAcadie est plus grande que nous. a reste un grand privilge dtre en quelque sorte les vhicules de ce message l. Nous avons hte de prsenter le spectacle, surtout en cette anne du CMA , confie lartiste Monique Poirier. La direction artistique et la mise en scne dOde lAcadie sont de Ren Cormier et la direction musicale est dIsabelle Thriault.

Carte blanche

Beaucoup de changements sont prvus pour Carte blanche aux artistes dOde puisque plus du tiers du spectacle sera compltement renouvel. En plus dintgrer le nouveau membre de lquipe, Benoit Picard, plusieurs changements ont t apports au rpertoire du spectacle, question de donner de nouveaux dfis aux artistes et de faire faire de nouvelles dcouvertes aux gens qui viendront revoir le spectacle. Le but est toujours de prsenter ce spectacle dans un esprit intime et convivial. Lquipe de cration, Monique Poirier, Allain Roy et Isabelle Thriault, y travaillent depuis quelques mois. Neuf reprsentations de ce spectacle sont lhoraire.

Un nouveau spectacle : Le Pays dOde

Un tout nouveau spectacle verra le jour en cette anne de grandes clbrations : Le Pays dOde, un priple musical qui puise son inspiration dans limaginaire acadien . Les Productions Ode ont fait appel au tandem initial de cration dOde lAcadie pour ce troisime spectacle de la troupe. Ren Cormier en assume la direction artistique et la mise en scne et Isabelle Thriault voit la direction musicale. Ce spectacle sera prsent 19 reprises au cours de lt et prendra la route vers Moncton en octobre.

Ode en fte

Une reprsentation spciale du spectacle Ode en fte aura lieu lors de la Rencontre de la famille Albert durant le Congrs mondial acadien le samedi 22 aot 21 h 30. Ce spectacle de type festif a t prsent avec beaucoup de succs au Festival Interceltique de Lorient en France lt 2008. Pour ce spectacle la direction musicale est partage par Isabelle Thriault et Franois mond. Ode en fte sera prsent au Chapiteau des Pcheries GEM sur le site du Chalet du Capitaine Saint-Simon. Cette soire est rserve au 19 ans et plus au cot de 12,50 $ plus frais.

Billets en vente

Les billets pour tous les spectacles dOde sont en vente la Billetterie Accs au www.billetterieacces.ca ou 1.800.992.4040 et 506.727.7665. Les spectacles Ode lAcadie, Carte blanche et Le Pays dOde seront prsents cet t la salle de spectacle de lglise de Grande-Anse qui accueille la troupe pour une troisime anne conscutive. Les billets sont au cot de 7,50 $ pour les 12 ans et moins, de 17,50 $ ou 22 $ pour les tudiants et les 65 ans et plus et de 22 $ ou 27 $ pour les adultes. Des frais de la Billetterie Accs sajoutent au cot de tous les billets.

Les Productions Ode est une compagnie but non lucratif incorpore en 2005 qui reoit lappui des gouvernements du N.-B. et du Canada. La compagnie bnficie galement de partenariats et de collaborations spciales avec la Cooprative de Caraquet, les Caisses populaires acadiennes, CHAU TVA, les Chalets de la Plage, le Village Historique Acadien et Techno 90.

Pour plus dinformation et pour le calendrier au complet de la saison estivale 2009, consultez le nouveau site des Productions Ode www.ode.ca.

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Wednesday, July 15, 2009

2e prix littraire pour auteur et photographe montralais, Simhananda

Second prix Gold au Nautilus Book Awards pour lauteur et photographe montralais, Simhananda

Montral, 15 juillet 2009 Les Publications Orange Palm and Magnificent Magus sont heureuses dannoncer que le livre de photographies transformatives intitul Our Ordinary Extraordinary Earth and Its Extraordinary Ordinary People par Simhananda est le rcipiendaire du prix Gold du Nautilus Book Awards dans la catgorie Art/Gift/Specialty . Les gagnants ont t annoncs au Book Expo America 2009 New York. Il sagit dun second prix Gold du Nautilus Book Awards pour lauteur montralais Simhananda.

Les photographies de ce volume sont quelque peu comme des chos ou des faisceaux de lumire (dme) nous stimulant un plus grand veil et nous menant voir le monde dune perspective entirement frache : lunivers nest daucune manire ordinaire, ni jamais au grand jamais ennuyant.

Simhananda invite le lecteur se laisser toucher par la beaut et les mystres de la plante Terre. Chacune des photographies dans ce livre a t soigneusement choisie pour son originalit et contient la possibilit dexprimenter de multiples niveaux de conscience, parfois rvls par une touche humoristique.

La contemplation de ce livre cre une paix intrieure chez celui qui prend le temps dapprcier les pages une une. Laissez le sens subtil contenu dans chaque photographie vous surprendre et vous faire sourire dit Jose D. Sencal, ditrice en chef des Publications Orange Palm.

Un trs beau livre que chacun devrait avoir , mentionne Alim Thompson, prsident de New Leaf Distributing Company.

Our Ordinary Extraordinary Earth and Its Extraordinary Ordinary People est le troisime livre de la collection de photographies transformatives de Simhananda, qui travaille prsentement la rdaction de son quatrime ouvrage sur le sujet, paratre lhiver 2009.

Information Booklet
Excerpts

propos de lauteur
rudit, pote, amant de la musique et collectionneur dart, Simhananda, cet avide voyageur de notre terre , capture lessence de ses nombreux voyages dans sa photographie. Son premier livre de photographie intitul Buddhas, Bodhisattvas, Khadromas and the Way of the Pilgrims a galement t le rcipiendaire dun prix Gold du Nautilus Book Awards en 2008. Simhananda vit discrtement en priphrie de Montral, au Canada.

propos du Nautilus Book Awards
Le Nautilus Book Awards met de lavant des livres cratifs, inspirants, qui changent notre manire de vivre. Il souligne la contribution des auteurs au changement social positif, la croissance spirituelle, une vie plus consciente, un bien-tre de haut niveau et un leadership responsable. www.nautilusbookawards.com

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Harry Manx arrive en ville

Harry Manx

Un guitariste dexception denvergure internationale

au Mondial des Cultures de Drummondville

Drummondville, le mercredi 15 juillet Cest le jeudi 16 juillet ds 17h la Folkothque du Mondial des Cultures que le musicien Harry Manx fera dcouvrir son public un son mconnu et novateur la rencontre de diffrentes cultures.

Rsident de Salt Spring Island ( B-C ), Harry Manx se promne sur la plante depuis plusieurs annes avec le but ultime de partager sa passion , la musique. Ayant trouv en lInde une terre adoptive, il utilise maintenant un instrument qui est un croisement entre une guitare/une cithare qui se nomme Mohan Veena et qui lui a t offert par un matre luthier indien. Il a ainsi su crer un son unique, une faon trs personnelle dinterprter qui unit dans un mme thme lOrient et lOccident.

Harry Manx compte sept albums son actif, plusieurs nominations aux Juno Awards et a de plus rcolt un Grammy au cours de cette fructueuse carrire.

Cest ici Drummondville quil invite les spectateurs entendre ses alliances musicales la rencontre du blues, du folk et de la musique traditionnelle indienne.

www.mondialdescultures.com


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ric Dubeau est nomm directeur gnral de la FCCF

Fdration culturelle canadienne-franaise - Visitez le site Web

ric Dubeau est nomm directeur gnral de la FCCF

La Fdration culturelle canadienne - franaise est heureuse d'annoncer l'embauche de M. ric Dubeau titre de directeur gnral.

Nous sommes heureux que M. Dubeau ait accept de se joindre l'quipe de la FCCF. Sa grande exprience dans le milieu des arts et de la culture et ses capacits de stratge et de gestion lui permettront de mener bien les grands dossiers prioriss par les membres de la FCCF , indique la prsidente de la FCCF, Mme Raymonde Boulay LeBlanc.

ric Dubeau achve une matrise en politique publique, en administration et en droit et a t jusqu' tout rcemment Chef des partenariats francophones et Responsable des arts franco-ontariens pour le Conseil des arts de l'Ontario. D'origine franco - ontarienne, il connat bien la francophonie canadienne et le milieu des arts et de la culture en particulier, pour avoir sig entre autres titre de Prsident du conseil d'administration de l'Association des professionnels de la chanson et de la musique, ainsi que sur le conseil de direction de la FCCF. Ses expriences en tant qu'artiste et administrateur seront des atouts importants en vue d'assumer la direction gnrale de la FCCF au moment o celle-ci amorce la mise en oeuvre d'une nouvelle planification stratgique et qu'elle entreprend un vaste travail de prparation en vue de la prsentation d'un Forum sur les synergies artistiques et culturelles au sein de la francophonie canadienne en 2010.

ric Dubeau succde Pierre Bourbeau, qui a termin son mandat le 27 fvrier dernier. Monsieur Bourbeau tait directeur gnral depuis septembre 2004. Le bilan de Pierre Bourbeau la direction gnrale est exceptionnel, dclare Mme Boulay LeBlanc. C'est pendant son mandat que la FCCF a amorc un travail de positionnement des arts et de la culture au coeur du dveloppement des communauts francophones et de la socit canadienne. Au nom des membres et des partenaires de la FCCF, je le remercie pour sa contribution au rayonnement des arts et de la culture de la francophonie canadienne .

La Fdration culturelle canadienne - franaise est un organisme national qui regroupe les associations nationales et provinciales de dveloppement des arts et des industries culturelles, les organismes provinciaux et territoriaux de dveloppement culturel, ainsi que les rseaux de diffusion rgionaux de la francophonie canadienne. Elle a pour mission de promouvoir l'expression artistique et culturelle des communauts francophones et acadiennes.

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M. Louis Dallaire est nomm directeur du Conservatoire de musique de Trois-Rivires

Le Conservatoire de musique et dart dramatique du Qubec accueille
M. Louis Dallaire la direction du Conservatoire de musique de Trois-Rivires

M. Nicolas Desjardins, directeur gnral du Conservatoire de musique et dart dramatique du Qubec, est trs heureux dannoncer la nomination de M. Louis Dallaire la direction du Conservatoire de musique de Trois-Rivires. M. Dallaire entrera officiellement en fonction le 27 juillet prochain.

Originaire de Saguenay, Louis Dallaire y tudie le violoncelle au Conservatoire de musique. Il poursuit ses tudes au Conservatoire de musique de Montral, o il obtient son diplme dtudes suprieures avec le regrett Walter Joachim, puis se mrite un baccalaurat en interprtation lUniversit McGill.

M. Dallaire dirige le Concours de musique du Canada depuis 1995. Familier de la pdagogie musicale, il avait au pralable enseign au Cgep de Drummondville et au Conservatoire de musique de Val-dOr. Membre de plusieurs formations de la grande rgion de Montral, de lOrchestre des jeunes du Qubec, il a galement t violoncelliste au sein de lOrchestre symphonique de Trois-Rivires pendant plusieurs annes.

Le Conservatoire de musique et dart dramatique du Qubec a pour mission de former les meilleurs musiciens et acteurs de demain. M. Dallaire, titre de directeur du Concours de musique du Canada pendant plus dune dcennie, a vu dfiler les jeunes interprtes les plus prometteurs au pays, partageant avec eux ce got et surtout cette volont du dpassement et de lexcellence. Ce formidable bagage lui sera un atout certain dans ses nouvelles fonctions , se flicite le directeur gnral, Nicolas Desjardins.
Mme Francine Grgoire, prsidente du conseil dadministration du Conservatoire, joint sa voix celle de Nicolas Desjardins pour souhaiter M. Dallaire la meilleure des chances dans ses nouvelles fonctions.

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Volunteers needed for the 2009-10 Cleveland Orchestra concert and event season at Severance Hall

Severance Hall seeks volunteers to serve as ushers, greeters, ticket takers, tour guides, and store volunteers

CLEVELAND, July 15, 2009 Severance Hall, home of The Cleveland Orchestra, is seeking volunteer ushers, greeters, ticket takers, tour guides, and store volunteers for the 2009-10 season. The season includes evening subscription, matinee, education, family, and holiday concerts by The Cleveland Orchestra; performances by the Cleveland Orchestra Youth Orchestra, the Cleveland Pops Orchestra, the Cleveland Institute of Music Orchestra, the Cleveland Youth Wind Symphony, and the Cleveland Womens Orchestra; and many other musical and non-musical events.

Tour guides conduct public and private tours and offer historical and architectural detail about Severance Hall. Store volunteers offer sales assistance in the Cleveland Orchestra Store during weekdays and weekends at concert times.

Severance Hall also seeks middle- and high-school students to join the Junior Volunteer Corps. Students assist at Family Concerts, Musical Rainbow performances, Cleveland Orchestra Youth Orchestra concerts, Holiday concerts, and other special events (mostly daytime performances during the weekend). An orientation and training program prepares students for service as ushers, ticket takers, and Cleveland Orchestra Store volunteers. Adult ushers also serve as mentors.

Severance Hall volunteers are asked to commit for the entire season from September through June, and are required to attend a two-hour training and orientation session in September, at the beginning of the season. Training session dates are September 22 and 24 at 6:00 p.m. and September 24 at 9:00 a.m.

Open interviews for new volunteers will be held at Severance Hall on Friday, August 28, from 5 - 7 p.m. and Saturday, August 29, from 10 a.m. 2 p.m. Stop in any time during these hours to fill out an application, and learn about the program and speak with Front of House Staff members.

While providing excellent customer service, Severance Hall volunteers have the opportunity to hear great music in a beautiful venue, enjoy the company of other music-loving volunteers, and contribute their talents and time to a premier arts organization.

Those interested in more information about volunteering at Severance Hall may call the House Managers Office at Severance Hall at (216) 231-7425.

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Summer Series 2009

RENE FLEMING STARS IN DIGISCREENS SUMMER CINEMA SERIES WITH OPUS ARTES LA TRAVIATA, FROM THE ROYAL OPERA HOUSE

The much-anticipated performance of operas megastar Rene Fleming at Covent Garden is one of the many highlights of DigiScreens Summer Opera/Ballet/Concert Cinema Series, which will screen at selected theatres throughout Canada in July and August. Theatres will present an opera, a ballet and a classical music concert from the great stages of London, England.

The summer series opens on July 25th & 26th, when cinema audiences have the pleasure of experiencing, for the first time in Canada, the excitement of the BBCs LAST NIGHT OF THE PROMS from The Royal Albert Hall in London.

On August 15th, Shakespeare meets Mendelssohn meets Balanchine at Sadlers Wells for the enchanting ballet A MIDSUMMER NIGHTS DREAM.

Saturday August 29th and August July 30th will be Dont miss Rene Fleming at Covent Garden! days.

On Saturday July 25th and 26th, DigiScreen and the BBC present a first: Canadian audiences will finally experience the exuberance of LAST NIGHT OF THE PROMS. The Proms at The Royal Albert Hall has a special place in the hearts of British people and all fans of classical music around the world. The September feast of music is the highlight of the symphonic season, which culminates with the hottest concert ticket in London, LAST NIGHT OF THE PROMS! Lucky audiences are treated to the works of leading international artists and an all-embracing classical music programme, introducing new works alongside much-loved classics. Sir Roger Norrington makes his first Last Night appearance leading an all-star dazzling final concert.

On Saturday August 15th, select theatres across Canada will present the enchanting ballet A MIDSUMMER NIGHTS DREAM. Choreographed by an artistic genius, George Balanchine and performed by the Pacific Northwest Ballet, Shakespeares comedy of magic and loves delusions set to the music of Felix Mendelssohn is a guaranteed audience pleaser. The Pacific Northwest Ballet displays all the vitality, brilliance and versatility of its wonderful dancers in this awardwinning production of Balanchines first original full-length ballet. Balanchines pure dance magic, Shakespeares stage wizardry and Mendelssohns bewitching tunefulness make for a special experience.

For two presentations only in August (29th and 30th), cinema audiences will be able to enjoy beloved American soprano Rene Fleming on Londons Covent Garden stage starring in The Royal Operas production of Verdis best-loved work LA TRAVIATA. Captured live by Opus Arte in London on June 30th, audiences will see her performance replayed in select theatres throughout Canada. Richard Eyres 2009 production is a revival of his highly acclaimed 1994 staging which dazzled audiences with its striking visual feast. Rene Fleming and company soar with some of the most poignantly tuneful music in all of opera.

Tickets are available at $19.95 + tax per adult, $16.95 + tax per senior and $9.95 + tax per child. For cinema locations and to purchase advance tickets throughout Canada visit www.empiretheatres.com/opusarte. For Landmark Cinemas in Alberta and BC, go to www.landmarkcinemas.com. For independent theatres in Vancouver and Waterloo, please visit www.festivalcinemas.ca, www.princesscinemas.com

About DigiScreen Corporation

DigiScreen is a digital network for the distribution and presentation of independent film and alternative content. DigiScreen launched the network in 2007 with an exclusive collaboration with Opus Arte and the Royal Opera House in London. Thanks to this collaboration, the company is able to showcase the worlds most prestigious contemporary performing arts companies in an ongoing series of spectacular operas and ballets. These productions are captured live, in High Definition, from locations such as Covent Garden (London), Palais Garnier (Paris), Teatro Real (Madrid), Liceu (Barcelona), War Memorial (San Francisco) and other great stages of the world. DigiScreen Corporation, in partnership with Opus Arte, releases 16-20 HD productions throughout the year. These HD productions are presented exclusively by DigiScreen and its partners to audiences in more than 300 cinemas across the United States, Canada, United Kingdom, Europe, Japan and Australia. Presentations in South Africa and other territories will be starting shortly.

For photos, more information or to find a participating theatre near you, please visit www.digiscreen.ca or contact Blair Haynes, bhaynes@digiscreen.ca 514-847-3537 ext 4520

                      About The Royal Opera House

The Royal Opera House is the home of three world class performing companies - The Royal Ballet, The Royal Opera, and The Orchestra of the Royal Opera House. It is a focal point for Englands national and international artistic excellence, where the evolving traditions of opera and ballet are taken to the highest levels. It is a shining symbol of excellence without compromise since 1732.

About Opus Arte

Opus Arte, owned by the Royal Opera House, has been recording in High Definition for the past decade and has amassed a substantial catalogue of outstanding productions from around the world. Opus Arte led the way by being the first company to release a Classical HD-DVD, and also the first to release a Classical Blu-ray disc into the world market. Working closely with top organizations such as the BBC and TVE, Opus Arte has enabled a large number of people to share the magic of seeing an opera or ballet from the worlds top opera houses.

About BBC Worldwide

BBC Worldwide is the main commercial arm and a wholly owned subsidiary of the British Broadcasting Corporation (BBC). The company exists to maximise the value of the BBCs assets for the benefit of the licence payer and invest in public service programming in return for rights. The company has seven core businesses: BBC Worldwide Channels, BBC Worldwide Content & Production, BBC Worldwide Digital Media, BBC Worldwide Global Brands, BBC Worldwide Sales & Distribution, BBC Magazines and BBC Home Entertainment. In 2007/08, BBC Worldwide generated profits of 117.7million on sales of 916.3million.

For more about The Pacific Northwest Ballet, please go to: www.pnb.org

For more about The Royal Opera House, please go to: www.roh.org.uk

For more about Opus Arte, please go to: www.opusarte.co.uk

Bravo! is the proud television sponsor for the DigiScreens Summer Cinema Series. For more information on Bravo! please visit www.bravo.ca

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Last Night of the Proms

For The First Time, Cinema Audiences Can Experience the Excitement of Londons Extraordinary Symphonic Event of the Season:

LAST NIGHT
OF THE PROMS

From The
Royal Albert Hall!


DigiScreen and the BBC present

LAST NIGHT
OF THE PROMS

at Empire Theatres across Canada and other select cinema locations

On Saturday July 25th and 26th, DigiScreen and the BBC present a first: Canadian audiences will finally experience the exuberance of LAST NIGHT OF THE PROMS. The Proms at The Royal Albert Hall has a special place in the hearts of British people and all fans of classical music around the world. The September feast of music is the highlight of the symphonic season, which culminates with the hottest concert ticket in London, LAST NIGHT OF THE PROMS! Lucky audiences are treated to the works of leading international artists and an all-embracing classical music programme, introducing new works alongside much-loved classics.

Look for LAST NIGHT OF THE PROMS in high definition and full surround sound at Empire Theatres locations across Canada and other select cinema locations.


The Proms, a British musical tradition for m