LSM Newswire

Saturday, March 27, 2010

Pink Martini - Concours video / Video contest

ENGLISH follows
Dˆ©poussiˆ©rez vos camˆ©ras, trouvez un preneur de son, montez une ˆ©quipe de tournage et auditionnez vos amis ’Äî PINK MARTINI lance un appel aux cinˆ©astes de l’ÄôAmˆ©rique du Nord afin de rˆ©aliser son prochain vidˆ©oclip! Tous sont invitˆ©s ˆÝ prendre part ˆÝ ce grand concours en soumettant un vidˆ©oclip rˆ©alisˆ© pour l’Äôune des six chansons du plus rˆ©cent album du groupe, Splendor in the Grass : Ninna nanna, Ohayoo Ohio, Splendor in the Grass, Oˆ¼ est ma tˆ�te?, And Then You’Äôre Gone ou Over the Valley.

Premier prix : Deux billets aller-retour pour Nice, France (dˆ©part d’Äôun aˆ©roport majeur de l’ÄôAmˆ©rique du Nord), trois nuitˆ©es pour deux ˆÝ l’Äôhˆ¥tel et deux billets pour assister au concert de Pink Martini au Festival de jazz de Nice le 24 juillet 2010. Le gagnant recevra de plus un montant de 500 ’Ǩ (ECU) en argent comptant pour dˆ©penses personnelles ainsi qu’Äôun paquet-cadeau contenant de la marchandise de Pink Martini.
Deuxiˆ®me prix : Deux billets pour l’Äôun des concerts de Pink Martini aux ˆâtats-Unis ou au Canada en 2010, 250 $ (CAD) en argent comptant ainsi que de la marchandise de Pink Martini.

Troisiˆ®me prix : Deux billets pour l’Äôun des concerts de Pink Martini aux ˆâtats-Unis ou au Canada en 2010, ainsi que de la marchandise de Pink Martini.

La vidˆ©o doit inclure la version originale et complˆ®te de l’Äôune des six piˆ®ces proposˆ©es. Les paroles sont accessibles ici.

Les vidˆ©oclips comportant des images violentes ou obscˆ®nes seront refusˆ©s d’Äôemblˆ©e.

Les participants doivent ˆ�tre des rˆ©sidents des ˆâtats-Unis, du Canada ou du Mexique. Le concours prend fin le 31 mai 2010.

Pour connaˆÆtre les rˆ®glements et les informations du concours, visitez le http://pinkmartini.com/video-contest/north-america/.

Les chansons peuvent ˆ�tre ˆ©coutˆ©es ici.
Dust off your video cameras, call your boom guy, bring in the best boy and cast your comrades’Äìwe want you, filmmakers of North America, to direct our next music video as part of our first ever Music Video Contest! We invite our fans to create a clever, inspired music video for the band for one of six songs from the new CD Splendor in the Grass: ’ÄúNinna nanna,’Äù ’ÄúOhayoo Ohio,’Äù ’ÄúSplendor in the Grass,’Äù ’ÄúOu est ma tete?,’Äù ’ÄúAnd Then You’Äôre Gone,’Äù or ’ÄúOver the Valley.’Äù

First, Second and Third place winners will receive the following prizes:
First Prize: Two round trip plane tickets to Nice, France (from a major North American airport), three nights for two at a hotel, and two tickets to see Pink Martini perform at the Nice Jazz Festival on July 24, 2010. In addition, the winner will receive 500 euros cash, and a package of special Pink Martini paraphernalia. Instead of above first prize, winner may, alternately, choose a $2500 cash prize.

Second Prize: Two tickets to any Pink Martini show in the US or Canada in 2010, $250 cash, and a package of Pink Martini paraphernalia.

Third Prize: Two tickets to any Pink Martini show in the US or Canada in 2010, and a package of Pink Martini paraphernalia.

The video should include the complete song for whichever song you choose. Lyrics for the songs are available here; songs can be streamed here. Please do not include violent images in the videos.
You must be a resident of the United States, Canada or Mexico to enter this contest. Contest deadline is May 31, 2010.

For a complete list of contest rules and information please visit
http://pinkmartini.com/video-contest/north-america/.

Patrice L'Ecuyer anime La Soirˆ©e des Jutra

Toutes les informations au : www.lesjutra.ca
Patrice L’ÄôEcuyer anime
La soirˆ©e des Jutra en direct
de La Tohu de Montrˆ©al
ˆÝ la Tˆ©lˆ©vision de Radio-Canada
Montrˆ©al, 17 mars 2010 ’Äì La Soirˆ©e des Jutra, animˆ©e par Patrice L’ÄôEcuyer, propose un gala ˆ©blouissant dans l’Äôespace grandiose de La Tohu. C’Äôest une premiˆ®re pour un gala de cette nature et nul doute que le dˆ©fi d’Äôoccuper ce lieu exceptionnel aura un effet ˆ©lectrisant sur les spectateurs et offrira un cadre particulier ˆÝ la rˆ©alisation tˆ©lˆ©visuelle. Cette soirˆ©e magique sera donc diffusˆ©e en direct de La Tohu, le dimanche 28 mars ˆÝ 19 h 30 ˆÝ la Tˆ©lˆ©vision de Radio-Canada.

Couronnant les meilleurs artistes, artisans, techniciens et producteurs du cinˆ©ma d’Äôici, La Soirˆ©e des Jutra est le moment privilˆ©giˆ© de l’Äôannˆ©e pour les cˆ©lˆ©brer. Patrice L’ÄôEcuyer sera entourˆ© de prˆ©sentateurs bien connus, dont Danielle Proulx, Pascale Bussiˆ®res, Normand D’ÄôAmour, Jean-Carl Boucher, Bˆ©nˆ©dicte Dˆ©cary, Maxim Gaudette,Sandrine Brisson, Karine Vanasse, Fanny Mallette, Michel Cˆ¥tˆ© ainsi que d’Äôautres personnalitˆ©s surprises. Le gala des Jutra veut aussi ˆ�tre la vitrine prestigieuse de tous les talents des crˆ©ateurs du cinˆ©ma quˆ©bˆ©cois 2009 et rendre hommage avec classe aux artisans d’Äôici. Un gala hors d’Äôondes couronnera ˆÝ compter de 19 h ˆÝ La Tohu mˆ�me, les laurˆ©ats dans les catˆ©gories Maquillage, Coiffure, Son, Costumes, Direction artistique, Film s’Äôˆ©tant le plus illustrˆ© ˆÝ l’Äôextˆ©rieur du Quˆ©bec. Un bref montage des meilleurs moments de ce gala sera diffusˆ© pendant La Soirˆ©e des Jutra oˆ¼ on partagera aussi un moment d’Äôˆ©motion en rappelant le souvenir de grands disparus du 7e Art.

Le prix hommage sera dˆ©cernˆ© ˆÝ Renˆ© Malo, dont la carriˆ®re bien remplie comme producteur et distributeur, sera illustrˆ©e le soir du gala. Sylvain Larocque et Pascal Mailloux apporteront un soin particulier ˆÝ cet hommage afin de tˆ©moigner de la place singuliˆ®re que M. Malo a occupˆ©e durant plus de 30 ans dans le paysage cinˆ©matographique.

Comˆ©dien et cinˆ©aste de grand talent et reconnu depuis plus de vingt ans comme un de nos metteurs en scˆ®ne les plus inspirˆ©s, Yves Desgagnˆ©s signe la direction artistique et la mise en scˆ®ne. Jocelyn Barnabˆ©, ˆÝ qui on doit une multitude de productions substantielles, galas, concerts et ˆ©missions concepts, rˆ©alise La Soirˆ©e deS Jutra, une coproduction de La Grande Nuit du cinˆ©ma et de Radio-Canada. Mˆ©go assure la direction musicale.
 
Sur ARTV :
La rˆ©trospective NOTRE CINˆâMA et LA FIˆàVRE DES JUTRA
ARTV donnera le coup d’Äôenvoi de la 12e Soirˆ©e des Jutra le 28 mars ˆÝ 19 h avec l’Äôˆ©mission spˆ©ciale Notre Cinˆ©ma, animˆ©e par Rebecca Makonnen, qui fera un survol des nominations ˆÝ La Soirˆ©e des Jutra de cette annˆ©e.

Puis, vers 22 h, immˆ©diatement aprˆ®s le gala diffusˆ© ˆÝ Radio-Canada, Renˆ© Homier-Roy et Anne-Marie Withenshaw rencontreront en direct les principaux gagnants de la soirˆ©e, dont les laurˆ©ats des prix d’Äôinterprˆ©tation, dans le cadre de La Fiˆ®vre des Jutra.
Cette ˆ©mission sera rediffusˆ©e le lendemain, le lundi 29 mars ˆÝ 22 h 30 en direct sur radio-Canada.ca.

Les internautes pourront suivre la Soirˆ©e des Jutra en direct sur le site radio-Canada.ca/jutra et participer au clavardage tout au long de la soirˆ©e. Pour ceux qui ne pourront voir le gala en direct, les meilleurs moments seront offerts sur le site aprˆ®s la diffusion pendant un mois. D’Äôici lˆÝ, on peut consulter l’Äôalbum photos et la liste des finalistes, ainsi que la bande-annonce des films en nomination dans la catˆ©gorie MEILLEUR FILM, et le dˆ©fi cinˆ©ma pour dˆ©couvrir son profil de cinˆ©phile.

The Cleveland Orchestra announces Fall 2010 Tokyo Residency and Asian Tour

The Orchestra returns to Tokyo in a four-concert Residency at Suntory Hall

Music Director Franz Welser-Mˆ�st leads four programs in Japan and South Korea

Mitsuko Uchida is pianist and conductor for Mozart programs and featured soloist in Beethoven program in Japan

Tour includes first Cleveland Orchestra appearances at Kitara Concert Hall in Sapporo and Hyogo Performing Arts Center in Nishinomiya, Japan, and at Goyang Arts Center and Seoul Arts Center in South Korea

CLEVELAND, March 15, 2010 ’Äì Music Director Franz Welser-Mˆ�st and The Cleveland Orchestra will embark on their tenth international tour together this fall, performing in Japan and South Korea.  Pianist Mitsuko Uchida will join the Orchestra in Japan.  The eight-concert, four-city tour begins with a performance in Sapporo, Japan, on November 10 and ends with a program at the Seoul Arts Center in South Korea on November 21.  The centerpiece of the tour is a Cleveland Orchestra Residency at Suntory Hall in Tokyo, with four concerts at the acclaimed venue.

Pianist Mitsuko Uchida will conduct from the keyboard in all-Mozart programs at Kitara Concert Hall in Sapporo (November 10), at Hyogo Performing Arts Center in Nishinomiya (November 12), and in concerts at Suntory Hall in Tokyo (November 14 and 16).  Ms. Uchida will also be featured as soloist with Franz Welser-Mˆ�st conducting an all-Beethoven program consisting of the Piano Concerto No. 4 in G major, Opus 58, and the Symphony No. 3 (’ÄúEroica’Äù) in E-flat major, Opus 55, at Suntory Hall on November 18.
 
Franz Welser-Mˆ�st will conduct a second program at Suntory Hall consisting of Debussy’Äôs Prelude to the Afternoon of a Faun, Takemitsu’Äôs Dream/Window, and Bruckner’Äôs Symphony No. 7 in E major on November 17.  
         
The tour concludes with Mr. Welser-Mˆ�st conducting two programs in South Korea. On Saturday, November 20, he leads Debussy’Äôs Prelude to the Afternoon of a Faun; Divertimento in D major, K. 136; and Beethoven’Äôs Symphony No. 3 (’ÄúEroica’Äù) at the Goyang Arts Center. On Sunday, November 21, Mr. Welser-Mˆ�st conducts Bruckner’Äôs Symphony No. 7 in E major and two works excerpted from Benjamin Britten’Äôs opera Peter Grimes ’Äì the Four Sea Interludes and the Passacaglia ’Äì at the Seoul Arts Center.

The Cleveland Orchestra in Asia
The Orchestra first performed in Japan in 1970 and most recently appeared there in 1998, during a tour of Japan and China.  The Cleveland Orchestra performed in Seoul, South Korea, for the first time in 1970, and most recently appeared there in 1978.  

TOUR FACTS AND HISTORY:
¬…       Kitara Concert Hall:  The Orchestra has previously played in Sapporo in 1970.  This is the Orchestra’Äôs first performance in Kitara Concert Hall.
¬…       This will be the Orchestra’Äôs first performance in the city of Nishinomiya, at the Hyogo Performing Arts Center.
¬…       The Cleveland Orchestra has performed 12 times at Suntory Hall in Tokyo, including concerts for a Beethoven series with Christoph von Dohnˆ°nyi, the Orchestra’Äôs former Music Director, in 1993, during which Mitsuko Uchida appeared as piano soloist.  The Orchestra most recently performed at the hall in 1998.
¬…       The Orchestra has previously performed in Seoul in 1970 and 1978. 
¬…       This will be its first time performing at the Goyang Arts Center in Goyang, South Korea, which opened in 2004, and the Seoul Arts Center, in Seoul, which opened in 1988.

International tours of The Cleveland Orchestra are supported by the Frances Elizabeth Wilkinson International Touring Fund.

(A detailed tour schedule, brief Orchestra history,
and biographies of Franz Welser-Mˆ�st and Mitsuko Uchida follow.)
 
THE CLEVELAND ORCHESTRA
TOKYO RESIDENCY AND ASIAN TOUR
NOVEMBER 10-21, 2010

SAPPORO, JAPAN
Wednesday, November 10, 2010, at 7:00 p.m.
Kitara Concert Hall
Mitsuko Uchida, conductor/piano
         
MOZART: Divertimento in D major, K.136
MOZART: Piano Concerto No. 20 in D minor, K. 466
MOZART: Piano Concerto No. 27 in B-flat major, K. 595

Nishinomiya, JAPAN
Friday, November 12, 2010, at 7:00 p.m.
Hyogo Performing Arts Center
Mitsuko Uchida, conductor/piano

MOZART: Divertimento in F major, K.138
MOZART: Piano Concerto No. 23 in A major, K. 488
MOZART: Piano Concerto No. 24 in C minor, K. 491

TOKYO, JAPAN
Sunday, November 14, 2010, at 7:00 p.m.
Suntory Hall
Mitsuko Uchida, conductor/piano

MOZART: Divertimento in F major, K.138
MOZART: Piano Concerto No. 23 in A major, K. 488
MOZART: Piano Concerto No. 24 in C minor, K. 491

TOKYO, JAPAN
Tuesday, November 16, 2010, at 7:00 p.m.
Suntory Hall
Mitsuko Uchida, conductor/piano

MOZART: Divertimento in D major, K.136
MOZART: Piano Concerto No. 20 in D minor, K. 466
MOZART: Piano Concerto No. 27 in B-flat major, K. 595

TOKYO, JAPAN
Wednesday, November 17, 2010, at 7:00 p.m.
Suntory Hall
Franz Welser-Mˆ�st, conductor

DEBUSSY: Prelude to the Afternoon of a Faun
TAKEMITSU: Dream/Window
BRUCKNER: Symphony No. 7 

TOKYO, JAPAN
Thursday, November 18, 2010, at 7:00 p.m.
Suntory Hall
Franz Welser-Mˆ�st, conductor
Mitsuko Uchida, piano

BEETHOVEN: Piano Concerto No. 4
BEETHOVEN: Symphony No. 3 (’ÄúEroica’Äù)

GOYANG, SOUTH KOREA
Saturday, November 20, 2010, at 8:00 p.m.
Goyang Arts Center
Franz Welser-Mˆ�st, conductor

DEBUSSY: Prelude to the Afternoon of a Faun
MOZART: Divertimento in D major, K.136
BEETHOVEN: Symphony No. 3 (’ÄúEroica’Äù)

SEOUL, SOUTH KOREA
Sunday, November 21, 2010, at 8:00 p.m.
Seoul Arts Center
Franz Welser-Mˆ�st, conductor

BRITTEN: ’ÄúFour Sea Interludes’Äù from Peter Grimes
BRITTEN: Passacaglia from Peter Grimes
BRUCKNER: Symphony No. 7

A Brief History of The Cleveland Orchestra
Under the leadership of Music Director Franz Welser-Mˆ�st, The Cleveland Orchestra has become one of the most sought-after performing ensembles in the world.  In concerts at its winter home at Severance Hall and at each summer’Äôs Blossom Festival, in residencies from Miami to Vienna, and on tour around the world, The Cleveland Orchestra sets standards of artistic excellence, creative programming, and community engagement.

The Cleveland Orchestra’Äôs educational programs, a cornerstone of the Orchestra’Äôs original mission, have introduced nearly four million Cleveland-area schoolchildren to symphonic music since 1921.  During the 2009-10 season, the Orchestra launched a Community Music Initiative that began with orchestral performances led by Franz Welser-Mˆ�st in Cleveland Metropolitan School District public schools.  Designed to provide greater access to orchestral music for more of Northeast Ohio’Äôs citizens than ever before, the Community Music Initiative introduces new programs throughout the year for students from preschool through high school.  The season closes in June 2010 with a free retrospective concert celebrating the tenth anniversary of the Daniel R. Lewis Young Composer fellowships, featuring new works created through this ongoing program.

The partnership with Franz Welser-Mˆ�st, now in its eighth season, has earned The Cleveland Orchestra unprecedented residencies in the United States and in Europe, including one at the Musik¬‚verein in Vienna ’Äì the first of its kind by an American orchestra.  The Orchestra returned to Vienna during the 2009-10 season for its fourth Musikverein Residency as part of a nine-concert tour.  The Orchestra regularly appears at European festivals, including an ongoing series of biennial residencies at the Lucerne Festival (featuring Roche Commissions, a project involving the Orchestra, the Festival, and Carnegie Hall).  In the United States, Mr. Welser-Mˆ�st and the Orchestra have toured from coast to coast, including regular appearances at Carnegie Hall, and in January 2007 began an unprecedented long-term residency project in Miami, Florida, where they perform annually at the Adrienne Arsht Center for the Performing Arts of Miami-Dade County and provide a wide array of community and educational activities.  In addition, the 2009-10 season marks the announcement of a residency at New York’Äôs Lincoln Center Festival that starts in 2011 and will feature The Cleveland Orchestra in Vienna State Opera productions.

 The Cleveland Orchestra was founded in 1918 by a group of local citizens.  It has been led by seven music directors (Nikolai Sokoloff 1918-33, Artur Rodzinski 1933-43, Erich Leinsdorf 1943-46, George Szell 1946-70, Lorin Maazel 1972-82, Christoph von Dohnˆ°nyi 1984-2002, and Franz Welser-Mˆ�st 2002-present), and one musical advisor (Pierre Boulez 1970-72).  Expansion to a year-round schedule was made possible in 1968 with the opening of Blossom Music Center, an outdoor facility in nearby Cuyahoga Falls that is home to the Orchestra’Äôs Blossom Festival.  Today, touring, residencies, radio broadcasts, and recordings available by internet download and on DVD and CD provide access to the Orchestra’Äôs music-making to a broad and loyal constituency around the world.
For additional information, please visit clevelandorchestra.com.

Franz Welser-Mˆ�st
Music Director
Kelvin Smith Family Endowed Chair
The Cleveland Orchestra

Franz Welser-Mˆ�st is in his eighth year as Music Director of The Cleveland Orchestra.  His long-term commitment extends to the Orchestra’Äôs centennial in 2018.  Under his direction, the Orchestra holds residencies in the United States and Europe, champions living composers, partners with Northeast Ohio public schools and conservatories, and has re-established itself as an operatic ensemble.  Concurrently with his post in Cleveland, Mr. Welser-Mˆ�st becomes General Music Director of the Vienna State Opera in the autumn of 2010.

Under Mr. Welser-Mˆ�st’Äôs leadership, The Cleveland Orchestra holds ongoing residencies at Vienna’Äôs famed Musikverein hall and Switzerland’Äôs Lucerne Festival, along with an annual Miami Residency.  In 2011, Mr. Welser-Mˆ�st and the Orchestra launch a biennial residency at New York’Äôs Lincoln Center Festival, which will feature The Cleveland Orchestra in Vienna State Opera productions.

Under Franz Welser-Mˆ�st, The Cleveland Orchestra has presented eleven world and fourteen United States premieres.  In 2009, Mr. Welser-Mˆ�st led a Zurich Opera production of The Marriage of Figaro at Severance Hall.  He and The Cleveland Orchestra continue the Mozart/Da Ponte operas in Cleveland with Mozart’Äôs Cosˆ¨ fan tutte in 2009-10 and Don Giovanni in 2010-11.
 
Recent and upcoming international engagements include a new production of Wagner’Äôs Ring cycle with stage director Sven-Eric Bechtolf at the Vienna State Opera.  During the 2009-10 season, Mr. Welser-Mˆ�st leads additional Ring performances, as well as Wagner’Äôs Tannhˆ§user and Parsifal, with the Vienna State Opera.  In the summer of 2009, Franz Welser-Mˆ�st appeared with the Vienna Philharmonic at the Salzburg Festival, the BBC Proms, and the Lucerne Festival.  He also conducted the Berlin Philharmonic at the 2009 Salzburg Easter Festival.

Following his 1989 American debut and prior to his appointment in Cleveland, Mr. Welser-Mˆ�st regularly guest-conducted the orchestras of Boston, Chicago, Cleveland, Los Angeles, New York, and Philadelphia.  Mr. Welser-Mˆ�st was music director of the London Philharmonic from 1990 to 1996.  Across his decade-long tenure with the Zurich Opera, culminating in three seasons as General Music Director (2005-08), Mr. Welser-Mˆ�st led more than 40 new productions.  In the spring of 2010, he leads Strauss’Äôs Die Frau ohne Schatten and Mozart’Äôs Cosˆ¨ fan tutte in Zurich.
            
Mr. Welser-Mˆ�st’Äôs recordings and videos have won the Gramophone Award, Diapason d’ÄôOr, Japanese Record Academy Award, and two Grammy nominations.  Mr. Welser-Mˆ�st has led The Cleveland Orchestra in video recordings of live performances of the Bruckner Symphonies Nos. 5, 7, and 9.  Mr. Welser-Mˆ�st and The Cleveland Orchestra released a recording of Beethoven’Äôs Ninth Symphony on Deutsche Grammophon in 2007.
            
Mr. Welser-Mˆ�st has been recognized by the Western Law Center for Disability Rights and is an honorary member of the Vienna Singverein.  Musical America named him the 2003 Conductor of the Year.
 
Mitsuko Uchida

Mitsuko Uchida’Äôs interpretations of a wide range of repertoire have gained her a formidable reputation as a pianist who brings intellectual acuity and musical insight to her performances.   She is particularly noted for her interpretations of Mozart and Schubert, both in the concert hall and on CD, but also has illuminated the music of Berg, Schoenberg, Webern, Boulez, and Beethoven for a new generation of listeners.
 
Ms. Uchida made her Cleveland Orchestra debut in February 1990, and since that time has performed with the Orchestra at Severance Hall, at the Blossom Festival, and on tour to Europe and Japan.  Between 2002 and 2007, she played and conducted from the keyboard an acclaimed series of Mozart piano concertos with The Cleveland Orchestra.  Her most recent appearances with the Orchestra included performances of the Beethoven Piano Concerto No. 4 at Severance Hall and during the Orchestra’Äôs fall 2009 European tour and Vienna Musikverein Residency. 

Mitsuko Uchida’Äôs latest recording with the Cleveland Orchestra features her conducting the ensemble from the keyboard in performances of the Mozart Piano Concertos Nos. 23 (K.488) and 24 (K.491).  The recording was a bestseller in the United Kingdom, ranked ’ÄúTop Ten Exceptional Recordings of 2009’Äù by New Yorker Magazine, and ’ÄúEditor’Äôs Choice’Äù by Gramophone Magazine.
 
Mitsuko Uchida performs throughout the world with many different partners.  She was the focus of a Carnegie Hall ’ÄúPerspectives’Äù series titled Mitsuko Uchida: Vienna Revisited and took part in Mozart 250th birthday celebrations in Salzburg.  She has been artist-in-residence at The Cleveland Orchestra as well as with the Berlin Philharmonic, with the Konzerthaus Vienna, and at Salzburg Mozartwoche.
 
Mitsuko Uchida records exclusively for Decca.  In April 2008, BBC Music Magazine presented its Instrumentalist of the Year and Disc of the Year awards to Ms. Uchida.  Her recording of Schoenberg’Äôs Piano Concerto with Pierre Boulez and The Cleveland Orchestra won four awards in 2001, including one from Gramophone for best concerto recording.
 
Mitsuko Uchida has demonstrated a long-standing commitment to aiding the development of young musicians and is a trustee of the Borletti-Buitoni Trust.  She is also co-director, with Richard Goode, of the Marlboro Music Festival in Vermont. 

The Cleveland Orchestra’Äôs 2010-11 season includes wide-ranging programs and initiatives

Community programming, staged opera, alternate concert formats, and traditional orchestral concerts combine to sustain audience growth and support in Northeast Ohio

Mozart’Äôs Don Giovanni, starring Simon Keenlyside, concludes the Orchestra’Äôs Mozart/Da Ponte cycle of fully staged opera

Music Director Franz Welser-Mˆ�st opens the season with a public-school performance for the second consecutive year

National and international appearances include annual Miami Residency in its fifth season, new Tokyo Residency, and first academic residency at Indiana University
 
CLEVELAND, March 15, 2010 ’Äì The Cleveland Orchestra has announced its 2010-11 season. Under the leadership of Music Director Franz Welser-Mˆ�st, the Orchestra continues its local programming diversification with numerous initiatives to attract new audiences and support.  Within a full schedule of traditional subscription concerts, the season will feature the new series introduced in 2009 including Fridays@7, Musically Speaking, and the Celebrity Series, alongside fully staged opera.  Also in the coming season, the Orchestra will inaugurate a two week Baroque Festival in Severance Hall. 

Orchestra performances in public schools are an important part of The Cleveland Orchestra’Äôs history.  Franz Welser-Mˆ�st restored that tradition in the 2009-10 season when he conducted the Orchestra in two high schools in Cleveland and one in Miami.  Hundreds of students who had never heard live orchestral music before were able to experience it for the first time.  The Orchestra’Äôs traditional Education Concerts at Severance Hall for more than 16,000 students annually will continue, as well as the Cleveland Orchestra Family Concert series.
            
The innovative variety of concert programs and formats presents audiences in Northeast Ohio with multiple ways to partake of symphonic music.  Fridays@7 offers a social experience, Musically Speaking brings new audiences and long-time fans closer to the music, and the Celebrity Series spotlights different genres of music. 

Music Director Franz Welser-Mˆ�st’Äôs Programming
Franz Welser-Mˆ�st opens his ninth season with The Cleveland Orchestra with a program including Stravinsky’Äôs The Rite of Spring, in two subscription concerts at Severance Hall and at a Cleveland Metropolitan School District high school.  Also during the 2010-11 season, Mr. Welser-Mˆ�st will conduct John Adams’Äôs Doctor Atomic Symphony; Bach’Äôs Mass in F major (BWV 233); Bartˆ„k’Äôs Music for Strings, Percussion, and Celesta; Bartˆ„k’Äôs Second Piano Concerto and Schumann’Äôs Piano Concerto with Pierre-Laurent Aimard; Beethoven’Äôs Symphonies Nos. 3 and 8; Dvo‰ôˆ°k’Äôs Te Deum, Mahler’Äôs Symphony No. 4; a fully staged production of Mozart’Äôs Don Giovanni; Rossini’Äôs Stabat Mater; and Strauss’Äôs Ein Heldenleben, among 39 performances at Severance Hall, the Miami Residency, and on tour.  Mr. Welser-Mˆ�st will lead the fifth Roche Commission, an American premiere of Woven Dreams, by Toshio Hosokawa, in January.  At the end of the season, Mr. Welser-Mˆ�st conducts the world premiere of Daniel R. Lewis Young Composer Fellow Jˆ�rg Widmann’Äôs Flute Concerto and the Cleveland Orchestra premiere of On a Wire, a concerto for eighth blackbird by Jennifer Higdon that is a co-commission by six orchestras.

Franz Welser-Mˆ�st will conduct Bruckner Symphonies Nos. 5 and 7 in the 2010-11 season.  He has led the Orchestra in three DVD productions of Bruckner symphonies in three historic venues ’Äì the Abbey of St. Florian in Linz, Austria, the Musikverein in Vienna, Austria, and in Cleveland at Severance Hall ’Äì which have been telecast in Europe and the United States.  In 2011, during the Orchestra’Äôs residency at the Lincoln Center Festival, Mr. Welser-Mˆ�st will conduct four Bruckner symphonies.  Mr. Welser-Mˆ�st is a native of Linz, Austria, where Bruckner spent the formative years of his career.

Mozart’Äôs Don Giovanni
The Mozart/Da Ponte cycle of operas fully staged at Severance Hall concludes as Franz Welser-Mˆ�st conducts Don Giovanni on March 19, 22, 24, and 27, 2011.  The production of Don Giovanni will be based on the Zurich Opera production directed by Sven-Eric Bechtolf.  The Orchestra’Äôs three-season cycle of the Mozart/Da Ponte operas began in 2009, with four performances of Le nozze di Figaro.  The same number of performances of Cosˆ¨ fan tutte were presented in March 2010.

Baritone Simon Keenlyside will perform the title role of Don Giovanni, in his first performances of the role in the United States.  ’ÄúHe can switch from genteel seductiveness to physical threat in a moment, registering all the gradations in his wonderfully vital and well-focused singing,’Äù wrote the Guardian of London, reviewing a performance by Mr. Keenlyside in Don Giovanni at Covent Garden.  In a review of a 2008 production at the Royal Opera House, the Guardian described Mr. Keenlyside as ’Äúa tour de force.’Äù  Mr. Keenlyside most recently appeared with the Orchestra during a Cleveland Orchestra Musikverein Residency in Vienna in the fall of 2009. 

  The cast for Don Giovanni includes soprano Eva Mei (Donna Anna) in her Cleveland Orchestra debut, soprano Malin Hartelius (Donna Elvira), baritone Ruben Drole (Leporello), tenor Shawn Mathey (Don Ottavio) in his Cleveland Orchestra debut, soprano Martina Jankovˆ° (Zerlina), baritone Reinhard Mayr (Masetto) in his Cleveland Orchestra debut, bass-baritone Alfred Muff (Commendatore), and the Cleveland Orchestra Opera Chorus.  The opera will be performed in Italian, with English supertitles.

Orchestra’Äôs Baroque Festival Features Artist-in-Residence Ton Koopman
Ton Koopman will lead a two-week Baroque Festival with The Cleveland Orchestra at Severance Hall in April and May, including works by J.S. Bach, C.P.E. Bach, and Handel.  Mr. Koopman will become the Orchestra’Äôs Artist-in-Residence with the 2010-11 season.  He is the founder and conductor of the Amsterdam Baroque Orchestra and Choir, artistic director of the French Festival ’ÄúItinˆ©raire Baroque,’Äù Professor at the University of Leiden, and an Honorary Member of the Royal Academy of Music in London.  He was named as Artist-in-Residence for The Cleveland Orchestra in June 2008, following his debut with the Orchestra in February 2008.  The three-year Artist-in-Residence position is supported by the Malcolm E. Kenney Artist-in-Residence Fund. 
 
Jˆ�rg Widmann, Daniel R. Lewis Young Composer Fellow
Franz Welser-Mˆ�st will conduct the world premiere of Jˆ�rg Widmann’Äôs Flute Concerto, featuring Cleveland Orchestra Principal Flute Joshua Smith, at Severance Hall in May 2011.  German composer Jˆ�rg Widmann is the Orchestra’Äôs sixth Daniel R. Lewis Young Composer Fellow.  In his second season with the Orchestra, Mr. Widmann will continue to participate in rehearsals, masterclasses, and educational activities.
Mr. Widmann is a winner of the Claudio Abbado Composition Award of the Berlin Philharmonic Orchestra Academy, and most recently the winner of the Chamber Music Society of Lincoln Center’Äôs Elise L. Stoeger Prize. The Flute Concerto was commissioned by The Cleveland Orchestra through the Young Composers Fund, established in 1997 by a $1 million gift from Jan R. and Daniel R. Lewis, who reside in Florida.  Mr. Lewis is the Chair of the Musical Arts Association of Miami.  
 
Conductor and Soloist Debuts
Guest conductors making their Cleveland Orchestra debuts in 2010-11 are Ji‰ôˆ‚ BŸïlohlˆ°vek, Andrey Boreyko, Thomas Dausgaard, and Vladimir Jurowski.  Other artists debuting this season are tenor Shawn Mathey, baritone Reinhard Mayr, soprano Eva Mei, bass-baritone Luca Pisaroni, soprano Jessica Rivera, and the ensemble eighth blackbird.  Mitsuko Uchida appears this season with the Orchestra in Japan, and will perform a solo recital at Severance Hall in February.  Violinist Julia Fischer, cellist Alban Gerhardt, and pianists David Fray and Kirill Gerstein will mark their Severance Hall debuts ’Äì they have performed with the Orchestra in prior seasons at Blossom Music Center.
 
Returning Artists
            Several conductors make return visits this season: Semyon Bychkov, Herbert Blomstedt, Andrew Davis, Music Director Laureate Christoph von Dohnˆ°nyi, Hans Graf, Ton Koopman, Kurt Masur, Matthias Pintscher, and Pinchas Steinberg.  Returning soloists include Pierre-Laurent Aimard, Emanuel Ax, Anna Bonitatibus, Laura Claycomb, Ruben Drole, Andrew Foster-Williams, Horacio Gutiˆ©rrez, Malin Hartelius, Steven Isserlis, Martina Jankovˆ°, Leonidas Kavakos, Simon Keenlyside, Radu Lupu, Christopher Maltman, Martin Mitterrutzner, Alfred Muff, Kelley O’ÄôConnor, Garrick Ohlsson, and Frank Peter Zimmermann. 
The season features five members of the Orchestra as soloists.  Franklin Cohen, Principal Clarinet, will perform Nielsen’Äôs Clarinet Concerto; Richard King, Principal Horn, will perform in programs led by Christoph von Dohnˆ°nyi; William Preucil, Concertmaster, will perform Mozart’Äôs Violin Concerto No. 5; Joshua Smith, Principal Flute, premieres Widmann’Äôs Flute Concerto; and Robert Walters, Solo English Horn, will perform Vasks’Äôs English Horn Concerto.

Miami Residency
The Cleveland Orchestra’Äôs annual Miami Residency continues in its fifth season at the Adrienne Arsht Center for the Performing Arts of Miami-Dade County.  The Orchestra’Äôs Miami Residency includes a series of subscription concerts at the Adrienne Arsht Center as well as education and family concerts, and a broad spectrum of music education and outreach activities in the Miami-Dade community. 

In 2010, Cleveland Orchestra collaborations include New World Symphony fellows and the University of Miami’Äôs Frost School of Music students, with masterclasses led by members of The Cleveland Orchestra, reading sessions of new music, access to Cleveland Orchestra working rehearsals, and an upcoming event at the Museum of Contemporary Art in North Miami.  In partnership with Miami-Dade County Public Schools, the Orchestra continues to provide Education Concerts for fifth-grade students, Musical Rainbows for younger school children, and high-school coachings for older students, plus a Cleveland Orchestra Family Concert. 

The Orchestra’Äôs residency activities in Miami are conceived and made possible with the leadership of the Musical Arts Association of Miami, the Miami-based board governing the Orchestra’Äôs Miami Residency.
Details of The Cleveland Orchestra 2011 Miami Residency will be announced at a later date.
 
Tokyo Residency and Asian Tour
Music Director Franz Welser-Mˆ�st and The Cleveland Orchestra will embark on their tenth international tour together this fall, performing in Japan and South Korea.  Mitsuko Uchida will join the Orchestra in Japan.  The eight-concert, four-city tour begins with a performance in Sapporo, Japan, on November 10 and ends with a program at the Seoul Arts Center in South Korea on November 21.  The centerpiece of the tour is a Cleveland Orchestra Residency at Suntory Hall in Tokyo, with four concerts at the acclaimed venue.  More tour details are available in a separate release.

Indiana University Residency
In January 2011, The Cleveland Orchestra will participate in an intensive residency at Indiana University.  The IU Jacobs School of Music and IU Auditorium have partnered to present a concert during IU Auditorium’Äôs season of events and to broaden the orchestra’Äôs visit to bring additional learning opportunities to students on campus and in the community.  The IU Residency will include masterclasses, coachings, arts administration seminars, and other community and educational activities.  Plans call for every principal musician in The Cleveland Orchestra to teach a class for IU students; students will also have an opportunity to take part in side-by-side rehearsals with The Cleveland Orchestra.

Carnegie Hall and United States Tour
The Orchestra will tour in February to Hill Auditorium, on the campus of the University of Michigan in Ann Arbor, on February 1, and to Symphony Center in Chicago on February 2.  The Orchestra will appear in two programs at Carnegie Hall in New York, on February 4 and 5. At the end of the tour, the Orchestra performs at the New Jersey Performing Arts Center in Newark on February 6.  Franz Welser-Mˆ�st will lead all performances, and Pierre-Laurent Aimard will appear as soloist in four of the five programs on the tour.

Alternate Concert Formats Welcome Audiences Seeking New and Different Experiences
The Fridays@7 concert series continues with five programs in 2010-11, following its success in attracting new audiences in 2009-10.  More than 800 new ticket buyers have attended the new series thus far in the 2009-10 season.  The format is an hour-long Orchestra concert at the early start time, followed by entertaining and diverse styles of world music featuring international musicians, along with food and drink in a casual atmosphere. In the 2010-11 season, Franz Welser-Mˆ�st, Pinchas Steinberg, and Ji‰ôˆ‚ BŸïlohlˆ°vek will conduct concerts in the Fridays@7 series.

 As part of the popular Musically Speaking series, an HD presentation of Holst’Äôs The Planets will feature breathtaking NASA images projected on a giant screen during the performance.  The complete work includes Women of the Cleveland Orchestra Chorus.  The series also includes a Chicago Symphony Orchestra’Äôs Beyond the Score¬Æ program of Prokofiev’Äôs Symphony No. 5 and a full performance of baroque and classical works led by Ton Koopman, featuring cellist Steven Isserlis, with a preview discussion prior to the performance. 

The Celebrity Series will continue in 2010-11, spotlighting diverse artists and repertoire, embracing many genres.  Guest artists and repertoire for the series will be announced in August.  More people will attend the Celebrity Series per concert than any other series offered by the Orchestra in 2009-10.
 
Subscription and Ticket Information
A variety of subscription options will be available for Thursday, Friday, Saturday, and Sunday concerts.  Subscriptions will go on sale March 22.  Tickets to individual performances go on sale in August.  For more information, call the Ticket Office at (216) 231-1111 or (800) 686-1141 or visit us online at www.clevelandorchestra.com. 

The Severance Hall Ticket Office and Subscription Office are located on street level in the Smith Lobby.  The entrance and 15-minute Ticket Service parking are along the west side of the building, on East Boulevard.  Severance Hall Ticket Office hours are Monday through Friday from 9:00 a.m. to 6:00 p.m. and Saturdays from 10:00 a.m. to 6:00 p.m. (closed Sundays and holidays except for those days with performances, when the Ticket Office will be open three hours prior to each performance).  Severance Hall Subscription Office Hours are Monday through Friday from 9:00 a.m. to 5:00 p.m.

Contact: Ana Papakhian, (216) 231-7476 / Email: anap@clevelandorchestra.com
Jennifer Schlosser, (216) 231-7518 / Email: jschlosser@clevelandorchestra.com

2010-11 Season at Severance Hall  

Thursday, SEPTEMBER 23 at 8 p.m.
Saturday, SEPTEMBER 25 at 8 p.m.
Franz Welser-Mˆ�st, conductor
Laura Claycomb, soprano
Kelley O’ÄôConnor, mezzo-soprano
Andrew Foster-Williams, bass-baritone
Cleveland Orchestra Chamber Chorus

TAKEMITSU  Dream/Window ’Äì FIRST CLEVELAND ORCHESTRA PERFORMANCES
BACH  Mass in F major, BWV 233 ’Äì FIRST CLEVELAND ORCHESTRA PERFORMANCES
DEBUSSY  Prelude to the Afternoon of a Faun
STRAVINSKY  The Rite of Spring 

Thursday, SEPTEMBER 30 at 8 p.m.
Saturday, OCTOBER 2 at 8 p.m.
Franz Welser-Mˆ�st, conductor

BRITTEN  ’ÄúFour Sea Interludes’Äù from Peter Grimes
BRITTEN  Passacaglia from Peter Grimes
BRUCKNER   Symphony No. 7

Friday, OCTOBER 1 at 7 p.m.
Franz Welser-Mˆ�st, conductor

Fridays@7

TAKEMITSU  Dream/Window
BEETHOVEN  Symphony No. 3 (’ÄúEroica’Äù)

Thursday, OCTOBER 7 at 8 p.m.
Friday, OCTOBER 8 at 8 p.m.
Saturday, OCTOBER 9 at 8 p.m.
Sunday, OCTOBER 10 at 3 p.m.
Semyon Bychkov, conductor
Kirill Gerstein, piano ’Äì Severance Hall debut
 
BRAHMS  Symphony No. 3
RACHMANINOFF  Rhapsody on a Theme of Paganini
RAVEL  La Valse

Thursday, OCTOBER 21 at 8 p.m.
Saturday, OCTOBER 23 at 8 p.m.
Herbert Blomstedt, conductor
Garrick Ohlsson, piano

BRAHMS  Academic Festival Overture
HINDEMITH   Symphony, ’ÄúMathis der Maler’Äù
BEETHOVEN   Piano Concerto No. 5 (’ÄúEmperor’Äù)

Friday, OCTOBER 22 at 11 a.m.
Herbert Blomstedt, conductor
Garrick Ohlsson, piano

HINDEMITH   Symphony, ’ÄúMathis der Maler’Äù
BEETHOVEN   Piano Concerto No. 5 (’ÄúEmperor’Äù)

Thursday, OCTOBER 28 at 8 p.m.
Saturday, OCTOBER 30 at 8 p.m.
Andrew Davis, conductor
William Preucil, violin
Christopher Maltman, baritone
Cleveland Orchestra Chorus

HAYDN   Symphony No. 22 (’ÄúThe Philosopher’Äù) ’Äì FIRST CLEVELAND ORCHESTRA PERFORMANCES
VAUGHAN WILLIAMS   Five Mystical Songs
MOZART   Violin Concerto No. 5, K. 219
VAUGHAN WILLIAMS   Toward the Unknown Region ’Äì FIRST CLEVELAND ORCHESTRA PERFORMANCES

Thursday, NOVEMBER 4 at 8 p.m.
Matthias Pintscher, conductor
Alban Gerhardt, cello ’Äì Severance Hall debut

RAVEL  Alborada del gracioso
PINTSCHER  Reflections on Narcissus, for cello and orchestra ’Äì FIRST CLEVELAND ORCHESTRA PERFORMANCES
RAVEL  Ma Mˆ®re l’ÄôOye (’ÄúMother Goose’Äù)
DUKAS  The Sorcerer’Äôs Apprentice

November 10 ’Äì 21, 2010
The Cleveland Orchestra
Tokyo Residency and Asian Tour
Details are provided in a separate news release.

Saturday, NOVEMBER 27 at 8 p.m.
Hans Graf, conductor
Women of the Cleveland Orchestra Chorus

SAARIAHO  Asteroid 4179: Toutatis ’Äì FIRST CLEVELAND ORCHESTRA PERFORMANCES
MOZART  Symphony No. 41 (’ÄúJupiter’Äù), K. 551
HOLST  The Planets ’Äì An HD Odyssey

Sunday, NOVEMBER 28 at 3 p.m.
Hans Graf, conductor
Women of the Cleveland Orchestra Chorus

Musically Speaking

SAARIAHO  Asteroid 4179: Toutatis ’Äì FIRST CLEVELAND ORCHESTRA PERFORMANCES
MOZART  Symphony No. 41 (’ÄúJupiter’Äù), K. 551
HOLST  The Planets ’Äì An HD Odyssey

Thursday, DECEMBER 2 at 8 p.m.
Saturday, DECEMBER 4 at 8 p.m.
Pinchas Steinberg, conductor
Franklin Cohen, clarinet

NICOLAI   Overture to The Merry Wives of Windsor
NIELSEN   Clarinet Concerto
MAHLER   Symphony No. 1

Friday, DECEMBER 3 at 7 p.m.
Pinchas Steinberg, conductor

Fridays@7
 NICOLAI   Overture to The Merry Wives of Windsor
MAHLER   Symphony No. 1

Thursday, JANUARY 6 at 8 p.m.
Friday, JANUARY 7 at 11 a.m.
Saturday, JANUARY 8 at 8 p.m.
Christoph von Dohnˆ°nyi, conductor
Richard King, horn

Program to be announced
Thursday, JANUARY 13 at 8 p.m.
Saturday, JANUARY 15 at 8 p.m.
Franz Welser-Mˆ�st, conductor
Radu Lupu, piano

WAGNER   Overture to Tannhˆ§user
SCHUMANN   Piano Concerto
R. STRAUSS   Ein Heldenleben

Friday, JANUARY 14 at 7 p.m.
Franz Welser-Mˆ�st, conductor

Fridays@7 

WAGNER   Overture to Tannhˆ§user
R. STRAUSS   Ein Heldenleben

Thursday, JANUARY 20 at 8 p.m.
Saturday, JANUARY 22 at 8 p.m.
Franz Welser-Mˆ�st, conductor
Pierre-Laurent Aimard, piano

R. STRAUSS:  ’ÄúTrˆ§umerei am Kamin’Äù from Intermezzo
’Äì FIRST CLEVELAND ORCHESTRA PERFORMANCES
HOSOKAWA  Woven Dreams ’Äì U.S. PREMIERE
BARTˆìK   Piano Concerto No. 2
BARTˆìK   Music for Strings, Percussion, and Celesta

Friday, JANUARY 21 at 11 a.m.
Franz Welser-Mˆ�st, conductor
Pierre-Laurent Aimard, piano

HOSOKAWA  Woven Dreams ’Äì U.S. PREMIERE
BARTˆìK   Piano Concerto No. 2
R. STRAUSS:  ’ÄúTrˆ§umerei am Kamin’Äù from Intermezzo
’Äì FIRST CLEVELAND ORCHESTRA PERFORMANCES

Friday, FEBRUARY 11 at 8 p.m.
Saturday, FEBRUARY 12 at 8 p.m.
Sunday, FEBRUARY 13 at 3 p.m.
Vladimir Jurowski, conductor ’Äì Cleveland Orchestra debut
Leonidas Kavakos, violin

MUSSORGSKY  Prelude to Khovanshchina
SIBELIUS  Violin Concerto
TCHAIKOVSKY  Manfred Symphony

Thursday, FEBRUARY 17 at 8 p.m.
Saturday, FEBRUARY 19 at 8 p.m.
Thomas Dausgaard, conductor ’Äì Cleveland Orchestra debut
Frank Peter Zimmermann, violin

SIBELIUS  Symphony No. 7
SZYMANOWSKI  Violin Concerto No. 1
NIELSEN  Symphony No. 4 (’ÄúThe Inextinguishable’Äù)

Friday, FEBRUARY 18 at 11 a.m.
Thomas Dausgaard, conductor ’Äì Cleveland Orchestra debut
Frank Peter Zimmermann, violin

SZYMANOWSKI  Violin Concerto No. 1
NIELSEN  Symphony No. 4 (’ÄúThe Inextinguishable’Äù)

Thursday, FEBRUARY 24 at 8 p.m.
Saturday, FEBRUARY 26 at 8 p.m.
Andrey Boreyko, conductor ’Äì Cleveland Orchestra debut
Robert Walters, english horn

BARTˆìK  Suite from The Wooden Prince
VASKS  English Horn Concerto ’Äì FIRST CLEVELAND ORCHESTRA PERFORMANCES
PROKOFIEV  Symphony No. 5

Sunday, FEBRUARY 27 at 3 p.m.
Andrey Boreyko, conductor ’Äì Cleveland Orchestra debut

Musically Speaking ’Äì Beyond the Score¬Æ

PROKOFIEV  Symphony No. 5

Thursday, MARCH 10 at 8 p.m.
Saturday, MARCH 12 at 8 p.m.
Franz Welser-Mˆ�st, conductor
Jessica Rivera, soprano ’Äì Cleveland Orchestra debut
Cleveland Orchestra Chorus

DVO‰òˆÅK  Te Deum ’Äì FIRST CLEVELAND ORCHESTRA PERFORMANCES
MAHLER  Symphony No. 4

Saturday, MARCH 19 at 7 p.m.
Tuesday, MARCH 22 at 7 p.m.
Thursday, MARCH 24 at 7 p.m.
Sunday, MARCH 27 at 3 p.m.
Franz Welser-Mˆ�st, conductor
Simon Keenlyside, baritone (Don Giovanni)
Eva Mei, soprano (Donna Anna) ’Äì Cleveland Orchestra debut
Malin Hartelius, soprano (Donna Elvira)
Ruben Drole, baritone (Leporello)
Shawn Mathey, tenor (Don Ottavio) ’Äì Cleveland Orchestra debut
Martina Jankovˆ°, soprano (Zerlina)
Reinhard Mayr, baritone (Masetto) ’Äì Cleveland Orchestra debut
Alfred Muff, bass-baritone (Commendatore)
Cleveland Orchestra Opera Chorus

MOZART   Don Giovanni, K. 527 ’Äì FIRST CLEVELAND ORCHESTRA PERFORMANCES
                    (Sung in Italian with English supertitles)

Thursday, MARCH 31 at 8 p.m.
Saturday, APRIL 2 at 8 p.m.
Ji‰ôˆ‚ BŸïlohlˆ°vek, conductor ’Äì Cleveland Orchestra debut
Horacio Gutiˆ©rrez, piano

HAYDN  Symphony No. 96 (’ÄúMiracle’Äù)
RACHMANINOFF  Piano Concerto No. 2
DVO‰òˆÅK  Symphony No. 7

Friday, APRIL 1 at 7 p.m.
Ji‰ôˆ‚ BŸïlohlˆ°vek, conductor ’Äì Cleveland Orchestra debut
Horacio Gutiˆ©rrez, piano

Fridays@7

RACHMANINOFF  Piano Concerto No. 2
DVO‰òˆÅK  Symphony No. 7

Thursday, APRIL 21 at 8 p.m.
Friday, APRIL 22 at 8 p.m.
Saturday, APRIL 23 at 8 p.m.
Kurt Masur, conductor
David Fray, piano ’Äì Severance Hall debut

MENDELSSOHN  Overture, ’ÄúThe Hebrides’Äù (’ÄúFingal’Äôs Cave’Äù)
BEETHOVEN  Piano Concerto No. 2
BRAHMS  Symphony No. 4

Thursday, APRIL 28 at 8 p.m.
Saturday, APRIL 30 at 8 p.m.
Ton Koopman, conductor

BACH  Suite No. 1 for Orchestra, BWV 1066
BACH  Brandenburg Concerto No. 1, BWV 1046
HANDEL  Suite from Music for the Royal Fireworks
MOZART  Symphony No. 25, K. 183

Friday, MAY 6 at 11 a.m.
Ton Koopman, conductor
Steven Isserlis, cello

C.P.E. BACH  Sinfonia in D major, Wq. 183, No. 1 ’Äì FIRST CLEVELAND ORCHESTRA PERFORMANCES
C.P.E. BACH  Cello Concerto in A major, Wq. 172 ’Äì FIRST CLEVELAND ORCHESTRA PERFORMANCES
HAYDN  Symphony No. 98

Sunday, MAY 8 at 3 p.m.
Ton Koopman, conductor
Steven Isserlis, cello

Musically Speaking 

C.P.E. BACH  Sinfonia in D major, Wq. 183, No. 1 ’Äì FIRST CLEVELAND ORCHESTRA PERFORMANCES
C.P.E. BACH  Cello Concerto in A major, Wq. 172 ’Äì FIRST CLEVELAND ORCHESTRA PERFORMANCES
C.P.E. BACH  Sinfonia in G major, Wq. 183, No. 4 ’Äì FIRST CLEVELAND ORCHESTRA PERFORMANCES
HAYDN  Symphony No. 98

Thursday, MAY 12 at 8 p.m.
Friday, MAY 13 at 8 p.m.
Saturday, MAY 14 at 8 p.m.
Franz Welser-Mˆ�st, conductor
Julia Fischer, violin ’Äì Severance Hall debut

BERG  Violin Concerto
BRUCKNER  Symphony No. 5

Thursday, MAY 19 at 8 p.m.
Saturday, MAY 21 at 8 p.m.
Franz Welser-Mˆ�st, conductor
Emanuel Ax, piano

ADAMS  Guide to Strange Places
HAYDN  Piano Concerto in D major
STRAVINSKY  Capriccio for Piano and Orchestra
BEETHOVEN  Symphony No. 8

Friday, MAY 20 at 11 a.m.
Franz Welser-Mˆ�st, conductor
Emanuel Ax, piano

ADAMS  Guide to Strange Places
HAYDN  Piano Concerto in D major
BEETHOVEN  Symphony No. 8

Thursday, MAY 26 at 8 p.m.
Saturday, MAY 28 at 8 p.m.
Franz Welser-Mˆ�st, conductor
Joshua Smith, flute
Malin Hartelius, soprano
Anna Bonitatibus, mezzo-soprano
Martin Mitterrutzner, tenor
Luca Pisaroni, bass-baritone ’Äì Cleveland Orchestra debut
Cleveland Orchestra Chorus

WIDMANN  Flute Concerto ’Äì WORLD PREMIERE
ROSSINI  Stabat Mater

Friday, MAY 27 at 7 p.m.
Franz Welser-Mˆ�st, conductor
Joshua Smith, flute
eighth blackbird ’Äì Cleveland Orchestra debut

Fridays@7

ADAMS  Doctor Atomic Symphony
WIDMANN  Flute Concerto ’Äì WORLD PREMIERE
HIGDON  On a Wire ’Äì Concerto for eighth blackbird and Orchestra
’Äì FIRST CLEVELAND ORCHESTRA PERFORMANCE

New Centrediscs CD: 3 Concerti Just Released

PIANIST CHRISTINA PETROWSKA QUILICO PLAYS

CONCERTI BY THREE CANADIAN WOMEN COMPOSERS 

Pianist Christina Petrowska Quilico, long a champion of the music of contemporary composers, particularly those of her native Canada, performs works by three Canadian women composers for piano and orchestra, in 3 Concerti, a new Centrediscs release from the Canadian Music Centre.

The new CD (CMCCD 15610) features compositions by Alexina Louie, Larysa Kuzmenko and Violet Archer (1913-2000).  They were recorded for broadcast by CBC Radio over the past two decades.  

3 Concerti marks Petrowska Quilico’Äôs 23rd CD, and seventh on the Centrediscs label.   

The CD features the following, all with Petrowska Quilico as piano soloist:

Alexina Louie: Concerto for Piano and Orchestra (1984) with the National Arts Centre Orchestra conducted by Alex Pauk.

Violet Archer: Concerto No.1 for Piano and Orchestra (1956) with the CBC Vancouver Orchestra conducted by John Eliot Gardiner.

Larysa Kuzmenko: Piano Concerto (1995, rev. 1996) with the Toronto Symphony Orchestra conducted by Jukka-Pekka Saraste.  

CDs can be ordered through the Canadian Music Centre, www.musiccentre.ca or via www.petrowskaquilico.com.  

The 3 Concerti project came as result of the Gender and Performance graduate course that Petrowska Quilico teaches at Toronto’Äôs York University. ’ÄúI wanted the students to hear the brilliance of Canadian women composers, especially in live performance,’Äù she said. ’ÄúThanks to CBC producer David Jaeger, I had recordings of several concerts in which I had premiered women’Äôs concerti. From those recordings we chose works that are very different in their compositional styles, yet in which each features a virtuoso piano part.’Äù 

Since playing her first concerto ’Äì Haydn’Äôs D Major ’Äì at age 10, Christina Petrowska Quilico has performed an impressive range of repertoire for piano and orchestra, from Bach and Beethoven to Bartok, Gershwin, and Canadians Glenn Buhr, the three women on the new CD, and more.   

The Canadian Music Centre and the Canadian League of Composers honored Petrowska Quilico with The 2007 Friends of Canadian Music Award.  A national jury recognized her ’Äúfor her dedication to Canadian contemporary classical music as well as her unwavering support of this country’Äôs composing community. Throughout her exceptional performing and recording career, Christina Petrowska Quilico has had a profound impact on Canada’Äôs classical music community from coast to coast.’Äù  She was also among Canadian artists honored by the CMC on its 50th anniversary in November 2009 at the National Arts Centre, and performed Glass Houses by Ann Southam at the special concert celebrating the occasion.

CRITICAL ACCLAIM OF THE FEATURED CONCERTI AND PERFORMANCES:

Violet Archer Concerto:

In his essay on Violet Archer for the book Contemporary Canadian Composers (Oxford University Press), critic Kenneth Winters calls the Archer concerto, ’Äúa masterpiece and a genuine concerto in terms of display and dynamics.’Äù He refers to the ’Äúease and virtuosity’Äù of both piano and orchestra in the ’Äúpropulsive opening movement,’Äù the ’Äúpensive and lyrical’Äù middle movement, and the ’Äúvigorous’Äù finale, which ’Äúleaves the listener mildly appalled that a work of this calibre should be played so seldom.’Äù

Larysa Kuzmenko Concerto:

The concerto, a CBC commission, drew standing ovations when Petrowska Quilico performed it with the Winnipeg Symphony Orchestra and conductor Bramwell Tovey at the Winnipeg New Music Festival, and again with the Toronto Symphony under Jukka-Pekka Saraste.  Elissa Poole wrote in the Globe and Mail of the ’Äúclassically virtuoso performance by soloist Christina Petrowska Quilico. Kuzmenko returned to the grandiose gestures of the romantic piano concerto.’Äù  The Toronto Star’Äôs William Littler described the concerto’Äôs ’Äúbroad, sweeping gestures and strong melodic profile of a concerto in the romantic tradition. With the considerable help of its soloist, the nimble-fingered Christina Petrowska Quilico, it was the undoubted hit of the evening.’Äù

Alexina Louie Concerto:

Petrowska Quilico twice performed this work with Alex Pauk conducting ’Äì first with the National Arts Centre Orchestra, and again with the Esprit Orchestra.  William Littler of the Toronto Star noted ’Äúthat able champion of the contemporary keyboard literature, Christina Petrowska Quilico, applied the proverbial hammer and tongs to a piano part full of cluster chords, glissandos and runs, surrounded by enough orchestral goings-on in rapidly changing metres to keep conductor Alex Pauk working overtime’Ķ.  The concerto in its deliberately big-boned, splashily and often exotically (complete with lion’Äôs roar and Chinese gongs) scored...it has life, color and drama enough to keep the ear wondering what is going to happen next.’Äù

The Globe and Mail’Äôs Robert Everett-Green called it, ’Äúa large-scale exercise in grand-manner composition, a piece that nearly bursts the bounds of the chamber-sized orchestra for which it was written,’Äù while reflecting the composer’Äôs ’Äúproject of bringing into the mainstream of progressive music the sounds of her Chinese heritage’Ķ.  The pianist, Christina Petrowska Quilico, gave a committed reading of the virtuoso solo part, which makes some fairly athletic demands of the performer.’Äù  



Thursday, March 25, 2010

La SCENA Spring 2010 - La Scena Musicale April 2010 Issue


[Version franˆßaise]


The Music Scene Winter 2010

Hello!

La SCENA is pleased to feature on its Spring 2010 cover the musical comedy staging of Belles-S‰ìurs by Daniel Bˆ©langer and Renˆ© Richard Cyr, based on the theatrical classic by Michel Tremblay. The Arthur LeBlanc Quartet will be the feature of our April La Scena Musicale issue, which readers will find within the La SCENA. Paying subscribers will also receive an exclusive free CD of the Arthur LeBlanc Quartet's recordings of Shostakovich quartets.

Our jazz section will be featuring a sneak peak at the upcoming Miles Davis exhibit at the Musˆ©e des beaux-arts in Montreal. In our arts pages, readers will find La SCENA in conversation with Maurice Forget, Wajdi Mouawad, Gabor Szilasi, and many more.

To help plan your summer months, we will also be offering our annual international arts festivals guide. In La SCENA, you will also find a comprehensive arts calendar as well as detailed previews on all the dance, theatre, visual arts, and cinema events you won't want to miss.

There is much more in store for you this issue, including of course our monthly world music section, our musical events and concert calendars, and our reviews.

The deadline for advertising for this issue is March 26 with artwork due on March 29.


Yours sincerely,

Wah Keung Chan
Founding Publisher and Editor
La Scena Musicale
La SCENA
The Music Scene


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La Scena Musicale
 April 2010

/ La SCENA Spring 2010
  • On the Cover (La SCENA): Daniel Bˆ©langer, Renˆ© Richard Cyr, and Michel Tremblay
  • On the Cover (La Scena Musicale): Arthur LeBlanc Quartet
  • Deluxe Look: Perfect Binding
  • Guide: International Festivals
  • Distribution: April 1
  • Deadline for ad reservations: March 26
  • Deadline for artwork: March 29
  • Total 25,000 copies, 50,000 readers
  • Montreal: 18,500
  • Quebec City: 2,500
  • Newsstands: 2,000
  • Mailing: 2,000
  • Target Readership: professional and amateur artists, music and art lovers
  • Contact : 514-948-0509 or sales@lascena.org
  • Media Kit: http://ads.scena.or


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MARCH Subscription Sale

March Subscription Sale - Why not consider a subscription?
Until March 31, 2010, new subscribers will get $10-$15 off an LSM subscription if they subscribe online. This savings is equivalent to receiving 4 free issues, and the subscription include benefits such as the Naxos Music Library (39,000 CDs streaming) and free MP3 downloads of the Discovery CD Collection (10 full CDs). Note: New for 2010, only paying subscribers will receive the physical Discovery CD.
http://scena.org/LaSCENACard/index_en.html

Already receive the magazine? 
We recommend the new environment-friendly La SCENA Green Card for only $25/year. Also ideal for non-Canadian readers.


NEW: The La SCENA Green Card

All available online

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Next LSM Benefit Activity

Montrˆ©al, Thursday, June 3, 2010 at 8 p.m.
Opˆ©ra de Montrˆ©al
Cinderella by Massenet
Tickets: $99, $71, $46
10% discount for La Scena Musicale subscribers / La SCENA Card members
Note: other dates available upon request.

Reservations: 514-656-3947, sub@scena.org

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NEW Endowment Fund: 
Our application for the matching program, Placement Culture, has formally been accepted: for every dollar donated to LSM/TMS, the Quˆ©bec government will contribute one dollar and fifty cents. Placement Culture is designed to create endowment funds for charitable arts groups like La Scene Musicale/The Music Scene. Our goal is to raise $100,000 until November 30, 2010, which combined with the government contribution, will create a $250,000 endowment. This will help us continue our magazines's excellence and innovation for years to come. We are therefore launching at this time our 2010 endowment fund campaign. Please join our fundraising committee or make a donation.

Please contact 514-948-2520 or info@lascena.org
_____________________________________________________________________________________


Donations Requested:

La Scena Musicale/The Music Scene is a registered charity promoting music and the arts through three magazines and a website. We connect musicians/artists, the arts community and music/art lovers together through education and information. Help us continue our work with a donation (cash or goods) or by volunteering.

Please contact 514-948-2520 or info@scena.org

Donate at CanadaHelps.org or through Paypal
  


Charitable tax no. 14199 6579 RR0001

Labels:

Wednesday, March 24, 2010

La SCENA numˆ©ro de printemps 2010 / La Scena Musicale avril 2010



[English Version]

LSM Sept 2009

The Music Scene Hiver 2010

Bonjour !

La SCENA est heureuse de mettre en couverture de son numˆ©ro de printemps 2010 le spectacle musical Belles-S‰ìurs de Daniel Bˆ©langer et Renˆ© Richard Cyr, basˆ© sur la piˆ®ce classique de Michel Tremblay. Le Quatuor Arthur LeBlanc sera en vedette dans le numˆ©ro d’Äôavril de La Scena Musicale, que les lecteurs trouveront ˆÝ l’Äôintˆ©rieur de La SCENA. Les abonnˆ©s payants recevront ˆ©galement un CD exclusif gratuit de l’Äôenregistrement par le Quatuor Arthur LeBlanc de quatuors de Chostakovitch.

Notre section jazz jettera un premier regard sur l’Äôexposition Miles Davis ˆÝ venir au Musˆ©e des beaux-arts de Montrˆ©al. Dans nos pages sur les arts, les lecteurs trouveront des entrevues avec Maurice Forget, Wajdi Mouawad, Gabor Szilasi et beaucoup d’Äôautres.

Pour vous aider ˆÝ planifier votre ˆ©tˆ©, nous incluons notre guide international annuel des festivals d’Äôart. Dans La SCENA, vous trouverez aussi un calendrier des arts complet ainsi que des aperˆßus dˆ©taillˆ©s des ˆ©vˆ©nements en danse, en thˆ©ˆ¢tre, en arts visuels et en cinˆ©ma que vous ne voudrez pas rater.

Ce numˆ©ro regorge d’Äôautres bonnes choses, dont bien sˆªr notre section mensuelle sur la musique du monde, nos calendriers des ˆ©vˆ©nements musicaux et concerts et nos critiques de disques et de livres.

La date de tombˆ©e pour les annonces est le 26 mars, les maquettes devant nous parvenir au plus tard le 29 mars.



Salutations amicales,

Wah Keung Chan
ˆâditeur et rˆ©dacteur en chef fondateur
La Scena Musicale
La SCENA
The Music Scene
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La Scena Musicale avril 2010 / La SCENA printemps 2010
  • En couverture (La SCENA) : Daniel Bˆ©langer, Renˆ© Richard Cyr et Michel Tremblay
  • En couverture (La Scena Musicale) : Quatuor Arthur LeBlanc
  • Sortie : le 1 avril 2010
  • Tombˆ©e (publicitˆ©) : le 26 mars 2010
  • Maquettes : le 29 mars 2010
  • Tirage : 25 000 exemplaires
  • Quˆ©bec : 2 500
  • Montrˆ©al : 18 500
  • En kiosque : 2 000
  • Abonnements : 2 000
  • Public visˆ© : artistes amateurs et professionnels, passionnˆ©s de musique et d’Äôart
  • Contact : 514-948-0509 ou sales@scena.org
  • Trousse Mˆ©dia : http://ads.scena.org

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Promotion¬´ Abonnements ¬ª de mars ’Äì Pourquoi pas s’Äôabonner ?

Jusqu’Äôau 31 mars 2010, les nouveaux abonnˆ©s obtiendront une rˆ©duction de 10 $ ˆÝ 15 $ sur un abonnement ˆÝ LSM s’Äôils s’Äôabonnent en ligne. Cette ˆ©conomie ˆ©quivaut ˆÝ 4 numˆ©ros gratuits et l’Äôabonnement comprend des privilˆ®ges comme l’Äôaccˆ®s ˆÝ la Discothˆ®que Naxos et le tˆ©lˆ©chargement gratuit de la collection Dˆ©couverte en format MP3 (10 CD). ˆÄ noter : ˆÝ partir de 2010, seuls les abonnˆ©s payants recevront le CD Dˆ©couverte matˆ©riel.

Nous recommandons aux lecteurs ˆÝ l’Äôextˆ©rieur du Canada notre option ˆ©cologique, la Carte verte La SCENA, vendue seulement 25 $/annˆ©e.

http://scena.org/LaSCENACard/index_fr.html

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NOUVEAU : la Carte verte La SCENA

Tout disponible en ligne
  • Versions ˆ©lectroniques de La Scena Musicale/La SCENA (10 numˆ©ros) et The Music Scene(2 numˆ©ros)
  • CD Dˆ©couverte mensuels tˆ©lˆ©chargeables (10 / annˆ©e)
  • 39 000 CD @ Discothˆ®que Naxos
  • Rˆ©ductions
  • Seulement 25 $ (taxes incluses)
  • 514-656-3947, sub@scena.org
  • http://scena.org/LaSCENACard/index_fr.html
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Prochaine activitˆ©-bˆ©nˆ©fice LSM

Montrˆ©al, le jeudi 3 juin 2010 ˆÝ 20 h
Opˆ©ra de Montrˆ©al
Massenet : Cendrillon
Distribution: voir ce lien
Billets : 99 $, 71 $, 46 $
Rˆ©duction de 10 % pour les abonnˆ©s de La Scena Musicale
ˆÄ noter : autres dates disponibles sur demande.

Rˆ©servations : 514-656-3947, sub@scena.org

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Lancement du Fonds de dotation LSM

Notre demande au programme de subventions de contrepartie, Placement Culture, a ˆ©tˆ© officiellement approuvˆ©e. Par consˆ©quent, le gouvernement du Quˆ©bec versera 1,50 $ pour chaque dollar de don reˆßu par LSM. Le programme Placement Culture exige que La Scˆ®ne Musicale crˆ©e un fonds de dotation. Notre objectif est de recueillir 100 000 $ au cours des douze prochains mois. Si l’Äôon y ajoute la subvention de contrepartie du gouvernement, le montant du fonds s’Äôˆ©lˆ®verait ˆÝ 250 000 $. L’Äôatteinte de cet objectif est d’Äôune extrˆ�me importance pour maintenir l'excellence et assurer la survie de nos pˆ©riodiques, et c’Äôest pourquoi nous annonˆßons maintenant le lancement de notre campagne 2010 de contributions au fonds de dotation. Veuillez faire un don ou vous joindre ˆÝ notre comitˆ© de financement.

Info : 514-948-2520 ou info@lascena.org

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Dons et bˆ©nˆ©voles demandˆ©s

La Scena Musicale/The Music Scene est un organisme de bienfaisance enregistrˆ© qui fait la promotion des arts et de la musique en publiant trois magazines et un site Web. Nous rapprochons les musicien(ne)s et les artistes avec la communautˆ© artistique, les mˆ©lomanes et les amateurs d'art. Aidez-nous ˆÝ poursuivre notre travail avec un don (d'argent ou de biens) ou par du travail bˆ©nˆ©vole. Communiquez avec nous au 514-948-2520 ou ˆÝ info@scena.org

Donnez ˆÝ CanaDon.org

No d'organisme de bienfaisance ˆÝ l'ARC : 14199 6579 RR0001
 
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Labels:

The First Chicago Early Music Festival

CHICAGO EARLY MUSIC FESTIVAL

April 20 ’Äì 25, 2010

 
Inaugural six-day celebration of music of the Medieval, Renaissance, and Baroque eras
at multiple Chicago music venues

The Chicago Early Music Festival debuts as the City’Äôs first festival celebrating music of the Medieval, Renaissance and Baroque eras.  The six-day festival, presented by the Chicago Department of Cultural Affairs and the Chicago Office of Tourism, represents an unprecedented collaboration amongst the City of Chicago and some of Chicago’Äôs leading ensembles and organizations, including Chicago Opera Theater, University of Chicago Presents, Baroque Band, International Music Foundation, and the Newberry Consort. 

The Chicago Early Music Festival features free and ticketed performances, workshops, and master classes by internationally renowned musicians in venues throughout the city. 

’ÄúChicago ensembles have been presenting Early Music for some time, but this exciting new festival takes it to a new level, showcasing our city’Äôs Early Music community and bringing in top international performers,’Äù said Cultural Affairs Commissioner Lois Weisberg.  ’ÄúWe hope that residents and tourists alike will enjoy this historic and truly wonderful music.’Äù

The Chicago Early Music Festival will present music spanning five centuries- from the 14th until the mid-18th century.  Early Music is a term commonly used to describe Western classical music before the time of Mozart, encompassing Medieval chant, the late Baroque masterworks of Handel and Bach, and everything in between.  Pioneers like Wanda Landowska and Arnold Dolmetsch paved the way for a resurgence of interest in Early Music in the mid-20th century, with the rediscovery of historical instruments and long-lost techniques of playing them.  Now, sixty years later, Early Music has finally entered the musical mainstream, with ensembles all over the world playing and singing this music.

For updates to the schedule and more information, visit www.ChicagoEarlyMusicFest.org or call the hotline at 312.742.1938.

SCHEDULE OF CONCERTS

The English Nightingale: Virtuoso Recorder Music from Renaissance to Romantic
Piers Adams, Recorders; Howard Beach, Harpsichord
Tuesday, April 20, 12:15 pm
Enclosed stage of the Jay Pritzker Pavilion in Millennium Park, Michigan Ave at Washington St
Admission: Free
A self-styled modern Pied Piper, British recorder virtuoso Piers Adams performs music spanning four centuries with duo-partner, harpsichordist Howard Beach.  The incredibly diverse program includes renaissance selections by Bassano and Van Eyck, tracing the development of the sonata through Castello, Corelli, and J.S. Bach before arriving at the 19th century with a set of variations by Ernst Kraehmer.

Being Dufay
Tuesday, April 20, 7:30 pm
Chicago Cultural Center, Preston Bradley Hall, 78 E. Washington St

Admission: Free

The hauntingly beautiful Being Dufay combines early music with some of today’Äôs most cutting-edge digital techniques in a lush, harmonic sound world. Sound artist Ambrose Field realizes his own score, a mesmerizing series of electronic soundscapes, with former Hilliard Ensemble tenor John Potter’Äôs expressive rendition of vocal fragments by 15th century composer Guillaume Dufay. 

Dame Myra Hess Concert: A Musical Voyage: Baroque Music from Italy, Germany & France
Brandi Berry, baroque violin; Anna Steinhoff, baroque cello; Jason Moy, harpsichord
Wednesday, April 21, 12:15 pm

Chicago Cultural Center, Preston Bradley Hall, 78 E. Washington St

Admission: Free
Embark on a journey through 18th century Italy, Germany, and France with violinist Brandi Berry, cellist Anna Steinhoff, and harpsichordist Jason Moy, in this program of violin sonatas by Arcangelo Corelli and J.S. Bach, and an exquisite but rarely-heard chaconne of Jacques Morel.  Dame Myra Hess Concerts are a celebrated series of weekly concerts featuring solo and ensemble classical music performed by young musicians. Produced by the International Music Foundation and supported by a grant from the John D. and Catherine T. MacArthur Foundation, the concerts are broadcast live on WFMT (98.7 FM). 

Baroque Band: Vivaldi’Äôs L’ÄôEstro Armonico
Wednesday, April 21, 7:30 pm
St. James Cathedral, 65 E. Huron St
Admission: $35; seniors $30; students $15 at 312.235.2368
Chicago’Äôs period instrument orchestra, Baroque Band, presents Vivaldi’Äôs L’ÄôEstro Armonico (The Harmonic Inspiration) in the exquisite sanctuary of St. James Cathedral.  Violinist Garry Clarke leads the ensemble in scintillating performances of eight concerti from Vivaldi’Äôs popular and influential collection that features solo cello, and at times, up to four solo violins. 

Ensemble Lipzodes: Shakespeare & the Bassano Family
Thursday, April 22, 12:15 pm
Enclosed stage of the Jay Pritzker Pavilion in Millennium Park, Michigan Ave at Washington St
Admission: Free
Ensemble Lipzodes presents a program inspired by the relationship between Shakespeare and the Bassano family, and their trip to Venice together at the end of 1593.  Famous as performers and instrument makers for the royal courts and churches of English and Italy, the Bassanos are thought to have invented the dulcian family of instruments featured in this concert. The program includes sonnets about the Emilia Bassano, the ’ÄúDark Lady’Äù, and quotations from The Merchant of Venice inspired by the Bassano family.

Mitzi Meyerson, harpsichord
Thursday, April 22, 7:30 pm
Chicago Cultural Center, Preston Bradley Hall, 78 E. Washington St
Admission: Free
Harpsichordist and fortepianist Mitzi Meyerson returns to her native Chicago to present a recital of solo harpsichord music.  Meyerson is one of the world’Äôs most highly regarded early keyboard specialists, with over 50 internationally-acclaimed recordings; a busy teaching schedule at the esteemed Universitˆ§t der Kˆºnste in Berlin, where she is Professor of Harpsichord; and numerous concert engagements both as a solo artist and with her ensemble, The Bottom Line, which is dedicated to the performance of repertoire for bass and continuo instruments. 

Baroque Dance Performance: Paige Whitley-Bauguess with the Bach and Beethoven Ensemble
Friday, April 23, 12:15 pm
Enclosed stage of the Jay Pritzker Pavilion in Millennium Park, Michigan Ave at Washington St
Admission: Free
Baroque dancer Paige Whitley-Bauguess interprets, recreates, and performs baroque theatre dance in venues all over the world.  She is accompanied in this performance by the Bach and Beethoven Ensemble, one of Chicago’Äôs newest, rising-star period instrument ensembles founded by violinist Brandi Berry and oboist Curtis Foster.

Liber Ensemble: Crowned with Laurels presented by University of Chicago Presents
Friday, April 23, 7:30 pm
Rockefeller Memorial Chapel, 5850 S. Woodlawn Ave
Admission: $32; $5 students with valid ID at 773.702.8068
Founded in 1996, vocal ensemble Liber (formerly Liber unUsualis) has soared to prominence for its warm, compelling, and assured performances of medieval and early-renaissance music. The ensemble's mastery of medieval vocal technique and inventive programming have drawn enthusiastic audiences throughout the United States and Europe. This 4-voice program explores the extraordinary repertoire of 14th century Italy and France in settings of poetry by Petrarch, Sacchetti, Boccaccio, and others.

Fair Orianna: Early Movie with Early Music presented by The Newberry Consort
Saturday, April 24, 12 pm
Fullerton Hall at the Art Institute of Chicago, 111 S. Michigan Ave
Admission: $25 at 312.255.3610
Sarah Bernhardt’Äôs 1912 silent movie, Elizabeth I, is accompanied by music performed by The Newberry Consort, one of the Chicago area’Äôs longest running and most successful early music ensembles.  Soprano Ellen Hargis joins the ensemble of viols and violin in an original soundtrack of Elizabethan music compiled by the Consort’Äôs director, David Douglass.

Overtures
Saturday, April 24, 12:15 pm
Enclosed stage of the Jay Pritzker Pavilion in Millennium Park, Michigan Ave at Washington St

Admission: Free

A concert showcasing the next generation of early music stars including performers from Northwestern University, DePaul University, Midwest Young Artists, and the Music Institute of Chicago.

Chicago Opera Theater: Giasone
Saturday, April 24, 7:30 pm
Harris Theater, 205 E. Randolph St
Admission: $30 - $120 at 312.704.8414
Francesco Cavalli’Äôs at-times bawdy adaptation of the myth of Jason and his Argonauts made Giasone one of the 17th century’Äôs most popular operas.  Led by critically acclaimed early music conductor and harpsichordist Christian Curnyn and the gifted young Australian director Justin Way, this production marks the premiere performance of Giasone by a professional opera company in Chicago.  Giasone kicks off Chicago Opera Theater’Äôs trilogy of Baroque operas exploring the tragic character of Jason’Äôs wife, Medea, in its next three seasons

Sunday Salon Series: Fˆ�tes Galantes
Trio Settecento
Sunday, April 25, 3 pm
Chicago Cultural Center, Preston Bradley Hall, 78 E. Washington St

Admission: Free

Period instrument ensemble Trio Settecento combines the virtuosic talents of  Rachel Barton Pine (violin), John Mark Rozendaal (viola da gamba/’Äòcello), and David Schrader (harpsichord/organ)in "... some of the most refreshing, life-enhancing Baroque playing heard in years" (Chicago Tribune).  Their French Baroque program includes festive music by Marais and Forqueray, virtuoso sonatas of Leclair and Rebel, one of Rameau’Äôs Pieces de Clavecin en Concert, and a suite from Francois Couperin’Äôs Concert Royaux.

By a Celestial Fountain: Music of William Byrd presented by The Newberry Consort
Sunday, April 25, 7 pm
The Fourth Presbyterian Church of Chicago, 126 E. Chestnut St
Admission: $25; students $5 at 312.255.3610
Presented by the Newberry Consort
The Newberry Consort’Äôs viols and singers are joined by keyboardist David Schrader in music by the foremost Elizabethan composer, William Byrd. This concert honors the late musicologist, Howard Mayer Brown, whose scores and instruments were bequeathed to the Newberry Library, and includes his favorite works performed on instruments from his collection.

 

SCHEDULE OF WORKSHOPS & LECTURES

In addition to the events listed below, several of the concerts will be accompanied by a pre-concert lecture.  Visit www.chicagoearlymusicfest.org for more information.

Ensemble Lipzodes: Performing Medieval Song
Thursday, April 22, 2:30 ’Äì 5 pm
Enclosed stage of the Jay Pritzker Pavilion in Millennium Park, Michigan Ave at Washington St
Admission: Free, reservations required to participate in class 312.742.TIXS (8497)
The musicians of Ensemble Lipzodes present a workshop on the performance of vocal repertoire from the Middle Ages.  All are welcome, and no prior experience is necessary!

Paige Whitley-Bauguess: Early Dance Class
Friday, April 23, 2 ’Äì 4:15 pm
Enclosed stage of the Jay Pritzker Pavilion in Millennium Park, Michigan Ave at Washington St
Admission: Free, reservations required to participate in class 312.742.TIXS (8497)
Come experience the intricacies of this popular 17th and 18th century art form in a class given by Baroque dance specialist Paige Whitley-Bauguess.  The musicians of the Bach and Beethoven Ensemble provide the musical accompaniment.  All are welcome, and no prior experience is necessary!

Performance Practice Panel
Presented by Chicago Opera Theater
Thursday, April 22, 1:15 ’Äì 2:15pm
Enclosed stage of the Jay Pritzker Pavilion in Millennium Park, Michigan Ave at Washington St
Admission: Free
An esteemed panel including Giasone conductor Christian Curnyn, University of Chicago Professor Robert Kendrick, Chicago Opera Theater stage director Andrew Eggert, and Baroque violinist Nadja Zwiener discuss early music performance practice.    

 

SCHEDULE OF MASTER CLASSES

 

To participate in any of the master classes, check the festival’Äôs website at www.chicagoearlymusicfest.org for application information.  All are welcome to listen and enjoy the music.

Piers Adams, recorder

Tuesday, April 20, 2 ’Äì 4:30 pm
Enclosed stage of the Jay Pritzker Pavilion in Millennium Park, Michigan Ave at Washington St

Admission: Free

Come hear some talented, up-and-coming recorder players!  British recorder virtuoso Piers Adams gives a free master class at Jay Pritzker Pavilion in Millennium Park. 
This event is supported in part by the American Recorder Society, Chicago Chapter.

Mitzi Meyerson, harpsichord
Wednesday, April 21, 2 ’Äì 3:30pm
Enclosed stage of the Jay Pritzker Pavilion in Millennium Park, Michigan Ave at Washington St
Admission: Free
Harpsichordist Mitzi Meyerson, a Chicago native, is a world-renowned early keyboard specialist based in Germany, where she is Professor of Harpsichord and Fortepiano at the Universitˆ§t der Kˆºnste in Berlin. 

Nadja Zwiener, violin
Presented by Chicago Opera Theater
Wednesday, April 21, 3:30 ’Äì 5 pm
Enclosed stage of the Jay Pritzker Pavilion in Millennium Park, Michigan Ave at Washington St
Admission: Free
German-born violinist Nadja Zwiener is a frequent soloist and concertmaster with some of the leading orchestras and period instrument ensembles in Europe, like the English Concert, Orchestra of the Age of Enlightenment, Les Arts Florissants and others.

Le Fonds Essor: une premiˆ®re au Quˆ©be

Un nouveau fonds de 455 000 $ dˆ©diˆ© aux mˆ©tiers d’Äôart

Quˆ©bec, le 12 mars 2010 ’Äì ˆÄ l’Äôinitiative de la table des mˆ©tiers d’Äôart du Conseil de la culture, six partenaires s’Äôentendent pour crˆ©er un fonds de 455 000 $ sur 3 ans, venant en aide aux artistes et artisans des mˆ©tiers d’Äôart de la rˆ©gion de la Capitale-Nationale. Cette initiative de partenariat permettant la mise en place d’Äôun fonds de microcrˆ©dit pour supporter les artisans est une premiˆ®re au Quˆ©bec. Le nouveau Fonds ESSOR donne accˆ®s ˆÝ du crˆ©dit, ˆÝ de l’Äôaccompagnement et ˆÝ des services adaptˆ©s.

Ce Fonds vise notamment ˆÝ amˆ©liorer les conditions de pratique, susciter des occasions d’Äôaffaires, permettre la rˆ©alisation de prestations publiques et obtenir une formation de maˆÆtre dans une spˆ©cialitˆ© donnˆ©e. Concrˆ®tement, le Fonds ESSOR propose des prˆ�ts pouvant atteindre 20 000 $, remboursables sur un maximum de trois ans, ainsi qu’Äôun accompagnement soutenu et adaptˆ© ˆÝ la rˆ©alitˆ© des artistes et des artisans.

Les signataires de l’Äôentente sont le Centre local de dˆ©veloppement (CLD) de Quˆ©bec, la Sociˆ©tˆ© de dˆ©veloppement des entreprises culturelles (SODEC), le Fonds d’Äôemprunt Quˆ©bec, le Conseil de la culture de la rˆ©gion de Quˆ©bec, l’Äôˆâcole de joaillerie de Quˆ©bec et la Maison des mˆ©tiers d’Äôart de Quˆ©bec. La Caisse d’Äôˆ©conomie solidaire est partenaire commanditaire. Ce fonds sera administrˆ© par le Fonds d’Äôemprunt Quˆ©bec.

La communautˆ© s’Äôest mobilisˆ©e afin d’Äôapporter une solution concrˆ®te aux besoins et aux problˆ®mes de financement des artistes et artisans des mˆ©tiers d’Äôart. Le prˆ©sident de la table des mˆ©tiers d’Äôart du Conseil de la culture, M. Gilles Pelletier, a soulignˆ© : ¬´ Nous sommes fiers que les partenaires aient rˆ©pondu ˆÝ notre appel permettant ainsi l’Äôamˆ©lioration des conditions d’Äôexercice des mˆ©tiers d’Äôart ¬ª.

Pour plus d’Äôinformation, veuillez consulter : www.culture-quebec.qc.ca

Kurt Rosenwinkel Standards Trio Sells Out - SAT. March 27 @ 8pm

’ÄúRosenwinkel’Äôs music represents the sound of the future-just as bebop once did.’Äù - Howard Reich, Chicago Tribune
 
Toronto, ON ’Äì March 12, 2010 ’Äì The innovative and iconic, 39-year-old guitarist and Verve recording artist Kurt Rosenwinkel is performing in the fourth stunning installment of the Jazz Education and Performance Centre (JPEC) concert series - www.jazzcentre.ca.  On Saturday, March 27, 2010 at 8 pm, The Kurt Rosenwinkel Standards Trio will take the stage at Glenn Gould Studio, 250 Front Street West. One of the most widely admired jazz artists of his generation, Rosenwinkel will be accompanied by Eric Revis (bass) and Rodney Green (drums) in what promises to be a soul-stirring performance.
Tickets are $35 Regular and $20 for Student/Rush (available by phone or in person with student ID; a limited number of rush seats available 30 minutes before performance time). Tickets are available at the Roy Thomson Hall box office (416) 872-4255 or www.jazzcentre.ca
Kurt is rightfully taking his place alongside significant contemporary figures like Pat Metheny, John Scofield, John Abercrombie and Bill Frisell. While his body of work as a leader is only beginning to develop, he has worked with a cross-generational who's who of players including drummer Paul Motian, vibraphonist Gary Burton, drummer Brian Blade and saxophonists Joe Henderson and Joshua Redman.
Rosenwinkel, who grew up in the U.S. and now lives in Berlin, cultivates his following by bucking tradition and has earned respect for his inventive, original tunes. His last album, Reflections by his Standards Trio, received excellent reviews and his encompassing musical vision has won him a mantel full of superlatives from fellow jazz artists like tenor sax star Joshua Redman, who declared that Rosenwinkel ''is without question one of the greatest artists of our generation."

''He somehow manages to write music that is incredibly sophisticated and complex, but so excruciatingly beautiful," Redman said in a recent conversation. ''He's created his own harmonic world, which in and of itself is a huge accomplishment in jazz. He has this incredible sense of melodic clarity and lyricism. His sound is so personal."

The Jazz Performance and Education Centre, officially founded in 2008, is a registered charity dedicated to the preservation and development of jazz in Canada. The result of a collaboration between business people, musicians and arts professionals who are passionate about jazz in Toronto, JPEC’Äôs ultimate goal is to create a full-time jazz venue in the city: this first-class, multi-purpose facility will feature performances by top local, national and international jazz talent; educational programming through which fans of all ages can learn about jazz; recording facilities; and a Hall of Fame and Archives which will encompass and preserve Canada’Äôs outstanding jazz heritage and tradition. The facility will enhance Toronto’Äôs reputation as one of the best cities in North America in which to experience live jazz.

"We are delighted to bring this exciting evening of Jazz to Toronto and look forward to supporting years of more great jazz performances, engaging presentations and creative collaboration with Toronto 's jazz community," says JPEC Chair Ray Koskie.

JPEC’Äôs inaugural season features a variety of exciting programming including concerts at Glenn Gould Studio and the Bluma Appel Theatre, featuring the Oliver Jones Trio, Dianne Reeves, the Ingrid Jensen Quintet, the Kurt Rosenwinkel Trio and the Bill Charlap/Renee Rosnes Duo. The season also celebrates a series of lectures, hosted by the Miles Nadal Jewish Community Centre, led by local jazz musicians and writers including Heather Bambrick, Mark Barnes, Jack Chambers and Andrew Scott; and a series of jazz programs for children hosted by Casa Loma.

For more information on the Jazz Performance and Education Centre, visit www.jazzcentre.ca -
JPEC’Äôs 2009-2010 season is generously supported by Lead Sponsor Koskie Minsky LLP and Media Partner Jazz.FM91 and National Post.

’ÄúJazz to me is a must for everyone. It’Äôs exciting, it makes you want to dance and it’Äôs very cool.’Äù
- The Honourable
Lincoln M. Alexander 

Symphony Nova Scotia announces its 2010/11 season

Halifax, NS ’Äì Symphony Nova Scotia is delighted to announce its 2010/11 concert season! This season the orchestra brings you more great music ’Äì more classical heavyweights, more Canadian and Maritime content, and more of Nova Scotia’Äôs best artists and bands.

’ÄúThere’Äôs something for everyone in the new Symphony Nova Scotia season,’Äù says Music Director Bernhard Gueller.

’ÄúWe are proud to present concerts such as The Music of the Beatles, Mozart’Äôs Requiem, The Nutcracker, Howard Cable’Äôs Holiday Spectacular, and our annual collaboration with the Nova Scotia Youth Orchestra. Amongst the wealth of leading guest artists are Basia Bulat, Erin Costelo, Meaghan Smith, Jan Lisiecki, and Jon Kimura Parker.’Äù

Season ticket packages are now available now for 2010/11. Highlights include:

CELEBRITY CLASSICS SERIES: ten inspiring classical music concerts
  • Halifax’Äôs own Denise Djokic opens the season with Saint-Saˆ´ns’Äô beloved Cello Concerto.
  • The orchestra performs some of the greatest works of the symphonic repertoire: Beethoven’Äôs Fifth, Brahms’Äô Violin Concerto, Schubert’Äôs ’ÄúUnfinished’Äù symphony, Mozart’Äôs ’ÄúJupiter’Äù symphony and more’Ķ
  • Young Canadian pianists Jan Lisiecki and Avan Yu join the Symphony to perform two exuberant concertos.
  • The Symphony presents Mozart’Äôs stunning Requiem for the first time in a decade.
  • And then, the Scandinavian Festival, with an augmented orchestra to bring you Grieg’Äôs Peer Gynt Suite and his Piano Concerto with Jon Kimura Parker. You’Äôll also hear Sibelius’Äô Symphony no. 2, as well as his unparalleled Violin Concerto.

POPS SERIES: eight lively Maritime and popular music concerts
  • The annual tribute concert takes on the greatest hits of the Beatles!
  • Comedian Steve Smith (a.k.a. Red Green) joins the orchestra for a hilarious symphonic take on everything handy. (And yes, there will be duct tape!)
  • The Symphony brings in more of Cape Breton’Äôs best ’Äì this time, the Barra MacNeils ’Äì for a foot-stomping Celtic music concert.
  • In a throwback to the hugely successful and sold-out 2007 Motown concert, Dutch Robinson joins the orchestra for Symphonic Soul.
  • Local stars like Meaghan Smith, Erin Costelo, and Sons of Maxwell bring the music home in the Maritime series.
  • Howard Cable conducts the orchestra in a massive holiday pops extravaganza.

BAROQUE SERIES: three exquisite concerts in an intimate venue, plus Handel’Äôs Messiah
  • Tafelmusik’Äôs incomparable Jeanne Lamon returns once again, this time to perform the best of English baroque music.
  • Alexander Weimann, one of the world’Äôs best harpsichordists, performs the baroque music of his home country, Germany.
  • Baroque specialist Noel Edison, director of the Toronto Mendelssohn Choir, comes to Halifax with his authentic, lively interpretation of Handel’Äôs majestic Messiah.

AND MORE’Ķ
  • Family concerts include the 20th-anniversary production of the holiday hit The Nutcracker, along with Spooky Chills and Musical Thrills, a very special in-costume Halloween concert ’Äì complete with costume contest, face painting, and a musical instrument petting zoo!
  • The Nova Scotia Youth Orchestra joins Symphony Nova Scotia for a performance of one of the world’Äôs favourite symphonic works: Mahler’Äôs Fifth Symphony.

A brochure outlining Symphony Nova Scotia’Äôs 2010/11 season is available by calling the box office at 494.3820 or 1.800.874.1669, or by visiting the Symphony Nova Scotia website at www.symphonynovascotia.ca.

Single tickets for Symphony Nova Scotia’Äôs 2010/11 season go on sale August 3, 2010, and ticket packages are available now.

Ticket package holders receive a host of rewards, including savings of up to 30%, the best available seats in the house, a free open rehearsal pass, free e-programs, and an exclusive subscriber rewards card. And if you're under 30, you can save even more ’Äì up to 60% ’Äì with the Under-30 U-Pick package.

To purchase a season ticket package, call 494.3820 or 1.800.874.1669 today!

About Symphony Nova Scotia
Symphony Nova Scotia is Nova Scotia’Äôs orchestra. Each year more than 50,000 audience members (including 16,000 young music lovers) join us in communities across Nova Scotia for performances of the music they love ’Äì from baroque and classical to pop and rock and folk. Under the inspirational leadership of Music Director Bernhard Gueller, Symphony Nova Scotia is recognized as one of the finest orchestras in the country. Visit www.SymphonyNovaScotia.ca to learn more, listen online, or subscribe today!

Symphony Nova Scotia is grateful to the Canada Council for the Arts, Nova Scotia Tourism, Culture, and Heritage, and the Halifax Regional Municipality for their continued support.

Opera Lyra Ottawa Opera Studio Competition

Preparing the next generation of Canada’Äôs opera stars!
March 11, 2010 NAC Fourth Stage

March 12, 2010...Opera Lyra Ottawa celebrated a grand evening of opera on March 11, 2010 at the NAC Fourth Stage which showcased the next generation of Canadian opera stars.  The evening was hosted by Opera Lyra Ottawa’Äôs own Tyrone Paterson and OLO Chorus member, Chris Mallory.  The judges for the evening were Brenda Harris (who will perform Lady Macbeth in OLO’Äôs upcoming production of Macbeth), Greer Grimsley (in the title role of Macbeth) and Joseph Bascetta (Director of Macbeth).   

Opera Lyra Ottawa Opera Studio members each performed two opera arias and were judged based on the quality of their voices, their presentation, diction, musicality, their tone, as well as choice of repertoire. 

Mark Ellis Gough, Baritone, performed ’ÄúRivolgete a lui lo sguardo’Äù from Mozart’Äôs Cosi fan tutte as well as ’Äúthrough the port comes the moonshine astray’Äù from Benjamin Britten’Äôs Billy Budd!  Soprano, Christina Tannous followed her first aria ’ÄúMonica’Äôs Waltz’Äù from Menotti’Äôs The Medium by ’ÄúJe suis encor tout ˆ©tourdie’Äù from Massenet’Äôs Manon.  Graham Thomson, Tenor, who performed in this year’Äôs Black & White Opera Soiree, sang ’ÄúIch baue ganz’Äù from Mozart’Äôs Abduction from the Seraglio and ’ÄúAh! Mes amis’Äù from Donizetti’Äôs La fille du regiment. Sara Christina Steinert, Mezzo-Soprano performed ’ÄúUna voce poca fa’Ä„ from  Rossini’Äôs Il Barbiere di Siviglia as well as ’ÄúSein wir wieder gut’Äù from Strauss’Äôs Ariadne auf Naxos.  And, last but not least, the Opera Lyra Ottawa’Äôs Opera Studio Award winner and audience-choice winner, Bass, Brian Wehrle impressed the judges and audience with his choice of repertoire singing ’ÄúSorge infausta una procell’Äù from Handel’Äôs Orlando, and ’ÄúWie schˆ�n ist doch die Musik’Äù Strauss’Äôs Die Schweigsame Frau. 

The OLO Opera Studio Award         $2,500           Brian Wehrle
The Spotlight Award                     $1,500          Sara Christina Steinert
The New Sun Award                    $1,000          Mark Ellis Gough
The Emerging Artist Award             $500             Graham Thomson
The Emerging Artist Award             $500             Christina Tannous
Audience Choice Award                 $200             Brian Wehrle

Support from our sponsors and donors allows Opera Lyra Ottawa to present internationally renowned Canadian artists, fund our Opera Studio, and develop special initiatives to bring opera to young audiences, such as Young People’Äôs Opera Matinee and school performances and tours.

The OLO Opera Studio provides professional training that prepares the next generation of Canadian singers, stage directors, conductors / repetiteurs and stage managers for professional operatic careers.  Members have the opportunity to perform on stage and take master classes from renowned opera singers.

Robert Walters to Lead the Oboe Studio at the Oberlin Conservatory of Music

OBERLIN, OHIO (March 11, 2010)’ÄîDean of the Oberlin Conservatory of Music David H. Stull has announced the appointment of Robert Walters to the position of professor of oboe and English horn at the conservatory, effective July 1, 2010.

"Robert Walters is a phenomenal artist and teacher who will continue to serve as a brilliant mentor to our students," says Stull. "His extraordinary success in preparing world-class artists will benefit generations of musicians at Oberlin, and we are exceedingly fortunate to have him as a member of our faculty."

Walters assumes leadership of an oboe and English horn studio that has seen a great deal of success, with recent Oberlin graduates being offered principal positions in the Shanghai, Kansas City, and Pacific symphonies and the Santiago Philharmonic. Others have been finalists for principal positions with San Francisco Opera and the Seattle Symphony.

’ÄúThe culture of wind playing and teaching at the Oberlin Conservatory of Music is a long and distinguished one,’Äù says Walters. ’ÄúI am thrilled to be part of a faculty that is so deeply committed to shaping and guiding successive generations of young musicians. I love the sense of shared mission that animates absolutely everyone who teaches here.’Äù

Walters plays oboe and solo English horn with the Cleveland Orchestra, a position he also held with the Metropolitan Opera and Cincinnati Symphony. He has taught at Bard, Swarthmore, Haverford, and at the University of Pennsylvania. He currently teaches at the Aspen Music Festival, the Colorado College Summer Music Festival, and the New World Symphony.

A fourth-generation music professor and a graduate of both the Curtis Institute of Music and Columbia University, Walters believes that his educational experiences and background instilled in him a strong commitment to teaching’Äîespecially at the undergraduate level. ’ÄúThe ideals of intensive musical training coupled with a broad education have profoundly shaped my own life,’Äù says Walters. ’ÄúIt is a great joy for me to help undergraduates forge a similar path for themselves at such a rich and vital time in their lives.

’ÄúThe principles that I share with my students at Oberlin are ones that I constantly refer to while performing with the Cleveland Orchestra,’Äù says Walters. ’ÄúMy Oberlin students recognize that for me, teaching and playing are, as the poet William Mathews suggests, ’Äòtwo parts of a single and seamless investigation.’Äô’Äù

Throughout his teaching career, Walters has helped students of both instruments attain positions with the orchestras of Atlanta, Baltimore, Cincinnati, Houston, Indianapolis, Los Angeles, New Jersey, Rochester, Seattle, and San Francisco.

’ÄúThe level of playing keeps getting higher and higher,’Äù says Walters. ’ÄúI’Äôm convinced that our good fortune is a direct result of a teaching style that seeks to mirror that of the Oberlin Conservatory itself. We offer a world-class musical education that places self-discovery on equal footing with instrumental mastery.’Äù

Robert Walters
Robert Walters joined the Cleveland Orchestra as solo English horn and oboe at the beginning of the 2004-05 season. He previously held the same positions with the Metropolitan Opera and the Cincinnati Symphony. From 1990 to 1996, he performed and recorded with the Philadelphia Orchestra, Orchestra of St. Luke’Äôs, Orpheus Chamber Orchestra, and the Chamber Music Society of Lincoln Center, among other ensembles. He also was a frequent performer with James Levine and the MET Chamber Ensemble at Carnegie Hall.

Walters has appeared as guest soloist with the Chicago Symphony, the Cincinnati Symphony, and the Orpheus Chamber Orchestra at Carnegie Hall. Other solo engagements include performances with the Beijing Radio Symphony and Curtis Symphony Orchestra. He has been a faculty member of the Colorado College Summer Music Festival since 2003 and the Aspen Music Festival since 2005. He became a member of the oboe faculty at the Oberlin Conservatory of Music in February 2006. Previously, he has taught oboe at Bard, Haverford, and the University of Pennsylvania.

A native of Los Angeles, Walters earned a Bachelor of Music degree at the Curtis Institute of Music and a Master of Fine Arts degree at Columbia University, Graduate Writing Division. He spent five summers at the Marlboro Music Festival and toured as a member of Musicians from Marlboro. He also participated in the National Repertory Orchestra, the Bard and Spoleto festivals, and the Kent/Blossom Music program. Walters studied with Richard Woodhams, principal oboe of the Philadelphia Orchestra, and the late John Mack, former principal oboe of the Cleveland Orchestra.

The Oberlin Conservatory of Music ’Ä®
Awarded the 2009 National Medal of Arts by President Barack Obama, the Oberlin Conservatory of Music is renowned internationally as a professional music school of the highest caliber. Praised as a ’Äúnational treasure’Äù by the Washington Post, the conservatory, founded in 1865 and situated amid the intellectual vitality of Oberlin College since 1867, is the oldest continuously operating conservatory in the United States. Oberlin’Äôs alumni enjoy illustrious careers in all aspects of the music world. They have achieved prominence as solo performers; chamber, orchestral, and jazz musicians; composers; conductors; and music educators, scholars, and administrators.’Ä®’Ä®

Dance Immersion Celebrates 15th Year

dance Immersion
presents its
2010 SHOWCASE
and
CELEBRATES 15TH YEAR
OF
NURTURING CANADIAN DANCE AND DANCERS FROM
THE AFRICAN DIASPORA

Thursday May 27-Saturday May 29, 2010 at 8:00PM
Harbourfront Centre's Fleck Dance Theatre
207 Queens Quay West, 3rd Floor, Toronto, Ontario.

Tickets; $25-$30 (Student/Seniors $20-25)
For tickets and information, Harbourfront Centre Box Office at 416-973-4000.

dance Immersion celebrates its 15th Annual Showcase Presentation with a special array of Canadian talent from some of the country's foremost up-and-coming dance artists whose background hails from the African diaspora.

The 2010 Showcase Presentation is a display of expressive and revealing dance from a talented spectrum of today's African-Canadian dance community.

Companies and individuals performing include:
Montreal's Ghislaine Dote,
Edmonton's Movements,
Toronto's Sharon Harvey, Kashedance, Aya Dance Collective,
and Mafa Makhubalo.

 A Talk-Back follows the performance on opening night (Thursday May 27), giving audience members a chance to interact with the dancers and get a glimpse behind the process of dance creation.

dance Immersion Program Director, Vivine Scarlett, notes, "Our 15th anniversary Showcase Presentation offers a rare opportunity for Toronto to experience and learn from Canada's leading up -and-coming dance artists who will be a part of the Canadian-African dance milieu for years to come."

La Sociˆ©tˆ© Philharmonique de Montrˆ©al annonce son prochain concert

Grand Concert Vendredi Saint


Montrˆ©al, le 11 mars 2010 ’Äì La Sociˆ©tˆ© philharmonique de Montrˆ©al (www.philharmontreal.com) est heureuse de prˆ©senter le Grand Concert Vendredi Saint auquel se joindront au Ch‰ìur de l’ÄôUQˆÄM, le Ch‰ìur de l’Äôˆâcole Joseph-Franˆßois-Perrault et la Manˆ©canterie Harmonia Mundi, le 2 avril 2010, ˆÝ 20 h, ˆÝ l’Äôˆ©glise Saint-Jean-Baptiste (309, rue Rachel Est, Montrˆ©al, mˆ©tro Mont-Royal) sous la direction de maestro Miklˆ„s Takˆ°cs.

Le maestro Takˆ°cs a ˆ©laborˆ© un imposant programme oˆ¼ les mˆ©lomanes pourront entendre le Requiem de Faurˆ©, l’ÄôOde ˆÝ la joie de Beethoven ainsi que le Te Deum de Kodˆ°ly. En sˆ©lectionnant ces oeuvres, maestro Takˆ°cs explique qu’Äôil a voulu crˆ©er un lien entre la vie et la mort : ¬´ ˆÄ part le sujet de l'amour, deux thˆ®mes majeurs ont toujours inspirˆ© les poˆ®tes et les compositeurs; le mystˆ®re de la mort et l'ˆ©nigme de la vie. Le Requiem de Faurˆ©, tel un chant du cygne, cherche ˆÝ consoler les humains faisant face ˆÝ la mort. L'Ode ˆÝ la joie, ce testament exaltant de Beethoven et de Schiller, nous rappelle la grandeur de la joie, ce cadeau divin qui ennoblit notre vie ˆ©phˆ©mˆ®re ici-bas. Enfin, le Te Deum de Kodˆ°ly nous fait espˆ©rer ˆÝ la pˆ©rennitˆ© de la vie : ˆî Christ, pour sauver l'homme, brisant l'aiguillon de la mort, vous avez ouvert le Ciel.¬ª

Les solistes invitˆ©s ˆÝ ce concert sont Michˆ®le Bolduc, soprano, Johanne Patry, mezzo-soprano, Franco Tenelli, tˆ©nor et Marc Boucher, baryton. Le violon solo sera exˆ©cutˆ© par Eugˆ®ne Husaruk. Sous sa baguette, au-delˆÝ de 400 choristes chanteront sur scˆ®ne. Les voix du Ch‰ìur de l’Äôˆâcole Joseph-Franˆßois-Perrault, dirigˆ© par Pascal Cˆ¥tˆ© et celles de la Manˆ©canterie Harmonia Mundi, dirigˆ©e par Margo Valade-Beaudet tˆ©moigneront de l’Äôardeur de la jeunesse lors de cette grande exˆ©cution. ¬´ Je suis trˆ®s heureux que la tradition du grand concert du Vendredi saint, que j’Äôai crˆ©ˆ©e il y a dˆ©jˆÝ 20 ans, se perpˆ©tue ˆÝ Montrˆ©al. Le programme musical de ces grands concerts annuels est l’Äôoccasion pour nous de prˆ©senter, entre autres, les grands requiem du rˆ©pertoire classique, mentionnait maestro Miklˆ„s Takˆ°cs, directeur gˆ©nˆ©ral et artistique de la Sociˆ©tˆ© philharmonique de Montrˆ©al. Cette annˆ©e, nous avons voulu nous associer ˆÝ de jeunes choristes. Nous sommes persuadˆ©s que la rˆ©union de ces ch‰ìurs offrira une excellente complˆ©mentaritˆ© en combinant la longue expˆ©rience du ch‰ìur de l’ÄôUQˆÄM avec l’Äôˆ©lan enthousiaste des jeunes.¬ª, ajoutait-il.
Le public peut se procurer des billets ˆÝ l’Äôentrˆ©e de l’Äôˆ©glise, une heure avant le concert, au Rˆ©seau Admission (514.790.1245) et ˆÝ la Place des Arts (514.842.2112).

Maestro Miklˆ„s Takˆ°cs

Originaire de Hongrie, Maestro Miklˆ„s Takˆ°cs demeure une figure marquante du milieu musical montrˆ©alais, dont la rˆ©putation dˆ©passe les frontiˆ®res du Quˆ©bec et du Canada. Maintenant ˆÝ la retraire, il a ˆ©tˆ© professeur associˆ© au Dˆ©partement de musique de l’ÄôUniversitˆ© du Quˆ©bec ˆÝ Montrˆ©al (UQˆÄM), oˆ¼ il a enseignˆ© pendant 35 ans. Depuis 1978, il dirige le Ch‰ìur de l’ÄôUQˆÄM. Il est aussi directeur gˆ©nˆ©ral et artistique de la Sociˆ©tˆ© philharmonique de Montrˆ©al depuis 1982. Maestro Miklˆ„s Takˆ°cs est le rˆ©cipiendaire de plusieurs Prix, Mentions et Mˆ©dailles dont celle du Gouverneur gˆ©nˆ©ral du Canada qu’Äôil recevait en 1992.

La Sociˆ©tˆ© philharmonique de Montrˆ©al

Maestro Miklˆ„s Takˆ°cs a redonnˆ© vie ˆÝ la Sociˆ©tˆ© philharmonique de Montrˆ©al (SPM) en 1982; il en est depuis le directeur. Cet organisme fondˆ© en 1875 par Arthur Perkins avait mis fin ˆÝ ses activitˆ©s en 1899. Maestro Takˆ°cs a ravivˆ© l’Äôesprit de croisade pour la vulgarisation du grand rˆ©pertoire, demeurant ainsi fidˆ®le ˆÝ l’Äôorientation que Guillaume Couture avait donnˆ©e ˆÝ ce regroupement culturel dont l’Äôaction a ˆ©tˆ© dˆ©terminante dans l’Äôexistence musicale des Montrˆ©alais du siˆ®cle dernier. La SPM est le partenaire principal et le diffuseur officiel du Ch‰ìur de l’ÄôUQˆÄM.

Le Ch‰ìur de l’ÄôUQˆÄM

Dirigˆ© depuis 32 ans par maestro Miklˆ„s Takˆ°cs, ce ch‰ìur mixte regroupant des personnes de toutes provenances s'inscrit dans la tradition des ensembles musicaux attachˆ©s ˆÝ un ˆ©tablissement d'enseignement. Il se situe ˆ©galement dans la mission de l'Universitˆ© auprˆ®s de la collectivitˆ© et se rˆ©vˆ®le de ce fait un organisme de culture et d'ˆ©ducation : formation musicale des participants; source de dˆ©couvertes artistiques pour le public qui assiste aux concerts.
Sous la direction de son chef attitrˆ©, le Ch‰ìur de l’ÄôUQˆÄM a atteint une notoriˆ©tˆ© internationale et a reˆßu des invitations prestigieuses pour se produire au Carnegie Hall de New York ˆÝ cinq reprises et aussi en Autriche, en France, en Hongrie.

Le Ch‰ìur de l’Äôˆâcole Joseph-Franˆßois-Perrault

Crˆ©ˆ© en 1978, le dˆ©partement de musique de l'ˆ©cole accueille annuellement 750 ˆ©tudiants qui y reˆßoivent un enseignement de qualitˆ© supˆ©rieure dispensˆ© par des ˆ©ducateurs renommˆ©s. En 1981, la CECM et le Conservatoire de musique du Quˆ©bec ˆÝ Montrˆ©al signaient un protocole d'entente visant une collaboration ˆ©troite pour ˆ©largir le rayonnement de la musique au sein de la communautˆ© montrˆ©alaise. Au fil des ans, des concerts conjoints se sont organisˆ©s. De plus, les ˆ©tudiants du Conservatoire ont apportˆ© une assistance technique soutenue pour les ˆ©lˆ®ves de l'ˆ©cole oˆ¼ ils ont instaurˆ© des interventions individuelles et du travail en sous-groupes.

Manˆ©canterie Harmonia Mundi

¬´ Ce n’Äôest pas grand-chose quand nous chantons pour nous-mˆ�mes, il est plus beau de chanter ˆÝ deux. Et puis toujours plus, ˆÝ cent, ˆÝ mille, jusqu’ÄôˆÝ ce que rˆ©sonne la grande Harmonie dans laquelle tous peuvent se sentir unis. Alors seulement nous pourrons dire en rˆ©alitˆ© : que le monde entier connaisse la joie! ¬ª (Zoltˆ°n Kodˆ°ly)

Zoltˆ°n Kodˆ°ly (1882-1967) musicien, compositeur et pˆ©dagogue hongrois, ne cessa de lutter pour un idˆ©al : prˆ©server la jeunesse de la dˆ©solation d’Äôune vie sans musique parce que la vie mˆ©rite d’Äôˆ�tre vˆ©cue avec plˆ©nitude.
C’Äôest la mission de la Manˆ©canterie Harmonia Mundi de Saint-Bruno.

Requiem de Gabriel Faurˆ© (1848-1924)
Requiem opus 48

Gabriel Faurˆ© s’Äôinitie trˆ®s tˆ¥t ˆÝ la musique. C'est ˆÝ 9 ans qu’Äôil est envoyˆ© ˆÝ Paris par ses parents pour suivre les cours de l’Äôˆâcole Niedermeyer, ˆ©cole de musique classique et religieuse. Au cours de ses ˆ©tudes, il rencontre Camille Saint-Saˆ´ns, de qui il deviendra un disciple. Lors d’Äôun voyage en Allemagne, Faurˆ© rencontre ˆ©galement Wagner et Liszt, qui exercent une influence musicale sur lui.
L’Äô‰ìuvre la plus cˆ©lˆ®bre du compositeur est sans doute son Requiem; cette ‰ìuvre a rˆ©ussi presque ˆÝ elle seule ˆÝ forger la popularitˆ© du compositeur. ˆâcrit en 1888, ce Requiem a ˆ©tˆ© composˆ© peu aprˆ®s la mort du pˆ®re de Faurˆ©. Il prˆ©sente les pages les plus rˆ©ussies des ‰ìuvres religieuses du compositeur. Difficile de croire qu’Äôil se disait athˆ©e, ˆÝ l’Äôˆ©coute de cette musique dˆ©bordante d’Äôun sentiment religieux sincˆ®re et vˆ©ridique, mis en ˆ©vidence par une orchestration originale : l’Äôutilisation continue des altos et des violoncelles confˆ®re un ˆ©tat mˆ©ditatif et contemplatif ˆÝ l’Äô‰ìuvre, les violons ˆ©tant sollicitˆ©s rarement dans cette version pour grand orchestre. D’Äôabord destinˆ© ˆÝ un effectif instrumental rˆ©duit, le Requiem s’Äôˆ©toffa par la suite pour aboutir ˆÝ la version pour grand orchestre ici prˆ©sentˆ©e.
Une berceuse de la mort, a-t-on dit de cette Messe des Morts; en effet, l’Äôidˆ©e de la mort est vˆ©cue non pas comme une souffrance, mais comme une
dˆ©livrance. La paix et la sˆ©rˆ©nitˆ© dˆ©gagˆ©es par l’Äô‰ìuvre prouvent que le thˆ®me de la mort est exploitˆ© de faˆßon lumineuse et nous donne une image paisible de la fin de la vie. (note Par Sarah Ouellet)

Ode ˆÝ la joie de Beethoven (1770-1827)
Symphonie No 9 ¬´ avec un ch‰ìur final sur l’ÄôOde ˆÝ la Joie de Schiller ¬ª, en rˆ© mineur, op. 125

C’Äôest le 7 mai 1824, trois ans avant la mort du compositeur, que fut crˆ©ˆ©e, ˆÝ Vienne, la Neuviˆ®me Symphonie de Beethoven. ‰íuvre mythique, symbole de la spiritualitˆ© humaine cristallisˆ©e dans le geste artistique, cette derniˆ®re symphonie complˆ©tˆ©e par le gˆ©ant du classicisme viennois apparaˆÆt comme l’Äôapothˆ©ose de sa musique d’Äôorchestre. Prodigieux paradoxe pourtant, car ˆÝ son sommet, dans le quatriˆ®me mouvement, la musique instrumentale se mˆ©tamorphose en voix humaine. Aprˆ®s cette symphonie rˆ©volutionnaire, la musique savante d’ÄôOccident s’Äôest retrouvˆ©e face ˆÝ des problˆ®mes de dˆ©finition qui ont directement conduit ˆÝ l’Äôidˆ©e wagnˆ©rienne de fusionner la musique et le drame. Commentant ¬´ ce passage brusque de la musique instrumentale ˆÝ la musique vocale ¬ª, Richard Wagner y perˆßoit une ¬´ surabondance de force, un violent besoin de dˆ©charge ˆÝ l’Äôextˆ©rieur, absolument comparable ˆÝ la nˆ©cessitˆ© du rˆ©veil d’Äôun rˆ�ve qui nous angoisse au plus profond de nous-mˆ�mes; et, poursuit-il, ce qu’Äôil y a de significatif pour le gˆ©nie artistique de l’Äôhumanitˆ©, c’Äôest que ce besoin a produit ici un acte artistique par lequel ce gˆ©nie a reˆßu un pouvoir nouveau : la capacitˆ© d’Äôengendrer l’Äô‰ìuvre d’Äôart suprˆ�me ¬ª. (Beethoven, Aubier-Montaigne, p. 189). Cette symphonie avec ch‰ìur, sur l’ÄôOde ˆÝ la joie de Schiller, est bien ¬´ ‰ìuvre d’Äôart suprˆ�me ¬ª puisqu’Äôelle met en abˆÆme la poˆ©sie par une poˆ©sie encore plus englobante, plus essentielle, la musique. (note par Claude Dauphin)

Te Deum de Kodˆ°ly (1882-1967)
Te Deum du Chˆ¢teau de Buda

Le Te Deum fut commandˆ© ˆÝ Kodˆ°ly dans la foulˆ©e des prˆ©paratifs visant ˆÝ cˆ©lˆ©brer, en 1936, le deux cent cinquantiˆ®me anniversaire de la fin de l’Äôoccupation turque de la Hongrie. Aussi, est-ce par une fanfare incisive de trois trompettes, immˆ©diatement approuvˆ©e par un tutti des ch‰ìurs, que s’Äôouvre cette ‰ìuvre au souffle ˆ©pique. Toutefois, la vigueur du triomphe ne voile aucunement la profonde mˆ©ditation qu’Äôentreprend le compositeur dans cette fresque sacrˆ©e. Aprˆ®s les sonneries de la victoire et de la souverainetˆ© retrouvˆ©e, ˆ©merge le souvenir dramatique des ravages de la guerre passˆ©e. Il y palpite l’Äôinquiˆ©tude devant la montˆ©e du fascisme et l’Äôexacerbation du nationalisme ˆÝ la veille d’Äôune nouvelle conflagration des peuples. Du point de vue de l’Äôesthˆ©tique musicale aussi ce Te Deum s’Äôimpose comme une ‰ìuvre dialectique. Dans son creuset nˆ©o-classique, Kodˆ°ly compose un heureux mˆ©lange de styles oˆ¼ le dˆ©pouillement des homophonies grˆ©goriennes se mˆ©tamorphose en des dˆ©ploiements polyphoniques renaissants. La fugue du dˆ©but dont le sujet ˆÝ intervalles inversˆ©s et en miroir (Pleni sunt coeli et terra), repris comme second sujet de la double fugue de la fin (In te Domine speravi), en plus de contribuer fortement ˆÝ l’Äôunitˆ© architecturale de l’Äôouvrage, y rˆ©cupˆ®re les procˆ©dˆ©s d’Äôun Baroque trˆ®s savant. ‰íuvre romantique par son orchestration, postromantique par rapport ses audaces harmoniques, elle se termine par une ˆ©vocation impressionniste qui surprend la soprano solo entre deux cieux, dans un In aeternum hors-temps, le plus convaincant de toute la littˆ©rature sacrˆ©e. (note par Claude Dauphin)

Symphony Nova Scotia launches 2010/11 season with free noon-hour concert

Halifax, NS ’Äì Join Symphony Nova Scotia for its 2010/11 season launch on Friday, March 12 at 12:30 pm at the Rebecca Cohn Auditorium, Halifax.

This free-of-charge launch event will include an hour-long performance by Symphony Nova Scotia, along with some surprise guest appearances! Symphony sponsors have also donated more than 20 door prizes for the event, including a grand prize of an overnight getaway for two in a luxury car (courtesy of O’ÄôRegan’Äôs).

Following the launch, attendees are invited to join Symphony Nova Scotia’Äôs musicians, staff, and board members outside the auditorium in the Sculpture Court for a Scanway lunch reception and Trius wine tasting. Patrons will also be able to purchase season tickets for the 2010/11 concert season for the first time.

All are welcome to attend. Thank you for supporting Symphony Nova Scotia!

About Symphony Nova Scotia
Symphony Nova Scotia is Nova Scotia’Äôs orchestra. Each year more than 50,000 audience members (including 16,000 young music lovers) join us in communities across Nova Scotia for performances of the music they love ’Äì from baroque and classical to pop and rock and folk. Under the inspirational leadership of Music Director Bernhard Gueller, Symphony Nova Scotia is recognized as one of the finest orchestras in the country. Visit www.SymphonyNovaScotia.ca to learn more, listen online, or subscribe today!

Symphony Nova Scotia is grateful to the Canada Council for the Arts, Nova Scotia Tourism, Culture, and Heritage, and the Halifax Regional Municipality for their continued support.

Tuesday, March 23, 2010

Egypt’Äôs Adam Henein and Iran’Äôs Parviz Tanavoli unite in a joint exhibition for the first time in the UAE

Egypt’Äôs Adam Henein and Iran’Äôs Parviz Tanavoli unite in a joint exhibition for the first time in the UAE



Abu Dhabi, UAE, 10 March 2010: The Abu Dhabi Music & Arts Foundation (ADMAF) today announced details of the visual arts exhibition at the Abu Dhabi Festival 2010. Throughout the whole festival, The Middle East Modern Masters exhibition will be held at the Emirates Palace. The exhibition will feature a joint collection of works by two of the greatest living masters of Middle Eastern art - sculptors Parviz Tanavoli and Adam Henein. The Abu Dhabi Festival takes place from 20 March to 7 April.

HE Hoda I. Al Khamis-Kanoo, Founder of the Abu Dhabi Music & Arts Foundation, commented: ’ÄúThe Abu Dhabi Festival is committed to the visual arts. Messages and ideas embodied in this exhibition promise to provoke widespread debate and intrigue as these two masters come together for the first time in Abu Dhabi’Äù.

’ÄúAs in previous years the visual arts play an important part in the Abu Dhabi Festival and ADMAF is honored to be able to welcome two of the most prominent Middle Eastern artists, Parviz Tanavoli and Adam Henein. These two esteemed artists will come together with a striking joint collection, which will be a highlight of this year’Äôs Festival. It is of great significance that such an important collection of modern Middle Eastern art will be shown here in Abu Dhabi, a place which is fast becoming the regional capital for the arts and culture,’Äù she pointed out.

According to Kanoo, the Middle East Modern Masters exhibition will explore the distinct styles of these great sculptors, whilst encouraging viewers to pose questions about the progression of Middle Eastern sculpture and its role in the global art world. ’ÄúEach sculptor explores his own unique heritage, with each work calling on its own references, both historical and modern. It is these avenues that audiences to the exhibition are invited to explore and reflect to the works in their own way,’Äù she added.


’ÄúWith this Exhibition, we hope to develop further strands of discussion and dialogue about some of the leaders in Middle Eastern sculpture, and the themes that their works explore both individually and together,’Äù she said.


The three-week manifestation features more than 90 world-class performances across traditional, classical and jazz music, drama, fine arts, and ballet. Strong educational elements are woven throughout the program with the aim of supporting ADMAF’Äôs dedication to furthering education in culture and the arts throughout the UAE. The education program supporting the Middle East Modern Masters exhibition will include opportunities for students and the public to interact with the two internationally acclaimed artists.
 
The schedule includes a walk-through with Adam Henein at the Emirates Palace, which will be open to the public at 11.30am on Sunday 21 March; a Tanavoli Lecture at Al Mamoura Lecture Theatre, open to the public between 6.30pm and 8.30pm on Tuesday 30 March; a Tanavoli workshop at The Ghaf Gallery, which will be held exclusively for students and by invitation only on Wednesday 31 March, and a walk-through with Parviz Tanavoli at the Emirates Palace, which will be open to the public at 11.30am on Saturday 3rd of April 2010.
 
The Abu Dhabi Festival 2010 tickets are available at Virgin Megastores and http://www.timeouttickets.com/ with part of the proceeds going to the Ewaa Shelter for Women and Children. Education and community programs will be hosted across Abu Dhabi and the rest of the UAE.

Sondage PPM d'hiver - La radio de Radio-Canada rejoint plus d'un million de personnes dans le grand Montrˆ©al

Montrˆ©al, jeudi 11 mars 2010 ’Äì ˆÄ la lumiˆ®re des rˆ©sultats PPM parus aujourd’Äôhui, la Radio de Radio-Canada rejoint 1 094 000 auditeurs dans le grand Montrˆ©al (portˆ©e minute/semaine).



En rayonnement total, la Premiˆ®re ChaˆÆne (95,1 FM ˆÝ Montrˆ©al) demeure la station francophone qui enregistre la plus forte durˆ©e d’Äôˆ©coute parmi les stations de Montrˆ©al, avec 6,7 heures d’Äôˆ©coute par semaine par auditeur. D’Äôautre part, avec 12,3 % de part d’Äôˆ©coute francophone, elle arrive en 2e position, toutes stations confondues dans le marchˆ© central de Montrˆ©al. Cette part d’Äôˆ©coute reflˆ®te les bons rˆ©sultats de la pˆ©riode des fˆ�tes, de la couverture du sˆ©isme en HaˆØti et de la couverture radio des Jeux olympiques d’Äôhiver ˆÝ Vancouver.


Les matins du week-end conservent leur 1re place toutes stations confondues, et ce, dˆ®s 4 h le samedi et 5 h le dimanche avec les ˆ©missions de Radio Canada International (Tam-tam Canada et Pomme et mandarine), suivies de La semaine verte et des rendez-vous animˆ©s par Joˆ´l Le Bigot. D’Äôautre part, C’Äôest bien meilleur le matin, en hausse de 1 point et demi par rapport au dernier trimestre, consolide sa 2e position les matins en semaine (devancˆ© de peu par le 98,5 FM).


Dans le marchˆ© central de Montrˆ©al, Espace musique (100,7 FM ˆÝ Montrˆ©al) occupe 2,2 % de part d’Äôˆ©coute francophone, une lˆ©gˆ®re augmentation par rapport au premier trimestre. En rayonnement total dans le grand Montrˆ©al, la radio musicale enregistre une hausse de volume d’Äôˆ©coute (16 %) par rapport au dernier trimestre et, avec 485 000 auditeurs, elle a augmentˆ© sa portˆ©e minute/semaine de 8 %.


On note une augmentation d’Äôauditoire notable toute la semaine en matinˆ©e : du lundi au vendredi ˆÝ la Premiˆ®re ChaˆÆne avec Christiane Charette et, le week-end, avec les ˆ©missions de Joˆ´l Le Bigot et ˆÄ la semaine prochaine ; le week-end sur Espace musique avec les rendez-vous classiques d’ÄôEdgar Fruitier (samedi) et d’ÄôAlain Lefˆ®vre (dimanche), et aussi au moment du multigenre avec Franˆßois Dompierre et du jazz avec Dorothˆ©e Berryman le dimanche. On remarque ˆ©galement une augmentation d’Äôauditoire pour les Radiojournaux le matin, tant la semaine que le week-end ˆÝ la Premiˆ®re ChaˆÆne.


Les PPM sont des audimˆ®tres ˆ©lectroniques qui sont utilisˆ©s par un panel de foyers sˆ©lectionnˆ©s au hasard pour reprˆ©senter une communautˆ©. Ces donnˆ©es PPM portent sur 13 semaines, soit du 30 novembre au 28 fˆ©vrier 2010.

Rˆ©vˆ©lations Radio-Canada Musique - vidˆ©os inˆ©dits sur le web

ET UN STUDIO 12 COLLECTIF ˆÄ LA RADIO, ˆÄ LA TˆâLˆâ ET SUR LE WEB
Montrˆ©al, jeudi 10 mars 2010 ’Äì Dˆ®s aujourd’Äôhui, les internautes peuvent visionner le premier des clips des Rˆ©vˆ©lations Radio-Canada Musique, en ligne au Radio-Canada.ca/musique. Tout le mois de mars, de mˆ�me qu’Äôen avril et en mai, le public pourra voir des vidˆ©os de 30 minutes issues d’Äôun spectacle donnˆ© par chacune des Rˆ©vˆ©lations dans la saison 2009-2010.


C’Äôest MARIE-PIERRE ARTHUR qui ouvre le bal avec des extraits d’Äôun concert enregistrˆ© au Thˆ©ˆ¢tre Petit Champlain ˆÝ Quˆ©bec. Les amateurs peuvent y entendre entre autres Dˆ©poser les armes, Droit devant, Pourquoi et plusieurs autres crˆ©ations de la talentueuse musicienne.


Dˆ®s demain, 11 mars, c’Äôest le groupe CHIC GAMINE qui proposera les meilleurs moments de son spectacle donnˆ© au Lion d’ÄôOr ˆÝ Montrˆ©al, suivi de GUILLAUME ARSENAULT ’Äì captˆ© lui aussi au Lion d’ÄôOr ’Äì ˆÝ partir du 18 mars. En ligne le 25 mars, les internautes pourront voir WESLI dans un montage d’Äôentrevues et de prestations enregistrˆ©es lors de sa participation au Babel Med ˆÝ Marseille, un ˆ©vˆ©nement international majeur dans le milieu des musiques du monde.


Plus tard en saison (avril et mai) seront mis en ligne le clip de la contrebassiste jazz BRANDI DISTERHEFT et ses musiciens enregistrˆ©s au Upstairs ˆÝ Montrˆ©al, ensuite celui du groupe CHINATOWN enregistrˆ© au Cabaret du Musˆ©e Juste pour rire et celui de la harpiste VALˆâRIE MILOT captˆ©e dans les studios de Radio-Canada.


GRAND STUDIO 12 COLLECTIF


Cette sˆ©rie de vidˆ©os musicales inˆ©dites sera entrecoupˆ©e ˆÝ la fin mars par la diffusion d’Äôun Studio 12 animˆ© par Rebecca Makonnen qui rˆ©unira toutes les Rˆ©vˆ©lations Radio-Canada Musique 2009-2010 sur le mˆ�me plateau. Ce ¬´ spˆ©cial Rˆ©vˆ©lations ¬ª sera diffusˆ© le 26 mars ˆÝ 22 h sur Espace musique (100,7 FM ˆÝ Montrˆ©al) et rediffusˆ© le 28 mars ˆÝ 16 h 30. Le public pourra ˆ©galement l’Äôentendre sur les ondes de la Premiˆ®re ChaˆÆne (95,1 FM ˆÝ Montrˆ©al) le 27 mars ˆÝ minuit, ˆÝ la Tˆ©lˆ©vision de Radio-Canada le 28 mars ˆÝ 23 h ainsi que sur ARTV le 31 mars ˆÝ 20 h.


Pour assister ˆÝ l’Äôenregistrement, le 23 mars, rˆ©servez votre place ˆÝ marie-eve.pigeon@radio-canada.ca ou au 514-509-5579.


Rˆ©alisation-coordination : Diane Maheux


Les Rˆ©vˆ©lations Radio-Canada Musique sont une initiative de Radio-Canada dˆ©diˆ©e ˆÝ la relˆ®ve musicale au pays, crˆ©ˆ©e pour faire connaˆÆtre de nouveaux artistes et soutenir les jeunes talents montants, tous genres confondus. Radio-Canada est fiˆ®re du chemin parcouru par ces groupes et artistes depuis leur nomination en septembre 2009. Ne manquez pas, sur le Web, leurs nouveaux clips musicaux et, ˆÝ l’Äôantenne, le grand spˆ©cial de Studio 12 pour les dˆ©couvrir, les redˆ©couvrir et encore mieux les apprˆ©cier.


Radio-Canada.ca/musique

MARVIN HAMLISCH EVENING | MUSIC FOR ALL SEASONS | MONDAY, 10 MAY 2010

’Äúfrom Belarus to Broadway ’ÄìCelebrating MUSIC!’Äù

MUSIC FOR ALL SEASONS PRESENTS GALA EVENING AT THE RUSSIAN TEA ROOMMAY 10, 2010, 6 TO 10:30 P.M.FAMED COMPOSER, CONDUCTOR, PIANISTMARVIN HAMLISCH TO BE HONORED IN EVENT FEATURING APPEARANCES BY JAZZ/CABARET SINGER JACQUI DANKWORTHAND GYPSY-KLEZMER-ROCK BAND GOLEM.



Oscar¬Æ-Grammy¬Æ-Emmy¬Æ-Tony¬Æ- award-winning composer, conductor, and pianist Marvin Hamlisch, the renowned young British jazz/cabaret singer Jacqui Dankworth, and the popular gypsy-klezmer-rock band Golem are celebrating music and the human spirit on Monday, May 10, 2010; 6 to 10:30 p.m. The event at New York’Äôs legendary Russian Tea Room, 150 W. 57th Street, ’Äúfrom Belarus to Broadway ’Äì Celebrating MUSIC!’Äù is a benefit for Music For All Seasons (MFAS). The evening will feature Marvin Hamlisch speaking about his life and music with interviewer/MC Nancy Shear. Jacqui Dankworth will perform her interpretations of Hamlisch’Äôs music, and the music of Golem will begin and end the evening.

Proceeds from the evening’Äôs event will benefit MFAS, an organization devoted to the healing power of music. The funds raised will be used specifically for interactive musical programs for children living in shelters for victims of domestic violence in New York, New Jersey, Pennsylvania, Connecticut and California. These life-changing programs for children have won national recognition by, among others, The National Endowment for the Arts and the Society for the Arts in Healthcare.


The evening will include a pre-dinner cocktail reception, multi-course dinner, silent auction, the discussion with Marvin Hamlisch and performances by Ms. Dankworth and Golem. Discounted tickets are available now through April 15, by calling toll-free 1.866.524.MFAS (6327) or via online purchase at http://www.musicforallseasons.org/.


Marvin Hamlisch’Äôs life in music is notable for its great versatility as well as substance. As composer, Hamlisch has won virtually every major award that exists: three Oscars, four Grammys, four Emmys, a Tony and three Golden Globe awards; his groundbreaking show, A Chorus Line, received the Pulitzer Prize.He is the composer of many motion picture scores including his Oscar-winning score and song for The Way We Were and his adaptation of Scott Joplin’Äôs music for The Sting, for which he received a third Oscar. His prolific output of scores for films include original compositions and/or musical adaptations for Sophie’Äôs Choice, Ordinary People, The Swimmer, Three Men and a Baby, Ice Castles, Take the Money and Run, Bananas, Save the Tiger, and his latest effort The Informant, (Sept. 2009) starring Matt Damon, and directed by Steven Soderbergh. Marvin Hamlisch holds the position of principal pops conductor for the National Symphony Orchestra, Pittsburgh Symphony Orchestra, Colorado Symphony Orchestra, Milwaukee Symphony Orchestra, Seattle Symphony and San Diego Symphony. Mr. Hamlisch was Musical Director and arranger of Barbra Streisand’Äôs 1994 concert tour of the U.S. and England as well as of the television special, Barbra Streisand: The Concert (for which he received two of his Emmys). Hamlisch is a graduate of the Juilliard School of Music and Queens College (where he earned a Bachelor of Arts degree). He believes in the power of music to bring people together. ’ÄúMusic can make a difference. There is a global nature to music, which has the potential to bring all people together. Music is truly an international language, and I hope to contribute by widening communication as much as I can.’Äù


Jacqui Dankworth began her professional career as an actress with the Royal Shakespeare Company and the National Theatre. She began working in musicals and quickly developed a career as a singing and recording artist in her own right. Her performances have taken her worldwide, singing jazz, the music of Gershwin, and collaborating with leading composers. Jacqui is frequently heard on BBC radio as well as hosting the BBC show Jazz Sirens with her mother, Dame Cleo Laine. Jacqui is the daughter of Dame Cleo and the late Sir John Dankworth. Dankworth will be making her only New York appearance this season at the May 10 event.


Golem is a New York City-based gypsy-klezmer-rock band performing in Yiddish, English and Slavic languages. Annette Ezekiel Kogan fronts the group with members Aaron Diskin, Alicia Jo Rabins, Curtis Hasselbring, Taylor Bergren-Chrisman, and Tim Monaghan. The band has performed to great critical acclaim throughout the United States, as well as in Canada, Great Britain, France, Germany, Poland and Sweden.


Nancy Shear is a well-known writer, lecturer, and broadcaster. She has hosted broadcasts of the New York Philharmonic, New Jersey Symphony, and the Frick Collection, and had her own interview program on WNYC. Her writing has appeared in major publications such as Musical America, the New York Times and Lincoln Center Stagebill, and she has authored a book on the cultural phenomenon of The Three Tenors. Her background includes positions as orchestra librarian for The Philadelphia Orchestra, Curtis Institute, and privately for Leopold Stokowski, among other major musicians of our time. She is the interviewer on the successful Conversations series presented by MFAS.


Music For All Seasons, now celebrating its 19th season, was founded in New Jersey and is now active in five states: New York, New Jersey, Connecticut, Pennsylvania and California. By bringing live musical performances to a wide range of institutions including children’Äôs hospitals, retirement facilities, shelters for victims of domestic violence, juvenile detention centers, nursing homes, medical centers, halfway houses and hospices, MFAS aids the physical, mental and spiritual healing processes.


MFAS gained national recognition in its first decade partly through the advocacy of the late actor-musician Dudley Moore, founding president of MFAS’Äô Board of Advisors. The celebrated international recording artist, cellist Steven Isserlis, is active in support of the organization as current president of the MFAS Board of Advisors.


MFAS is active in the international community of Arts and Health, while conducting its own research on the beneficial effects of music in the healthcare environment. The organization brings together a wide variety of people and styles of music, provides opportunities for professional artists to serve special audiences, and creates volunteer opportunities that serve local communities.


MFAS programs are supported by The New Jersey State Council on the Arts, the Pennsylvania Arts Council, The National Endowment for the Arts, as well as numerous foundations, corporations and individual donors.

L'ˆ©lite musicale de l'UdeM au Centre Segal du 22 au 25 mars

Le Centre Segal prˆ©sente la sˆ©rie

Musique UdeM Music

Airs d’Äôopˆ©ra, piano, instruments ˆÝ cordes et combos jazz’Ķ



Les meilleurs ˆ©tudiants de la Facultˆ© de musique de l’ÄôUdeM
vous attendent au Centre Segal
du 22 au 25 mars !

Inaugurˆ©e ˆÝ l’Äôautomne 2009, la sˆ©rie Musique UdeM Musicse poursuit de plus belle au Studio du Centre Segal des arts de la scˆ®ne,
du 22 au 25 mars prochains.



Tour ˆÝ tour, des concerts d’Äôairs d’Äôopˆ©ra, de piano, d’Äôinstruments ˆÝ cordes et de combos jazz
enchanteront le public avide de dˆ©couvrir les forces vives de notre relˆ®ve musicale.

Du lundi 22 au jeudi 25 mars, quatre concerts classiques et jazz, prˆ©sentˆ©s ˆÝ 20 heures,
sont au programme de cette sˆ©rie de prestige.

Daniel Turp, Martine St-Clair et Gilles Proulx prˆ©sideront le 15e RadioDon de Radio Ville-Marie les 30 avril, 1er et 2 mai prochain

Montrˆ©al, 8 mars 2010 - L'animateur radio Gilles Proulx, la chanteuse Martine St-Clair et l'homme politique Daniel Turp prˆ©sideront le 15e Radio-Don de Radio Ville Marie qui se dˆ©roulera les 30 avril, 1er et 2 mai prochain.



« RVM, 15 ans de rendez vous »

Pour son 15e anniversaire, Radio Ville Marie (CIRA-FM) organise un radio-don placˆ© sous le signe de la gˆ©nˆ©rositˆ© et du partage : 50 heures d'ˆ©missions, 200 invitˆ©s spˆ©ciaux et plus de 100 bˆ©nˆ©voles qui se relayeront pour recueillir la gˆ©nˆ©rositˆ© des auditeurs. Pour cˆ©lˆ©brer cet anniversaire trˆ®s spˆ©cial, la station a dˆ©cidˆ© de remettre un prix hommage ˆÝ un grand artiste en reconnaissance pour sa contribution ˆÝ la culture quˆ©bˆ©coise, son nom sera dˆ©voilˆ© en fin d'ˆ©vˆ©nement, le 1er mai. ¬´ RVM joue un rˆ¥le primordial sur le plan culturel. Nous tenons ˆÝ souligner des gens de chez nous qui nous font dˆ©couvrir d'une maniˆ®re exceptionnelle la beautˆ© et la richesse de notre patrimoine culturel. ¬ª prˆ©cise Jean-Guy Roy, le directeur gˆ©nˆ©ral.

Chaque annˆ©e ce grand moment de fˆ�te permet ˆÝ la station radiophonique, propriˆ©tˆ© d'une sociˆ©tˆ© ˆÝ but non lucratif, d'assurer une part importante de son dˆ©veloppement. Cette annˆ©e, sous le thˆ®me : ¬´ Pour vous’Ķ depuis 15 ans ¬ª, l'objectif est de recueillir 140 000 $.

Radio Ville Marie a rˆ©ussi ˆÝ s'imposer en tant que media spˆ©cialisˆ© et ouvert sur le monde. Avec 150 ˆ©missions par semaine, une programmation ˆÝ contenu diversifiˆ© et une large couverture de la province, le rˆ©seau rassemble aujourd'hui 506 000 auditeurs d'aprˆ®s un sondage Lˆ©ger Marketing 2010. Radio Ville-Marie dispose de 6 frˆ©quences : Montrˆ©al (91.3 FM), Sherbrooke (100.3 FM), Trois-Riviˆ®res (89.9 FM), Rimouski (104.1 FM), Victoriaville (89.3 FM) et Gatineau (1350 AM) et d'une diffusion ˆÝ travers le monde via son site internet : http://www.radiovm.com/.

Symphony Nova Ame Henderson, Artistic Director of Public Recordings, Brings the World Premiere of relay to Harbourfront Centre’Äôs World Stage 2009-10

TORONTO, ON (Mar. 11, 2010) ’Äì Harbourfront Centre’Äôs World Stage 2009-10 performing arts series is thrilled to host the world premiere of Public Recording’Äôs relay at Harbourfront Centre’Äôs Enwave Theatre, April 7 through April 10.

Public Recordings' Artistic Director Ame Henderson’Äôs latest piece, relay, is a collaborative choreographic experiment for seven performers and two musicians that crosses disciplines and continents. Henderson is joined by dance artists Chad Dembski, Katie Ewald, Claudia Fancello, Matija Ferlin, Mairˆ©ad Filgate, Marie Claire Fortˆ©, Brendan Jensen, Barbara Pallomina; designers Trevor Schwellnus and Cathia Pagotto; and composers Eric Chenaux and Eric Craven. These exceptional artists come together to make a performance that asks important questions about the politics and possibility of togetherness. Borrowing from memories of dances past, relay recreates the concept of unison, asking how we maintain our sense of self while working together.

Henderson’Äôs unorthodox approach to dance making and movement invention confront the very traditions of dance by activating unison as an extreme gesture of togetherness, allowing for the emergence of sensational difference, connection and participation. A formal element in dance for as long as people have been dancing, she wants to confront the taboos and pleasures of watching and making movement in unison. Each evening before the performance, Henderson will be joined by a special guest for a formal discussion about her work and process.

*Media images and resources: http://media.harbourfrontcentre.com/worldstage/

New for World Stage 2009-10: Visit harbourfrontcentre.com/worldstage to learn about Harbourfront Centre’Äôs commitment to developing artists and audiences through World Stage initiatives and programmes, such as special events, artist talks and more.

relay


Ame Henderson
Public Recordings
Apr. 7 ’Äì 10, 8 p.m.
Enwave Theatre, 231 Queens Quay West, Toronto
Tickets: $30

Creative Team:


Choreography: Ame Henderson
Created with and performed by: Katie Ewald, Matija Ferlin, Claudia Fancello, Marie Claire Fortˆ©, Mairˆ©ad Filgate, Barbara Pallomina, Brendan Jensen, Chad Dembski
Dramaturgy: Jacob Zimmer
Music made and performed by: Eric Chenaux, Eric Craven
Set and Light: Trevor Schwellnus
Costumes: Cathia Pagotto


Complete information about performance times, single tickets, packages and the Performance Card ($15 tickets for arts workers and students, Tues. ’Äì Thurs. performances only) is available through the Harbourfront Centre box office by phone at 416-973-4000, or harbourfrontcentre.com/worldstage.


relay is a co-production of The CanDance Network Creation Fund, Harbourfront Centre, Recontres chorˆ©ographiques internationales de Seine-Saint-Denis, Canada Dance Festival, Agora de la danse and Vancouver East Cultural Centre, and supported by Dance Sections of the Canada Council for the Arts, The Ontario Arts Council and Toronto Arts Council.


Harbourfront Centre’Äôs World Stage 2009-10 gratefully acknowledges the support of Department of Canadian Heritage, Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council and Westin Harbour Castle, the official hotel of World Stage.

Musicians take to the streets to raise funds for LearnAsOne

11 March 2010: LearnAsOne,a UK-based charity dedicated to funding schools in Africa, today announces the launch of its first annual BuskAsOne, a week of busking events around the world from 19-25 April 2010. The charity is hoping to raise £22,800 to help build schools in rural Zambia.


The busk is open to any musician, singer or instrumentalist, and anyone interested in joining in with the BuskAsOne should register at www.learnasone.org/busk where they will find all the tips and guidance they need for a safe, hassle-free busk. In July, the LearnAsOne team will return to Zambia and share stories, photos and videos from the schools to show it supporters exactly how the funds they raised are spent.


The communities that LearnAsOne work with are extremely dedicated. They are happy to make tens of thousands of bricks by hand and contribute labour for free to give their children the opportunity to go to school. But they can’Äôt afford raw materials such as cement, roofing sheets and windows.

This is where the busking money comes in. ¬£22,800 will allow LearnAsOne to fund four new buildings - two new classrooms and two teacher’Äôs houses. This will secure the education of 60 children every year.


LearnAsOne have also published a step-by-step guide to help buskers join in with the event:


Choose a location and pick a date during our busk week

If it’Äôs not on private land ask your local council for permission

Email busk@learnasone.organd tell us when and where you are playing

Tell the local press so you can get your photo in the paper. And try to get it filmed and upload onto YouTube too (tag it LearnAsOne)

Busk!

Once you’Äôve finished collect up the money and pay the money in online at www.justgiving.com/buskasone


Steve Heyes, Founder of LearnAsOne, says: ’ÄúBuskAsOne promises to not only be a vital fundraising event for these much needed projects in Zambia, but also a fun and inspiring week of musical performances. It costs ¬£5,700 to buy the raw materials to build a classroom or a teacher’Äôs house. For every new school building funded through BuskAsOne, we will offer the busker who the raises the most money the opportunity to have a school building named in their honour, which we're hoping will be music to the ears of our supporters. So what are you waiting for? Come together and BuskAsOne for a fantastic cause!’Äù


The LearnAsOne team, led by founder Steve Heyes, uses social media such as Twitter and Youtube to take its supporters on a virtual journey and meet the rural community in Zambia which needs the school, and show them exactly how they can help facilitate education in this particular community. Using its website (http://www.learnasone.org/) and Twitter, LearnAsOne regularly posts stories and photos from the community, along with a breakdown of the costs to build, equip and run the school. They also offer visitors to the website the chance to ask questions to members of the community, and let them answer in their own words.

Viva Voce - L'ˆâvangile en musique ˆÝ la Renaissance

La chorale de chambre acclamˆ©e de Montrˆ©al fait renaˆÆtre les ˆ©vangiles en musique


Vendredi 26 mars, 2010


19 h 30


Salle Redpath

3461, rue McTavish, Montrˆ©al - Mˆ©tro McGill
Billets disponibles ˆÝ la billetterie de l’Äôˆâcole de musique Schulich au 514-398-4547

ou au rˆ©seau ADMISSION au 514-790-1245 ou en ligne au http://www.admission.com/

Rˆ©gulier : 30 $; ˆ¢ge d’Äôor : 25 $; ˆ©tudiant : 10 $ ’Äì des tarifs de groupe sont disponibles.

http://www.vivavoce-montreal.com/


Montrˆ©al, 8 mars 2010 ’Äì Des corps sortant de leur tombeau, des pressentiments sinistres, des confessions qui changent le cours d’Äôune vie ’Äî bien que ces thˆ®mes semblent tirˆ©s tout droit d’Äôun roman de Dan Brown, ils ont captivˆ© les pratiquants de la Renaissance. Mises en musique, ces histoires peuvent encore ensorceler un auditoire. Au dˆ©but du XVIe siˆ®cle, le ¬´ motet ˆ©vangˆ©lique ¬ª ˆ©tait une faˆßon importante de raconter les rˆ©cits bibliques, et les motets les plus spectaculaires comprennent des ‰ìuvres de Jachet de Mantoue, Adrian Willaert, Josquin des Prez, Pierre de Manchicourt et Nicolas Gombert, les compositeurs mis en vedette lors d’Äôun spectacle donnˆ© ˆÝ la salle de concert Redpath Hall le vendredi 26 mars ˆÝ 19 h 30. Sous la direction de Peter Schubert, les douze chanteurs de VivaVoce dˆ©peindront Jˆ©sus marchant sur l’Äôeau, la Crucifixion ainsi que la rˆ©surrection de Lazare de faˆßon aussi vivante que les tableaux de l’Äôˆ©poque.

***

Au sujet de VivaVoce

VivaVoce se dˆ©marque d’Äôautres chorales professionnelles canadiennes par son rˆ©pertoire variˆ© et souvent audacieux. Sous la direction artistique de Peter Schubert, VivaVoce offre des concerts commentˆ©s amusants et ˆ©ducatifs dans divers genres musicaux, depuis le chant grˆ©gorien jusqu’ÄôˆÝ la musique du XXIe siˆ®cle. L’Äôapproche originale adoptˆ©e par ce ch‰ìur lui a valu la fidˆ©litˆ© de son auditoire ainsi qu’Äôune reconnaissance dans le milieu de la musique classique. En effet, VivaVoce a reˆßu neuf nominations dans six catˆ©gories diffˆ©rentes des Prix Opus et a remportˆ© un premier prix en 2004. De plus, son coffret de tous les Magnificats de Pierre de la Rue a remportˆ© le prix Choc du mois du journal Le Monde de la musique.

The Shaw Festival and IATSE, Local 461 Facilities Bargaining Unit

Niagara-on-the-Lake, Ontario, March 10, 2010 ’Ķ The Shaw Festival announced today that it is implementing a lockout of the employees represented by IATSE, Local 461 in the Shaw’Äôs Facilities Department. These are the 16 employees that provide maintenance, grounds crew and housekeeping services. The lockout is effective at 5:00 pm on Wednesday, March 10, 2010 and is limited to the Facilities Department. The employees of the Production and Audience Sales and Services departments, whose contracts expired November 30, 2008, are not included in this lockout.



The Shaw Festival applied for conciliation with the Ontario Labour Relations Board and a mediator was appointed. With the assistance of the mediator, the two parties were able to resolve outstanding issues around wages and benefits; however the union’Äôs outstanding issue concerning ’Äúcontracting out’Äù of work in the Facilities Department remains unresolved. The Shaw had already committed that there would be no contracting out of any work during the life of the collective agreement and provided additional protection for employees who were impacted by any layoffs in the future. This was not acceptable to the members of the bargaining unit and IATSE, Local 461.

The Shaw Festival has advised IATSE, Local 461 that it is prepared to return to the bargaining table immediately to negotiate the Production and Audience Services collective agreements. The Shaw Festival has not taken any action to lock out employees in those departments. IATSE, Local 461 continues to maintain its position that it will not negotiate the Production and Audience Sales and Services contracts until the parties have reached agreement on the Facilities Department contract.

Executive Director Colleen Blake noted: ’ÄúWe wish this issue could be resolved at the bargaining table. To date, we have not been able to do that. Reluctantly, we have made this difficult decision.’Äù

Artistic Director Jackie Maxwell went on to say:"To be at this juncture is shocking and heartbreaking but we have no choice. We are an extraordinary theatre company because of the shared belief in the work we do and the immense spirit of collaboration with which we do it. We must hold on to this and look forward to when we come together once more, galvanized and focused on the great theatre that means so much to us all.’Äù

Monday, March 22, 2010

EMI Classics Signs Chinese Pianist Yundi

First Release is the Complete Chopin Nocturnes
International Release: March 2010
5099960839121 (2CDs); 5099960839152 (Digital)





’ÄúYundi Li, the brilliant young Chinese pianist ’Ķ has proved a technically astounding pianist who is
by turns elegant and rambunctious, coolly expressive and white hot.’Äù (The New York Times)



EMI Classics has signed the ’Äúsuperlative young Chinese pianist’Äù* Yundi, formerly known as Yundi Li, winner of the 14th International Frederic Chopin Piano Competition in Warsaw. Appropriately, Yundi’Äôs first EMI release will be the complete Chopin Nocturnes, released to commemorate the composer’Äôs 200th birthday in 2010. Yundi and EMI Classics together plan to record the complete works for solo piano by Chopin.


Stephen Johns, Vice President, A&R, EMI Classics, said, "We are extremely pleased to be welcoming Yundi to the EMI Classics label. Yundi's musicianship and artistry has already captivated audiences around the world, and his desire continually to seek new challenges mirrors our own ambitions to bring great music in new and innovative ways to a wide public. We are particularly excited by Yundi's championing of the music of Chopin and in this, his anniversary year."


Since the competition that catapulted Yundi onto the international stage, his recitals and appearances with orchestras in Europe, Asia and the United States have been hailed by critics extolling his precise, crystalline technique, keyboard fluidity and boundless enthusiasm. His personality and artistry appeal to audiences of all ages and he is an icon in his native China, where he has inspired millions of young people, who refer to him as the ’ÄúPrince of the Piano.’Äù He is equally the toast of national leaders and has been invited to perform for the Chinese Ambassador in Washington, D.C. and for the President of China, Hu Jin Tao at Government House in a celebration of the 10th anniversary of the handover of Hong Kong to China.


Following a recital at the Salle Pleyel in 2009, the critic Gˆ©rard Mannoni said, ’ÄúWith Yundi Li, the sound is ’Ķ deep, radiant, warm, spacious, highlighted by a perfect use of silence, the element of language so often overlooked by musicians. An exceptional pianistic art’Ķ.’Äù And reviewing an earlier Liszt/Chopin recording, The Times wrote, ’ÄúYou can tell [he] has something beyond the dazzle of any new star. The secret? Partly ’Ķ it’Äôs his sense of flow. ’ĶThe other key component is the mastery won over his own finger power. ’ĶYundi Li already knows how to be subtle even when loud. And when he’Äôs restrained he glows with banked fires. ’Ķ Yundi Li is never reckless; there’Äôs always an artist in firm control, sculpting both tone and phrasing.’Äù


Yundi hails from Chongqing in the People’Äôs Republic of China, where he first learned to play the accordion and won first prize in a competition at the age of five. He switched to the piano at seven and subsequently studied with Dan Zhao Yi, one of China’Äôs most renowned piano teachers.


Yundi has performed with most of the major orchestras in North America, Europe, Russia, Israel and the Far East with conductors including Seiji Ozawa, Lorin Maazel, Gustavo Dudamel, Valery Gergiev, James Levine, Riccardo Chailly and Yuri Temirkanov. He has received particular distinction for his interpretations of concertos by Chopin, Liszt, Prokofiev, Ravel and Tchaikovsky. His recitals throughout North America, including New York’Äôs Carnegie Hall; England, including London’Äôs Queen Elizabeth Hall; France, including Paris’Äôs Thˆ©ˆ¢tre du Chˆ¢telet and Salle Pleyel; the Salzburg Festival; Switzerland, the Czech Republic, Germany, Finland, Denmark, Luxembourg and across Asia, have touched audiences and critics alike.


Yundi’Äôs association with EMI Classics and a move to new management are expressions of his ongoing commitment to performing at the top of his profession, using all means at his disposal to reach new audiences.


During 2010, his concerts include a Chopin Birthday Concert in Warsaw on March 1, recitals in Hong Kong, Beirut, Eindhoven, London (Royal Festival Hall), Dortmund, Luxembourg, Strasbourg, Porto, Abu Dhabi, New York (Carnegie Hall), Paris, Frankfurt, Munich and Milan. Concerto engagements include dates with the Toronto Symphony Orchestra / Yannick Nˆ©zet-Sˆ©guin, the Hong Kong Philharmonic and the San Francisco Symphony.


A video clip of Yundi performing Chopin’Äôs Nocturne No. 2 from the new album is available on YouTube: http://www.youtube.com/watch?v=KLzYwT9YT-c



’ÄúDeeply thoughtful and formidably virtuosic, he makes light work of [the concerto’Äôs]
nightmarish technical demands. ’Ķ The colossal first movement’Äôs combined development and cadenza is played with an authority that will make lesser mortals pale with envy and admiration.’Äù



(* Gramophone)


'Li's performances are characterized by a striking degree of finesse and tonal shading,
demonstrating a poetic sensibility rare in so youthful a musician. His bravura is equally imposing (Miami Herald)



YUNDI


Chopin: Complete Nocturnes
Release date: March 30, 2010
Order cut off: March 11, 2010


50999 6 08391 2 1
F233 08391 $14.99
2 CDs ’Äì full price


CROSSOVER CLASSICS (domestic release)
EMI Classics


’ÄúYundi Li, the brilliant young Chinese pianist ’Ķ has proved a technically astounding pianist who is by turns elegant and rambunctious, coolly expressive and white hot.’Äù (The New York Times)


Label debut of 25-year old Chinese pianist Yundi (formerly known as Yundi Li) who is devoting his career almost exclusively to Chopin. Yundi’Äôs first EMI release is the complete Chopin Nocturnes, released to commemorate the composer’Äôs 200th birthday this year.


In 2000, Yundi was the youngest-ever winner of the 14th International Frederic Chopin Piano Competition in Warsaw.


His next EMI Classics CD release is being planned for September 2010 and there are plans to record all of the composer’Äôs solo works for piano with Yundi.


Yundi is performing with Yannick Nezet-Seguin and the TSO on June 10th & 12th

Montrˆ©al Prem1ˆ®re : Lancement d'une Campagne Cˆ©lˆ©brant le Talent Innovateur Montrˆ©alais

English to follow.

Montrˆ©al, le 10 mars 2010 - La Chambre de commerce du Montrˆ©al mˆ©tropolitain et ses cinq commanditaires piliers - Astral Media, Bell Canada, Hydro-Quˆ©bec, le Mouvement des caisses Desjardins et Rio Tinto Alcan - sont fiers de lancer aujourd'hui une nouvelle campagne pour reconnaˆÆtre le talent innovateur montrˆ©alais.

Sous le thˆ®me MONTRˆâAL PREM1ˆàRE, cette campagne met en vedette des innovations nˆ©es dans la mˆ©tropole. Les messages - qui font entre autres rˆ©fˆ©rence au simulateur de vol de CAE, au vˆ©lo en libre-service BIXI et au Biodˆ¥me - seront affichˆ©s au cours des prochains mois sur des colonnes de rue et des superpanneaux de l'ˆÆle de Montrˆ©al ainsi qu'ˆÝ l'intˆ©rieur de l'Aˆ©roport Pierre-Elliott-Trudeau. La campagne comprend ˆ©galement un microsite de mˆ�me qu'une offensive radio prˆ©vue ce printemps.

 
¬´ La campagne MONTRˆâAL PREM1ˆàRE rend hommage ˆÝ l'innovation et ˆÝ la crˆ©ativitˆ© de nos entreprises. Toutes sont des exemples concrets de rˆ©ussite qui, grˆ¢ce ˆÝ leur gˆ©nie et ˆÝ leur talent, contribuent au rayonnement et au succˆ®s de notre mˆ©tropole. Nous voulons exprimer notre fiertˆ© en cˆ©lˆ©brant nos crˆ©ateurs d'affaires et notre mˆ©tropole, terreau propice ˆÝ la naissance de ces innovations ¬ª, a dˆ©clarˆ© le prˆ©sident et chef de la direction de la Chambre de commerce du Montrˆ©al mˆ©tropolitain, Michel Leblanc.

 
¬´ Nous saluons la collaboration de nos commanditaires piliers, ces entreprises phares de notre ˆ©conomie qui ont ˆÝ coeur le rayonnement de Montrˆ©al. Elles se sont toutes engagˆ©es avec la Chambre ˆÝ faire une diffˆ©rence en suscitant un grand mouvement de fiertˆ© associˆ© au dynamisme de la mˆ©tropole. La campagne MONTRˆâAL PREM1ˆàRE est le fruit de cette association ¬ª, a conclu Michel Leblanc.

 Les six exˆ©cutions qui pourront ˆ�tre aperˆßues ˆÝ travers l'ˆÆle de Montrˆ©al et sur le microsite de la campagne :



-Prem1ˆ®re mˆ©tropole oˆ¼ l'on crˆ©e un simulateur de vol pour le plus gros avion au monde
-Prem1ˆ®re mˆ©tropole oˆ¼ les stations de vˆ©los en libre-service fonctionnent ˆÝ l'ˆ©nergie solaire
-Prem1ˆ®re mˆ©tropole oˆ¼ un musˆ©e vivant rˆ©unit 4 climats sous un mˆ�me toit
-Prem1ˆ®re mˆ©tropole oˆ¼ l'on multiplie les cellules souches en laboratoire
-Prem1ˆ®re mˆ©tropole oˆ¼ l'on fait voyager un microdispositif dans les vaisseaux sanguins
-Prem1ˆ®re mˆ©tropole oˆ¼ l'on prˆ©sente un film immersif dans une sphˆ®re gˆ©ante


 ˆÄ propos de la Chambre de commerce du Montrˆ©al mˆ©tropolitain
 

La Chambre de commerce du Montrˆ©al mˆ©tropolitain compte quelque 7 000 membres. Sa mission est de reprˆ©senter les intˆ©rˆ�ts de la communautˆ© des affaires de l'agglomˆ©ration urbaine de Montrˆ©al et d'offrir une gamme intˆ©grˆ©e de services spˆ©cialisˆ©s aux individus, aux commerˆßants et aux entreprises de toutes tailles de faˆßon ˆÝ les appuyer dans la rˆ©alisation de leur plein potentiel en matiˆ®re d'innovation, de productivitˆ© et de compˆ©titivitˆ©. La Chambre est le plus important organisme privˆ© au Quˆ©bec vouˆ© au dˆ©veloppement ˆ©conomique.



*****





MONTRˆâAL F1RST:

A new campaign celebrates Montrˆ©al's innovative talent

Montrˆ©al, March 10, 2010 - The Board of Trade of Metropolitan Montreal and its five pillar sponsors-Astral Media, Bell Canada, Hydro-Quˆ©bec, Desjardins Group, and Rio Tinto Alcan-are proud to launch a new campaign today to recognize Montrˆ©al's innovative talent.

With the theme MONTRˆâAL F1RST, this campaign shines a spotlight on innovations born in our metropolis. The messages-which make reference to a CAE flight simulator, the BIXI self-service bike system, and the Biodˆ¥me, among others-will appear over the coming months on street columns and superboards on the Island of Montrˆ©al, as well as in Pierre-Elliott-Trudeau Airport. The campaign also includes a microsite as well as radio spots scheduled to air this spring.


"The MONTRˆâAL F1RST campaign pays tribute to the innovation and creativity of our businesses. All are concrete examples of success, which-through their talent-contribute to the reputation and success of our metropolis. We want to express our pride by honouring those that have mastered the art of business, and by celebrating our metropolis, a fertile breeding ground for these innovations," stated the President and CEO of the Board of Trade of Metropolitan Montreal, Michel Leblanc.
"We welcome the collaboration of our pillar sponsors, leading companies in our economy that care deeply about Montrˆ©al's reach and reputation. They are all committed, along with the Board of Trade, to making a difference by giving rise to a great movement of pride associated with the city's vitality. The MONTRˆâAL F1RST campaign is the result of this association," concluded Michel Leblanc.



The six accomplishments to be featured across the Island of Montrˆ©al and on the campaign microsite:



-F1rst metropolis to develop a flight simulator for the world's largest airplane
-F1rst metropolis to have solar-powered self-service bike stations
-F1rst metropolis to have a living museum that brings together 4 climates under one roof
-F1rst metropolis to multiply stem cells in the laboratory
-F1rst metropolis to send a micro-device through the blood vessels
-F1rst metropolis to present an immersive film in a giant sphere



About the Board of Trade of Metropolitan Montreal



The Board of Trade of Metropolitan Montreal has some 7,000 members. Its mission is to represent the interests of the business community of Greater Montreal and to provide individuals, merchants, and local businesses of all sizes with a variety of specialized services to help them achieve their full potential in terms of innovation, productivity and competitiveness. The Board of Trade is Quˆ©bec's leading private economic development organization.


Stowe Welcomes Alondra de la Parra, Music Director, and Philharmonic Orchestra Of The Americas To Summer Home

International Award-Winning Classical Guitarist
Pablo Sˆ°inz Villegas Headlines
Music Festival of the Americas at Stowe

Stowe, VT (March 3, 2010) --- The Music Festival of the Americas at Stowe returns in August with a schedule of outstanding events and dynamic guests from the world of opera and classical music. Twenty-nine year old conductor Alondra de la Parra returns to direct the Philharmonic Orchestra of the Americas in their summer home and will be joined by award-winning Spanish classical guitarist Pablo Sˆ°inz Villegas, opera stars from Placido Domingo’Äôs Washington National Opera Domingo-Cafritz Young Artists’Äô Program and Ben Capps, the orchestra’Äôs principal cellist.

Ms. de la Parra, founder of the Philharmonic Orchestra of the Americas, and her New York City-based orchestra recently finished their second international tour, and over the past year have shared stages with Patti Labelle, Jose Feliciano, Carlos Santana, Gloria Estefan, John Legend and actor Geoffrey Rush. Ms. de la Parra and the POA recently completed a Sony Classical 2-CD recording celebrating Mexico’Äôs Bicentennial and featuring master works by Mexican composers.

The Music Festival of the Americas will expand to four days, August 18-21, and performances take place at 8:00 pm at Symphony Court, Topnotch Resort & Spa in Stowe, Vermont. Tickets are available by calling 802.760.6797 or online.

On Wednesday, August 18, Ms. de la Parra will conduct the POA Chamber Orchestra and delight the audience with ’ÄúConducting 101.’Äù

Thursday, August 19th, she will conduct the full orchestra and be joined by opera stars from Placido Domingo’Äôs Domingo-Cafritz Young Artist Program. Jennifer Lynn Waters, who moved audiences last year with exceptional arias and duets from Puccini, Verdi and Bizet, will be joined this summer by Ukrainian baritone Oleksandr Pushniak.

 
On Friday, August 20th, the orchestra will accompany Spanish classical guitarist Pablo Sˆ°inz Villegas as he performs Mexican composer Manuel Ponce’Äôs Concierto del Sur. Mr. Sˆ°inz Villegas is renowned as ’ÄúThe Soul of the Spanish Guitar’Äù and the recipient of more than thirty international awards, including the Andrˆ©s Segovia Award. Philharmonic Orchestra of the America’Äôs own principal cellist, Ben Capps, will be featured soloist for Schumann’Äôs Cello Concerto. The evening will end with Dvorak’Äôs Symphony No. 8.

 The grand finale on Saturday, August 21st heats up the rhythms as Anything Goes! ’Äì a night of diverse musical styles, dancing and festivities. Rum and tequila, caipirinhas and mojitos! Finally, a chance to kick off your shoes and samba, cha-cha, salsa, merengue - you name it. The orchestra members’Äîall under the age of 35, and from twenty different countries’Äîabandon their classical chops and go to the ’Äúdark side’Äù of Latin, rock, Rhythm & Blues’Äîanything goes! With special guest appearance by Latin recording star Mane de la Parra. As part of its mission to cultivate a life-long love of music, the Music Festival of the Americas at Stowe will donate twenty-five percent of the admission revenue from Saturday’Äôs ’ÄúAnything Goes!’Äù to the Stowe schools’Äô music programs.

The Music Festival of the Americas at Stowe is a non-profit 501(c)3 corporation, presenting premier international virtuosos and rising young talent from both the classical and world-music genres, and celebrating the rich cultural heritage of the Americas Stowe is the summer home of the Philharmonic Orchestra of the Americas, which, under the baton of music director and orchestra founder Alondra de la Parra, brings unsurpassed music to the Green Mountains of Vermont.

Sony Music Entertainment Canada Inc. releases Juno Awards 2010 nominee compilation album

In Stores March 30, 2010



TORONTO, March 10 /CNW/ - SONY MUSIC ENTERTAINMENT CANADA INC. is honoured to release the JUNO Awards 2010 nominee compilation album, in stores on March 30, 2010. The project is a joint venture between Canada's four major labels (EMI Music Canada Inc., Sony Music Entertainment Canada Inc., Universal Canada and Warner Music Canada) and The Canadian Academy of Recording Arts and Sciences (CARAS).


The JUNO Awards 2010 nominee compilation album is a non-profit package with proceeds going to MusiCounts, Canada's music education charity associated with CARAS. MusiCounts is dedicated to keeping music alive in schools through Band Aid musical instrument grants, scholarships and by honouring extraordinary music teachers. Since 2003 the annual JUNO Awards nominee compilation albums have sold close to a quarter of a million copies in Canada.


SONY MUSIC ENTERTAINMENT CANADA INC President Shane Carter commented: "We are delighted to be releasing the JUNO Awards 2010 compilation album reflecting the great spectrum of Canadian talent, particularly the new crop of artists showcased beside internationally renowned names. The selections on the CD celebrate some of the most diverse music of the past year, honouring our established musicians, while encouraging the next generation of stars to shine."


Track Listing -------------
1 Michael Bublˆ© Haven't Met You Yet
2 K'Naan Wavin' Flag
3 Nickelback Burn It To The Ground
4 Three Days Grace Break
5 Billy Talent Rusted From The Rain
6 Arkells Oh, The Boss Is Coming!
7 Metric Gimme Sympathy
8 The New Cities Dead End Countdown
9 Hedley Cha-Ching
10 Classified Anybody Listening
11 Justin Bieber One Time
12 Down With Webster Rich Girl$
13 Drake Best I Ever Had
14 Stereos Summer Girl
15 Shiloh Operator (A Girl Like Me)
16 The Tragically Hip Love Is A First
17 Jann Arden A Million Miles Away
18 Blue Rodeo Arizona Dust
19 Johnny Reid A Woman Like You ˆÝ
20 Diana Krall Walk On By

Since CTV joined forces with CARAS in 2002, THE JUNO AWARDS has been broadcast from St. John's (2002), Ottawa (2003), Edmonton (2004), Winnipeg (2005), Halifax (2006), Saskatoon (2007), Calgary (2008) and Vancouver (2009). In March 2009, 1.23 million Canadians watched Russell Peters host for the second time for THE 2009 JUNO AWARDS from Vancouver on CTV. Peters first hosted in 2008. Previous hosts of THE JUNO AWARDS include Nelly Furtado (2007), Pamela Anderson (2006), Brent Butt (2005), Alanis Morissette (2004), Shania Twain (2003) and Barenaked Ladies (2002).


Sponsors of the 2010 JUNO Awards include FACTOR, Canada's Private Radio Broadcasters and the Government of Canada through the Department of Canadian Heritage's "Canada Music Fund", with commitments from The Atlantic Canada Opportunities Agency (ACOA), the Province of Newfoundland and Labrador, the City of St. John's and Radio Starmaker Fund.


Sponsors of THE 2010 JUNO AWARDS broadcast on CTV are Chevrolet, Garnier, Pepsi and Rogers


About CARAS:


The Canadian Academy of Recording Arts and Sciences/L'acadˆ©mie canadienne des arts et des sciences de l'enregistrement (CARAS) is a not-for-profit organization created to preserve and enhance the Canadian music and recording industries and to contribute toward higher artistic and industry standards. The main focus of CARAS is the exploration and development of opportunities to showcase and promote Canadian artists and music through vehicles such as the JUNO Awards. For more information on The 39th Annual JUNO Awards or The Canadian Academy of Recording Arts and Sciences (CARAS), please visit our websites at http://www.carasonline.ca/ and http://www.junoawards.ca/.


About CTV:


CTV, Canada's Olympic Network, is also Canada's largest private broadcaster. Featuring a wide range of quality news, sports, information, and entertainment programming, CTV is Canada's most-watched television network. CTV Inc. also owns radio stations across the country and owns or has interests in leading national specialty channels, featuring news, sports, factual, arts, entertainment, music, youth and fashion programming. CTV Inc. is owned by CTVglobemedia Inc. Canada's premier multi-media company, which also owns Canada's national newspaper, The Globe and Mail. CTV is the official broadcaster of the Vancouver 2010 Olympic and Paralympic Winter Games and London 2012 Games of the Olympiad. More information about CTV may be found on the network's website at http://www.ctv.ca./


About MusiCounts


MusiCounts, Canada's music education charity associated with The Canadian Academy of Recording Arts and Sciences, is helping to keep music alive in schools across Canada. MusiCounts' mission is to ensure that children in Canada have access to a comprehensive music program through their school. MusiCounts includes Band Aid musical instrument grants, the MusiCounts Teacher of the Year Award, Scholarships and other music education initiatives. MusiCounts is supported by various initiatives such as the JUNO Award nominee compilation CD; annual contributions by CTVglobemedia; EMI Music Canada Inc.; Sony Music Entertainment Canada Inc.; Universal Music Canada and Warner Music Canada Ltd.; as well as Songwriters' Circle sponsored by CMPA and SOCAN; Juno Cup sponsored by The Keg Steakhouse and Bar; and individual and corporate contributions, including Astral Media, The Keg Spirit Foundation, Rogers Broadcasting Ltd., and SIRIUS Canada Inc. Since the Program's establishment in 1997, over 3.5 million dollars has been donated impacting 214 post secondary music program graduates and over 250,000 individual students, their schools and communities, from coast to coast. MusiCounts has also honoured five extraordinary music teachers through the MusiCounts Teacher of the Year Award. For more information, please visit: http://www.musicounts.ca/


About Sony Music Entertainment Canada Inc.


Sony Music Entertainment Canada Inc. a division of Sony Music Entertainment, is a global recorded music company with a roster of current artists that includes a broad array of both local artists and international superstars. The company boasts a vast catalog that comprises some of the most important recordings in history. It is home to premier record labels representing music from every genre, including American Recordings, Arista Nashville, Arista Records, Aware, Battery Records, Beach Street Records, Black Seal, BNA Records, Cinematic, Columbia Nashville, Columbia Records, Epic Records, Essential Records, Flicker Records, Fo-Yo Soul, GospoCentric, Hitz Committee Entertainment, J Records, Jive Records, LaFace Records, Legacy Recordings, Masterworks, Polo Grounds, RCA Records, RCA Nashville, RCA Red Seal, RCA Victor, Reunion Records, Slightly Dangerous, Sony Classical, Sony Music Latin, Star Time International, Verity Records, and Volcano Entertainment. Sony Music Entertainment is a wholly owned subsidiary of Sony Corporation of America.


Web Links:


The JUNO Awards: http://www.junoawards.ca/


MusiCounts: http://www.musicounts.ca/ /http://www.musicompte.ca/


CD Artwork: http://filevault.sbmg.ca/filevault.cgi?key=JfAXpdyq

Prix Jean-Marie-Benoit : un premier laurˆ©at !

Fˆ©licitations ˆÝ Benjamin Martinez !

La premiˆ®re attribution du Prix Jean-Marie-BenoˆÆt,
qui s’Äôest dˆ©roulˆ©e ˆÝ la Cinˆ©mathˆ®que quˆ©bˆ©coise, le vendredi 5 mars,
a permis de remettre une bourse de 2 000 $ au laurˆ©at Benjamin Martinez,
ˆ©tudiant au programme de maˆÆtrise en composition de la
Facultˆ© de musique de l’ÄôUniversitˆ© de Montrˆ©al.

Lancˆ© en septembre 2009, par la Sociˆ©tˆ© professionnelle des auteurs et des compositeurs du Quˆ©bec (SPACQ)
et la Succession Jean-Marie-BenoˆÆt, le Prix Jean’ÄëMarie-BenoˆÆt
rˆ©compense la qualitˆ© du travail accompli par un ˆ©tudiant inscrit au
programme de composition Musiques de film et multimˆ©dia offert ˆÝ la Facultˆ© de musique.

Vous trouverez, en piˆ®ce jointe,
le communiquˆ© de presse dˆ©taillˆ©
consacrˆ© ˆÝ la remise de ce prix.

Marie-Josˆ©e Poulin Big Band

Le Marie-Josˆ©e Poulin Big Band jouera en concert le :
 
        Date :  Samedi 10 avril 2010 
        Lieu :  Auditorium de la Polyvalente C.A.Racicot
                    940 Boul. Normandie
                    St-Jean-sur-Richelieu  
** Ouverture des portes et rˆ©pˆ©tition ˆÝ 13h.  Concert ˆÝ 15h30.
 
Admission adulte :   15 $
Enfants 12 ans et moins :  6 $
 
Des billets seront en vente ˆÝ la porte le jour de l’Äôactivitˆ©, tant qu’Äôil y en aura. 
Bienvenue ˆÝ tous!
 
Marie-Josˆ©e Poulin
Directrice artistique
450. 515. 1676
info@mariejoseepoulin.ca

Effendi - Nouvel album pour Joe Sullivan

SORTIE EN MAGASIN DU NOUVEL ALBUM DE
JOE SULLIVAN SEXTET ¬´ VOICES ¬ª dˆ®s le 16 mars

 Montrˆ©al, 10 mars 2010 ’Äì Le label montrˆ©alais Effendi Records est fier de prˆ©senter le nouvel album du trompettiste Joe Sullivan, intitulˆ© ¬´ Voices ¬ª.

Disponible en magasin, sur les plateformes de tˆ©lˆ©chargement (Itunes, Zik.ca, Emuzic), et sur le site internet www.effendirecords.com dˆ®s le mardi 16 mars 2010 (Distribution Select).

Joe Sullivan prˆ©sente son troisiˆ®me album en sextet, une rˆ©union entre vieux amis habituˆ©s ˆÝ jouer ensemble depuis de longues annˆ©es. Avec ses complices musicaux dans l’Äôˆ¢me, Andrˆ© Leroux et Jean Frˆ©chette, qui apportent leur touche personnelle, enrichissant encore les compositions du trompettiste, Joe Sullivan nous propose un mˆ©lange de piˆ®ces composˆ©es ces derniˆ®res annˆ©es, sans prˆ©tentions, visant tout simplement le plaisir de jouer et d’Äôˆ©couter un bon jazz d’Äôici qui ravira les habituˆ©s.

¬´ VOICES ¬ª (FND098)
Joe Sullivan ’Äì trompette
Andrˆ© Leroux ’Äì saxophone
Jean Frˆ©chette -  saxophone
Andrˆ© White ’Äì piano
Alec Walkington ’Äì contrebasse
Dave Laing ’Äì batterie

Info lancement
Vendredi 12 mars
5@7 au Diable A 4 (Quatre)
1871 rue Centre (coin Shearer)
Montreal, QC, H3K 1J1
(514) 933-4313

Edmonton Opera 10-11: Paris - Rome - Barrhead

Edmonton is a city that inspires opera, and, in celebration of this, Edmonton Opera launches a season to delight and thrill Edmontonians in 2010-2011. The mystery and romance of Paris come alive with Puccini’Äôs La Bohˆ®me; sharp silliness abounds with shipwrecks, sultans and stranded sopranos in Mozart’Äôs Abduction from the Seraglio; love and revenge mingle with power and beauty in Puccini’Äôs Tosca; and Rossini is revised and relocated to the Alberta Klondike with Barber of Barrhead.
Edmonton Opera 2010-2011 season subscriptions are on sale now via the company’Äôs box office, call 780-429-1000 or visit www.edmontonopera.com for details. The deadline to renew current subscriptions is May 15, 2010. Single tickets for 2010-2011 performances go on sale September 15, 2010.
Puccini - La Bohˆ®me
October 23, 26, 28, 2010 ’Äì 7:30pm
The Northern Alberta Jubilee Auditorium
Sung in Italian with English supertitles
Everyone has experienced the hope and loss of first love, and Puccini takes this universal experience to new heights with the perennial favourite, La Bohˆ®me. In the gritty world of Parisian ghettos, Rodolfo, a young poet, has his life turned upside-down by his passionate love for the fragile and doomed seamstress, Mimi.

Mimi ’Äì Laura Whalen
Rodolfo ’Äì Eric Fennell
Musetta ’Äì Alison Angelo
Marcello ’Äì ˆâtienne Dupuis
Colline ’Äì Jon-Paul Dˆ©cosse
Schaunard ’Äì Benjamin Covey
Benoit / Alcindoro ’Äì Doug MacNaughton
Conductor ’Äì Steven Osgood
Director ’Äì Brian Deedrick

Edmonton Opera Chorus
Edmonton Symphony Orchestra

Mozart ’Äì The Abduction from the Seraglio
February 5, 8, 10, 2011 ’Äì 7:30pm
The Northern Alberta Jubilee Auditorium
Sung in German with English supertitles
Edmontonians know a little laughter lights up a cold, dark February night, and Mozart’Äôs musical wit warms opera audiences with the comic romance The Abduction from the Seraglio. Young Belmonte journeys to the exotic East to rescue his beloved Konstanze, who’Äôs been imprisoned by an amorous Pasha, and madness ensues as the lovers battle to outwit a bumbling and jealous vizier.
Kostanze -- Charlotte Corwin
Belmonte ’Äì Colin Ainsworth
Blonde ’Äì Carla Huhtanen
Pedrillo -- Lawrence Wiliford
Osmin ’Äì Dean Elzinga
Pasha Selim ’Äì David McNally

Conductor ’Äì Peter Dala
Director ’Äì Michael Cavanagh

Edmonton Opera Chorus
Edmonton Symphony Orchestra

Rossini revised! ’Äì The Barber of Barrhead
February 15 - 26, 2011 - various times
The TransAlta Arts Barns ’Äì Westbury Theatre
Sung in English with English dialogue
A collaboration between Edmonton Opera and Fringe Theatre Adventures takes family fun from Seville, Spain and into the Alberta Klondike for The Barber of Barrhead. Prospectors seek and lose their fortunes during the Gold Rush, as Figaro, a barber and jack-of-all-trades, endeavours to unite the young Al with his love Rosie, despite the dastardly innkeeper Bart’Äôs devious dealings.

Rosie ’Äì Dionne Sellinger
Al ’Äì Rob Clark
Figaro ’Äì John Conlon
Bart ’Äì Joel Klein
Director/ Adapter ’Äì Ann Hodges

Puccini ’Äì Tosca
April 9, 12, 14 2011 ’Äì 7:30pm
The Northern Alberta Jubilee Auditorium
Sung in Italian with English supertitles
A tale of desperate choices embroiled in art and politics concludes the 2010-2011 season with Tosca, Puccini’Äôs darkest and most powerful masterpiece. Tosca, a fiery and passionate diva, struggles over whether to surrender to Rome’Äôs brutal Chief of Police to save the man she loves.
Tosca ’Äì Yannick-Muriel Noah
Cavaradossi ’Äì Robert Breault
Scarpia ’Äì Nathan Berg
Angelotti/Sciaronne ’Äì Tom Goerz
Sacristan/ Jailer ’Äì Alexandre Sylvestre
Spoletta ’Äì Keith Klassen
Conductor ’Äì Robert Tweten
Director ’Äì Robert Herriot

Edmonton Opera Chorus
Edmonton Symphony Orchestra


For more information about Edmonton Opera’Äôs productions and programs, to view its season launch video featuring Artistic Director Brian Deedrick or to download a subscription form, please visit www.edmontonopera.com.  

NU’Ķ un spectacle qui dˆ©voile sans dˆ©vˆ�tir!

ˆÄ la Maison des arts dans le cadre du Mois de la danse 2010
 
Laval, le 9 mars 2010 ’Äî NU est prˆ©sentˆ© en ouverture du 4e Mois de la danse de la Maison des arts de Laval le 25 mars prochain. En effet, du 25 mars au 24 avril, la danse reprend possession de la scˆ®ne de ce lieu culturel en prˆ©sentant une programmation exceptionnelle regroupant les forces vives de la danse d’Äôici et d’Äôailleurs. 
NU
Malgrˆ© ce que peut ˆ©voquer le titre de ce spectacle, c’Äôest l’Äôˆ¢me des personnages qui est ici mise ˆÝ nu. En effet, la trame chorˆ©graphique s’Äôattarde ˆÝ la sensibilitˆ© qui se cache sous la faˆßade de chaque individu. Le chorˆ©graphe, Harold Rhˆ©aume de la compagnie Le fils d’ÄôAdrien danse, rˆ©ussit ˆÝ dˆ©jouer le mythe de l’Äôimpˆ©nˆ©trabilitˆ© de la danse contemporaine. Il le fait d’Äôailleurs avec brio, sans pour autant lˆ©siner sur la complexitˆ© du mouvement par une gestuelle qui respire la sensibilitˆ©. Avec Nu, il arrive ainsi ˆÝ nous en mettre plein la vue et plein le c‰ìur! 
Le Mois de la danse
Instaurˆ© en avril 2007, le Mois de la danse propose des rencontres et des spectacles qui mettent en valeur cette discipline artistique qui transcende les frontiˆ®res des cultures et des langues. Dˆ©couvrez la programmation complˆ®te du Mois de la danse de la Maison des arts en vous procurant le dˆ©pliant promotionnel ou en visitant le portail Internet de la Ville de Laval au www.ville.laval.qc.ca, sous l’Äôonglet Culture.
 
NU :  25 mars 2010 ˆÝ 20 h, ˆÝ la Maison des arts de Laval
    Tarif : 24 $ (prix ˆ©tudiants ou de groupes disponibles)
     Rˆ©servation :
   450 667-2040 
Your browser may not support display of this image.  450 662-4440 ’Äî www.ville.laval.qc.ca 

Portland Symphony Orchestra Unveils 2010-11 Season

Great Works, Familiar and Contemporary Composers, Guest Artists and Collaborations

PORTLAND, Maine ’Äì The Portland Symphony Orchestra (PSO) continues its 86-year tradition of presenting the best in live orchestral music in Maine with a 2010-11 season focused on programming that is attractive and engaging for audiences of all ages. The PSO’Äôs commitment to internationally renowned artists, great composers, familiar works and the classics of the future is evident through Moody’Äôs selection of works for the 2010-11 season, which includes two PSO-commissioned premieres, six works by living composers, and collaborations with local organizations including the Choral Art Society, Suzuki Institute of Maine, and the University of Southern Maine, among others.

The season opens with two performances of a ’ÄúSeason Opening Celebration’Äù on Sunday, October 3 and Tuesday, October 5 with a riveting program of Strauss, Tchaikovsky, and bassist Edgar Meyer performing concertos by Bottesini and of his own composition. The PSO Pops! season is a series of tributes, two to distinctive genres (Celtic fiddler Eileen Ivers with Immigrant Soul, The Golden Age of Motown), and two to iconic artists (Simply Sinatra and Elvis Lives!). The season will conclude with two performances of Daphnis and Chloˆ© on Sunday, May 1 and Tuesday, May 3. 

For the 2010-11 subscription season, the Sunday Classical series expands to five concerts, featuring a mix of chamber orchestra and full orchestral works, with two of the programs performed on Tuesdays as well. The Tuesday Classical series comprises six concerts, while PSO Pops! has two performances each of four programs, for a season total of 19 performances of 13 programs (not including Magic of Christmas, 11 performances December 10-19). A Classical Complete subscription package includes all six Tuesday concerts plus the three additional Sunday Classical concerts.

Premieres include the commissioned works Travels in Time for Three (PSO co-commission, Maine premiere) and local composer Elliott Schwartz’Äôs Diamond Jubilee (PSO commission, world premiere), as well as the Maine premiere of Beatleset by Peter Schickele (also known as his alter ego P.D.Q. Bach). Among the many guest artists joining the PSO for the upcoming season are bassist Edgar Meyer, Celtic fiddle sensation Eileen Ivers, the category-shattering ensemble Time for Three, pianist Andrew von Oeyen, and tenor John McVeigh. Featured orchestral works in the 2010-11 season include Gustav Holst’Äôs monumental The Planets, Leonard Bernstein’Äôs Symphonic Dances from West Side Story, The Passion According to St. John by J.S. Bach, and the impressionist masterpiece La Mer by Claude Debussy.

Music Director Robert Moody, who recently extended his agreement with the PSO through the 2015-16 season, continues to champion great music and artists while blurring the lines between classical, popular music, the classics of the future and other genres. This season will feature an expansion of ways for audience members to connect with Maestro Moody and the PSO’Äôs musicians directly through Concert Conversations, post-performance gatherings and social media. 

Board of Trustees President Gordon Gayer said, ’ÄúWith Maestro Moody signed on for another five years, and having regained our financial footing, the PSO is ready to move into new territory.  We will always give great performances of classical works from the repertoire.  But our audiences can also look forward to new programming that is inter-disciplinary and collaborative, and always rewarding.’Äù

Moody spoke with excitement of the upcoming season: ’ÄúI am so very proud of the artistic accomplishments we've made in my first two seasons as Music Director.  The 2010-11 season, the orchestra's 86th and my third, contains incredibly exciting programming, tremendous guest artists, celebrations of new music and living composers, and an orchestra playing masterworks at the highest possible level, in addition to the continued surprises we have in store for our audiences.  These will be 'not-to-miss' concerts!’Äù

Executive Director Ari Solotoff added, ’ÄúThe Portland Symphony continues to explore innovations which improve both the bottom line and artistic quality.  Building an additional Sunday Classical program into the season satisfies the need to be fiscally responsible, while giving Robert and our outstanding musicians additional opportunities to share the music.’Äù

The PSO’Äôs 2010-11  season is sponsored by IDEXX Laboratories and (new sponsor) Wright Express.

Pricing and ticket information is available through portlandsymphony.com or by calling PortTIX at 207-842-0800. Special pricing may be available for subscribers, students, seniors and groups of 10 or more.

# # #

The Portland Symphony Orchestra 2010-11  Season at a Glance
Programs and artists subject to change.

’ÄúSeason Opening Celebration’Äù
Tuesday Classical: October 3, 2010 at 7:30pm
Sunday Classical: October 5, 2010 at 2:30pm
Robert Moody, conductor
Edgar Meyer, bass
’Ä¢    Richard Strauss - Don Juan
’Ä¢    Giovanni Bottesini - Concerto No. 2
’Ä¢    Edgar Meyer -  Concerto No. 1
’Ä¢    Pyotr Ilyich Tchaikovsky -   Symphony No. 4 ’Ä®
Edgar Meyer is a prominent contemporary bassist and composer. His styles include classical, bluegrass, newgrass, and jazz. His collaborators have spanned a wide range of musical styles and talents; among them are Joshua Bell, Yo-Yo Ma, Bˆ©la Fleck, Zakir Hussain and Alison Krauss

PSO Pops! ’ÄúEileen Ivers with Immigrant Soul’Äù
Saturday October 9, 2010 7:30 pm
Sunday October 10, 2010 2:30 pm
Robert Moody, conductor
Eileen Ivers, guest artist

Eileen Ivers is a major presence on both the traditional Irish and contemporary world music scenes. The Celtic fiddle sensation joins the PSO for a show that’Äôs full of energy and inspiration. Sponsored by LL Bean.

Tuesday Classical ’ÄúThe Planets’Äù
Tuesday November 9, 2010 7:30 pm’Ä®
Robert Moody, conductor
USM Chamber Choir
’Ä¢    John Adams ’Äì Short Ride in a Fast Machine
’Ä¢    John Williams ’Äì Suite from Close Encounters of the Third Kind
’Ä¢    Gustav Holst ’Äì The Planets

PSO Pops! ’ÄúSimply Sinatra’Äù
Saturday November 13, 2010 7:30 pm
Sunday November 14, 2010 2:30 pm
Steve Lippia, guest artist

Steve Lippia’Äôs interpretations of the Sinatra songbook have been acclaimed from coast to coast. This powerful show celebrates the timeless talent of ’ÄúOl’Äô Blue Eyes.’Äù Sponsored by Holiday Inn and New England Coffee.

Sunday Classical ’ÄúTime for Three’Äù
Sunday November 21, 2010 2:30 pm
Robert Moody, conductor
Time for Three, guest ensemble
’Ä¢    Paul Hindemith Symphonic Metamorphoses
’Ä¢    Chris Brubeck Travels in Time for Three (PSO co-commission, Maine premiere)
’Ä¢    Leonard Bernstein Symphonic Dances from West Side Story

The groundbreaking, category-shattering trio Time for Three transcends traditional classification, with elements of classical, country western, gypsy and jazz idioms forming a blend all its own.

Magic of Christmas
December 10-19, 2010
Robert Moody, conductor
Joe Cassidy, guest artist
Portland Community Chorus
Figures of Speech Puppet Theater

The family holiday tradition returns with last year’Äôs acclaimed rendition of Christmas Carol with the addition of new puppets, and beloved traditions both old and new. Sponsored by Hannaford Supermarkets, IDEXX Laboratories, Northeast Delta Dental.

Tuesday Classical ’ÄúFrom Russia With Love’Äù
Tuesday January 25, 2011 7:30 pm
Robert Moody, conductor
Andrew von Oeyen, piano
’Ä¢    Elliott Schwartz Diamond Jubilee (PSO commission in honor of the composer’Äôs 75th birthday, world premiere)
’Ä¢    Sergei Prokofiev Piano Concerto No. 3
’Ä¢    Dmitri Shostakovich Symphony No. 5

Since his debut at age 16 with the Los Angeles Philharmonic and Esa-Pekka Salonen, Mr. von Oeyen has performed to critical acclaim in recital and orchestral appearances around the world.

Sunday Classical ’ÄúBach’Äôs St. John Passion’Äù’Ä®
Sunday January 31, 2011 2:30 pm

Robert Moody, conductor
Choral Art Society, Robert Russell, director
Kendra Smith, soprano; Mezzo-soprano to be announced; John Aler, tenor; Laurence Albert, bass
’Ä¢       Johann Sebastian Bach Passion According to St. John

One of the most vivid and important works of the Baroque era, this work is extravagant and as dramatic as the most dynamic operas of the period.

PSO Pops! ’ÄúThe Golden Age of Motown’Äù
Saturday February 12, 2011 7:30 pm
Sunday February 13, 2011 2:30 pm
Robert Moody, conductor
Joy Lynn Matthews, Tituss Burgess, guest vocalists

Marking the 50th anniversary of the Motown record label, this musical celebration is steeped in good old-fashioned soul and rhythm & blues.

Tuesday Classical ’ÄúPreu Conducts Bruckner’Äù
Tuesday March 8, 2011 7:30 pm
Eckart Preu, guest conductor
’Ä¢    Felix Mendelssohn Violin Concerto
’Ä¢    Anton Bruckner Symphony No. 4, ’ÄúRomantic’Äù

Eckart Preu is the Music director of the Spokane and Stamford (CT) Symphonies. Born in East Germany, The New York Times has called him ’Äúa fiery conductor with a kinetic style.’Äù

Sunday Classical ’ÄúThe Three Bs: Brahms, Britten and The Beatles’Äù
Sunday March 20, 2011 2:30 pm
Robert Moody, conductor
John McVeigh, tenor
’Ä¢    Johannes Brahms Variations on a Theme by Haydn
’Ä¢    Benjamin Britten Nocturne Op. 60
’Ä¢    Peter Schickele Beatleset
’Ä¢    Benjamin Britten Young Persons Guide to the Orchestra

A fresh new take on ’Äúthree Bs,’Äù composers who have had impact on their eras as Bach Beethoven and Brahms (the original ’Äúthree Bs’Äù) did on theirs.

Tuesday Classical ’ÄúSeasons and the Sea’Äù
Tuesday April 5, 2011 7:30 pm
Robert Moody, conductor
Corine Brouwer, violin
’Ä¢    Felix Mendelssohn Calm Sea and Prosperous Voyage
’Ä¢    Astor Piazzola Four Seasons of Buenos Aires
’Ä¢    Claude Debussy La Mer

Corine Brouwer is the concertmistress of Robert’Äôs ’Äúother’Äù orchestra, the Winston-Salem Symphony.

PSO Pops! Elvis Lives!
Saturday, April 9, 2011 7:30 pm
Sunday, April 10, 2011 2:30 pm
Robert Moody, conductor
Elvis Wade, guest artist

A tribute to The King of Rock and Roll, Nashville’Äôs Elvis Wade is not just another impersonator, he’Äôs as close to the real thing as it gets.

’ÄúDaphnis and Chloˆ©’Äù
Sunday Classical: May 1 2:30 pm
Tuesday Classical: May 3 7:30 pm
Robert Moody, conductor
Janet Polk, bassoon (PSO principal)
’Ä¢    Richard Wagner Prelude and Liebestod from Tristan and Isolde
’Ä¢    Wolfgang Amadeus Mozart Bassoon Concerto
’Ä¢    Maurice Ravel Daphnis and Chloˆ©
’Ä® ’Ä® ’Ä® ’Ä®’Ä®’Ä®’Ä®

Sunday, March 21, 2010

L'ONF lance le documentaire web ˆâcologie sonore - une balade multimˆ©dia unique!!!

Un documentaire Web sur la pollution sonore et notre incapacitˆ© ˆÝ soutenir le silence
ECOLOGIESONORE.ONF.CA

Montrˆ©al, le 10 mars 2010 ’Äì ˆâcologie sonore est le nouveau projet de documentaire Web conˆßu et produit ˆÝ l’ÄôOffice national du film du Canada (ONF) par Hugues Sweeney, avec Nicolas Saint-Cyr ˆÝ la rˆ©alisation et ˆÝ la direction artistique en collaboration avec l’Äôagence Toxa. Lancˆ© en primeur ˆÝ la Sociˆ©tˆ© des arts technologiques (SAT) le mercredi 10 mars ˆÝ 18 h, ce documentaire innovateur propose de naviguer ˆÝ travers quatre paysages sonores : VILLE dˆ®s le 11 mars, BANLIEUE le 15 avril, NATURE le 15 mai et ERMITAGE le 15 juin. Ce projet interactif est une nouvelle illustration du virage numˆ©rique de l’ÄôONF.

Le bruit excessif, la densification des milieux urbains, les environnements sonores personnalisˆ©s et transportables’Ķ nous vivons dans un monde de plus en plus bruyant. ˆâcologie sonore est une investigation interactive de notre environnement sonore menant ˆÝ une sensibilisation et ˆÝ une prise de conscience de celui-ci. Ce projet stimule l’Äôimaginaire et met ˆÝ profit les plus rˆ©centes technologies de production numˆ©rique pour mettre le son de l’Äôavant sur le Web. Elle offre ainsi un mˆ©dia inˆ©dit pour souligner l’Äôimportance de la pollution sonore et la met en perspective, dans une rˆ©flexion plus large sur notre rapport aux sons et au silence.

Les quatre ¬´ paysages sonores ¬ª ’Äì terme du compositeur et environnementaliste canadien R. Murray Schafer ’Äì constituent une expˆ©rience immersive unique, une balade multimˆ©dia ludique. Ils comprennent une quinzaine de portraits vidˆ©o d’ÄôAlexandra Guitˆ© prˆ©sentant divers protagonistes dans leur rapport aux sons, des environnements sonores crˆ©ˆ©s par le multi-instrumentiste Freeworm (Vincent Letellier) et des pistes de rˆ©flexion ˆ©laborˆ©es par Mathieu Rˆ©gnier, recherchiste et consultant en environnement. Le tout crˆ©e de vˆ©ritables parcours ˆ©voluant et se modifiant au grˆ© des choix de l’Äôinternaute, formant une expˆ©rience en soi, un vˆ©ritable ˆ©change entre l’Äô‰ìuvre et le public.

Quatre paysages sonores lancˆ©s en quatre temps

La ville ’Äì en ligne le jeudi 11 mars

C’Äôest le territoire sonore ˆÝ la fois le plus polluant ’Äì posant la question de la santˆ© publique ’Äì et le plus vivant, grˆ¢ce ˆÝ toute la diversitˆ© des activitˆ©s humaines. La ville est entendue ˆÝ partir de la musique d’Äôascenseur, des tˆ©lˆ©phones cellulaires, de la circulation, des chantiers de construction, des parcs et des systˆ®mes d’Äôalarme de voitures. Quatre courts mˆ©trages prˆ©sentent des personnes fascinantes : l’Äôaudiologiste Tony Leroux est passionnˆ© par les rˆ©percussions du bruit sur les gens. Son travail peut l’Äôamener dans une mˆ�me journˆ©e ˆÝ vivre les extrˆ�mes, de la pollution sonore au silence le plus profond d’Äôune chambre anˆ©choˆØque. Nathalie Chartrand, prˆ©sidente de l’ÄôAssociation sportive des aveugles du Quˆ©bec, est non voyante. Les sons lui sont essentiels et la portent ˆÝ travers ses parcours dans la ville. Max Stein, ˆ©tudiant en musique ˆ©lectroacoustique, est un amoureux de la trame sonore urbaine. Il organise des promenades sonores pour s’Äôimprˆ©gner des ambiances afin de mieux entendre son environnement ’Ķ et sa ville. La colorˆ©e Lili Jettˆ© n’Äôa pas la langue dans sa poche. Elle vit sous l’Äôˆ©changeur Turcot. Pour elle, le bruit a un sens tout ˆÝ fait singulier : ¬´ Oˆ¼ y a pas de bruit y a pas de vie! ¬ª

La banlieue ’Äì en ligne le 15 avril

Entre la campagne et la ville, la banlieue est un territoire sonore qui nous en dit beaucoup sur ceux que l’Äôon cˆ¥toie, posant la question de la cohabitation. Elle est entendue ˆÝ partir des thermopompes, des corridors aˆ©riens, des voitures modifiˆ©es et des outils ˆÝ moteur domestiques. Les courts mˆ©trages nous font rencontrer un preneur de son, un col bleu sourd ainsi qu’Äôun fanatique de voitures modifiˆ©es.

La nature ’Äì en ligne le 15 mai

Mˆ�me en pleine nature, il est de plus en plus rare de se sentir seul, et cette sollicitation sonore a impact direct sur les ˆ©cosystˆ®mes. La nature est entendue ˆÝ partir des ours, des arbres qui tombent dans la forˆ�t, de la reproduction des grenouilles, des motoneiges, des feux de camp et du bruit de la pluie sur les toitures d’Äôaluminium. Des courts mˆ©trages nous font faire connaissance avec un gardien de parc, des fermiers ainsi que des rˆ©sidents qui subissent un festival de motoneigistes.

Un ermitage ’Äì en ligne le 15 juin

L’Äôespace sonore, c’Äôest aussi l’Äôespace mental, et certains choisissent le retrait volontaire du tumulte de la sociˆ©tˆ©. D’Äôoˆ¼ vient cette incapacitˆ© croissante ˆÝ soutenir le silence, ˆÝ ˆ�tre seul, ˆÝ composer avec le vide? Comment lier cette nˆ©cessitˆ© de se sentir libres et ce dˆ©sir d’Äôˆ�tre toujours sollicitˆ©s? L’Äôermitage est entendu ˆÝ partir du vent, d’Äôun c‰ìur qui bat, de murmures, de pas dans un cloˆÆtre et d’Äôun crayon qui glisse sur une feuille de papier. Des vidˆ©os prˆ©sentent une massothˆ©rapeute et un frˆ®re trappiste.

Opera Lyra Ottawa Ottawa presents MACBETH

March 27, 29, 31, April 3, 2010
Southam Hall, National Arts Centre

March 8, 2010...Opera Lyra Ottawa (OLO) presents Macbeth, Verdi’Äôs great opera about power, love and treachery.

Artistic Director of Opera Lyra Ottawa and Conductor, Tyrone Paterson, has brought together a stellar cast led by Greer Grimsley "...the glory of his Macbeth is in the rich, robust voice and vital presence." (Vancouver Sun) Brenda Harris, whose voice has been described as ’Äú... drop-dead gorgeous singing, soaring on high, glowing with mezzo-ish warmth in lower registers, nearly every phrase elegantly turned’Äù (Dallas Morning News) takes on the role of Lady Macbeth, and Andrew Funk’Äôs ’Äúwonderful vocal presence’Äù (Santa Barbara Independent) will incarnate Banquo, Macbeth’Äôs friend and tragic victim. Canadian Luc Robert will bring his remarkable tenor voice to the role of MacDuff and Renˆ©e Lapointe, whose ’Äúextremely seductive voice’Äù (Toronto Star) is the Lady-in-Waiting. Renˆ©e was last seen as the Third Lady in OLO’Äôs 2009 season-opening production of The Magic Flute.

International Director Joseph Bascetta and acclaimed lighting designer Henry Frehner will recreate the mystery and drama of Macbeth.

Macbeth will be sung in Italian, with English and French Surtitles. Performances begin at 8:00 pm. Pre-opera chats are presented free of charge to all patrons one-hour prior to each performance in the lobby. These offer an opportunity to learn more about the composer, context and historical significance of the opera.

The Story
Scottish army leaders Macbeth and Banquo meet three witches who prophesy that Macbeth will become Thane of Cawdor and King of Scotland and tell Banquo that he will be the father of kings. The first part of the witches’Äô prediction comes true almost immediately when Duncan, the King of Scotland names Macbeth Thane of Cawdor, thereby sealing his doom. This announcement unleashes Lady Macbeth’Äôs ambition and she convinces Macbeth that Duncan must die by his hand.

Macbeth becomes King but, consumed by the prophecy that Banquo’Äôs children will rule Scotland, he and Lady Macbeth plot to have Banquo and his son, Fleance, assassinated. Banquo is killed and Fleance escapes. Lady Macbeth welcomes the court to the banquet hall when Macbeth hears the news. Macduff vows to leave the country.

Beset by guilt, Macbeth seeks out the witches demanding more prohecies. Apparitions warn him to beware of Macduff and assure him that he will come to no harm by ’Äúman of woman born’Äù and that he will be invincible until Birnam Wood marches on his castle. In another vision, he sees a procession of future kings, followed by Banquo. Horrified, Macbeth collapses. He and Lady Macbeth resolve to kill Macduff and his family as well as Banquo’Äôs son. On the English border, Macduff, his wife and children murdered, has joined the Scottish refugees Malcolm appears with British troops and leads them to invade Scotland.

Lady Macbeth is sleepwalking, haunted by the horrors of what she and her husband have done, while Macbeth awaits the arrival of his enemies. Messengers bring news that Lady Macbeth has died, and that Birnam Wood appears to be moving. Macduff confronts Macbeth and tells him that he was not born naturally but had a Caesarean birth. He kills Macbeth and proclaims Malcolm king of Scotland.

Ticket Information:
Single tickets, from $40 to $169, are available from the NAC box office and all Ticketmaster locations (service fees will be applied). Visit Ticketmaster online or call 613-755-1111. DISCOUNTS: For groups of 10 or more please call Opera Lyra Ottawa at 613-233-9200 and ask about our group rates. Students with a valid Live Rush’Ñ¢ membership card may buy up to 2 tickets per performance at a discounted price. Tickets may be purchased online or in person at the NAC Box Office on the day of the performance from 2 to 6 pm. More information is available at www.liverush.ca.

About Opera Lyra Ottawa
Opera Lyra Ottawa is a not-for-profit organization with the mandate to produce and present opera in the National Capital Region of the highest quality and to promote opera as an art form, making it accessible to as large a segment of the population as possible through community outreach and education. Wherever possible, Opera Lyra Ottawa is committed to encourage, nurture and support Canadian artists. For more information please visit www.operalyra.ca.

Opera Lyra Ottawa gratefully acknowledges the generous support of our sponsors who make the 2009-2010 season possible. We thank Bell, Season Sponsor, as well as our other Principal Sponsors: Sun Life Financial, and Ottawa Citizen; Major Sponsors: Extended Suites Ottawa, Custom Printers, Kolegram and Handa Travel. Opera Lyra would also like to thank the following agencies for their support: the Canada Council for the Arts, the Ontario Arts Council and the City of Ottawa.

DanceWorks presents acclaimed Vancouver company - Wen Wei Dance with Cock-Pit

Toronto, March 9, 2010- DanceWorks, this city's longest running contemporary dance series, presents the Toronto premiere of Cock-Pit performed by Vancouver's acclaimed Wen Wei Dance. A revealing, and ravishing quintet for four men and one woman that touches on adolescent sexual awakening, Cock-Pit runs Friday April 9 and Saturday April 10 at Harbourfront Centre's Fleck Dance Theatre, after which the company tours to Quebec City, Montreal, Regina, Victoria and Salt Spring Island in B.C.

Cock-Pit is inspired by Wen Wei Wang's memories of his student days in China at a boarding school run by the People's Liberation Army. "I shared a room with four boys for more than five years," he states. "We were at the age when we became concerned about sexuality without having any advice from our parents or teachers. We were not allowed to have girl friends, so we only thought about them in our dreams and imaginations. These memories contribute subconsciously to the scenario for this work."

In close quarters, four men play games that threaten to spiral into violence or desire. Inextricably bound together, they are alternately seduced, entranced and thwarted by an elusive female figure that moves easily between dreams and physical reality.

Incorporating anthropomorphic elements, four-foot long pheasant feathers that extend limbs and a heated sexuality that alternates between open combat and tender intimacy, Cock-Pit is infused with all the volatility and pressure of youth trapped in a closed-off world. As secret yearnings and open plays for dominance threaten to erupt, the possibility of escape, like a distant woman, moves into an unknown future.

Cock-Pit premiered in Vancouver in February of 2009 at which time Paula Citron of the Globe and Mail commented, "Wen Wei Wang is a master of imagery. His use of symbolism in dance is superb. So not surprisingly, his new work, Cock-Pit is a visual triumph."


Wen Wei Dance tours Cock-Pit as follows:
5 and 6 March - EDMONTON: Brian Webb Dance Company
9 and 10 April - TORONTO: Danceworks
15, 16 and 17 April - QUEBEC CITY: La Rotonde
21, 22, 23 and 24 April - MONTREAL: L'Agora de la danse
27 and 28 April - REGINA: New Dance Horizons
1 May - VICTORIA: Dance Victoria
4 May - SALT SPRING ISLAND: Arts Spring


Wen Wei Wang - choreographer
Wen Wei Wang began dancing at an early age in China, where he was born and raised. He trained and danced professionally with the Langzhou Song and Dance Company. In 1991, he came to Canada and joined the Judith Marcuse Dance Company after which he danced with Ballet British Columbia for seven years. In 2000, he received the Clifford E. Lee Choreographic Award and since then has choreographed for the Alberta Ballet, Ballet Jorgen, and Dancers Dancing. Since 2003, he has served as Artistic Director of Wen Wei Dance. The company has performed at major venues across Canada, the Vancouver International Dance Festival, Dancing on the Edge Festival, the Canada Dance Festival, and the International Contemporary Dance Festival in Colombia, South America. Wen Wei is the recipient of the 2006 Isadora Award for Excellence in Choreography.


DanceWorks presents Vancouver's acclaimed
Wen Wei Dance with Cock-Pit
Co-produced by L'Agora de la danse and the National Arts Centre
Choreographed by Wen Wei Wang
Original score by Giorgio Magnanensi, Lighting design by James Proudfoot
Part of Harbourfront Centre's NextSteps
Friday April 9, and Saturday April 10, 2010 8PM
Fleck Dance Theatre
207 Queens Quay West
Tickets: $28 (Discounts for students, seniors, CADA, SCDS, groups,)
                       Box Office: 416-973-4000 or online at www.danceworks.ca

Les Mˆ©lodines de la Place des Arts cˆ©lˆ®brent la venue du printemps

L’ÄôAtelier lyrique de l’ÄôOpˆ©ra de Montrˆ©al et un spectacle de clavecin

Montrˆ©al, le mardi 9 mars 2010 ’Äì Pro Musica et la Place des Arts poursuivent leur harmonieuse collaboration en prˆ©sentant la 7e saison des Mˆ©lodˆÆnes jusqu’Äôau 8 avril 2010. Prˆ©sentˆ©es ˆÝ la Place des Arts tous les jeudis de 12 h 10 ˆÝ 12 h 50, les Mˆ©lodˆÆnes vous permettent d’Äôapprˆ©cier d’Äôexcellents concerts sur l’Äôheure du dˆÆner. Apportez votre lunch ! Au programme pour cˆ©lˆ©brer la venue du printemps rien de moins que l’ÄôAtelier lyrique de l’ÄôOpˆ©ra de Montrˆ©al sous la direction de Chantal Lambert et un spectacle de clavecin avec le grand maˆÆtre Luc Beausˆ©jour.

L’ÄôATELIER LYRIQUE DE L’ÄôOPˆâRA DE MONTRˆâAL ’Äì 18 mars au Piano Nobile

Sous la direction de Chantal Lambert, l’Äôatelier lyrique de l’ÄôOpˆ©ra de Montrˆ©al avec sa jeunesse, sa fraˆÆcheur et ses belles voix vous offre de grands airs qui vous sˆ©duiront assurˆ©ment. De plus, pour ce spectacle, l’ÄôAtelier lyrique de l’ÄôOpˆ©ra de Montrˆ©al est fier d’Äôaccueillir 4 jeunes artistes du Canadian Opera Company Ensemble de Toronto.

Au programme : Mozart, Gounod, Delibes, Massenet, Saint-Saˆ´ns, Donizetti, Offenbach

LUC BEAUSˆâJOUR, clavecin ’Äì 25 mars au Studio-Thˆ©ˆ¢tre

Grˆ¢ce ˆÝ la virtuositˆ©, ˆÝ l’Äôˆ©lˆ©gance et ˆÝ l’Äôexpressivitˆ© de son jeu, le claveciniste et organiste Luc Beausˆ©jour a suscitˆ© tant l’Äôenthousiasme du public que les ˆ©loges des critiques. Consacrˆ© ¬´ interprˆ®te de l’Äôannˆ©e 2003 ¬ª par le Conseil quˆ©bˆ©cois de la musique, il vous offre un programme haut en couleurs des plus grands maˆÆtres du clavecin.

Au programme : Couperin, Rameau, Handel, Bach, Marcello, Domenico Scarlatti

Une coproduction de la Sociˆ©tˆ© Pro Musica et de la Place des Arts, la 7e saison des Mˆ©lodˆÆnes est prˆ©sentˆ©e jusqu’Äôau 8 avril 2010.

Entrˆ©e : 8 $ (taxes incluses) ’Äì Apportez votre lunch !
Rˆ©servations : Billetterie de la Place des Arts 514-842-2112 ou 1 866-842-2112  ou laplacedesarts.com

Alexisonfire, Robert Charlebois, Les Claypool to perform at the 6th annual Canadian Songwriters Hall of Fame Gala on March 28

TORONTO, March 9 /CNW/ - The Canadian Songwriters Hall of Fame/Le Panthˆ©on des auteurs et compositeurs canadiens (CSHF/PACC) announced today that Alexisonfire, Robert Charlebois, former Primus frontman Les Claypool, Pierre Flynn and Dumas are among the artists who will perform at the 6th annual Canadian Songwriters Hall of Fame Gala, taking place on March 28 at The Toronto Centre for the Arts. This outstanding roster of talent, along with host Gregory Charles, will pay tribute to this year's CSHF inductees including Rush and Robert Charlebois. Tickets for the CSHF Gala, starting at $110.00, are on sale and available through Ticketmaster at 416-870-8000 or on-line at www.ticketmaster.ca, www.cansong.ca, www.tocentre.com or in person at the TCA box office.

The 6th annual CSHF gala welcomes a diverse line-up of talent who will perform renditions of this year's inducted songs. Alexisonfire will perform 'Closer to the Heart' (Rush); Les Claypool performs 'Spirit of Radio' (Rush), YouTube phenom Jacob Moon presents his rendition of 'Subdivisions' (Rush) and Quebec superstar Robert Charlebois will perform his classic song 'Ordinaire' (Robert Charlebois, Mouffe, Pierre Nadeau).

As in past years, the CSHF gala will also include some inspired collaborations of inducted songs: Lily Frost and Sean Cullen will perform 'Come Josephine in My Flying Machine' (Alfred Bryan, Fred Fisher); Dumas along with Catherine Durand will perform 'Lindberg' (Robert Charlebois, Claude Pˆ©loquin); and Pierre Flynn will be joined by Mara Tremblay in a performance of 'Fu Man Chu' (Robert Charlebois, Claude Gagnon, Marcel Sabourin);

Also confirmed to appear at this year's Canadian Songwriters Hall of Fame Gala are: DJ Champion ('J'entends frapper' by Michel Pagliaro), Le Vent du Nord ('Des mitaines pas de pouce' by Ovila Lˆ©garˆ©) and Marie-Jo Thˆ©rio ('Deux enfants du meme age' by Germaine Dugas).

The 2010 CSHF inductees include 11 influential songwriters, 16 timeless songs and two Legacy Award recipients. The CSHF will bestow the Frank Davies Legacy Award, named after the founder of the CSHF/PACC, to recorded-sound archivist Edward B. Moogk. The CMPA (Canadian Music Publishers Association) Legacy award will be given to Quebec impresario, producer and agent Guy Latraverse.

The 6th annual CSHF Gala, hosted by Gregory Charles, will once again be broadcast by broadcast partner CBC on Radio 2 on Monday, March 29 at 7:00 p.m. across the country as a special presentation of Canada Live and Espace Musique at 4:00 p.m.

The Canadian Songwriters Hall of Fame (CSHF) /Le panthˆ©on des auteurs et compositeurs canadiens (PACC) is a bilingual, a-political, non-profit organization, which is a partnership of the Canadian Music Publishers Association (CMPA) and the Songwriters Association of Canada (SAC) with the assistance of the Sociˆ©tˆ© professionnelle des auteurs et des compositeurs du Quˆ©bec (SPACQ). The CSHF's generous core-funding partners are: the CMPA, the SAC, the Toronto Centre for the Arts, the Foundation Assisting Canadian Talent on Recordings (FACTOR), SOCAN, Astral Media, and the Canadian Musical Reproduction Rights Agency Ltd. The CSHF acknowledges the financial support of the Government of Canada through the Department of Canadian Heritage (Canada Music Fund) and of Canada's private radio broadcasters.

For further information, bios and photos, please visit www.cansong.ca.

Symphony Nova Scotia partners with local artists for "Musical Chairs: Art You Can Sit On!"

Halifax, NS ’Äì Symphony Nova Scotia is proud to partner with local artists to present its third annual ’ÄúSymphonic Art’Äù fundraiser on Saturday, March 27 at 7 pm at McInnes Cooper’Äôs law offices (13th floor of Purdy’Äôs Wharf Tower II, Halifax).

In past years, this unique event has transformed old musical instruments into works of art. This year, it’Äôs taken a new twist with ’ÄúMusical Chairs: Art You Can Sit On!’Äù Old chairs have been donated, recycled, and transformed by local artists into striking, innovative, and fully functional works of art.

Participating artists this year include Bradford Naugler, Mark Brennan, Anna Horsenell Wade, Claude Ferland, Barry Colpitts, Lori L. Fancey, Jenny Bedal, Lori Nason, Tina Parelius, and more. Combined, these generous artists have contributed more than 50 chairs to be auctioned. Some of the chairs have been on display in the storefront windows of Mills on Spring Garden Road, and photos of the full collection to date are available online at www.facebook.com/symphonynovascotia.

As well as a silent and live auction, the March 27 event will include entertainment by Rhapsody Quintet and urban chameleon, plus a wine and hors d’Äôoeuvres reception. Tickets are $25 each, HST included, and are available at 421.1300, ext. 234 or fundraising@symphonyns.ca.

Watch an artist create his chair online! Mark Brennan paints a beautiful winter scene on a chair rescued from the garbage at www.youtube.com/hillcrestart.

About Symphony Nova Scotia

Symphony Nova Scotia is Nova Scotia’Äôs orchestra. Each year more than 50,000 audience members (including 16,000 young music lovers) join us in communities across Nova Scotia for performances of the music they love ’Äì from baroque and classical to pop and rock and folk. Under the inspirational leadership of Music Director Bernhard Gueller, Symphony Nova Scotia is recognized as one of the finest orchestras in the country. Visit www.SymphonyNovaScotia.ca to learn more, listen online, or subscribe today!

Symphony Nova Scotia is grateful to the Canada Council for the Arts, Nova Scotia Tourism, Culture, and Heritage, and the Halifax Regional Municipality for their continued support.

Le dimanche des finissants du Conservatoire de musique de Gatineau

Le dimanche 21 mars 2010, VENEZ ˆâCOUTER les quatre finissants du Conservatoire de musique de Gatineau en rˆ©cital, au cours d’Äôun mˆ�me aprˆ®s-midi, dans la salle Jean-Desprˆ©z fraˆÆchement rˆ©novˆ©e !

La percussionniste Krystina Marcoux, la pianiste Ruth Kwan, le saxophoniste Christian Morasse et le violoniste Benoit Constant vous offriront leurs plus belles interprˆ©tations d’Äôun rˆ©pertoire variˆ©.

11 h : Krystina Marcoux, percussionniste

12 h 15 : Ruth Kwan, pianiste
13 h 30 : Christian Morasse, saxophoniste
15 h : Benoit Constant, violoniste

Au piano : Pierre-Richard Aubin et Martin Caron

Entrˆ©e libre

Salle Jean-Desprˆ©z

Maison du citoyen
25, rue Laurier
Gatineau
Renseignements : 819 772-3283

York U Music's $40,000 Oscar Peterson Scholarship

Toronto, March 8, 2010: A major new scholarship program endowed by the Ontario government to commemorate legendary Canadian jazz musician Oscar Peterson will be inaugurated this year at York University.

The Oscar Peterson Scholarships will be launched this fall with an entrance award valued at $40,000 and up to four $10,000 scholarships for current undergraduate music students.

’ÄúThese scholarships are a remarkable tribute to the Oscar Peterson legacy,’Äù said Professor Ron Westray, who holds the Oscar Peterson Chair in Jazz Performance in York’Äôs Department of Music. ’ÄúThey reflect the importance of music education, in particular jazz education, and help open the doors to students who might not otherwise be able to pursue their passion and take their studies to that next level.’Äù

The prestigious entrance scholarship will provide $40,000 over four years to one first-year music student in 2010 and up to five incoming students annually once the program is fully in place. If the recipient maintains high academic standing the scholarship may be renewed for three additional years. The 2010 application deadline is April 4.

In the first three years as the scholarship program is phased in, current music majors will also have the opportunity to apply for an annual $10,000 in-course scholarship in the fall.

To be eligible for these scholarships, candidates must demonstrate exceptional musical ability (especially in the field of jazz performance) and must be facing social, economic or personal barriers that could inhibit their ability to pursue a university degree. Applicants must be Ontario residents and hold Canadian citizenship, permanent residency or protected person status.

"As the Oscar Peterson Chair at York, my mandate includes community outreach and encouraging the next generation of artists, and in particular, young jazz talent," said Westray. "One of the ways I’Äôm doing that is by bringing high school students in the GTA to campus to experience live jazz performance. They will also be given a chance to hear about Oscar Peterson’Äôs legacy.

’ÄúFor the Oscar Peterson Scholarships we are specifically targeting students in underprivileged areas,’Äù Westray said. ’ÄúReaching out to talented youth who are in financial need is a key aspect of the terms of the endowment and my own work here at York.’Äù

Potential candidates for the entrance award can find detailed information on York’Äôs future students scholarship website.

The Oscar Peterson Scholarships are supported by a $1-million endowment from the Government of Ontario. Westray’Äôs position as Oscar Peterson Chair was created by an additional $4-million endowment from the provincial government.

As an adjunct professor in York's Department of Music from 1984 to the late 1990s, Peterson gave workshops and established several student awards in the jazz program. The recipient of an honorary degree from York in 1982, Peterson was installed as the university’Äôs eighth chancellor in September 1991, serving with great distinction until February 1994. He was made an honorary governor of York the following year. The internationally celebrated jazz pianist and composer died at his Mississauga home in December 2007 at the age of 82.

’ÄúIt’Äôs such an honour to be here at the university where Oscar Peterson taught, in a position founded in his name,’Äù said Westray, who came to York last summer from the University of Texas at Austin. ’ÄúHe is a legend at the level of Art Tatum, Thelonious Monk and Bud Powell. I learned so much by reading about his life and studying his recordings.

’ÄúEven though he was proudly Canadian, Oscar Peterson is regarded by many in the US as an American jazz legend because of the huge mark he left on the music,’Äù Westray said. ’ÄúIn a way my appointment complements or completes this circle, with my own standing as an American artist offering Canadian students a perspective that might not be found in Canadian culture.

As a performer, Westray is best known for his work as lead trombonist with the Lincoln Center Jazz Orchestra directed by Wynton Marsalis and his collaborations with Wycliffe Gordon. He has appeared in concert with such luminaries as Ray Charles, Bob Dylan, Willie Nelson, Stevie Wonder, Benny Carter, Dewey Redman, Roy Haynes, Randy Brecker and a host of other pre-eminent artists.

Westray teaches performance, composition, history and theory in York’Äôs renowned jazz program, and co-directs the York U Jazz Orchestra with Al Henderson. He was recently appointed music director of a jazz series launching next month at the Toronto Centre for the Arts in North York. His latest CD as leader, Medical Cures for the Chromatic Commands of the Inner City (Blue Canoe Records 2008), will receive its Canadian release as part of that series on April 9.

York University is the leading interdisciplinary research and teaching university in Canada. York offers a modern, academic experience at the undergraduate and graduate level in Toronto, Canada’Äôs most international city. The third largest university in the country, York is host to a dynamic academic community of 50,000 students and 7,000 faculty and staff, as well as 200,000 alumni worldwide. York’Äôs 10 Faculties and 28 research centres conduct ambitious, groundbreaking research that is interdisciplinary, cutting across traditional academic boundaries. This distinctive and collaborative approach is preparing students for the future and bringing fresh insights and solutions to real-world challenges. York University is an autonomous, not-for-profit corporation.

Le Quatuor selon Schnittke avec le Quatuor Molinari

Le Conservatoire de musique de Montrˆ©al, en collaboration avec le Quatuor Molinari, ensemble en rˆ©sidence au Conservatoire, prˆ©sente Le Quatuor selon Schnittke, du 17 au 20 mars 2010, un ˆ©vˆ©nement de quatre jours autour de la musique de chambre d’ÄôAlfred Schnittke (1934-1998). Deux Dialogues, une confˆ©rence de Jean Lesage, une table ronde animˆ©e par Nicolas Gilbert, deux rˆ©citals de musique de chambre et un concert marathon de l’Äôintˆ©grale des quatuors d’ÄôAlfred Schnittke permettront de dˆ©couvrir ce compositeur fascinant.

Un des reprˆ©sentants les plus jouˆ©s de la musique soviˆ©tique moderne, Alfred Schnittke fusionne la tradition et le modernisme d’Äôune faˆßon tout ˆÝ fait unique, expressive et dramatique. Sa musique de chambre est trˆ®s riche et le Quatuor Molinari veut partager son engouement pour ce compositeur avec le public montrˆ©alais.

¬´ Il faut tˆ©moigner que le passˆ© existe pour y plonger ses racines. Je m'appuie sur la tradition pour la dˆ©passer. J'appelle cela technique des styles multiples ¬ª. - Alfred Schnittke

Le Quatuor Molinari et ses invitˆ©es, les pianistes Louise Bessette, Janelle Fung et Natsuki Hiratsuka, interprˆ©teront pas moins de 14 ‰ìuvres de musique de chambre du cˆ©lˆ®bre compositeur russe Alfred Schnittke.

Toutes les activitˆ©s auront lieu au Conservatoire de musique de Montrˆ©al, situˆ© au 4750, avenue Henri-Julien (mˆ©tro Mont-Royal).

Quatuor Molinari
Quatuor en rˆ©sidence au Conservatoire de musique de Montrˆ©al

Olga Ranzenhofer, violon
Frˆ©dˆ©ric Bednarz, violon
Frˆ©dˆ©ric Lambert, alto
Pierre-Alain Bouvrette, violoncelle

Programme :
Le Quatuor selon Schnittke
du 17 au 20 mars 2010
avec la participation des pianistes : Louise Bessette, Natsuki Hiratsuka et Janelle Fung

Mercredi 17 mars 2010
17h : Confˆ©rence de Jean Lesage
20h : Rˆ©cital de musique de chambre
Quatuor avec piano
Sonate pour violon et piano no 3 (1994)
Cinq aphorismes pour piano (1990)
Trio ˆÝ cordes

Jeudi 18 mars 2010
17h : Dialogue I
20h : Rˆ©cital de musique de chambre
Sonate no 1 pour violon et piano (1968)
A Paganini pour violon solo
Stille Musik pour violon et violoncelle
Sonate no 1 pour violoncelle et piano (1978)

Vendredi 19 mars 2010
17h : Autour d'Alfred Schnittke. Table ronde animˆ©e par Nicolas Gilbert
20h : Dialogue II

Samedi 20 mars 2010
20h : Concert marathon
Quatuors nos 1-4
In memoriam Igor Stravinsky
Quintette avec piano (Louise Bessette, pianiste)

Les billets sont disponibles ˆÝ la billetterie du Conservatoire (514 873-4283, poste 313), du mardi au vendredi, entre 13 h 30 et 17 h 30, ou une heure avant le concert ainsi que sur le rˆ©seau Admission : www.admission.com (514 790-1245)

Billets : Dialogues, Confˆ©rence et table ronde : entrˆ©e libre
Rˆ©citals de musique de chambre : 5$
Concert marathon : 25$, 20$ et 10$

Pour obtenir plus d'information, vous pouvez nous joindre au 514 873-4031.Nous vous invitons aussi ˆÝ consulter le site Web du Conservatoire pour connaˆÆtre toutes nos activitˆ©s ˆÝ venir : www.conservatoire.gouv.qc.ca. Ce site vous offre de vous abonner ˆÝ un fil RSS, une faˆßon simple et pratique d’Äôˆ�tre informˆ© sur nos activitˆ©s (www.conservatoire.gouv.qc.ca/rss).

CIBC Steps Up to Help Mixed Company Theatre

Toronto, March 8, 2010 ’Äì CIBC has provided $6,000 for a lead sponsorship of ’ÄúDISS,’Äù Mixed Company Theatre’Äôs newest interactive play. Developed through a collaborative creative partnership with youth, the Toronto Police Service and support from the Toronto District School Board, this project focuses on gang presence in our neighbourhoods and the pressures youth face finding social connection and identity.

’ÄúAt CIBC, helping young people achieve their full potential is an important part of our community investment program,’Äù said Bill Whyte, CIBC’Äôs Vice-President of Retail Markets for GTA Central. ’ÄúWe are pleased to sponsor this very innovative approach that will help local youth cope with the issues that challenge them so they can lead happy and healthy lives.’Äù


CIBC is committed to supporting causes that matter to our clients, employees and our communities. We aim to make a difference in communities through corporate donations, sponsorships and the volunteer spirit of employees. With a strategic focus on youth, education and health, and employee commitment to causes including the Canadian Breast Cancer Foundation CIBC Run for the Cure, the CIBC Children’Äôs Foundation and United Way, we are investing in the social and economic development of communities across the country. In 2009, $26.8 million was contributed through the CIBC group of companies to charitable and non-profit initiatives in Canada, supporting a wide variety of national, regional and local organizations. To learn more, visit www.communitymatters.cibc.com.
’ÄúWith CIBC’Äôs support, Mixed Company will deliver ’ÄúDISS’Äù to 12 schools this spring,’Äù said Daniel Booth, General Manager of Mixed Company Theatre. ’ÄúThe interactive nature of this Forum Theatre play engages young audiences, creating practical solutions for them to overcome social and personal issues in their lives. Through this unique tool, Mixed Company stimulates critical thinking by annually engaging over 20,000 students across the GTA.’Äù

Budget fˆ©dˆ©ral et culture : trois constats dˆ©favorables au Quˆ©bec

(Montrˆ©al, le 5 mars 2010) - Au nom de milliers d'artistes professionnels, ˆ©crivains et travailleurs culturels, le Mouvement pour les arts et les lettres du Quˆ©bec (M.A.L.) formule trois constats dˆ©favorables ˆÝ l'ˆ©conomie quˆ©bˆ©coise ˆÝ partir des orientations du gouvernement fˆ©dˆ©ral en matiˆ®re de culture dans son budget 2010-2011.

Premier constat, le gouvernement ne reconnaˆÆt pas la culture comme une composante de l'ˆ©conomie innovante du Canada. En effet, le thˆ®me de la culture est absent du chapitre 3.3, section ¬´ Favoriser la croissance ˆ©conomique et l'emploi par l'innovation ¬ª, dont l'objectif est d'assurer la croissance ˆÝ long terme de l'ˆ©conomie canadienne et de crˆ©er les emplois du futur. Cette omission dˆ©favorise le Quˆ©bec, oˆ¼ l'ˆ©conomie culturelle est un important secteur d'innovation et d'emplois.

Deuxiˆ®me constat : le gouvernement refuse, pour une troisiˆ®me annˆ©e consˆ©cutive, de rˆ©tablir les programmes fˆ©dˆ©raux de soutien au rayonnement des artistes quˆ©bˆ©cois et canadiens ˆÝ l'ˆ©tranger. L'abolition des programmes PromArt et Routes commerciales, en 2008, continuera d'affecter au premier plan le Quˆ©bec, oˆ¼ ces programmes ˆ©taient particuliˆ®rement importants pour les artistes et les travailleurs culturels. Cette dˆ©cision continue de placer le gouvernement du Quˆ©bec dans l'obligation de compenser ce manque ˆÝ gagner en injectant des fonds sans compensation du palier fˆ©dˆ©ral.

Troisiˆ®me constat, nous ne pouvons que demeurer inquiets des choix guidˆ©s par l'idˆ©ologie conservatrice du gouvernement canadien en matiˆ®re de culture, alors qu'il rˆ©affecte rˆ©guliˆ®rement les fonds en fonction de ses propres valeurs, particuliˆ®rement ˆ©loignˆ©es de celles des Quˆ©bˆ©cois. On a pu, encore une fois, l'observer rˆ©cemment lors de l'abolition des programmes de subvention des musiques spˆ©cialisˆ©es, ˆÝ l'automne 2009. Toutes les dˆ©cisions de coupures prises par ce gouvernement vont d'ailleurs ˆÝ l'encontre des recommandations formulˆ©es par le Comitˆ© permanent du Patrimoine en dˆ©cembre dernier. Il faudra donc au cours des prochaines semaines ˆ�tre attentifs ˆÝ l'allocation des crˆ©dits budgˆ©taires aux diffˆ©rents programmes liˆ©s ˆÝ la culture au Canada.

Enfin, bien qu'il ne rˆ©duise pas les crˆ©dits accordˆ©s au Conseil des Arts du Canada (CAC), le budget d'hier nous ˆ©loigne une fois de plus de l'objectif d'un financement ˆÝ hauteur de 300 millions de dollars pour le CAC, objectif formulˆ© depuis plusieurs annˆ©es dˆ©jˆÝ et auquel tous les autres partis politiques fˆ©dˆ©raux ont souscrit.

Le Mouvement pour les arts et les lettres regroupe sept organisations nationales et treize conseils rˆ©gionaux de la culture du secteur des arts et des lettres, qui reprˆ©sentent des milliers d'artistes professionnels, ˆ©crivains et travailleurs culturels. Le Mouvement est constituˆ© du Conseil quˆ©bˆ©cois de la musique, du Conseil des mˆ©tiers d'art du Quˆ©bec, du Conseil quˆ©bˆ©cois des arts mˆ©diatiques, du Regroupement quˆ©bˆ©cois de la danse, de l'Union des ˆ©crivaines et ˆ©crivains quˆ©bˆ©cois, du Regroupement des centres d'artistes autogˆ©rˆ©s du Quˆ©bec, de En piste - le regroupement national des arts du cirque - ainsi que des conseils rˆ©gionaux de la culture de l'Estrie, de l'Abitibi-Tˆ©miscamingue, de la Montˆ©rˆ©gie, du Saguenay, de la Mauricie, du Centre du Quˆ©bec, de l'Outaouais, des Laurentides, de Lanaudiˆ®re, du Bas-Saint-Laurent, de la Cˆ¥te-Nord, de la Gaspˆ©sie et de la rˆ©gion de Quˆ©bec-Chaudiˆ®res-Appalaches. La mission des conseils rˆ©gionaux de la culture est d'appuyer le dˆ©veloppement des arts et de la culture dans leur rˆ©gion.

Vancouver Arts Organizations Congratulate Moh and Yulanda Faris

Recipients of 2010 Ramon John Hnatyshyn Award for Voluntarism in the Performing Arts

Vancouver, BC ~ Vancouver Opera, Bard on the Beach, Vancouver International Writers Festival, The Dance Centre and Judith Marcuse Projects congratulate Moh and Yulanda Faris on their recently-awarded 2010 Ramon John Hnatyshyn Award for Voluntarism in the Performing Arts, one of the eight Governor General’Äôs Performing Arts Awards.

Active in the Vancouver arts community for close to 40 years, Mr. and Mrs. Faris have generously donated time and financial support to several organizations, including Vancouver Opera and its Foundation, the Scotiabank Dance Centre and the Dance Foundation, Judith Marcuse Projects, Vancouver International Writers Festival, Bard on the Beach, Vancouver Art Gallery, Vancouver Symphony, Vancouver Children's Festival, and many others.

’ÄúThere are no two people in our community more deserving of this award than Moh and Yulanda Faris,’Äù says James Wright, General Director of Vancouver Opera. ’ÄúTheir work in establishing the Judith Forst Fund for Young Artist Training is a testament to their commitment to the future of the arts in Canada. They truly believe in the lasting value of the arts to our lives, and that passion is evident in all they have done for VO and other arts organizations in Vancouver.’Äù

Yulanda Faris is past chair of Vancouver Opera and current chair of the Vancouver Opera Foundation, and with Mr. Faris founded the Judith Forst Fund for Young Artist Training, a fund that supports young singers in the early stages of their careers.

Christopher Gaze, Artistic Director of Bard on the Beach acknowledges their ongoing contribution to the annual Shakespeare Festival and beyond: ’ÄúThis prestigious award to Mr. and Mrs. Faris is so well deserved. They are endlessly interested in and wonderfully supportive of the arts in our city. Bravo Moh and Yulanda. Canada thanks you.’Äù

’ÄúHow wonderfully appropriate that Moh and Yulanda are being recognized for their remarkable contributions to the arts in our city for over 30 years,’Äù says Judith Marcuse, Artistic Producer, Judith Marcuse Projects and Co-Director of The International Centre of Art for Social Change. ’ÄúTheir support has taken many forms, always both visionary and pragmatic. Their belief in art and artists has endowed individuals and organizations with courage, hope and strength to keep producing the best that we can.’Äú

Mohammed Faris was instrumental in establishing the Scotiabank Dance Centre, an $11-million facility that provides Vancouver's diverse dance community with a home of its own. Opened in 2001, the centre includes the 150 seat Faris Family Studio.

’ÄúThis award is well deserved and comes to two people who have shown and continue to show huge generosity of spirit and heart,’Äù says Mirna Zagar, Executive Director of The Dance Centre. ’ÄúWithout Moh’Äôs heartfelt tenacity and true belief that the art of dance deserves a home, it is doubtful we would now have Scotiabank Dance Centre, a building which has become Canada’Äôs flagship dance facility and has in turn nurtured an everlasting sense of pride in our community. Both Moh and Yulanda have shown not only their passion for the arts but a true commitment to seeing the BC arts and culture scene flourish.’Äù

Vancouver International Writers Festival Artistic Director Hal Wake says, ’ÄúWe thank Moh and Yulanda for the extraordinary amount of time and energy they have committed, and for their financial support of the Writers Festival. For many years Yulanda was on the VIWF board and chaired our gala fundraiser. But what truly sets them apart is their active participation in our Festival and in Vancouver’Äôs cultural scene, their attendance at events, and their advocacy. I know that I will see Yulanda at every Festival, at a half dozen events or more. And she always has something insightful and incisive to say about what she has witnessed and the books she has read.’Äù

The Governor General's Performing Arts Awards (GGPAA) are Canada's foremost distinction for excellence in the performing arts. The awards recognize a stellar array of artists and arts volunteers for their outstanding lifetime contribution to Canada's cultural life.

The Governor General's Performing Arts Awards were created in 1992 under the patronage of the Right Honourable Ramon John Hnatyshyn (1934-2002), then Governor General of Canada. Today, we are honoured to have Her Excellency the Right Honourable Michaˆ´lle Jean as patron. For more information, visit www.ggpaa.ca.

Saturday, March 20, 2010

Your Edmonton Symphony Orchestra announces their 2010-2011 Season

Edmonton, AB ’Ķ Your Edmonton Symphony Orchestra (ESO) and Music Director William Eddins have announced exciting details of the upcoming 2010-2011 performance season.  Leading the ESO into their 59th season, and his sixth as Music Director, Bill Eddins will conduct concerts in every series including the Masters, Sunday Showcase, Midweek Classics, Robbins Lighter Classics, Robbins Pops, ESSO Symphony for Kids, Late Night with Bill Eddins, The ESO Presents, and Symphony Specials.  Edmonton’Äôs orchestra cooks up over 80 superb concerts for all palates, entertaining a wide array of audiences with classical and popular music, family and educational programs.  So next season, if you haven’Äôt already, join us at our beautiful home, the Francis Winspear Centre for Music, for one or many symphony concerts that will truly nourish your soul.

"It is with great joy that I look forward to our 2010-2011 season.  Only the Edmonton Symphony Orchestra can travel from one side of the artistic spectrum - with Cirque de la Symphonie - right through to Mozart, Zappa, Brahms, and beyond.  This season promises to be as exciting as live music can possibly be."
~ Bill Eddins

Conductors and Guest Artists

Internationally renowned artists Chantal Kreviazuk, Jens Lindemann, Michael Kaeshammer, Corey Cerovsek, Pieter Wispelwey, Sasha Cooke, and Elmar Oliveira are just a few of the very special guests who will grace the ESO with their presence during the 2010-2011 performance season.

Bill Eddins will conduct nearly 30 concert events.  When he is not leading, the ESO will have guest conductors and audience favourites Robert Bernhardt, Jean-Marie Zeitouni, Bruce Pullan, Bruce Hangen, Anu Tali, Gregory Vajda, Richard Kaufman, Jack Everly, and Steven Reineke return to the podium.  Making their conducting debuts with the ESO are Mei-Ann Chen, Jean-Franˆßois Rivest, Jamie Sommerville, and George Daugherty.  

Resident Conductor Lucas Waldin continues his tenure with the ESO under the mentorship of Bill Eddins.  This two-year appointment, which began at the start of the 2009-2010 season, is funded in part by the Canada Council for the Arts and supports the ESO’Äôs vision and focus on music education at all levels.  It is an elite training opportunity for a young conductor to be involved in both artistic leadership and administrative organization, while providing the necessary resources and guidance to engage and educate new generations and communities with the importance of music in their daily lives.

Gala and Specials

Be amazed, be awed, be stunned!  Extraordinary feats of artistry bring a magically musical experience to our annual Gala.  On Tuesday, October 5th, Cirque de la Symphonie will present an astounding, jaw-dropping production, unlike anything they have previously presented in North America.  Bill Eddins conducts the orchestra through beloved masterpieces by Bach, Tchaikovsky, Saint-Saˆ´ns, and more as an amazing troupe of aerial flyers, contortionists, and strongmen perform high above and on the Winspear stage.

The upcoming line-up of Symphony Specials are sure to appeal to music lovers of all ages and genres.  Fresh from the 2010 Lilith Fair festival tour celebrating women in music, Juno Award-winning singer/songwriter Chantal Kreviazuk makes her debut with Edmonton’Äôs orchestra and conductor Lucas Waldin.  Everybody’Äôs favourite Looney Tunes and characters from Warner Bros. Studios will appear on-screen at the Winspear Centre for three performances of Bugs Bunny At The Symphony.  Crown jewels such as What’Äôs Opera, Doc?, The Rabbit of Seville, and A Corny Concerto will be performed under the direction of conductor and creator George Daugherty.  Paying homage to a composer that was one of the first to break down barriers between rock, jazz, and classical music, the ESO and Bill Eddins present music of the legendary Frank Zappa in Don’Äôt Eat the Yellow Snow. 

Free Summer Music

Summer music will be free at the Winspear Centre as the National Youth Orchestra of Canada, made up of the most talented members of youth orchestras across the country, share music by Rimsky-Korsakov, Strauss, and Shostakovich with Canadian conductor Jacques Lacombe.  On two noon-hour occasions in August, the ESO in conjunction with Winspear Centre Presents, invites you to cool off from the afternoon sun to the stunning sounds of the Davis Concert Organ, and a showcase of ESO musicians performing their favourite pieces.

Masters Series

The ESO’Äôs flagship Masters series is the core of the 2010-2011 season, as the orchestra perfoms masterful classics by distinguished composers.  Mozart’Äôs exotic Fifth Violin Concerto and Sibelius’Äô intricate Fifth Symphony opens the series, while Ravel’Äôs vivacious Rapsodie espagnole and Daphnis et Chloˆ© brings the series to a close.  Chopin’Äôs First Piano Concerto will be heard in celebration of the 200th anniversary of the composer’Äôs birth, as well as Beethoven’Äôs breathtakingly powerful ’ÄúEroica’Äù Symphony, Duruflˆ©’Äôs poignant Requiem, Rachmaninoff’Äôs beloved Second Piano Concerto, and Brahms’Äô affectionate ’ÄúDouble’Äù Concerto for Violin and Cello.  Other orchestral masterworks by Bach, Mendelssohn, Boulanger, Shostakovich, Schumann, Prokofiev, Stravinsky, and so much more round out this series.

Our guest artists in the Masters series are some of the most dynamic and virtuosic musicians in the classical scene today.  Next season, the ESO is thrilled to have Anu Tali, Jean-Marie Zeitouni, Mei-Ann Chen, Gregory Vajda, and Jean-Franˆßois Rivest all take the helm of the orchestra, along with Bill Eddins and Lucas Waldin.  Taking the spotlight as soloists are pianists Janina Fialkowska, Dubravka Tom‰°iŸç, and Bill Eddins, violinists Elmar Oliveira, Corey Cerovsek, and Mark Fewer, cellist Pieter Wispelwey, mezzo-soprano Sasha Cooke, tenor Bonaventura Bottone, Joseph Macerollo on accordion, plus blind pianist and Cliburn Gold Medalist Nobuyuki Tsujii.

Late Night with Bill Eddins and The ESO Presents

Following the successful launch of our Late Night with Bill Eddins series in our 2009-2010 season, these uniquely interactive 9:30 pm concerts return to feature music of the masters plus conversation about the ingenuity of the music.  Late Night Percussion welcomes Colin Currie for the lyrical, yet urgently rhythmic Rough Music percussion concerto by the impressive H.K. Gruber.  With the 20th century being a time of exciting innovation, the ESO brings Late Night 1900s to a whole new level with the bright and heroic Fifth Symphony by Prokofiev and Honneger’Äôs Pacific 231, a work inspired by the mechanical marvel of a train engine.  The music won’Äôt end with the concert either.  Guests can mingle in the lobby afterwards while sipping on a cocktail and listening to live music performed by talented local musicians.

Brilliant soloists on the international classical scene perform in concert with the orchestra, followed by solo recitals after intermission in one of our newest series, The ESO Presents.  Polish pianist Rafa‰Ç Blechacz, having unanimously won the 15th International Fryderyk Chopin Piano Competition in Warsaw, performs the masterful music of his countryman and showcases his technical brilliance in doing so.  His performance will be presented in special partnership with the Chopin 2010 Celebration Committee and the Polish Culture Society of Edmonton.  Audiences have the special opportunity to experience Pieter Wispelwey’Äôs versatility, phenomenal technique, and remarkable interpretation of cello repertoire, and see the renown cellist accompanied by Bill Eddins on piano in the program’Äôs second half.

Sunday Showcase Series

In four matinˆ©e concerts that feature symphonic favourites with bright melodies, Bill Eddins leads the full Sunday Showcase series that features select ESO musicians as soloists alongside rising young musicians.  This series is especially well suited for the young and old alike.  Families of all generations can come together to enjoy a weekend afternoon of timeless masterpieces.  Edmonton violinist Ewald Cheung will perform Vivaldi’Äôs delightful Four Seasons in the series opener, while Principal Clarinet Julianne Scott plays a charming set of variations on a popular Mozart tune.  Laureate of Canada’Äôs Honens International Piano Competition, Swiss pianist Gilles Vonsattel makes his ESO debut and Principal Bass Trombone Christopher Taylor performs a tuneful Ballade by Ewazen.  David Eggert, also from Edmonton and winner of the prestigious Eckhardt-Gramattˆ© Prize presents Saint-Saˆ´ns beloved First Cello Concerto and Principal Tuba Scott Whetham takes on a lighthearted heavyweight ’Äì Vaughan Williams’Äô Tuba Concerto.  At only 15 years of age, Calgary pianist Jan Lisiecki has amassed an impressive collection of accolades and he makes his ESO debut playing a tempestuous work by Mozart.  Interim Concertmaster Eric Buchmann is also featured in the closing concert of this series, bringing Kabalevsky’Äôs fiery Violin Concerto to the stage.  Our post-concert Coffee Shop continues next season, inviting all concert guests to engage in an informal Q&A session with our guest artists in the main lobby.

Midweek Classics Series

Interspersed throughout the season, four concerts in the Midweek Classics series bring audiences famous and not-so-famous baroque treats and contrasting classical masterpieces.  Two of Edmonton’Äôs finest trumpet players, the ever-entertaining Jens Lindemann and the ESO’Äôs own Principal Trumpet Robin Doyon kick off the series performing Vivaldi’Äôs Concerto for Two Trumpets.  Russian-born Sergei Babayan is the featured soloist in a stormy Bach keyboard concerto and the orchestra plays a famous practical joke with Haydn’Äôs ’ÄúSurprise’Äù Symphony.  Celebrating the eve of Mozart’Äôs 255th birthday, Williams Eddins and the orchestra presents the composer’Äôs lush Sinfonia concertante for Violin and Viola.  Concertmaster of the Montrˆ©al Symphony Andrew Wan and ESO violist Charles Pilon are guest soloists in the aforementioned work, and dazzling pianist Angela Cheng returns to play Mozart’Äôs final solo piano concerto in the series finale.  Lucas Waldin conducts in this series which will see his own arrangement of Purcell’Äôs Chacony played by the orchestra, and Lidia Khaner, Principal Oboe, and guest artist Teresa Hron, recorder, are also featured soloists.

Robbins Lighter Classics Series

From Flamenco flavours to classic Chaplin, the Robbins Lighter Classics series promises enjoyable evenings all around.  Spanish music and dance from the shores of Atlantic Canada opens this series with the fiercely authentic sounds of El Viento Flamenco.  The ESO’Äôs own Virginie Gagnˆ© (Violin), Allene Hackleman (Principal orn), Megan Evans (Asst. Principal Horn), Julianne Scott (Principal Clarinet), and Ronda Metszies (Cello) step into the spotlight for a showcase of their favourite music and virtuosity with Bill Eddins conducting.  Lucas Waldin takes to the podium for a celebration of Ukrainian culture, with the help of special guests Cheremosh Ukrainian Dance Company and Gene Zwozdesky, while silence still proves to be golden as the film classic from a comic genius is projected above the orchestra as they perform the score live in Charlie Chaplin’Äôs The Gold Rush.  The series closes with Tom Allen’Äôs Classical Goodtime Variety Show.  Former host of CBC Stereo’Äôs morning show, Tom Allen, along with great Canadian horn virtuoso and guest conductor Jamie Sommerville, explore how music is always relevant to the daily life of any age in the most silliest of ways.  In a stirring mix of seasonal beauty, Glad Tidings ’Äì A Lightly Classical Christmas will have charming guest conductor Bob Bernhardt joined by narrator Archbishop Richard Smith in this must-see event.

Robbins Pops Series

The ever-popular Robbins Pops series launches with a whirlwind of extraordinary trumpet music, and legendary pops maestro Bruce Hangen is bringing trumpet virtuoso Jens Lindemann with him!  It will be nothing short of an entertaining series opener as Mr. Lindemann performs the world premiere of Allan Gilliland’Äôs Dreaming of the Masters III, which was written specifically for him.  A hypnotic orchestral Halloween performance will leave you spellbound when Pops maestro Jack Everly is joined by an unbelievable illusionist, perplexing quick-change artists, and a comic-magic duo that will have you laughing, yet asking ’ÄúHow did they do that?’Äù  The ESO invites you to be their symphonic valentine when Steven Reineke returns to the Winspear Centre to perform timeless love songs in Love Will Keep Us Together.  Be serenaded by soprano Betsy Wolfe and tenor Mike Eldred, not to mention Mr. Reineke on piano and harmonica.  Broadway star and Tony Award-winner Ben Vereen will showcase his superb versatility and star power in a one man show, the ESO led by Jack Everly will take a spin on the musical roulette wheel with Pops Goes Vegas!, and the luminous harmonies of vocal trio Times Tree lend their extraordinary voices to our Christmas Pops.  The red carpet is rolled out to close this series on a Hollywood high note when conductor Richard Kaufman leads the orchestra through Oscar-winning and Oscar-nominated music including The Godfather, Finding Neverland, and Casablanca.

ESSO Symphony for Kids

Over the course of the season, the ESO’Äôs family series ESSO Symphony for Kids will present four highly entertaining and educational programs for young audiences.  Platypus Theatre opens the series with the theatrical story of a young girl’Äôs battle to save music.  Families are invited to then take a symphonic walk through Roald Dahl’Äôs magical, terrifying, and hilarious forest in the imaginative presentation of DANDI Productions’Äô Little Red Riding Hood.  Lucas Waldin concludes his conducting duties in this series with Juno Award-winner and entertainer extraordinaire Al Simmons.  One of the true masters of mischief, mayhem, and melody brings his irresistible songs and madcap sense of humour to an outrageously fun afternoon for the whole family.  Charlie Chaplin’Äôs hilarious The Gold Rush will bridge great cinema and great music, as Bill Eddins and the ESO bring the score to life while the silent film is projected above the stage. 

Holiday Concerts

Cherish favourite traditions with your family and create new musical memories with Edmonton’Äôs orchestra.  The holiday season at the Winspear Centre is always a very magical time as we present sparkling concert programs of tidings and joy.  Charismatic, boogie-woogie piano sensation Michael Kaeshammer brings his prowess as a performer and onstage charm to his performance of uniquely stylized Christmas favourites.  Richard Eaton Singers join one of Canada’Äôs finest choral conductors, Bruce Pullan, for one of the most triumphant choral pieces ever written, Handel’Äôs Messiah.  Fresh from an 80-city North American tour, plus guest appearances on The Oprah Winfrey Show and The Dr. Phil Show, Canada’Äôs gold-selling vocal group the Canadian Tenors share the perfect Christmas gift with audiences in two evening performances.  Two special matinˆ©e performances of A Family Christmas Concert with Santa Claus and Mister Grinch will warm up the whole family with a cheerful selection of carols.  Both the Robbins Pops and Robbins Lighter Classics series also include popular holiday concerts that should not be missed!

Symphony Under the Sky

Symphony Under the Sky, the ESO’Äôs annual summer festival in Edmonton will take place Labour Day weekend, September 3rd ’Äì 6th, 2010, at Hawrelak Park.  Spend one day, or the whole weekend outdoors with your family listening to the harmonious sounds of the orchestra in the relaxing atmosphere of the Heritage Amphitheatre.  Audience favourite Bob Bernhardt conducts the orchestra through five concerts over the course of four days.  Sensational Canadian violinist Karen Gomyo joins the orchestra for two evening concerts ’Äì one filling the sky with the virtuosic sounds of Bach, Beethoven, and Brahms, the other a showcase of memorable hits by the great John Williams.  The Knock School of Irish Dance appears as special guests, performing to Irish classics and traditional tunes from the Emerald Isle to celebrate The Celtic Spirit, while two of the great pop/rock songwriters of our time come together in the talented hands of Jim Witter.  Enjoy a summer night of classic rock as the ESO performs timeless songs of Billy Joel and Elton John.  Nothing wraps up the festival like a Great Canadian Song Book with members and guns of the Royal Canadian Artillery joining the orchestra in Tchaikovsky’Äôs 1812 Overture.

Fundraisers

The ESO and Winspear Centre rely on support from the community and the generosity of individuals so they may continue to nourish individuals with the wonder of music.  As such, two integral events will take place next season with proceeds to support both organizations.  HopScotch ’Äì A Festival and Fine Whisky and Beer and Flavours of B.C’Äôs Naramata Bench ’Äì Wine Tasting & Auction will take place in October 2010 and January 2011, respectively, with guests being treated to a lovely evening of delectable snacks, great company, wonderful music, and fabulous items to bid on.

Subscriber Info

Purchasers of ESO subscription packages can save up to 31% percent off single ticket prices, depending on the series and the seating.  Subscribers also have the opportunity to purchase single tickets to ESO concerts in advance of their availability to the general public.  In the ESO’Äôs efforts to continue to be widely accessible to our current and future patrons, plus music lovers of all ages, subscription prices have not been raised for the 2010-2011 performance season. 

For the third consecutive season, the Edmonton Symphony Orchestra’Äôs highly popular 2 for 1 New Subscriber Promotion will be available.  This fantastic offer gives new subscribers the opportunity to purchase 2 subscriptions for the price of 1 in their first year.  Complete promotion details are available online at EdmontonSymphony.com.  The 2 for 1 subscription campaign is generously sponsored by Maclab Enterprises.

Edmonton’Äôs Orchestra

Whether our 2010-2011 performance season is your first nibble at symphonic music, or your 59th feast of enriching sounds, a live symphony performance touches our hearts and lingers in our palate long after the concert has ended.  It will leave you wanting more, it will keep you coming back for more.  Second, third, and fourth helpings are certainly warranted!  Join us at the Winspear Centre in our new season ’Äì we look forward to having you as our guest time and time again.  Come to listen, taste the nourishment, enjoy for many years.

Important Dates

On Sale Now: Subscription packages for the 2010-2011 season.
May 11th, 2010: Symphony Specials, Fundraisers, and Gala tickets on sale to the general public.
June 24th, 2010: Symphony Under the Sky tickets on sale to the general public.
August 10th, 2010: Individual series concert tickets available to Subscribers and Sampler Pass voucher redemptions begin.
August 17th, 2010: All single concert tickets on sale to the general public.

For a full listing of the 2010-2011 season, please visit www.EdmontonSymphony.com.

Le concert topaze de Laurence Kayaleh et Paul Stewart ( dimanche 28 mars 2010 ˆÝ la 5ˆ®me Salle de la PDA)

     Laurence Kayaleh, violon et Paul Stewart, piano 
Dimanche, 28 mars 2010 ˆÝ 15 h 30 ˆÝ la Cinquiˆ®me Salle de la Place des Arts 
Magnifique est ce qui dˆ©crit le mieux le talent artistique de Kayaleh et Stewart (...) ils croient profondˆ©ment ˆÝ la qualitˆ© de cette musique, et aprˆ®s avoir entendu le fruit de leur collaboration, nous sommes conquis ! (Listening for Enjoyment, Beverly, Massachusetts) 
.. un talent hors du commun ... un archet royal, une justesse impeccable, une sonoritˆ© superbe, et surtout un sens innˆ© du phrasˆ© ... un talent lumineux dont nous pouvons tout attendre. Le Figaro, Paris 
Montrˆ©al, le 2 mars 2010. ’Äì  C’Äôest avec charisme et une subjuguante prˆ©sence scˆ©nique que la violoniste suisso-canadienne Laurence Kayaleh fera vibrer l’Äôauditoire de Pro Musica en ce dimanche 28 mars aprˆ®s-midi. Au programme de ce concert topaze : des joyaux du rˆ©pertoire pour violon et piano signˆ©s Johannes Brahms (1833-1897), William Walton (1902-1983), Jean-Marie Leclair (1607-1764) et Ravel (1875-1937).
Concertiste internationale et professeur ˆÝ l'Universitˆ© de Montrˆ©al, Laurence Kayaleh est une artiste exceptionnelle qui se distingue par la profondeur de sa musicalitˆ©, la richesse de ses sonoritˆ©s et son sens prononcˆ© du style musical. Douˆ©e d'une remarquable technique violonistique et d'un sens innˆ© pour la musique, elle possˆ®de toutes les qualitˆ©s d’Äôune musicienne accomplie, et crˆ©e chez l'auditeur une expˆ©rience ˆ©motionnelle trˆ®s intense.
Sa carriˆ®re prˆ©coce la conduit dans les centres de musique les plus prestigieux tels que Paris, Prague, Bruxelles, Zˆºrich, Sofia, Berne, Moscou, Tokyo, Modena et Genˆ®ve, souvent accompagnˆ©e par des orchestres de renom tels que l’ÄôOrchestre de la Tonhalle de Zˆºrich, l’ÄôOrchestre de la Suisse Romande, l’ÄôOrchestre Symphonique de Bruxelles et l’ÄôOrchestre Symphonique de Bˆ¢le.
Ayant dˆ©veloppˆ© sa formation artistique au sein des classes de concertistes de la prestigieuse "Kayaleh Violin Academy" en Suisse oˆ¼ elle a obtenu un "Performer Diploma", elle remporte le Premier Prix avec fˆ©licitations du jury au Concours suisse pour Jeunes Solistes, ainsi que le Grand Prix au Concours international de Stresa en Italie.
Suite ˆÝ son dˆ©but parisien au Thˆ©ˆ¢tre du Chˆ¢telet, le quotidien le Figaro la qualifie d’Äô ¬´ archet royal ¬ª, complimentant ainsi sa sonoritˆ© superbe et son sens du phrasˆ©. On a pu l’Äôentendre par la suite ˆÝ Salle Gaveau de Paris, ˆÝ la Salle BolchoˆØ et ˆÝ la Salle TchaˆØkovski de Moscou, avec l’ÄôOrchestre national russe, sous la direction de MikhaˆØl Pletnev, ˆÝ la Salle Pleyel de Paris, avec l’ÄôOrchestre Lamoureux sous la direction de Gregorsz Novak, ainsi qu’Äôau Lied Center ˆÝ Lincoln, USA, au Arts Center ˆÝ Osaka et ˆÝ la Suntory Hall ˆÝ Tokyo, Japon. Sa carriˆ®re amˆ©ricaine lui vaut de grandes ovations partout oˆ¼ elle passe : ˆÝ Cleveland avec le Cleveland Orchestra et au Kennedy Center ˆÝ Washington, avec le National Symphony Orchestra sous la direction de Leonard Slatkin, qui la qualifie de musicienne ¬´unique¬ª et, enfin, ˆÝ la Powell Hall ˆÝ Saint Louis, avec le Saint Louis Symphony Orchestra.
D’Äôautres engagements appellent Laurence Kayaleh ˆÝ se produire en soliste ˆÝ Caracas, au Venezuela, avec l’ÄôOrchestre Symphonique Simon Bolivar, ˆÝ Montrˆ©al avec l’ÄôOrchestre symphonique de Montrˆ©al sous la direction de Charles Dutoit et, ˆÝ Bˆ¢le, avec l’ÄôOrchestre symphonique de Bˆ¢le, sous la direction de Mario Venzago, et son dˆ©but milanais est marquˆ© par un brillant rˆ©cital qu’Äôelle donne ˆÝ la Salle Verdi de Milano.
Laurence Kayaleh vient de rˆ©aliser deux disques pour la compagnie Naxos consacrˆ©s ˆÝ l’Äôintˆ©grale des ‰ìuvres pour violon et piano du compositeur russe NicolaˆØ Medtner, avec au piano le canadien Paul Stewart. Elle joue un superbe Guarnerius (1742) qui a appartenu au cˆ©lˆ®bre violoniste et pˆ©dagogue, Carl Flesch.
Paul Stewart, piano
’Ķrenversant’Ķ.d’Äôune ˆ©lˆ©gance hors du commun, alliˆ©e ˆÝ une profondeur de sentiment, un parfait ˆ©quilibre entre la couleur et l’Äôarchitecture’ĶStewart sculpte le son avec l’Äôassurance instinctive d’Äôune panthˆ®re ˆÝ l’Äôaffut d’Äôune proie’Ķ (American Record Guide) 
Pour la troisiˆ®me fois dans le cadre de la sˆ©rie Topaze, le talentueux pianiste canadien Paul Stewart sera l’Äôhˆ¥te de la Sociˆ©tˆ© Pro Musica, ce dimanche 28 mars, mais cette fois-ci aux cˆ¥tˆ©s de la violoniste Laurence Kayaleh.
Originaire de la Nouvelle-ˆâcosse, Paul Stewart s’Äôest d’Äôabord fait connaˆÆtre en 1981 en remplaˆßant au pied levˆ© un pianiste qui devait interprˆ©ter le Concerto pour piano no 1 de TchaˆØkovski avec l’ÄôOrchestre symphonique de Toronto. Aujourd’Äôhui, il fait partie des pianistes canadiens les plus estimˆ©s et les plus actifs. En effet, il s’Äôest produit comme soliste avec les orchestres symphoniques de Toronto, Montrˆ©al, Winnipeg et Vancouver, l’ÄôOrchestre du Centre national des Arts d’ÄôOttawa et l’ÄôOrchestre de chambre I Musici de Montrˆ©al pour n’Äôen nommer que quelques uns, ici et ˆÝ l’Äôˆ©tranger. En 1996, il fait une apparition trˆ®s rˆ©ussie ’Äì  diffusˆ©e par la BBC ’Äì au Wigmore Hall de Londres et  interprˆ®te le Concerto pour piano no 4 de Rachmaninoff au Conservatoire de Moscou, accompagnˆ© par l’ÄôOrchestre symphonique de la radio de Moscou. Cette prestation a ˆ©tˆ© d’Äôabord diffusˆ©e ˆÝ la radio dans l’Äôensemble de la Russie pour ˆ�tre ensuite acclamˆ©e sur disque.
Paul Stewart donne de nombreux rˆ©citals au Canada et aux ˆâtats-Unis (Carnegie Hall et Lincoln Center ˆÝ New York, et Kennedy Center ˆÝ Washington), en Europe et en Asie. On peut l’Äôentendre frˆ©quemment sur les ondes de  Radio-Canada, CBC, BBC, RAI et Deutsche Welle. Rˆ©cemment, il a effectuˆ© une tournˆ©e au Japon et dans le sud de l’ÄôAsie.
Une partie importante de sa carriˆ®re est ˆ©galement consacrˆ©e ˆÝ la musique de chambre et ˆÝ  l’Äôaccompagnement. Paul Stewart a ainsi collaborˆ© avec de nombreux artistes renommˆ©s, tels que James Campbell, James Ehnes, Maureen Forrester, Rivka Golani, Ben Heppner, Jessie Norman, Mstislav Rostropovich, Gil Shaham, les quatuors ˆÝ cordes de Leipzig et de Moscou, ainsi que les chefs Franz-Paul Decker, Charles Dutoit et Pinchas Zukerman.
Parmi ses enregistrements, on peut nommer Young Apollo, de Benjamin Britten, des lieder et transcriptions de Schubert. Un autre enregistrement ˆÝ souligner serait  le disque  consacrˆ© au Concerto pour piano no 4 de Rachmaninoff et ˆÝ la Sonate Vent Nocturne de NicolaˆØ Medtner. En 2007 et 2008, deux volumes des sonates pour violon et piano de Medtner ont vu le jour sous ˆ©tiquette Naxos, en collaboration avec la violoniste  Laurence Kayaleh. Il travaille prˆ©sentement ˆÝ l’Äôenregistrement de l’Äôintˆ©grale des sonates et des ‰ìuvres de musique de chambre de NicolaˆØ Medtner pour la maison Naxos. Paul Stewart est professeur agrˆ©gˆ© ˆÝ la Facultˆ© de musique de l’ÄôUniversitˆ© de Montrˆ©al.  

Programme 
                        Brahms, Scherzo en ut mineur de la sonate ¬´F.A.E.¬ª, WoO, posth. 2
                        Walton, Sonate
                        Leclair, Sonate no 3 en rˆ© majeur, op. 9
                        Ravel, Sonate en sol majeur 
Les billets de concert, au coˆªt de 30 $, et 15 $ pour les ˆ©tudiants (taxes et redevances en sus), sont en vente ˆÝ la billetterie de la Place des Arts (514) 842-2112.

Complete Chamber works of Gyˆ�rgy Kurtˆ°g with Cimbalom

(BOSTON - MARCH 2010)  The Ludovico Ensemble, an Ensemble-in-Residence at The Boston Conservatory, presents a concert of the "Complete Chamber works of Gyˆ�rgy Kurtˆ°g with Cimbalom" featuring Nicholas Tolle playing cimbalom. Performance takes place Tuesday, March 23, 2010 at The Boston Conservatory's Seully Hall (8 The Fenway, Boston). General admission tickets are $12 and $7 for seniors. Admission is free for all students with ID. Tickets can be purchased at www.bostonconservatory.edu/tickets or by calling (617) 912-9222.

The concert program includes:
Memory of a Winter Evening (op. 8) four fragments for soprano, violin and cimbalom
Aliana de la Guardia (soprano) and Gabriela Diaz (violin)

Tri Pezzi/Tre Alrti Pezzi (op. 38) clarinet and cimbalom
Rane Moore (clarinet)

Scenes from a Novel (op. 19) for soprano, violin, double-bass and cimbalom
Aliana de la Guardia (soprano), Gabriela Diaz (violin), and Akiko Kikuchi (bass)

Jˆ°tˆ©kok(selections) for solo cimbalom

Seven Songs (op. 22) for soprano and cimbalom
Aliana de la Guardia (soprano)

Eight Duos (op. 4) for violin and cimbalom
Gabriela Diaz (violin)
GYˆñRGY KURTˆÅG made enormous contributions to the repertoire for cimbalom. His output for the instrument is more substantial than any other composer of his generation, and this concert offers a rare chance to hear all of his pieces for cimbalom and small ensemble, and a rare opportunity to hear the cimbalom in any context.
 
Described by the New York Times as "virtuosic" and by the Albany Times-Union as "amazingly skilled," percussionist/cimbalomist NICHOLAS TOLLE  recently performed the solo cimbalom part in Pierre Boulez' Repons in Lucerne, Switzerland with the composer conducting. His performance of Steven Mackey's Five Animated Shorts for solo cimbalom and ensemble with Collage New Music was praised by the Boston Globe and the Boston Musical Intelligencer. He began playing cimbalom in 2007 after being inspired to learn the instrument by the music of Gyˆ�rgy Kurtˆ°g.  As a percussionist, he has performed with the Royal Concertgebouw Orchestra, the Nederlands Radio Kamer Philharmonie, the Boston Pops Orchestra, Boston Modern Orchestra Project, Boston Lyric Opera, and Cantata Singers; and attended the Tanglewood Music Center, the Lucerne Festival Academy, the Carnegie Hall Professional Training Workshop, the Aspen Music Festival, and has been a guest teacher at the Hochschule fur Musik in Detmold, Germany and the Arnhem (NL) Conservatorium. Tolle is the founder and director of the Ludovico Ensemble, a founding member of Ensemble XII and a core-member of the Callithumpian Consort. Studies at the Boston, Amsterdam, and New England Conservatories.

The cimbalom was invented in Budapest in 1874. While it is primarily associated with Gypsy music, a number of Western composers have written for it, including Stravinsky, Bartok, Boulez, Maxwell Davies, Birtwistle, Eotvos, Kurtˆ°g and others. 

Solti Foundation U.S. announces awards to two young American conductors

Yaniv Attar, Assistant Conductor of the Alabama Symphony Orchestra,
awarded 2010 Career Development Award
and
Christopher Hill, Music Director of the Portsmouth Symphony Orchestra,
awarded 2010 Career Assistance Award
by The Solti Foundation U.S.

Evanston, Illinois ’Äì The Solti Foundation U.S. is pleased to announce that it has awarded a 2010 Career Development Award and a 2010 Career Assistance Award to two young, accomplished conductors.  These awards, given to American conductors in the formative years of their careers, may be used for a variety of career development needs.

Yaniv Attar, Assistant Conductor of the Alabama Symphony Orchestra since 2008, is the recipient of the 2010 Solti Foundation U.S. Career Development Award.  Mr. Attar, who holds the Bruno Walter Conducting Chair at the ASO, has also worked with the Jerusalem Symphony Orchestra, National Symphony Orchestra, Milwaukee Symphony Orchestra, London Soloist Chamber Orchestra, Deutsche Kammerakademie Neuss am Rhein, Bakersfield Symphony Orchestra, National Symphony Orchestra of Ireland, Orchestra I Pomeriggi Musicali Milan, and the Mihail Jora Philharmonic Romania. The $5,000 grant, given every two years, was previously been awarded in 2008 to Joseph F. Young, now working with the Buffalo Philharmonic as a member of the League of American Orchestras’Äô American Conducting Fellows program. 

Christopher Hill, Music Director of the Portsmouth Symphony Orchestra in New Hampshire, is the recipient of a 2010 Solti Foundation U.S. Career Assistance Award.  In addition to his work with the PSO, Mr. Hill recently served as director of orchestras at the University of New Hampshire and guested with the Richmond Symphony in Virginia.  Introduced in 2009, the Career Assistance Award is given annually, with the number and amount(s) determined at the discretion of the Artistic and Awards Committee.  Former recipients of the award include James Feddeck, Assistant Conductor, Cleveland Orchestra; Kelly Kuo, Assistant Conductor, Cincinnati Chamber Orchestra, and Case Scaglione, Music Director, YMF Debut Orchestra (Los Angeles, CA).

 The Sir Georg Solti Emerging Conductor Award, a grant of $10,000, to be introduced in late spring  2010. Application deadline is May 15, 2010. The award will be given to an American conductor 35 years  of age or younger.

Vladimir Ashkenazy leads The Cleveland Orchestra in concerts featuring his orchestration of Mussorgsky's Pictures at an Exhibition at Severance Hall on March 18 and 20

Jean-Efflam Bavouzet makes his Cleveland Orchestra debut as soloist in Prokofiev’Äôs Piano Concerto No. 1

CLEVELAND, March 5, 2010 ’Äì Vladimir Askenazy, principal conductor and artistic advisor to the Sydney Symphony Orchestra and music director of the European Union Youth Orchestra, will conduct The Cleveland Orchestra in a program featuring his orchestration of Mussorgsky’Äôs Pictures at an Exhibition at Severance Hall on Thursday, March 18, and Saturday, March 20, at 8:00 p.m.  Jean-Efflam Bavouzet will make his Cleveland Orchestra debut in performances of Prokofiev’Äôs Piano Concerto No. 1.
            The program begins with a suite, compiled by Mr. Ashkenazy, from Sergei Prokofiev’Äôs ballet Romeo and Juliet, followed by Prokofiev’Äôs Piano Concerto No. 1 in D-flat major, Opus 10. After intermission, the program concludes with Modest Mussorgsky’Äôs Pictures at an Exhibition (transcribed for orchestra by Vladimir Ashkenazy).
            Pianist, chamber musician, and conductor Vladimir Ashkenazy has been a welcome guest with The Cleveland Orchestra for more than 40 years.  Since making his Cleveland Orchestra debut as piano soloist in August 1968, he has appeared with the Orchestra in more than 150 concerts.  From 1987 to 1994, Mr. Ashkenazy served as the Orchestra’Äôs principal guest conductor, having conducted the ensemble on a regular basis since his Severance Hall podium debut in 1983.  
For more than two decades, Mr. Ashkenazy has appeared primarily as a conductor, leading orchestras across the world.  He has served as chief conductor of the Czech Philharmonic (1998 to 2003) and music director of the NHK Symphony Orchestra in Tokyo (2004 to 2007).   In January 2009, he became principal conductor and artistic advisor to the Sydney Symphony Orchestra.  Mr. Ashkenazy continues his longstanding relationship with the Philharmonia Orchestra, of which he was appointed conductor laureate in 2000.  He is also music director of the European Union Youth Orchestra, with whom he tours each year, and conductor laureate of the Iceland Symphony Orchestra.
            French pianist Jean-Efflam Bavouzet was invited by Sir George Solti to make his debut with the Orchestre de Paris in 1995 and is considered the conductor’Äôs last discovery.  The pianist has maintained a close relationship with Pierre Boulez since their first appearance together with the Orchestre de Paris in 1998.  Among his numerous recital appearances, he performed a cycle of the complete Beethoven piano sonatas in the Forbidden City Concert Hall in Beijing during the 2008-09 season.  In 2009, Mr. Bavouzet performed all five Prokofiev concertos with the Warsaw Philharmonic.  His recording of Debussy’Äôs complete works for solo piano has won multiple awards.
* * *
            These concerts are sponsored by Calfee, Halter & Griswold LLP.
            Jean-Efflam Bavouzet’Äôs appearance as soloist with The Cleveland Orchestra is made possible by a contribution to the Orchestra’Äôs Guest Artist Fund from The Gerhard Foundation.
* * *
            The Cleveland Orchestra’Äôs 2009-10 season at Severance Hall is sponsored by UBS.  Headquartered in Zurich and Basel, Switzerland, UBS is a global firm providing services to private, corporate and institutional clients.  Its strategy is to focus on international wealth management and the Swiss banking business alongside its global expertise in investment banking and asset management.  In Switzerland, UBS is the market leader in retail and commercial banking.
UBS is a significant supporter of orchestral music globally.  In addition to its season sponsorship of The Cleveland Orchestra, the firm currently sponsors several other outstanding symphony orchestras, such as the Boston Symphony Orchestra and The Philadelphia Orchestra.  These partnerships reflect UBS’Äôs dedication to supporting the communities where it operates, as well as a philosophy of working collaboratively with its clients to deliver the customized solutions that help them pursue their goals.
            More biographical information on Vladimir Ashkenazy and Jean-Efflam Bavouzet follows at the end of this release. 

TICKET PRICES (Add $5 for Saturday): Orchestra: $71, $47; Dress Circle: $93, $55; Balcony: $71, $55, $31.

TICKET SERVICES:
The Severance Hall Ticket Office is located in the Smith Lobby.  The entrance and 15-minute Ticket Service parking are along East Boulevard.  Single tickets for all concerts in the 2009-10 season are now on sale.
Severance Hall Ticket Office Hours: 
M-F 9-6
Sat. 10-6
Closed Sundays and major holidays, except for those days with performances, when the Ticket Office opens three hours prior to the performance start time.
To charge tickets by telephone on American Express, Discover Card, MasterCard, and Visa, call Cleveland Orchestra Ticket Services at (216) 231-1111 (Cleveland) or 800-686-1141 during the regular ticket office hours listed above. Subscriptions and single tickets are also available through The Cleveland Orchestra’Äôs website at clevelandorchestra.com.  The website offers secure ticket transactions with any major credit card and provides complete concert listings.

FREE CONCERT PREVIEWS:
Concert Previews will be given prior to the March 18 and 20 concerts, beginning at 7:00 p.m. in Reinberger Chamber Hall.  The Previews, titled ’ÄúOrchestrating Musical Pictures,’Äù will be given by David Rothenberg, professor of music at Case Western Reserve University.  Concert Previews are designed to enrich the concert-going experience by providing historical background and critical insight into the music performed at each concert.  This series is funded by a generous endowment gift from Dorothy Humel Hovorka.

PARKING: 
For evening subscription concerts at Severance Hall, parking can be purchased for $10 per vehicle, when space permits, in the Campus Center Garage (the underground garage located directly behind Severance Hall).  Pre-paid parking for the Campus Center Garage can be purchased in advance through the Ticket Office at the cost of $14 per concert (this includes City of Cleveland parking tax and handling fee).  The pre-paid parking ensures patrons a parking space, but availability of these pre-paid parking passes is limited.
            For further information, or to order pre-paid parking, patrons should call the Cleveland Orchestra Ticket Office during regular office hours at (216) 231-1111 or 800-686-1141.  Pre-paid parking passes are also available through The Cleveland Orchestra’Äôs website at clevelandorchestra.com.

Manchester Camerata signs Gˆ°bor Takˆ°cs-Nagy as its new Music Director

Manchester Camerata has appointed the great Hungarian musician Gˆ°bor Takˆ°cs-Nagy as its new Music Director.  Internationally known as a chamber music player and a founding member of the Takˆ°cs Quartet, Gˆ°bor is now establishing a formidable reputation for himself as a conductor. The fact that he will be pursuing the next phase of his career in Manchester is a real coup for the orchestra and for the city. Gˆ°bor will take over from Douglas Boyd as Music Director in September 2011.

Building on the success of the Boyd/Camerata era, Gˆ°bor will work closely with this leading chamber orchestra which is full of Mancunian energy, humour and creativity.  This new partnership promises to be quite exceptional. It is a partnership which will not only benefit the orchestra and its audiences but will reinforce the international dimension of Manchester’Äôs cultural life too.

Beyond the natural creative chemistry which exists between the Camerata musicians and their new music director, the appointment also represents something of a homecoming for Gabor and his wife, who is originally from Burnley, Lancashire.

Gˆ°bor’Äôs conducting career began in 2005. He now holds posts at the MAV symphony orchestra in Budapest, the Verbier Festival Chamber Orchestra, and will appear as guest conductor with the Budapest Festival Orchestra. Forthcoming highlights include concerts with Martha Argerich and a tour with the Verbier Festival Chamber Orchestra.

Speaking about his Manchester Camerata appointment, Gˆ°bor said:

’ÄúTo find such a wonderful group of artists such as Camerata, such warm audiences as those in Manchester, is a joy. I look forward to many years of making and sharing music in your great city.’Äù

Announcing the appointment, Manchester Camerata Board and CEO Bob Riley stated:

’ÄúWe have been fortunate to work with Dougie Boyd for 10 years, during which the orchestra has achieved some remarkable things. We are more fortunate still that this work can be continued with such a musician as Gˆ°bor. Orchestra member musicians were involved in the process leading to his appointment and so we look forward with certainty to the flourishing of this musical relationship. It is with great excitement that we look ahead to Manchester Camerata’Äôs future, both nationally and internationally.’Äù

Welcoming the appointment of his successor, Douglas Boyd said:

"Manchester Camerata has been a huge part of my life for the last 9 years.  I have been so fortunate to make music with such a dedicated group of musicians. My dream has always been, at some stage, to hand the baton on to a wonderful musician who can inspire the orchestra and continue to develop this dynamic organisation. I am delighted that the orchestra and Gˆ°bor have found each other. I am absolutely sure that together they will forge an exciting future for Manchester Camerata."

Art of Time's Songbook 4 to feature Gregory Hoskins

Art of Time Ensemble
-       Andrew Burashko, Artistic Director-
presents
The Songbook 4

Featuring Gregory Hoskins
performing an eclectic set of twelve of his favourite songs,
accompanied by the Art of Time Ensemble

Tuesday May 25 - Wednesday May 26, 2010, 8PM
Enwave Theatre | 231 Queens Quay West
Tickets: $19-$49         Box Office: 416-973-4000

Toronto, March 4, 2010- The acclaimed Art of Time Ensemble, under the Artistic Direction of Andrew Burashko, is pleased to present The Songbook 4, featuring Canadian singer Gregory Hoskins, on Tuesday May 25 and Wednesday May 26, 2010 at Harbourfront Centre's Enwave Theatre.

The Songbook 4
has Gregory Hoskins performing an eclectic set of 12 of his favourite songs including original material and covers by Paul Simon, Nick Cave, Gordon Lightfoot, Mary Margaret O'Hara, Jane Siberry, Cole Porter, Tom Waits, Radiohead, Leonard Cohen, and others in innovative new arrangements by acclaimed composers, accompanied by some of the finest classical and jazz musicians in the country.
The Musicians:
 Andrew Burashko Piano
Benjamin Bowman Violin
Phil Dwyer Sax
Rachel Mercer Cello
Rob Piltch Guitar
Joe Phillips Bass

The Arrangers:
 Bryden Baird (Feist's collaborator)
Gavin Bryars
Robert Carli
Aaron Davis
Hilario Duran
Jonathan Goldsmith
Michael Occhipinti
Dann Parr
Cameron Wilson

Gregory Hoskins
released his first recording for True North Records with his band The Stickpeople at the age of 27.  Both 1991's Moon Come Up and 1993's follow-up Raids On The Unspeakable established Hoskins as a new voice on the Canadian music scene but after a slew of singles, videos, and road work he dissolved the band in 1995 and disappeared. After a mysterious six-year withdrawal from the music business, Hoskins re-emerged in 2001 with the remarkable solo CD, The King of Good Intentions, praised by critics for its "quiet soul, haunting voice, and lyrics (that) speak of the hard lessons he has obviously learned over the last decade."

Between February 2007 and May 2008, he released 3 recordings: the studio recording The Beggar Heart featuring a searing duet with Serena Ryder on "Never A Stranger Kiss"; his first live recording and DVD Pleasure & Relief; and a "solo acoustic" compilation Alone In The Mayor's House...Almost for U.S. label Candy Rat Records.

Hoskins has opened for Sarah McLachlan, the Indigo Girls, the Neville Brothers, Bruce Cockburn, Rickie Lee Jones, Hawksley Workman and folk-legend Odetta among many others. He currently lives and works musically on Manitoulin Island in Northern Ontario,

Previous Art of Time productions have met with high praise. J.D. Considine of The Globe and Mail notes the recent sold out Brasil concerts "presented a faˆßade of effortless grace that belied how much was going on beneath the surface... ravishing." John Terauds of The Toronto Star calls the group in performance "a delicate balance between classical expression and modern sensibility... as memorable as the creativity behind them."

Art of Time provides a unique musical experience that breaks down barriers between artistic and musical disciplines, and reveals the vibrancy of classical music as a contemporary artistic expression, appealing to a range of audiences.

Quatuor Diotima - concert exclusif au Canada


Samedi 17 avril 2010 20 h
Thˆ©ˆ¢tre Centennial ’Äì Universitˆ© Bishop, Sherbrooke

Rˆ©gulier $26.00, AˆÆnˆ© (60+) $15.00, ˆâtudiant (avec carte) $15.00  
Billetterie : 819-822-9692

Programme :  le Quatuor # 1 (Kreutzer) de Leos Janacek, le Quatuor opus 56 de George Onslow et Ainsi la nuit d’ÄôHenri Dutilleux.

Diplˆ¥mˆ©s des conservatoires de musique de Paris et de Lyon, les membres de ce remarquable quatuor franˆßais ont pris un engagement spirituel en faveur de la musique contemporaine. Reconnu comme l’Äôun des meilleurs espoirs franˆßais, le Diotima ne fait pas mentir son nom, tirˆ© d’Äôune ‰ìuvre du compositeur contemporain Luigi Nono, Fragmente ’Äì Stille, an Diotima. Voici ce que le Nouvel Observateur (2006) dit ˆÝ propos de leur exˆ©cution d’Äôune ‰ìuvre de Janacek : ¬´ On est surpris par la gravitˆ©, le lyrisme, l’Äôunitˆ© du discours et la splendeur sonore, de bout en bout passionnants. ¬ª

DanceWorks presents Nova Bhattacharya

DanceWorks presents
Ipsita Nova Dance Projects'
Isolated Incidents

Toronto, March 4, 2010-    Smart, sexy and engaging, Isolated Incidents is a collection of solos tracing random incidents in one woman's life.  Celebrated as one of Canada's favourite dance artists, Nova Bhattacharya breathes rich life into the spectrum between classical bharatanatyam and contemporary dance.

Each solo brings a new glimpse into the transformative journey of this eloquent performer who has been described in turns as "sly and dreamily contemplative" (Now Magazine), "a contained goddess" (Globe & Mail) and "a mischievous visitor from another world" (Mˆ§rkische Allemeine).

Bhattacharya's new work is an evening of graceful precision, haunting simplicity and a few surprises.

Co-commissioned by the Canada Dance Festival 2010 and DanceWorks.

‰Ýone woman, several moments in time

DanceWorks presents Ipsita Nova Dance Projects' Isolated Incidents
Choreographed / featuring Nova Bhattacharya
Original score by Ed Hanley
Lighting design by Marc Parent
Part of Harbourfront Centre's NextSteps
Thursday May 13 - Saturday May 15 | 8PM
at Harbourfront Centre's Enwave Theatre, 231 Queens Quay West, Toronto
Regular Tickets: Adults $28, (Students/Seniors $18)
Box Office: 416-973-4000 OR online at danceworks.ca

Season Announcement: Indianapolis Symphony Orchestra's 2010-2011 Season

Seventeen Guest Conductors Will Showcase Their Artistry in Classical Programs as
the Orchestra Continues its Search for a New Music Director 

Season Highlights Include Renowned Violinists Itzhak Perlman, Joshua Bell, and Midori; Pianist
Andrˆ© Watts; Versatile Performer Wayne Brady, Cirque de la Symphonie, Plus Special Events Featuring Legendary Singer and Actress Liza Minnelli and Dennis DeYoung Performing the Music of Styx

               INDIANAPOLIS ’Äì The Indianapolis Symphony Orchestra announced today its 2010-2011 season of Classical, Pops and Family series concerts and Special Events that will feature some of the great artists of our time, including violin sensations Joshua Bell and Midori, who will perform the Tchaikovsky and Beethoven Concertos, respectively; a one-night-only Opening Night Gala appearance by Itzhak Perlman, who will conduct and perform as violin soloist; and renowned pianist Andrˆ© Watts performing Beethoven’Äôs ’ÄúEmperor’Äù Concerto. 

The ISO’Äôs diverse and colorful Pops lineup includes versatile actor and singer Wayne Brady, the return by popular demand of new and updated productions of Bugs Bunny at the Symphony and Cirque de la Symphonie, plus Live & Let Die:  The Music of Paul McCartney featuring Classical Mystery Tour’Äôs Tony Kishman as Paul. Other Special Events will feature one-night-only performances by legendary singer and actress Liza Minnelli in October, plus the music of 1970s and ’Äò80s rock band Styx performed by one of its founding members, Dennis DeYoung, in March 2011 among the many highlights of the indoor season at the Hilbert Circle Theatre.

’ÄúWe are very proud of the high quality and extraordinary variety of programs in our 2010-2011 season,’Äù said Simon Crookall, President and CEO of the Indianapolis Symphony Orchestra. ’ÄúAs we continue our search for a new Music Director, the Orchestra will be joined by some of the brightest conducting talent available, with some return visits and some debuts. The outstanding quality of our guest artists, in both Classical and Pops programs, will make every event at the Hilbert Circle Theatre an extraordinary experience.’Äù

DISTINGUISHED CONDUCTORS AND VIRTUOSO SOLOISTS HIGHLIGHT CLASSICAL SEASON

               The spotlight this year will be on the podium as the Orchestra continues the search for its seventh Music Director, and on center stage, where some of the great classical artists of our time will showcase their superb artistry.

Renowned maestros who will return to the Hilbert Circle Theatre podium include the ISO’Äôs Conductor Laureate, Raymond Leppard, plus guests Juanjo Mena, James Gaffigan, Gilbert Varga, Carlo Rizzi, Jun Mˆ§rkl, Douglas Boyd, Ludovic Morlot, Jakub Hrusa, Robert Spano, Mark Wigglesworth, Arild Remmereit, Pietari Inkinen and Hannu Lintu. Conductors who will lead the ISO for the first time include Juraj Valcuha, Joanna Carneiro, Pablo Heras-Casado, and Christoph Eberle.

In addition to superstars Bell, Perlman, Midori, and Watts, other artists who return to perform with the Orchestra this season will include pianists Marc-Andrˆ© Hamelin, Alexander Toradze, Jean-Yves Thibaudet, and Ingrid Fliter; violinists Karen Gomyo, James Ehnes, and 2002 International Violin Competition Gold Medalist Barnabˆ°s Kelemen; plus percussionist Colin Currie and string trio Time for Three.  ISO musicians who will perform as soloists will include Concertmaster Zach De Pue, Principal Viola Michael Isaac Strauss and Principal Clarinet David Bellman.  Soloists who will make their ISO debuts will include pianists Jeremy Denk and Antti Siirala, cellist Zuill Bailey and vocalists Sarah Tynan (Soprano), Thomas Cooley (Tenor) and Matthew Rose (Baritone). 

LILLY CLASSICAL SERIES & SYMPHONIC HITS POWERED BY LILLY FEATURE
MANY POPULAR ORCHESTRAL MASTERPIECES

               The Indianapolis Symphony’Äôs 20-program Lilly Classical Series and Symphonic Hits powered by Lilly will feature a mix of timeless masterpieces that span more than 200 years in classical music history.  Among the symphonic highlights this season will be four of Ludwig van Beethoven’Äôs symphonies, including the powerful Symphony No. 9 and expressive Symphony No. 6 (’ÄúPastorale’Äù), Gustav Mahler’Äôs Symphony No. 5, Wolfgang Amadeus Mozart’Äôs Symphony No. 40, Franz Joseph Haydn’Äôs The Creation, Johannes Brahms’Äô Symphony No. 4, Bˆ©la Bartˆ„k’Äôs Concerto for Orchestra, Hector Berlioz’Äô Symphonie fantastique, Ottorino Resphighi’Äôs The Pines of Rome and The Fountains of Rome, Cesar Franck’Äôs Symphony in D Minor and Antonin Dvo‰ôˆ°k’Äôs Symphony No. 8.

The season also will spotlight numerous crown jewels in the concerto repertoire, including Beethoven’Äôs Piano Concerto No. 5 (’ÄúEmperor’Äù), Piano Concerto No. 1, and his Violin Concerto, Dvo‰ôˆ°k’Äôs Cello Concerto, Franz Liszt’Äôs Piano Concerto No. 1 and his Totentanz, Camille Saint-Saˆ´ns’Äô Piano Concerto No. 2, Piotr Illych Tchaikovsky’Äôs Violin Concerto, Antonio Vivaldi’Äôs The Four Seasons, Jean Sibelius’Äô Violin Concerto and Brahms’Äô Piano Concerto No. 1.

   Many of these works will be a part of the Orchestra’Äôs six-weekend Symphonic Hits powered by Lilly programs, which offer affordable ticket prices, emerging classical artists and signature works that are among the most popular in classical music. In addition, all Symphonic Hits concerts feature Sound Off, the casual pre-concert chat with ISO musicians, and Reverb, the post-concert cocktail hour in the theatre lobby. All Symphonic Hits concerts begin at 7:30 p.m. Prior to single tickets going on sale in August, Symphonic Hits concerts can be ordered via the flexible Your Season Your Way option or through a Symphony on Demand voucher packet (See Season Calendar for Symphonic Hits Programs). 

The Classical Series programs spotlight established artists, many of whom are Indianapolis audience favorites, and an eclectic blend of popular and critically acclaimed works that are presented in a more traditional concert format.  Prior to each Classical Series concert is the 30-minute, J. K. Family Foundation Words on Music program featuring conductors, guest artists and ISO musicians. These 14 concert-weekends may be ordered through traditional subscription packages.

CLAUDE BAKER WORLD PREMIERE & OTHER CONTEMPORARY WORKS

As part of the Indianapolis Symphony’Äôs continued commitment to creating new works and celebrating the music of living composers, the ISO, Indiana University Jacobs School of Music, and the Barlow Endowment for Music Composition have commissioned a new Piano Concerto by former Saint Louis Symphony Composer-in-Residence and Indiana University Jacobs School of Music Chancellor of Composition Claude Baker that will be performed by noted pianist Marc-Andrˆ© Hamelin.  Other works by living composers will include John Adams’Äô Lollapalooza and renowned Finnish composer Einojuhani Rautavaara’Äôs Incantations featuring percussionist Colin Currie as soloist.

The ISO has joined eight orchestras across the country to commission a piece written by composer Chris Brubeck for its own ensemble-in-residence Time for Three. The concerto, Travels in Time for Three, premieres this season with the Youngstown Symphony and is a mix of musical genres from jazz to country, Irish folk music to funk and gospel to classical. Also to be announced will be the selection of a contemporary work from a young composer that will earn the ISO’Äôs Marilyn K. Glick Young Composer Award and will be performed as part of the Lilly Classical Series.

LEGENDARY VIOLINIST ITZHAK PERLMAN CONDUCTS & PERFORMS AT GALA CONCERT

               One of the great classical artists of our time, legendary violinist Itzhak Perlman will return to the Hilbert Circle Theatre in the Orchestra’Äôs Gala concert on October 2, at 6 p.m. Perlman conducts and performs two works by Mozart ’Äì the Adagio in E Major and the Rondo in C Major ’Äì and will conduct the ISO in two orchestral works by Dvo‰ôˆ°k ’Äì the Serenade for Strings and the popular ’ÄúNew World’Äù Symphony This annual event features a pre-concert reception with delicacies from local restaurants and a post-concert gourmet dinner under the large tent on Monument Circle and is the official kickoff to the Orchestra’Äôs season.

JACK EVERLY’ÄôS DIVERSE PRINTING PARTNERS POPS SERIES & STRATFORD AT WEST CLAY
COFFEE POPS SERIES SEASON HEADLINES WITH EMMY AWARD-WINNER WAYNE BRADY;
NEW START TIME FOR SUNDAY CONCERTS

A North American leader in innovative pops series programming, Principal Pops Conductor Jack Everly will conduct six of the eight Printing Partners Pops Series programs featuring a broad spectrum of artists and musical styles. Headlining this year’Äôs Pops season will be versatile Emmy Award-winner Wayne Brady, who will showcase his prowess as a singer and dancer in his ISO debut, plus the return of new and revised versions of the colorful Cirque de la Symphonie and Bugs Bunny at the Symphony, the latter created and conducted by Indiana native and Emmy Award-winner George Daugherty. 

Other exciting Pops programs will include Live and Let Die:  The Music of Paul McCartney featuring Classical Mystery Tour’Äôs Tony Kishman as Paul, two-time Grammy Award winning soprano Sylvia McNair performing her new cabaret show plus the legendary vocal quartet The Four Freshman presenting many of their hits.  Noted jazz and cabaret star Ann Hampton Callaway will be joined by her sister, Broadway star Liz Callaway, for a weekend that will feature performances of many of their favorite songs plus other signature works from their careers in a program titled Sibling Revelry. In addition, Broadway leading lady Ashley Brown, who starred in Mary Poppins on the Great White Way, joins Maestro Everly and the ISO to perform many Broadway favorites, and the Indianapolis Symphonic Choir will sing The Great Choruses of Hollywood and Broadway to round out the Pops season.

In the 2010-2011 season, Sunday Pops Series concerts will move to 3 p.m. from 7 p.m.

SANDI PATTY HOSTS 25th ANNIVERSARY OF DUKE ENERGY YULETIDE CELEBRATION

               An Indianapolis audience favorite, versatile singer Sandi Patty returns to join Maestro Everly and the ISO to perform the 25th Anniversary Celebration of the Orchestra’Äôs holiday spectacular, Duke Energy Yuletide Celebration Friday, December 3 through Thursday, December 23.  An Indiana holiday tradition, Yuletide Celebration features a talented cast of singers and dancers, larger-than-life puppetry and the traditional ’ÄúTap-Dancing Santas’Äù in a massive Broadway-style holiday presentation that attracts more than 40,000 people to the Hilbert Circle Theatre in December. 

SPECIAL EVENTS ’Äì LIZA MINNELLI, DENNIS DeYOUNG PERFORMS THE MUSIC OF STYX,
PINK MARTINI AMONG HIGHLIGHTS IN WIDE VARIETY OF SINGLE EVENTS

Headlining the Indianapolis Symphony Orchestra’Äôs 2010-2011 Season of special event concerts will be the highly anticipated ISO debut of legendary star of stage and screen Liza Minnelli, who will perform many of her signature works plus other pop standards and will share stories about her illustrious career in one concert on October 30. The Orchestra also will host noted rock star Dennis DeYoung, one of the founding members of the groundbreaking rock band Styx, to perform many of the band’Äôs hits from the 1970s and ’Äò80s on March 31. 

               Holiday special events will include a Thanksgiving week concert featuring versatile classical, jazz and old-fashioned pop crossover band Pink Martini on November 22, the 12th annual Classical Christmas concert led by ISO Conductor Laureate Raymond Leppard on December 11 at the Scottish Rite Cathedral Ballroom, the Orchestra’Äôs presentation of George Frideric Handel’Äôs popular liturgical oratorio masterpiece Messiah with the Indianapolis Symphonic Choir 0n December 18 at Clowes Memorial Hall, and the ever-popular New Year’Äôs Eve in Vienna concert on December 31 at the Hilbert Circle Theatre.   The ISO will celebrate the significant contributions of African-American artists and culture on the world of music in the 26th edition of its Celebration of Black History concert February 8.

DOW AGROSCIENCES FAMILY SERIES SERVES YOUNG AUDIENCES

               Since 1984, a key element of the Orchestra’Äôs mission is its programming for young audiences through the Dow AgroSciences Family Series concerts. This series features thematic programs of shorter classical and popular works performed in concerts that are one-hour long and designed especially for young listeners. This year the ISO will present an exciting, colorful and engaging lineup of Family Series programs to enlighten and entertain audiences of all ages. As an added treat, before each concert audiences are invited to go on a ’ÄúMusic Explorer’Äù journey to many interactive activities located in the lobby, and after the performance, guest artists meet informally with the audience near the stage for ’ÄúFamily Chat’Äù discussions about the program. This year, Family Series concerts will be performed on Sundays at 2:30 p.m.

The Dow AgroSciences Family Series kicks off on November 7 with The Classical Clown:  A Comedy Concerto starring noted actor and mime Dan Kamin, and features the popular puppet theater troupe Enchantment Theatre Company presenting its colorful production of Scheherazade February 27, and engaging guest conductor Thomas Wilkins will direct a program of lively majestic and inspirational melodies from classical music and film scores in Let’Äôs Get Moving on April 17.  The series also includes the December 5, 6 p.m. performance of Duke Energy Yuletide Celebration starring Sandi Patty.

STELLA ARTOIS HAPPY HOUR AT THE SYMPHONY RETURNS WITH PROGRAMMING CREATED BY ISO ENSEMBLE-IN-RESIDENCE, TIME FOR THREE

               The ISO’Äôs ensemble-in-residence Time for Three (with ISO concertmaster Zach De Pue) and conductor Steve Hackman return to program the Indianapolis Symphony’Äôs Stella Artois Happy Hour at the Symphony series. These four concerts feature familiar and popular classical works and contemporary music as well as original tunes written by the Time for Three and are designed to introduce new audiences to symphonic music. Patrons to Happy Hour at the Symphony are invited to sample appetizers and drinks from local restaurants during the pre-concert mix and mingle event and may take part in an after-party gathering at a local restaurant after the hour-long concert. Doors to the Happy Hour at the Symphony concerts open at 5 p.m. and the program begins at 6:30. Dates for this season’Äôs Happy Hour will be announced in the near future.

SUBSCRIPTION INFORMATION

The Indianapolis Symphony provides three options to music lovers who wish to subscribe. The traditional subscription package features a minimum of seven concerts in a package that provides the patron with the same seat for every performance in their package and the added benefit of a flexible exchange policy. The Your Season Your Way option allows patrons to create their own subscription package by choosing a minimum of five performances, with escalating discounted prices per seat as the buyer orders additional performances, and the Symphony on Demand option provides six or twelve vouchers that may be used in any combination for any subscription concert to provide ultimate schedule flexibility.

The public may renew current subscriptions or become a new subscriber beginning Friday, March 5, by visiting the ISO’Äôs website at www.IndianapolisSymphony.org, by phone at (317) 639-4300, by mail or in person at the Hilbert Circle Theatre Box Office.  Subscribers who renew by Friday, April 16, will receive a ten-percent ’ÄúEarly Bird Discount’Äù on their subscription package.  The deadline for subscription renewal is Monday, May 17.

All Special Event tickets will be on sale to subscribers beginning March 5, with a ten-percent price discount for subscribers and will go on sale along with other single tickets to the general public on August 23.  For more information about all Indianapolis Symphony Orchestra presentations, call the Hilbert Circle Theatre Box Office at (317) 639-4300.  Outside Indianapolis call toll free (800) 366-8457.

ABOUT THE INDIANAPOLIS SYMPHONY ORCHESTRA

Founded in 1930, the Indianapolis Symphony Orchestra is the largest professional performing arts organization in Indiana, is one of only 17 full-time year-rounds orchestras in North America, and performs 200 concerts each year for more than 350,000 people.  Renowned for its 79-year legacy of acclaimed recordings, nationwide radio broadcasts and service to the community, the ISO serves a broad spectrum of audiences via classical, pops, family, holiday, educational and free community outreach concert programs.  A key part of the Orchestra’Äôs mission is education, and its diverse programs earned the Mayor’Äôs Award for Excellence in Education from the City of Indianapolis.  ISO musicians and staff have created 20 different pioneering learning opportunities that serve nearly 100,000 Hoosiers annually comprising audiences of all ages that are inspired by the power of music.

Monique Giroux aux Victoires de la Musique ˆÝ Paris

MONIQUE GIROUX VENDREDI ET LUNDI : 

DEUX ˆâMISSIONS SUR

LES VICTOIRES DE LA MUSIQUE ˆÄ PARIS


Montrˆ©al, jeudi 4 mars 2010 ’Äì Ce week-end, Monique Giroux se rend en France ˆÝ l’Äôoccasion des Victoires de la Musique, un grand ˆ©vˆ©nement artistique et musical qui souligne son 25e anniversaire cette annˆ©e, et qui se dˆ©roulera samedi dans la mythique salle du Zˆ©nith ˆÝ Paris. Les 5 et 8 mars ˆÝ 16 h, dans le cadre de son ˆ©mission sur Espace musique (100,7 FM ˆÝ Montrˆ©al), l’Äôanimatrice rendra compte de la fˆ©brilitˆ© et de l’Äôenthousiasme entourant ces Victoires, grˆ¢ce ˆÝ des rencontres, des visites et des entrevues un peu partout dans la capitale. Fait saillant cette annˆ©e, les Quˆ©bˆ©coises Ariane Moffatt et C‰ìur de pirate sont en nomination, en plus de faire partie des artistes qui offriront une prestation pendant la cˆ©rˆ©monie !

Vendredi 5 mars 16 h
Depuis la place des Victoires, Monique nous propose des entretiens rˆ©alisˆ©s avec Charles Aznavour, le prˆ©sident de ces 25e Victoires, et Nagui, l’Äôanimateur de la soirˆ©e. De plus, elle se promˆ®nera dans les coulisses du Zˆ©nith pendant les rˆ©pˆ©titions afin de capter les impressions de C‰ìur de pirate (en nomination pour la ¬´ Rˆ©vˆ©lation du public ¬ª et la ¬´ Chanson originale de l’Äôannˆ©e ¬ª) et d’ÄôAriane Moffatt (en nomination dans la catˆ©gorie ¬´ Rˆ©vˆ©lation scˆ®ne de l’Äôannˆ©e¬ª).

Lundi 8 mars 16 h
De la place du Quˆ©bec, au surlendemain de l’Äôˆ©vˆ©nement, l’Äôanimatrice effectue un retour sur la soirˆ©e des Victoires avec C‰ìur de Pirate et Ariane Moffatt. Auront-elles remportˆ© les prix pour lesquels elles ˆ©taient en nomination? Monique Giroux rˆ©alisera ˆ©galement quelques entrevues avec des artistes d’Äôici prˆ©sents en France : Catherine Major, Thomas Hellman et Pierre Lapointe. Elle fera le point sur les festivals europˆ©ens qui recevront bientˆ¥t des artistes quˆ©bˆ©cois, dont Les Dˆ©ferlantes de Porte-lˆ®s-Valences et Pully ˆÝ l’Äôheure du Quˆ©bec en Suisse.

Ne ratez pas ces ˆ©missions spˆ©ciales de Monique Giroux en direct de Paris, vendredi et lundi sur les ondes d’ÄôEspace musique, la radio musicale de Radio-Canada.

Radio-Canada.ca/musique

Rˆ©alisation : Yves Bergeron

Portland Symphony Orchestra Welcomes Mandolin Virtuoso Chris Thile to Merrill Auditorium March 28

PORTLAND, Maine ’ÄìThe Portland Symphony Orchestra (PSO) is proud to present the New England premiere of a new concerto by acclaimed mandolin virtuoso Chris Thile at the upcoming Sunday Classical concert on Sunday, March 28 at 2:30 p.m. in Merrill Auditorium, 20 Myrtle Street in Portland.

This Sunday Classical concert is part of Mandolin Madness, a weekend-long collaboration of Portland Ovations, Portland Symphony Orchestra and Space Gallery. For details and special offers, visit www.portlandsymphony.com.

Scott Terrell, music director of the Lexington (KY) Philharmonic, is the guest conductor for the concert, which opens with Aaron Copland’Äôs Appalachian Spring in its original version for 13 instruments, followed by a late-Romantic work by Arnold Schoenberg, the powerful Verklˆ§rte Nacht, Op. 4 (’ÄúTransfigured Night’Äù) for string orchestra.

This matinee performance will conclude with Thile’Äôs Mandolin Concerto (Ad astra per alia porci), co-commissioned by the PSO. This work has thrilled critics including the Denver Post

Thile is widely regarded as one of the most interesting and inventive musicians of his generation. He played with the band Nickel Creek for fifteen years, recording three albums and receiving a Grammy in 2002. He also has released four solo albums and one album with double bass virtuoso Edgar Meyer. Additionally, Thile has collaborated with a pantheon of bluegrass innovators including Bela Fleck, Dolly Parton, the Dixie Chicks, Jerry Douglas, and Sam Bush. Thile will be performing with his current band, Punch Brothers, at Merrill Auditorium on Friday, March 26.

Sponsored by Bath Savings Trust Company, the concert begins at 2:30 p.m., preceded by a Concert Conversation at 1:15 p.m. and followed by a PostConcert Q&A with the artists. A live recorded broadcast of the concert can be heard on Maine Public Broadcasting Network on Wednesday, April 14.

Thile’Äôs Mandolin Concerto is funded in part by a grant from the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts.

Tickets range from $20-$70 and are available through PortTix at (207) 842-0800 or at www.porttix.com. Phone and internet orders are subject to $6-per-ticket handling fees. Tickets may also be purchased in person at the box office at 20 Myrtle St., Monday through Saturday, noon to 6 p.m.

The PSO’Äôs 2009-10 season is sponsored by IDEXX Laboratories. For complete season information, including artist biographies; program notes; and Online Insights, provided with support from season Enrichment Sponsor Fairpoint Communications; visit www.portlandsymphony.com.
who called Thile an ’Äúup-and-coming classical composer with almost unlimited potential,’Äù and his concerto ’Äúnothing short of astounding.’Äù

PSA: Holy Rosary Cathedral presents Thierry Escaich (Composer, Improviser, Organist of St-ˆâtienne-Du-Mont Church , Paris) in Recital April 17

Holy Rosary Cathedral presents

Thierry Escaich in Recital
Composer, Improviser, Organist of St-ˆâtienne-Du-Mont Church, Paris
Friday April 17, 2010 ~ 8 pm
Holy Rosary Cathedral
Dunsmuir & Richards St, Vancouver BC

Tickets $35/Students & Seniors $25
Available at the door or at the Cathedral office (646 Richards)
info 604.682.6774

Holy Rosary Cathedral presents Thierry Escaich - one of France's leading organists, composers, and improvisers, and winner of the French "Composer of the Year" award - in concert with the 2889 pipes of the Cathedral organ. Escaich considers performance, composition, and improvisation as bound together, and each will be on prominent display during his recital on Friday, April 17 (8 pm). Audience members will see the performance on a giant screen at the front of the church, as well as hear it.

Organist at St-Etienne-du-Mont in Paris since 1997 (where he succeeded Maurice Duruflˆ©), Thierry Escaich is one of France's most distinguished organists, composers, and improvisers. Since 1990, when he ended his studies at the Paris Conservatoire having received eight first prizes, his first works have been rewarded with the Franco-American Florence Blumenthal Foundation prize, awarded unanimously by a jury made up of such figures as Elliott Carter, Henri Dutilleux and Maurice Ohana. More prizes have followed - awarded by the French Institute and SACEM (including the Grand Prix de la musique symphonique in 2004) after he was awarded the Grand Prix des Lycˆ©ens in 2002 en route to receiving the 2003 Victoires de la Musique Composer of the Year award.

Escaich's program begins with G. F. Handel's Concerto op.4 no. 5 in F major, followed by an Improvised Baroque Suite on a given theme and continues with J. S. Bach's Chorale Prelude "Nun komm' der Heiden Heiland"  BWV 659 , Escaich's own Evocation III (2006) (Paraphrase on the choral "Nun komm' der Heiden Heiland"), F. Mendelssohn-Bartholdy's "Andante, Recit" and "Allegro assai vivace" from Sonata op. 65 no. 4 in F major), and an Improvised Prelude and Fugue (in the Romantic style) on a given theme. The second half features Cinq Versets sur Victimae Paschali by Escaich, Jean Alain's Variations sur un thˆ®me de Clˆ©ment Jannequin, "Litanies" and ends with an Improvised Prelude, Theme et Variations on a given theme.

"‰Ý an improviser of genius ‰Ý Escaich is solidity itself, rhythmically rich, at times evoking J. Alain or Bartok."
Diapason

"‰Ý improvisations overflowing with imagination and pages of Bach mastery inspiring jubilation."

Le Monde de la Musique

"Escaich ... has produced a large body of musical compositions in all genres, and I have been particularly impressed by ... his orchestral music."
"... one of the world's finest improvisers, crafting immense and compelling works ... with no preparation ... he is one of the most impressive."
Fanfare, May/June 2009

This recital is possible due to the generous assistance of the French General Consulate in Vancouver, co-producers of the event.

Gilles Proulx , Martine St-Clair et Daniel Turp, porte-parole du 15e Radio-Don de Radio Ville-Marie

Montrˆ©al, 3 mars 2010 - L'animateur radio Gilles Proulx, la chanteuse Martine St-Clair et l'homme politique Daniel Turp prˆ©sideront le 15e Radio-Don de Radio Ville Marie qui se dˆ©roulera les 30 avril, 1er et 2 mai prochain.
¬´ RVM, 15 ans de rendez vous ¬ª
Pour son 15e anniversaire, Radio Ville Marie (CIRA-FM) organise un radio-don placˆ© sous le signe de la gˆ©nˆ©rositˆ© et du partage : 50 heures d'ˆ©missions, 200 invitˆ©s spˆ©ciaux et plus de 100 bˆ©nˆ©voles qui se relayeront pour recueillir la gˆ©nˆ©rositˆ© des auditeurs. Pour cˆ©lˆ©brer cet anniversaire trˆ®s spˆ©cial, la station a dˆ©cidˆ© de remettre un prix hommage ˆÝ un grand artiste en reconnaissance pour sa contribution ˆÝ la culture quˆ©bˆ©coise, son nom sera dˆ©voilˆ© en fin d'ˆ©vˆ©nement, le 1er mai. ¬´ RVM joue un rˆ¥le primordial sur le plan culturel. Nous tenons ˆÝ souligner des gens de chez nous qui nous font dˆ©couvrir d'une maniˆ®re exceptionnelle la beautˆ© et la richesse de notre patrimoine culturel. ¬ª prˆ©cise Jean-Guy Roy, le directeur gˆ©nˆ©ral.

Chaque annˆ©e ce grand moment de fˆ�te permet ˆÝ la station radiophonique, propriˆ©tˆ© d'une sociˆ©tˆ© ˆÝ but non lucratif, d'assurer une part importante de son dˆ©veloppement. Cette annˆ©e, sous le thˆ®me : ¬´ Pour vous. depuis 15 ans ¬ª, l'objectif est de recueillir 140 000 $.

Radio Ville Marie a rˆ©ussi ˆÝ s'imposer en tant que media spˆ©cialisˆ© et ouvert sur le monde. Avec 150 ˆ©missions par semaine, une programmation ˆÝ contenu diversifiˆ© et une large couverture de la province, le rˆ©seau rassemble aujourd'hui 506 000 auditeurs d'aprˆ®s un sondage Lˆ©ger Marketing 2010. Radio Ville-Marie dispose de 6 frˆ©quences : Montrˆ©al (91.3 FM), Sherbrooke (100.3 FM), Trois-Riviˆ®res (89.9 FM), Rimouski (104.1 FM), Victoriaville (89.3 FM) et Gatineau (1350 AM) et d'une diffusion ˆÝ travers le monde via son site internet : www.radiovm.com.

AFM Canada Heads East in support of The East Coast Music Awards and Conference / La FAM Canada participe ˆÝ la Confˆ©rence des Prix de la musique de la cˆ¥te Est au cap Breton en Nouvelle-ˆâcosse

Toronto, ON  March 4, 2010 ’Äì  AFM Canada, the Canadian representatives of the American Federation of Musicians congratulates the many talented AFM members nominated for this year’Äôs East Coast Music Awards.   From rising stars, like Halifax singer-songwriter Joel Plaskett, who has earned a remarkable eight nominations; to Sons of Maxwell’Äôs David Carroll whose notorious United Breaks Guitar anthem made international headlines, AFM members are proudly represented throughout the Atlantic Provinces.  

’ÄúThe East Coast Music Awards and Conference are integral to the fabric of Canada’Äôs entertainment industry,’Äù says’Äôs Bill Skolnik, the AFM Vice President from Canada.  ’ÄúWe fully support their commitment to helping members of Atlantic Canada’Äôs vibrant musical community continue to excel and take their rightful spot on the world stage.’Äù

AFM Canada is also once again, delighted to represent their membership by hosting a panel presentation on this leading professional union’Äôs benefits and member services.  Bill Skolnik, Vice President from Canada; Alan Willaert, International Representative; Humbert Martins, Musicians Pension Fund Representative; and Liana White, Director Administration and Services will be on hand to answer your questions on how AFM Canada can work for you.  Please join them on Saturday March 6th 4:30 to 5:30 at the Membertou Trades and Convention Centre, Kluskap Room D.

Liana White will also be a featured guest speaker in the Exporting Internationally ’Äì The Things You Don’Äôt Know! panel which takes place on Saturday, March 6th from 3:30-4:30 pm in the Membertou Trade & Convention Centre - Muin Room.  The discussion, which focuses on best practices when considering or conducting business in the US and European markets, will call upon Ms. White’Äôs expert advice and insights on obtaining US and Canadian work visas. 

Delegates are also invited to visit the AFM Conference booth located in the lobby of the Delta Sydney.  AFM Canada executives and staff will be available from 11am to 6pm from March 4th through 7th.  For more information about Canadian member benefits please visit www.afm.org.

2009 East Coast Music Award Winner and AFM member, Gordie Sampson is the featured artist in the March edition of AFM’Äôs International Musician (IM) Magazine.  In this cover story Gordie talks about his Grammy Award Winning song, Jesus, Take the Wheel, and his ’Äúenthusiastic support of AFM causes’Äù.   The AFM’Äôs IM Magazine is widely available throughout the ECMA Conference site and is circulated to over 90,000 members and additional subscribers across North America.

AFM Canada maintains an illustrious membership that includes Canada’Äôs best and brightest professional musicians.  They are represented collectively in Eastern Canada by four of AFM Canada’Äôs 27 local affiliates.

AFM Canada is a complementary yet independent office of the American Federation of Musicians, United States and Canada and is uniquely positioned to address Canadian issues for its Canadian membership.  It is the leading professional organization of its kind available to Canadian musicians and represents over 17,000 professional musicians in Canada. In June 2009, AFM Canada celebrated its 30th Anniversary. For more information please visit our website, www.afm.org.
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MEDIA CONTACT:   Victoria Lord, Office: 416-484-9047 / victoria@vlpr.com
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La FAM Canada participe ˆÝ la Confˆ©rence des Prix de la musique de la
cˆ¥te Est au cap Breton en Nouvelle-ˆâcosse

POUR DIFFUSION IMMˆâDIATE Toronto, ON 4 mars 2010 ’Äì  La FAM Canada, le volet canadien de l’ÄôAmerican Federation of Musicians, fˆ©licite les nombreux membres talentueux de la FAM mis en nomination cette annˆ©e dans le cadre des Prix de la musique de la cˆ¥te Est. D’Äôˆ©toiles montantes tel l’Äôauteur-compositeur de Halifax Joel Plaskett, avec ses huit nominations remarquables, ˆÝ David Carroll de Sons of Maxwell, dont la cˆ©lˆ®bre chanson ¬´ United Breaks Guitar ¬ª a dˆ©frayˆ© la chronique internationale, les membres de la FAM sont fiˆ®rement reprˆ©sentˆ©s dans les provinces de l’ÄôAtlantique.

D’Äôaprˆ®s Bill Skolnik, le vice-prˆ©sident canadien de la FAM, ¬´ La Confˆ©rence des Prix de la musique de la cˆ¥te Est fait partie intˆ©grale du tissu de l’Äôindustrie du spectacle du Canada. Nous supportons totalement son engagement visant ˆÝ promouvoir l’Äôexcellence continue de la vibrante communautˆ© musicale des provinces de l’ÄôAtlantique, afin que ces artistes prennent la place qui leur revient sur la scˆ®ne internationale. ¬ª

La FAM Canada est ˆ©galement enchantˆ©e de reprˆ©senter ses membres en animant un panel sur les avantages et services offerts aux membres de cette importante fˆ©dˆ©ration professionnelle. Bill Skolnik, vice-prˆ©sident canadien; Alan Willaert, reprˆ©sentant international; Humbert Martins, reprˆ©sentant de la caisse de retraite des musiciens; et Liana White, directrice des services administratifs, seront sur place pour rˆ©pondre ˆÝ vos questions concernant les services offerts par la FAM Canada ˆÝ ses membres. Vous ˆ�tes cordialement invitˆ©s ˆÝ vous joindre ˆÝ eux le samedi 6 mars de 16 h 30 ˆÝ 17 h 30 dans la Kluskap salle D, Membertou Trades & Convention Centre. 

Liana White sera de plus confˆ©renciˆ®re pour le panel Exportations internationales ’Äì ce que vous ne savez pas! Prˆ©sentˆ© le samedi 6 mars de 15 h 30 ˆÝ 16 h 30 dans la salle Muin du Membertou Trade & Convention Centre. La discussion portera sur les meilleures pratiques visant les affaires menˆ©es sur les marchˆ©s amˆ©ricains et europˆ©ens, et madame White fera ˆ©tat de son expertise dans l’Äôobtention des permis de travail canadiens et amˆ©ricains.

Les dˆ©lˆ©guˆ©s sont de plus invitˆ©s ˆÝ visiter le kiosque de la FAM dans le lobby du Delta Sydney. L’Äôadministration et le personnel de la FAM Canada seront disponibles de 11 h ˆÝ 18 h du 4 au 7 mars. Pour plus de renseignements sur les avantages aux membres canadiens, visiter www.afm.org.

Le gagnant des Prix de la musique de la cˆ¥te Est 2009, Gordie Sampson, est l’Äôartiste vedette dans le numˆ©ro de mars du magazine International Musician (IM) de l’ÄôAFM. Dans l’Äôarticle principal, Gordie parle de sa chanson couronnˆ©e aux Grammy Awards, ¬´ Jesus, Take the Wheel ¬ª, et de son ¬´ soutien enthousiaste pour les causes de la FAM ¬ª. Le magazine IM de l’ÄôAFM, largement distribuˆ© sur le site de la Confˆ©rence ECMA, est ˆ©galement circulˆ© ˆÝ plus de 90 000 membres et autres abonnˆ©s partout en Amˆ©rique du Nord.

La FAM Canada compte des membres illustres parmi les meilleurs et les plus cˆ©lˆ®bres musiciens professionnels du Canada. Ils sont reprˆ©sentˆ©s collectivement dans l’Äôest du Canada par quatre des vingt-sept bureaux affiliˆ©s de la FAM Canada. 

La FAM Canada est un bureau complˆ©mentaire bien qu’Äôindˆ©pendant de l’ÄôAmerican Federation of Musicians, United States and Canada, et occupe une position unique pour traiter des questions canadiennes concernant ses membres canadiens. La FAM Canada est le plus important organisme professionnel du genre ˆÝ la disposition des musiciens canadiens et reprˆ©sente plus de 17 000 musiciens professionnels au Canada. En juin 2009, la FAM Canada cˆ©lˆ©brait son 30e anniversaire. Pour plus de renseignements, visitez notre site Web au www.afm.org.

Harbourfront Centre’Äôs World Stage, in Partnership with The Theatre Centre’Äôs FREE FALL ’Äô10 festival, to Host Calgary’Äôs Theatre Junction First Performance in Eastern Canada

ORONTO, ON (March 4, 2010) ’Äì Harbourfront Centre’Äôs World Stage 2009-10, in partnership with The Theatre Centre’Äôs FREE FALL ’Äô10 festival, ventures to the wild side of the Canadian West with On the Side of the Road from Calgary’Äôs Theatre Junction. Inspired by the cultural crossroads of the Franco-Albertan town Lac la Biche, On the Side of the Road visits the Fleck Dance Theatre for an exclusive four-night engagement March 24 through March 27, 2010. Full FREE FALL ’Äô10 festival schedule and details can be found at the bottom of this release.

On the Side of the Road’Äôs creator and director, Mark Lawes, is also the founder and artistic director of Calgary’Äôs Theatre Junction. This engagement marks the first time Theatre Junction will perform in Eastern Canada.

’ÄúIt’Äôs a great honour and privilege for our work to be presented at Harbourfront Centre in the context of World Stage and The Theatre Centre's FREE FALL ’Äô10 festival in Toronto,’Äù said Lawes. ’ÄúWe're still very much in a process of forging and shaping our creative practice and identity, a continual process of re-invention, which, I believe, somehow mirrors the attempt to define the identity of the Western Canadian landscape.’Äù

On the Side of the Road is the second chapter in a trilogy on death, desire and the Canadian West. In an unbridled pop-hybrid, this multidisciplinary event opens a door on a playful and moving new aesthetic, drawing the human fresco with a living and unique sensitivity.


New for World Stage 2009-10: Extras. Visit harbourfrontcentre.com/worldstage to learn about Harbourfront Centre’Äôs commitment to developing artists and audiences through World Stage initiatives and programmes, such as special events, artist talks and more.

On the Side of the Road
World Stage in partnership with Theatre
Centre’Äôs Free Fall ’Äô10 Festival
Theatre Junction (Calgary)
March 24 ’Äì 27, 8:30 p.m. (Running time: 80 min.)
Fleck Dance Theatre, 207 Queens Quay West, 3rd Floor Queens Quay Terminal
Tickets: $30
Box Office: 416-973-4000 or harbourfrontcentre.com/worldstage0910/

Complete information about performance times, single tickets, packages and the Performance Card ($15 tickets for arts workers and students, Tues. ’Äì Thurs. performances only) is available through the Harbourfront Centre box office by phone at 416-973-4000, or harbourfrontcentre.com/worldstage.

Also part of World Stage and FREE FALL ’Äô10 is The Culture Congress, March 24 ’Äì 28, at various venues. The Culture Congress brings together practitioners from local, national and international arts communities for an exchange of practical skills, information sharing and ideas. This event is free and open to the public. For information and a detailed schedule contact culturecongress@harbourfrontcentre.com

Harbourfront Centre’Äôs World Stage 2009-10 gratefully acknowledges the support of Department of Canadian Heritage, Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council and the Westin Harbour Castle, the official hotel of World Stage.


FREE FALL ’Äò10 Performance Schedule

Harbourfront Centre’Äôs World Stage and The Theatre Centre FREE FALL ’Äô10

Individual tickets and FREE FALL ’Äô10 festival passes for $60 are available at Harbourfront Centre box office by phone 416-973-4000 or through harbourfrontcentre.com/worldstage

For more information about FREE FALL ’Äô10 please visit theatrecentre.org

Six Images in Search of an Artist: Remix
Tanya Mars
Mar. 18 ’Äì 19, 3 p.m. ’Äì 10 p.m. (Running time: 7 hours ’Äì audiences can attend at any time during the performance)
Venue: The Theatre Centre, 1087 Queen St. West
Considered one of Canada’Äôs most innovative multidisciplinary artists as well as a performance art legend, Mars’Äô new work explores and exploits the senses. This new work marks Mars’Äô first Canadian performance since winning a 2008 Governor General’Äôs Award in Visual and Media Arts.
Tickets: $10

The Bob and Becky Cabaret
Bob Wiseman and Becky Johnson
Mar. 20, 9 p.m. (Running time: 120 min.)
Venue: The Theatre Centre, 1087 Queen St. West
Juno Award-winning composer Wiseman co-curates for the first time with award-winning clown, comedian, playwright and performance artist Johnson, blending their unique sensibilities, various mediums and personal style to create one unforgettable cabaret.
Tickets: $10

Wit in Love
DNA Theatre
Mar. 20 ’Äì 22, 24 ’Äì 28, 6:45 p.m. (Running time: 60 min.)
Venue: DNA Theatre, 133 Bathurst Street
Wit is none other than Ludwig Wittgenstein, arguably the greatest and most influential philosopher of the last century. And who is he in love with? Well, among others, his brilliant pianist brother. Created and performed by Hillar Liitoja based on a text by Sky Gilbert.
Tickets: $20 or Free for festival pass holders (advance booking necessary)

I’Äôm So Close’Ķ
Why Not Theatre
Mar. 23, 8 p.m.; Mar. 24, 8:30 p.m.; Mar. 26, 7 p.m.; Mar. 27, 9 p.m.; Mar. 28, 2 p.m. (Running time: 90 min.)
Venue: The Theatre Centre, 1087 Queen St. West
Winner of the Spotlight Award at the 2008 SummerWorks Festival in Toronto and named by NOW Magazine as an Outstanding Ensemble in its ’Äòbest of the fest’Äô list, Why Not Theatre perform their newly devised, physical, tragic comedy I’Äôm So Close’Ķ a heartbreaking love song droned out by the hum of the technological landscape that is bringing us together and pushing us apart.
Tickets: $20 (Mar. 28, 2 p.m. PWYC).

On the Side of the Road
Theatre Junction
Mar. 24 ’Äì 27, 8:30 p.m.
(Full information above)

KISMET one to one hundred
The Chop Theatre in association with Rumble Productions
Mar. 25, 8:30 p.m.; Mar. 26, 9 p.m.; Mar. 27, 7 p.m.; Mar. 28, 4 p.m. (Running time: 75 min.)
Venue: The Theatre Centre, 1087 Queen St. West
One hundred Canadians, ages one through one hundred reveal personal stories about the role that fate and destiny play in their lives. Vancouver-based, award-winning innovators, The Chop Theatre presents a surprising and intimate work based on 100 interviews about kismet.
Tickets: $20

Old Men Dancing: Wiser and Still Gorgeous (Do Not Resuscitate)
Bill James /Atlas Moves Watching
Mar. 26 ’Äì 27, 6:30 p.m. (Running time: 110 min.)
Venue: Enwave Theatre, Harbourfront Centre, 231 Queens Quay West
Renowned choreographer Bill James brings together 16 men aged 50-75 without formal dance training who share an interest in creating movement-based performance. Featured in the program is Weathering, a piece that was created by Bill James specifically for the group, taking inspiration from weather forces that surround us at the same time as we interpret the climate of our bodies and the mutability of our lives. Also in the program are commissioned works by choreographers Marie-Josee Chartier, D.A. Hoskins and Allen Kaeja.
Tickets: $15

Master Pianists to Astound April Audiences

Giants of piano performance loom large over the first April events at The Royal Conservatory’Äôs TELUS Centre for Performance and Learning. One formidable performer will debut a new work to Canadian audiences, while another will present a lecture on a Romantic classic. Also in April, a world music luminary brings his soulful voice to the stage, while students of The Royal Conservatory use contemporary composers to explore music’Äôs ethical dimensions.


April concerts kick off with Grammy Award-winning pianist Yefim Bronfman, who comes to The Royal Conservatory on April 1. Currently in the midst of an extensive international tour, his Koerner Hall performance is his only Canadian recital date of the season. Renowned for his powerful and commanding technique, ConcertoNet exclaimed: ’Äúno matter what he plays, one feels that his fingers want to roar, to pound, to tear the piano to bits with the Promethean strength which he possesses.’Äù The program includes the Canadian debut of Jˆ�rg Widmann’Äôs XI Humoresken, which Bronfman premiered at Carnegie Hall in May of 2008, as well as Tchaikovsky’Äôs rarely performed ’ÄúGrand’Äù Sonata in G Major. In a recent interview with The Baltimore Sun, Bronfman described the majestic, almost operatic work as a ’Äúneglected masterpiece.’Äù


On April 2, legendary pianist Anton Kuerti returns to Mazzoleni Hall to continue his lecture series dedicated to the essential works of the piano concerto repertoire. This talk, the third in a three-part series, is dedicated to Robert Schumann’Äôs Piano Concerto in A Minor. Schumann’Äôs only completed piano concerto, this piece is one of the most beloved works in the Romantic piano repertoire. This lecture provides the unique opportunity to hear one of Canada's most prominent musical ambassadors bring his extensive stylistic and musical knowledge to this work.


Senegalese singing superstar Baaba Maal brings his singular Afropop to Koerner Hall on April 9. Presented in partnership with Batuki Music, this Toronto performance is the only Canadian date on his North American tour in support of Television, his first album since the 2001 Grammy-nominated Missing You. This new, multilingual disc blends the traditions of West African music with subtle electronic elements. Maal co-produced the recording with Barry Reynolds, who has worked with everyone from Antony & The Johnsons to Grace Jones. The Independent described the result as ’Äúelegant, pan-cultural pop.’Äù Baaba Maal is deeply committed to the concerns of families, young people, and the future of Africa, as is reflected in his role as Youth Emissary for the United Nations Development Program, and his participation in the Nelson Mandela 46664 Concert in Cape Town, and at the Live Earth Concert in Johannesburg. ’ÄúIt strengthens my determination to work harder to contribute more to improving the living conditions of disadvantaged people of the African continent, especially young people,’Äù says Maal. ’ÄúThis is why I really wanted to make music, so people can listen more to the’Ķmessages I am talking about.’Äù

Is there such a thing as socially responsible music? On April 10, the Conservatory faculty member Brian Current, along with The Glenn Gould School New Music Ensemble and guest violinist Livia Sohn, comes to Mazzoleni Hall in an attempt to answer this intriguing question. During the presentation, entitled Songs of Love and Sorrow ’Äì Rediscovering the Social Ethics of Music, they will perform works by a host of contemporary composers, including Canadians Claude Vivier and John Rea, along with Jonathan Berger and Luciano Berio. The performance is presented in partnership with the Centre for Ethics, the Institute for Christian Studies, the Jackman Humanities Institute, and Stanford University.

Also on April 10, The Royal Conservatory presents the latest edition of the ultimate songwriters circle when Bluebird North returns to the Conservatory Theatre. During this informal evening, co-presented by the Songwriters Association of Canada, celebrated Canadian musicians will perform their songs and share the ’Äòback story’Äô and inspiration about how each was written. Caribbean-inspired Nine Mile lead singer D’ÄôAri will be on the bill, along with the sweetly intimate folk-pop duo Dala, with more performers to be announced. Joining them is host Blair Packham, who first gained notoriety in the 1980s as a singer-songwriter fronting The Jitters ("Last of the Red Hot Fools" and "Til the Fever Breaks’Äù). Bluebird North is based on and endorsed by Nashville's famed The Bluebird Cafe, which opened in 1982. The venue is well known for helping launch the careers of Garth Brooks, Ashley Cleveland, and Pam Tillis.

Canadian piano master Louis Lortie makes his Koerner Hall debut on April 11. The Montreal-born musician, critically acclaimed for his interpretations of Chopin, will present an all-Chopin celebration to honour the composer’Äôs 200th birthday. The program will include one of the composer’Äôs most beloved and glowing pieces, the Barcarolle in F-sharp Major, the imaginative Berceuse in D-flat Major, and a selection of Nocturnes and Ballades. ’ÄúMr. Lortie, with his splendid technique and thoughtful soul" (The New York Times) is "one of a half-dozen pianists worth dropping everything to hear." (London Daily Telegraph) "Better Chopin playing than this is not to be heard, not anywhere." (Financial Times, London)

The Royal Conservatory acknowledges all of its sponsors and donors and recognizes the remarkable generosity of: TELUS ’Äì Official Season Sponsor of the 2009-10 Koerner Hall Concert Season

The Globe and Mail ’Äì Season Media Sponsor

CBC Radio 2 ’Äì Performance Sponsor (Yefim Bronfman, Louis Lortie)

Invesco Trimark ’Äì Performance Sponsor (Louis Lortie)


CONCERTS AND EVENTS AT THE ROYAL CONSERVATORY ’Äì APRIL 1-15, 2010

KH ’Äì Koerner Hall; MH ’Äì Mazzoleni Hall; CT ’Äì Conservatory Theatre


Yefim Bronfman: Thursday, April 1, 2010 at 8pm; $20-$65 (KH)

Kuerti Lecture ’Äì Schumann Piano Concerto in A Minor: Friday, April 2, 2010 at 2pm; $10 (MH)

Baaba Maal: Tuesday, April 6, 2010 at 8pm; $25-$50 (KH)

Songs of Love and Sorrow’ÄìRediscovering the Social Ethics of Music: Saturday, April 10, 2010 at 7pm; $10 (MH)

Blue Bird North ’Äì Where Songwriters Sing and Tell: Saturday, April 10, 2010 at 8pm;

$20; $15 for Songwriters Association of Canada Members (CT)

Louis Lortie: Sunday, April 11, 2010 at 3pm; $20-$75 (KH)


Tickets are available online at http://www.rcmusic.ca/, by calling 416.408.0208,

or in person at the Weston Family Box Office, 273 Bloor Street West, Toronto


More information about upcoming concerts and events is available The Royal Conservatory website at http://www.rcmusic.ca/.

Mozart’Äôs Masterpiece to be Performed for the First Time in Barrie

Robert Cooper Joins King Edward Choir for One Night Only



Barrie, ON’Äî Great Mass in C Minor is considered one of Mozart’Äôs greatest works, and has never been performed in Barrie. While there are 14 different published versions, Barrie’Äôs King Edward Choir will perform the 1959 version considered to be an original. This hour long piece is rarely performed by choirs as it is a very challenging piece which takes longer to learn.

This performance will feature the King Edward Choir with Robert Cooper, one of Canada’Äôs leading choral conductors, as well as a 21 piece orchestra led by concert master David McFadden of the Huronia and Toronto Symphonies. The concert will also feature talented soloists Virginia Hatfield, Laura Albino, Bud Roach, and Giles Tomkins.

’ÄúThis is a rare opportunity to hear two masterpieces as conducted by special guest Robert Cooper and sung by our talented choir with guests soloists,’Äù says Barbara McCann, Choir Director.

The performance of Great Mass in C Minor and Poulenc’Äôs ’ÄúGorgeous’Äù Gloria will take place Saturday, April 10 at 7:30 p.m. at Collier Street United Church in Barrie. Additionally, concert sponsor Holiday Inn Barrie is offering a special overnight rate to those that are attending the concert; reservations can be made by contacting the hotel.

King Edward Choir’Äôs concert series will end with a special Spring Sing performance on Saturday, May 8, 2010, which will feature familiar choral favourites.


Individual concert tickets are $20 in advance, or $22 at the door. Tickets can be purchased by phone at 705-734-0116, or by visiting the following local businesses: MacLaren Art Centre, 37 Mulcaster St; Music Pro, 56 Barrie View Drive, Unit #2; Page & Turners, 123 Dunlop St. East.

Find more information at http://www.kingedwardchoir.org/ or on the Facebook fan page.


About King Edward Choir

King Edward Choir has a long and proud history in Barrie. Since its inception 56 years ago, as a Home and School Choir for parents and teachers of King Edward School in Allandale, the choir has gained the reputation as one of the finest choral groups north of Toronto.

Warner Music Canada Artists Claim 17 Nominations At The 2010 Juno Awards

At a press conference held today in Toronto, Warner Music Canada and its affiliated labels earned a total of 17 nominations for the 2010 JUNO Awards. The JUNO Awards will be handed out on Sunday, April 18, 2010 on a nationally televised show to be broadcast on CTV from St. Johns, NFLD.


Michael Bublˆ© - Album of the Year (Crazy Love), Artist of the Year, Pop Album of the Year (Crazy Love), Songwriter of the Year (’ÄúHaven’Äôt Met You Yet,’Äù ’ÄúHold On’Äù): Single of the Year (’ÄúHaven’Äôt Met You Yet’Äù); Juno Fan Choice Award

Leading the pack of all nominees is Michael Bublˆ© with six nominations. His latest album, Crazy Love has become a world-wide phenomenon selling over 4.5 million copies since its release in mid-October. The single, ’ÄúHaven’Äôt Met You Yet’Äù topped Canada’Äôs AC radio charts for a staggering 20-plus weeks. His many TV appearances have lit up sets around the world and his performance of ’ÄúCry Me A River’Äù in front of the Sydney Opera House during the final episode of Australian Idol literally lit up Sydney Harbor with an extraordinary fireworks display. Already a six-time Juno winner, Michael Bublˆ© will perform live on the Juno Awards in St. Johns and then will head out on a cross-Canada tour this summer.


Producer’Äôs Bob Rock and David Foster each have received Juno Award nominations for the Jack Richardson Producer of the Year for their work on Michael’Äôs Crazy Love album.

Billy Talent ’Äì Group of the Year; Album of the Year (Billy Talent III); Rock Album of the Year (Billy Talent III); Single of the Year ("Rusted From the Rain")

Billy Talent have spent the past eight months dominating concert stages around the world, headlining tours throughout the U.S. and Europe, performing everywhere from Chicago, L.A. and New York City to London, Paris, Milan and on to Moscow. All of this has been in support of the platinum-plus album Billy Talent III. Produced by Brendan O’ÄôBrien (Stone Temple Pilots, Red Hot Chili Peppers, Soundgarden), Billy Talent III spawned the chart topping single ’ÄúRusted From The Rain’Äù as well as the scorching singles ’ÄúDevil On My Shoulder’Äù and ’ÄúSaint Veronika.’Äù Since 2004, Billy Talent have won 5 Juno Awards including Best New Artist (2004) and Group of the Year in both 2005 and 2007. Billy Talent will perform on the 2010 Juno Awards telecast live from St. Johns, NFLD.

Blue Rodeo ’Äì Group of the Year

With the release of their ambitious double album The Things We Left Behind, Blue Rodeo have received some of the best reviews of their career with critics and fans all agreeing that the band has hit yet another creative zenith. Blue Rodeo have received 27 Juno Award nominations over the course of their 25 year career and have been called to the podium to accept 10 trophies including an unprecedented 5 Group of the Year awards. The band is currently on the final leg of a three month long tour of Canada, playing to sold-out crowd’Äôs right across the country. Blue Rodeo will be performing on the 2010 Juno awards show telecast live from St. Johns, NFLD.


Darryl Neudorf has been nominated for Engineer of the Year for his work on the song ’ÄúAnd When You Wake Up’Äù from Blue Rodeo’Äôs album The Things We Left Behind.


Isabel Bayrakdarian ’Äì Classical Album of the Year ’Äì Vocal or Choral Performance (Gomidas Songs)

Born in Lebanon of proud Armenian heritage, Isabel Bayrakdarian now calls Toronto home. She burst onto the international opera scene after winning first prize in the 2000 Operalia competition founded by Plˆ°cido Domingo. Since then she has performed in many of the world's major opera houses and concert halls. On her latest album, Gomidas Songs which examines the legacy of Gomidas Vardabet, the 19th-century composer who preserved, transcribed and interpreted the lullabies, hymns, folk dances and ancient songs of his Armenian homeland. This is Isabel’Äôs fifth Juno award nomination. She has won the Juno Award in this category the previous four times she was nominated


Tegan & Sara ’Äì Alternative Album of the Year (Sainthood)

Sainthood is the sixth full length album released by the Vancouver-based twins since their 1999 debut Under Feet Like Ours. Over the course of the past decade they have become one of the most celebrated and beloved forces in modern music. Sainthood was produced by Death Cab For Cutie’Äôs Chris Walla (who also produced the duo’Äôs 2007 critically acclaimed album The Con) and Howard Redakop (who produced their 2004 breakthrough, So Jealous). This is Tegan and Sara’Äôs third Juno Award nomination.


Finally, Warner Music Canada distributed Six Shooter recording artist Amelia Curran has received a Juno nomination for Roots & Traditional Album of the Year: Solo for her album Hunter, Hunter.

National Arts Centre Principal Bassist Joel Quarrington nominated for 2010 JUNO Award

Ottawa (Canada) ’Äì Joel Quarrington, Principal Double Bassist for the National Arts Centre Orchestra, was nominated today for a 2010 JUNO Award in the category of Classical Album of the Year: Solo or Chamber Ensemble, for his debut CD, Garden Scene.




Winners will be declared at the JUNO Gala Dinner & Awards on Saturday, April 17 to be held at the St. John’Äôs Convention Centre, as well as at the 2010 JUNO Awards broadcast on CTV on Sunday, April 18, at Mile One Centre in St. John’Äôs, Newfoundland and Labrador.



’ÄúJoel’Äôs colleagues at the National Arts Centre were thrilled and proud to hear about this wonderful honour for Joel,’Äù said Christopher Deacon, the Managing Director of the NAC Orchestra. ’ÄúOn behalf of all the staff and Board of Trustees at the NAC, I congratulate him and wish him luck next month.’Äù



Other nominees in the Classical Album of the Year category include Ottawa’Äôs Caroline Lˆ©onardelli, Angˆ®le Dubeau & La PietˆÝ, I Musici de Montrˆ©al and James Ehnes.



Reviewing Joel Quarrington’Äôs debut recital for the International Society of Bassists’Äô Oklahoma City convention in June of 2007, England’Äôs Double Bassist magazine declared, ’Äúhis performance was mesmerizing - his trademark bel canto playing style brought an otherworldly quality to Bottesini’Äôs Elegy in D’Ķimpeccable articulation, a rich tonal palette, absolute control and crystalline clarity.’Äù Reviews such as this have solidified his reputation as one of the world’Äôs leading double bassists.



Born in Toronto, Joel Quarrington began playing the double bass at the age of 11 and was trained in Toronto, Rome, Vienna and Prague. He received the Eaton Award from the University of Toronto as the outstanding graduating performer, and top awards in the Canadian Broadcasting Music Competition, the Isle of Man and the Geneva International Competitions.



For over 30 years, Joel Quarrington has served as the Principal Double Bassist of many ensembles, including the Canadian Opera Company, the Toronto Symphony Orchestra and the National Arts Centre Orchestra in Ottawa. He is also an avid chamber musician and has performed with many internationally acclaimed string quartets, including the Orford, Vermeer, Cleveland, Colorado, St. Lawrence, Allegri, Artis, Leipzig and Tokyo Quartets.



For more information, please visit junoawards.ca.

Atlanta Symphony Orchestra 2010/11 Season Announced

Music Director Robert Spano
And Principal guest Conductor Donald Runnicles

Announce 2010’Äì11 Season of the Atlanta Symphony Orchestra



2010’Äì11 season marks 10-year artistic partnership of Mr. Spano and Mr. Runnicles leading the orchestra

Orchestra to premiere new works by Alvin Singleton and James Oliverio

Mr. Spano to lead orchestra and chorus in Janˆ°Ÿçek’Äôs Glagolitic Mass at Carnegie hall
Mr. Spano to conduct Aso theatre of a concert presentationof Puccini’Äôs Madama Butterfly

Mr. Runnicles to conduct Mozart's Piano Concerto No. 20 with Mr. Spano as sololist

Mr. Runnicles to lead orchestra and chorus in Beethoven’Äôs Missa Solemnis

Newly appointed concoertmaster David Coucheron to make solo debut

Performing Mozart's Violin Concerto No. 5, ’ÄúTurkish’Äù

Work to be featured by Atlanta School Of Composers Osvaldo Golijov and Jennifer Higdon

2010 Summer orchestra season at Verizon Wireless Amphitheatre at Encore Parkto open Saturday, July 4,
2010, with 4th of July celebration



Music Director Robert Spano and Principal Guest Conductor Donald Runnicles today announced the 2010’Äì11 season of the Atlanta Symphony Orchestra ’Äî their tenth season as artistic partners, and the Orchestra’Äôs 66th season’Ķ

Complete 2010/11 Season Press Materials

Thursday, March 18, 2010

Prize-Winning Professional Violist, Music Teacher and Coach Establishes Virtual Music Academy for Professional Violists and Violinists

Austin, Texas’ĶMiriam Ross, a prize-winning professional violist, has established the Miriam Ross’Ñ¢ Academy, www.miriamrossacademy.com, a virtual music academy and the first of its kind. Using web cams, Ross offers virtual music coaching services to professional violists and violinists to help them improve their techniques, practice more effectively, prepare for auditions, overcome stage fright, gain confidence, rediscover the joy of playing, and so on.

Ross conceived of her virtual music academy while teaching professional violists and violinists in her studio. She explains, ’ÄúI began to recognize that given today's technology, I could coach musicians without their having to come to my studio and without sacrificing any quality. Working together via web cams not only saves everyone time, but also it makes it easier for me to tailor my services to meet a musician's specific goals, needs, time constraints, and pace of learning. For example, my virtual academy makes it possible for me to work with a musician who may want to play a very short passage of music for me and get my feedback -- something that we might be able to accomplish in a very focused 15 minutes. Also, many musicians simply want to talk with me about a problem they are having related to their playing and get my advice, which can be done very effectively using web cams. For me, another big advantage of a virtual music academy is that I can coach professional violists and violinists who are located all over the world, not just in my immediate area.

Laszlo Baroczi, a professional violist who lives in Winnipeg, Canada and plays in the Winnipeg Symphony Orchestra, works with Ross via web cam. He is a fan of the process. ’Äú I think my lessons with Miriam are as good as if I were in the studio with her.  In fact, they may be better because I am able to warm up at home and be ready to play as soon as my lesson begins. I also really like the fact that I can schedule very short sessions with Miriam if I need them in between my regular classes. Plus, not having to travel to and from a studio for a music lesson is a real time saver.’Äù

Ross also offers coaching services via phone and e-mail. And, she helps professional musicians develop and implement effective practice plans, including the use of practice diaries. Musicians use the diaries to record various details about their playing during a practice session.

Ross is a solo violist with the Tonkˆºnstlerorchester Niederˆ�sterreich, an orchestra in Vienna, Austria, and a member of Kontrapunkte and Die Reihe, two music ensembles dedicated to New Music. Earlier in her career, she was a permanent member of the Berlin Philharmonic and a professor of music at the Musikhochschule Bremen in Germany.

Sing for the Earth!

A Canadian Choral Celebration
Honouring the 50th Anniversary of the Canadian Music Centre
Sunday March 28, 2010 at 7:00 p.m. at Our Lady of Perpetual Help Church, Toronto

For Immediate Release ’Äì Toronto, March 3, 2010: Toronto’Äôs Elmer Iseler Singers and conductor Lydia Adams welcome spring with a rousing Canadian choral celebration honouring the 50th Anniversary of the Canadian Music Centre. The concert - Sunday March 28th at 7:00 p.m. at Our Lady of Perpetual Help Church - includes three world premieres: Ruth Watson Henderson’Äôs Paths of a Luminous Earth (libretto by Carole H. Leckner, commissioned by Ontario Arts Council); Hussein Janmohamed’Äôs N‰´run’Äô alŸÅ N‰´r/Light Upon Light! (commissioned by Canada Council for the Arts) and Jason Jestadt’Äôs Carol for the Night. Canadian works by Lydia Adams, Timothy Corlis, R. Murray Schafer and Peter-A. Togni are also featured.

Throughout the evening, Lydia Adams (a CMC ambassador) and her singers explore the ideas of light, unity, the sun’Äôs relationship with our planet and the spiritual and natural worlds and, ultimately, our quest for peace and harmony on this planet. Each composer delves deep into various ’Äúearth’Äù topics and visions, taking the listeners on a great choral journey.

In Paths of a Luminous Earth, Toronto composer Ruth W. Henderson uses the beautiful poetic text by Toronto visionary poet, Carole H. Leckner, in a three movement choral setting: 1. Fragrance of Life  2. Freely Given 3. The Truth, the Light and the Way. ’Äú’Ķand in that moment when heav’Äôn and earth meet in body and soul, the love of oneness is greeted and embraced in wombs of gold and wings of gossamer. We are the way.’Äù

Vancouver composer Hussein Janmohamed explores ’ÄòSurah An-Nur’Äô (The verse of Light) from the Qur’Äôan. N‰´run’Äô alŸÅ N‰´r/Light Upon Light! is an exploration, a coming in and out of clarity, in and out of understanding and in and out of unison with multiplicity. It is all about trying new things, expanding one’Äôs being and thought into the realm of the divine.

Jason Jestadt, a young Toronto emerging composer, explores the Christmas story in the context of the frozen Canadian northern landscape in Carol for the Night. The piece as a whole (a verse/chorus structured) represents the beginning of Jason’Äôs continued fascination with both the spiritual and natural worlds and the point at which they meet. The incorporation of the Huron language "Iesous Ahatonnia’Äù parallels the unsettled relationship the natives had with the missionaries with the "unsettled" or tension filled existence the phrase has within the work as a whole.  By the end, the words "Iesous Ahatonnia" literally and symbolically "break out" of the confines of the strict formal structure of the piece to find, at last, peaceful rest.

SING FOR THE EARTH!
Sunday March 28, 2010 7:00 p.m. at Our Lady of Perpetual Help Church
78 Clifton Road (at St. Clair), Toronto
Tickets: $35 Reg. $30 Sen. $10. Students w/ valid student I.D.
Group Rates also Available.
For tickets please call: 416-217-0537   http://www.elmeriselersingers.com/

Monterey Jazz Festival Announces Finalists for Next Generation Festival, April 9 - 11, 2010 in Downtown Monterey

Monterey Jazz Festival's Next Generation Festival
Hosts Country's Top Young Jazz Musicians,
April 9 ’Äì 11, 2010 in Downtown Monterey¬Ý
Jazz Competition Celebrates 40 Years of Jazz Education by MJF
63 Big Bands, Combos, and Vocal Ensembles
From 13 States Compete For Spot on MJF Stages
47 Bands from 13 California¬ÝCounties Are Finalists
Special Appearances by Student Groups
from Alaska
, Montana, Illinois, Kansas, and Texas
4-Time Grammy Winner Dianne Reeves Acts as Artist-In-Residence
All Competition Events and Activities Open to the Public, Free of Charge

March 3, 2010; Monterey, CA; The Monterey Jazz Festival, a nonprofit leader in jazz education since its inception in 1958 and JazzTimes Readers’Äô Poll multi-year winner for world's Best Jazz Festival, is proud to announce the 6th Annual Next Generation Festival, April 9 - 11, 2010 in downtown Monterey. The weekend event, devoted to the future of jazz, includes the Next Generation Festival Jazz Competition with Big Bands, Combos, Vocal Ensembles, and individual musicians vying for a spot on the stages of the 53rd Annual Monterey Jazz Festival presented by Verizon.

A three-year grant from the Surdna Foundation supports the Next Generation Festival and the Next Generation Jazz Orchestra's international tours. The Surdna Foundation’Äôs Arts Program is national in scope and supports the artistic advancement of teens, ages 12 - 18.

Attracting musicians from some of the most prestigious educational programs in the United States, over 2000 students will participate in this year’Äôs Next Generation Festival, representing the largest gathering of young jazz talent on the Monterey Peninsula outside of the Monterey Jazz Festival itself.

In 2010, sixty-three groups from thirteen states, (including Alaska, Arizona, California, Florida, Idaho, Illinois, Kansas, Montana, Nevada, Ohio, Oregon, Texas, and the state of Washington) will participate in the Next Generation Festival, the largest selection of groups from the widest variety of states to come to Monterey in the forty-year history of the event -- more than double the amount of represented states from 2009.

All Next Generation Festival competition events -- from the Kick-Off Concert on Friday, April 9 (featuring internationally-renowned jazz artists who act as judges of the Next Generation Festival) -- to the exuberant and electric Big Band, Vocal Ensemble and Combo Competition on Saturday, April 10 and the College Big Band Vocal Jazz Ensemble competition on Sunday, April 11, will be open to the public, free of charge.

The Festival will also conduct clinics, workshops, jam sessions, and auditions in the heart of the historic Monterey, with music to be performed at the Monterey Conference Center, the host Portola Plaza Hotel, at Fisherman’Äôs Wharf, and Cannery Row. For a complete schedule of activities and competition times, visit www.montereyjazzfestival.org.

California, one of the strongholds of music education, has schools from thirteen counties represented in the festival ’Äì including Alameda, Contra Costa, Fresno, Los Angeles, Orange, Sacramento, San Diego, San Francisco, San Joaquin, San Luis Obispo, San Mateo, Santa Clara, and Yolo Counties.

In addition, the Next Generation Festival will present special guest groups from Alaska, Montana, Illinois, Kansas, and Texas throughout the weekend.

’ÄúI was very impressed with the numbers of applicants we had this year as it showed a nearly 30% increase in applications over the past year,’Äù said MJF Education Director, Dr. Rob Klevan. ’ÄúWe also had twenty states and two countries represented in the auditions and ended up with a total of 63 ensembles as finalists and ’Äúspecial guest’Äù groups representing 13 states. I think it shows how popular this event is becoming, and therefore, how much more competitive it is to be selected to participate. The ensembles selected for the 2010 Next Generation Festival are truly the best of the best and I know we are in for a special treat next April 9 - 11.’Äù

The Next Generation Festival will officially start with the annual Kick-Off Concert at 8 p.m. on Friday, April 9 at the Monterey Conference Center. The opening night's activities will feature the Festival's annual Salute to Jazz Education with performances by the internationally-renowned competition judges, including pianist Alan Pasqua, drummer Terri Lyne Carrington, saxophonists Billy Harper, Paul Contos, Mary Fettig, and Aaron Lington; trumpeter Ambrose Akinmusire; bassist Ray Drummond, and vocalists Matt Falker, Jennifer Barnes, and Michele Weir. Entry to the Salute to Jazz Education and Kick-Off Concert is open to the public, free of charge. Also featured during the evening concert will be the Monterey Jazz Festival Artist-In-Residence, 4-time Grammy winning vocalist, Dianne Reeves.

MJF's Next Generation Festival Jazz Competition starts at 9 a.m. on Saturday, April 10 in downtown Monterey's Conference Center, with high-energy big bands, combos, and vocal ensembles creating an atmosphere of anticipation and excitement.

Throughout the day, participants in the High School Big Band, Vocal, and Combo divisions will put on their best performances before the judges, who will determine the top groups and outstanding soloists. The top groups of the day in the High School Vocal, Combo, and Big Band divisions will be announced at 6:15 p.m. Saturday evening from the Conference Center's Serra Ballroom stage. At 8 p.m. Saturday night, the top vocal ensembles, combo, and Big Band finalists will take the stage in the Next Generation Festival's Showcase Concert -- a preview of the groups performing at MJF/53.

The Next Generation Festival will also host a variety of educational clinics on Saturday, April 9, including presentations by MJF Artist-In-Residence, Dianne Reeves.

The Next Generation Festival continues through Sunday, April 11 with the country's top middle school, college, conglomerate big bands and combos, and college vocal ensembles performing in the Conference Center's Serra Ballroom and Steinbeck Forum. The top college big band, college vocal ensemble, and conglomerate big band (to be announced during the day) will also earn a performance slot at MJF/52. New for 2010 will be the Open Combo Division, another expansion of performance opportunities at the Next Generation Festival.

Auditions will also be held throughout the Next Generation Festival weekend for the Jimmy Lyons Scholarship to Berklee College of Music, and for the Next Generation Jazz Orchestra, MJF’Äôs national all-star high school band.

The Next Generation Festival is continuing two new partnership elements introduced last year: an Instrument Showcase and College Fair. The Instrument Showcase will allow musicians an opportunity to play various instruments from participating partners. The College Fair will allow students an opportunity to visit with several colleges offering jazz and other music programs. Both activities will be offered throughout the Next Generation Festival weekend.

All Next Generation Festival competition activities from April 9 - 11 are open to the public, free of charge. More information on all Next Generation Festival activities and events is available on the MJF website, www.montereyjazzfestival.org and by phone at 831-373-3366.

Next Generation Festival partners and supporters include the Surdna Foundation and longtime MJF partner Yamaha, providing instruments for Next Generation Festival stages. Additional support for the Next Generation Festival comes from generous individuals and organizations such as AT&T Foundation, the D’ÄôAddario Music Foundation, the Joseph Drown Foundation, Evans Drumheads, Remo Drumheads, Zildjian Cymbals, Planet Waves Accessories, and Rico Reeds.

MJF's Jazz Education Programs are made possible through the financial support of foundations, corporate partners, and most importantly, through friends of the Monterey Jazz Festival. Gifts provide funds that help MJF attract the best and brightest students from coast to coast, regardless of financial status. Donations to MJF's Jazz Education Programs may be made on-site during the Next Generation Festival, April 9 - 11.

More information on all Next Generation Festival activities and events is available on the MJF website, www.montereyjazzfestival.org and by phone at 831-373-3366.
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Radio AFI - Slacker Artist Showcase

Slacker Artist Showcase Launches With Radio AFI Providing a Listening Experience Created and Hosted by the Band

SAN DIEGO ’Äì March 3, 2010 ’Äì AFI and Slacker, Inc. today launched Radio AFI, a radio station featuring songs from the long-running California quartet as well as artists that have inspired their unique sound along with commentary and introductions from AFI band members. Radio AFI is now available for free in the Slacker Spotlight on the web, on home entertainment devices and leading smartphones.

Radio AFI can be accessed in the Slacker Spotlight station category from any Slacker Radio application or direct on the web at http://www.Slacker.com/RadioAFI. To get the free Slacker mobile application, simply direct your mobile web browser to Slacker.com.

"Radio AFI is a truly eclectic mix of music including songs that inspire us and what we love to listen to," said Davey Havok, AFI lead vocalist. "Slacker is doing new and innovative things with music and we’Äôve enjoyed building this experience to provide our fans with a personal look into our world."

Radio AFI was programmed by AFI lead vocalist Davey Havok, drummer Adam Carson, bassist Hunter Burgan and guitarist Jade Puget. The station provides listeners with AFI hits and deep tracks combined with handpicked music that has influenced the band featuring artists ranging from Jimi Hendrix and Marvin Gaye to Nine Inch Nails and Bad Religion.

"Our Artist Showcase provides artists an opportunity to share their passion for music and connect with their audience in a unique and compelling way," said Scott Riggs, Director of Radio at Slacker. "By working directly with AFI, we are offering their fans the chance to discover rare insight into their favorite band in a personal radio experience unlike any other."

Whether listening on the web, webOS smartphones, BlackBerry smartphones, iPhone and iPod touch, Android-powered smartphones or a Slacker-enabled Sony TV or Blu-ray player, Radio AFI listeners have instant access to the group’Äôs favorite music along with artist profiles, album reviews and album cover art with unique commentary from AFI members.

About AFI

Formed in 1991 in Ukiah CA, AFI put in well over a decade of blood, sweat, recording and touring before their mainstream breakthrough with 2003’Äôs platinum Sing The Sorrow, which featured the VMA-winning "Girl’Äôs Not Grey." The subsequent DECEMBERUNDERGROUND elevated AFI even further, debuting at #1 in June 2006, going platinum in short order, and featuring the singles "Miss Murder" and "Love Like Winter" both of which the band performed on Saturday Night Live in January 2007. The band is currently on tour in support of its eighth full length studio album, Crash Love, which was released in September 2009.

For more info about AFI, go to http://www.afireinside.net

About Slacker, Inc.

Slacker is the world's first Personal Radio company offering "Your Radio Everywhere." Slacker enables music lovers to play highly personalized music online at the Slacker web site or on the go with Slacker Personal Radio players and mobile phones. Slacker mobile applications are currently available for Palm webOS, Android, iPhone and BlackBerry smartphones. Formoreinformationvisithttp://www.Slacker.com/everywhere.

For regular Slacker updates follow us at http://www.Twitter.com/SlackerRadio, become a Fan on Facebook at http://www.Facebook.com/SlackerRadio or visit http://www.Slacker.com.

L’Äôorchestre symphonique de Trois-Riviˆ®res accueille trois nouvelles violonistes

Trois-Riviˆ®res, le 3 mars 2010 ’Äì ˆÄ la suite d’Äôauditions nationales tenues ˆÝ Trois-Riviˆ®res le 27 fˆ©vrier dernier, maestro Jacques Lacombe annonce la nomination de mesdames Lyne Allard (violon I de section), Nancy Ricard (violon I de section) et Flavie Gagnon (violon II de section) au sein de l’ÄôOrchestre symphonique de Trois-Riviˆ®res. 

Membre de l’Äôensemble Angˆ®le Dubeau et La PietˆÝ, Lyne Ricard se produit ˆ©galement au sein des orchestres symphoniques de Laval et de Longueuil, elle a auparavant occupˆ© le poste de violoniste de section ˆÝ l’ÄôOpˆ©ra de Vancouver et d’Äôassistante-violon solo ˆÝ l’ÄôOrchestre de l’Äôˆéle de Vancouver. Diplˆ¥mˆ©e de l’ÄôUniversitˆ© McGill, Nancy Ricard est violoniste ˆÝ l’ÄôOrchestre symphonique de Sherbrooke et ˆÝ la Sinfonia de Lanaudiˆ®re, elle est de plus surnumˆ©raire ˆÝ l’ÄôOrchestre Mˆ©tropolitain du Grand Montrˆ©al. Dˆ©tentrice d’Äôun diplˆ¥me de deuxiˆ®me cycle de l’ÄôUniversitˆ© de Montrˆ©al depuis peu, Flavie Gagnon est violoniste surnumˆ©raire ˆÝ la Sinfonia de Lanaudiˆ®re et ˆÝ l’ÄôOrchestre symphonique de Sherbrooke, elle a ˆ©galement ˆ©tˆ© membre de l’ÄôOrchestre de la francophonie canadienne.

Fondˆ© en 1978, l’ÄôOrchestre symphonique de Trois-Riviˆ®res compte cinquante-quatre musiciens rˆ©guliers. Pour toute information additionnelle, contactez l’ÄôOrchestre symphonique de Trois-Riviˆ®res au (819) 373-5340. Consultez ˆ©galement le site Internet de l’ÄôOSTR au www.ostr.ca.

L’ÄôOrchestre symphonique de Trois-Riviˆ®res reˆßoit l’Äôappui du Conseil des arts et des lettres du Quˆ©bec, du Conseil des arts du Canada, de la Ville de Trois-Riviˆ®res et de Patrimoine canadien.
 
Pour toute information additionnelle, contactez l’ÄôOrchestre symphonique de Trois-Riviˆ®res au (819) 373-5340. Consultez ˆ©galement le site Internet de l’ÄôOSTR au www.ostr.ca. 

2010 JUNO Awards nominees are announced!

Michael Bublˆ© leads the pack with six nominations, Billy Talent, Drake and Johnny Reid follow closely with multiple JUNO Award nominations
 
TORONTO, March 3 /CNW/ - The race for the 2010 JUNO Awards is officially on! Canada's finest musical talents will vie head to head for the coveted JUNO Award statuette this April in St. John's, Newfoundland and Labrador, as The Canadian Academy of Recording Arts and Sciences (CARAS) today announced the nominees for the 2010 JUNO Awards. At a media conference held at The Fairmont Royal York Hotel in Toronto, ON, emcee Seamus O'Regan of CTV's CANADA AM, was joined by artists Arkells, Divine Brown and Stereos who helped to announce a few of the 39 JUNO Awards categories in total.

Winners will be declared at the JUNO Gala Dinner & Awards on Saturday, April 17 to be held at the St. John's Convention Centre, as well as at THE 2010 JUNO AWARDS broadcast on CTV on Sunday, April 18 at Mile One Centre in St. John's, Newfoundland and Labrador.
Tickets to THE 2010 JUNO AWARDS go on sale starting this Saturday, March 6 at 12:00 PM (NDT). Prices are $49.00, $99.00 and $189.00 (plus taxes and surcharges) and can be purchased at the Mile One Centre Box Office; by phoning (709) 576-7657 or 1-800-361-4595 (toll free) or online at www.admission.com.

To view a complete list of the 2010 JUNO Awards nominees and bios, go to www.junoawards.ca.

"Each of today's JUNO Awards nominees has contributed greatly to the success of the Canadian recording industry, and helped to raise the profile and popularity of Canadian music to even greater heights," said Melanie Berry, President & CEO of CARAS. "The depth and diversity of our artists are a force to be reckoned with on the world stage whether they're established icons or emerging talents. This year's nominees truly demonstrate the influence and creativity of Canadian music."

Leading all categories with a total of six JUNO Award nominations is Michael Bublˆ©. Following the hugely successful release of CRAZY LOVE, his first studio album in over two years, Bublˆ© will contend for the JUNO Fan Choice Award (presented by Pepsi), Single of the Year for "Haven't Met You Yet," Album of the Year (sponsored by Canadian Recording Industry Association), Artist of the Year, Songwriter of the Year (sponsored by SIRIUS Satellite Radio) and Pop Album of the Year. His album CRAZY LOVE also garnered producers Bob Rock and David Foster a nomination each in the Jack Richardson Producer of the Year category.

Multiplatinum-selling rockers Billy Talent are nominated for four 2010 JUNO Awards: Single of the Year for "Rusted From The Rain," Album of the Year (sponsored by Canadian Recording Industry Association), Group of the Year and Rock Album of the Year for III.
Drake is one hip hop's most sought-after artists right now, and garnered four JUNO Award nominations including Single of the Year ("Best I Ever Had"), New Artist of the Year (sponsored by FACTOR and Canada's Private Radio Broadcasters), and a double nomination in the category of Rap Recording of the Year for his debut EP, SO FAR GONE, and for the collaborative track "Still Fly" with fellow Canadians Big Page and U.G.O. Crew.
Also receiving four nominations is acclaimed multi-platinum singer-songwriter Johnny Reid who received nods for JUNO Fan Choice (presented by Pepsi), Album of the Year (sponsored by Canadian Recording Industry Association), Artist of the Year and Country Album of the Year.

This year's JUNO Awards nominations saw 94 first-time nominees in total, including those up for New Artist of the Year (sponsored by FACTOR and Canada's Private Radio Broadcasters): Carly Rae Jepsen, Danny Fernandes, Drake, Justin Bieber and Shiloh; and New Group of the Year (sponsored by FACTOR and Canada's Private Radio Broadcasters): Arkells, Down With Webster, Stereos, Ten Second Epic and The New Cities.
Sixteen-year-old pop sensation Justin Bieber and indie rock band Metric have both earned triple nominations and will be performing at THE 2010 JUNO AWARDS on CTV, Sunday April 18. Also confirmed to join the broadcast line-up are Billy Talent, Blue Rodeo, Drake, Johnny Reid and Michael Bublˆ©.

Three was also the lucky number for Classified (Single of the Year, Rap Recording of the Year, Video of the Year sponsored by MuchFACT (Director: Harv (Harvey Glazer))); Diana Krall (Album of the Year sponsored by Canadian Recording Industry Association, Artist of the Year, Vocal Jazz Album of the Year); K'Naan (Artist of the Year, Songwriter of the Year sponsored by SIRIUS Satellite Radio, Rap Recording of the Year); and The Tragically Hip who received triple JUNO Award nominations for Single of the Year, Group of the Year, Rock Album of the Year.

JUNO Week takes place April 12-18, 2010, in St. John's, Newfoundland and Labrador, culminating in the live broadcast of THE 2010 JUNO AWARDS, Sunday, April 18 on CTV.
Sponsors of the 2010 JUNO Awards include FACTOR, Canada's Private Radio Broadcasters and the Government of Canada through the Department of Canadian Heritage's "Canada Music Fund," with commitments from The Atlantic Canada Opportunities Agency (ACOA), the Province of Newfoundland and Labrador, the City of St. John's and Radio Starmaker Fund.

Sponsors of THE 2010 JUNO AWARDS broadcast on CTV include Chevrolet, Garnier, Pepsi and Rogers.
 
    Web Links:
    ----------
    Official JUNO Awards website: www.junoawards.ca
    CTV's JUNO Awards website: www.junos.ctv.ca

    St. John's Host Committee: www.ruckusontheedge.com
    CARAS website: www.carasonline.ca

    CTV website: www.ctv.ca

Effendi - Nouvel album pour Dave Watts


SORTIE EN MAGASIN DU PREMIER ALBUM DE
DAVE WATTS ¬´ WILL IT RAIN? ¬ª




Montrˆ©al, 3 mars 2010 ’Äì Le label montrˆ©alais Effendi Records est fier de vous annoncer la sortie du premier album du contrebassiste Dave Watts, intitulˆ© ¬´ Will it rain ? ¬ª.

Disponible en magasin, sur les plateformes de tˆ©lˆ©chargement (Itunes, Zik.ca, Emuzic), et sur le site internet www.effendirecords.com dˆ®s le mardi 9 mars 2010 (Distribution Select).

Originaire de Calgary, et installˆ© ˆÝ Montrˆ©al depuis 1992, le contrebassiste Dave Watts prˆ©sente ici un premier album en son nom. Aprˆ®s avoir enregistrˆ© sur plus d’Äôune dizaine de disques,  il enfile ˆÝ prˆ©sent les casquettes de chef, de compositeur et d’Äôarrangeur pour nous offrir 7 morceaux de son cru. Pour jouer cela, Dave Watts s’Äôest entourˆ© de ses acolytes de longue date, Julie Lamontagne au piano et Richard Irwin ˆÝ la batterie, avec qui il a entre autre accompagnˆ© Bruno Pelletier en tournˆ©e avec son Groszorchestre, mais aussi de ses amis Kenny Bibace ˆÝ la guitare et Dave Mossing ˆÝ la trompette. Les 5 compˆ®res s’Äôˆ©coutent et se rˆ©pondent le plus naturellement du monde et l’Äôon ressent une parfaite osmose et une grande complicitˆ©. Pour preuve : le produit final a ˆ©tˆ© enregistrˆ© en seulement une journˆ©e! Rˆ©sultat : un jazz rˆ©solument original et moderne, parfois lyrique, oˆ¼ la trompette apporte une ambiance aˆ©rienne, et la guitare pose une petite touche ˆ©lectrisante. Un premier projet pour Dave Watts, qui laisse ˆ©clater toute son expˆ©rience et sa maturitˆ©.

¬´ WILL IT RAIN ? ¬ª (FND098)
Dave Watts ’Äì contrebasse
Dave Mossing ’Äì trompette
Julie Lamontagne -  piano
Kenny Bibace ’Äì guitare
Richard Irwin ’Äì batterie

Info lancement
Jeudi 18 mars 2010 : Concert lancement au Upstairs Jazz Bar&Grill
Avec invitˆ© spˆ©cial : Kelly Jefferson de Toronto
Dans le cadre de la sˆ©rie Jazz en Rafale 2010 www.jazzenrafale.com

Upstairs jazz Bar&Grill
1254 Rue Mackay
Montrˆ©al, QC, H3G 2H4
Rˆ©servations au (514) 931-6808

Canadian Music Week showcases "Spotlight On India" - Mar. 11 & 12 @ Revival

Toronto, ON ’Äì March 2, 2010 ’Äì For the first year, Blueband Musiq is proud to announce an exclusive partnership with Canadian Music Week (CMW), March 8 ’Äì March 12, 2010 to produce the ’ÄúSpotlight On India’Äù showcase featuring two nights, Thursday and Friday at Revival (783 College St., Toronto) of western music infused with South Asian influence. The premier night, Thursday, March 11 at 10pm, showcases ’ÄúRock and Roll’Äù influence on South Asian music, headlining some of the best mix of folk, classic, metal and alternative with a Desi twist.

This colourful showcase is the first of its kind and will bring to Toronto a glimpse into a new eclectic phenomenon that is growing in popularity all over the world. Whether it is the ever popular Hip Hop rhymes, the soothing R&B ballads, or the high energy Dancehall wordplays, the fusion of urban music with South Asian culture and music is taking the world by storm.

The ’ÄúSpotlight On India" will close CMW off on Friday, March 12 starting at 11pm with a night featuring some of the best ’ÄúUrban Desi’Äù acts from across the country. This will show that music is often referred to as the universal language which transcends borders and cultures.  The goal of this showcase is to promote visibility for South Asian artists while celebrating our footprint in Canadian Music Week.

Embarking on its 28th year, Canadian Music Week provides an outlet to musicians and artists from across the country to showcase their talent. CMW is a multipurpose week incorporating conferences with industry professionals, award shows recognizing Canadian talent and providing one of the country’Äôs largest music festivals.

Blueband Musiq is North America's #1 destination for urban desi music. Producers of the largest National South Asian Music Festival "desiFEST", a platform to showcase South Asian influenced music and artists. In addition, Blueband Musiq is also producing Canadian Music Week's first ever "Spotlight of India" showcases for 2010.

PSA: Canadian Voices - Elektra & Chor Leoni sing the musical richness of Canada - Apr 10/11

Elektra Women's Choir
Morna Edmundson, Artistic Director

and

Chor Leoni Men's Choir
Diane Loomer, C.M., Artistic Director

present

Canadian Voices
Elektra & Chor Leoni sing the musical richness of Canada!

Saturday, April 10, 2010 ~ 7:30 pm
Sunday, April 11, 2010 ~ 3 pm
Ryerson United Church
2195 W45th Ave, Vancouver BC
Adults $28 | Seniors/Students $23
Ticketmaster 604.280.3311


From Leonard Cohen to Stephen Smith, Joni Mitchell to Jocelyn Morlock, the richness of Canada's musical voice is unparalleled. Chor Leoni and Elektra Women's Choir join forces to celebrate and explore this musical gold mine in Canadian Voices. The programme includes an astonishing eleven premieres, including new works by Jocelyn Morlock, Stephen Smith, and Mark Sirett, as well as new arrangements by Kate Polsky, Ron Smail, and Ken Cormier. Each choir will present solo sets before combining to premiere Kristopher Fulton's Orpheus, a work co-commissioned by Elektra and Chor Leoni.

Canadian Voices offers the listener an opportunity to hear two of Canada's finest choirs perform alone and together in a coast-to-coast-to coast exploration of Canadian music ranging from avant garde to folk as Elektra and Chor Leoni proudly wave the maple leaf.
Don't miss it!

PROGRAMME:

Da Pacem                                Jeffrey Enns
In the Gardens of Shushan *         Sheldon Rose
what i want                         Stephen Smith
Changed Forever *                  Shari Ulrich, arr. Kate Polsky
Let *                                     Jocelyn Morlock
Lu-Li-Lo-La from Three Songs from The Enchanted Forest       R. Murray Schafer

Absalon, fili mi *                 Jocelyn Morlock
This Lost Soul                           Marcus Goddard
Eternal Harmony *                 Stephen Smith
The Holy Ground *                  Mark Sirett
Halleluja *                          Leonard Cohen, arr. Les Nerling
John Tod *                               Bruce Coughlan, arr. Ron Smail

intermission

Jig  from Pastorale and Jig Op. 108 (2006)    Derek Healey
Ken Cormier and Stephen Smith, piano duet

Orpheus *                          words and music by Kristopher Fulton

Songs of Canada
Four Strong Winds                    Ian Tyson, arr. Larry Nickel
Early Spring                            trad. Newfoundland folk song, arr. Kathleen Allan
Trinque l'amourette                    trad. Quebec folk song, arr. Guy Isabelle
Both Sides Now *                       Joni Mitchell, arr. Ken Cormier
Frobisher Bay                            James Gordon, arr. Diane Loomer
Bamfield's John Vanden *         Chris Frye, arr. Ron Smail
We Rise Again                         Leon Dubinsky, arr. Stephen Smith

The Hour Has Come, poem #6 from The Hour Has Come      Srul Irving Glick
* world premieres


Elektra gratefully acknowledges the ongoing support of the Canada Council for the Arts, City of Vancouver, Government of British Columbia, CBC, Borden Ladner Gervais, PriceWaterhouseCoopers, Martha Lou Henley Charitable Foundation, Hamber Foundation, and Wolrige Foundation. Elektra also thanks its many generous individual donors and volunteers - their support makes us sing.

Chor Leoni gratefully acknowledges the ongoing support of the Canada Council for the Arts, City of Vancouver, Metro Vancouver, Government of British Columbia, British Columbia Arts Council, The Corporation of the District of West Vancouver, Vancouver Foundation, Martha Lou Henley Charitable Foundation, CBC, The Vancouver Sun, Playboard, Northwest Musical Services, Ltd, Cypress Choral Music,and  Contact Printing & Mailing Ltd. Chor Leoni also thanks its many generous individual donors and volunteers.

VO Announces New Details about Nixon China Community Engagement Series

CBC Radio’Äôs Alison Smith to interview Margaret MacMillan


Vancouver, BC ~ Vancouver Opera announces new details about the Nixon in China Community Engagement Series, a major program of events surrounding the Canadian premiere of John Adams’Äôs modern masterpiece. VO has partnered with several groups to create this series that explores the historic 1972 meeting between Richard Nixon and Mao Zedong, the opera it inspired and the establishment of the Chinese community in Vancouver.

On Wednesday, March 17th, Margaret MacMillan, author of ’ÄúThe Uses and Abuses of History’Äù and ’ÄúNixon in China: The Week that Changed the World’Äù will talk with CBC’Äôs ’ÄúWorld at Six’Äù host Alison Smith at a public event presented with the Vancouver International Writers Festival. Alison Smith is a well regarded senior correspondent and news anchor with CBC News who has covered a wide range of stories, including federal and provincial elections, the first Gulf War, the deaths of Pope John Paul II and Princess Diana and the Olympics in Atlanta, Athens and currently Vancouver. For four years before joining The World At Six, she was the Washington Correspondent for CBC Television. She spent four years travelling through the U.S. covering the election of President Barack Obama. (Alison Smith replaces Eleanor Wachtel, who is unable to attend due to a scheduling conflict.)

Other highlights of the Nixon in China Community Engagement Series include a Literary Lunch with Margaret MacMillan and Alexandre Trudeau, as well as a special Opera Speaks @ VPL event, ’ÄúChinese Vancouver Then & Now: 1972 ’Äì 2010’Äù, with architect Bing Thom, UBC historian Henry Yu and filmmaker Colleen Leung. Full details are set out below.

Former US Ambassador to the UN to Attend Nixon in China

At the invitation of the US Consul General in Vancouver and Vancouver Opera, former US Ambassador to the United Nations John Negroponte, whose early career included working at the National Security Council with Henry Kissinger in the early 1970s, will visit Vancouver to attend private functions and the Canadian premiere of Nixon in China.

Community Engagement Series Details

Inside the Music of John Adams
Tuesday, March 2nd  7:00pm
Vancouver Academy of Music
1270 Chestnut Street, Vancouver
Free Admission
An exploration of the music and career of Pulitzer Prize-winning composer John Adams. Presenters include writer and educator Thomas May, editor of The John Adams Reader, conductor John DeMain, who conducted the original 1987 production of Nixon in China, and Vancouver composer/conductor Owen Underhill. 


Opera Speaks @ VPL - Chinese Vancouver Then & Now: 1972-2010
Tuesday, March 9th  7:00 ’Äì 9:00 pm
Vancouver Public Library ’Äì Central Branch
Alice MacKay Room
Free Admission ’Äì seating is limited
Explore the history of the Chinese in Vancouver, with emphasis on the Chinese communities' emergence and development since 1972, the year of Nixon's momentous trip to China. Discover how our city has been shaped and transformed by Chinese culture over the past 38 years. Moderated by UBC historian Henry Yu. Speakers include eminent architect Bing Thom and filmmaker Colleen Leung.

Presented in partnership with the Vancouver Public Library.
Opera Speaks @ VPL is sponsored by Omni BC Diversity Television.


In China: Comparing the Nixon, Trudeau and Harper Visits
Friday, March 12th  4:00pm ’Äì 5:30pm      
Choi Building Conference Room, 1855 West Mall, UBC
Free Admission
A panel discussion exploring the past and future of Canada-China Relations, which closes a two-day colloquium hosted by the Institute of Asian Research. For more information see www.iar.ubc.ca.  

Presented in partnership with the Institute of Asian Research, University of British Columbia.


Literary Lunch with Margaret MacMillan and Alexandre Trudeau
Tuesday, March 16th  12:30pm ’Äì 2:30pm
Seasons at Four Seasons Hotel Vancouver
Tickets: $50 through the VO Box Office: 604-683-0222.
An intimate encounter with acclaimed Canadian historian Margaret MacMillan and journalist and filmmaker Alexandre Trudeau (son of Pierre Ellliott Trudeau) as they take us behind the headlines of history. Hosted by Hal Wake, Artistic Director of Vancouver International Writers & Readers Festival.

Presented in partnership with Vancouver International Writers & Readers Festival.

Margaret MacMillan in conversation with CBC’Äôs Alison Smith
Wednesday, March 17th 7:30pm
Granville Island Stage
Tickets: $18 through VancouverTix: 604-629-8849. www.vancouvertix.com
Margaret MacMillan talks with CBC’Äôs ’ÄúWorld at Six’Äù host Alison Smith about her most recent book ’ÄúThe Uses and Abuses of History’Äù and her earlier chronicle ’ÄúNixon in China: The Week that Changed the World’Äù.

Presented in partnership with Vancouver International Writers & Readers Festival.

About Nixon in China

In 1972, Richard Nixon and Chairman Mao Zedong shook hands and changed the course of human events. West and East looked into each other’Äôs eyes and discovered a vast mystery of differences and desires. Henry Kissinger, Chou En-lai, Pat Nixon and Madame Mao all play pivotal roles in this fascinating drama of psychology and global politics.  John Adams’Äôs richly textured and lyrical score pulses with rhythm and Alice Goodman’Äôs literate libretto resonates with poetry. Nixon in China is irresistible and gripping from beginning to end.

Presented with Vancouver 2010 Cultural Olympiad
In English with SURTITLESTM
March 13, 16, 18, 20, 2010.
All performances 7:30 pm at the Queen Elizabeth Theatre.
Tickets starting at $29 are available exclusively at the Vancouver Opera Ticket Centre, online at www.vancouveropera.ca or by telephone (604-683-0222).

Background

Nixon in China, composed by John Adams to a libretto by poet and scholar Alice Goodman, was written during the period 1985 to 1987 and is considered by many to be a modern masterpiece and one of the cornerstones of American minimalist music. John Adams is part of a contemporary movement to create opera that explores current events. This movement includes Stewart Wallace and Anthony Davis, the composers of 1995’Äôs Milk and 1986’Äôs X, about Harvey Milk and Malcolm X, respectively.

Both the music and libretto are admired for their sophistication and accessibility, and Nixon in China is acclaimed as one of the few late-20th-century English-language operas that will likely attain a prominent place in the canon for decades to come.

Learn More

Music tracks, podcasts, a full synopsis and extensive background information are available at www.vancouveropera.ca.

Oberlin Announces Dates for Grand Opening of the Litoff Building

OBERLIN, OHIO’Äî(March 2, 2010)
WHAT:    Two-day celebration marking the grand opening of the Litoff
                Building, with events that include appearances by Stevie
                Wonder, Bill Cosby, and many Oberlin Jazz Studies alumni:
                concerts, jazz films, a panel discussion, workshops, and an
                honorary degree ceremony.
WHEN:    Friday, April 30 and Saturday, May 1, 2010

WHY:      
Jazz is a vital part of Stevie Wonder's musical soul, and the premier jazz education program at the Oberlin Conservatory of Music has captured his attention. The singer-songwriter will headline a concert celebrating the grand opening of Litoff Building and the achievements of Oberlin's legendary jazz studies program. Stevie Wonder will also receive an honorary degree, as will Drs. Bill and Camille Cosby, who are widely respected for their philanthropy and activism in support of education. Bill Cosby will also present ’ÄúAn Evening with Bill Cosby.’Äù
WHERE:  The Oberlin Conservatory of Music
                 77 West College Street
                 Oberlin, OH 44074
                 And other venues on the Oberlin College campus


Background: The Litoff Building
The Litoff Building, designed by the architectural firm Westlake Reed Leskosky, is the innovative home for the Oberlin Conservatory of Music’Äôs acclaimed Department of Jazz Studies and highly respected academic programs in music history and music theory. It promotes green building practices and sustainable strategies and planning opportunities. Its design intention is to achieve the first Leadership in Energy and Environmental Design (LEED¬Æ) Gold rating for a facility exclusively dedicated to music. Oberlin’Äôs commitment to environmental sustainability is reflected in the building’Äôs award-winning architectural design. The Litoff Building is a crucible for Oberlin’Äôs innovative curriculum and extensive intellectual resources’Äîwhich includes gifted and dedicated Grammy Award-winning faculty members, the largest privately held collection of jazz recordings and ephemera in the U.S., and a robust bank of innovation and creativity.

On the Record: Dean of the Oberlin Conservatory of Music David Stull
’ÄúThe Litoff Building will be the premier facility of its kind anywhere in the world. It is brilliantly conceived to emulate who we are and what we stand for. It is about bringing us together, pursuing great art, fostering harmony within our community, and reminding all of us of the imperative need to steward our environment. It will constantly inspire us in our mission to seek perfection while achieving excellence. It is highly innovative in both form and function, which is emblematic of the conservatory’Äôs approach to all of its endeavors.’Äù

Background: The Oberlin Conservatory of Music and Oberlin College 
 
Awarded the 2009 National Medal of Arts by President Barack Obama, the Oberlin Conservatory of Music is renowned internationally as a professional music school of the highest caliber. Praised as a ’Äúnational treasure’Äù by the Washington Post, the conservatory, founded in 1865 and situated amid the intellectual vitality of Oberlin College since 1867, is the oldest continuously operating conservatory in the United States. Oberlin’Äôs alumni enjoy illustrious careers in all aspects of the music world. They have achieved prominence as solo performers; chamber, orchestral, and jazz musicians; composers; conductors; and music educators, scholars, and administrators. Ranked consistently among the nation’Äôs top liberal arts schools, Oberlin College is committed to rigorous academics, artistic and musical excellence, and social justice. Founded in 1833, Oberlin was the first institution of higher education in America to adopt a policy to admit students of color (1835) and the first college to award bachelor’Äôs degrees to women (1841) in a coeducational program. Oberlin’Äôs distinct history of challenging intellectual and social conventions shapes the student experience today, which fosters strong bonds among a diverse community of bright and talented students from around the world. Oberlin’Äôs combination of a leading liberal arts college and a world-class music conservatory creates an unparalleled learning environment. For more information visit www.oberlin.edu.

Fireworks! Bravura Show-Stoppers at Sinfonia Toronto

FIREWORKS! BRAVURA SHOW-STOPPERS AT SINFONIA TORONTO
 
Sinfonia Toronto’Äôs April 9th ’ÄòFavourite Fireworks’Äô Masterpiece Series concert is a light-hearted mix of violin and piano pyrotechnics. The concert features Sinfonia Toronto’Äôs Composer-in-Residence Heather Schmidt as pianist, playing her own brilliant new concerto and some favourite showpieces with Sinfonia Toronto violinist Xiaohan Guo. Orchestra’Äôs Music Director Nurhan Arman will conduct.

Composer Heather Schmidt lives a busy dual life as a sought-after concert pianist and a prolific composer of concert music and film scores.  She has been nominated for the Juno Award for Classical Composition of the Year, won the Julliard Composers’Äô Competition, two SOCAN Composer’Äôs Competitions and 3 consecutive BMI Awards. In the past decade, Dr. Schmidt has received over forty commissions and recorded for NAXOS and CBC Records. At this concert Ms. Schmidt will give the Toronto premiere of her Piano Concerto No. 6.

Born in China, Violinist Xiaohan Guo began her studies at the age of six and enrolled at the Shenyang Conservatory at 13. She won the 2001 Mozart Violin Concerto Competition, and as a member of the Shanghai Broadcasting Symphony Orchestra she performed with outstanding musicians such as Itzhak Perlman, Seiji Ozawa and Mstislav Rostropovich. She arrived in Canada in 2004 to study with Eleonora Turovsky at the Universitˆ© de Montreal and has been a first violinist with Sinfonia Toronto since 2008.

Sinfonia Toronto is comprised of thirteen virtuoso string players, and is ’Äúa world-class ensemble’Äù according to Germany’Äôs Russelsheimer Echo. They perform standing, in the tradition of great chamber orchestras, under the direction of Music Director and Conductor Nurhan Arman. The Toronto Star writes of "a remarkable range of colour," "ample eloquence" and "gripping authority," while La Scena Musicale declared "Nurhan Arman and his orchestra literally conquered us."  Their most recent CD, Flanders Fields Reflections won the 2009 Juno Award as ’ÄòBest recording of a Canadian Classical Composition’Äô. The CD features music of John Burge.

The programme for the evening includes Mozart’Äôs Divertimento K 138, Saint-Saens’Äô Caprice, Franz Waxman’Äôs Carmen Fantasy, Astor Piazzolla’Äôs Four for Tango and Shostakovich’Äôs Prelude and Scherzo.

Tickets for this concert are $12 - $40 and are available through the Roy Thomson Hall box office at www.roythomson.com, 416-872-4255. Visit www.sinfoniatoronto.com for more information.

Details at a glance
Apr 9, 2010, 8 pm
Glenn Gould Studio (250 Front St. W)
SINFONIA TORONTO
NURHAN ARMAN, Conductor
HEATHER SCHMIDT, Pianist
XIAOHAN GUO, Violinist
Suggested headline
 
Fireworks! Bravura show-stoppers at Sinfonia Toronto
ProgrammeMOZART Divertimento K 138
SAINT-SAENS Caprice
WAXMAN Carmen Fantasy
SCHMIDT Piano Concerto No. 6  - Toronto Premiere!
PIAZZOLLA Four for Tango
SHOSTAKOVICH Prelude and Scherzo

Tickets: Roy Thomson Hall Box Office 416-872-4255 www.roythomson.com
$12 students; $32 seniors and $40 adults

March 13: LIEDER

KABARET SEASON: LIEDER - German Art Song
Saturday, March 13 @ 8pm
Vancouver Alpen Club, 4875 Victoria Drive
$20 advance tickets available at http://www.vancouveralpenclub.ca
http://www.ticketstonight.ca/ticketstonight/event.details.php?id=2834

Fresh from her UK trip, opera diva Robyn Driedger-Klassen treats us to a repertoire of German art songs that span time and cross borders; Karen Lee-Morlang returns as the musical director and pianist.

Described as ’Äúsinging with pure tone, absolute clarity of diction and vivid characterization", Robyn Driedger-Klassen is in high demand in the opera and recital fields. Seen on many Canadian opera stages, Robyn's roles span from Baroque to contemporary music. Also in demand for solo work, she has performed many oratorios, a few of which are: Mozart’Äôs Requiem, Handel’Äôs Messiah, and Haydn’Äôs Creation. Recently, she was the soprano soloist for a new work by Canadian composer, Larry Nickel, entitled Requiem for Peace, which can be heard on recording. She is also known for her many recitals and performances of contemporary music; most notably her recent appearance with Vancouver’Äôs Turning Point Ensemble performing R Murray Schafer’Äôs Arcana.
Recent operatic appearances include: Sophie in Massenet’Äôs Werther, Naiade in Strauss’Äô Ariadne auf Naxos, Mazelline in Beethoven’Äôs Fidelio, Alexandra in the Canadian premiere of Marc Blitzstein’Äôs Regina and Bubikopff in Viktor Ullmann’Äôs Der Kaiser von Atlantis.  Robyn has received critical acclaim for her performances of the Countess in Mozart's Le Nozze di Figaro at the Banff Centre and with Seattle Opera’Äôs young artist programme where she also performed the Governess in Benjamin Britten’Äôs The Turn of the Screw.  Of her performance last season as the Female Chorus in Britten’Äôs The Rape of Lucretia at the Britten-Pears Institute in Aldeburgh, England, the London Times Online wrote: ’ÄúThe soprano of Robyn Driedger-Klassen was outstanding in its impassioned embodiment of the drama.’Äù Highlights for the upcoming season include Handel’Äôs Messiah, a recital of songs celebrating the 200th anniversary of Chopin’Äôs birth, and Fiordiligi in Mozart’Äôs Cosi fan Tutte. Robyn is a proud and grateful recipient of a generous grant from the Canada Council for the Arts.

Award-winning performer and educator, Karen Lee-Morlang is recognized for her exquisite playing, boisterous stage presence as well as her freshly innovative programming. After completing two Music degrees, Karen taught at UBC for four years. She has performed for the International World Peace Forum, Festival Vancouver, CBC Radio, various Folk Festivals. Karen also sings with ’ÄúThe No Shit Shirleys’Äù and directs the ’ÄúKoncert Kontinuum’Äù series.

http://www.kabaret.ca

Whetstone announces world premiere of Wingˆ©d - April 29 - May 8

A radical, fearless interpretation of three mythical beings: Icarus, Lucifer and Phoenix.

Toronto, March 2, 2010-  Whetstone Productions presents the world premiere of Wingˆ©d, a radical, fearless interpretation of three mythical beings: Icarus, Lucifer and Phoenix. Poetic, surprising and irreverent, Wingˆ©d is written and performed by David Tomlinson and directed by Whetstone Productions' Artistic Director, Diana Kolpak.
Comprised of three monologues, Wingˆ©d runs at the DeLeon White Gallery from April 29 - May 8, 2010 amidst a special exhibit of paintings, photographs and sculpture curated by Jessica Cimˆ„ that, as an integral part of the piece, resonates with the play's themes.
As the layers of myth that have enveloped these stories are peeled away to source their raw power, Wingˆ©d inspects and dissects relationships between fathers and sons, friends and lovers, predator and prey‰Ýand serves up a clarion call for the transformation of humankind. "Only by examining the stories and archetypes that shape us can we expect to evolve and survive," says Tomlinson.

Icarus is a wounded dreamer and poet who comes to understand the costs of emotional detachment.  Lucifer, literate, sarcastic but surprisingly compassionate, challenges our ideas about evil and accountability. A manic and unstable Phoenix demonstrates that we can be our own higher power.

In Sunstroke: Icarus Speaks, Icarus ruminates on sons who dare fly past their fathers.  Lucifer works through the unexpected transition from favourite to feared in Red Eye Open: The Lucifer Illuminations.  In Rise: Song of the Phoenix, a man answers an astonishing call in his right hip, and discovers the burning, yearning God within.

Sunstroke: Icarus Speaks debuted to much acclaim at the 2006 Rhubarb Festival, sparking four years of innovative development by Tomlinson and Kolpak. Balanced on a foundation of powerful poetic writing, Wingˆ©d utilizes a highly physical performance style blended with original artwork and live projection to create an emotionally bold multi-media experience.

Whetstone Productions is a Dora Award-nominated theatre company founded in 1994 by Diana Kolpak. Dedicated to developing and presenting theatre that is stimulating, unexpected and fearless, Whetstone aims to challenge and heighten audience experience through the presentation of eclectic and ground-breaking works. Past productions include Diana Kolpak's Lionheart, the clown ballet The Gorgonetrevich Corps de Ballet Nationale in 'Bethany's Gate', Drew Carnwath's Total Body Washout, and the Canadian premiere of Ines de Castro by John Clifford.

Wingˆ©d is generously supported by: The Ontario Arts Council, Canada Council for the Arts and Davies Howe Partners.

Whetstone Productions presents the world premiere of
Wingˆ©d
Written & Performed by David Tomlinson
Directed by Diana Kolpak
Lighting Design by Sharon DiGenova
Video & Imaging by Jacob Niedzwiecki
Environment Design by Sharon DiGenova & Jacob Niedzwiecki
Exhibit Curation by Jessica Cimˆ„

April 29 - May 8, 2010  - The DeLeon White Gallery, 1139 College Street
Wednesday- Sunday 8pm. Tickets: Wed-Sat $20 ($18 for Students/Seniors/CAEA); Sunday Pay-What-You-Can.
Box office: 1-800-838-3006 or www.whetstoneproductions.com
Warnings: adult themes and language

BIOS BELOW.

Diana Kolpak (director) is always telling stories, whether on stage or on the page. She has directed and helped develop more than a dozen original productions that have been performed from Victoria to Montreal, as well as directing Canadian premieres (Ines de Castro), modern classics (Endgame, Man is Man) and Shakespeare (King John, All's Well that Ends Well, A Midsummer Night's Dream).  Her first script, Bedtime Stories was published in Ontario Playwrights: Eight Short Plays and excerpted in Taking the Stage: Plays by Canadian Women. Other writing credits include her one-woman show Lionheart, Fables for the Modern World, (excerpted in Another Perfect Piece: Monologues from Canadian Plays), and Starfall, a children's book about one clown's quest to re-light the stars, created in collaboration with photographer Kathleen Finlay. Diana received an M.F.A. in Directing from the University of Illinois at Champaign-Urbana. Learn more at www.whetstoneproductions.com

David Tomlinson (writer & performer) is an accomplished writer, performer, and creative alchemist who is one half of the manic Canadian Comedy Award nominated sketch duo GLYPH that played to standing room only crowds from Vancouver's Sketchfest to Montreal's Just For Laughs Festival. David writes and performs much of his own work; stage works include Cordelia (with Ryan Kelly - Rhubarb! 2010), Sunstroke: Icarus Speaks (Rhubarb! 2006), The Dead Sea (with Sonia Mills - Rhubarb! 2005), Murdering Godot (Rhubarb! 2004), Keyed (Rhubarb! 2003), and The Gorgonetrevich Corps de Ballet Nationale in 'Bethany's Gate' (with Diana Kolpak).  David has also appeared in Hope Thompson's She Walks the Line and Tyrolia, Toronto Masque Theatre's The Tears of a Clown, and Sky Gilbert's Rope Enough and Happy. Always popular on the cabaret circuit, he has performed at pandemonium machine, The Keith Cole Experience, Cheap Queers, Homo Night in Canada, The Needle Exchange, The Toronto Festival of Clowns, Lunacy Cabaret, The S.P.A.C.E., Clown Chowder, and Cirque du Poulet.  He is additionally a writer of feature films, television, and radio drama (Canadia: 2056).  Media performance credits include the feature film Grey Gardens, and the television series Howie Do It, Beautiful People, Train 48, Queer As Folk, and The Newsroom. David studied improvisation with Second City and clown with John Turner and Michael Kennard.

Jessica Cimˆ„ (exhibit curator) is a dramaturge and performance artist appropriated by the gallery system, or perhaps lending herself to adoption by it right now. She recently completed her studies at the Graduate Centre for the Study of Drama at the University of Toronto, where she also earned a degree in English Literature.  Entering this curatorial project within Wingˆ®d, her interests lie in the contrast between the spatiality of text, silence and speech, and the spatiality of layout, and how visual art can infiltrate the once private world of the drama.

Le prodigieux violoniste Christian Tetzlaff au Conservatoire de musique de Montrˆ©al

Montrˆ©al, le 2 mars 2010 ’Äî Le Conservatoire de musique de Montrˆ©al, en collaboration avec l’ÄôOrchestre symphonique de Montrˆ©al, prˆ©sente un cours de maˆÆtre avec le violoniste allemand Christian Tetzlaff et invite le public ˆÝ y assister, le mardi 16 mars, de 10 h 30 ˆÝ 13 h, ˆÝ la salle de concert du Conservatoire de musique de Montrˆ©al, situˆ© au 4750, avenue Henri-Julien, ˆÝ Montrˆ©al. VENEZ VOIR ce grand maˆÆtre prodiguer ses prˆ©cieux conseils aux ˆ©lˆ®ves violonistes du Conservatoire. Les billets pour cet ˆ©vˆ©nement, au coˆªt de 5 $, sont disponibles dˆ®s maintenant sur Admission (514 790-1245), ˆÝ la billetterie du Conservatoire ou ˆÝ l’Äôentrˆ©e, le jour mˆ�me.

Nˆ© en 1966, ˆÝ Hambourg, en Allemagne, Christian Tetzlaff est un violoniste dans la lignˆ©e des Vengerov et Repin. Violoniste prodige, artiste racˆ©, il s’Äôattire les plus somptueux ˆ©loges par ses interprˆ©tations rˆ©flˆ©chies et sensibles. Aussi ˆÝ l’Äôaise dans les rˆ©pertoires classique et romantique que dans la musique contemporaine et la musique du XXe siˆ®cle, Christian Tetzlaff a ˆ©tˆ© ˆ©lu ¬´ Musicien de l’Äôannˆ©e ¬ª par Musical America, en 2005. Christian Tetzlaff a enregistrˆ© de nombreux albums et sa discographie comprend les principaux concertos pour violon, les Sonates pour piano et violon de Bartˆ„k avec Leif Ove Andsnes, et les trois Sonates pour piano et violonde Brahms avec Lars Vogt. Plusieurs de ses enregistrements ont ˆ©tˆ© nommˆ©s aux Grammy Awards et rˆ©compensˆ©s par des prix prestigieux. Christian Tetzlaff joue sur un violon du luthier allemand Peter Greiner, un Guarneri del Gesu.

Le public pourra ˆ©galement entendre M. Tetzlaff avec l’ÄôOrchestre symphonique de Montrˆ©al, les 15 et 16 mars, ˆÝ 20 h, dans le cadre de la sˆ©rie Les Grands Concerts, ˆÝ la salle Wilfrid-Pelletier de Place des Arts.

Ces cours de maˆÆtres qu’Äôorganise le Conservatoire de musique et d’Äôart dramatique du Quˆ©bec sont une occasion de dialogue, de transfert des savoirs et de communication entre les artistes de toute provenance.

Pour obtenir plus d'information, vous pouvez nous joindre au 514 873-4031. Nous vous invitons aussi ˆÝ vous abonner aux Actualitˆ©s en fils RSS du Conservatoire, une faˆßon simple et pratique d’Äôˆ�tre informˆ© sur nos activitˆ©s.

Le calendrier 2010 de The Music Scene

La Scˆ®ne Musicale/The Music Scene annonce le calendrier 2010 de The Music Scene, publication trimestrielle sur la musique pour l’ÄôOntario et l’ÄôOuest du Canada

Le 15 mars 2010, Montrˆ©al (Quˆ©bec) ’Äì La Scena Musicale a le plaisir d'annoncer le calendrier 2010 de sa publication trimestrielle conˆßue pour les mˆ©lomanes de l'Ontario et de l'Ouest du Canada, The Music Scene.

Les quatre numˆ©ros qui paraˆÆtront donneront ˆÝ leurs lecteurs des nouvelles fraˆÆches et complˆ®tes sur les activitˆ©s musicales et les personnalitˆ©s du monde de la musique, ainsi que des recensions de disques, de DVD et de livres, des guides et beaucoup d’Äôautres choses. The Music Scene parlera ˆ©galement des activitˆ©s ˆ©ducatives et des festivals s'adressant aux rˆ©sidents de l'Ontario et de l'Ouest du Canada.

Le prochain numˆ©ro de The Music Scene sera en kiosque le 26 mars 2010. Il donnera la vedette ˆÝ un nouvel opˆ©ra, Giiwedin, une coproduction de Native Earth Performing Arts et An Indie(n) Rights Reserve, sur un livret du dramaturge algonquin Spy Dˆ©nommˆ©-Welch, qui a ˆ©galement composˆ© la musique en collaboration avec Catherine Magowan. Giiwedin raconte l'histoire de Noodin-Kwe, une autochtone de 150 ans qui lutte pour sa terre. C’Äôest un ˆ©vˆ©nement, car il est rare pour un artiste autochtone du Canada de choisir l’Äôopˆ©ra comme moyen d’Äôexpression.
Dans le mˆ�me numˆ©ro, on trouvera ˆ©galement des rˆ©pertoires des festivals nationaux et des camps d'ˆ©tˆ©, ainsi que des articles sur la pianiste Yuja Wang et sur l’Äôadministrateur d'orchestre et agent d'artistes Walter Homburger, laurˆ©at d’Äôun prix du Gouverneur gˆ©nˆ©ral 2010 pour les arts du spectacle.

En 2010, The Music Scene continuera de remplir sa mission de diffuser des informations pertinentes sur les artistes, les ˆ©vˆ©nements et les enjeux de la communautˆ© anglophone du Canada. L'an passˆ©, elle a consacrˆ© de longs articles ˆÝ des sujets tels que El Sistema, le St. Lawrence String Quartet et Peter Simon, du Conservatoire royal de musique.

Les annonceurs de The Music Scene pourront bˆ©nˆ©ficier d’Äôun rabais 50 % s’Äôils insˆ®rent la mˆ�me annonce dans la publication nationale mensuelle bilingue La Scena Musicale, et vice versa.

Trousse mˆ©dias 2010 ’Äì 
The Music Scene
Quatre numˆ©ros en 2010 axˆ©s sur l’Äôˆ©ducation et les festivals desservant l’ÄôOntario (Toronto et Ottawa) et l’Äôouest du Canada.

TMS Printemps 2010

  • Thˆ®me : camps d’Äôˆ©tˆ© et festivals de musique internationaux
  • Sortie : le 26 mars 2010
  • Tombˆ©e annonces : 22 mars 2010 ’Ä¢ Maquettes : 22 mars 2010
  • Distribution : sud de l’ÄôOntario (15 000 exemplaires), Ottawa-Gatineau (5000 exemplaires), ˆ©coles de musique (3000 exemplaires), poste (2000 exemplaires)
  • Public cible : musiciens amateurs, aux ˆ©tudes et professionnels, amateurs de musique et d’Äôart
TMS ˆâtˆ© 2010 Jazz
  • Thˆ®me : numˆ©ro national annuel sur le jazz
  • Guides : festivals canadiens de jazz, de musique du monde et de musique folklorique et festivals de jazz internationaux
  • Sortie : le 7 mai 2010
  • Tombˆ©e annonces : 23 avril 2010 ’Ä¢ Maquettes : 26 avril 2010
  • Distribution : sud de l’ÄôOntario (12 000 exemplaires), Ottawa-Gatineau (3000 exemplaires), C.-B. (6000 exemplaires), Alberta (4000 exemplaires)
  • Public cible : musiciens amateurs, aux ˆ©tudes et professionnels, amateurs de musique et d’Äôart
TMS ˆâtˆ© 2010 Classique
  • Thˆ®me : numˆ©ro national annuel sur les festivals de musique classique et d’Äôart
  • Guides : festivals de musique classique et d’Äôart au Canada
  • Sortie : 7 juin 2010
  • Tombˆ©e annonces : 24 mai 2010 ’Ä¢ Maquettes : 24 mai 2010
  • Distribution : sud de l’ÄôOntario (12 000 exemplaires), Ottawa-Gatineau (3000 exemplaires), C.-B. (6000 exemplaires), Alberta (4000 exemplaires)
  • Public cible : musiciens amateurs, aux ˆ©tudes et professionnels, amateurs de musique et d’Äôart
TMS Hiver 2010
  • Thˆ®me : ˆâtudes supˆ©rieures en musique
  • Sortie : 10 novembre 2010
  • Tombˆ©e annonces : 1er novembre 2010 ’Ä¢ Maquettes : 2 novembre 2010
  • Distribution : sud de l’ÄôOntario (15 000 exemplaires), Ottawa-Gatineau (5000 exemplaires), ˆ©coles de musique (3000 exemplaires), poste (2000 exemplaires)
  • Public cible : musiciens amateurs, aux ˆ©tudes et professionnels, amateurs de musique et d’Äôart
’Äì 30 ’Äì

Contact mˆ©dias :
 Wah Keung Chan, rˆ©dacteur en chef
wkchan@lascena.org

514-400-0882

Contact annonceurs :

Morgan Gregory, Wah Keung Chan
514-948-0509
sales@scena.org
http://ads.scena.org


Information :
 http://tms.scena.org

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Announcing 2010 Schedule of The Music Scene


La Scˆ®ne Musicale/The Music Scene Announces 2010 Schedule of The Music Scene
Quarter-annual Music Magazine is Geared to Serve Ontario and Western Canada 

March 15, 2010, Montreal, QC ’Äì La Scena Musicale is pleased to announce the 2010 schedule of The Music Scene, its quarter-annual publication tailored specifically for Ontario and Western Canada music lovers. 
The four upcoming issues will provide readers with the latest and most comprehensive coverage of music events and personalities, as well as CD, DVD and book reviews, guides and much more. The Music Scene will focus on education and festivals serving Ontario and Western Canada residents. 


The next issue of The Music Scene hits news stands on March 26, 2010 and will have as feature story the making of a new opera, Giiwedin, a co-production of the Native Earth Performing Arts and An Indie(n) Rights Reserve, with a libretto by Algonquin playwright Spy Dˆ©nommˆ©-Welch, who also co-composed it with Catherine Magowan. Giiwedin tells the story of Noodin-Kwe, a 150-year old Aboriginal woman, fighting for her land. This opera is unique in that it is the first time Canadian First Nations artists have chosen opera as a medium for their story-telling. The issue will also feature international festival and summer camp guides as well as profiles on pianist Yuja Wang and 2010 Governor General’Äôs Performing Arts Award winner Walter Homburger, the great orchestra and artist manager. 


In 2010, The Music Scene will continue to uphold its mandate of providing up-to-date coverage of artists, events and issues relevant to English Canada. Last year, The Music Scene was proud to offer cover profiles on El Sistema, The St. Lawrence String Quartet and Peter Simon of the Royal Conservatory of Music. The Music Scene is also complimented on the Internet by Joseph So’Äôs This Week in Toronto blog post at http://www.scena.org/blog. 


Advertisers in The Music Scene will have access to the exclusive offer of 50% off the same advertisement in La Scena Musicale, a monthly and bilingual national publication, and vice-versa.
 

TMS Spring 2010
  • Theme: Summer Camps and International Music Festivals
  • Appearance: March 26, 2010
  • Ad Deadline: March 19, 2010 ’Ä¢ Artwork: March 22, 2010
  • Distribution: Southern Ontario (15,000 copies), Ottawa-Gatineau (5000 copies), Music Schools (3000 copies), mailing (2000 copies)
  • Target audience: amateur, student and professional musicians, music and arts lovers

 
TMS Summer Jazz 2010
  • Theme: Annual Jazz National Issue
  • Guides: Canadian Jazz, World and Folk Festivals and International Jazz Festivals
  • Appearance: May 7, 2010
  • Ad Deadline: April 23, 2010 ’Ä¢ Artwork: April 26, 2010
  • Distribution: Southern Ontario (12,000 copies), Ottawa-Gatineau (3000 copies), BC (6000 copies), Alberta (4000 copies)
  • Target audience: amateur, student and professional musicians, music and arts lovers

 
TMS Summer Classical 2010
  • Theme: Annual Classical Music and Arts Festivals National Issue
  • Guides: Canadian Classical Music and Arts Festivals
  • Appearance: June 7, 2010
  • Ad Deadline: May 24, 2010 ’Ä¢ Artwork: May 24, 2010
  • Distribution: Southern Ontario (12,000 copies), Ottawa-Gatineau (3000 copies), BC (6000 copies), Alberta (4000 copies)
  • Target audience: amateur, student and professional musicians, music and arts lovers

 
TMS Winter 2010
  • Theme: Higher Music Education
  • Appearance: November 10, 2010
  • Ad Deadline: November 1, 2010 ’Ä¢ Artwork: November 2, 2010
  • Distribution: Southern Ontario (15,000 copies), Ottawa-Gatineau (5000 copies), Music Schools (3000 copies), mailing (2000 copies)
  • Target audience: amateur, student and professional musicians, music and arts lovers

 
’Äì 30 ’Äì 
Media contact:
Wah Keung Chan, editor
wkchan@lascena.org
514-400-0882 


Advertising contact: 
Morgan Gregory, Wah Keung Chan
514-948-0509
sales@scena.org
http://ads.scena.org 


Information:
http://tms.scena.org

Labels:

Monday, March 15, 2010

Ensemble Transmission ˆÝ New York

Montrˆ©al, le lundi 8 mars 2010 ’Äì Transmission fera ses dˆ©buts ˆÝ New York  le 16 mars prochain, en rendant hommage au compositeur Iannis Xenakis dans le cadre de l’Äôexposition Iannis Xenakis : architecte, compositeur, visionnaire organisˆ©e conjointement par le Drawing Center et le Xenakis Project of the Americas of the Barry S. Brook Center for Music Research and Documentation.  

Avec l’Äôaide du CALQ, Transmission prˆ©sentera son programme intitulˆ© French Transmission ˆÝ la salle Elebash du CUNY Graduate Center de New York.   

French Transmission (‰ìuvres de Boulez, Murail, Leroux, Vivier et Xenakis) sera prˆ©cˆ©dˆ© d`une prˆ©sentation sur Xenakis au Canada du compositeur canadien James Harley, ˆ©lˆ®ve de Xenakis et auteur de Xenakis, His Life in Music.  

Cette exposition sera d`ailleurs prˆ©sentˆ©e ˆÝ Montrˆ©al de juin ˆÝ octobre 2010 par le Centre d`Architecture Canadien. Transmission participera ˆÝ cet ˆ©vˆ®nement en donnant deux concerts : It`s all Xenakis : ‰ìuvres de Xenakis et Xtc : ‰ìuvres de Xenakis, Aperghis et  Harley.  

Le collectif Transmission se compose de six artistes/musiciens, penseurs et producteurs indˆ©pendants: Guy Pelletier, flˆªte; Lori Freedman, clarinette; Alain Giguˆ®re, violon; Julie Trudeau, violoncelle; Julien Grˆ©goire, percussion; Brigitte Poulin, piano. Transmission travaille sans chef la musique moderne et contemporaine du solo au sextuor.
Transmission est une ˆ©nergie fraˆÆche et essentielle, un refuge artistique, en constante recherche d’Äô‰ìuvres et de performances nouvelles. 

Principal Oboe Lidia Khaner showcases musicality and precision in a concert featuring Mozart’Äôs Oboe Concerto

Midweek Classics
Principal Oboe Lidia Khaner showcases musicality and precision in a concert featuring
Mozart’Äôs Oboe Concerto
Wednesday, March 17th ’Äì 7:30 pm

Edmonton, AB ’Ķ Your Edmonton Symphony Orchestra (ESO) and Resident Conductor Lucas Waldin bring a supernatural element, stark emotionality, and mysticism to their upcoming Midweek Classics concert at the Francis Winspear Centre for Music.  Featuring Principal Oboe Lidia Khaner in Mozart’Äôs elegant Oboe Concerto, significant works by Weber, Vivaldi, and Tchaikovsky complete this midweek program of music.

Tuneful and powerful, and a staple in concert halls around the world, Weber's groundbreaking overture to Der Freischˆºtz dawned a new era in German music.  With its daring innovations, this piece is considered the precursor to Wagner’Äôs great music dramas.  Mozart’Äôs only Oboe Concerto offers a light and transparent musical texture that highlights the soloist’Äôs shining presence, and ebullient exchanges between the soloist and orchestra add touches of rhythmic challenge.  ’ÄúThe concerto may not be one of the hardest pieces in the oboe repertoire, but it can easily show an oboist’Äôs musicality, technique, and precision,’Äù explains Lidia Khaner.

On the contrary, Mozart's Masonic Funeral Music is dark and serious ’Äì a melancholic tune of mystery as opposed to fear or dread.  Though written following the deaths of two members of the same Masonic lodge to which Mozart belonged, Mozart viewed this chilling piece as a meditation upon death.  Tchaikovsky’Äôs Fourth Orchestral Suite, ’ÄúMozartiana’Äù ’Äì adapted from some of Mozart’Äôs lesser known works ’Äì quickly won acclaim for its elaboration on graceful simplicity to create tone pictures full of charm and colour.  Vivaldi's variations on ’ÄúLa Folia’Äù, a popular Spanish tune which has inspired dozens of composers including Corelli, will also be performed.

Ticket prices for Mozart’Äôs Oboe Concerto range from $20 ’Äì $65 (agency fees apply), and are available through the Winspear Centre Box Office.  Call (780) 428-1414, toll-free 1-800-563-5081, or purchase online at www.EdmontonSymphony.com.

The next and final performance of the Midweek Classics series this season takes place on March 26th, 2010.  Edmonton’Äôs Jeremy Spurgeon performs Handel’Äôs dramatic concerto on the Davis Concert Organ in Echoes from the Baroque ’Äì a concert also featuring substantial orchestral works by Bach, Bizet, and Poulenc.

Thank you to our series media sponsor Espace Musique, and our season media sponsors CBC and the Edmonton Journal.

Sponsorship inquiries can be directed to Marc Carnes, Director of Development, at (780) 401-2518.

The Edmonton Symphony Orchestra, marking its 58th season in 2009-2010, has taken its place as one of Canada's foremost orchestral ensemble.  Its current roster includes 56 musicians from Canada and around the world, performing a wide-ranging repertoire from the great classical masterworks to pops and children's concerts.  The presence of the orchestra and its enrichment of the community's quality of life are key elements in the stature and profile of Edmonton on the national and international scene.

Messe brˆ®ve La Stella et Stabat Mater ˆÝ 10 voix

Domenico Scarlatti
Messe brˆ®ve La Stella et Stabat Mater ˆÝ 10 voix

Le vendredi 19 mars 2010, 20 h 00
Chapelle Notre-Dame-de-Bon-Secours, 400, rue Saint-Paul Est, Vieux-Montrˆ©al

Prix des billets :
Entrˆ©e simple 28 $ / AˆÆnˆ© (65 ans et +) 25 $
ˆâtudiant, temps plein, 25 ans et moins 10 $
15 ans et moins accompagnˆ© d’Äôun adulte : gratuit

Renseignements et rˆ©servations : 514-748-8625 ’Äì www.clavecinenconcert.org


Montrˆ©al, 4 mars 2010 ’Äì Lors de son prochain concert, Clavecin en concert vous proposera d’Äôentendre deux ‰ìuvres de musique sacrˆ©e de Domenico Scarlatti : la messe brˆ®ve La Stella et le Stabat Mater ˆÝ 10 voix. Dix chanteurs et trois musiciens seront dirigˆ©s par Luc Beausˆ©jour. Quatre sonates pour orgue de Domenico Scarlatti complˆ®teront le programme.


¬´ Vin bˆ©nˆ©fice ¬ª ˆÝ la crypte au profit de Clavecin en concert

Aprˆ®s le concert, tous ceux qui dˆ©sirent participer ˆÝ un ¬´ Vin bˆ©nˆ©fice ¬ª pourront se rendre ˆÝ la crypte de la chapelle oˆ¼ des vins et fromages seront servis. Luc Beausˆ©jour jouera d’Äôune ˆ©pinette en aile d’Äôoiseau du facteur Yves Beauprˆ©.

Prix des billets :
Concert seulement (20 h) : rˆ©gulier 28 $, aˆÆnˆ© 25 $, ˆ©tudiant 10 $
Concert et vin bˆ©nˆ©fice : aˆÆnˆ© et rˆ©gulier 75 $, ˆ©tudiant 60 $.
Vin bˆ©nˆ©fice : 50 $ (21 h)

Rˆ©servations : Gisˆ®le Pelletier 514-748-8625 / gpelletier@vif.com / clavecinenconcert.org

Clavecin en concert remercie le Conseil des arts et des lettres du Quˆ©bec, le Conseil des Arts du Canada et le Conseil des arts de Montrˆ©al de leur soutien.
Renseignements : Louis Allard, 514-805-9904

Art of Time Ensemble presents The Kreutzer Sonata

Inspired by and featuring Beethoven's Kreutzer Sonata

featuring Ted Dykstra in his adaptation of Leo Tolstoy's novella of the same name
and the choreography of James Kudelka danced by Coleman Lemieux & Compagnie to Beethoven's Kreutzer Sonata, performed by
Andrew Burashko on piano and violinist Marie Bˆ©rard

Toronto, February 24, 2010 - Capitalizing on the tremendous sold-out success of The Kreutzer Sonata last season, the Art of Time Ensemble, under the artistic direction of founder Andrew Burashko, re-stages this outstanding concert evening inspired by and featuring Ludwig Van Beethoven's Kreutzer Sonata (Sonata for violin and piano No. 9 in A Major, Op. 47) at Harbourfront Centre's Enwave Theatre from March 18-21, 2010.

Sponsored by BMO Financial, this unique evening moves in a bold direction with a collage of theatre, dance and music that features a dramatic adaptation of Leo Tolstoy's passionate novella, The Kreutzer Sonata, written and performed by award-winning actor/director Ted Dykstra.

The second half features James Kudelka's 15 Heterosexual Duets: a virtuosic work choreographed by one of Canada's most eminent choreographers to Beethoven's Kreutzer Sonata, and danced by the acclaimed Coleman Lemieux & Compagnie to the accompaniment of Andrew Burashko on piano and Marie Bˆ©rard on violin. Like the Tolstoy story, it explores the male/female relationship.
Coleman Lemieux & Compagnie is led by Bill Coleman and Laurence Lemieux, who are also life partners. 15 Heterosexual Duets features some of the most talented dancers in the country:
Kate Alton
Valerie Calam
Michael Caldwell
Lauren Chin
Bill Coleman
Luke Garwood
Andrew Giday  
Jones Henry
Sylvain Lafortune
Laurence Lemieux
Graham McKelvie
Christianne Ullmark

 Founded by Artistic Director Andrew Burashko, the Art of Time Ensemble is now in its 11th season. Art of Time provides a unique musical experience that breaks down barriers between artistic and musical disciplines, and reveals the vibrancy of classical music as a contemporary artistic expression, appealing to a range of audiences. Its concerts are provocative, engaging and accessible to people unfamiliar with classical music, but also immensely fulfilling to aficionados. Currently, Art of Time is on tour with singer Steven Page in support of the release this month of its latest CD, A Singer Must Die.

The 2009/2010 season features performances by Emilie-Claire Barlow, Coleman Lemieux & Compagnie, Guinga, Kevin Hearn, Gregory Hoskins, Raine Maida, Andy Maize, Peter Mettler, Andrea Nann, Steven Page, Alejandra Ribera, Sarah Slean, John Southworth and R.H. Thomson, plus some of the finest classical and jazz musicians in the country.
Art of Time Ensemble
-Andrew Burashko, Artistic Director-
presents The Kreutzer Sonata
Inspired by and featuring Beethoven's Kreutzer Sonata
Featuring Ted Dykstra and the choreography of James Kudelka danced by Coleman Lemieux & Compagnie, accompanied by Andrew Burashko on piano and violinist Marie Bˆ©rard

Thursday March 18 - Sunday March 21, 2010
Thursday-Saturday at 8 PM with a Sunday matinee at 2 PM
Enwave Theatre | 231 Queens Quay West
Tickets: $19-$49 ; Box Office: 416-973-4000 AND www.artoftimeensemble.com

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Sunday, March 14, 2010

Opera Kitchener presents Madama Butterfly

Sunday March 14th 2010 ~ 3pm

The most performed OPERA of all TIME

Opera’Äôs most epic and exotic tale of passion and betrayal comes to THE HUMANITIES THEATRE;  a young woman must decide between living without dignity or dying with honour in the opera most performed throughout the world.

This fully staged performance will be sung in Italian, with English Surtitles, accompanied by orchestra, soloists and chorus conducted by Maestro Sabatino Vacca.

Puccini’Äôs soaring melodies and iconic orchestration bring to life the tale of a young geisha girl, Cio-Cio San, also know as Madama Butterfly, who at the opening of the opera has been arranged to marry a U.S. Navel Lieutenant B.F. Pinkerton.  However, the carefree young officer tells his friend, the American Counsel Sharpless, that although he likes Butterfly and will proceed with the ceremony, he won’Äôt think much of it when he returns to America. With the arrival of all her guests and relatives, Butterfly reveals to Pinkerton that she has renounced her faith to be with him.  As Pinkerton then realizes what Butterfly has given up for him, the gravity of this action climaxes: suddenly Butterfly’Äôs Uncle, a high priest, arrives and curses the girl for forsaking the ancient religion of her ancestors. All the wedding guests leave, denouncing Cio-Cio San, and leave her to be comforted solely in the arms of her new husband.  Can the two lovers overcome the ancient curse as cultures collide ? 

As famous as the actual tale itself is the magnificent and memorable music that pours forth from the score; familiar arias such as the heart wrenching ’ÄúUn bel Di’Äù and ’ÄúAddio, fiorito asil’Äù, the duet of the young lovers ’ÄúVieni la sera’Äù, and the hauntingly beautiful ’ÄúHumming Chorus’Äù all depict overwhelming emotions via of the power of the human voice soaring above an orchestra.  Premiering an all-Canadian cast, this period production features the vocal talents of Suzanne Kilgore as the heroine Cio-Cio San (Madama Butterfly), Romulo Delgado as Pinkerton, Louisa Cowie as Suzuki and Mark Gardner as Sharpless. 

Don’Äôt miss this performance of the world’Äôs most beloved opera: ’ÄúMadama Butterfly’Äù by G.Puccini will be for only one performance only ~ Sunday March 14th 2010 at 3pm.  Call the Humanities Theatre Box Office at 519.888.4908 and book your tickets today!

OPERA KITCHENER is owned and operated by husband and wife team Emilio and Jennifer Fina.  Their mandate is to present traditional, fully-staged professional operatic productions on a yearly basis, to provide the experience only opera can bestow to the public with affordable ticket prices and to employ the talents of resident musicians and artists of the community.

OPERA KITCHENER’Äôs ’ÄúMADAMA BUTTERFLY’Äù ’Äì an opera by G.Puccini  ’Äì
Sunday March 14th 2010 at 3pm
The Humanities Theatre, University of Waterloo
200 University Avenue West, Waterloo Ontario

Fully staged with sets, costumes, orchestra, chorus and soloists
Sung in Italian with English Surtitles

For Tickets call the Humanities Theatre Box Office at 519.888.4908

Visit us at www.operakitchener.com for more information on this performance or our 2009/2010 season.

Exposition - Parle-moi d'amour

L’Äôexposition-encan

Nouvelle formule pour la 12e ˆ©dition

Montrˆ©al, le lundi 1er mars 2010 - Jean-Bernard Trudeau, prˆ©sident du conseil d’Äôadministration, Michel Dallaire, coprˆ©sident, artiste, Tina Sealy, coprˆ©sidente, Impatiente et Clˆ©mence DesRochers, porte-parole, ont le plaisir d’Äôinviter le grand public ˆÝ la 12e ˆ©dition de l’Äôexposition-encan Parle-moi d’Äôamour. L’Äôexposition se tiendra jusqu’Äôau 23 mars 2010 dans la salle RONA du Centre Les Impatients (100, rue Sherbrooke Est, 4e ˆ©tage).

L’Äôexposition-encan Parle-moi d’Äôamour, qui se dˆ©roule chaque annˆ©e durant la pˆ©riode de la Saint-Valentin, connaˆÆtra cette annˆ©e sa 12e ˆ©dition. Cet ˆ©vˆ©nement unique en arts visuels rˆ©unit des artistes professionnels et des Impatients. Plus d’Äôune cinquantaine d’Äôartistes s’Äôimpliquent gˆ©nˆ©reusement dans cette cause et offrent une ‰ìuvre qui est vendue lors de l’Äôencan. Parmi eux, Madeleine Arbour, Elmyna Bouchard, Laurence Cardinal, Janine Carreau, Renˆ© Derouin, Clˆ©mence DesRochers, Michˆ®le Drouin, Jean-Louis ˆâmond, ˆâliane Excoffier, Pierre Gauvreau, Raymonde Godin,  Yves Louis-Seize,  Jaber Lutfi, Lˆ©o Rosshandler et Serge Roy.

ˆÄ l'occasion de cette 12e ˆ©dition, l'ˆ©vˆ©nement prend un nouveau virage :
¬…        Du cˆ¥tˆ© des Impatients
Pour la premiˆ®re fois dans l’Äôhistoire des Impatients, une cinquantaine d’Äô‰ìuvres provenant des archives seront prˆ©sentˆ©es, accompagnˆ©es des ¬´ Dˆ©lirantes ¬ª et des ¬´ Tenaces ¬ª, des poupˆ©es rˆ©alisˆ©es en atelier qui seront mises en vente lors de cette fˆ�te.
¬…        Du cˆ¥tˆ© des artistes
Une plus grande variˆ©tˆ© de format est proposˆ© cette annˆ©e aux artistes professionnels.
¬…        Lors de soirˆ©e de clˆ¥ture
Cette annˆ©e, la soirˆ©e se terminera par un encan criˆ©, animˆ© par Pierre Paquet lors de laquelle une cinquantaine d’Äô‰ìuvres seront mises en vente. Mis ˆÝ part la soirˆ©e de clˆ¥ture, le fonctionnement de l'encan demeure le mˆ�me. Les ‰ìuvres rˆ©alisˆ©es sont offertes aux collectionneurs par le biais d'un encan silencieux dˆ®s l’Äôouverture de l'exposition, et ce, jusqu'ˆÝ la soirˆ©e de clˆ¥ture. La mise de dˆ©part demeure ˆÝ 50 $.

Cette exposition-encan a pour but de recueillir des fonds pour permettre aux Impatients de poursuivre leur double mission : offrir un lieu d’Äôexpression artistique et thˆ©rapeutique aux personnes souffrant de problˆ®mes de santˆ© mentale et de favoriser les ˆ©changes avec la communautˆ© par la diffusion de leurs rˆ©alisations. Au-delˆÝ de l’Äôimpact financier de l’Äôˆ©vˆ©nement, il s’Äôagit pour Les Impatients de sensibiliser le grand public aux rˆ©alitˆ©s des personnes connaissant des problˆ®mes de santˆ© mentale, problˆ®mes qui touchent une personne sur cinq au Quˆ©bec.

Le centre Les Impatients est un organisme ˆÝ but non lucratif dont la mission est d’Äôaider les personnes atteintes de maladie mentale en leur offrant des ateliers d’Äôexpression artistiques, et ce, dans cinq lieux diffˆ©rents : au Centre Wellington (Institut Douglas), ˆÝ l’ÄôHˆ¥pital Louis-H. Lafontaine, ˆÝ Montrˆ©al-Est et dans le centre-ville de Montrˆ©al.

Heures d’Äôouverture
Mardi au vendredi de 10 h ˆÝ 17 h, jeudi jusqu'ˆÝ 19 h
Samedi et dimanche de 13 h ˆÝ 17 h
Pour plus d’Äôinformation : 514-842-1043

Cet ˆ©vˆ©nement est rˆ©alisˆ© grˆ¢ce au ministˆ®re de la Santˆ© et des Services sociaux, Postes Canada, Prologue, Transcontinental, Lundbeck Canada inc., Gestion Phila, Fondation du Grand Montrˆ©al, Hydro-Quˆ©bec, Le Curateur public du Quˆ©bec, Gowling Lafleur Henderson LLP, Pˆ©lican International Inc, Fondation des maladies mentales, Communications Voir, SAQ, DeSerres et RONA.

The Hudson Music Club performs Disney's Beauty and the Beast: The Broadway Musical

Join The Hudson Music Club for its performance of Disney’Äôs Beauty and the Beast, happening at Le Grand Theatre in Vaudreuil (Citˆ© des Jeunes) starting February 28th till March 14th, 2010. Proceeds of the show go towards La Passerelle, a shelter to help victims of domestic violence.  

In this beloved tale, we meet a spoiled prince, who has been turned into a Beast after being placed under a spell. Meanwhile, a young Beauty in a nearby village might be the only hope in breaking the spell and setting all those who reside in the castle, free.  

The Hudson Music Club is a non-profit organisation, dedicated to producing quality musical entertainment to benefit the community. Through annual productions and events, the Club raises funds for charities for the Hudson/St-Lazare/Vaudreuil area.  

Matinees are playing Feb. 28 th, March 6th, 7th, 13th and 14th. Evening shows are March 3rd, 5th, 6th, 12th and 13th. Call 514-848-9696 for tickets today! Group rates available. 

Bravo Yannick!

Montrˆ©al, le mardi 23 fˆ©vrier 2010 -L’ÄôAdministration et les musiciens de l’ÄôOrchestre Mˆ©tropolitain fˆ©licitent leur chef, Yannick Nˆ©zet-Sˆ©guin, laurˆ©at du Prix du Gouverneur gˆ©nˆ©ral pour les arts du spectacle (PGGAS) 2010 (Prix du Centre National des Arts).

Les PGGAS constituent la plus haute distinction accordˆ©e aux artistes canadiens.

¬´ Il est touchant pour nous, qui avons soumis le dossier de Yannick aux PGGAS, de voir combien Yannick fait l’Äôunanimitˆ© parmi ses pairs. Il est un chef et un homme d’Äôune sensibilitˆ© et d’Äôune intelligence remarquables. C’Äôest un artiste ambassadeur de choix pour le Canada ¬ª, a exprimˆ© Luce Moreau, prˆ©sidente-directrice gˆ©nˆ©rale de l’ÄôOrchestre Mˆ©tropolitain.

Pour de plus amples renseignements: http://www.canadacouncil.ca/nouvelles/communiques/2010/fm129114250566215078.htm

Toronto Pictures Puts a Lens on Social Issues

SocialWorkersSpeak.org Talks to VP Daria Trifu About Studio’Äôs Causes

WASHINGTON’Äî Toronto Pictures is a movie studio on a mission.

The Canadian company is dedicated to making Hollywood quality films that explore different cultures and educate about social issues, including child abuse, modern-day slavery, eating disorders and prostitution.

The studio also listens to social workers and covers issues that interest them. In January Toronto Pictures appointed social worker and National Association of Social Workers (NASW) member Silvio Orlando, MSW, and his wife Adriana Hellinger Orlando, to their advisory board. Mrs. Orlando is a former social worker.

SocialWorkersSpeak.org sat down with Toronto Pictures vice president Daria Trifu to talk about the company and its projects. SocialWorkersSpeak.org is a NASW Web site that lets social workers comment on and influence how they and issues they care about are portrayed in film, on television and the news.

Here is the interview:

Q: How long have you been involved with Toronto Pictures and what can you tell us about the company?

A: I moved to Canada in 1999 (Trifu is Romanian) and became involved with Toronto Pictures in 2000. Toronto Pictures is an independent film studio which develops, produces and distributes Hollywood standard, 35-mm feature films around the world.  Maestro Bruno Pischiutta is the founder, president and chief executive officer of the company.  He is the one who had the vision of using mainstream filmmaking to address issues of our world, thereby bringing them forth to the general public, reaching a large audience with films produced according to top production standards.  Bruno Pischiutta is an internationally celebrated writer, director and producer who is known for his lifelong commitment to fostering the art of filmmaking.

Q: Tell us more about your latest project ’ÄúPunctured Hope.’Äù

A: ’ÄúPunctured Hope: A Story About Trokosi and Young Girls’Äô Slavery in Today’Äôs West Africa,’Äù is the first mainstream feature film which is based on an African story interpreted by an all African cast of professional actors and shot in Africa under the direction of Bruno. ’ÄùPunctured Hope’Äù  is inspired by the true life story of an African ’Äútrokosi’Äù slave. Trokosi is one of the most widespread forms of women’Äôs slavery that exists in the world today. In fact, today there are 25,000 trokosi slaves and two million women who are genitally mutilated every year. ’ÄúPunctured Hope’Äù was an official Selection at the Montreal World Film Festival in 2009 and it has recently been nominated by the Political Film Society as Best Film Exposˆ© and Best Film on Human Rights of 2009. The film has now qualified for consideration for the Academy Awards as ’ÄúBest Picture.’Äù

Q: Where is the film being shown and how has it been received?

A: ’ÄúPunctured Hope’Äù has been screened in Los Angeles since November. Each screening of the film has evolved into an event. The audience included members of Amnesty International, the Green Party, Women in Film (WIF), Films4Change, Veterans for Peace and film professionals. Together with the general public present, they have all chosen to join the movement behind the film and Pischiutta’Äôs cause. Viewers’Äô reactions have actually created a grassroots movement that identifies with this cause. Future event screenings will follow the film as it opens commercially in New York City beginning in June. When we decided to produce ’ÄúPunctured Hope’Äù we made the commitment to donate 10 percent of the net profit of the film from the first three years after the commercial release to develop the infrastructure of an African village.

Q: What other projects are you working on?

A: This year, we are producing the film ’ÄúA Party Girl for the Rat Pack’Äù which originates from the novel ’ÄúBreaking My Silence: Confessions of a Rat Pack Party Girl and Sex-Trade Survivor’Äù by Jane McCormick. For many years, Jane was very close to Frank Sinatra, Dean Martin, Sammy Davis Jr., Peter Lawford and Joey Bishop. The film will deal with the relationship between child abuse and prostitution. It will be non-graphic and it will constitute a new genre due to the fact that the structure of this new feature will be something that has never been seen before. This film has a budget of $3.5 million and it will be filmed in Brazil and in the United States.

Q: You recently formed an advisory board that includes social worker and NASW member Silvio Orlando. What is the importance of having a social worker involved with your film work?

A: Education is a big component of our films and, as I have stated before, most of our films’Äô topics consist of a social nature. The presence of Silvio Orlando and his wife Adriana Hellinger Orlando (who was herself a social worker for many years) on the advisory board is absolutely necessary for us and we are happy and honored to be able to count on their advice. As a matter of fact, when we were following the screenings of ’ÄúPunctured Hope’Äù in Los Angeles a month ago, we took the time to visit Optimist Youth Home and Family Services, a treatment center for young offenders in Pasadena. We were invited by Silvio Orlando, who has been executive director of the center since 1999. What we saw was amazing; we had the chance to speak with members of the staff and with young residents who were sent there by the courts instead of being sent to jail. OYHFS, rather than a detention center, resembles a resort. We did a walk-through of the entire facility: the chapel, the sport facilities, the art and music classrooms, the high school, the dining and social rooms and, of course, the residential apartments. OYHFS has a rehabilitation ratio record of 80 percent. We were very impressed by the attachment that the young offenders developed to the center, which they communicated to us. We were impressed by the staff’Äôs dedication and we were particularly impressed by Silvio Orlando’Äôs enthusiasm and complete devotion to his mission of rehabilitating these young men and women through his center. The new morality that our cause is aiming to achieve means not only exposing problems to our films’Äô viewers but also doing something about them. We are aware that the recent California budget cut to OYHFS funds result in a necessity for Silvio to look for private sponsors. Taking all this into consideration, we have decided to donate 10 percent of the net profit worldwide (including theater, TV, DVD, etc.) for the first three years from the commercial release date of the film ’ÄúA Party Girl for the Rat Pack’Äù to the center. This percentage will come from our producers’Äô share and it will not affect the profit share of film investors.

Social workers are dedicated to ensuring equal rights for all in the United States and abroad. To learn more, visit the National Association of Social Workers’Äô Human Rights and International Affairs Division Web page by clicking here.

The National Association of Social Workers (NASW), in Washington, DC, is the largest membership organization of professional social workers with 150,000 members. It promotes, develops, and protects the practice of social work and social workers. NASW also seeks to enhance the well being of individuals, families, and communities through its advocacy.

Infinithˆ©ˆ¢tre presents Write-On-Q winner

Infinitheatre Presents Third premiere of the 2009-2010 Season

 
Infinithˆ©ˆ¢tre presents the world premiere of Arthur Holden’Äôs FATHER LAND directed by Guy Sprung and playing at the Bain St-Michel, March 9 to 28. 
Sunday morning in Westmount.   Fifteen-year-old Eric Brook is writing a history essay about Uday and Qusay, the sons of Saddam Hussein.   His father Joe, a successful accountant, is about to take Eric’Äôs reformed drug-addict uncle Victor to see their elderly father at the seniors residence.   It’Äôs a quiet, uneventful day that turns suddenly menacing when Victor reveals that he owes money to a local mobster ’Äì money he doesn’Äôt have ’Äì and the mobster is on his way over to collect.   The irresistible force of Victor’Äôs desperation confronts the immoveable object of Joe’Äôs outrage as young Eric, excluded from the conflict by his father, finds himself drawn to the bright flame of his uncle’Äôs recklessness.   In the boy’Äôs imagination his uncle and father become Uday and Qusay Hussein in the fateful aftermath of the American invasion: two men trapped in a sumptuous house as a mortal enemy approaches.   Alternating between the Brook home and the Iraqi villa in which the Hussein brothers have taken refuge, Father Land advances toward twin resolutions: one decreed by history, both by loyalty shot through with spite.   It is a story of the debt owed by sons to fathers, by fathers to sons, by blood to blood. 
Father Land was chosen from nearly forty submissions by a jury of Kent Stetson (Order of Canada recipient and Governor General award-winning playwright), Emma Tibaldo (Artistic Director of Playwrights Workshop Montreal) and Carolyn Guillet (playwright, actor and Associate Artist at Infinithˆ©ˆ¢tre) as the winner of Infinithˆ©ˆ¢tre’Äôs first Write-On-Q playwriting competition and received a public reading in The Pipeline in 2008. The audience was so involved in the play, the heated post-reading discussion threatened to go on longer than the play itself.  
Arthur Holden is a Montrˆ©al native, currently residing in Westmount, who has worked as an actor and writer in this city since the 1980’Äôs.  Acting credits include Battlefield Quebec, a TV docudrama written and directed by Brian McKenna, and Four Minutes If You Bleed, a stage play by Alex Haber and Ned Cox, directed by Alain Goulem.  Arthur’Äôs latest submission to the Write-On-Q contest, Kennedy: The Musical was chosen as one of the top three of 2009 and received a public reading using Arthur’Äôs original compositions in The Pipeline reading series last fall.  Arthur garnered rave reviews for his character Marty in the recent Infinithˆ©ˆ¢tre smash hit, The Daily Miracle. 
With
Dylan Gouze
Neil Napier
Howard Rosenstein

Set and Costume Design by James Lavoie
Lighting Design by Sarah Yaffe
Sound Design by Keith Thomas
Stage Managed by Sarah-Marie Langlois 
MEDI          Dates & Times March 9 ’Äì 28/10
      Previews     March 9 & 10 Pay-What-You-Can
      Opening     March 11
      Tues. through Sat.    20:00
      Sunday Matinˆ©e    14:00
      Monday     DARK

      Tickets

      General Admission         $20
      Seniors & Students    $15
      Groups (6 or more)    $10

      Venue

      Bain St-Michel
      5300, St-Dominique

      Box Office     Web Site

box-office@infinitheatre.com

Talks between Shaw Festival and Union Break Down

Niagara-on-the-Lake, Ontario, February 23, 2010 . . . The Shaw Festival announced today talks between management and IATSE Local 461 regarding the collective agreements for the Facilities, Production and Audience Sales and Services departments has broken down. 

The Union acquired bargaining rights over the Facilities department on July 25, 2008. Collective agreements in both the Audience Sales and Services and Production departments expired on November 30, 2008. 

Numerous negotiation sessions have taken place regarding the Facilities bargaining unit. The Shaw has also made repeated efforts to try and negotiate the renewal of Audience Sales and Services and Production contracts without success.

The parties met with a mediator appointed by the Ministry of Labour on February 18 and reached a tentative agreement on the Facilities contract at approximately 9 pm. At approximately 12:45 am on February 19, that agreement fell apart.

The parties agreed to return to the bargaining table on February 22 to revisit the Facilities contract. Those talks were again unsuccessful. The Shaw remains willing to return to the bargaining table as it continues to prepare to launch its 49th season with previews beginning April 1.

Jonas Kaufmann sings great German arias on two new releases available April 6th, 2010

Opera Arias by
Mozart, Schubert, Beethoven, Wagner
Mahler Chamber Orchestra/Claudio Abbado
Die Schˆ�ne Mˆºllerin with pianist Helmut Deutsch

’ÄúHe has burst upon the international scene as a fully mature, major artist. And "artist" with Kaufmann means the full deal.’Äù Gramophone

’ÄúIt’Äôs Kaufmann’Äôs gift that his immensely seductive and secure voice can encompass nearly anything the tenor repertoire throws at him.’Äù The Times of London on
Romantic Arias

NEW YORK, NY ’Äì February 2010 ’Äì Jonas Kaufmann is now established as one of the most successful and versatile tenor of his generation, attracting rave reviews for his live performances and recordings. With a velvety rich and dark, almost baritonal timbre unique among tenors performing today, Jonas Kaufmann lends an exquisite sound and unique artistic outlook to a wide variety of repertoire.

Following the international success of Romantic Arias, Jonas Kaufmann returns with two new albums available on Decca on April 6th, 2010. These recordings are released simultaneously just as Kaufmann arrives in the Unites States to perform the role of Cavarodossi in Puccini’Äôs Tosca at New York’Äôs  Metropolitan Opera (April 14th-24th).

One album features outstanding German tenor arias from the great operas of Wagner, as well as the challenging leading role of Beethoven's only opera Fidelio, favorite arias by Mozart, and rarely heard opera arias by Schubert.  Jonas Kaufmann has already sung most of these roles on the world's great opera stages.  Claudio Abbado directs the Mahler Chamber Orchestra in his first ever vocal recital recording for Decca, and his first Decca recording for almost 40 years.

This album was released in Europe to coincide with his role debut as Wagner's Lohengrin in a new production at the Munich Festival last summer. ’ÄúQuite simply,’Äù Opera News wrote of that performance, ’Äútenor Jonas Kaufmann sang a Lohengrin for the ages. Not one minute of his performance was less than extraordinary.’Äù
The album cover shows Jonas Kaufmann as Wanderer - inspired by the much-loved painting by German Romantic artist Caspar David Friedrich.

Tracklisting for Opera Arias
RICHARD WAGNER (1813’Äì1883) In fernem Land ... bin Lohengrin genannt (Lohengrin); Mein lieber Schwan ... Leb wohl! (Lohengrin)
WOLFGANG AMADEUS MOZART (1756’Äì1991) Dies Bildnis ist bezaubernd schˆ�n ... Ware sie dann mein (Die Zauberflˆ�te); Die Weisheitslehre ... fˆºhrt mich der Ton zu ihr (Die Zauberflˆ�te)
FRANZ SCHUBERT (1797’Äì1828) Was quˆ§lst du mich ... In tiefbewegter Brust (Fierrabras); Schon, wenn es beginnt zu tragen ... und mein Herze will ihm nach (Alfonso und Estrella)
LUDWIG VAN BEETHOVEN (1770’Äì1827) Gott, Welch Dunkel ... In des lebens Frˆºhlingstagen (Fidelio)
RICHARD WAGNER Wintererstˆºrme wichen dem Wonnemond (Die Walkˆºre); Amfortas! Die Wunde! ... Ewig von mir (Parsifal); Nur eine Waffe taugt ... (Parsifal)


SCHUBERT: Die Schˆ�ne Mullerin
Jonas Kaufmann with Helmut Deutsch, piano

Also in stores on April 6th is Jonas Kaufmann’Äôs interpretation of Schubert’Äôs devastating song cycle Die schˆ�ne Mˆºllerin.  This is a work Kaufmann wanted to record before he got much older (he recently turned 40) as the piece, he says, ’Äúcalls for a young voice as well as a young soul. It is about a young man who goes out into the world bright and happy and utterly carefree ’Äî and then his life is completely shattered. His ill-fated love for the miller’Äôs daughter is his first painful experience. And for this ’Äòinnocence’Äô to be reasonably believable, the interpreter should not sound overly mature.’Äù

’ÄúFor me, the first songs are purest expressions of joie de vivre,’Äù Kaufmann goes on to say, ’Äúand that’Äôs how they should be presented. The fellow who sets off on his wanderings is bursting with energy and self-confidence. The better you convey this mood, the greater the build-up of tension, the harder the fall.’Äù

As with the best of German Lieder, Die schˆ�ne Mˆºllerin is not music for the singer only but an equal duet between pianist and voice.  Helmut Deutsch, a renowned collaborative pianist, brings his intelligence and sensitive artistry to bear in these heart-rending performances.

For more information on Jonas Kaufmann’Äôs Opera Arias and Die schˆ�ne Mˆºllerin recordings, including exclusive videos and interviews with the artists, please visit www.jonas-kaufmann.com.

Violinist Scott St. John appointed New Artistic Director of Piano Plus

TORONTO, ON’ĶScott St. John, one of Canada’Äôs best-known musicians and violinist of the St. Lawrence String Quartet, has been appointed Artistic Director of Piano Plus, effective immediately.  Founded by pianist Janina Fialkowska in 1993, Piano Plus is the only national not-for-profit dedicated to enhancing the quality of life in small and remote communities across the country, by presenting Canada’Äôs internationally renowned classical musicians in affordable concerts and workshops.   St. John succeeds pianist Angela Cheng, who has led the organization since 2006.

Born in London, Ontario, Scott St. John is a highly sought-after soloist, teacher and a consummate chamber musician.  He made his Carnegie debut in 1988 after winning First Prize in the Alexander Schneider Competition.  He won the 1989 Young Concert Artists Award, and has since played an enormous variety of concerts across North America, including solo appearances with the Boston Pops, Vancouver Symphony, Toronto Symphony and Orchestre Symphonique de Montrˆ©al.  From 1999 - 2006, St. John served as Associate Professor of Violin at University of Toronto and in 2003 he received the prestigious Avery Fisher Career Grant.  Since 2006, he has been a member of the prestigious St. Lawrence String Quartet, performing over 100 concerts a year with them world-wide.  His solo recordings include an all-Dvorak CD, and 2 volumes of Paganini works for violin and guitar.  St. John resides and teaches in the Bay Area of California and will be in Toronto this week to perform on the Music Toronto series, Thursday, March 25 at 8 pm. 

’ÄúI believe strongly that every community should have access to the live concert performance, and the opportunity to experience great artistry in front of their eyes and ears - and feel thegoose bumps,’Äù enthused Scott St. John. ’ÄúPiano Plus artists are world-famous musicians who know their roots and have made commitments to play every corner of Canada.  I want to help them realize that goal.’Äù

The Piano Plus artist roster is comprised exclusively of world-class Canadian pianists, vocalists and instrumentalists with exceptional performance and teaching expertise.  Motivated by a desire to give back to their country, this select group of artists waive their usual fees to ensure Piano Plus events are affordable to small communities.  Over the last 12 months, James Ehnes, Janina Fialkowska, Jon Kimura Parker, the St. Lawrence String Quartet, Jens Lindemann, Heather Schmidt, and David Jalbert have toured from Newfoundland to Bella Bella, BC; and Snow Lake, Manitoba to Owen Sound, ON.  Currently, both Andre Laplante and Katherine Chi are touring, in New Brunswick and northern Ontario, respectively.

A cultural pioneer, Piano Plus has created a huge impact on hundreds of small and remote communities across Canada.  Since 1993, more than 100,000 children, youth and adults have enjoyed Piano Plus recitals, school workshops, master classes, concerts, and individual teaching sessions.  The majority of these audiences have never experienced a live classical music performance before Piano Plus visited their community.   For more information about Piano Plus, or to download photos and a complete biography of Artistic Director Scott St. John, visit www.pianoplus.ca.

Friday, March 12, 2010

BBC brings Planet Earth live TO U.S. with Emmy-winning composer George Fenton

Monday, March 1, 2010 - New York, NY - The Emmy Award winning documentary series, Planet Earth caught the imagination of audiences around the world and now the BBC is bringing the awe-inspiring beauty of the series to live audiences across the U.S.  Planet Earth Live is a once-in-a-lifetime opportunity to experience the series’Äô most spectacular moments on the big screen. Planet Earth composer and Emmy-winning George Fenton will conduct a full orchestra at each event. 
Planet Earth Live kicks off in early summer with the world premiere at Dallas’Äô Meyerson Symphony Center on Friday, June 25 and Saturday, June 26 with the Dallas Symphony Orchestra. Other venues and orchestras confirmed include Atlanta’Äôs Verizon Wireless Amphitheatre at Encore Park on Friday, July 16 with the Atlanta Symphony Orchestra, Chicago’Äôs Grant Park Music Festival in Millennium Park on Wednesday, July 21 with the Grant Park Symphony and two dates at LA’Äôs Hollywood Bowl, Friday, July 23 and Saturday, July 24 with the Los Angeles Philharmonic. Possible further dates and cities to be announced.  Each show, which runs 90 minutes plus an intermission, features the best moments from Planet Earth in full High Definition on the big screen with live orchestra and narration.  
Composer George Fenton says: ’ÄúPlanet Earth made a very special connection with the American audience and we are all very excited at the opportunity of coming to North America this summer to work with some of the greatest orchestras and together recreate the Planet Earth experience live."
Planet Earth, a BBC/Discovery co-production, aired on the Discovery Channel in 2007.  The BBC’Äôs Alastair Fothergill was the series producer and he and his team spent four years in production, with over 2000 days in the field, using 71 film crews, across 204 locations in 62 countries to capture the ultimate portrait of the planet. It has garnered legions of fans and universal critical acclaim with Oprah Magazine saying ’ÄúIt is the most beautiful, wondrous and truly majestic series - the best thing I’Äôve ever seen on TV.’Äù
It has sold over 5 million DVDs, with one in every 30 households in the U.S. owning the series and is the U.S.’Äôs top selling documentary DVD of all time.
Alastair Fothergill says: ’ÄúI’Äôm delighted the incredible HD footage from Planet Earth will be experienced in a whole new way by Americans this summer.  With George’Äôs amazing score and the wonder of the animals on our planet on a big screen, fans of Planet Earth are in for a fantastic treat.’Äù
The BBC is the world’Äôs largest producer of natural history programs and for over 50 years, has produced such notable titles as Life on Earth and The Blue Planet as well as the upcoming Life ’Äì airing on Discovery, March 2010.  BBC Earth is the global brand for all of this natural history content available on television, digital, DVD and merchandise.
Planet Earth Live is produced by IMG Artists in cooperation with The Gorfaine/Schwartz Agency.
Notes to editors:
PLANET EARTH LIVE DATES:
June 25, 2010             Meyerson Symphony Center                                              Dallas, TX

June 26, 2010             Meyerson Symphony Center                                              Dallas, TX

July 16, 2010               Verizon Wireless Amphitheatre at Encore Park            Atlanta, GA                                                  
ticket info: www.vzwamp.com  

July 21, 2010               Grant Park Music Festival in Millennium Park                 Chicago, IL   

July 23, 2010               Hollywood Bowl                                                                   Los Angeles, CA      

July 24, 2010               Hollywood Bowl                                                                   Los Angeles, CA      

ABOUT GEORGE FENTON
George Fenton began writing music for the theatre in 1974 working on productions for The Royal Shakespeare Company, The National Theatre and Riverside Studios. His television scores include the major documentary series The Trials of Life, Life in the Freezer, Beyond the Clouds, Shanghai Vice, The Blue Planet, Planet Earth and most recently, Life.

Following the broadcast of The Blue Planet in 2001 for which he won a BAFTA and Emmy award for Best Television Score, he created the show, The Blue Planet Live! which toured in the UK and worldwide, performed by many of the world’Äôs leading orchestras.

He has composed for a wide variety of feature films, receiving Academy Award nominations for The Fisher King, Dangerous Liaisons, Gandhi and Cry Freedom (for both score and song).  Other scores include The Madness of King George, Groundhog Day, Shadowlands, Ever After, Anna and the King, Mrs Henderson Presents, Hitch, and Fool’Äôs Gold.

Recently the Royal Television Society awarded him a Lifetime Achievement Award and he was made a Fellow of the British Academy of Composers and Songwriters.  

ABOUT ALASTAIR FOTHERGILL
Alastair Fothergill’Äôs BBC career began at the world-renowned Natural History Unit in 1983 where he worked on a wide range of award-winning programs including Wildlife on One and the innovative Reefwatch - he was one of the team that developed live broadcasting from beneath the ocean.  His first project with Sir David Attenborough was The Trials of Life followed in 1993 by Life in the Freezer.  

He was Head of the Natural History Unit from 1992 to 1998 at which point he stood down to concentrate on his role as Series Producer of multi award-winning The Blue Planet, a landmark series on the natural history of the world’Äôs oceans. His portfolio of work has included roles as producer and presenter on a diverse range of high quality natural history programs including Going Ape, a film that took him to the Ivory Coast and Deep Blue, a cinematic view of the world’Äôs oceans and the innovative live broadcast Live from the Abyss. 

Alastair was Series Producer for the Emmy-winning, global hit Planet Earth. Currently he’Äôs working as the Executive Producer on the BBC/Discovery co-production Frozen Planet, a major six part series, due to premiere in the U.S. in 2011.  He is also directing two movies for Disney’Äôs new Disney Nature label.   Alastair has Honorary Degrees from Durham and Hull Universities. 

ABOUT BBC EARTH
BBC Earth is the global brand for all the BBC’Äôs natural history content spanning the last 50 years. The BBC is the largest producer of natural history programming in the world and the brand highlights the vast scale of incredible content which is produced in this genre. Visible across all platforms - TV, digital and merchandising as well as expanding across TV stings, DVDs and digital products, BBC Earth encourages engagement with current as well as classic programs such as Planet Earth and The Blue Planet in addition to future commissions. 

ABOUT BBC WORLDWIDE, AMERICA
BBC Worldwide is the main commercial arm and a wholly-owned subsidiary of the British Broadcasting Corporation (BBC).  BBC Worldwide, America, with headquarters in New York and Los Angeles, brings together all of BBC Worldwide’Äôs businesses in the U.S.  The company exists to maximize the value of the BBC’Äôs assets for the benefit of the UK license payer, and invests in public service programming in return for rights. BBC Worldwide has seven core businesses:  Channels, Sales and Distribution, Content and Production, Home Entertainment, Digital Media, Global Brands and Magazines.  Under these businesses fall two key brands in the U.S. ’Äì digital cable channel BBC America and a bi-coastal production arm responsible for the smash hit Dancing with the Stars for ABC.

Crow, Solo Violin is Season


CROW CAPS OFF SEASON WITH SOLO FINALE

WINNIPEG¬‚ ’Äî On Saturday, March 20, 2010 Jonathan Crow will bring to an end another critically acclaimed season with Virtuosi Concerts. The violin virtuoso has attracted a capacity audience for his unaccompanied performance which will undoubtedly showcase the extraordinary talent that has become synonymous with the series.

Born in Prince George in 1977, Crow began the Suzuki violin method at age six and continued studies first at the Prince George Music School, then at the Victoria Conservatory of Music before earning his Bachelor of Music in Honors Performance from McGill University. 

Upon graduation from McGill University, Crow joined the Montreal Symphony at the age of 19 as Associate Principal Second Violin, and won the Associate Concertmaster chair 5 months later. He was appointed Concertmaster in 2002, a position he held until 2006, and was the youngest Concertmaster to lead a major North American orchestra. He is currently Head of Strings and Assistant Professor of Violin at McGill University.

Crow has been featured as soloist with most major Canadian orchestras including the Montreal, Kingston, London, National Arts Centre, Victoria and Vancouver Symphony Orchestras. In 2009 he performed two world premiere concerti performances with the National Arts Centre Orchestra.


Programme: J.S. BACH Partita No. 3 in E Major; PROKOFIEFF Sonata for Solo Violin, Op 115; ECKHARDT-GRAMATTˆâ Selected Caprices;  BEN-HAIM Sonata in G for Solo Violin; YSAYE Sonata No. 3 ’ÄúBallade’Äù 

Clavecin en concert : Communiquˆ© concert 19 mars 2010

Domenico Scarlatti
Messe brˆ®ve La Stella et Stabat Mater ˆÝ 10 voix

Le vendredi 19 mars 2010, 20 h 00
Chapelle Notre-Dame-de-Bon-Secours, 400, rue Saint-Paul Est, Vieux-Montrˆ©al

Prix des billets :
Entrˆ©e simple 28 $ / AˆÆnˆ© (65 ans et +) 25 $
ˆâtudiant, temps plein, 25 ans et moins 10 $
15 ans et moins accompagnˆ© d’Äôun adulte : gratuit

Renseignements et rˆ©servations : 514-748-8625 ’Äì www.clavecinenconcert.org


Montrˆ©al, 4 mars 2010 ’Äì Lors de son prochain concert, Clavecin en concert vous proposera d’Äôentendre deux ‰ìuvres de musique sacrˆ©e de Domenico Scarlatti : la messe brˆ®ve La Stella et le Stabat Mater ˆÝ 10 voix. Dix chanteurs et trois musiciens seront dirigˆ©s par Luc Beausˆ©jour. Quatre sonates pour orgue de Domenico Scarlatti complˆ®teront le programme.


¬´ Vin bˆ©nˆ©fice ¬ª ˆÝ la crypte au profit de Clavecin en concert

Aprˆ®s le concert, tous ceux qui dˆ©sirent participer ˆÝ un ¬´ Vin bˆ©nˆ©fice ¬ª pourront se rendre ˆÝ la crypte de la chapelle oˆ¼ des vins et fromages seront servis. Luc Beausˆ©jour jouera d’Äôune ˆ©pinette en aile d’Äôoiseau du facteur Yves Beauprˆ©.

Prix des billets :
Concert seulement (20 h) : rˆ©gulier 28 $, aˆÆnˆ© 25 $, ˆ©tudiant 10 $
Concert et vin bˆ©nˆ©fice : aˆÆnˆ© et rˆ©gulier 75 $, ˆ©tudiant 60 $.
Vin bˆ©nˆ©fice : 50 $ (21 h)

Rˆ©servations : Gisˆ®le Pelletier 514-748-8625 / gpelletier@vif.com / clavecinenconcert.org

Clavecin en concert remercie le Conseil des arts et des lettres du Quˆ©bec, le Conseil des Arts du Canada et le Conseil des arts de Montrˆ©al de leur soutien.
Renseignements : Louis Allard, 514-805-9904

The Cleveland Orchestra showcases timeless masterpieces, world music, and popular American music to welcome new audiences to the 2010 Blossom Festiva

The Orchestra will perform symphonic masterpieces by Beethoven, Debussy, Ravel, Stravinsky, Tchaikovsky, Vivaldi, and more; Music Director Franz Welser-Mˆ�st to conduct Brahms and Schubert

Continuing a renewed tradition of ballet at Blossom, The Joffrey Ballet returns

The Silk Road Ensemble with Yo-Yo Ma makes its Blossom debut ’Äì Yo-Yo Ma’Äôs first appearance at Blossom in more than 20 years

Pops programs offer family-friendly programs:  American Spectacular, Broadway Swings, DISNEY IN CONCERT: Magical Music of the Movies, Music of the ’Äô40s, and the Canadian Brass

Children 12 and under are admitted free to the Lawn with an adult Lawn ticket purchase; 1,500 Pavilion seats offered at Lawn ticket admission prices; New Create-Your-Own Subscriptions


CLEVELAND, March 1, 2010 ’Äì The Cleveland Orchestra’Äôs 2010 Blossom Festival at Blossom Music Center in Cuyahoga Falls begins Friday, July 2, with an American Spectacular Cleveland Orchestra concert and continues through Sunday, September 5, with performances by The Cleveland Orchestra and The Joffrey Ballet on Labor Day weekend.  This season’Äôs programming offers symphonic masterpieces, ballet, world music, popular music, and film music, to attract new fans to Blossom.

Masterworks Galore
            The Cleveland Orchestra will perform 12 concert programs at the Blossom Festival, including many of the symphonic literature’Äôs most popular Baroque, Classical, and Romantic works.  Music Director Franz Welser-Mˆ�st will lead two programs, featuring Brahms’Äôs Second Symphony, Schubert’Äôs Fourth Symphony, and Strauss’Äôs Ein Heldenleben, or A Hero’Äôs Life.
            The music of Tchaikovsky figures prominently in the Festival, including the ’Äú1812’Äù Overture, the Violin Concerto with guest artist Giora Schmidt in his Cleveland Orchestra debut, and the First Piano Concerto with Arnaldo Cohen.  Additional audience favorites throughout the season include Respighi’Äôs The Pines of Rome, Elgar’Äôs ’ÄúEnigma’Äù Variations, Debussy’Äôs Prelude to the Afternoon of a Faun, Stravinsky’Äôs Suite from The Firebird, and Rossini’Äôs William Tell Overture.  Guest conductor Nicholas McGegan returns for a program featuring Vivaldi’Äôs The Four Seasons with First Associate Concertmaster Peter Otto in his first Blossom Festival appearance as soloist, and Karen Gomyo will make her Cleveland Orchestra debut in Mendelssohn’Äôs Violin Concerto, led by former Cleveland Orchestra Assistant Conductor Andrew Grams.  Returning guest conductors include Jahja Ling and Stˆ©phane Denˆ®ve (in his Blossom Festival debut), as well as Cleveland Orchestra Director of Choruses Robert Porco.  Violinist Gil Shaham will perform Barber’Äôs Violin Concerto led by Pablo Heras-Casado (in his Cleveland Orchestra debut), and David Zinman will conduct Brahms’Äôs First Piano Concerto with Stephen Hough as soloist.

The Joffrey Ballet Returns to Blossom
            The 2010 Blossom Festival season will conclude on Labor Day weekend with two performances featuring The Joffrey Ballet in repertoire to be announced.  Cleveland Orchestra Assistant Conductor Tito Muˆ±oz will lead the performances. 
            The Joffrey Ballet’Äôs appearances renew a long-standing tradition of ballet at Blossom. Ballet companies appeared with The Cleveland Orchestra in the pit at Blossom annually from 1968 through 1984.  Last season, the Joffrey collaborated with the Orchestra for the first time since 1988, for an audience of 10,000 people over two evenings. 
             
The Silk Road Ensemble with Yo-Yo Ma
Making their Blossom Festival debut, the Silk Road Ensemble will perform with Yo-Yo Ma, artistic founder and director.  Yo-Yo Ma last appeared at Blossom in 1989.  Musicians from multiple nations collaborate in a multi-media experience to present music from the Silk Road, a series of land and sea trade routes that crisscrossed Eurasia from the first millennium B.C.E. through the middle of the second millennium C.E.  The intersections among people from diverse cultures along the way promoted an unprecedented sharing of commodities, ideas, arts, sciences, and innovations.
The Silk Road Ensemble is a collective of internationally renowned performers and composers from more than 20 countries.  Each Ensemble member’Äôs career illustrates a unique response to what is one of the artistic challenges of our times: nourishing global connections while maintaining the integrity of art rooted in an authentic tradition.
Many of the musicians first came together under the artistic direction of Yo-Yo Ma at a workshop at Tanglewood Music Center in Massachusetts in 2000.  The ensemble has since made five recordings.  Several musicians in the Silk Road Ensemble performed with Yo-Yo Ma on his 2010 Grammy Award-winning recording, Songs of Joy & Peace. The Silk Road Ensemble performs around the world in such venues as the Hollywood Bowl, Tokyo’Äôs Suntory Hall, Chicago’Äôs Millennium Park, London’Äôs Royal Albert Hall, and the Shanghai Stadium.

Pops Concerts Include The Cleveland Orchestra, Blossom Festival Band,
Blossom Festival Orchestra, and Canadian Brass
            The Blossom Festival Band and conductor Loras John Schissel appear in traditional Fourth-of-July Band Concerts on July 3 and 4.  The concerts will feature a salute to the U.S. Armed Forces, Sousa marches, Tchaikovsky’Äôs ’Äú1812’Äù Overture, and fireworks (weather permitting).
Broadway Swings will be led by pops conductor Jack Everly, who returns to conduct The Cleveland Orchestra in a program of music by Gershwin, Porter, Rodgers, and others, with vocalist Ann Hampton Callaway.  Ms. Callaway is a New York cabaret star, appearing frequently at Dizzy’Äôs Club Coca Cola, the Algonquin Room, and the Blue Note in New York City and at Yoshi’Äôs in San Francisco, and is known for her orchestral appearances, including concerts with the Lincoln Center Jazz Orchestra, the Boston Pops, and at Carnegie Hall with the New York Pops.
The DISNEY IN CONCERT: Magical Music of the Movies program with the Blossom Festival Orchestra takes place on Saturday, August 21, under the direction of Richard Kaufman, in his Blossom Festival debut.  Mr. Kaufman, a former music supervisor at MGM Studios, has led The Cleveland Orchestra in two popular concerts of film scores at Severance Hall.  The program includes music from The Little Mermaid, Beauty and the Beast, Aladdin, and The Lion King, among other classic Disney hits.  Excerpts of the films will be projected on giant screens above the stage and in front of the Lawn. 
Loras John Schissel will conduct a program of American popular music of the 1940s on Sunday, August 29, with the Blossom Festival Orchestra.  From the music of Glenn Miller and Duke Ellington to Rodgers and Hammerstein’Äôs South Pacific, this concert will celebrate the era of the Greatest Generation.
The Canadian Brass will make their ninth appearance at Blossom this summer.  The ’Äúfabulous five’Äù brass players entertain with music ranging from baroque to jazz and pop, served up with lively dialogue and theatrical effects.  Seen by millions on The Tonight Show, Today, and Entertainment Tonight, their time-honored tradition of excellence over the past 40 years never ceases to amaze audiences around the world.

Kids Free on the Lawn and General Admission Tickets Continue
Continuing last year’Äôs new policy, children 12 and under are admitted free to the Lawn with an adult Lawn ticket purchase.  The Kids Lawn Passes are available at the Severance Hall Ticket Office and the Blossom Box Office. 
Blossom patrons holding Lawn tickets may sit on the Lawn or can choose from among 1,500 seats at the rear of the Pavilion that are general admission ’Äì first come, first seated ’Äì and are priced individually at $19 and $21 for most concerts.  This change was welcomed last season by thousands of concertgoers who value Blossom’Äôs low Lawn prices but also enjoy the comfort and shelter of the Blossom Pavilion. 

New Lawn Ticket Book Discounts and Create-Your-Own Series
An affordable way to enjoy Blossom Festival concerts, Lawn Ticket Books of ten tickets and two free Pavilion upgrade coupons, which can be used at any concert, are now available at an advance discount of $130.  As of June 1, the price will be $139.
A Create-Your-Own Series package is being offered this season for the first time.  When purchasing 4 or more concerts, there is a savings of 10% off the single-ticket price.  There is no limit to the number of Create-Your-Own Series purchases.

2010 Series, Ticket, and Sponsor Information
Individual concert Pavilion tickets range in price from $19 to $93.  Lawn tickets for the Lawn and the rear Pavilion for most Blossom Festival concerts are priced at $19 or $21.  Individual tickets go on sale by telephone, in person at the Severance Hall Ticket Office, and online at www.clevelandorchestra.com on Tuesday, June 1.  The Blossom Box Office opens for the season on Friday, June 4, and will be open throughout the summer on Fridays, Saturdays, and Sundays from 1:00 to 5:00 p.m. and from 1:00 p.m. through intermission on concert days.
            Discounts are available for groups of 10 or more.  Call the Cleveland Orchestra Group Sales Office at Severance Hall at (216) 231-7463 for more information.
The 2010 Blossom Festival features a five-concert Saturday evening ’ÄúClassics A’Äù subscription and a five-concert ’ÄúClassics B’Äù series Sunday evening subscription; a four-concert ’ÄúCelebrations’Äù subscription; and a four-concert ’ÄúPops’Äù subscription.  Subscription package prices, which are not increasing this season, represent approximately 20% savings from single-ticket prices.  Subscription prices range from $88 to $185.  Box-seat subscriptions are priced at $272 and $340.  The renewal deadline for returning subscribers is Monday, April 12, 2010.  New subscription inquiries should be directed to the Cleveland Orchestra Subscription Office at (216) 231-1111 or 800-686-1141.  New subscriptions also can be purchased online at www.clevelandorchestra.com.
VIP subscriber benefits are offered at Box-seat-level pricing and include the closest available parking in Lot A and access to Kulas Plaza, adjacent to the Pavilion, with pre-concert dining, intermission refreshments, and dedicated restrooms. 
The Blossom Festival is supported only in part through ticket sales.  For more information about contributing to support the Blossom Festival, please call (216) 231-7521.  The Cleveland Orchestra gratefully acknowledges the following generous organizations whose sponsorship makes possible the summer’Äôs Blossom Festival concerts and presentations:
Akron Community Foundation
Baker Hostetler
Blossom Women’Äôs Committee
The Mary S. and David C. Corbin Foundation
Mary and Dr. George L. Demetros Charitable Trust
Dix & Eaton
Eaton Corporation
Ernst & Young LLP
Ferro Foundation
Fifth Third Bank
FirstMerit Bank
Forest City Enterprises, Inc.
Frantz Ward LLP
GAR Foundation
The Goodyear Tire & Rubber Company
Hudson Blossom Women’Äôs Committee
The Margaret Clark Morgan Foundation
NACCO Industries, Inc.
Ohio Arts Council
Parker Hannifin Corporation
PNC
The Charles E. & Mabel M. Ritchie Memorial Foundation
The Sherwin-Williams Company
Lloyd L. and Louise K. Smith Memorial Foundation
The J.M. Smucker Company
Squire, Sanders & Dempsey L.L.P.
* * *
            Blossom Music Center, which opened in 1968 as the summer home of The Cleveland Orchestra, is located 25 miles south of Cleveland just north of Akron, Ohio.  The Center’Äôs name honors the Dudley S. Blossom family, major supporters of The Cleveland Orchestra throughout its history.  Blossom is situated on 800 acres of rolling hills adjacent to the Cuyahoga Valley National Park, which protects 33,000 acres along the Cuyahoga River between Akron and Cleveland.  Blossom lies within the city limits of Cuyahoga Falls, an Ohio community first settled in the early 1800s, at 1145 West Steels Corners Road.  Blossom reopened in 2003 following the completion of the Blossom Redevelopment Project, which featured a highly-acclaimed renovation of the facility and improved patron amenities.  The Blossom Redevelopment Project was the first major capital improvements project in the history of the facility, which serves more than 400,000 visitors each summer. The Blossom Festival is a smoke-free environment.  Smoking is not permitted at concerts and other events during the Blossom Festival.
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Contact:       
Ana Papakhian, (216) 231-7476/ Email: anp@clevelandorchestra.com
Jennifer Schlosser, (216) 231-7518/ Email: jschlosser@clevelandorchestra.com

2010 Blossom Festival Calendar
Friday, July 2, 2010, at 8:30 p.m.
The Cleveland Orchestra
Robert Porco, conductor
Blossom Festival Chorus

American Spectacular

Bernstein: Overture to Candide
Copland: Suite from Appalachian Spring
Grofˆ©: ’ÄúOn the Trail’Äù from Grand Canyon Suite
Traditional: Three Spirituals
Steffe:  Battle Hymn of the Republic
Ward: America the Beautiful
Tchaikovsky: ’Äú1812’Äù Overture

Pavilion Tickets: $27, $32, $43; Box Seats: $83.  Pavilion tickets for children ages 12 and under are half the adult price.

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids’Äô Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Saturday, July 3, 2010, at 8:00 p.m. *
Sunday, July 4, 2010, at 8:00 p.m. *

Blossom Festival Band

Loras John Schissel, conductor


Salute to the USA

The Blossom Festival Band performs patriotic holiday favorites, including a salute to the U.S. Armed Forces, Sousa marches, and Tchaikovsky’Äôs ’Äú1812’Äù Overture. 

Pavilion Tickets: $19, $27, $32; Box Seats: $43.  Pavilion tickets for children ages 12 and under are half the adult price.

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids’Äô Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.

* Fireworks follow the concerts, weather permitting.
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Saturday, July 10, 2010, at 8:00 p.m.

The Cleveland Orchestra

Stˆ©phane Denˆ®ve, conductor ’Äì Blossom Festival debut

Franklin Cohen, clarinet

Berlioz: Roman Carnival Overture
Debussy: First Rhapsody for Clarinet and Orchestra
Ravel: Suite No. 2 from Daphnis and Chloe
Berlioz: ’ÄúLove Scene’Äù from Romeo and Juliet
Stravinsky: Suite from The Firebird

Pavilion Tickets: $27, $32, $43; Box Seats: $83.  Pavilion tickets for children ages 12 and under are half the adult price.

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids’Äô Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Sunday, July 11, 2010, at 7:00 p.m.

The Cleveland Orchestra

Tito Muˆ±oz, conductor

Giora Schmidt, violin ’Äì Cleveland Orchestra debut

Bernstein: Symphonic Dances from West Side Story
Tchaikovsky: Violin Concerto
Elgar: ’ÄúEnigma’Äù Variations

Pavilion Tickets: $27, $32, $43; Box Seats: $83.  Pavilion tickets for children ages 12 and under are half the adult price.

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids’Äô Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Saturday, July 17, 2010, at 8:00 p.m.

The Cleveland Orchestra

Nicholas McGegan, conductor

Peter Otto, violin ’Äì Blossom Festival debut

Handel: Concerto Grosso No. 1
Vivaldi: The Four Seasons
Handel: Suite from Music for the Royal Fireworks

Pavilion Tickets: $27, $32, $43; Box Seats: $83.  Pavilion tickets for children ages 12 and under are half the adult price.

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids’Äô Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Sunday, July 18, 2010, at 7:00 p.m.

The Cleveland Orchestra

Andrew Grams, conductor
James Feddeck, conductor
Karen Gomyo, violin ’Äì Cleveland Orchestra debut
Kent/Blossom Chamber Orchestra

Program includes:
Rossini: Overture to William Tell
Mendelssohn:  Violin Concerto
Respighi: The Fountains of Rome
Respighi:  The Pines of Rome

Pavilion Tickets: $27, $32, $43; Box Seats: $83. 

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids’Äô Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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 Saturday, July 24, 2010, at 8:00 p.m.
The Cleveland Orchestra
Pablo Heras-Casado, conductor ’Äì Cleveland Orchestra debut
Gil Shaham, violin

Beethoven: Symphony No. 2
Barber: Violin Concerto
Falla: Suites Nos. 1 and 2 from The Three-Cornered Hat

Pavilion Tickets: $27, $32, $43; Box Seats: $83. 

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids’Äô Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Sunday, July 25, 2010, at 7:00 p.m.
The Cleveland Orchestra
Jahja Ling, conductor
Arnaldo Cohen, piano

Schnittke: (Not) a Midsummer Night’Äôs Dream
Tchaikovsky: Piano Concerto No. 1
Shostakovich: Symphony No. 1

Pavilion Tickets: $27, $32, $43; Box Seats: $83. 

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids’Äô Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Saturday, July 31, 2010, at 8:00 p.m.
The Cleveland Orchestra

David Zinman, conductor

Stephen Hough, piano

Vaughan Williams: Fantasia on a Theme by Thomas Tallis
Prokofiev: Suite from Lieutenant Kijˆ©
Brahms: Piano Concerto No. 1

Pavilion Tickets: $27, $32, $43; Box Seats: $83. 

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids’Äô Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Sunday, August 1, 2010, at 7:00 p.m.
The Cleveland Orchestra

Jack Everly, conductor

Ann Hampton Callaway, vocalist ’Äì Cleveland Orchestra debu

Broadway Swings

New York cabaret star Ann Hampton Callaway joins The Cleveland Orchestra in Broadway favorites by Gershwin, Porter, Rodgers, and others including ’ÄúFrom This Moment On,’Äù ’ÄúI Get a Kick Out of You,’Äù ’ÄúEmbraceable You,’Äù  ’ÄúMack the Knife,’Äù and ’ÄúSing, Sing, Sing.’Äù   The Orchestra shines in music from Wonderful Town, Chicago, and West Side Story.

Pavilion Tickets: $27, $32, $43; Box Seats: $83. 

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids’Äô Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Saturday, August 7, 2010, at 8:00 p.m.
The Cleveland Orchestra
Franz Welser-Mˆ�st, conductor

Ives: From the Steeples and the Mountains
Berg: Suite from Lulu
Brahms: Symphony No. 2

Pavilion Tickets: $27, $32, $43; Box Seats: $83. 

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids’Äô Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Sunday, August 8, 2010, at 7:00 p.m.
The Cleveland Orchestra
Franz Welser-Mˆ�st, conductor

Debussy: Prelude to the Afternoon of a Faun
Schubert: Symphony No. 4
R. Strauss: Ein Heldenleben (’ÄúA Hero’Äôs Life’Äù)

Pavilion Tickets: $27, $32, $43; Box Seats: $83. 

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids’Äô Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Saturday, August 14, 2010 at 8:00 p.m.
The Silk Road Ensemble with Yo-Yo Ma
Yo-Yo Ma, artistic director

Yo-Yo Ma, founder and artistic director of the Silk Road Ensemble, returns to perform at Blossom for the first time in more than 20 years.  Musicians from multiple nations collaborate in a multi-media experience to present music from the Silk Road, a series of land and sea trade routes that crisscrossed Eurasia from the first millennium B.C.E. through the middle of the second millennium C.E. The intersections among people from diverse cultures along the way promoted an unprecedented sharing of commodities, ideas, arts, sciences, and innovations.

Pavilion Tickets: $32, $37, $48 Box Seats: $88. 

Lawn Tickets: $21; Children ages 12 and under are admitted free to the Lawn.  Kids’Äô Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Saturday, August 21, 2010, at 8:30 p.m.*

Blossom Festival Orchestra

Richard Kaufman, conductor ’Äì Blossom Festival debut

DISNEY IN CONCERT: Magical Music of the Movies

Bring the whole family to see and hear excerpts from Beauty and the Beast, The Little Mermaid, Aladdin, The Lion King, and more ’Äì this musical program explores many of Walt Disney’Äôs stories and characters through memorable melodies.  Plus, sing along to songs from Mary Poppins!  Video from these classic films will be projected on giant screens under the stars. 

Pavilion Tickets: $32, $37, $48 Box Seats: $88. 

Lawn Tickets: $21; Children ages 12 and under are admitted free to the Lawn.  Kids’Äô Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.

* Fireworks follow the concerts, weather permitting.
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Saturday, August 28, 2010, at 8:00 p.m.

The Canadian Brass

These ’Äúfabulous five’Äù brass players entertain with music ranging from baroque to jazz and pop, served up with lively dialogue and theatrical effects.

Pavilion Tickets: $27, $32, $43; Box Seats: $83

Lawn Tickets: $19; Children ages 12 and under are admitted free to the Lawn.  Kids’Äô Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Sunday, August 29, 2010, at 7:00 p.m.
Blossom Festival Orchestra
Loras John Schissel, conductor

The Greatest Generation ’Äì
Music of the ’Äô40s

Relive the music that defined an era with the Blossom Festival Orchestra under the direction of Loras John Schissel.  When Glenn Miller and Duke Ellington were on the radio, and Rodgers and Hammerstein’Äôs South Pacific debuted on Broadway, our country’Äôs heroes made us proud.  John Williams’Äôs soundtrack to Saving Private Ryan will be featured in this evening celebrating history.

Pavilion Tickets: $32, $37, $48; Box Seats: $88. 

Lawn Tickets: $21; Children ages 12 and under are admitted free to the Lawn.  Kids’Äô Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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Saturday, September 4, 2010, at 8:30 p.m.
Sunday, September 5, 2010, at 8:30 p.m.

The Cleveland Orchestra

The Joffrey Ballet
Tito Muˆ±oz, conductor

Continuing a renewed tradition of ballet at Blossom, The Joffrey Ballet returns.
                       
Pavilion Tickets: $37, $42, $53; Box Seats: $93. 

Lawn Tickets: $23; Children ages 12 and under are admitted free to the Lawn.  Kids’Äô Lawn Passes are available at the Blossom Box Office and the Severance Hall Ticket Office with the purchase of an Adult Ticket.
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All artists and programs are subject to change.

Opˆ©ra de Montrˆ©al - Simon Boccanegra dˆ®s le 13 mars

30 ANS ET LE MˆäME ENCHANTEMENT !

simon boccanegra
de Giuseppe Verdi
Salle Wilfrid-Pelletier, Place des Arts
13, 17, 20, 22, 25 mars 2010 ˆÝ 20 h

NOUVELLE PRODUCTION

EN PREMIˆàRE AU QUˆâBEC

Montrˆ©al, le 1er mars 2010  ’Äî L’ÄôOpˆ©ra de Montrˆ©al invite le public ˆÝ dˆ©couvrir une ‰ìuvre maˆÆtresse de Giuseppe Verdi prˆ©sentˆ©e en premiˆ®re au Quˆ©bec : Simon Boccanegra. Cette nouvelle production du San Diego Opera nous plonge dans un mˆ©lodrame amoureux sur fond d’Äôintrigues politiques dans l’ÄôItalie mˆ©diˆ©vale et donne ˆÝ entendre une ‰ìuvre musicale forte et puissante, un pied dans le Trouvˆ®re et l’Äôautre dans Otello. Cette dˆ©couverte sera ˆ©galement le thˆ©ˆ¢tre d’Äôun retour, notre sublime Butterfly de 2008, la soprano Hiromi Omura dans le rˆ¥le exigeant d’ÄôAmelia, la fille du Doge. Elle partagera la scˆ®ne avec le baryton italien Alberto Gazale (Simon Boccanegra), la basse turque Burak Bilgili (Fiesco), et le tˆ©nor italien Roberto De Biasio (Gabriele Adorno) - qui font tous trois leurs dˆ©buts ˆÝ la compagnie, - ainsi que le baryton amˆ©ricain Daniel Sutin dans le rˆ¥le de Paolo Albiani. 

Pour mettre en lumiˆ®re le drame intense de Simon Boccanegra, l’ÄôOpˆ©ra de Montrˆ©al a confiˆ© la mise en scˆ®ne de David Gately (ˆÝ la compagnie : Le barbier de Sˆ©ville en 2000, Don Pasquale en 2005 et Lucia di Lammermoor en 2009). Les dˆ©cors sont signˆ©s John Coyne et les ˆ©clairages, Guy Simard. La chef Keri-Lynn Wilson dirigera l’ÄôOrchestre Mˆ©tropolitain et le Ch‰ìur de l’ÄôOpˆ©ra de Montrˆ©al. 

Sur un livret de Francesco Maria Piave, Simon Boccanegra a d’Äôabord connu un ˆ©chec lors de sa crˆ©ation ˆÝ Venise en 1857 : on ˆ©pilogue sur l’Äô‰ìuvre trop sˆ©vˆ®re et avare d’Äôeffets, que ¬´l’Äôˆ©criture vocale standardisˆ©e et la science orchestrale de Verdi encore sommaire ¬ª. Verdi lui-mˆ�me parle d’Äôune partition triste et dˆ©solante’Ķ 25 ans plus tard, Giuseppe Verdi accepte de revoir son ‰ìuvre avec Arrigo Boito, maˆÆtre de la dramaturgie. En six semaines, affinant les personnages (notamment ceux de Fiesco et Paolo) et donnant du relief au rˆ¥le de Simon, ainsi que certaines scˆ®nes-clˆ©, Verdi se fait orfˆ®vre. La crˆ©ation de la version rˆ©visˆ©e est un triomphe le 24 mars 1881 ˆÝ La Scala de Milan.
Avec cette ampleur nouvelle et ce souci d’Äôune plus grande subtilitˆ©, l’Äôaccent est mis sur la noblesse du hˆ©ros plus que sur le mˆ©lodrame amoureux plus que sur l’Äôintrigue politique. Avec des caractˆ©risations plus nettes des personnages aux destins sombres et retors, et notamment l’Äôajout de la grande scˆ®ne du Conseil ˆÝ la fin du premier acte ˆÝ l’Äôorchestration audacieuse, Simon Boccanegra s’Äôavˆ®re une des ‰ìuvres les plus fortes et mˆªres du compositeur italien et une rˆ©ussite majeure du Verdi de la maturitˆ©. Ainsi retravaillˆ©e, l’Äôoeuvre communique pleinement le nationalisme cher ˆÝ Verdi de mˆ�me que sa vigueur artistique.

A R G U M E N T
On est en 1339 alors que Gˆ�nes est dˆ©chirˆ©e par des luttes entre patriciens et plˆ©bˆ©iens. Simon Boccanegra, corsaire au service de Gˆ�nes, a eu une fille illˆ©gitime avec Maria, fille de son ennemi Fiesco. Mais l’Äôenfant est enlevˆ©e et Maria est retrouvˆ©e morte. Simon est cependant ˆ©lu doge par le peuple avec le soutien du conspirateur Paolo Albiani. Vingt cinq ans plus tard, Simon Boccanegra se trouve au c‰ìur d’Äôune intrique complexe : Amelia Grimaldi (qui s’Äôavˆ®rera ˆ�tre la fille du Doge) et Gabriel Adorno s’Äôaiment. Une conspiration redoutable est menˆ©e par Paolo Albiani pour pousser les Fiescho et Adorno ˆÝ se rˆ©volter contre Simon, Paolo ne supportant pas que le doge ne lui ait pas accordˆ© la main d’ÄôAmˆ©lia. Si le soulˆ®vement ˆ©choue, Paolo Albiani rˆ©ussit cependant ˆÝ empoisonner Simon qui le condamnera ˆÝ mort mais pardonnera ˆÝ tous les autres rˆ©voltˆ©s. C’Äôest l’Äôheure de la rˆ©conciliation entre Fiesco et Simon avant que ce dernier ne meure, laissant la succession ˆÝ Gabriel Adorno.

Opˆ©ra : Simon Boccanegra
Musique : Giuseppe Verdi
Genre : Mˆ©lodrame
Structure : En un prologue et trois actes
Livret : Francesco Maria Piave et Arrigo Boito (d’Äôaprˆ®s une piˆ®ce d’ÄôAntonio Garcˆ‚a Gutiˆ©rrez)
Langue : En italien avec surtitres franˆßais et anglais                                                                  
Crˆ©ation : 1ere version ’Äì Venise, La Fenice, le 12 mars 1857 ; version dˆ©finitive ’Äì complˆ©tˆ©e par Arrigo Boito (livret) et Verdi : crˆ©ˆ©e ˆÝ La Scala de Milan le 24 mars 1881
Production : San Diego Opera ’Äì nouvelle production en premiˆ®re au Quˆ©bec

Opˆ©ra de Montrˆ©al | Saison 0910

Tous les opˆ©ras sont prˆ©sentˆ©s en langue originelle, avec surtitres bilingues projetˆ©s au-dessus de la scˆ®ne.

Salle Wilfrid-Pelletier de la Place des Arts (PDA)
Massenet ’Äì Cendrillon | 22, 26, 29, 31 mai 2010 & 3 juin 2010 ˆÝ 20 h

Vente de Billets

Abonnement pour les 18 ˆÝ 30 ans : La banque td t’Äôemmˆ®ne ˆÝ l’Äôopˆ©ra
Grˆ¢ce au soutien de TD Canada Trust, l’ÄôOpˆ©ra de Montrˆ©al poursuit son offre spˆ©ciale d’Äôabonnement destinˆ©e aux jeunes de 18 ˆÝ 30 ans : 30 $ le billet avec l’Äôabonnement ! Achat minimal requis de deux opˆ©ras de la saison rˆ©guliˆ®re.

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Pour obtenir plus de renseignements sur les productions, les ˆ©vˆ©nements spˆ©ciaux et les programmes ˆ©ducatifs, les formules d’Äôabonnement, le prix des billets simples et de groupe, les forfaits PRIMA et corporatifs.

Oberlin Opera Theater Presents Candide, March 17-21, 2010

Oberlin Opera Theater Presents Candide
by Legendary American Composer Leonard Bernstein;
Performances Dedicated to Relief Effort in Haiti 
On Stage at Hall Auditorium, March 17-21, 2010 


OBERLIN, OHIO (March 1, 2010) ’Äî Oberlin Opera Theater will take audiences on a blisteringly funny, two-hour romp around the world in its spring production of Candide. With the legendary American composer Leonard Bernstein’Äôs irresistible score and Hugh Wheeler’Äôs witty libretto, the two-act operetta commandeers Voltaire’Äôs 18th-century satirical masterpiece to follow the coming-of-age of four sheltered young people who were taught that ’Äúall is for the best’Äù as they venture out into the world. Rising star and Oberlin alumnus Joseph Mechavich ’Äô02 will be guest conductor. Stage direction is by Jonathon Field, associate professor of opera theater and director of opera theater productions at Oberlin.
The production opens on Wednesday, March 17, at 8 p.m. in Hall Auditorium, with additional performances on Friday and Saturday nights at 8 p.m. and Sunday afternoon at 2 p.m. Tickets are $5 for students; $8 for Oberlin College faculty, staff, alumni, parents, area educators, and seniors; and $12 for the general public. 
The Oberlin Conservatory of Music will dedicate each performance of Candide to the relief effort in Haiti; representatives from the American Red Cross of Lorain County will be present at all performances to accept donations.
Young Candide, torn by war from his true love, Mademoiselle Cunegonde, is thrown into a world of greed, hypocrisy, and the cruelty of men toward their fellow creatures.  Holding tight to his belief in the basic goodness of the human spirit, Candide is tossed by circumstance into raucous misadventures on several continents, finding his love only to lose her again’Äîand again.  An array of zany characters and absurdly comic situations punctuate his journey (as well as some delicious musical turns), until Candide returns home to piece together a new philosophy’Äîa hopeful compromise between his blind faith and the bleak lessons he’Äôs learned in the world.
Arguably the most successful native-born figure in the history of classical music in America, Leonard Bernstein shaped a legacy by bridging the worlds of the classical concert hall and musical theater. Candide, one of only a handful of operatic works by Bernstein, is a characteristic example of his compositional versatility. The score ranges from darkly comic musical theater (’ÄúThe Best of All Possible Worlds’Äù) to virtuosic coloratura arias (’ÄúGlitter and Be Gay’Äù) to orchestral gems, such as the beloved overture. ’ÄúThe American culture is complex and disparate, and the music reflects that,’Äù says Field.
’ÄúWhat unites Candide is the sound of Bernstein,’Äù adds Mechavich. ’ÄúI try to immerse myself in the historical world and musical language of the composer. I feel it is my duty as an interpreter to embrace and highlight the style of each piece. For me, as always, the text guides music.’Äù
In 1956, playwright Lillian Hellman had a first go at the adaptation, which originated from Voltaire’Äôs scathing 1759 political satire of the same name. Since 1974, however, Hugh Wheeler’Äôs book has been the standard, with a version more faithful to Voltaire’Äôs original work. A who’Äôs who of the literary world has also contributed to the piece, with primary lyrics by former Poet Laureate Richard Wilbur and additional contributions by, among others, Stephen Sondheim and Dorothy Parker. 
Field insists that while amalgamating many different literary and musical styles, the structure of the piece enhances the portrayal of its message. ’ÄúThe styles don't come together and that has to be the strength,’Äù says Field. ’ÄúIt needs to create a world that is constantly changing and corrupt, and the only thing that stays the same is Candide's belief that he and Cunegonde will be reunited and all will be well. We, as Americans, have embedded in our cultural makeup the innocence of Candide, and the idea that we are allowed a second chance.’Äù

Performers and Production Team
The cast for this production of Candide is comprised entirely of Oberlin Conservatory students. Principal roles are double cast’Äîone cast appears on Wednesday and Saturday and the other on Friday and Sunday. Principal roles will be played by:

Adrienne Sereta ’Äô11 and Sydney Mancasola ’Äô11 (Cunegonde), Sara Casey ’Äô12 and Caitlin Bell ’Äô10 (Paquette), Alexandra Roth ’Äô10 and Katherine Jannakos ’Äô13 (Old Lady), Roy Hage ’Äô11 and Lucas Levy ’Äô12 (Candide), Corey Arnold ’Äô12 (Governor), Austin Bradley ’Äô12 (Maximillian/Captain), Alex Boyd ’Äô12 (Pangloss/Martin/Voltaire/
Cacmbo).
The opera’Äôs production team of professional Oberlin staff members includes Alan Montgomery, assistant music director; Hugh Floyd, chorus master; Howard Lubin, musical preparation; Michael Louis Grube, managing director and set designer; Victoria Vaughan, assistant director and stage manager; Jeremy K. Benjamin, lighting designer; Chris Flaharty, costume designer; JoEllen Cuthbertson, costumer; Joseph P. Natt, technical director; Andrew Kaletta, master electrician; and David Bugher, assistant technical director.

About the Conductor: Joseph Mechavich

Known for his thoughtful and idiomatic interpretations, Joseph Mechavich is considered one of North America’Äôs foremost young conductors. Recently Maestro Mechavich was named Principal Conductor and Music Director for Kentucky Opera where he has led past productions of Werther, Of Mice and Men, Il trovatore and The Pearl Fishers. He has conducted Madama Butterfly for New York City Opera, Porgy and Bess for Deutsche Oper Berlin, Il barbiere di Siviglia for The Washington National Opera, and Cendrillon for the Aspen Music Festival. Maestro Mechavich has also paced productions for Utah Opera, Dayton Opera, Opera Birmingham, Tulsa Opera, Oberlin Conservatory of Music, Lake George Opera Festival, Pine Mountain Music Festival, Fargo-Moorhead Opera and Virginia Opera. Equally at home on the concert stage as in the opera pit, Maestro Mechavich has appeared with the Orlando Philharmonic, Hartford Symphony, Naples Philharmonic, Waterbury Symphony, Virginia Symphony and Sarasota Orchestra. Future engagements include Susannah for Des Moines Metro Opera, L’Äôelisir d’Äôamore and Madama Butterfly for Kentucky Opera and Aida for Calgary Opera.

A native of Long Lake, Minnesota, Joseph Mechavich studied at the Oberlin College Conservatory of Music and the Yale University School of Music. Maestro Mechavich has held a variety of positions such as serving as Principal Conductor of Opera Birmingham for six seasons, cover conductor for The Santa Fe Opera for four seasons as well as Director of Music for Orlando Opera and Assistant Conductor for The Minnesota Opera.

About the Director: Jonathon Field
Stage Director Jonathon Field has become one of America’Äôs more versatile and popular stage directors.  A trailblazer in the world of opera, Mr. Field is fascinated with traditional as well as modern stage techniques.  He has developed and used video-projected scenery for over twenty-five years in productions that have been called ’Äúbrilliant’Äù, ’Äúdazzling’Äù and ’Äúriveting’Äù. Mr. Field is currently the Director of the Oberlin Opera Theater and an Associate Professor at the Oberlin Conservatory of Music.

Mr. Field directed the American premiere of Lost Highway, an opera based on the David Lynch film, that played to sold-out performances at the Miller Theater in New York.  He directed the world premiere of the jazz opera Leave Me Alone in a partnership between Oberlin Conservatory and Real Time Opera, which was one of the first operas to broadcast live on the internet.  His productions for Lyric Opera of Chicago of Trouble in Tahiti, Gianni Schicchi, The Old Maid and the Thief and The Spanish Hour were successfully revived at the Illinois Humanities Festival.   He directed touring productions of La Cenerentola and Die Fledermaus for San Francisco Opera’Äôs Western Opera Theatre, which played in over twenty states. Over the past eight years Mr. Field directed ten productions with Arizona Opera, being deemed by the press ’Äútheir most perceptive stage director.’Äù  From 2000 through 2006 he served as Artistic Director of Lyric Opera Cleveland, where he presented the operas of Mozart, Rossini, Donizetti and the Ohio premieres of works by John Adams, Mark Adamo and Philip Glass.  Mr. Field received a Northern Ohio Live Award for his work on Don Giovanni in Cleveland, which was called, ’ÄúAn electrifying production that has come to be the hallmark of Field’Äôs tenure.’Äù

Mr. Field has been praised for his international work as well, having directed The Riverboat Show at the Edinburgh Fringe Festival, Dido and Aeneas at Teatro Colon in Buenos Aires, Suor Angelica and Menotti’Äôs Amalia al Ballo at the Urbania Festival in Italy.  He has collaborated with such esteemed artists as Teresa Zylis-Gara, Jerome Hines, Pablo Elvira, Giorgio Tozzi and Angelina Reux.

Mr. Field’Äôs expertise extends from the avant garde to musical comedy. In 1996, he introduced computer-generated scenery to the opera world in a production of Candide at West Bay Opera in Silicon Valley, CA, with assistance from Apple, Inc. The press called the show, ’Äúvirtual Voltaire - the backgrounds are as varied as the story.’Äù He pioneered the use of video-projected scenery in productions of The Turn of the Screw, Tales of Hoffmann and Der Freischˆºtz.  In the realm of operetta and musical theatre, Mr. Field staged H.M.S. PinaforeTrial by Jury for Lake George Opera, Bernstein’Äôs Wonderful Town in Chicago, and Merry Widow and Countess Maritza in San Francisco.  For the Oakland Symphony he translated and choreographed Stravinsky’Äôs Pulcinella, using members of the Oakland Ballet.
for Opera Omaha,  Tickets for Candide at Oberlin Opera Theater are $5 for all students; $8 for Oberlin College faculty, staff, alumni, parents, area educators, and seniors; and $12 for the general public. Season subscriptions are also available. All seats are reserved. Tickets may be purchased online at www.oberlin.edu/artsguide/tickets; by calling Oberlin’Äôs Central Ticket Service (CTS) 440-775-8169 or 800-371-0178; or by visiting the box office, located in the lobby of Hall Auditorium. CTS hours are from noon to 5 p.m., Monday through Friday and select Saturdays. Tickets are $3 more when purchased at the door. Hall Auditorium is wheelchair accessible, and hearing enhancement is available upon request. Free parking is available throughout the campus. ’Ä®

The Oberlin Conservatory of Music
Awarded the 2009 National Medal of Arts by President Barack Obama, the Oberlin Conservatory of Music is renowned internationally as a professional music school of the highest caliber. Praised as a ’Äúnational treasure’Äù by the Washington Post, the conservatory, founded in 1865 and situated amid the intellectual vitality of Oberlin College since 1867, is the oldest continuously operating conservatory in the United States. Oberlin’Äôs alumni enjoy illustrious careers in all aspects of the music world. They have achieved prominence as solo performers; chamber, orchestral, and jazz musicians; composers; conductors; and music educators, scholars, and administrators.  For more information visit www.oberlin.edu.


CALENDAR LISTINGS
Wednesday, March 17, 2010, 8 p.m.
Friday, March 19, 2010, 8 p.m.
Saturday, March 20, 2010, 8 p.m.
Sunday, March 21, 2010, 2 p.m.

Oberlin Opera Theater presents
Candide
By Leonard Bernstein
Libretto by Hugh Wheeler, after Voltaire
Joseph Mechavich, conductor
Jonathon Field, director

Hall Auditorium
67 N. Main Street
Oberlin, Ohio

Reserved seats: $12; seniors $8; students $5
All tickets are $3 more when purchased at the door.
Online: www.oberlin.edu/artsguide/tickets
Phone: 440-775-8169 or 800-371-0178
Central Ticket Service is located in the lobby of Hall Auditorium.
Open Noon to 5 p.m., Monday’ÄìFriday

Thursday, March 11, 2010

San Francisco Symphony Announces 2010-11 Season

Orchestra’Äôs 99th Season Offers Trademark Mix of Engaging and Adventurous Programs, Award-Winning Media Projects, International Touring, and Community and Education Initiatives. Project San Francisco Artist and Composer Residencies Feature Composer John Adams and Pianist Yuja Wang.
 
Season Includes World-Premiere SFS Commissions by Avner Dorman and Rufus Wainwright.
 
SFS Celebrates 2010-11 Mahler Anniversaries with Keeping Score PBS Broadcasts, Release of Orchestral Songs CD on SFS Media & Performances of Mahler Symphonies in SF and European Musical Capitals.
 
Michael Tilson Thomas Opens the Season Tuesday, September 7 with Gala Concert Featuring
Soprano Jessye Norman and Leads Orchestra in 17 Weeks During Season.

Orchestra to Perform Twenty Concerts on Two European Tours in Twelve Cities, including Residencies at the Lucerne Festival and Four-Concert Vienna Residency.

Distinguished Roster of Artists and Conductors Includes the SFS Debuts of Pablo Heras-Casado, Ton Koopman, Kirill Karabits, Carlos Kalmar and Rufus Wainwright, and the Return of James Conlon, Kurt Masur, Joshua Bell, Hˆ©lˆ®ne Grimaud, Anne Sofie von Otter and Leonidas Kavakos.
 
Orchestra to Perform 20 SF Symphony Premieres and 14 Works by American Composers.
 
Great Performers Series and Special Concerts Feature Visits by the Israel Philharmonic Orchestra with Zubin Mehta, Lang Lang, the St. Petersburg Philharmonic and Yuri Temirkanov, Dmitri Hvorostovsky,
and the Mutter-Bashmet-Harrell Trio.
 
SAN FRANCISCO, CA, March 1, 2010 ’Äì Music Director Michael Tilson Thomas (MTT) today announced programs and details of the San Francisco Symphony’Äôs (SFS) 2010-11 season. Engaging local and global audiences with its exciting and innovative brand of music-making, the Orchestra’Äôs 99th season features its trademark blend of adventurous programs, residencies by acclaimed artists and composers, international tours of Europe’Äôs most prestigious festivals and musical capitals, and reaching new audiences with award-winning media and education projects.
 
The Orchestra’Äôs 2010-11 Project San Francisco composer and artist residencies celebrate the work of composer John Adams and pianist Yuja Wang in a variety of performances and educational settings. The Orchestra will celebrate the 2010-11 Gustav Mahler anniversaries in performances both at home and abroad, on PBS Television through a new season of Keeping Score, and on disc in the final release of its Grammy Award-winning Mahler cycle. Highlights of the SF Symphony’Äôs 99th season also include two European tours, with residencies at the Lucerne Festival and a rare four-concert appearance in Vienna; two world-premiere commissions and 18 SFS premieres; and a 33-week season of exciting programming reaching audiences in new and creative ways. Continuing one of the orchestral scene’Äôs most successful and inspired artistic partnerships, Michael Tilson Thomas conducts the San Francisco Symphony in seventeen weeks of concerts at home and abroad, in programs pairing works of the core classical repertoire with works new to or rarely heard by Davies Symphony Hall audiences.
 
Subscription ticket packages for the San Francisco Symphony’Äôs 2010-11 season go on sale to renewing subscribers and the general public starting today, Monday, March 1, at 10 a.m. Ticket information is available through the San Francisco Symphony Web site at www.sfsymphony.org, through the SFS Patron Services Office at 415-864-6000, and at the Davies Symphony Hall box office, on Grove Street between Van Ness Avenue and Franklin Street in San Francisco.
 
PROJECT SAN FRANCISCO, SFS COMPOSER AND ARTIST RESIDENCY


Project San Francisco, the SFS’Äô multi-faceted composer and artist residency program, brings some of today’Äôs most acclaimed musicians and composers to San Francisco to collaborate with the SFS in concerts, chamber music, lectures, and in education and community events. In the 2010-11 season, composer John Adams and pianist Yuja Wang, two artists with significant ties to the San Francisco Symphony, join the SFS for the second season of Project San Francisco. Part of the Orchestra’Äôs Centennial Initiatives, Project San Francisco celebrates the creative spirit while deepening connections between SFS guest artists, the Orchestra, and its community.

JOHN ADAMS: PROJECT SAN FRANCISCO



For two weeks in December 2010, Project San Francisco spotlights the work of renowned American composer and Bay Area resident John Adams, continuing his strong relationship with the Orchestra that innovated the composer-in-residence model with his appointment nearly three decades ago. Project San Francisco will present two of John Adams’Äô SFS commissions and an all-Adams chamber music concert featuring members of the SFS. As Phyllis C. Wattis Composer-in-Residence, Adams will conduct the Orchestra in his San Francisco Symphony commission El Niˆ±o, a multilingual retelling of the Nativity story composed for the celebration of the millennium, at Davies Symphony Hall December 2-4. These concerts will feature sopranos Dawn Upshaw and Jessica Rivera, mezzo-soprano Michelle DeYoung, countertenors Daniel Bubeck, Brian Cummings, and Steven Rickards, bass-baritone Jonathan Lemalu, and the Grammy Award-winning San Francisco Symphony Chorus. The San Francisco Girls Chorus also performs. The SFS performed the 2001 U.S. premiere of El Niˆ±o, which it co-commissioned, in a staged performance under the baton of Kent Nagano.

During the second week of Adams’Äô Project San Francisco residency, December 8-11, Music Director Michael Tilson Thomas will lead the Orchestra in Adams’Äô 1985 SFS commission Harmonielehre. The composition was inspired by a dream Adams had in which he was driving across the Bay Bridge and saw an oil tanker on the surface of the water abruptly turn upright and take off like a rocket. The SFS performed the world premiere of Harmonielehre in March 1985 under the direction of then-Music Director Edo de Waart, who conducted it again in October 1988. Michael Tilson Thomas led the Orchestra in Harmonielehre during his first season as SFS Music Director in December 1995, and then again in February 2000, both at home at Davies Symphony Hall and on tour with the Orchestra in New York, Boston, and Los Angeles.

One of America’Äôs most admired and respected composers, John Adams was appointed contemporary music adviser to the San Francisco Symphony in 1979. He was the Orchestra’Äôs composer-in-residence between 1982 and 1985, and his tenure helped set the precedent for composer residencies at orchestras around the world. The creative relationship between the SF Symphony and John Adams has been extraordinarily productive: since 1981 the SFS has performed 21 of his works, six of which were SFS commissions. The Orchestra has performed six world premieres of Adams’Äô music and four U.S. premieres, including the March 2007 U.S. premiere of his opera A Flowering Tree, a San Francisco Symphony co-commission. The Orchestra has commissioned Adams to write a work for its centennial season in 2011-12.

YUJA WANG: PROJECT SAN FRANCISCO



In June 2011, as part of Project San Francisco’Äôs 2010-11 Artist-in-Residence program, 23-year-old Yuja Wang joins MTT and the SFS for a series of performances with orchestra and in chamber music settings, and educational activities for music students. Led by MTT, Wang will perform Bartˆ„k’Äôs Piano Concerto No. 2 with the Orchestra June 16-19. As part of the residency, Wang also performs a June 14 chamber music concert with musicians of the Orchestra and a recital June 21 at Davies Symphony Hall.

In the few short years since her 2006 debut with the SF Symphony in the annual Chinese New Year concert, Yuja Wang has established herself as a star on the international stage. She has already performed with many of the world’Äôs most prestigious orchestras, as well as in recital, chamber music, and festival settings around the globe. An exclusive recording artist for Deutsche Grammophon, Wang’Äôs 2009 debut recording, Sonatas & Etudes, was nominated for a Grammy¬Æ Award in the Best Instrumental Soloist Performance (without Orchestra) and was named Best Debut Album of 2009 by International Piano magazine. Gramophone magazine named Wang the Classic FM Gramophone Awards 2009 Young Artist of the Year. Her second album, Transformation, which includes works by Stravinsky, Scarlatti, Brahms, and Ravel, will be released in April 2010. During the 2009-10 season she performed on an 11-city U.S. tour with the Shanghai Symphony Orchestra led by Long Yu, and also performed with the Russian National Orchestra conducted by Patrick Summers during the orchestra’Äôs 20th Anniversary U.S. tour. Wang also performs with the Lucerne Festival Orchestra conducted by Claudio Abbado in Beijing, the Royal Philharmonic Orchestra in Spain and in London, and the Hong Kong Philharmonic. In the summer of 2010, Wang returns to the Santa Fe Chamber Music Festival and the Verbier Festival.

After her 2006 SFS debut, Yuja Wang returned later in the year to perform Ravel’Äôs Piano Concerto in G major under the baton of Music Director Michael Tilson Thomas in the SFS’Äôs All San Francisco Community Concert. Since then, she has performed with the Orchestra each year, most recently with MTT in May 2009, performing Prokofiev’Äôs Piano Concerto No. 2. She was also a soloist in the April 2009 performance by the YouTube Symphony Orchestra, led by Tilson Thomas at Carnegie Hall.

A MAHLER CELEBRATION 2010-2011

The 2010-11 season encompasses two anniversary years sparking worldwide retrospectives of the music of Mahler: 2010 is the 150th anniversary of Mahler’Äôs birth, and 2011 marks the 100th year of Mahler’Äôs death. The SFS and Michael Tilson Thomas, among the world’Äôs leading interpreters of Mahler’Äôs music, will play a significant role in the global commemoration of Mahler, through concerts, extensive media projects, and prominent international tour performances.

MTT/SFS ’Äì Mahler in San Francisco

Beginning May 5, MTT conducts the Orchestra in three all-Mahler programs featuring Mahler Symphonies No. 9, 2, and 6. Soprano Karina Gauvin and mezzo-soprano Sasha Cooke are soloists with the SF Symphony Chorus for Mahler’Äôs Symphony No. 2, Resurrection.

INTERNATIONAL TOURS ’Äì Mahler in Europe

As acclaimed interpreters of the music of Mahler, Michael Tilson Thomas and the San Francisco Symphony have been invited to perform Mahler in some of Europe’Äôs leading music capitals for their anniversary celebrations. The Orchestra will give performances of Mahler Symphonies Nos. 2, 5, 6, and 9 in two tours throughout Europe, including the centerpiece: a rare four-concert engagement at the famed Vienna Konzerthaus, as part of the city’Äôs commemoration of the Mahler anniversaries. For complete tour details, see page 12.

KEEPING SCORE - Mahler on PBS

Keeping Score, the San Francisco Symphony’Äôs acclaimed national media project designed to make classical music more accessible to people of all ages and musical backgrounds, launches its third television season on PBS in the spring of 2011 with a focus on the life and music of Gustav Mahler. In addition to PBS documentaries and live performance videos, the third season of Keeping Score includes an interactive online experience at www.keepingscore.org, a new series of national radio programs, and an education program that provides professional development for K-12 teachers, enabling them to integrate classical music into core subjects. To date, over six million people in the U.S. have seen the Keeping Score television series, with international broadcasts across Europe and Asia. The Peabody Award-winning Keeping Score radio series has been broadcast on almost 100 stations nationally. Full details of Season Three of Keeping Score will be announced at a later date.

THE MAHLER RECORDING PROJECT ’Äì Mahler on CD

The San Francisco Symphony’Äôs acclaimed Mahler recording cycle, launched in 2001 on its own SFS Media label, comes to a close this season with the release of Mahler’Äôs Songs for Orchestra in September 2010. Songs for Orchestra features the SFS performing Rˆºckert Lieder with mezzo-soprano Susan Graham, led by Michael Tilson Thomas. Baritone Thomas Hampson and the Orchestra contribute performances of Songs of a Wayfarer (Lieder eines fahrenden Gesellen) and selections from Des Knaben Wunderhorn to the release. Rˆºckert Lieder and Songs of a Wayfarer (Lieder eines fahrenden Gesellen) were both recorded live at Davies Symphony Hall during the September 2009 Mahler Festival. Thomas Hampson recorded songs from Des Knaben Wunderhorn with MTT and the Orchestra at Davies Symphony Hall in May 2007.

The SFS Media Mahler cycle has won seven Grammy Awards, including three for Best Classical Album. Most recently, in January, its September 2009 release of Mahler’Äôs Symphony No. 8 and the Adagio from Symphony No. 10 garnered three Grammys in the categories of Best Classical Album, Best Choral Performance, and Best Engineered Classical Album. The cycle has sold over 130,000 recordings. All SFS Media recordings are available on hybrid SACD from the Symphony Store in Davies Symphony Hall and online at sfsymphony.org/store as well as other major retailers. The recordings can also be purchased as MP3s from iTunes, Emusic, Rhapsody, and other digital outlets. SFS Media recordings are distributed by Harmonia Mundi in the U.S. and Avie internationally.

SFS COMMISSIONS AND PREMIERES
As an integral part of the Orchestra’Äôs Centennial Initiatives, the SFS in 2010-11 offers two world premiere performances of new works commissioned by the SFS. Vocalist and composer Rufus Wainwright will perform his new Five Shakespeare Sonnets with the Orchestra November 11-13. Jeffrey Kahane conducts Wainwright’Äôs SFS debut.

Canadian-American singer-songwriter Wainwright, born in New York to folk singers Kate McGarrigle and Loudon Wainwright III in 1973, has had a diverse career in pop music as well as on screen, appearing as an actor and singer, scoring films, and writing music for ballet and dance. Wainwright’Äôs first opera, Prima Donna, premiered at the Manchester International Festival in 2009 and opens in London in April 2010. Wainwright’Äôs new recording All Days Are Nights: Songs for Lulu, a reference to Shakespeare’Äôs Sonnet 43, is set for an April 5 release. The record contains three Shakespeare sonnets, selected from 24 pieces of music that Wainwright wrote for a Berliner Ensemble production directed by Robert Wilson in Berlin last year. Also included is Les Feux D’ÄôArtifice T’ÄôAppellant, the final aria from Prima Donna.

The world premiere of Israeli composer Avner Dorman’Äôs work Uriah, an SFS commission, will be led by conductor David Robertson January 26-28. At 25, Dorman became the youngest composer to win Israel’Äôs prestigious Prime Minister’Äôs Award. The same year, he won the Golden Feather Award from ACUM (the Israeli Society of Composers and Publishers). Dorman’Äôs work has been performed by the New York Philharmonic, the Los Angeles Philharmonic at the Hollywood Bowl, the Israel Philharmonic Orchestra, and the Munich Philharmonic Orchestra. He holds a doctorate in music composition from The Juilliard School.

In addition to the two world premieres, the 2010-11 season features 18 works never before performed by the SFS. Michael Tilson Thomas leads the Orchestra in compositions by American composers Morton Feldman (Rothko Chapel) and Duke Ellington (’ÄúCome Sunday,’Äù ’ÄúHeaven,’Äù ’ÄúDon’Äôt Get Around Much Anymore’Äù). Tilson Thomas will also lead first performances of works by two Latin American composers, Revueltas’Äô Sensemayˆ° and Villa-Lobos’Äô Ciranda das sete notas, the latter featuring Principal Bassoon Stephen Paulson. The Orchestra also performs Berg’Äôs Three Pieces from Lyric Suite and Debussy’Äôs Fantasie for Piano and Orchestra with pianist Jean-Frˆ©dˆ©ric Neuburger.

In his SFS debut, Pablo Heras-Casado leads the Orchestra in its first performances of Shostakovich’Äôs Symphony No. 12, The Year 1917, and its first performances ever of the music of Hungarian composer Gyˆ�rgy Kurtˆ°g, his Grabstein fˆºr Stephan. Jeffrey Kahane leads the SFS in its first performances of Kurt Weill’Äôs Symphony No. 2. Peter Oundjian leads the first SF Symphony performances of Christopher Rouse’Äôs The Infernal Machine, and pianist David Greilsammer performs Mozart’Äôs Piano Concerto Nos. 5 and 8 with the Orchestra, led by Bernard Labadie. Kirill Karabits conducts the Orchestra in Ukrainian composer Valentin Silvestrov’Äôs Elegie, written in 2002. These are the first SFS performances of Silvestrov’Äôs music. Carlos Kalmar conducts the Orchestra in its first performances of Schnittke’Äôs Moz-Art ˆÝ la Haydn, and Ton Koopman leads from the podium in C.P.E. Bach’Äôs Symphony in G major. Yan Pascal Tortelier leads the Orchestra and violinist Vadim Gluzman in the first SFS performances of Khachaturian’Äôs Violin Concerto.


MICHAEL TILSON THOMAS’Äô 2010-11 PROGRAMS

The San Francisco Symphony and Michael Tilson Thomas open the 2010-11 season on Tuesday, September 7 with their 99th Season Opening Gala concert, featuring soprano Jessye Norman performing Copland’Äôs In the Beginning with the San Francisco Symphony Chorus and songs by Duke Ellington, including ’ÄúCome Sunday,’Äù ’ÄúHeaven,’Äù ’ÄúDon’Äôt Get Around Much Anymore,’Äù ’ÄúSophisticated Lady,’Äù and ’ÄúIt Don’Äôt Mean a Thing (If It Ain’Äôt Got That Swing’Äù). The gala program also includes Berlioz’Äôs Roman Carnival Overture, and Suite No. 2 from Ravel’Äôs Daphnis et Chloˆ©.

Other highlights of MTT’Äôs sixteenth season as Music Director include:
 
¬… MTT leads the Orchestra in three weeks of concerts highlighting SFS musicians as featured soloists. From September 22-25, English horn player Russ deLuna and Principal Trumpet Mark Inouye are soloists in Aaron Copland’Äôs Quiet City. Also on the program is Lou Harrison’Äôs Parade, written for and dedicated to Michael Tilson Thomas, and Copland’Äôs Organ Symphony with Paul Jacobs. The week of September 29, MTT and the Orchestra perform an all-French program, including the first SF Symphony performances of Debussy’Äôs Fantasie for Piano and Orchestra. Principal Clarinet Carey Bell is the soloist in Debussy’Äôs Premiˆ®re Rapsodie for Clarinet. The Orchestra also performs Ravel’Äôs Rapsodie espagnole and scenes from Berlioz’Äôs Romˆ©o et Juliette. The music of Latin American composers and Beethoven’Äôs Symphony No. 7 highlight the week of October 7. Led by MTT, Principal Bassoon Stephen Paulson is featured soloist with the Orchestra in the first SFS performances of Villa-Lobos’Äô Ciranda das sete notas. These are also the Orchestra’Äôs first performances of Revueltas’Äô Sensemayˆ°. Edgar Varˆ®se’Äôs Amˆ©riques (revised version) completes the program.
 
¬… Principal Viola Jonathan Vinocour and the San Francisco Symphony Chorus are featured in Morton Feldman’Äôs Rothko Chapel, for viola, celesta, percussion, soprano, alto and choir, which the Orchestra will perform under MTT the week of February 23. The Orchestra and Chorus also perform Mozart’Äôs Requiem in D minor for the first time during the regular season since 1991.
 
¬… Michael Tilson Thomas leads the Orchestra the week of December 8 in Project San Francisco concerts. Project San Francisco composer John Adams’Äô Harmonielehre, Henry Cowell’Äôs Synchrony, and Mozart’Äôs Violin Concerto No. 5 (featuring Gil Shaham) are on the program. For more on Project San Francisco, see p. 2.
 
¬… Beginning May 5, MTT conducts the Orchestra in three all-Mahler programs featuring Symphonies No. 9, 2, and 6. Soprano Karina Gauvin and mezzo-soprano Sasha Cooke are the soloists, and the SF Symphony Chorus also performs in Mahler’Äôs Symphony No. 2, Resurrection.
 
¬… Pianist Yuja Wang, the featured Project San Francisco artist for 2010-11, joins the Orchestra and MTT to perform Bartˆ„k’Äôs Piano Concerto No. 2 June 16-19.

¬… Tilson Thomas conducts the Orchestra in their first performances together of Beethoven’Äôs Missa solemnis June 23-26. The soloists are soprano Christine Brewer, mezzo-soprano Katarina Karnˆ©us, tenor Gregory Kunde, and bass Ain Anger, with the SF Symphony Chorus.

¬… In November, MTT leads two concert weeks featuring the music of Brahms, Strauss, Schubert, and Berg. Beginning November 17, MTT conducts Strauss’Äô Ein Heldenleben and Four Last Songs (Vier letzte Lieder), with soprano Elza van den Heever. Schubert’Äôs Music from Rosamunde opens the program. The week of November 24, Thanksgiving week, Yefim Bronfman joins the Orchestra for performances of Brahms’Äô Piano Concerto No. 1, and the Orchestra performs his Academic Festival Overture. The first SFS performances of Berg’Äôs Three Pieces from Lyric Suite complete the program.

¬… Mezzo-soprano Anne Sophie von Otter joins the Orchestra beginning March 3 for selected songs by Grieg and Nielsen. MTT and the Orchestra also perform Hindemith’Äôs Concert Music for String Orchestra and Brass together for the first time.

¬… Other major works of the standard repertoire MTT will conduct include Tchaikovsky’Äôs Symphony No. 4, the subject of the Symphony’Äôs Keeping Score television series pilot, Bruckner’Äôs Symphony No. 7, and Brahms’Äô Serenade No. 1.


BEETHOVEN FOCUS

The San Francisco Symphony offers an in-depth exploration this season of the music of Beethoven, presenting and performing a wide selection of the composer’Äôs symphonies, concertos, and chamber music. Michael Tilson Thomas leads the Orchestra and SF Symphony Chorus in their first performances together of Missa solemnis in June, with soprano Christine Brewer, mezzo-soprano Katarina Karnˆ©us, tenor Gregory Kunde, and bass Ain Anger. In October, the Orchestra also performs Beethoven’Äôs Symphony No. 7 under MTT’Äôs baton. Visiting conductor Marek Janowski conducts two all-Beethoven weeks, in January and February, including the composer’Äôs Symphonies No. 1, 2 and 4; the Triple Concerto with violinist Chee-Yun, cellist Alisa Weilerstein, and pianist Jeremy Denk; and his Piano Concerto No. 3, with Juho Pohjonen in his San Francisco Symphony debut. The Orchestra also performs the Leonore Overture No. 3 under Janowski.

In April, conductor Peter Oundjian leads Jonathan Biss and the Orchestra in Beethoven’Äôs Piano Concerto No. 5, Emperor. With the Dresden Staatskapelle in October, pianist Rudolf Buchbinder performs Beethoven’Äôs Piano Concerto No. 4. The Mutter-Bashmet-Harrell Trio, with violinist Anne Sophie Mutter, violist Yuri Bashmet, and cellist Lynn Harrell, in November performs an all-Beethoven program, including the String Trio in C minor, the Serenade in D major for Violin, Viola and Cello, and the String Trio in E-flat major.

The Orchestra also performs Beethoven’Äôs Symphony No. 5 in Europe this season, in Lucerne in September 2010 and in Vienna, Paris, and Prague in May 2011.

2010-11 GUEST CONDUCTORS

The San Francisco Symphony welcomes several of today’Äôs most distinguished and accomplished conductors to its podium as guests with the Orchestra. Among them:

John Adams [see John Adams: Project San Francisco, p. 2].

October 21-24 the SFS welcomes back the Music Director of Los Angeles Opera and the Ravinia Festival James Conlon, to conduct Wagner’Äôs Prelude to Act I of Die Meistersinger von Nˆºrnberg and three works by Dvo‰ôˆ°k: Carnival Overture, In Nature’Äôs Realm, and the Othello Overture. Joshua Bell will join Conlon and the SFS to perform Bruch’Äôs Violin Concerto No. 1 at these concerts.

Canadian conductor and Music Director of the Toronto Symphony, Peter Oundjian returns to the SFS April 28-30 to lead the Orchestra in its first performances of Pulitzer Prize-winning composer Christopher Rouse’Äôs The Infernal Machine. Jonathan Biss will be soloist in Beethoven’Äôs Piano Concerto No. 5, and Brahms’Äôs Symphony No. 3 rounds out the concert program.

32-year-old Spanish conductor Pablo Heras-Casado makes his SFS debut October 28-30, leading the Orchestra in its first performances of both Gyˆ�rgy Kurtˆ°g’Äôs Grabstein fˆºr Stephan and Shostakovich’Äôs Symphony No. 12, The Year 1917. Alice Sara Ott makes her debut with the Orchestra to perform Liszt’Äôs Piano Concerto No. 1. The Orchestra also performs Mendelssohn’Äôs Fingal’Äôs Cave Overture during these concerts.

Acclaimed for his interpretations of Beethoven, Artistic Director of the Rundfunk-Sinfonieorchester Berlin Marek Janowski leads the Orchestra in two all-Beethoven programs. January 20-23 he conducts the Orchestra in Beethoven’Äôs Symphony No. 4 and his Piano Concerto No. 3, featuring the SFS debut of Juho Pohjonen. Beethoven’Äôs Leonore Overture No. 3 is also on the program. Janowski returns February 2-5 with Beethoven’Äôs Symphonies No. 1 and 2 and his Triple Concerto in C major, featuring Chee-Yun on violin, Alisa Weilerstein on cello and pianist Jeremy Denk.

November 11-13 Jeffrey Kahane leads the Orchestra and vocalist Rufus Wainwright in the world premiere of Wainwright’Äôs SFS-commissioned work Five Shakespeare Sonnets. Kahane is currently the Music Director of the Los Angeles Chamber Orchestra and the Colorado Symphony Orchestra. Renowned as both a pianist and a conductor, Kahane will perform Ravel’Äôs Piano Concerto in G major in these concerts. The Orchestra will also perform Kurt Weill’Äôs Symphony No. 2 for the first time.

Conductor Carlos Kalmar makes his SFS debut November 3-5, leading the Orchestra in Orff’Äôs Carmina burana featuring soprano Joˆ©lle Harvey, tenor Nicholas Phan, and the San Francisco Symphony Chorus. Also performing are the Crowden School Chorus and the Pacific Boychoir. Kalmar will also lead the Orchestra in its first performances of Schnittke’Äôs Moz-Art ˆ° la Haydn. Haydn’Äôs Symphony No. 97 completes the program. The Uruguayan-born Austrian is the Music Director of the Oregon Symphony and of the Grant Park Music Festival in Chicago.

Ukrainian-born conductor Kirill Karabits makes his SFS debut January 6-9 at age 34, leading the Orchestra in Schumann’Äôs Piano Concerto in A minor featuring Hˆ©lˆ®ne Grimaud and Rachmaninoff’Äôs Symphonic Dances. The Orchestra will also perform Valentin Silvestrov’Äôs Elegie for the first time.

Dutch conductor Ton Koopman returns to Davies Symphony Hall for the first time since 1996, when, as part of the Symphony’Äôs Great Performers Series, he led the Amsterdam Baroque Orchestra, which he founded in 1979. He makes his debut with the SFS February 9-12 leading performances of Haydn’Äôs Cello Concerto No. 2 featuring Mario Brunello, Schubert’Äôs Symphony No. 5, and the first SFS performances of C.P.E. Bach’Äôs Symphony in G major.

Kurt Masur returns to the SFS podium March 10-12 to lead an all-Mendelssohn performance of the composer’Äôs Symphony No. 4 and A Midsummer Night’Äôs Dream. Soloists include soprano Susannah Biller and narrator Itay Tiran, both making their SFS debuts, as well as the San Francisco Girls Chorus.

January 13-15 Yan Pascal Tortelier conducts the SFS in Mussorgsky’Äôs Prelude to Khovanschina, and Prokofiev’Äôs Scenes from Romeo and Juliet. Vadim Gluzman joins the Orchestra in these concerts for its first performances of Khachaturian’Äôs Violin Concerto. Tortelier is Principal Conductor of the Sˆ£o Paulo Symphony Orchestra.

Charles Dutoit returns to the SFS April 14-17 to lead the Orchestra in Berlioz’Äôs Symphonie fantastique and Henri Dutilleux’Äôs Tout un monde lointain, featuring cellist Gautier Capuˆßon. Swiss conductor Dutoit is the Chief Conductor of the Philadelphia Orchestra and the Principal Conductor of the Royal Philharmonic Orchestra.

April 7-9 Finnish conductor Osmo Vˆ§nskˆ§ directs the Orchestra in Vaughan Williams’Äô Symphony No. 2, A London Symphony, and Mendelssohn’Äôs Violin Concerto in E minor featuring SFS Concertmaster Alexander Barantschik. Vˆ§nskˆ§ is the Music Director of the Minnesota Orchestra.

David Robertson returns to the SFS podium January 26-28 for a program that features the world premiere of Avner Dorman’Äôs SFS commission Uriah. Also at these concerts, Leonidas Kavakos performs Prokofiev’Äôs Violin Concerto No. 2, and the Orchestra performs his Symphony No. 1 and Dukas’Äô The Sorcerer’Äôs Apprentice.
 
¬… Russian-American conductor Semyon Bychkov returns to the SFS October 14-17 to lead performances of Ravel’Äôs Le Tombeau de Couperin and British composer Sir William Walton’Äôs Symphony No. 1. Pianist Kirill Gerstein performs Rachmaninoff’Äôs Rhapsody on a Theme of Paganini at these concerts.

¬… Bernard Labadie leads the SFS in all-Mozart concerts February 17-19. These performances will include Symphonies Nos. 25 and 33 and the first SFS performances of Mozart’Äôs Piano Concertos Nos. 5 and 8 featuring David Grielsammer, who makes his SFS debut in these concerts. Israeli pianist and conductor Greilsammer won the Young Musician of the Year prize at the French Music Awards in 2008, and followed it by performing the complete Mozart Sonatas in a one-day marathon in Paris. Labadie founded and is Music Director of the chamber orchestra Les Violons du Roy and the choir La Chapelle de Quˆ©bec.
 
2009-10 GUEST SOLOISTS

The San Francisco Symphony’Äôs 2010-11 season features 15 guest soloists making their SFS debuts, including pianists David Greilsammer, Jean-Frˆ©dˆ©ric Neuburger, Alice Sara Ott, and Juho Pohjonen; violinist Arabella Steinbacher; cellist Mario Brunello; sopranos Susannah Biller, Ingela Bohlin, and Karina Gauvin; mezzo-soprano Abigail Nims; bass Ain Anger; bass-baritones Jonathan Lemalu and Shenyang; vocalist Rufus Wainwright; and narrator Itay Tiran.

The 31 guest artists returning to perform with the SFS during the 2010-11 season include: pianists Jonathan Biss, Yefim Bronfman, Jeremy Denk, Kirill Gerstein, Hˆ©lˆ®ne Grimaud, Yundi Li, and Yuja Wang; violinists Joshua Bell, Vadim Gluzman, Leonidas Kavakos, Gil Shaham, and Chee-Yun; cellists Gautier Capuˆßon and Alisa Weilerstein; organist Paul Jacobs; sopranos Christine Brewer, Joˆ©lle Harvey, Elza van den Heever, Jessye Norman, Jessica Rivera, and Dawn Upshaw; mezzo-sopranos Sasha Cooke, Michelle DeYoung, Katarina Karnˆ©us, Kelley O’ÄôConnor, and Anne Sofie von Otter; and countertenors Daniel Bubeck, Brian Cummings, and Steven Rickards; and tenors Gregory Kunde and Nicholas Phan.

2010-11 SFS CONDUCTORS AND MUSICIANS

SFS Conductor Laureate Herbert Blomstedt leads the Orchestra for two weeks in March 2011, in Dvo‰ôˆ°k’Äôs New World Symphony and with soloist Arabella Steinbacher in her SFS debut in Mozart’Äôs Violin Concerto No. 4 March 24-26. From March 30 through April 2 Yundi Li joins Blomstedt and the Orchestra for Tchaikovsky’Äôs Piano Concerto No. 1. The Orchestra also performs Sibelius’Äô Symphony No. 2 in these concerts.

March 16-20 SFS Chorus Director Ragnar Bohlin leads the San Francisco Symphony and Chorus in Bach’Äôs Mass in B minor featuring soprano Ingela Bohlin, mezzo-sopranos Abigail Nims and Kelley O’ÄôConnor, tenor Nicholas Phan, and bass-baritone Shenyang. Bohlin, the Orchestra, Chorus, and soloists perform the same program March 17 at the University of California-Davis’Äô Mondavi Center.

A number of San Francisco Symphony musicians will be featured soloists when MTT conducts in the 2010-11 season. From September 22-25, English horn player Russ deLuna and Principal Trumpet Mark Inouye solo in Copland’Äôs Quiet City. SFS Principal Clarinet Carey Bell will be featured in Debussy’Äôs Premiˆ®re Rapsodie for Clarinet September 29-October 3, and Principal Bassoon Stephen Paulson is soloist in the first SFS performances of Villa-Lobos’Äô Ciranda das sete notas October 7-9. SFS Principal Viola Jonathan Vinocour will be featured in Feldman’Äôs Rothko Chapel when MTT conducts the Orchestra’Äôs first performances of the work February 23-26. SFS Concertmaster Alexander Barantschik will perform Mendelssohn’Äôs Violin Concerto in E minor with guest conductor Osmo Vˆ§nskˆ§ leading the Orchestra April 7-9.

SFS musicians will also appear in the 2010-11 Chamber Music Series, with six Sunday matinee concerts in Davies Symphony Hall and four at the California Palace of the Legion of Honor.

San Francisco Symphony Youth Orchestra Music Director Donato Cabrera leads the Youth Orchestra in six concerts, including three concerts of diverse orchestral repertoire in Davies Symphony Hall, and three December concerts of Prokofiev’Äôs Peter and the Wolf, two at Davies Symphony Hall and one at Flint Center in Cupertino.

THE SAN FRANCISCO SYMPHONY CHORUS

The San Francisco Symphony Chorus, in its fourth season under SFS Chorus Director Ragnar Bohlin, performs in seven SFS concert weeks and one special choral concert. Michael Tilson Thomas conducts the Chorus in three programs, with repertoire including Mozart’Äôs Requiem in D minor, Mahler’Äôs Symphony No. 2, Resurrection, and Beethoven’Äôs Missa solemnis. Michael Tilson Thomas also leads the group in Copland’Äôs In the Beginning at the Opening Gala. Guest conductor Carlos Kalmar leads the ensemble in Orff’Äôs Carmina burana, John Adams leads the group in his El Niˆ±o, and Ragnar Bohlin conducts the Chorus in Bach’Äôs Mass in B minor. Bohlin will also conduct the spring chorus concert in May, with repertoire to be announced.

EUROPEAN TOURS

The San Francisco Symphony and Michael Tilson Thomas perform two European tours during the 2010-11 season, with residencies at some of Europe’Äôs most prestigious festivals and in music capitals around the Continent. In September 2010, the Orchestra returns to the acclaimed Lucerne Festival for a three-concert residency. These Orchestra concerts with MTT cap its three-year Lucerne Festival residency and include performances of Mahler’Äôs Symphony No. 5; Beethoven’Äôs Symphony No. 5; Berlioz’Äô Les Nuits d’Äôˆ©tˆ© (with soprano Susan Graham) and Roman Carnival Overture; Copland’Äôs Organ Symphony, featuring organist Paul Jacobs; Ravel’Äôs Valses nobles et sentimentales and Daphnis et Chloˆ©, Suite No. 2; Berg’Äôs Violin Concerto with Christian Tetzlaff; and the Overture to Wagner’Äôs Der fliegende Hollˆ§nder. The Orchestra’Äôs Lucerne Festival residency began in 2006 with three concerts and continued with three more in September 2007, including performances of Mahler’Äôs Symphonies No. 7 and 8. The SFS also performs two concerts in Italy. In Milan, Susan Graham joins MTT and the Orchestra for Berlioz’Äôs Les Nuits d’Äôˆ©tˆ©, and the Orchestra performs his Roman Carnival Overture, as well as Ravel’Äôs Valses nobles et sentimentales and Daphnis et Chloˆ©, Suite 2. In Turin, MTT leads the Orchestra in Mahler’Äôs Symphony No. 5 and Wagner’Äôs Overture to Der fliegende Hollˆ§nder.

In May 2011, the Orchestra and MTT return to Europe for three weeks, their longest tour of the Continent since 2003. The primary musical focus is the symphonies of Gustav Mahler. MTT and the Orchestra perform 15 concerts in nine cities, beginning May 19 in Prague. A historic highlight of the tour is a rare four-concert engagement in Vienna’Äôs Konzerthaus, with Tilson Thomas leading the Orchestra in performances of Mahler’Äôs Symphonies No. 2, 6, and 9. Violinist Christian Tetzlaff once again performs on tour with the Orchestra, in the violin concertos of Berg and Mendelssohn. The Orchestra performs two concerts each at the Salle Pleyel in Paris, Madrid’Äôs Auditorio Nacional de Musica, and Smetana Hall in Prague. MTT and the Orchestra also perform in Brussels; Luxembourg; Essen, Germany; Barcelona; and Lisbon. In addition to the Mahler symphonies, and the Berg and Mendelssohn violin concertos, tour repertoire includes Beethoven’Äôs Symphony No. 5 and Henry Cowell’Äôs Synchrony.

For its performances of Mahler’Äôs Symphony No. 2, Resurrection, the Orchestra is joined by some of Europe’Äôs outstanding choral groups. In Vienna, the Orchestra is accompanied by the Wiener Singakademie chorus, and in Paris, by the Choeur de Radio France. The Gulbenkian Choir performs with the Orchestra in Lisbon. The Orfˆ©on Donostiarra performs in Madrid, and the Czech Philharmonic Choir Brno performs with the Orchestra in Prague.

2010-11 GREAT PERFORMERS SERIES AND SPECIAL CONCERTS

The San Francisco Symphony’Äôs 2010-11 season offers a twelve-concert Great Performers Series and several special concerts with some of the world’Äôs most lauded and accomplished musicians, orchestras and conductors. The series begins on October 24 with the Dresden Staatskapelle Orchestra and pianist Rudolf Buchbinder in a concert featuring music by Beethoven and Brahms. In November, the SFS presents pianist Murray Perahia in recital. Violinist Anne-Sophie Mutter, violist Yuri Bashmet, and cellist Lynn Harrell perform an all-Beethoven recital as the Mutter-Bashmet-Harrell Trio in November. In January, pianist Lang Lang returns to Davies Symphony Hall to perform in recital. Russian baritone Dmitri Hvorostovsky and pianist Ivari Ilja are featured in a recital in February. Later that month, conductor Zubin Mehta and the Israel Philharmonic Orchestra visit San Francisco to perform two concerts featuring music by Beethoven, Haydn, Mahler, and Webern. Pianist Yefim Bronfman performs a recital with music by Schumann, Rachmaninoff, Esa-Pekka Salonen, and Chopin in March. Later that month, the St. Petersburg Philharmonic and conductor Yuri Temirkanov perform two concerts of works by Rachmaninoff, Rimsky-Korsakov, Shostakovich, and Brahms. Cellist Alisa Weilerstein joins the ensemble for one performance and pianist Nikolai Lugansky for the other. In April, conductor Josep Pons leads The National Orchestra of Spain and pianists Katia and Marielle Labˆ®que in a concert featuring music by Falla, Joan Albert Amargˆ„s, Stravinsky, and Ravel. The Great Performers Series concludes on June 21 with a recital featuring pianist Yuja Wang.

Violinist Itzhak Perlman performs a recital in January. In addition, the San Francisco Symphony presents several special concerts, including a Halloween night screening of the 1920 silent classic film Dr. Jekyll and Mr. Hyde with organist Dennis James providing haunting accompaniment; a celebration of Mexican music and culture at the Dˆ‚a de los Muertos (Day of the Dead) Family Concert in November, conducted by SFS Assistant Conductor Donato Cabrera; and the annual Chinese New Year Concert & Celebration in January. The SFS also presents several holiday concerts, including the Colors of Christmas pop/R&B concerts with guest vocalists and the Orchestra, and the return of the New Year’Äôs Eve Masquerade Ball. Complete details of the Orchestra’Äôs holiday concerts will be announced at a later date.

2010-11 SOUTH BAY CLASSICAL SERIES

The San Francisco Symphony continues its performances for patrons in the South Bay during the 2010-11 season, with a five-concert subscription series at the Flint Center in Cupertino. The acclaimed SFS Youth Orchestra will also perform its annual holiday concert Peter and the Wolf at the Flint Center in December. Conductor Semyon Bychkov, the SFS, and pianist Kirill Gerstein open the South Bay Classical Series on October 14 with a program of Ravel, Rachmaninoff, and Walton. Other conductors featured in the series include David Robertson and Osmo Vˆ§nskˆ§, and the SF Symphony debut of Ton Koopman. Violinist Leonidas Kavakos, cellist Mario Brunello, and SFS Concertmaster Alexander Barantschik also appear. The SFS has performed at Cupertino’Äôs Flint Center since 1971.

SACRAMENTO AREA PERFORMANCES

Michael Tilson Thomas and the San Francisco Symphony perform two concerts at the Mondavi Center at University of California, Davis this season. The first concert is an all-French program on September 30, featuring pianist Jean-Frˆ©dˆ©ric Neuburger as soloist in Debussy’Äôs Fantasie for Piano and Orchestra, and SF Symphony Principal Clarinet Carey Bell in the composer’Äôs Premiˆ®re Rapsodie for Clarinet. Also on the program are Ravel’Äôs Rapsodie espagnole and selected scenes from Berlioz’Äôs Romeo et Juliette. The Orchestra and the SF Symphony Chorus return March 17 to perform Bach’Äôs Mass in B minor under the baton of conductor Ragnar Bohlin, Chorus Director. Soloists include soprano Ingela Bohlin, mezzo-sopranos Abigail Nims and Kelley O’ÄôConnor, tenor Nicholas Phan, and bass-baritone Shenyang. The San Francisco Symphony had the honor of performing the inaugural concert at the Mondavi Center when it opened in 2002, in a program of Strauss, Bartˆ„k, Wagner, and Michael Tilson Thomas’Äô Urban Legend, and has performed there four times since.

2010-11 SUNDAY ORGAN SERIES

The San Francisco Symphony continues its Sunday Organ Series during the 2010-11 season, featuring the mighty Ruffatti organ in Davies Symphony Hall. The three-concert series features organists Olivier Latry in November, Paul Jacobs in January, and Jane Parker-Smith in April. The Ruffatti organ is the largest concert-hall organ in North America and was handcrafted in Padua, Italy. This customized concert pipe organ boasts 8,264 pipes ranging in size from a ballpoint pen to over 32 feet tall, with a faˆßade measuring 1600 square feet.

SAN FRANCISCO SYMPHONY YOUTH ORCHESTRA

The San Francisco Symphony Youth Orchestra (SFSYO), led by Wattis Foundation Music Director Donato Cabrera, celebrates its 30th anniversary season in 2010-11. The Youth Orchestra, beginning its second season with Cabrera on the podium, performs three Sunday matinee concerts on October 31, March 13, and a 30th anniversary concert on May 22. The Youth Orchestra will also perform its annual Peter and the Wolf holiday concerts in Davies Symphony Hall and at the Flint Center in Cupertino. Members of the SFSYO range between the ages of 12 and 20. The Orchestra is internationally acclaimed as one of the world’Äôs finest ensembles of young musicians.

EDUCATION AND COMMUNITY PROGRAMS

Praised by The New York Times as ’Äúa music education powerhouse’Äù and by The Wall Street Journal as ’Äúthe industry standard,’Äù the San Francisco Symphony’Äôs education programs offer a vital cultural resource in the Bay Area. Committed to serving its community in meaningful and lasting ways, the SFS reaches thousands of people of all ages throughout Northern California with its educational and community programs, touching a broad economic and cultural cross-section of the population. The Adventures in Music program, which serves as a national model for music education, provides in-school music experiences to every child in grades 1-5 in San Francisco’Äôs public elementary schools, as well as a special concert by the Orchestra in Davies Symphony Hall. The SFS Youth Orchestra, celebrating its 30th

Cocktails des stars - 22 avril prochain

Une soirˆ©e extraordinaire vous attend!
Cocktail dˆÆnatoire bˆ©nˆ©fice

Venez rencontrer vos stars!

Quˆ©bec, le 1er mars 2010 - La Fondation de l’ÄôOpˆ©ra de Quˆ©bec est heureuse d’Äôannoncer sa deuxiˆ®me ˆ©dition de son cocktail dˆÆnatoire bˆ©nˆ©fice, Cocktail des stars, le jeudi 22 avril 2010, de 18 h ˆÝ 21 h, ˆÝ la Chapelle du Musˆ©e de l’ÄôAmˆ©rique franˆßaise.


Cette magnifique soirˆ©e mettra en vedette
Marc Hervieux, tˆ©nor
Marianne Lambert, soprano
Geneviˆ®ve Lˆ©vesque, mezzo
Patrick Mallette, baryton

Le rˆ©cital sera d’Äôune durˆ©e de 45 minutes
Mˆ©lodies et airs variˆ©s : opˆ©ra, napolitains, populaires, Broadway
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Un encan silencieux se tiendra au cours de la soirˆ©e
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Traiteur : 47e Parallˆ®le
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Coˆªt du billet : 195 $


Reˆßu pour usage fiscal au montant ˆ©ligible
Tenue de ville

Wednesday, March 10, 2010

La saison 2010-2011 de l'Orchestre Mˆ©tropolitain est dˆ©voilˆ©e !

Montrˆ©al, le lundi 22 fˆ©vrier 2010 ’Äì C’Äôest avec beaucoup d’Äôenthousiasme que Yannick Nˆ©zet-Sˆ©guin dˆ©voile la 30e saison de l’ÄôOrchestre Mˆ©tropolitain. Une saison festive qui promet de grandes cˆ©lˆ©brations !

Plus vivant que jamais et prˆ©sent dans les petites comme dans les grandes salles ˆÝ la grandeur du territoire de l’ÄôˆÆle de Montrˆ©al, l’ÄôOrchestre Mˆ©tropolitain vibre et rayonne grˆ¢ce au talent et ˆÝ la passion de ses musiciens. L’ÄôOrchestre se rˆ©jouit  de passer le cap des 30 saisons avec autant de succˆ®s et de fidˆ®les mˆ©lomanes, et se tourne vers l’Äôavenir en se souhaitant encore 30 belles saisons de haute tenue artistique, marquˆ©es par toutes les qualitˆ©s qui lui permettent de se distinguer.

La nouvelle saison de l’ÄôOrchestre Mˆ©tropolitain assurera  la continuitˆ© des grands cycles particuliˆ®rement affectionnˆ©s des mˆ©lomanes de l’ÄôOrchestre,  et qui ont fait sa marque au cours des 30 derniˆ®res saisons : Haydn, Mahler et Bruckner seront ˆÝ l’Äôhonneur, de mˆ�me qu’Äôune plˆ©iade d’Äôartistes invitˆ©s, nouveaux venus et visages bien connus.

La 30e saison de l’ÄôOrchestre Mˆâtropolitain ’Äì Cˆâlˆâbrons la musique !

L’Äôintensitˆ© et l’Äôˆ©motion du premier concert donneront le ton ˆÝ cette 30e saison grandiose. Les voix de deux chanteuses canadiennes, Karina  Gauvin, soprano, et Susan Platts, mezzo-soprano, seront mises ˆÝ l’Äôhonneur avec la bouleversante 2e symphonie de Mahler.

Un retour attendu ˆÝ l’ÄôOrchestre Mˆ©tropolitain, le chef Fabien Gabel poursuivra cette saison avec un concert qui promet d’Äôˆ�tre ˆ©tincelant, oˆ¼ Stravinski et Falla visiteront Freitas Branco, un compositeur portugais dont le Concerto pour violon sera jouˆ© par un Quˆ©bˆ©cois d’Äôorigine portugaise, Alexandre da Costa.

Pour le dˆ©but du mois dˆ©cembre l’ÄôOrchestre prˆ©pare un concert vivant oˆ¼ des membres de l’ÄôAtelier Lyrique de l’ÄôOpˆ©ra de Montrˆ©al uniront leurs voix ˆÝ celles du Ch‰ìur de l’ÄôOrchestre Mˆ©tropolitain.  Le Magnificat de Bach et Daphnis et Chloˆ© de Ravel illumineront la soirˆ©e par leur ˆ©clat et leur chaleur.

Puis, place ˆÝ un programme irrˆ©sistible, tout franˆßais, au cours duquel le chef invitˆ© BenoˆÆt Fromanger et la flˆªtiste Juliette Hurel nous livreront entre autres le Concerto pour flˆªte d’ÄôIbert et la Symphonie de Chausson, chefs-d’Äô‰ìuvre de la musique symphonique franˆßaise.

Keri-Lynn Wilson, chef invitˆ©e, et Nareh Arghamanyan, pianiste gagnante du Concours musical international de Montrˆ©al en 2008, seront ˆ©galement de la partie en cette 30e saison. Pour cˆ©lˆ©brer le 200e anniversaire de naissance de Liszt, elles prˆ©senteront son 2e concerto pour piano et sa tonitruante Totentanz dans le cadre d’Äôun concert ˆ©lectrisant et inoubliable !

On retrouvera ensuite la violoncelliste Denise Djokic et l’Äôaltiste Brian Bacon, alto solo de l’ÄôOrchestre, dans une interprˆ©tation vertigineuse du poˆ®me symphonique Don Quichotte de Richard Strauss. Un programme qui se distingue par son cˆ¥tˆ© hˆ©roˆØque. Une aventure ˆÝ ne pas manquer !

Enfin, la saison sera clˆ¥turˆ©e par un triptyque musical bien quˆ©bˆ©cois : Orion de Claude Vivier sera jouˆ© avec des crˆ©ations, commandes de l’ÄôOrchestre, de Denys Bouliane et d’Äôˆâric Champagne. Aussi au programme, la Romantique 4e symphonie de Bruckner. Un concert jubilatoire ; une faˆßon magistrale de terminer en grandes pompes le 30e !

Fondˆ© en 1981 par des musiciens diplˆ¥mˆ©s des conservatoires et facultˆ©s de musique du Quˆ©bec, l’ÄôOrchestre Mˆ©tropolitain s’Äôest rapidement inscrit au c‰ìur de la vie culturelle Montrˆ©alaise.  La 30e saison c’Äôest un gage de 30 ans de prˆ©sence de l’ÄôOrchestre dans la collectivitˆ©, c’Äôest la poursuite de son dˆ©sir de promouvoir la musique classique et les interprˆ®tes canadiens. Cette 30e saison est le synonyme d’Äôune qualitˆ© artistique reconnue partout.

2010 - 2011, c’Äôest donc un rendez-vous incontournable pour cˆ©lˆ©brer avec l’ÄôOrchestre Mˆ©tropolitain, alors que Yannick Nˆ©zet-Sˆ©guin entame sa deuxiˆ®me dˆ©cennie ˆÝ la tˆ�te de l’ÄôOrchestre !

L’ÄôOrchestre Mˆ©tropolitain est fier de porter la musique classique aux Montrˆ©alais et de diffuser celle-ci aux quatre coins de l’Äôˆéle, ˆÝ Saint-Laurent, Verdun, Outremont, en passant par Ahuntsic, Pierrefonds, Pointe-Claire, Hochelaga-Maisonneuve, Riviˆ®re-des-Prairies et Saint-Lˆ©onard. Pour tous les dˆ©tails du Conseil des Arts de Montrˆ©al en tournˆ©e, consultez la brochure de saison ou le www.orchestremetropolitain.com.
1 ’Äì CONCERT PRESTIGE - MAHLER : TOUT UN EVENEMENT POUR NOTRE 30E SAISON !
Le jeudi 16 septembre 2010, 19 h 30, salle Wilfrid-Pelletier de la Place des Arts

2 ’Äì BALLETS RUSSES, FANTAISIES ET CASTAGNETTES !
Le lundi 18 octobre 2010, 19 h 30, salle Wilfrid-Pelletier de la Place des Arts

3 ’Äì BACH ET RAVEL : UNIVERS MAGNIFIES
Le jeudi 2 dˆ©cembre 2010, 19 h 30, salle Wilfrid-Pelletier de la Place des Arts

4 ’Äì BIZET, IBERT ET CHAUSSON : FLˆõTE & FRANCE
Le lundi 10 janvier 2011, 19 h 30, salle Wilfrid-Pelletier de la Place des Arts

5 ’Äì CHOSTAKOVITCH ET LISZT : TOURBILLON ORCHESTRAL
Le lundi 31 janvier 2011, 19 h 30, Thˆ©ˆ¢tre Maisonneuve de la Place des Arts

6 ’Äì DON QUICHOTTE : L’ÄôAVENTURE C’ÄôEST L’ÄôAVENTURE !
Le lundi 21 mars 2011, 19 h 30, salle Wilfrid-Pelletier de la Place des Arts

7 ’Äì 30E SAISON : CHAPEAU BAS !
Le dimanche 17 avril 2011, 16 h, salle Wilfrid-Pelletier de la Place des Arts

The Collegiate Chorale Presents World Premiere Two Act Concert Version - The Grapes of Wrath

The Collegiate Chorale, led by Music Director James Bagwell, presents the World Premiere Two Act Concert Version of Ricky Ian Gordon and Michael Korie's musical version of Nobel Prize-winner John Steinbeck's epic Pulitzer Prize-winning novel, The Grapes of Wrath, on March 22, 2010 at 8pm at Carnegie Hall, conducted by Ted Sperling with Jane Fonda as the narrator.  Tickets are $25-$160 and are available through CarnegieCharge at 212-247-7800, at the Carnegie Hall Box Office, or online at www.carnegiehall.org.  For more information visit www.collegiatechorale.org.
An all-star cast from Broadway and the classical world comes together to present a rare mingling of opera and theatre in The Grapes of Wrath.  Originally commissioned and produced by the Minnesota Opera and called "The great American opera" by Musical America, Gordon and Korie's new work melds popular musical styles of the '20s and '30s (song-and-dance, soaring love songs, banjo ballads, jazz choruses, and a barbershop quartet) with the classic drama of grand opera, all to a heart-wrenching yet uplifting effect.  The composer (Gordon) and librettist (Korie) have crafted a special concert version of their original opera with narration written especially for this presentation.  The starry cast includes  Jane Fonda (narrator), Victoria Clark, Christine Ebersole, Nathan Gunn, Elizabeth Futral, Anthony Dean Griffey, Peter Halverson, Steven Pasquale, Stephen Powell, Andrew Wilkowske and Matthew Worth and the role of Tom Joad's young sister, Ruthie, will be sung by Nathan Gunn's daughter Madelyn Gunn.  Music by Ricky Ian Gordon and libretto by Michael Korie.  Featuring the American Symphony Orchestra, conducted by Ted Sperling.  Directed by Eric Simonson with lighting design by Frances Aronson and projection design by Wendall Harrington.
 
"In this concert version, we convey the story of the Joad family's journey across America in approximately two hours.  We have retained many of the big musical set pieces, arias and choral ensembles, and we have eliminated much of the recitative, replacing it with a narrator who reads sections from the novel, allowing segues from those powerful passages seamlessly into music that continues the drama without loss of suspense or momentum.  In addition, this version will feature music never heard in the original full staging of the opera.  This is not only a concert version of the full opera, but a different version," said Michael Korie.

"We are honored to be presenting this richly textured work of soaring passion and devastating beauty.  Inherent in its mission is The Chorale's commitment to premiering or showcasing exceptional American works such as Ricky Ian Gordon's The Grapes of Wrath.  Gordon and librettist Michael Korie have given a musical voice to this quintessentially American novel in a lyrical language which draws from opera and American musical theater idioms.  The choral writing and casting of soloists reflect this cross-over nature.  I think both opera and Broadway lovers alike will be moved by this remarkable work," said James Bagwell, music director of The Collegiate Chorale.
 
The Collegiate Chorale, among New York's foremost vocal ensembles, has added to the richness of the city's cultural fabric for more than 65 years.  Founded in 1941 by the legendary conductor Robert Shaw, The Chorale achieved national and international prominence under the leadership of Robert Bass.  The Chorale has established a preeminent reputation for its interpretations of the traditional choral repertoire, vocal works by American composers, and rarely heard operas-in-concert, as well as commissions and premieres of new works by today's most exciting creative artists.  In the summer of 2009, The Chorale performed for the fourth season at Switzerland's Verbier Music Festival.  In July 2008, The Chorale toured with the Israel Philharmonic Orchestra under Zubin Mehta in Tel Aviv, Haifa, and Jerusalem.
 
The mission of The Collegiate Chorale is to enrich its audiences through innovative programming and exceptional performances of a broad range of vocal music featuring a premier choral ensemble.  Inherent in its mission is The Chorale's belief that choral music is a compelling collaboration that creates a powerful, shared experience unifying listeners and musicians of all backgrounds, beliefs and ages.
 
Music Director James Bagwell maintains an active schedule throughout the United States as a conductor of choral, operatic, and orchestral music.  He has recently been named Principal Guest Conductor of the American Symphony Orchestra in New York.  Since 2003, he has been Director of Choruses for the Bard Music Festival, conducting and preparing choral works during the summer festival at the Fisher Center for the Performing Arts at Bard College. He has also prepared The Concert Chorale of New York for performances with the American Symphony Orchestra, the Los Angeles Philharmonic, and the Mostly Mozart Festival (broadcast nationally in 2006 on Live from Lincoln Center), all in Avery Fisher Hall at Lincoln Center. He was Music Director of The Dessoff Choirs for the past five season, and in 2009 he prepared the Dessoff Symphonic Choir for the New York Philharmonic performances of both Mahler's Eighth Symphony and Britten's War Requiem for Lorin Maazel's final concerts as Music Director.
 
James Bagwell has trained choruses for a number of major American and International orchestras, including the San Francisco Symphony, Los Angeles Philharmonic, NHK Symphony (Japan), St. Petersburg Symphony, The American Symphony Orchestra, Cincinnati Symphony Orchestra, Cincinnati Pops Orchestra, and the Indianapolis Symphony Orchestra. He has worked with noted conductors such as Lorin Maazel, Esa-Pekka Salonen, Michael Tilson Thomas, Louis Langrˆ©e, Leon Botstein, Vladimir Ashkenazy, Raymond Leppard, James Conlon, Jesˆ†s Lˆ„pez-Cobos, Erich Kunzel, Leon Fleischer, and Robert Shaw.
 
For eleven seasons, he has been Music Director for the May Festival Youth Choir in Cincinnati, which was recently featured on the radio program From the Top. He has conducted some 25 productions as Music Director of Light Opera Oklahoma, including Candide, Sweeney Todd, and The Merry Widow, among others.  At Bard SummerScape he has led numerous theatrical works, most notably Copland's The Tender Land, which received unanimous praise from The New York Times, The New Yorker, and Opera News. He frequently appears as guest conductor for orchestras around the country and abroad, including the Jerusalem Symphony, Tulsa Symphony, and the Indianapolis Chamber Orchestra.  For three seasons he was Artistic Director of The Indianapolis Symphonic Choir.  He holds degrees from Birmingham-Southern College, Florida State University, and Indiana University. He has taught since 2000 at Bard College, where he is Director of the Music Program.  
For more information, visit www.collegiatechorale.org.
 
 
ABOUT THE ARTISTS

Ricky Ian Gordon's (Music) credits include Dream True; States of Independence; and Stonewall/Night Variations with Tina Landau; The Tibetan Book of the Dead with Jean Claude Van Itallie; Only Heaven with Langston Hughes and Nancy Rhodes; Autumn Valentine; Sweet Song; and Morning Star with William Hoffman. He was part of the American Songbook Series in Bright Eyed Joy/The Music of Ricky Ian Gordon at Lincoln Center and at The Guggenheim. Recordings include Audra McDonald's Way Back to Paradise, Bright-Eyed Joy, Of Eternal Light (Water Music), Only Heaven and Genius Child (a song cycle for Harolyn Blackwell). Awards: The National Institute for Music Theater Award, The Stephen Sondheim Award, The Gilman and Gonzalez-Falla Music Theatre Foundation Award, The Jonathan Larson Foundation Award, The Constance Klinsky Award, The Richard Rodgers Award.
 
Michael Korie (Libretto) was nominated for Drama Desk and Outer Critics Circle awards for Grey Gardens. He and composer Scott Frankel received the ASCAP Richard Rodgers New Horizons Award. Also with Frankel are two musicals in development, Doll and Meet Mister Future. With composer Ricky Ian Gordon, his libretto to The Grapes of Wrath premiered to acclaim at Minnesota Opera, with upcoming productions at Utah Opera, Houston Grand Opera and Pittsburgh Opera. His librettos for operas composed by Stewart Wallace include Harvey Milk (San Francisco Opera) and Hopper's Wife (Long Beach Opera), both directed by Christopher Alden; Kabbalah (Next Wave Festival); and Where's Dick?, directed by Richard Foreman (Houston Grand Opera). He co-wrote lyrics with Amy Powers to composer Lucy Simon's Zhivago, book by Michael Weller, directed by Des McAnuff (La Jolla Playhouse).
 
Jane Fonda's (Narrator) work on stage and screen has earned her numerous nominations and awards, including Oscar Awards (Best Actress in 1971 for Klute and in 1978 for Coming Home) and an Emmy Award for her performance in "The Dollmaker." Her credits include Monster-in-Law, Georgia Rule, Coming Home, The China Syndrome, Julia, Barefoot in the Park, Nine to Five, On Golden Pond, "The Dollmaker" and four Broadway plays including Invitation to a March and There Was a Little Girl (Theatre World Award).  In May 2005, Random House published Fonda's memoirs, My Life So Far.  She has long been known for activism and advocacy on environmental issues, human rights and the empowerment of women and girls.
 
Nathan Gunn (Tom Joad) recently created the roles of Alec Harvey in Andrˆ© Previn's Brief Encounter at the Houston Grand Opera and Father Delura in Peter Eˆ�tvˆ�s' Love and Other Demons at the 2008 Glyndebourne Opera Festival. Other engagements this season include his returns to the Metropolitan Opera for Die Zauberflˆ�te, the Dallas Opera for Malatesta in Don Pasquale and the Los Angles Opera for Il Barbiere di Siviglia and L'Elisir d'Amore. He also makes his debut in Bilbao as the title role in Billy Budd.  Mr. Gunn has appeared in internationally renowned opera houses such as the Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, Seattle Opera, Houston Grand Opera, Royal Opera House (Covent Garden), Paris Opera, Bayerische Staatsoper, Glyndebourne Opera Festival, and the Thˆ©ˆ¢tre Royal de la Monnaie in Brussels.
 
Victoria Clark (Ma Joad) received the 2005 Tony, Drama Desk, and Outer Critics Circle Awards, as well as a Drama League honor for her luminous portrayal of protective but domineering mother Margaret Johnson in the critically-acclaimed Craig Lucas-Adam Guettel musical The Light in the Piazza directed by Bartlett Sher at Lincoln Center's Vivian Beaumont Theater. Her virtuoso performance in the Tony Award-winning musical has made her a favorite among audiences and critics, including The New York Times' Ben Brantley, who called Clark's work in Piazza "the best musical performance by an actress this season." She garnered equally enthusiastic reviews for her performance at Chicago's Goodman Theater in 2004, earning the prestigious Joseph Jefferson Award.  Last season, Clark was reunited with her colleagues Craig Lucas and Bartlett Sher for the Playwrights Horizons production of A Prayer for My Enemy.
 
Christine Ebersole (Mae / Waitress) received the Tony Award, Obie Award, Drama Desk Award, Outer Critics Circle Award, Special Citation from NY Drama Critics and the Drama League Award for Performance of the Year for her dual roles as Edith and Edie Beale in Grey Gardens. Her Broadway credits include Steel Magnolias, Dinner at Eight (Tony and Outer Critics Circle noms.), 42nd Street (2001 Tony and Outer Critics Circle awards), The Best Man, Getting Away With Murder, Harrigan 'n Hart, Camelot (opposite Richard Burton and Richard Harris), Oklahoma!, On the Twentieth Century, I Love My Wife and Angel Street. Off-Broadway credits include Alan Bennett's Talking Heads (2003 Obie and Outer Critics Circle awards, Drama Desk nom.), Three Sisters, Geniuses and four Encores! concerts. Regional credits include Much Ado About Nothing (Old Globe), Mame, Evita, My Fair Lady, The Marriage of Bette and Boo and Laughing Wild. Films include Tootsie, Amadeus, Dead Again, Richie Rich, Black Sheep, Folks!, True Crime, Till There Was You, My Favorite Martian, Thief of Hearts and My Girl 2.
 
Elizabeth Futral (Rosasharn) has established herself as one of the major coloratura sopranos in the world today, with a diverse repertoire that includes Vivaldi, Handel, Mozart, Bellini, Donizetti, Rossini, Verdi, Glass, and Previn.  Ms. Futral has garnered raves at the world's greatest opera houses in such roles as Gilda, Juliette, Lakmˆ©, Lucia, Nanetta, Mˆ©lisande, Romilda, and Violetta. She dazzled audiences and critics with her debut at the Los Angeles Opera as Cleopatra in Francisco Negrin's acclaimed production of Handel's Giulio Cesare. This was followed by her highly anticipated return to the New York City Opera, where she starred in the title role of the company's new production of Douglas Moore's classic American opera, The Ballad of Baby Doe.
 
Two-time Grammy Award-winning American tenor Anthony Dean Griffey  (Jim Casy) has captured critical and popular acclaim on opera, concert and recital stages around the world.  He has performed leading roles at the great international opera houses including The Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, Houston Grand Opera, Glyndebourne, the Opera National de Paris, and the Teatro Comunale di Firenze.   A regular guest of the world's orchestras, Mr. Griffey has collaborated with many of today's pre-eminent conductors, including James Levine, Seiji Ozawa, Andrˆ© Previn, Michael Tilson Thomas, Sir Andrew Davis, Esa Pekka Salonen, Alan Gilbert, Kurt Masur, Donald Runnicles, Sir Colin Davis, Christoph Eschenbach, Valery Gergiev, James Conlon, and Charles Dutoit.
 
Baritone Peter Halverson (Pa Joad) has performed throughout the United States, distinguishing himself on the dramatic stage and in concert. A versatile performer, he has more than fifty roles to his credit including the title roles in Pellˆ©as et Mˆ©lisande, Eugene Onegin, Don Giovanni, The Barber of Seville, Gianni Schicchi, The Man of La Mancha and Phantom. He has been a frequent guest artist with the Minnesota Opera, Minnesota Orchestra, Saint Paul Chamber Orchestra, North Star Opera, and has appeared at the Kennedy Center Mozart Festival, Oregon Bach Festival and San Luis Osbispo Mozart Festival. In addition, he has sung with the Florentine Opera, Berkshire Opera, Madison Opera, Tacoma Opera, Chattanooga Opera, National Symphony, Dallas Symphony, San Antonio Symphony and New Mexico Symphony.
 
American baritone Stephen Powell (Uncle John) brings his handsome voice, elegant musicianship, and robust stage presence to a wide range of music, from Monteverdi and Handel through Verdi and Puccini to Sondheim and John Adams.  In 2009-10, Stephen Powell appears as Ford in Verdi's Falstaff with Pittsburgh Opera; sings as soloist in Szymanowski's Stabat Mater with Rome's Accademia Nazionale di Santa Cecilia, Christoph Eschenbach conducting; in Messiah with the Huddersfield Choral Society in England; in the Brahms Requiem with Baltimore Symphony, as well as the Dutch Radio Orchestra at the Concertgebouw in Amsterdam, Holland, both with Marin Alsop conducting; in Carmina Burana with Cincinnati Symphony, Paavo Jarvi conducting; appears in recital with wife Barbara Shirvis in Dallas, Texas; and sings 2 gala concerts with the North Carolina Symphony, Grant Llewellyn conducting. He also makes his Asian debut in La Traviata at the Beijing National Centre for the Performing Arts, Beijing, China, Lorin Maazel conducting.
 
Andrew Wilkowske (Noah) whose voice has been described as "nimble," with an "impressively open top," is one of the most versatile performers on the stage today. A gifted actor as well as singer, Wilkowske's Papageno in The Magic Flute "stole the show" according to the Washington Post, and was a "lusty-voiced fellow," according to Opera News.  Engagements this season include a series of Figaros, making his debut as Rossini's Figaro in Il Barbiere di Siviglia with the Skylight Opera. He returns to Skylight later this season in the title role of Le Nozze di Figaro to complete Skylight's Figaro Cycle. In addition, Wilkowske reprises Mozart's Figaro with the Green Mountain Opera Festival (under the baton of Maestro Jacques Lacombe), Ashlawn Opera, and the Acadiana Symphony. Wilkowske's experiences are documented in his award-winning 'a year of figaro' blog.
 
Steven Pasquale 
(Al) most recently starred on Broadway in Neil LaBute's reasons to be pretty. A regular on the theater scene, Pasquale's credits include Archibald Craven in The Secret Garden (World AIDS Day Concert), Henrik in A Little Night Music (opposite Victor Garber, Natasha Richardson and Venessa Redgrave), Captain Taylor in A Soldier's Play (Second Stage, opposite Taye Diggs), Tom in the Neil LaBute off-Broadway hit, Fat Pig, Robbie in the Ahrens/Flahrety/McNally musical A Man of No Importance (Drama Desk and Outer Critics Circle nominations), Beautiful Child, The Spitfire Grill, Spinning Into Butter, Andrew Lippa's The Wild Party and he created the role of Fabrizio in Adam Guettel and Craig Lucas' The Light in the Piazza. Television audiences have followed him for five seasons as Sean Garrity on the FX hit show "Rescue Me." His other television credits include a recurring role on HBO's Emmy and Golden Globe Award winning drama "Six Feet Under" and Sofia Coppola's "Platinum."
 
Hailed by the Dallas Morning News for his "dashing, fine bright baritone" and the New York Times for a voice that is "fully powered and persuasively expressive," Matthew Worth (Ragged Man / Connie Rivers / Truck Driver) was recently the featured "Sound Bites" artist in Opera News, and is enjoying successes on both the operatic and concert stages, in all styles from the Renaissance to new repertoire. Matthew Worth's engagements in 2009-10 include a return to Chicago Opera Theater as Charlie in Jake Heggie's Three Decembers, Mercutio in Romˆ©o et Juliette with New Orleans Opera, the title role in Don Giovanni with Virginia Opera, Jupiter in Orpheus in the Underworld with Central City Opera, Messiah at University of Richmond, in concert performances of The Grapes of Wrath with New York's Collegiate Chorale, as soloist in a holiday concert with the Philadelphia Orchestra, and in Brahms' Ein deutsches Requiem with Atlanta Symphony Orchestra conducted by Donald Runnicles. 
 
Ted Sperling (Conductor) won the 2005 Tony and Drama Desk Awards for his orchestrations of The Light in the Piazza, for which he was also music director. Broadway credits as music director/conductor/pianist: Dirty Rotten Scoundrels, The Full Monty, How To Succeed In Business Without Really Trying, Kiss of the Spider Woman, Angels in America, My Favorite Year, Falsettos, Drood, Les Miserables, Roza and Sunday In the Park With George. Mr. Sperling was also an original cast member of the Broadway musical Titanic. Off-Broadway credits as music director: A Man of No Importance, Wise Guys, A New Brain, Saturn Returns, Floyd Collins, Falsettoland, and Romance in Hard Times. As a stage director Charlotte: Life? Or Theater? and Striking 12, as well as a revival of Lady in the Dark starring Andrea Marcovicci. Mr. Sperling conducted the musical scores for the films The Manchurian Candidate, Everything Is Illuminated, and directed the short musical film Love, Mom, starring Tonya Pinkins.

Eric Simonson's (Director)plays and adaptations at Steppenwolf, where he is a member of the ensemble, include Nomathemba (written with Ntozake Shange and Joseph Shabalala), Carter's Way and, most recently, Honest (for First Look). Other plays include The Last Hurrah, Work Song: Three Views of Frank Lloyd Wright (with Jeffrey Hatcher), Edge of the World, Lombardi: The Only Thing and Speak American.  His work has been produced in Japan and throughout the United States at theaters including The Huntington Theatre Company, L.A. Theatre Works, City Theatre of Pittsburgh, The Kennedy Center, Milwaukee Repertory Theater, Arizona Theatre Company, Madison Repertory Theatre, Kansas City Repertory Theatre and Crossroads Theatre Company. His adaptation of Moby Dick at Milwaukee Repertory was chosen as one of Time Magazine's top ten productions of 2002. Eric is also an accomplished theatre, film and opera director. His production of Steppenwolf's The Song of Jacob Zulu received six Tony¬Æ Award nominations, including one for best direction. He received the 2006 Academy Award for his documentary short A Note of Triumph, as well as the 2005 Princess Grace Statue Award for sustained artistic achievement. His adaptation of Kurt Vonnegut's Slaughterhouse-Five (originally produced at Steppenwolf) recently received its Off-Broadway premiere at New York's 59E59 Theater.
 
The American Symphony Orchestra was founded in 1962 by Leopold Stokowski. Under the music direction of Leon Botstein since 1992, the American Symphony has pioneered the performance of thematically organized concerts, linking music to the visual arts, literature, politics, and history. In addition, the American Symphony Orchestra performs in a lecture/concert series with audience interaction called Classics Declassified at Peter Norton Symphony Space. It is also the resident orchestra of the Richard B. Fisher Center for the Performing Arts at Bard College, where it performs an annual concert series as well as in Bard's annual SummerScape Festival and the Bard Music Festival. ASO maintains an award-winning music education program which is presented at numerous high schools through New York, New Jersey, and Long Island.  Among the American Symphony's recent recordings are music by Copland, Sessions, Perle, and Rands for New World Records, and music of Ernst von Dohnˆ°nyi for Bridge Records. Its recording of Richard Strauss's opera Die ˆ§gyptische Helena with Deborah Voigt and of Strauss's Die Liebe der Danae were made for Telarc. Other recordings with Leon Botstein include Franz Schubert: Orchestrated on the Koch International label, with works by Joachim, Mottl, and Webern, and, on the Vanguard Classics label, Johannes Brahms's Serenade No. 1 in D major, Op. 11 (1860). The American Symphony inaugurated Sˆ£o Paolo's new concert hall and has made several tours of Asia and Europe. It has performed with the Peer Gynt Theater Company of Norway in Central Park, and has a long history of appearing in charitable and public benefits for such organizations as Sha'are Zedek Hospital, the Jerusalem Foundation, and PBS.  The American Symphony Orchestra has had an illustrious history of music directors and guest conductors.  Succeeding Leopold Stokowski, who directed the Orchestra from 1962 to 1972, were Kazuyoshi Akiyama (1973-1978), Sergiu Comissiona (1978-1982), Moshe Atzmon and Guiseppe Patane (co-directors 1982-1984), John Mauceri (1985-1987), and Catherine Comet (1990-1992).  Notable guest conductors have included Leonard Bernstein, Karl Bˆ�hm, Aaron Copland, Morton Gould, Aram Khachaturian, James Levine, Andrˆ© Previn, Yehudi Menuhin, James de Priest, Gunther Schuller, Leonard Slatkin, Michael Tilson Thomas, and Sir William Walton.
 
 
ADDITIONAL PROGRAMS FOR THE CHORALE'S 2009-10 SEASON
 
For season subscriptions please contact The Chorale office at 646.202.9623 or visit www.collegiatechorale.org.


CHORAL CLASSIC
Israel in Egypt at Skirball Center for the Performing Arts, New York University
Wednesday, May 12, 2010 at 8pm
Music by George F. Handel
 
featuring
Sari Gruber, soprano
Brian Asawa, alto
Rufus Muller, tenor

The American Symphony Orchestra
James Bagwell, Conductor

Cendrillon All the Way!

Rarely performed Massenet opera a highlight at The Royal Conservatory in March

Diverse programming continues at The Royal Conservatory’Äôs TELUS Centre for Performance and Learning as March comes to a close.  A fanciful fairy tale will be brought to life by the Conservatory’Äôs most talented students, a master musician offers insights into piano playing, and an all-star ensemble of international performers delivers sizzling pan-American jazz. 

The first staged opera in Koerner Hall will be presented from March 20-25, when The Royal Conservatory’Äôs Glenn Gould School (GGS) mounts Jules Massenet’Äôs rarely performed Cendrillon, a whimsical retelling of the Cinderella story.  Students from The Glenn Gould School’Äôs Vocal Program are supported by members of the Royal Conservatory Orchestra, once again under the baton of Maestro Uri Mayer, who was appointed as Director of the Orchestral Program and Resident Conductor of The Glenn Gould School in September of 2009.  The production is helmed by notable opera director, Graham Cozzubbo.  Having already directed for opera companies across North America, Cendrillon represents his directorial debut for The Royal Conservatory.  The double cast of talented students features soprano Meghan Lindsay and mezzo-soprano Cassandra Warner in the title role of Cinderella.  Both recent graduates of The Glenn Gould School, Lindsay was recently accepted into the Netherlands Opera Studio for the 2010-11 season and Warner was hired by Calgary Opera for 2010-11.

Legendary pianist and pedagogue Leon Fleisher returns to The Royal Conservatory from March 22-24 to continue his long-running series of master classes.  Held in Mazzoleni Hall, they provide a unique opportunity to gain knowledge and wisdom from the legendary pianist and pedagogue, as he listens to students of The Glenn Gould School and provides insights into issues of technique, interpretation, and style. 

Audiences will be treated to genre-bending jazz on March 27, when two-time Grammy Award-winner, Danilo Pˆ©rez, comes to Koerner Hall.  This Panamanian pianist, who is also an accomplished composer and educator, is visiting Toronto to kick off his North American tour.  His exhilarating blend of jazz, folk, and world music has enraptured critics and audiences alike.  The New York Times remarked: ’ÄúWhen the dust settles’ĶDanilo Pˆ©rez will be looking like one of the best things that happened to jazz around the turn of the millennium.’Äù  He is joined by a hand-picked collection of international musicians, including David Sˆ°nchez (Puerto Rico, tenor saxophone); Rudresh Mahanthappa (India, alto saxophone); Amir ElSaffar (Iraq, trumpet); Jamey Haddad (Lebanon, percussion); Ben Street (United States, bass); and Adam Cruz (Puerto Rico, drums).  The lineup reflects the musical melting pots of many of Gillespie’Äôs own collaborations (Pˆ©rez was the youngest member of his United Nations Orchestra).  The program is a celebration of his mentor, jazz legend Dizzy Gillespie.  It includes new arrangements of classic Gillespie tunes, as well as original group compositions.  Pˆ©rez will discuss his musical inspirations during a post intermission chat with Mervon Mehta, the Conservatory’Äôs Executive Director of Performing Arts.  He will also offer his distinctive musical insights during a free public master class on March 26.  Following the concert is a postlude performance by the Royal Conservatory School Latin Jazz Ensemble with Ruben Vasquez in the Conservatory Theatre. 

The Royal Conservatory acknowledges all of its sponsors and donors and recognizes the remarkable generosity of: 

TELUS ’Äì Official Season Sponsor of the 2009-10 Koerner Hall Concert Season
The Globe and Mail ’Äì Season Media Sponsor
Department of Canadian Heritage ’Äì Performance Sponsor (Cendrillon)
Ontario Arts Council ’Äì Performance Sponsor (Cendrillon)
D & T Davis Charitable Foundation ’Äì Performance Sponsor (Cendrillon)
RBC Foundation ’Äì Sponsor, The Royal Conservatory Orchestra Guest Conductor Program
JAZZ FM ’Äì Performance Sponsor (Danilo Pˆ©rez)
Marilyn and Charles Baillie ’Äì Performance Sponsor (Danilo Pˆ©rez)


CONCERTS AND EVENTS AT THE ROYAL CONSERVATORY ’Äì MARCH 16-31, 2010
KH ’Äì Koerner Hall; MH ’Äì Mazzoleni Hall; CT ’Äì Conservatory Theatre

The Glenn Gould School Opera: Jules Massenet’Äôs Cendrillon: Saturday, March 20, 2010 at 7:30pm;
$10-$20 (KH)
The Glenn Gould School Opera: Jules Massenet’Äôs Cendrillon: Sunday, March 21, 2010 at 2pm;
$10-$20 (KH)
Master Classes with Leon Fleisher: Monday, March 22, 2010 at 10am & 2pm; Tuesday, March 23, 2010 at 10am & 2pm;$10 (MH)
The Glenn Gould School Opera: Jules Massenet’Äôs Cendrillon: Tuesday, March 23, 2010 at 11am;
$10-$20 (KH)
Master Class with Leon Fleisher: Wednesday, March 24, 2010 at 10am & 2pm; $10 (MH)
The Glenn Gould School Opera: Jules Massenet’Äôs Cendrillon: Thursday, March 25, 2010 at 7:30pm;
$10-$20 (KH)
Danilo Pˆ©rez Master Class: Friday, March 26, 2010 at 5pm; FREE (CT)
Danilo Pˆ©rez ’Äì Things to Come: 21st Century Dizzy: Saturday, March 27, 2010 at 8pm;
$20-$65 (KH)


Tickets are available online at www.rcmusic.ca, by calling 416.408.0208,
or in person at the Weston Family Box Office, 273 Bloor Street West, Toronto

More information about upcoming concerts and events is available The Royal Conservatory website at www.rcmusic.ca.

Nathan Gunn, baritone, Wednesday, March 10, 2010 at 8 PM / Roy Thomson Hall / Toronto

February 22, 2010 // Toronto, ON ’Äì With his rich expressive voice and electrifying performances on the world’Äôs great stages, American baritone Nathan Gunn has quickly become one of today’Äôs leading opera stars. The Grammy Award-winning baritone makes his Canadian Recital Debut on Wednesday, March 10, 8 pm at Roy Thomson Hall in a captivating program that ranges from miniature Schubert masterpieces to romantic songs by Tom Waits, music theatre selections by Benjamin Moore, novelties by Charles Ives, and traditional American folk songs. He is joined in recital by his wife, the esteemed American pianist, Julie Jordan Gunn. 

One of the most exciting and in-demand baritones of the day, Nathan Gunn has thrilled audiences in opera houses from New York’Äôs Metropolitan Opera to London’Äôs Royal Opera House, Covent Garden with his portrayals in the title roles of Billy Budd, Il Barbiere di Siviglia, and Hamlet and as Guglielmo in Cosi fan tutte and the Count in Le Nozze di Figaro.  A frequent interpreter of new works, he has starred in several major world premiere performances, including Tobias Picker’Äôs An American Tragedy at the Metropolitan Opera; Andrˆ© Previn’Äôs Brief Encounter at the Houston Grand Opera; and Peter Eˆ�tvˆ�s’Äô Love and Other Demons at the 2008 Glyndebourne Opera Festival. He recently ventured into the music-theatre repertoire with concert performances of Camelot with the New York Philharmonic (broadcast live on PBS’Äôs Great Performances) and Showboat at Carnegie Hall.

Highlights of Mr. Gunn’Äôs current season include the world premiere performance of Daron Hagen’Äôs Amelia at the Seattle Opera, and appearances at the Metropolitan Opera in Die Zauberflˆ�te; the Dallas Opera in Don Pasquale; the Ravinia Festival in Le Nozze di Figaro; and the Los Angeles Opera in Il Barbiere di Siviglia and L’ÄôElisir d’ÄôAmore.  

Mr. Gunn’Äôs impressive discography includes the title role in Billy Budd  (Virgin Classics), which won the 2010 Grammy Award for Best Opera Recording; the first complete recording of Rogers & Hammerstein’Äôs Allegro (Sony); Peter Grimes (LSO Live!), which was nominated for a 2005 Grammy Award; and his debut album, a collection of American songs entitled American Anthem (EMI).  He also starred as Buzz Aldrin in Man on the Moon, an opera written for television and broadcast on the BBC in the UK, which won the Golden Rose Award for Opera at the Montreux Festival in Lucerne. Mr. Gunn’Äôs most recent solo album, Just Before Sunrise (Sony/BMG Masterworks) features romantic arrangements of songs by Sting, Tom Waits, Billy Joel and others.   

Nathan Gunn was the recipient of the first-ever annual Beverly Sills Artist Award, and was recently awarded the Pittsburgh Opera Renaissance Award. He is an alumnus of the Metropolitan Opera Lindemann Young Artists Program and was the winner of the 1994 Metropolitan Opera National Council Competition. Mr. Gunn is a graduate of the University of Illinois at Champaign-Urbana where he is currently a Professor of Voice. While he is justly famous for his vocal prowess and acting, Mr. Gunn has also received fame for his good looks and physique ’Äì in 2008, he was featured in People magazine's list of "The Sexiest Men Alive."

Julie Jordan Gunn, pianist, music director, vocal coach, song arranger, and on the faculty at the University of Illinois, received her doctorate under the distinguished accompanist and teacher, John Wustman. She lives in Champaign, Illinois with her husband Nathan Gunn, and their five children.

Roy Thomson Hall’Äôs 2009/2010 International Vocal Recitals Series continues ’Äì Call 416-872-4255 for tickets:
         ’ñ� Alexandra Deshorties, soprano; Howard Watkins, piano ’Äì Sunday, April 25/10, 2PM
’ñ� Joseph Calleja, tenor; Craig Rutenberg, piano ’Äì Friday, May 28/10, 8PM (rescheduled from Nov.15/09)

La Ville de Montrˆ©al souligne la 30e saison de l’ÄôOrchestre Mˆ©tropolitain

Montrˆ©al,  le 22 fˆ©vrier 2010 ’Äî Le maire de Montrˆ©al, M. Gˆ©rald Tremblay, a
accueilli  ce  matin  maestro  Yannick  Nˆ©zet-Sˆ©guin  et  les  musiciens de
l’ÄôOrchestre  Mˆ©tropolitain, ˆÝ l’Äôoccasion du dˆ©voilement de la programmation
de  la 30e saison de l’ÄôOrchestre Mˆ©tropolitain. Ceux-ci ont ˆ©tˆ© invitˆ©s par
le  maire  ˆÝ  signer  le  livre d’Äôor de la Ville de Montrˆ©al, ainsi que les
musiciens  de  l’ÄôOrchestre  Philharmonique  de Rotterdam de passage dans la
mˆ©tropole pour y donner un concert.

¬´  Je  salue  avec  enthousiasme  les  succˆ®s  retentissants de l’ÄôOrchestre
Mˆ©tropolitain,  qui  souligne  cette  annˆ©e  sa  30e saison et  qui a su se
tailler une place de choix sur l’Äôˆ©chiquier culturel de notre mˆ©tropole tout
en  entretenant  des liens ˆ©troits avec des institutions internationales et
artistes de renom¬ª, a dˆ©clarˆ© le maire de Montrˆ©al.

Depuis  mars  2000,  M.  Yannick  Nˆ©zet-Sˆ©guin  agit  ˆÝ  titre de directeur
artistique  et  chef  principal  de  l’ÄôOrchestre Mˆ©tropolitain. Montrˆ©alais
d’Äôorigine,   il  est  aussi  directeur  artistique  et  chef  principal  de
l’ÄôOrchestre  Philharmonique  de  Rotterdam, et est considˆ©rˆ© comme l’Äôun des
jeunes chefs les plus prometteurs du 21e siˆ®cle.

¬´ M. Nˆ©zet-Sˆ©guin a un exceptionnel talent qu’Äôil fait rayonner partout sur
la  planˆ®te  et  qui  retentit  avec  ˆ©clat  au  sein  de  notre  mˆ©tropole
culturelle. Tout comme l’ÄôOrchestre Mˆ©tropolitain, il a grandement contribuˆ©
ˆÝ  dˆ©mocratiser  la  musique  classique  et ˆÝ la rendre plus accessible aux
Montrˆ©alaises  et  aux  Montrˆ©alais  ¬ª, a ajoutˆ© madame Helen Fotopulos, la
responsable  de  la  culture,  du patrimoine et de la condition fˆ©minine au
comitˆ© exˆ©cutif de la Ville de Montrˆ©al.

NY Festival Of Song: "The Sweetest Path"

MERKIN CONCERT HALL AT KAUFMAN CENTER AND NEW YORK FESTIVAL OF SONG PRESENT

THE SWEETEST PATH
The Great Flowering of French Art Song: Faurˆ©, Bizet, Ravel, Debussy,
many more

Tuesday, March 16 at 8 PM at Merkin Concert Hall at Kaufman Center

CULMINATION OF CARAMOOR’ÄôS VOCAL RISING STARS PROGRAM, FEATURING SINGERS INVITED FROM AROUND THE U.S.

Artists: John Brancy, Charlotte Dobbs, Rebecca Jo Loeb, Matthew Peˆ±a
Steven Blier and Michael Barrett


Kaufman Center and New York Festival Of Song (NYFOS, www.nyfos.orgwww.nyfos.org) present a special non-subscription program, The Sweetest Path, on Tuesday, March 16 at 8 PM at Kaufman Center’Äôs Merkin Concert Hall. The concert, celebrating the first great flowering of French art song, with the lush, poetic music of Faurˆ©, Ravel, Debussy, Bizet, Gounod and many other composers, culminates the second season of Caramoor’Äôs Vocal Rising Stars program, a week-long residency for young professionals devoted to guiding and inspiring the next generation of vocal talent. The Caramoor Center for Music and the Arts in Katonah, New York is the program’Äôs sponsor, and will present The Sweetest Path on Saturday, March 13 in the Music Room at Caramoor. The initial season of the Caramoor Vocal Rising Stars Program will be underwritten, in part, by the Terrance W. Schwab Fund for Young Vocal Artists. Leading the week’Äôs events will be NYFOS Artistic Directors and pianists Steven Blier and Michael Barrett, working with a select group of young singers from around the country.

Tickets for The Sweetest Path at Merkin Concert Hall are $40-$55, with $15 student discount tickets a half-hour before performances, as available. There are also $15 student tickets available in advance by calling (646) 230-8380. Merkin Concert Hall at Kaufman Center is at 129 West 67th Street (between Broadway and Amsterdam Avenue, New York, NY 10023. Telephone (212) 501-3330, or visit www.kaufman-center.org.
The artists are Charlotte Dobbs, soprano, featured last summer as the Governess in The Turn Of the Screw under the baton of Lorin Maazel; Rebecca Jo Loeb, mezzo-soprano, featured in NYFOS’Äôs Latin Lovers, and hailed by Opera News as ’Äúa singer to watch’Äù; Matthew Peˆ±a, an award-winning tenor who can be heard on the Albany Records recording of The Turn Of the Screw; John Brancy, baritone, a Liederkranz Foundation winner; and NYFOS Artistic Director Steven Blier (’ÄúA national treasure when it comes to the art of song’Äù ’Äì The New York Times) and Associate Artistic Director Michael Barrett, General Director of Caramoor, as pianists/hosts.

Upcoming events at NYFOS include its April 12 gala Let Yourself Go, at Weill Recital Hall at Carnegie Hall, celebrating the music of Irving Berlin; and on May 4 and 6 at Merkin Concert Hall, The Newest Deal, the premiere of Pulitzer Prize finalist Harold Meltzer’Äôs song cycle Beautiful Ohio*, created for and performed by tenor Paul Appleby, winner of the 2009 Metropolitan Opera National Council Auditions, and recently featured in Where We Come From.

Program:

The Great Outdoors
Gabriel Faurˆ©              Le plus doux chemin
Emmanuel Chabrier    Les cigales
Edouard Lalo              Au fond des halliers
Chabrier                      Lied

The Purple Years
Charles Gounod          O ma belle rebelle
Cˆ©sar Franck               Le mariage des roses
Alfred Bachelet           Chˆ®re nuit
Georges Bizet              N'oublions pas!

Spanish Weekend
Albert Roussel            Le bachelier de Salamanque
Pauline Viardot           L'absence
Maurice Ravel            Vocalise en forme de habanera
Chabrier                      Espaˆ±a
New Voices
Maurice Ravel            Deux ˆ©pigrammes de Clˆ©ment Marot
                              
      1. D'Anne qui me jecta de la neige
                              
      2. D'Anne jouant de l’Äôespinette
Erik Satie                   Daphˆ©nˆ©o
Max d’ÄôOllone             L'enfant Eros
Francis Poulenc          La petite servante

Encounters
Faurˆ©                          En sourdine
Georges Auric            Attendez le prochain bateau
Albert Roussel           Sarabande
Claude Debussy         Colloque sentimental


After Hours
Maurice Ravel           Fascination
Renˆ© Sylvano     

and Lucien Boyer, 
lyrics by 
Yvette Guilbert        Partie carrˆ©e


Composers:

Georges Auric (1899 ’Äì 1983) was part of the French avant-garde, and composed music for ballet, musical theater, opera and classic films such as Cocteau’Äôs Beauty and the Beast. Many of his songs became popular hits.

Alfred Bachelet (1864 ’Äì1944) is considered a key figure in early 20th century French opera, with a post-Romantic style similar to Richard Strauss.

Georges Bizet (1838-1875), a Romantic Composer influenced by Gounod and Schubert, is best known for his operas, including Carmen and The Pearl Fishers, as well as such instrumental works as Symphony In C.

Emanuel Chabrier (1841-1894) was an important Romantic composer who created operas (notably L’Äôˆ©toile), songs, orchestral works and piano music. And who influenced several succeeding generations of French composers, especially in his use of musical humor and wit.

Claude Debussy (1862-1918), one of the most prominent figures in impressionist music, was famous for his uniquely sensuous style in works such as the opera Pˆ©lleas and Mˆ©lisande and orchestral works such as La Mer.

Max d’ÄôOllone (1875-1959) was a composer, conductor and musicologist. His work was influenced by Massenet and Wagner, but his many operas and ballets showed his own sharply dramatic style.

Gabriel Faurˆ© (1845-1924) is considered the master of French art song, using a uniquely subtle, yet repetitive harmonic and melodic style which greatly influenced 20th century music.

Cˆ©sar Franck (1822-1890) a major figure of late French Romantic music, developed and composed works in ’Äúcyclic form,’Äù in which successive themes germinate from a main motif, and used harmonies influenced by Liszt and Wagner. Among his best known works are his Symphony in D and his violin concerto.

Charles Gounod 1818-1893) achieved fame as a Romantic composer through his operas Faust and Romˆ©o et Juliette and vocal works such as his adaptation of the first prelude of Bach’Äôs Well-Tempered Clavier, which he used as the foundation for his world famous Ave Maria.

Yvette Guilbert (1865-1944) was one of the greatest stars of French cabaret, singing songs of tragedy and lost love.  She was painted by Tolouse Lautrec, adored by Verdi, starred in silent films, wrote best-selling novels and sometimes composed her own music and lyrics, many of which were big hits.

Eduard Lalo (1823-1892) whose most famous vocal work is the opera Le Roi D’ÄôY’Äôs, was noted for his strong melodies and colorful orchestration.

Francis Poulenc (1899-1963) was a member of the Paris group of composers called Les Six and applied Dadaist techniques to music, frequently blurring the lines between classical and popular idioms.

Maurice Ravel (1875-1937), another important figure in French impressionist music, was noted for his complex orchestral and instrumental textures, in works such as Daphnis and Chloe and La Valse.

Albert Roussel (1869-1937) wrote a variety of instrumental and vocal works. Influenced by impressionist composers, he reinvented in his own neoclassical style and jazz-oriented pieces.

Erik Satie (1866-1925), one of the most influential artists of the French avant-garde crowd, was noted for his minimalist pieces, which provided the inspiration for succeeding generations of French composers.

Pauline Viardot (1821 ’Äì 1910), a glamorous figure in late 19th Century opera, arranged works by Brahms, Schubert and other important composers. She also created songs and salon operas which were intended to be private exercises for her vocal students, but were discovered by Franz Liszt and eventually reached the public.


Bios

Hailing from Mullica Hill, New Jersey, John Brancy is in his third year of undergraduate studies at The Juilliard School. Mr. Brancy’Äôs many scholarships include the E. & G. Valentine scholarship, the Mary Isabelle Kemp scholarship, and the Michael L. Brunetti memorial scholarship in voice. Other awards include an encouragement award in the 2008 Lotte Lenya competition, the First place prize in the 2007 Classical Singer competition, The Gold Award from NFAA, an encouragement award from Opera Index, and recently the Second Place prize in the Liederkranz Foundation opera competition. Mr. Brancy’Äôs recent engagements have taken him to Carnegie Hall for two consecutive performances in last year’Äôs season with Mid-America productions.

Charlotte Dobbs made her European debut this past summer as Corinna in Il viaggio a Reims at the Pesaro Rossini Festival, and returned to Italy in the fall to sing Rosina in the theaters of Jesi, Fermo, and Ravenna with the Fondazione Pergolesi Spontini. She also made her debut this season with the Chicago Opera Theater, as Servilia in La clemenza di Tito. Other recent credits include Donna Elvira, the title role in Tchaikovsky's Iolanta, Nuria in Ainadamar, and the Countess in Le nozze di Figaro with the Curtis Opera Theater. In 2008, she appeared in recital with Mitsuko Uchida at the Marlboro Music Festival, where she performed Schoenberg's Book of the Hanging Gardens. Also at Marlboro, she gave her first performance of Schoenberg's Second String Quartet. Her recent appearances also include the title role in Iphigˆ©nie en Aulide, Elettra in Idomeneo, and Juno in La Calisto, all at the Juilliard School. Miss Dobbs made her Kimmel Center and Carnegie Hall debuts in Nielsen's Third Symphony with the Curtis Symphony Orchestra under the direction of Alan Gilbert in 2008. She has appeared on two NYFOS programs: Songs of Peace and War and No Song Is Safe From Us.

Hailed as a ’Äúsinger to watch’Äù (Opera News) and a ’Äúdusky-toned mezzo’Äù (the New York Times) Rebecca Jo Loeb is a recent graduate of The Juilliard School. Included in her 2009-10 season are performances as the Second Fairy in A Midsummer Night’Äôs Dream with the New York City Ballet, her Carnegie Hall debut as the alto soloist in Bach’Äôs B minor Mass with the Saint Cecilia Chorus and Orchestra, performing in a workshop of The Enchanted Island with The Metropolitan Opera, and performing Bolcom’Äôs Cabaret Songs at Alice Tully Hall with the Riverside Symphony. This summer she will return to Glimmerglass Opera to perform in The Tender Land and Le nozze di Figaro. She has performed with the Boston Pops, the Mark Morris Dance Company, Central City Opera, as fellow at the Tanglewood Music Center, and as a Young American Artist at Glimmerglass Opera. Ms. Loeb made her Broadway debut in a program entitled Ladies Who Sing Sondheim starring Angela Lansbury. She performed Carrie in Carousel and Petra in A Little Night Music with the Boston Pops. Ms. Loeb has won the Kurt Weill Foundation’Äôs Lotte Lenya competition and was a 2009 Career Bridges grant winner.

Matthew Peˆ±a enjoys a diverse repertoire in opera, concert and recital
of standard, new, and unjustly obscure repertoire. His operatic
credits include roles with Anchorage Opera, Virginia Opera, Chautauqua
Opera, Opera Santa Barbara, and the Des Moines Metro Opera. He was a
recent member of the Steans Institute at the Ravinia Festival and has
appeared in concert and recital with the American Classical Orchestra,
the Choral Society of New York, the San Jose Music Club, the Cleveland
Singers Club and The Song Continues Festival of the Marilyn Horne Foundation. This summer, he will be an Apprentice Artist with the Santa Fe Opera. Mr. Peˆ±a has won several awards, including a grant from the Lˆ©ni Fˆ© Bland Foundation, the San Jose Music Study Club Competition, and the Charles A. Lyman Vocal Competition. He is a graduate of Oberlin College and Conservatory and the Manhattan School of Music. His recordings includeLee Hoiby’Äôs A Month in the Country and Spohr’Äôs Zemire and Azor, both available through Albany Records.

Steven Blier
Artistic director Steven Blier co-founded the New York Festival of Song (NYFOS) in 1988 with Michael Barrett. Since the Festival’Äôs inception he has programmed, performed, translated and annotated over one hundred vocal recitals with repertoire spanning the entire range of American song, art song from Schubert to Szymanowski, and popular song from early vaudeville to Lennon-McCartney.

Mr. Blier also enjoys an eminent career as an accompanist and vocal coach. His recitals with Renˆ©e Fleming, Cecilia Bartoli, Samuel Ramey, Susan Graham, Frederica von Stade, and Jessye Norman have taken him to the stages of Carnegie Hall, La Scala, and London’Äôs Wigmore Hall. He has premiered works of John Corigliano, Ned Rorem, William Bolcom, John Musto, Paul Moravec, Tobias Picker, Robert Beaser, and Lee Hoiby, many of which were commissioned by NYFOS.

In addition to his many recordings with NYFOS, Mr. Blier’Äôs discography includes four volumes of songs by Charles Ives with baritone William Sharp (Albany Records), a Grammy-nominated CD of American songs with Mr. Sharp (New World Records), and first recordings of music by Busoni and Borodin with cellist Dorothy Lawson (Koch International). His two most recent releases are The Land Where the Good Songs Go with Sylvia McNair and Hal Cazalet, and Spanish Love Songs with Joseph Kaiser and the late Lorraine Hunt Lieberson (Bridge Records).

Mr. Blier is on the faculty of The Juilliard School, and has been active in encouraging young recitalists at summer programs, including the Wolf Trap Opera Company, Glimmerglass Opera, and the San Francisco Opera Center.

Michael Barrett
NYFOS co-founder and Associate Artistic Director Michael Barrett is Chief Executive and General Director of the Caramoor Center for Music and the Arts.  In 1992, he co-founded the Moab Music Festival with his wife, violist Leslie Tomkins. From 1994 to 1997, he was the Director of the Tisch Center for the Arts at the 92nd Street Y in New York.

A protˆ©gˆ© of Leonard Bernstein, Mr. Barrett began his long association with the renowned conductor and composer as a student in 1982.  He is currently the Artistic Advisor for the estate of Leonard Bernstein. Mr. Barrett has been a guest conductor with the Orchestra of St. Luke’Äôs, the New York Philharmonic, the London Symphony, the Israel Philharmonic and the Orchestre National de France, among others.  He also has served variously as conductor, producer, and music director of numerous special projects, including the world premiere of Volpone by John Musto.

Mr. Barrett’Äôs discography includes: Spanish Love Songs, recorded live at Caramoor with Lorraine Hunt Lieberson, Steven Blier, and Joseph Kaiser; Live from the Moab Music Festival; the Grammy-nominated Evidence of Things Not Seen (New World Records); Aaron Jay Kernis: 100 Greatest Dance Hits (New Albion); On the Town (Deutsche Grammophon); Kaballah (Koch Classics) by Stewart Wallace and Michael Korie; Schumann Lieder with Lorraine Hunt and Kurt Ollman (Koch); and Arias and Barcarolles (Koch) by Leonard Bernstein (Grammy Award).

New York Festival of Song was founded in 1988 by Steven Blier and Michael Barrett.  NYFOS is dedicated to creating intimate song concerts of great beauty, humor and originality, combining music, poetry, and history to entertain, educate and create community among audiences and performers.  With a far-ranging repertoire of art songs, concert works and theater pieces, its thematic recitals have included programs from Brahms to the Beatles, from the nineteenth-century salons of Paris to Tin Pan Alley, from Russian art song to Argentine tangos, from sixteenth-century lute songs to new music.  NYFOS particularly celebrates American song literature and culture, and specializes in premiering and commissioning new American works.
###

NYFOS’Äôs New York City concert series is funded, in part, by the New York City Department of Cultural Affairs, in partnership with the City Council, and by the New York State Council on the Arts.
The May 4 and 6, 2010 performances of The Newest Deal are made possible, in part, by a generous grant from the National Endowment for the Arts.
 *Beautiful Ohio is commissioned by the ASCAP Foundation Charles Kingford Fund.
The second season of the Caramoor Vocal Rising Stars program will be underwritten, in part, by The Terrance W. Schwab Fund for Young Vocal Artists.
Paul Appleby appears with the cooperation of The Metropolitan Opera Lindemann Young Artist Development Program.

Metropolis Bleu - Le Prix littˆ©raire arabe ˆÝ Joumana Haddad

Le Prix littˆ©raire arabe Al Majidi Ibn Dhaher Metropolis bleu 2010
est dˆ©cernˆ© ˆÝ la poˆ®te libanaise
JOUMANA HADDAD
¬´ Une voix unique dans la littˆ©rature arabe d’Äôaujourd’Äôhui ¬ª

Montrˆ©al, le 17 fˆ©vrier 2010- La Fondation Metropolis Bleu remettra cette annˆ©e le Prix littˆ©raire arabe Al Majidi Ibn Dhaher Metropolis bleu 2010 ˆÝ une ˆ©toile de la poˆ©sie arabe contemporaine : Joumana Haddad.
Ce prix, d’Äôune valeur de 5000 $, souhaite ainsi souligner la carriˆ®re littˆ©raire de cette auteure de renommˆ©e internationale. Madame Haddad recevra le Prix lors de la 12e  ˆ©dition du Festival littˆ©raire international de Montrˆ©al Metropolis bleu, qui se dˆ©roulera du 21 au 25 avril 2010 ˆÝ l’ÄôHˆ¥tel Delta Centre-ville.
Elle est notamment l’Äôauteur de Le Retour de Lilith (aux ˆ©ditions L’Äô Inventaire en franˆßais en 2007), de Miroirs des passantes dans le songe (chez Al Dante en franˆßais en 2010), et de J’Äôai tuˆ© Shˆ©hˆ©razade (chez Actes Sud en franˆßais en 2010).  La plupart de ses ‰ìuvres ont ˆ©tˆ© traduites dans les langues qu’Äôelle maitrise : l’Äôarabe, l’Äôanglais, le franˆßais, l’Äôespagnol et l’Äôitalien.

ˆÄ propos de Joumana Haddad
Nˆ©e en 1970 ˆÝ Beyrouth, Joumana Haddad est une poˆ®te, traductrice et journaliste littˆ©raire et elle prˆ©pare un doctorat sur la traduction poˆ©tique. Elle parle sept langues. Elle a  reˆßu en 2006 le Prix du Journalisme Arabe, et en novembre 2009 le Prix international Nord-Sud de la Fondation italienne Pescarabruzzo dans la catˆ©gorie poˆ©sie. Elle a ˆ©tˆ© []sˆ©lectionnˆ©e  en septembre 2009, par Beirut39, un projet conˆßu par le  Beirut Unesco World Book Capital 2009 pour cˆ©lˆ©brer, lors du Festival Beirut39 qui se tiendra en  Avril 2010,  les trente-neuf auteurs arabes de moins de 39 ans considˆ©rˆ©s comme les plus intˆ©ressants de 2009. 

Avant-gardiste, elle dˆ©sire donner aux mots leur pouvoir dans une sociˆ©tˆ© oˆ¼ seule la mˆ©taphore a lieu d’Äôˆ�tre  puisque selon elle ¬´  la vraie libertˆ© commence par la tˆ�te, par la pensˆ©e ¬ª. De ce fait, le controversˆ© ¬´ Jasad ¬ª (www.jasadmag.com) - magazine culturel trimestriel qui veut penser la littˆ©rature et les arts du corps - la met sous les feux de la rampe depuis qu’Äôelle l’Äôa fondˆ© en 2008. Elle n’Äôest pas moins qu’Äôune ¬´  voix unique dans la littˆ©rature arabe d’Äôaujourd’Äôhui ¬ª d’Äôaprˆ®s l’Äôauteur d’Äôorigine marocaine Tahar Ben Jelloun. 
En plus d’Äôavoir interviewˆ© un grand nombre d'ˆ©crivains cˆ©lˆ®bres tels qu’ÄôUmberto Eco, Paul Auster et Yves Bonnefoy, elle a aussi coˆ©crit et jouˆ© en 2009 dans un film de la rˆ©alisatrice libanaise Jocelyne Saab Qu'est ce qui se passe ? , ainsi que dans un documentaire sur le poˆ®te palestinien Mahmoud Darwish.
 Enfin elle est  ˆ©galement responsable des pages ¬´ Culture ¬ª du quotidien libanais An Nahar et administratrice du Prix International du Roman Arabe, surnommˆ© le Booker arabe. 

ˆÄ propos du  Prix littˆ©raire arabe Al Majidi Ibn Dhaher
Le Prix est dˆ©cernˆ© annuellement ˆÝ un ˆ©crivain arabe pour l’Äôensemble de son ‰ìuvre, quel que soit le genre littˆ©raire, qu’Äôil publie en langue arabe ou dans toute autre langue, le prix littˆ©raire arabe Al Majidi Ibn Dhaher Mˆ©tropolis bleu est dotˆ© d’Äôune bourse de 5 000 $. Prˆ©sidˆ© par Linda Leith, fondatrice et directrice artistique de Metropolis bleu, le jury 2010 est composˆ© de Monsieur Issa J. Boullata, auteur, littˆ©raire, traducteur et rˆ©dacteur au magazine Banipal aussi bien que Zaki Nusseibeh du Palais Prˆ©sidentiel, Abu Dhabi, des Emirats Arabes Unis.
Le prix est soutenu par Abu Dhabi Authority for Culture and Heritage afin d’ÄôaccroˆÆtre la notoriˆ©tˆ© des ˆ©crivains arabes ˆÝ l’Äôˆ©chelle mondiale. Ce prix est nommˆ© en l’Äôhonneur du poˆ®te Al Majidi Ibn Dhaher. Ce dernier a vˆ©cu ˆÝ la fin du 17e siˆ®cle et au dˆ©but du 18e siˆ®cle et il a ˆ©crit ce qui est maintenant appelˆ© la poˆ©sie Nabati.

ˆÄ propos de la Fondation Metropolis bleu
La Fondation Metropolis bleu, basˆ©e ˆÝ Montrˆ©al, est un organisme ˆÝ but non lucratif qui a vu le jour en juin 1997. Sa mission est de rˆ©unir des gens de diffˆ©rentes cultures pour partager le plaisir de lire et d’Äôˆ©crire. Pour en savoir plus sur la Fondation Metropolis bleu, visitez www.metropolisbleu.org.

Sortie de disque - Guillaume Bouchard

Michel Cˆ¥tˆ©, saxophone
Andrˆ© Lachance, guitare
Franˆßois Cˆ¥tˆ©, batterie
Guillaume Bouchard, contrebasse et composition

En magasin dˆ®s maintenant

Aprˆ®s Happy Blue, duo de contrebasses avec le lˆ©gendaire Michel Donato enregistrˆ© en 2006 sous le label parisien Zig-Zag Territoires, le contrebassiste quˆ©bˆ©cois Guillaume Bouchard prˆ©sente son nouveau disque Chemins.

Guillaume Bouchard se produit sur les scˆ®nes jazz europˆ©ennes et canadiennes depuis plusieurs annˆ©es (Festival Django Reinhardt, Festival de jazz d’ÄôAnger, Festival de jazz d’ÄôAmiens, Festival de Jazz de Montrˆ©al).

Michel Donato le qualifie ainsi : ¬´ Guillaume c’Äôest de la trˆ®s trˆ®s grande relˆ®ve. ¬ª (Le Soleil, Quˆ©bec, 13 mars 2003); ¬´ Parmi les contrebassistes d'ici, Guillaume m'apparaˆÆt comme le plus proche de mon style¬ª (La Presse, Montrˆ©al, 30 dˆ©cembre 2006). 

Dans Chemins, Guillaume Bouchard nous surprend par ses compositions oˆ¼ les mˆ©lodies qui nous transportent se mˆ�lent ˆÝ une harmonie toujours riche et recherchˆ©e. Entourˆ© des excellents musiciens Michel Cˆ¥tˆ© (saxophone), Andrˆ© Lachance (guitare) et Franˆßois Cˆ¥tˆ© (batterie), Guillaume Bouchard nous prˆ©sente cet album, qui se place dans la grande lignˆ©e du jazz traditionnel, comme un voyage dans son univers musical.

Biennale Danza - Marathon of the Unexpected

From today ’Äì 17 February 2010 ’Äì the request for admission to the selection for the Marathon of the Unexpected, the new ’Äúoff’Äù section of the 7th International Festival of Contemporary Dance, to be held in Venice from 26 May to 12 June, will be active on the Biennale di Venezia website (www.labiennale.org).

Planned to bring new talent to the light of day that would otherwise find it hard to gain visibility and dedicated to the most experimental work in dance, the Marathon of the Unexpected will be a space concentrated into one whole day within the festival, the 12th of June, and will take the form of brief non-stop performances ’Äì not more than 15 minutes each ’Äì chosen from the proposals received by 2 April at marathon@labiennale.org.

Aimed at dancers and choreographs with professional experience in choreography and performance, the selection will be made by the director of the Dance Sector, Ismael Ivo, who will be looking for new and innovative proposals.

Those chosen will be offered the stage of the Teatro Piccolo Arsenale by the Biennale, where the basic technical features will be available for each arrangement (dance mat, white wash, audio system with CD reader, video-projection system with DVD reader).

In line with the aim held by the Biennale di Venezia generally of presenting the transformations under way on the contemporary scene, the  Dance Sector promotes opportunities to discover and promote the creative originality of new generations. The Marathon of the Unexpected thus constitutes a further opportunity alongside the Arsenale della Danza, the training centre for contemporary dance and  of artistic production, whose 20 dancers will be the protagonists of Aria, Ismael Ivo’Äôs new choreography, which will open the 7th International Festival of Contemporary Dance.

More information is available from the Biennale di Venezia site: www.labiennale.org

Cleveland Orchestra Youth Orchestra and Youth Chorus perform concert at Severance Hall on March 14

In second Youth Orchestra program of the season, James Feddeck conducts Saint-Saˆ´ns’Äôs Symphony No. 3 (’ÄúOrgan’Äù)

Cleveland Orchestra Youth Chorus joins the Youth Orchestra for the Faurˆ© Requiem and also performs music by Mozart and Bruckner


CLEVELAND, February 16, 2010 ’Äì The Cleveland Orchestra Youth Orchestra will perform its second Severance Hall concert of the 2009-10 season on Sunday, March 14, 2010, at 7:00 p.m.  James Feddeck, in his first season as music director of the Youth Orchestra, will begin the performance with Wolfgang Amadˆ® Mozart’Äôs Regina coeli, for which the Youth Orchestra will be joined by the Cleveland Orchestra Youth Chorus.  Next on the program is Camille Saint-Saens’Äôs Symphony No. 3 (’ÄúOrgan’Äù), with Cleveland Institute of Music master’Äôs degree program student Laura Ross as organ soloist.  After intermission, the Cleveland Orchestra Youth Chorus, led by its director, Frank Bianchi, will perform Anton Bruckner’Äôs Ave Maria.  To conclude the program, Mr. Feddeck will conduct the Youth Orchestra and Youth Chorus in Gabriel Faurˆ©’Äôs Requiem. 
            Vocal soloists for Mozart’Äôs Regina coeli, all members of the Youth Chorus, will be sopranos Annalise Dzwonczyk and Katie Staskus, altos Rebeccah Dahlhausen and Elysha Ross, tenors TJ Fallon and Zachary Pytel, and basses De’ÄôRon McDaniel and Brogan Reilly.  Vocal soloists for the Faurˆ© Requiem will be Youth Chorus soprano Annalise Dzwonczyk and baritone Jaired Birks.
A Prelude Concert will be held in Reinberger Chamber Hall beginning at 2:00 p.m.  The Prelude will feature chamber music performed by Youth Orchestra ensembles, and is free to concert ticket holders.  
            Biographical information on James Feddeck and Frank Bianchi follows.
* * *
TICKETS cost $12 each (reserved seating).  Boxes are available at $160 each (8 seats per box). 

To charge tickets by telephone on American Express, Discover Card, MasterCard, and Visa, call Cleveland Orchestra Ticket Services at (216) 231-1111 or 800-686-1141 during regular ticket office hours (Monday through Friday from 9:00 a.m. to 6:00 p.m. and on Saturdays from 10:00 a.m. to 6:00 p.m.  Closed Sundays and major holidays, except for those days with performances, when the Ticket Office opens three hours prior to the performance start time.).  Tickets are also available through The Cleveland Orchestra’Äôs website at clevelandorchestra.com.  The website offers secure ticket transactions with any major credit card and provides complete concert listings.
            Please note:  There are no added service charges or handling fees for concert tickets purchased through the Severance Hall Ticket Office ’Äì in person, by telephone or fax, or on the website.
* * *
            The Cleveland Orchestra Youth Orchestra (COYO), now in its 24th season, is a full, 100-member symphony orchestra of young musicians from 44 communities in 13 counties across northern Ohio and western Pennsylvania.  The Youth Orchestra was founded in 1986 under the direction of former Cleveland Orchestra Resident Conductor Jahja Ling to provide talented young musicians with a pre-professional orchestra training experience of the highest possible artistic standard.  Since that time, more than 1,000 young musicians have benefited from the unique musical experiences that COYO offers: weekly coachings with members of The Cleveland Orchestra, rehearsals and performances in historic Severance Hall, and opportunities to work with internationally renowned guest artists and conductors, including Pierre Boulez, Peter Eˆ�tvˆ�s, Yo-Yo Ma, Kurt Masur, Gil Shaham, Michael Tilson Thomas and Cleveland Orchestra Music Director Franz Welser-Mˆ�st.  As one of the best youth orchestras in the country, the Cleveland Orchestra Youth Orchestra has garnered a number of prestigious accolades.   Following the opening concert of the Youth Orchestra’Äôs 2007-08 season, The Plain Dealer commented that ’ÄúAs the last movement [of Sibelius’Äôs Symphony No. 2] ascended to its sunny peak, the orchestra filled every corner of Severance Hall with tonal gold.’Äù  In March 2008, The Plain Dealer stated that the Youth Orchestra’Äôs performance of the conclusion of Mahler’Äôs Symphony No. 1 ’Äúshook the hall in a blaze of youthful glory.’Äù 
            In June 2009, the Cleveland Orchestra Youth Orchestra made its first appearances (performing four concerts) in Boston, Massachusetts, and surrounding areas, marking the first COYO tour since the Youth Orchestra’Äôs triumphal tour performance at Carnegie Hall in 2001.

The Cleveland Orchestra Youth Orchestra is supported by generous grants from the Martha Holden Jennings Foundation, the Surdna Foundation, and many other donors.  Endowment support is provided by The George Gund Foundation and Christine Gitlin Miles. 

            In 1991, the Cleveland Orchestra Youth Chorus was founded to help raise awareness of choral music-making in the schools of northeastern Ohio and to encourage more students to continue their choral activities through college and into adulthood. The 125 members of the Youth Chorus are in grades 9 to 12 and represent some 45 schools and communities from 6 Northeastern Ohio Counties.   Like their colleagues in the Youth Orchestra, they are chosen through auditions. This past year over 150 students auditioned for the chorus.  Frank Bianchi serves as director of the Youth Chorus.
            In recent years, the Youth Chorus has collaborated with outstanding musical ensembles including the Cleveland Orchestra, Cleveland Orchestra Chorus, Cleveland Orchestra Youth Orchestra, Baldwin-Wallace Men’Äôs Chorus and the Cleveland State Chorale.  The Youth Chorus has appeared in concert at the summer conference of the Ohio Choral Directors Association, the Cathedral of St. John in Cleveland, Ohio and at the Ohio Music Education Association Convention in Cincinnati, Ohio.  Members of the Youth Chorus have participated in Holiday performances with the Cleveland Orchestra and Cleveland Orchestra Chorus and at the annual summer Blossom Festival. Many members of the Youth Chorus began their Severance Hall ’Äòsinging career’Äô as members of the Cleveland Orchestra Children’Äôs Chorus. 
            Initial funding for the Youth Chorus was provided by the W.O. Frohring Foundation, the Edward and Ruth Wilkof Foundation, and the Sears Family Foundation, with ongoing support provided by the Wilkof Foundation.

The Cleveland Orchestra Youth Chorus is supported by the Edward and Ruth Wilkof Foundation.

Each of the Cleveland Orchestra Youth Orchestra’Äôs concerts this season is to be broadcast on later dates by WCLV 104.9 FM. 
            The Cleveland Orchestra Youth Orchestra and Youth Chorus are part of a broad array of Cleveland Orchestra educational programs designed to foster a love of music and a lifetime of participation in the musical arts, and to nurture aspiring young musicians. These programs are part of the Orchestra’Äôs Community Music Initiative.  Other programs include the Cleveland Orchestra Children’Äôs Chorus, the Musical Rainbow concert series for children ages 3 to 6, Family Concerts for ages 7 and up, Education Concerts (which bring 25,000 schoolchildren to Severance Hall each year), Learning Through Music, the High School Matinee Concert, the Student Advantage Program for college students, and Concert Previews and Music Study Groups for adults.  For more information about any of these programs, call the Orchestra’Äôs Department of Educational and Community Programs at (216) 231-7355, or visit clevelandorchestra.com.

CALENDAR LISTING:
Sunday, March 14, 2010, at 7:00 p.m.
(Prelude Concert at 6:00 p.m. featuring chamber music performed by members of the Youth Orchestra)

Severance Hall

CLEVELAND ORCHESTRA YOUTH ORCHESTRA
James Feddeck, conductor
CLEVELAND ORCHESTRA YOUTH CHORUS
Frank Bianchi, director

The Cleveland Orchestra Youth Orchestra and Youth Chorus:
MOZART                    Regina coeli

The Cleveland Orchestra Youth Orchestra:
            SAINT-SAˆãNS            Symphony No. 3 (’ÄúOrgan’Äù)

The Cleveland Orchestra Youth Chorus:
            BRUCKNER                Ave Maria

The Cleveland Orchestra Youth Orchestra and Youth Chorus:
            FAURˆâ                        Requiem


The Cleveland Orchestra Youth Orchestra is supported by generous grants from the Martha Holden Jennings Foundation, the Surdna Foundation, and many other donors.  Endowment support is provided by The George Gund Foundation and Christine Gitlin Miles.
The Cleveland Orchestra Youth Chorus is supported by the Edward and Ruth Wilkof Foundation.

TICKETS:  $12 (reserved seating).  Call (216) 231-1111 or 1-800-686-1141, or order online at clevelandorchestra.com
________________________________________________________________________________

Press Contacts:         Jennifer Schlosser, (216) 231-7518
                                       Email: jschlosser@clevelandorchestra.com
                                    Ana Papakhian, Office: (216) 231-7476; Cell phone: (216) 370-2595
                                       Email: anap@clevelandorchestra.com


James Feddeck
Music Director
Cleveland Orchestra Youth Orchestra

Assistant Conductor
Elizabeth Ring and William Gwinn Mather Endowed Chair
The Cleveland Orchestra

James Feddeck is in his first season as an assistant conductor of The Cleveland Orchestra and as music director of the Cleveland Orchestra Youth Orchestra, having been appointed by Franz Welser-Mˆ�st in March 2009.  As assistant conductor, Mr. Feddeck conducts Education, Family, and other concerts and serves as cover conductor for Severance Hall and Blossom Festival subscription concerts.  He also helps oversee the editing of archival recordings of concerts and provide assistance to Franz Welser-Mˆ�st.  Mr. Feddeck made his debut with The Cleveland Orchestra in a Blossom Festival concert in August 2009, as an Aspen Academy Conductor.
            As music director of the Cleveland Orchestra Youth Orchestra, Mr. Feddeck leads the ensemble in weekly rehearsals and will conduct its 2009-10 season three-concert series in Severance Hall, concerts in the Cleveland area, and a performance for Severance Hall’Äôs Community Open House Day in January 2010.  In March, he also will conduct the Youth Orchestra in a side-by-side concert with The Cleveland Orchestra, for high-school students.
            James Feddeck came to Cleveland from his prior position as assistant conductor of the Memphis Symphony Orchestra.  During his two-season tenure in Memphis, he developed and conducted subscription programs, educational concerts, and community programs, and served as an advocate for music education.
            This past summer, Mr. Feddeck served as assistant conductor at the Aspen Music Festival and School.  A conducting fellow for three summers at the American Academy of Conducting at the Aspen Music Festival and School, where he studied with Murry Sidlin and David Zinman, James Feddeck received the Aspen Conducting Prize in 2008.  He was awarded the Robert J. Harth Conductor Prize in 2007 and was nominated for the Glimmerglass Opera Conducting Prize in 2006.  In addition, he was the unanimous winner of the Sixth Vakhtang Jordania International Conducting Competition and, at twenty-two, its youngest participant.
            Mr. Feddeck’Äôs musical training and background is unusually diverse and multifaceted.  He holds the distinction of having been admitted to the Oberlin Conservatory of Music in four areas: piano, oboe, organ, and conducting.  While at Oberlin, he was music director and conductor of Mozart’Äôs Cosˆ¨ fan tutte.  Following undergraduate and graduate degrees from Oberlin, where he studied conducting with Steven Smith, Timothy Weiss, and Bridget-Michaele Reischl, Mr. Feddeck continued his studies in conducting at the University of Michigan, working with Kenneth Kiesler.  He has participated in conducting masterclasses at Aspen with Patrick Summers, Harry Bicket, and James Conlon.
            An accomplished organist, Mr. Feddeck has performed recitals throughout Europe and North America and has won competitions sponsored by the American Guild of Organists.  As an oboist, he has taken a special interest in new music, having commissioned and premiered works including Daniel Pinkham’Äôs Oboe Quartet.
            Recent and upcoming conducting engagements include appearances at the Aspen Music Festival with artists including Misha Dichter and Cho-Liang Lin, Cleveland Institute of Music, Charlotte Symphony Orchestra (with soloist Yo-Yo Ma), and return performances with the Memphis Symphony Orchestra.

Frank Bianchi
Director, Cleveland Orchestra Youth Chorus
Assistant Director, Cleveland Orchestra Chorus

Frank Bianchi is in his fifth season as director of the Cleveland Orchestra Youth Chorus and his first season as assistant director of the Cleveland Orchestra Chorus.  In addition, he is an adjunct professor of music at the Baldwin-Wallace College Conservatory of Music and the director of the Baldwin-Wallace Men’Äôs Chorus.  Choral groups under his direction during his 30-year public-school teaching career have sung at district, regional, state, and national conventions of OMEA, MENC, and ACDA.
            Mr. Bianchi is very active as a choral clinician, choral conductor, and adjudicator of both concert and show choirs.  He has conducted well over 100 honors, district, regional, and all-state choirs throughout Ohio, Kentucky, and Pennsylvania.  This spring, he will conduct the Pennsylvania All-State Choir at the PMEA State Conference.  Mr. Bianchi has served in several capacities on the Adjudications Board for the Ohio Music Education Association and the Ohio Choral Directors Association and currently serves as the northeast Ohio regional chairperson for the Ohio Choral Directors Association. 
            Mr. Bianchi is a past recipient of the Outstanding Music Educator of the Year Award from the Ohio Music Education Association.  In addition to his duties at Severance Hall and Baldwin-Wallace College, he serves as director of liturgical music at Holy Martyrs Catholic Church in Medina.

Lori Laitman Featured Composer on Thomas Hampson's New Song of America Website

Lori Laitman is 
 Featured Composer
on Thomas Hampson’Äôs
New Song of America Website


Lori Laitman has been selected as the Featured Composer (February 2010) on Thomas Hampson's new website, songofamerica.net. 

Created by the acclaimed baritone in collaboration with the Library of Congress, the new online resource is a fascinating, authoritative and comprehensive database of influential American composers and poets ’Äî those who have best communicated the story of America over the past 250 years, and in so doing, have shaped its cultural legacy, history and spirituality. This unique website acknowledges and celebrates seminal contributors to the development of poetry and song in America by presenting their lyrics, scores, profiles and relevant links for further study.  Laitman’Äôs works are featured on the timeline of American song, and her impressive oeuvre and recordings are highlighted.

Lori Laitman began composing for voice in 1991 and has since created an extensive body of works, many of which have entered the standard repertoire and are performed by top musicians worldwide.  Within her 200 art songs spanning the breadth of American literature from Dickinson to contemporary poets, Laitman has also crafted a unique body of music commemorating the Holocaust.

Apart from her art songs and song cycles, Laitman’Äôs output includes a chamber opera, Come to Me in Dreams; a full-length opera, The Scarlet Letter; and a Holocaust oratorio, Vedem, which premieres in 2010. Her solo recordings have received exceptional praise and she continues to receive countless commissions to write vocal music.

WNYC's Leonard Lopate Celebrates 25th Anniversary - Thursday, March 25th at 7pm

What:  ’ÄúMusic, Memories and Mockery: A Leonard Lopate 25th Anniversary Roast’Äù       
"To stay on the air for 25 years, either the audience loves you or you're sleeping with the management,’Äù said Andy Borowitz. ’ÄúIn Leonard's case, to my knowledge only the former is true."

Who:    Andy Borowitz ’Äì Emcee
Roasters: Chuck Close, Rosie Perez, Martha Plimpton, Michael Lomonaco, Phillip Lopate
Plus: Ruth Reichl, Art Spiegelman, WQXR’Äôs Elliott Forrest, and more!
               Guest of Honor: Leonard!

When:    Thursday, March 25th at 7pm

Where:  The Cooper Union Great Hall
   7 East 7th Street (at 3rd Avenue)

Tickets: $25. Can be purchased at http://www.wnyc.org/events/149770

For more information: WNYC Listener Services (646) 829-4000

WNYC Presents

Music, Memories and Mockery:
A Leonard Lopate 25th Anniversary Roast

Andy Borowitz to Emcee

Limited Edition Anniversary T-Shirt Designed by Art Spiegelman

Thursday, March 25th at 7pm
At Cooper Union


(February 16, 2010) - For 25 years, The Leonard Lopate Show has served as New York City's salon of arts and ideas, featuring in-depth and insightful interviews with a range of luminaries, from newsmakers, tastemakers, and filmmakers to artists, authors, and actors.  From Francis Ford Coppola to Norman Mailer, Barack Obama to Meryl Streep, Henry Kissinger to Toni Morrison, a visit to the Lopate studio has been an essential stop in the New York cultural scene.

On Thursday, March 25th at 7pm, WNYC will celebrate Leonard with ’ÄúMusic, Memories and Mockery: A Leonard Lopate 25th Anniversary Roast.’Äù The toasters and roasters all have long associations with the show:
  • CHUCK CLOSE, painter and photographer
  • MARTHA PLIMPTON, stage and screen actress
  • MICHAEL LOMONACO, Executive Chef and partner, Porter House New York
  • ROSIE PEREZ, actress, dancer, choreographer, director and community activist
  • PHILLIP LOPATE, essayist, novelist, poet (and brother of Leonard!)

Humorist ANDY BOROWITZ will emcee, and put Leonard in the hot seat by turning the tables and interviewing the man himself.  Jazz pianist JASON MORAN will provide musical entertainment.

"To stay on the air for 25 years, either the audience loves you or you're sleeping with the management,’Äù said BOROWITZ. ’ÄúIn Leonard's case, to my knowledge only the former is true."

A special edition T-shirt, designed by longtime listener and Pulitzer Prize-winning comic book author ART SPIEGELMAN will be available on-site. 

Tickets are $25 and are available at https://www.ovationtix.com/trs/pe/7959435.

In addition, on March 5th during Leonard’Äôs regularly scheduled program, an audio documentary narrated by On the Media’Äôs BROOKE GLADSTONE will present highlights from his 25 years on the air. The show will also air celebrity tributes throughout the week of March 1st-5th.

*  *  *

During his time on WNYC, Leonard Lopate has welcomed an impressive range of guests ’Äì poets, painters, politicians, novelists, dancers, Nobel and Pulitzer Prize winners, filmmakers, scientists and chefs ’Äì to talk about their work, their process, and their passions. Leonard is renowned for an interview style that sounds less like traditional talk radio and more like eavesdropping on a fascinating conversation. He engages his guests in complex, illuminating talks that delve deeply into each guest’Äôs experiences, thoughts, and feelings. He can be skeptical or enthusiastic, as needed, but his conversational mode favors dialogue over debate.

The Leonard Lopate Show has been recognized with three Associated Press Awards for ’ÄúBest Interview’Äù for interviews with President Jimmy Carter, Tony Bennett and Yoko Ono. Additionally, the show has received three James Beard Foundation Broadcast Media Awards in the ’ÄúRadio Food Show’Äù category, including a win for his ’ÄúHoliday Recipe Swap’Äù segment with Chef Michael Lomonaco, who will be on hand to celebrate Leonard’Äôs 25th anniversary.


The Leonard Lopate Show airs weekdays from 12noon-2pm on WNYC 93.9 FM, AM 820 and via live webstream at www.wnyc.org, where all interviews are also available on-demand.


WNYC Radio is New York's premier public radio franchise, comprising WNYC-FM, WNYC-AM, and WQXR, as well as www.wnyc.org and www.wqxr.org. As America's most listened-to AM/FM public radio stations, reaching more than one million listeners every week, WNYC extends New York City's cultural riches to the entire country on-air and online, and presents the best national offerings from networks National Public Radio, Public Radio International, American Public Media, and the British Broadcasting Company. WNYC 93.9 FM broadcasts a wide range of daily news, talk, cultural and music programming, while WNYC AM 820 maintains a stronger focus on breaking news and international news reporting. Classical 105.9 WQXR is New York City’Äôs sole 24/7 classical music station, presenting new and landmark classical recordings, as well as live concerts from the Metropolitan Opera and the New York Philharmonic, among other New York City venues, immersing listeners in the city’Äôs rich musical life. In addition to its audio content, WNYC produces content for live, radio and web audiences from The Jerome L. Greene Performance Space, the station’Äôs street-level multipurpose, multiplatform broadcast studio and performance space. For more information about WNYC, visit www.wnyc.org.

Mois de la danse 2010

La Maison des arts ouvre toutes grandes ses portes’Ķ 
Laval, le 16 fˆ©vrier 2010 ’Äî Du 25 mars au 24 avril prochains, la danse s’Äôemparera la Maison des arts de Laval. En effet, le 4e Mois de la danse reprend possession de la scˆ®ne de ce lieu culturel en prˆ©sentant une programmation exceptionnelle regroupant les forces vives de la danse d’Äôici et d’Äôailleurs. 

Les spectacles 
Les activitˆ©s du Mois de la danse dˆ©buteront le 25 mars avec Nu’Ķ Malgrˆ© ce que peut ˆ©voquer le titre de ce spectacle, c’Äôest l’Äôˆ¢me des personnages qui est ici mise ˆÝ nu. Le chorˆ©graphe, Harold Rhˆ©aume, rˆ©ussit avec Nu ˆÝ dˆ©jouer le mythe de l’Äôimpˆ©nˆ©trabilitˆ© de la danse contemporaine. 

Les 4 ˆÝ  8 ans apprˆ©cieront assurˆ©ment Le cabaret dansˆ© des vilains petits canards, une ‰ìuvre signˆ©e Hˆ©lˆ®ne Blackburn, prˆ©sentˆ©e le 28 mars ˆÝ 14 h. Tandis que le 30 mars, le Collˆ®ge Montmorency accueille les danseurs de la relˆ®ve montrˆ©alaise qui nous prˆ©sente un match d’Äôimprovisation-mouvement unique : les Imprudanses.

Et, afin de mettre en lumiˆ®re le talent des danseurs et danseuses de la rˆ©gion, Envol Danse sera prˆ©sentˆ© ˆÝ la Salle Andrˆ©-Mathieu, les 27 et 28 mars et les 9, 10 et 11 avril ˆÝ la Maison des arts. Le Mois de la danse se poursuit, les 13 et 14 avril oˆ¼ la troupe TANZ DANSE du Collˆ®ge Montmorency foulera les planches de la Maison des arts avec Rien n’Äôefface l’Äôessentiel. 
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Le 16 avril, assistez ˆÝ  Rapaillˆ©, un spectacle de danse qui se singularise par un mˆ©lange unique de gigue et de danse contemporaine. Deux musiciens et cinq danseurs exˆ©cutent, avec le rythme des mots du poˆ®te quˆ©bˆ©cois Gaston Miron, cette ‰ìuvre fascinante avec un synchronisme ˆ©tonnant et une ˆ©nergie dˆ©bordante. 

De plus, c’Äôest lors du vernissage de l’Äôartiste peintre Lisa Tognon, le 23 avril prochain, que la chorˆ©graphe-interprˆ®te Ginette Boutin prˆ©sentera Passages; une visite guidˆ©e dˆ©cidˆ©ment inhabituelle de l’Äôexposition. Finalement, le Mois de la danse se terminera par un 5 ˆÝ 7 dansant prˆ©sentˆ© dans certains lieux inˆ©dits de la Maison des arts, en compagnie de Ginette Boutin et de la compagnie les Imprudanses. 

Le Mois de la danse 
Instaurˆ© en avril 2007, le Mois de la danse propose des rencontres et des spectacles qui mettent en valeur cette discipline artistique qui transcende les frontiˆ®res des cultures et des langues. Dˆ©couvrez la programmation complˆ®te du Mois de la danse ˆÝ la Maison des arts en vous procurant le dˆ©pliant promotionnel ou en visitant le www.ville.laval.qc.ca, sous l’Äôonglet Culture.
Rˆ©servation : 450 667-2040
? 450 662-4440 ’Äî www.ville.laval.qc.ca 

ArtistLed Makes Catalog Digitally Available On Classical Archives

Classical Archives  (www.ClassicalArchives.com), the ultimate classical music destination has  joined forces with ArtistLed, the independent record label founded by David Finckel and Wu Han (Artistic Directors of the Chamber Music Society  of Lincoln Center), to make the entire ArtistLed catalog digitally  available for the first time since the label’Äôs inception in 1997.

Classical Archives continues it’Äôs efforts to bring the best of classical music to the digital world by offering exclusive digital access to the complete ArtistLed catalogue of critically acclaimed recordings. The ArtistLed catalog, produced by classical music's first musician-directed label, will be available for one month exclusively on Classical Archives.

To celebrate this creative collaboration, a truly extraordinary exclusive interview by Classical Archives Artistic Director, Dr. Nolan Gasser with David Finckel and Wu Han, and a ’ÄúOne Click Concert’Äù will be featured on the site. The ’ÄúOne Click Concert’Äù is a collection of  movements from the ArtistLed catalog, selected by David Finckel and Wu Han for free streaming in its entirety to all visitors of Classical Archives.

Classical Archives CEO, Pierre Schwob notes, ’ÄúWe are so proud to embrace the bold initiatives that David and Wu Han have taken to uphold the integrity of classical music through their ArtistLed label, and are honored to exclusively offer their digital recordings on our site.’Äù

This integrity is clearly seen in David Finckel’Äôs comment to Dr. Gasser: ’ÄúIf we don’Äôt treat audiences and potential listeners with respect for their ability to be curious ’Äì to be fascinated by the idea of learning something new, something that we’Äôre interested in ’Äì then it’Äôs all lost. Because then you’Äôre just trying to second-guess what somebody might like, and the competition is ridiculously ferocious.’Äù

Visit the Classical Archives today at www.ClassicalArchives.com.

About Classical Archives
Classical Archives (www.classicalarchives.com), the ultimate classical music destination, is the largest digital music subscription service dedicated to classical music. The site offers more than 620,000 tracks, 7,800 composers, and 27,000 artists representing more than 110 record labels.  It also features a breakthrough in site navigation that allows users to search and cross-reference by any relevant criteria: composer, work title, artist, albums, historical period, instrument, genre, and many others that make finding and comparing the best classical recordings easier than it has ever been. Classical Archives offers unique membership opportunities that allow users to take advantage of its vast resources easily and affordably.  Fees are $9.95/month or $99.50/year.  Benefits include the ability to listen to music from the entire site (complete tracks or works); a 10% discount on all downloads (which are yours to keep for life!); and the first two weeks as a free trial of the service.   Free registered members also enjoy great benefits: the ability to freely listen to Classical Archives’Äô own large catalog of contributed tracks, which includes many performances from world-class talents; the ability to listen to any music clips (30-60 seconds); the ability to purchase hi-definition downloads; and the ability to access and download free MIDI files.

Golijov's Pasiˆ„n Two CD & DVD Set Available March 23rd

GOLIJOV: La Pasiˆ„n segˆ†n San Marcos
Biella Da Costa/Jessica Rivera/
Reynaldo Gonzˆ°lez-Fernandez
Orquesta La Pasiˆ„n/Members of the Simˆ„n Bolˆ‚var Youth Orchestra of Venezuela
Schola Cantorum de Venezuela / Marˆ‚a Guinand

NEW YORK, NY ’Äì February 2010 ’Äì A decade ago the premiere of Osvaldo Golijov’Äôs La Pasiˆ„n segˆ†n San Marcos ’Äúdropped like a bomb on the belief that classical music is an exclusively European art’Äù (Alex Ross, The New Yorker) and became known as ’Äúthe first indisputably great composition of the 21st Century’Äù (Boston Globe). Deftly exploiting the popular appeal and emotional immediacy of samba, salsa, flamenco, mambo, and the elemental vigor of folk and popular motifs, Golijov’Äôs La Pasiˆ„n segˆ†n San Marcos sets the last days of Christ amidst the streets of Latin America.  On March 23rd, Deutsche Grammophon releases the first new recording of the work since the premiere in 2000.  Both Golijov and the producers at DG felt it imperative to create this definitive new studio recording of La Pasiˆ„n to showcase the richness of the work’Äôs texture and its maturity over the past decade. The audio recording on two CDs is released in tandem with the DVD of a 2008 live performance from the Holland Festival conducted by Robert Spano.

National Public Radio hailed La Pasiˆ„n as one of the most important records of the decade, and has referred to Golijov as ’Äúone of the most exciting, innovative and important composers working today.’Äù Commissioned by the International Bach Academy, it bowed in 2000 in Stuttgart on the 250th anniversary of Bach’Äôs death.

The original recording of this work, recorded live at that premiere in 2000 was an important early document of this new work, but a decade later La Pasiˆ„n has, according to Golijov ’Äúacquired a certain monumentality.  It has evolved from a wild beast into a coherent being; into something that is still powerful but in a more self-assured way. The important thing in doing this new recording was to show the stage of maturity the piece has reached.’Äù

’ÄúThe recording is radically different,’Äù Golijov says, ’Äúbecause we know what we are doing and we know how to record all this vast array of percussion that was a blur in the first recording but now creates this rainbow of shifting colors.  We also know how to record the many layers of the voices.  We can really have a clear picture of what this piece is, as opposed to just a snapshot which is what we had ten years ago. Also, the performance is different.  It is still visceral but grown-up.  It is a piece that already exists.  It is a presence; it is an entity in the world.  And it sounds like that.’Äù

On April 24 and 25, La Pasiˆ„n segˆ†n San Marcos will be performed at the Walt Disney Concert Hall in Los Angeles, presented by the Los Angeles Philharmonic as part of Gustavo Dudamel’Äôs Americas and Americans Festival spotlighting music from North and South America. The performers include Orchestra La Pasiˆ„n conducted by Maria Guinand, and vocalist Luciana Souza.  This spring Osvaldo Golijov will be the composer in residence for the Toronto Symphony's New Creations Festival, held February 25-March 3, 2010 while March 11-15th will bring Osvaldo Golijov's final concerts as Composer in Residence at the Chicago Symphony Orchestra.  More information at www.osvaldogolijov.com.

More information about this recording including excerpts, listening guides, video trailer and tracklist can be found at www.deutschegrammophon.com/golijov-pasion.

Announcing the Finalists! / Annonce des finalistes! CBC Literary Awards/les Prix littˆ©raires Radio-Canada

Montreal, February 16, 2010 ’Äì CBC/Radio-Canada, the Canada Council for the Arts and Air Canada’Äôs enRoute magazine are proud to announce the 80 English finalists of the CBC Literary Awards/les Prix littˆ©raires Radio-Canada. They were chosen from more than 6,000 submissions in French and English from across the country, in the Creative Nonfiction, Poetry and Short Story categories. All Canadians are invited to celebrate the announcement of the 2009 CBC Literary Awards/ Prix littˆ©raires Radio-Canada winners on Thursday, March 18.

Literary Awards Host Shelagh Rogers will unveil the English-language winners chosen from the 80 finalists at 11 a.m. EST on CBC Radio One’Äôs (88.5 FM in Montreal) Q with Jian Ghomeshi. Christiane Charette will announce the French-language winners that same day on La Premiˆ®re ChaˆÆne de Radio-Canada.

Interviews with the winners will air on a special broadcast of The Next Chapter, hosted by Shelagh Rogers on March 22 at 1 p.m. The winning works will be published in Air Canada's enRoute magazine and read on CBC Radio’Äôs Between the Covers on Sirius Satellite Radio April 12 ’Äì 16. They will also be available as a podcast on itunes, the cbc.ca/podcasting page or cbc.ca/books as of
April 14.

The Awards are presented in partnership with the Canada Council for the Arts and enRoute magazine. The Canada Council supports the prizes with $60,000 so that the 12 winners (6 in each official language) receive $6,000 for the first prize and $4,000 for the second prize in the three categories; Creative Nonfiction, Poetry, and Short Story. Publishing the works in enRoute magazine guarantees a pool of one million readers per month for the winners, who will also be heard coast-to-coast by thousands of CBC and Radio-Canada listeners.

The CBC Literary Awards / Prix littˆ©raires Radio-Canada are the most significant prizes awarded to unpublished literary work in Canada. They provide visibility for new authors and also help further the careers of more established Canadian writers.

For more than 30 years the Awards have led Canadians to discover renowned writers such as Michael Ondaatje, Carol Shields, Gail Anderson-Dargatz, Franˆßois Barcelo, Arlette Cousture, Marie-Sissi Labrˆ®che, Barry Callaghan, Susan Musgrave, Bonnie Burnard, Shauna Singh Baldwin, Normand de Bellefeuille, Monique Proulx, David Helwig, Camilla Gibb and Jacques Godbout. 

For all information on the Awards / Prix, please visit www.cbc.ca/literaryawards

-30-

Media Contact:                                                Source:
Diane Hargrave                                                  Catherine Megelas, Communications Officer
Diane Hargrave Public Relations                          CBC Communications ’Äì Quebec Region
416-467-9954, poste 104                                    514-597-4499, catherine.megelas@cbc.ca
dhprbks@interlog.com               
 
 
 

 

ANNONCE DES FINALISTES


Montrˆ©al, le 16 fˆ©vrier 2010 ’Äì CBC/Radio-Canada, le Conseil des Arts du Canada et le magazine enRoute d’ÄôAir Canada ont dˆ©voilˆ© aujourd’Äôhui le nom des 72 finalistes francophones des Prix littˆ©raires Radio-Canada/CBC Literary Awards. Les finalistes ont ˆ©tˆ© choisis parmi plus de 6000 inscriptions reˆßues en franˆßais et en anglais de partout au pays, dans les catˆ©gories Rˆ©cit, Poˆ©sie et Nouvelle. Tous les Canadiens sont invitˆ©s ˆÝ rendre hommage aux laurˆ©ats des Prix littˆ©raires Radio-Canada/CBC Literary Awards 2009 le jeudi 18 mars 2010.

Parmi ces finalistes, six laurˆ©ats seront ˆ©lus grands gagnants et leurs noms seront annoncˆ©s le jeudi 18 mars en direct ˆÝ l’Äôˆ©mission Christiane Charette, diffusˆ©e de 9 h ˆÝ 11 h sur les ondes de la Premiˆ®re ChaˆÆne de Radio-Canada (95,1 FM ˆÝ Montrˆ©al). ˆÄ cette occasion, l’Äôanimatrice s’Äôentretiendra avec les gagnants des premiers prix ainsi qu’Äôavec le coordonnateur des jurˆ©s, Jean Fugˆ®re. Le mˆ�me jour, les six laurˆ©ats anglophones seront dˆ©voilˆ©s par Shelagh Rogers ˆÝ 11 h ˆÝ l’Äôˆ©mission Q de
Jian Ghomeshi, sur les ondes de CBC Radio One. De plus, le dimanche 21 mars ˆÝ 14 h, Lorraine Pintal recevra elle aussi les trois premiers laurˆ©ats francophones ˆÝ l’Äôˆ©mission Vous m’Äôen lirez tant.
En entrevue, ils auront l’Äôoccasion de partager leur expˆ©rience unique avec l’Äôanimatrice.

Ces prix sont prˆ©sentˆ©s en partenariat avec le Conseil des Arts du Canada et le magazine enRoute.
Le Conseil des Arts apporte une contribution de 60 000 $, permettant ainsi aux douze laurˆ©ats (six dans chaque langue officielle) de recevoir 6000 $ pour le premier prix et 4000 $ pour le second prix dans les trois catˆ©gories, soit Rˆ©cit, Poˆ©sie et Nouvelle. La publication des ‰ìuvres dans le magazine enRoute garantit aux laurˆ©ats une visibilitˆ© auprˆ®s de un million de lecteurs par mois. Les ‰ìuvres des laurˆ©ats bˆ©nˆ©ficient ˆ©galement d’Äôune couverture mˆ©dia auprˆ®s des milliers d’Äôauditeurs de CBC et de Radio-Canada
d’Äôun ocˆ©an ˆÝ l’Äôautre.

Les Prix littˆ©raires Radio-Canada/CBC Literary Awards sont les prix les plus importants dˆ©cernˆ©s pour des ‰ìuvres non publiˆ©es au Canada. Ils apportent une visibilitˆ© aux auteurs qui n’Äôen sont qu’ÄôˆÝ leurs dˆ©buts et contribuent ˆÝ promouvoir la carriˆ®re d’Äôˆ©crivains canadiens plus connus.

Les Prix littˆ©raires ont permis aux Canadiens de dˆ©couvrir depuis plus de trente ans de nombreux auteurs rˆ©putˆ©s comme Franˆßois Barcelo, Arlette Cousture, Marie-Sissi Labrˆ®che, Michael Ondaatje, Carol Shields, Gail Anderson-Dargatz, Barry Callaghan, Susan Musgrave, Bonnie Burnard, Shauna Singh Baldwin, Normand de Bellefeuille, Monique Proulx, David Helwig, Camilla Gibb et Jacques Godbout. 

Pour toute information sur les Prix, veuillez visiter Radio-Canada.ca/prixlitteraires.

Composer/percussionist Lukas Ligeti performs Afrikan Machinery at Music Gallery 3/27

’ÄúBrilliant’Ķneatly bridges the classical-modernist-world-music divide.’Äù  - The Scotsman (U.K.)

Fresh off his first ever UK solo performances, composer/percussionist Lukas Ligeti continues to wow audiences with his post-minimalist polyrhythmic music in a nationwide Spring 2010 concert tour (see schedule below).  Performing selections from his most recent album, Afrikan Machinery (Tzadik), Ligeti’Äôs live repertoire for electronica percussion, specifically the Marimba Lumina (an innovative mallet instrument invented by legendary synthesizer pioneer Don Buchla), combines his talents as a composer and an improvisor with elements of African music, electronic, jazz and indie pop.

Cited as ’Äúone of the world’Äôs top classical composers (Wall Street Journal),’Äù Ligeti brings his unique musical language that contains a multitude of new melodies, textures, polyrhythmic percussion cycles, and snapshots of highly diverse African-tinged soundscapes.  ’ÄúThe music allows for a certain freedom of improvisation and expresses my joy and my sadness,’Äù explains Ligeti. ’ÄúMy imagination not only in sounds but also in shapes and colors; and my longing for places far away, especially for the continent of Africa, to which this music is a loving tribute.’Äù

Ligeti’Äôs Afrikan Machinery has been hailed by audiences and critics alike including a ’Äú2008 50 Records of the Year’Äù nod from The Wire magazine.  Following a recent gig at the 2009 London Jazz Festival, The Guardian described his music as ’Äúdefiantly original’Ķa musical one-off.’Äù According to the Los Angeles Times, ’ÄúLigeti represents, under a Clark Kent exterior, a new generation of musical Superman ’Äì a globally minded, technologically adept, technically sophisticated composer who also happens to be a virtuoso performer and accomplished improvisor.’Äù

About Lukas Ligeti                                                                                                                                                      
Transcending the boundaries of genre, composer/percussionist Lukas Ligeti has developed a musical style of his own that draws upon downtown New York experimentalism, contemporary classical music, jazz, electronica, as well as world music, particularly from Africa. Known for his non-conformity and diverse interests, Lukas creates music ranging from the through-composed to the free-improvised, often exploring polyrhythmic/polytempo structures, non-tempered tunings, and non-western elements.  He has also been participating in cultural exchange projects in Africa for the past 15 years. Lukas’Äô concert music has been commissioned by the American Composers Orchestra, Bang on a Can, Vienna Festwochen, and the Kronos Quartet, to name a few. He frequently performs solo on electronic percussion, and as a drummer co-leads several bands including Burkina Electric, the first electronica band from Burkina Faso in West Africa. Lukas has also performed/recorded with John Zorn, Henry Kaiser, Raoul Bjˆ�rkenheim, Marilyn Crispell, Jim O’ÄôRourke, Gary Lucas, John Tchicai, and many others. For everything else, visit www.myspace.com/lukasligeti.

2010 Lukas Ligeti Solo Concert Tour
Sat 3.20’Äì University of Virginia, Bridge PA1, Charlottesville, VA, virginia.edu                  
Wed 3.24’Äì Galapagos Art Space, 16 Main Street, Brooklyn, NY, galapagosartspace.com
Thu 3.25’Äì Axiom Gallery for New and Experimental Media, 141 Green Street, Boston, MA, axiomart.org   
Fri 3.26’Äì Casa del Popolo, 4873 boul. St. Laurent, Montreal, Canada, casadelpopolo.com
Sat 3.27’Äì Music Gallery, 197 John Street, Toronto, Canada, musicgallery.org                        
Mon 3.29’Äì Metropolis Underground, Syracuse, NY                                                                       
Tues 3.30’Äì Garfield Artworks, Pittsburgh, PA                                                                                    
Wed 3.31’Äì Museum of Contemporary Art (MOCA), 8501 Carnegie Avenue, Cleveland, OH, mocacleveland.org                                                                                                                                      
Thu 4.1 ’Äì Skylab, Columbus, OH           
Fri 4.2 ’Äì Robinwood Concert House, Toledo, OH
Sat 4.3’Äì Contemporary Space 13, Cincinnati, OH

Les Impatients prˆ©sente l'exposition Parle moi d'amour

L’Äôexposition-encan

Nouvelle formule pour la 12e ˆ©dition

Montrˆ©al, le lundi 15 fˆ©vrier 2010 - Jean-Bernard Trudeau, prˆ©sident du conseil d’Äôadministration, Michel Dallaire, coprˆ©sident, artiste, Tina Sealy, coprˆ©sidente, Impatiente et Clˆ©mence DesRochers, porte-parole, ont le plaisir d’Äôinviter le grand public ˆÝ la 12e ˆ©dition de l’Äôexposition-encan Parle-moi d’Äôamour. L’Äôexposition se tiendra jusqu’Äôau 23 mars 2010 dans la salle RONA du Centre Les Impatients (100, rue Sherbrooke Est, 4e ˆ©tage).

L’Äôexposition-encan Parle-moi d’Äôamour, qui se dˆ©roule chaque annˆ©e durant la pˆ©riode de la Saint-Valentin, connaˆÆtra cette annˆ©e sa 12e ˆ©dition. Cet ˆ©vˆ©nement unique en arts visuels rˆ©unit des artistes professionnels et des Impatients. Plus d’Äôune cinquantaine d’Äôartistes s’Äôimpliquent gˆ©nˆ©reusement dans cette cause et offrent une ‰ìuvre qui est vendue lors de l’Äôencan. Parmi eux, Madeleine Arbour, Elmyna Bouchard, Laurence Cardinal, Janine Carreau, Renˆ© Derouin, Clˆ©mence DesRochers, Michˆ®le Drouin, Jean-Louis ˆâmond, ˆâliane Excoffier, Pierre Gauvreau, Raymonde Godin,  Yves Louis-Seize,  Jaber Lutfi, Lˆ©o Rosshandler et Serge Roy.

ˆÄ l'occasion de cette 12e ˆ©dition, l'ˆ©vˆ©nement prend un nouveau virage :
¬…         Du cˆ¥tˆ© des Impatients
Pour la premiˆ®re fois dans l’Äôhistoire des Impatients, une cinquantaine d’Äô‰ìuvres provenant des archives seront prˆ©sentˆ©es, accompagnˆ©es des ¬´ Dˆ©lirantes ¬ª et des ¬´ Tenaces ¬ª, des poupˆ©es rˆ©alisˆ©es en atelier qui seront mises en vente lors de cette fˆ�te.
¬…         Du cˆ¥tˆ© des artistes
Une plus grande variˆ©tˆ© de format est proposˆ© cette annˆ©e aux artistes professionnels.
¬…         Lors de soirˆ©e de clˆ¥ture
Cette annˆ©e, la soirˆ©e se terminera par un encan criˆ©, animˆ© par Pierre Paquet lors de laquelle une cinquantaine d’Äô‰ìuvres seront mises en vente. Mis ˆÝ part la soirˆ©e de clˆ¥ture, le fonctionnement de l'encan demeure le mˆ�me. Les ‰ìuvres rˆ©alisˆ©es sont offertes aux collectionneurs par le biais d'un encan silencieux dˆ®s l’Äôouverture de l'exposition, et ce, jusqu'ˆÝ la soirˆ©e de clˆ¥ture. La mise de dˆ©part demeure ˆÝ 50 $.

Cette exposition-encan a pour but de recueillir des fonds pour permettre aux Impatients de poursuivre leur double mission : offrir un lieu d’Äôexpression artistique et thˆ©rapeutique aux personnes souffrant de problˆ®mes de santˆ© mentale et de favoriser les ˆ©changes avec la communautˆ© par la diffusion de leurs rˆ©alisations. Au-delˆÝ de l’Äôimpact financier de l’Äôˆ©vˆ©nement, il s’Äôagit pour Les Impatients de sensibiliser le grand public aux rˆ©alitˆ©s des personnes connaissant des problˆ®mes de santˆ© mentale, problˆ®mes qui touchent une personne sur cinq au Quˆ©bec.

Le centre Les Impatients est un organisme ˆÝ but non lucratif dont la mission est d’Äôaider les personnes atteintes de maladie mentale en leur offrant des ateliers d’Äôexpression artistiques, et ce, dans cinq lieux diffˆ©rents : au Centre Wellington (Institut Douglas), ˆÝ l’ÄôHˆ¥pital Louis-H. Lafontaine, ˆÝ Montrˆ©al-Est et dans le centre-ville de Montrˆ©al.

Heures d’Äôouverture
Mardi au vendredi de 10 h ˆÝ 17 h, jeudi jusqu'ˆÝ 19 h
Samedi et dimanche de 13 h ˆÝ 17 h
Pour plus d’Äôinformation : 514-842-1043


Cet ˆ©vˆ©nement est rˆ©alisˆ© grˆ¢ce au ministˆ®re de la Santˆ© et des Services sociaux, Postes Canada, Prologue, Transcontinental, Lundbeck Canada inc., Gestion Phila, Fondation du Grand Montrˆ©al, Hydro-Quˆ©bec, Le Curateur public du Quˆ©bec, Gowling Lafleur Henderson LLP, Pˆ©lican International Inc, Fondation des maladies mentales, Communications Voir, SAQ, DeSerres et RONA.

New Jersey State Opera presents Gershwins' PORGY AND BESS at Newark Symphony Hall May 21 and 23, 2010

GREGG BAKER, LAQUITA MITCHELL, LESTER LYNCH, ANGELA BROWN,
JANINAH BURNETT and LAWRENCE CRAIG
star in the Gershwins’Äô American Musical Masterpiece

PERFORMANCES MAY 21 and 23
AT HISTORIC NEWARK SYMPHONY HALL

TICKETS ON SALE NOW

NEWARK, NJ ’Äì February 5, 2010 ’Äì Celebrating its 45th Anniversary Season, the award-winning New Jersey State Opera, under the leadership of Artistic Director and Maestro Jason C. Tramm and Managing Director Jonathan L. Quitt, proudly announces principal casting for the 75th Anniversary Production of The Gershwins’Äô Porgy and Bess, to be presented May 21 and 23 at historic Newark Symphony Hall (1030 Broad Street).

Acclaimed opera veterans Gregg Baker (Metropolitan Opera, NYCO, The Wiz, Timbuktu) and Laquita Mitchell (Kennedy Center’Äôs Master Class with Tyne Daly, 2004 Metropolitan Opera National Council Auditions Grand Prize Winner) take on the title roles, with Lester Lynch (NYCO) as Crown, Angela Brown (Metropolitan Opera) as Serena, Janinah Burnett (Metropolitan Opera) as Clara, and Lawrence Craig (NYCO) as Sportin’Äô Life. 

Jonathan Eaton (Artistic Director, Opera Theatre of Pittsburgh; director NYCO’Äôs Turandot, Carmen and Cav/Pag) directs with Jason C. Tramm conducting a 55-piece orchestra.   Auditions for the ensemble will be announced shortly.

Long considered the crowning achievement of its authors, George Gershwin, DuBose and Dorothy Heyward and Ira Gershwin, Porgy and Bess is based on Dubose and Dorothy Heyward’Äôs novel and play ’ÄúPorgy.’Äù

Set in the fictional Catfish Row, South Carolina, Porgy and Bess is the story of the crippled beggar Porgy transformed by his unexpected and improbable love for Bess, featuring some of the greatest songs in musical theatre including ’ÄúSummertime,’Äù ’ÄúI Got Plenty o’Äô Nothin’Äô,’Äù ’ÄúBess, You Is My Woman Now,’Äù and ’ÄúIt Ain’Äôt Necessarily So.’Äù   

The Gershwins’Äô Porgy and Bess makes its Newark debut at the historic Newark Symphony Hall (1030 Broad Street, Newark, NJ) for two performances on Friday, May 21 at 8:00pm and Sunday, May 23 at 3:00pm.  Single tickets are priced from $46.20 - $135.45.  To purchase tickets by phone call Ticketmaster at 1-800-745-3000 or visit ticketmaster.com.  Tickets may also be purchased at the Newark Symphony Hall Box Office, 973-792-1730 or ticketservices@newarksymphonyhall.org.  For Group Sales, VIP, and sponsorship opportunities; or more information contact New Jersey State Opera at 973- 623-5757 or info@njstateopera.org.

Yaron Herman au Palais Montcalm

Quˆ©bec, le 16 fˆ©vrier 2010 ’Äì Dans le cadre de sa tournˆ©e mondiale le pianiste Yaron Herman sera de passage au Palais Montcalm le 13 mars prochain, entourˆ© du contrebassiste Matt Brewer et du batteur Gerald Cleaver. Vedette montante de la note bleue, ce pianiste qui impressionne par sa fougue, sa crˆ©ativitˆ© et son lyrisme prˆ©sentera ˆÝ cette occasion son plus rˆ©cent album, Muse. 

Consacrˆ© rˆ©vˆ©lation instrumentale aux Victoires du Jazz 2008, Yaron Herman se destinait ˆÝ une carriˆ®re de basketteur dans l’Äôˆ©quipe d’ÄôIsraˆ´l avant qu’Äôune blessure au genou le fasse bifurquer vers le piano. Grˆ¢ce ˆÝ ses performances ˆ©poustouflantes, il devient rapidement le pianiste dont tout le monde parle avec admiration et stupˆ©faction notamment lors de ses visites au Quˆ©bec dans le cadre du Festi Jazz de Rimouski et au Festival international de jazz de Montrˆ©al l’Äôannˆ©e derniˆ®re.

En 2005, son premier album en piano solo Variations, particuliˆ®rement acclamˆ© par la critique, lui permet de dˆ©ployer un sens aigu de l’Äôimprovisation. Dˆ®s lors, il commence ˆÝ donner ses premiers concerts solos en Europe, en Amˆ©rique du Sud, aux ˆâtats-Unis et en Chine. Deux ans plus tard, Yaron Herman enregistre A Time for Everything, son premier album en trio oˆ¼ il mˆ�le subtilement ses influences jazz, pop, des compositions personnelles. Sa version trˆ®s originale de Toxic de Britney Spears, et sa reprise de Message in A Bottle  de The Police le font rapidement connaˆÆtre et aimer au-delˆÝ mˆ�me de l'auditoire jazz.

Le Quartet Andrˆ© Leroux assurera la premiˆ®re partie de ce spectacle. Qualifiˆ© par La Presse ¬´ d'instrumentiste montrˆ©alais de calibre mondial ¬ª, le saxophoniste Andrˆ© Leroux nous prˆ©sentera son premier album, Corpus Callosum, un album qui rend hommage ˆÝ l'esprit de la musique de John Coltrane ˆÝ travers des compositions originales.

YARON HERMAN
 Samedi 13 mars 2010 ˆÝ 20 hˆÝ la salle Raoul-Jobin du Palais Montcalm
Rˆ©gulier : 35 $ - Prix jeunesse : 12,50 $
Rˆ©servations 418 641-6040

 www.palaismontcalm.ca

Les plus beaux airs d'opˆ©ra - Salle Rolland Brunelle - jeudi 25 mars ˆÝ 20h

LES PLUS BEAUX AIRS D'OPˆâRA
Extraits d’Äôopˆ©ra de Mozart, Puccini, Donizetti, Verdi, Massenet, Offenbach et plusieurs autres

L"ATELIER LYRIQUE DE L’ÄôOPˆâRA DE MONTRˆâAL   
Caroline Bleau, soprano
Lara Ciekiewicz, soprano
Roy Del Valle, baryton-basse
Chantale Nurse, soprano
Pierre Rancourt, baryton
Suzanne Rigden, soprano
et Annie Sanschagrin, Laurˆ©ate d’ÄôApˆ©ro ˆÝ l’ÄôOpˆ©ra

Ce concert est inspirˆ© par la mˆ©moire du fondateur de notre sociˆ©tˆ© musicale: le pˆ®re Fernand Lindsay, un grand amoureux de l'opˆ©ra.

JEUDI   25   MARS   2010   ˆÄ   20 H
SALLE ROLLAND-BRUNELLE
CENTRE CULTUREL DE JOLIETTE
20 rue St-Chrles Borromˆ©e Sud
Joliette J6E 4T1
25 $ + tx. (ˆ©tudiants 15 $ + tx.)
Rˆ©servation : 450 759-6202

Rˆ©servez dˆ®s maintenant !

Clavecin en concert : Communiquˆ© concert 19 mars 2010

Domenico Scarlatti
Messe brˆ®ve La Stella et Stabat Mater ˆÝ 10 voix

Le vendredi 19 mars 2010, 20 h 00
Chapelle Notre-Dame-de-Bon-Secours, 400, rue Saint-Paul Est, Vieux-Montrˆ©al

Prix des billets :
Entrˆ©e simple 28 $ / AˆÆnˆ© (65 ans et +) 25 $
ˆâtudiant, temps plein, 25 ans et moins 10 $
15 ans et moins accompagnˆ© d’Äôun adulte : gratuit

Renseignements et rˆ©servations : 514-748-8625 ’Äì www.clavecinenconcert.org


Montrˆ©al, 4 mars 2010 ’Äì Lors de son prochain concert, Clavecin en concert vous proposera d’Äôentendre deux ‰ìuvres de musique sacrˆ©e de Domenico Scarlatti : la messe brˆ®ve La Stella et le Stabat Mater ˆÝ 10 voix. Dix chanteurs et trois musiciens seront dirigˆ©s par Luc Beausˆ©jour. Quatre sonates pour orgue de Domenico Scarlatti complˆ®teront le programme.


¬´ Vin bˆ©nˆ©fice ¬ª ˆÝ la crypte au profit de Clavecin en concert

Aprˆ®s le concert, tous ceux qui dˆ©sirent participer ˆÝ un ¬´ Vin bˆ©nˆ©fice ¬ª pourront se rendre ˆÝ la crypte de la chapelle oˆ¼ des vins et fromages seront servis. Luc Beausˆ©jour jouera d’Äôune ˆ©pinette en aile d’Äôoiseau du facteur Yves Beauprˆ©.

Prix des billets :
Concert seulement (20 h) : rˆ©gulier 28 $, aˆÆnˆ© 25 $, ˆ©tudiant 10 $
Concert et vin bˆ©nˆ©fice : aˆÆnˆ© et rˆ©gulier 75 $, ˆ©tudiant 60 $.
Vin bˆ©nˆ©fice : 50 $ (21 h)

Rˆ©servations : Gisˆ®le Pelletier 514-748-8625 / gpelletier@vif.com / clavecinenconcert.org

Clavecin en concert remercie le Conseil des arts et des lettres du Quˆ©bec, le Conseil des Arts du Canada et le Conseil des arts de Montrˆ©al de leur soutien.
Renseignements : Louis Allard, 514-805-9904

Le Vivier, carrefour des musiques nouvelles : Concerts du mois du mars

PROMENONS NOUS’Ķ
DANS LES CONCERTS DU MOIS DE MARS 2010

Productions Super Musique : Ignaz Schick + Martin Tˆ©treault, Derome + Hˆ©tu  [10 mars]
SMCQ : Solstices - Hommage ˆÝ Gilles Tremblay [18 mars]
Quatuor Molinari : Le Quatuor selon Schnittke  [17 au 20 mars]
Quasar :
Les mutations dynamiques [31 mars + 1er avril]

50% de rˆ©duction sur le prix des billets avec la Carte rabais Le Vivier
www.saisonlevivier.ca
Montrˆ©al, jeudi 4 mars 2010 ’Äî Le Vivier, carrefour des musiques nouvelles, un regroupement de 22 organismes musicaux montrˆ©alais, prˆ©sente sa premiˆ®re saison de 15 concerts de musiques nouvelles, sur plusieurs scˆ®nes montrˆ©alaises, en codiffusion avec ses membres.

Les concerts prˆ©sentˆ©s en mars 2010 nous permettront d’Äôentendre, les mercredi 10 mars ˆÝ 20 h au Goethe-Institut Montrˆ©al, deux surprenants duos, le Montrˆ©alais Martin Tˆ©treault et le Berlinois Ignaz Schick aux tables tournantes, ainsi que les iconoclastes extra sensoriels, Jean Derome et Joane Hˆ©tu ; jeudi 18 mars ˆÝ 20 h ˆÝ la salle Pierre-Mercure du Centre Pierre-Pˆ©ladeau, une soirˆ©e pour dˆ©couvrir le piano chez Gilles Tremblay, sous les doigts intrˆ©pides de la pianiste Louise Bessette ; mercredi 17 au samedi 20 mars ˆÝ 20 h au Conservatoire de musique de Montrˆ©al, un concert-marathon du Quatuor Moilinari avec l’Äôintˆ©grale des quatuors ˆÝ cordes d’ÄôAlfred Schnittke ; et mercredi 31 mars + 1er avril 2010 ˆÝ 20 h ˆÝ Espace Dell’ÄôArte
, une odyssˆ©e numˆ©rique en musique avec le quatuor de saxophones Quasar.

LE CLIP DU MOIS - Pour un aperˆßu des concerts prˆ©sentˆ©s en mars, cliquez sur ces liens : http://www.youtube.com/watch?v=z8CwKz_gzFc&feature=youtube_gdata

mercredi 10 mars 2010, 20 h
Goethe-Institut Montrˆ©al - 418, rue Sherbrooke Est - 20$ & 10$
SuperMusique : Ignaz Schick & Martin Tˆ©treault + Derome & Joane Hˆ©tu
Concert et lancement de deux disques
Folie des tables tournantes avec le Berlinois Ignaz Schick et le Montrˆ©alais Martin Tˆ©treault.
En premiˆ®re partie, le duo extrasensoriel Nous perˆßons les oreilles :
Jean Derome, saxophone, flˆªte, objets; Joane Hˆ©tu, saxophone, voix.

jeudi 18 mars 2010, 20 h
Salle Pierre-Mercure du Centre Pierre-Pˆ©ladeau - 300, boul. de Maisonneuve Est - 25$ & 10$
SMCQ : Solstices - Hommage ˆÝ Gilles Tremblay

Du solo au concerto : une soirˆ©e pour dˆ©couvrir le piano chez Gilles Tremblay, sous les doigts intrˆ©pides de Louise Bessette + deux crˆ©ations :
Michel Gonneville, Volˆ©es (2010, crˆ©ation), pour piano
David Adamcyk, Devant l’Äôazur (2008, crˆ©ation), pour voix de soprano, saxophones tˆ©nors et baryton, piano. Commande : SMCQ

Gilles Tremblay : Solstices (ou Les Jours et les saisons tournent, 1971), pour flˆªte, clarinette, cor, deux percussions et contrebasse ; Musiques de l’Äôeau (2008) et Envoi (1982), pour piano solo, deux flˆªtes (et piccolos), clarinette, clarinette basse, cor, deux trompettes, deux trombones, trois percussions, deux violons et contrebasse. Commande: Claude Helffer, avec l’Äôaide du CAC

Avec Ensemble de la SMCQ, sous la direction de Walter Boudreau. Louise Bessette, piano ;
Julieanne Klein, soprano ; Zosha Di Castri, piano ; Adam Kinner, saxophones.

mercredi 17 au samedi  20 mars 2010, 20 h
Conservatoire de musique de Montrˆ©al - 4750, rue Henri-Julien - 25$ & 10$
Quatuor Molinari : Le Quatuor selon Schnittke *
Concert-marathon en 4 jours

L’Äôintˆ©grale des quatuors ˆÝ cordes d’ÄôAlfred Schnittke (1934-1998), l’Äôun des reprˆ©sentants les plus jouˆ©s de la musique soviˆ©tique moderne, qui fusionne tradition et modernisme de faˆßon expressive et dramatique.
Au programme, 14 ‰ìuvres  de musique de chambre : Quatuor no.1 (1966) ; Canon in Memoriam Igor Stravinsky (1971) ; Quatuor no.2 (1981) ; Quintette avec piano (1972-76) ; Quatuor no.3 (1983) ; Quatuor no.4 (1986).

Quatuor Molinari : Olga Ranzenhofer, violon ; Frˆ©dˆ©ric Bednarz, violon ; Frˆ©dˆ©ric Lambert, alto ;
Pierre-Alain Bouvrette, violoncelle. Artiste invitˆ©s, les pianistes : Louise Bessette, Natsuki Hiratsuka et Janelle Fung.

mercredi 31 mars + 1er avril 2010, 20 h
Espace Dell’ÄôArte
- 20$
Quasar : Les mutations dynamiques *
Une odyssˆ©e numˆ©rique en musique, lumiˆ®res et mouvement avec le quatuor de saxophones
‰íuvres de Daniel Peter Biro (Victoria), Nicolas Gilbert (Montrˆ©al), Jesper Nordin (Stockholm)
et Pedro Rebelo (Belfast).

Quasar : Marie-Chantal Leclair, Mathieu Leclair, Andrˆ© Leroux, Jean-Marc Bouchard (saxophones).

* Les concerts du Quatuor Molinari et de Quasar sont enregistrˆ©s par Espace musique, la radio musicale de Radio-Canada (100, 7 FM ˆÝ Montrˆ©al) et sera diffusˆ© ultˆ©rieurement  sur ses ondes dans le cadre des Soirˆ©es classiques, animˆ©es par Michel Keable, du lundi au jeudi ˆÝ 20 h, d'un bout ˆÝ l'autre du pays. Il sera ˆ©galement disponible pour ˆ©coute sur demande sur la webradio classique d'Espace musique ˆÝ Radio-Canada.ca/musique.
Concerts ˆÝ venir dans la Saison Le Vivier
21 avril : Grand concert annuel: Hommage ˆÝ Garant - Nouvel Ensemble Moderne
20 mai : Bungalopolis - Codes d'accˆ®s
Vidˆ©o de la saison : http://www.youtube.com/watch?v=xwvb6QehT-4&feature=youtube_gdata

Le Vivier, carrefour des musiques nouvelles a ˆ©tˆ© crˆ©ˆ© en 2007 pour faire valoir le dynamisme des musiques de crˆ©ation et en favoriser son dˆ©veloppement et sa diffusion auprˆ®s d’Äôun plus large public. Le Vivier ‰ìuvre actuellement pour l'implantation ˆÝ Montrˆ©al d'un lieu dˆ©diˆ© aux musiques nouvelles.

Les  22 organismes membres de Le Vivier
L’ÄôArsenal ˆÝ musique ; Bradyworks ; Centre de musique canadienne au Quˆ©bec (CMC) ; Chants Libres ; Codes d’Äôaccˆ®s ; Constantinople ; DAME / Ambiances magnˆ©tiques ; DIFFUSION i Mˆ©DIA / empreintes DIGITALes ; Ensemble contemporain de Montrˆ©al+ (ECM+) ; Espaces sonores illimitˆ©s (ESI) ; In Extensio ; Innovations en concert (IEC) ; Nouvel Ensemble Moderne (NEM) ; Productions SuperMusique (PSM) ; Productions Totem contemporain ; Quasar, quatuor de saxophones ; Quatuor Bozzini ; Quatuor Molinari ; Rˆ©seaux des arts mˆ©diatiques ; Sixtrum, Ensemble ˆÝ percussion ; Sociˆ©tˆ© de musique contemporaine du Quˆ©bec (SMCQ) ; et Transmission

Le Vivier reˆßoit, pour sa programmation, l’Äôappui du CALQ et du CAM ; et pour l'implantation d'un lieu dˆ©diˆ© aux musiques nouvelles, le soutien de la Ville de Montrˆ©al ; du Ministˆ®re de la culture, des communications et de la condition fˆ©minine du Quˆ©bec (MCCCFQ) ainsi que du Forum des ˆ©quipements culturels ; et de la Brigade Volante.

Autres partenaires : Caisse de la Culture ; Conseil quˆ©bˆ©cois de la musique ; La Liste

Monday, March 8, 2010

15 ans dˆ©jˆÝ pour le Festival de chambre de Montrˆ©al !

http://www.festivalmontreal.org/
Renseignements : 514.489.7444  

Montrˆ©al, le 17 dˆ©cembre 2009 ’Äì 2010 sera une annˆ©e de cˆ©lˆ©brations pour le Festival de musique de chambre de Montrˆ©al, qui prˆ©sentera sa 15e ˆ©dition du 6 au 29 mai 2010 !

Fondˆ© en 1995 par le violoncelliste Denis Brott qui en assume toujours la direction artistique, le Festival de musique de chambre de Montrˆ©al a pour but de promouvoir la musique de chambre sous toutes ses formes en l’Äôassociant parfois ˆÝ d'autres disciplines artistiques et en faisant appel ˆÝ des artistes de rˆ©putation internationale ou en ˆ©mergence. Le Festival vise aussi ˆÝ susciter la dˆ©couverte et ˆÝ mettre en valeur la richesse culturelle et patrimoniale de Montrˆ©al.

Pour marquer le coup en grand, plusieurs artistes de renom, qui ont grandement contribuˆ© au succˆ®s et au prestige du festival tel que Nathalie Choquette, Oliver Jones, Jean Marchand, Anton Kuerti et Luc Beausˆ©jour, participeront ˆÝ l’Äôˆ©dition anniversaire. Place ˆÝ la musique et ˆÝ la fˆ�te !

Les Journˆ©es Schumann - 30 avril au 9 mai 2010

www.fondationartemusica.ca


Montrˆ©al, 19 janvier 2010 - Aprˆ®s avoir soulignˆ© les anniversaires de Haydn en mars 2009, et de Handel en novembre 2009, la Fondation Arte Musica honore ce printemps un des grands compositeurs de l’Äôˆ©poque romantique ˆÝ l’Äôoccasion du 200e anniversaire de sa naissance, Robert Schumann (1810-1856).

Gˆ©nie romantique par excellence, Schumann a ˆ©crit une ‰ìuvre ˆ©minemment personnelle, parmi les plus belles et les plus ˆ©mouvantes de son ˆ©poque. Esprit fantasque ˆÝ l’Äôimagination dˆ©bordante, mais aussi c‰ìur tourmentˆ©, Schumann fut victime d’Äôun mal qui le conduira ˆÝ la folie et ˆÝ la mort. Sa musique ˆ©voque ce constant conflit entre le bonheur et le dˆ©sespoir.

Nous vous proposons de dˆ©couvrir ou redˆ©couvrir l’Äô‰ìuvre schumannienne ˆÝ travers cinq concerts qui couvriront l’Äôessentiel des diffˆ©rentes pˆ©riodes crˆ©atrices du compositeur : sa musique pour piano, ses lieder et sa musique de chambre.

Pour complˆ©ter ce panorama, trois sˆ©ries de cours (Robert Schumann, vie et ‰ìuvre d’Äôun musicien poˆ®te, Robert Schumann: Romantic Genius, Les grands thˆ®mes du romantisme en musique), un film documentaire et une confˆ©rence seront au programme.

Nous vous invitons donc ˆÝ ˆ�tre des nˆ¥tres dans l’Äôintimitˆ© de la magnifique Salle des miroirs du Musˆ©e des beaux-arts de Montrˆ©al durant ces quelques jours, afin de vous laisser imprˆ©gner par cette musique belle, passionnˆ©e et prenante. Romantique parmi les romantiques allemands, celui que Saint-Saˆ´ns dˆ©crivait comme ¬´ l’Äôhomme des choses exquises ¬ª, Schumann laisse, ˆÝ qui l’Äôˆ©coute, un sentiment de profonde humanitˆ©.

Puccini's Perfect Opera, La boheme

Minnesota Opera's production of Puccini's La bohˆ®me opens March 6

Twin-cast spectacular - James Valenti and Ellie Dehn; Adam Diegel and Jennifer Black


Minnesota Opera is pleased to remount its popular 1996 production of Puccini’Äôs La bohˆ®me. Considered the world’Äôs favorite opera, this heartwarming love story inspired Rent and is the quintessential portrait of romance, high-spirited friendship and the idealistic pursuit of love and art.

James Valenti* and Ellie Dehn*, who lit up the stage in the 2008 Romeo and Juliet, reunite in one cast, while Adam Diegel+ and Jennifer Black+ make their company debuts leading the other in this twin-cast spectacular. Hyung Yun* and Peter Barrett+ share the role of Marcello, and Karin Wolverton* (Rusalka) and Naomi Isabel Ruiz+ alternate as Musetta. The beloved Minnesota Opera production is lovingly reimagined by director Justin Way. Emmanuel Joel-Hornak conducts the Minnesota Opera Orchestra in his company debut.

Production Information

THE CAST
Rodolfo, a poet - James Valenti*, Adam Diegel+
Mimˆ¨, a seamstress - Ellie Dehn*, Jennifer Black+
Marcello, a painter - Hyung Yun*, Peter Barrett+
Musetta, a belle of the Latin Quarter - KarinWolverton*, Naomi Isabel Ruiz+
Colline, a philosopher - Jonathan Kimple*, Rodolfo Nieto+
Schaunard, a musician - JeffreyMadison*, Michael Nyby+
Benoit, the landlord - Ben Crickenberger
Parpignol, a toy vender - Brad Benoit
Alcindoro, Musetta's wealthy admirer - Ben Johnson

THE CREATIVE TEAM
Conductor - Emmanuel Joel-Hornak
Stage Director - Justin Way
Original Set Designer - Robert Brill
Set and Lighting Designer - Marcus Dilliard
Costume Designer - Jennifer Caprio

PERFORMANCE DATES
Saturday, March 6, at 7:30 p.m.*
Sunday, March 7, at 2:00 p.m.+
Tuesday, March 9, at 7:30 p.m.*
Wednesday, March 10, at 7:30 p.m.+
Thursday, March 11, at 7:30 p.m.*
Friday, March 12, at 7:30 p.m.+
Saturday, March 13, at 7:30 p.m.*
Sunday, March 14, at 2:00 p.m.+

ORDWAY
345 Washington Street, St. Paul, MN 55102

TICKETS
$20 - $200
Call the Minnesota Opera Ticket Office at 612.333.6669 or purchase online at mnopera.org.

MNBAQ / Nouvelle expo : De Pellan ˆÝ Ferron

De Pellan ˆÝ Ferron.
Sˆ©lection d’Äô‰ìuvres quˆ©bˆ©coises de La Banque TD

Du 4 fˆ©vrier au 28 mars 2010

Musˆ©e national des beaux-arts du Quˆ©bec
Parc des Champs-de-Bataille, Quˆ©bec (Quˆ©bec) G1R 5H3
1 866 220-2150
www.mnba.qc.ca

Et les finalistes sont...

Sociˆ©tˆ© quˆ©bˆ©coise de recherche en musique
Au service de la musique depuis 1980

Concours de confˆ©rences pour les ˆ©tudiants Prˆ©sences de la musique 2009-2010
Et les finalistes sont...

Montrˆ©al, le 10 fˆ©vrier 2010 - La SQRM est heureuse d'annoncer les quatre finalistes de son concours ˆ©tudiant Prˆ©sences de la musique. Grande annˆ©e pour la forte participation et la qualitˆ© des candidatures, le millˆ©sime 2009-2010 fut remarquable. La Sociˆ©tˆ© a reˆßu quatorze propositions de confˆ©rences d'ˆ©tudiants provenant de diverses universitˆ©s quˆ©bˆ©coises (Laval, McGill et Montrˆ©al).

Le jury ˆ©tait composˆ© de Julie Pedneault-Deslauriers (Universitˆ© d’ÄôOttawa), Francis Dubˆ© (Universitˆ© Laval), Jacinthe Harbec (Universitˆ© de Sherbrooke) et Alexia Jenson (Cercle de musicologie, Universitˆ© de Montrˆ©al). Ces membres ont tenu ˆÝ souligner le haut niveau de la recherche musicale qui se pratique dans le cadre des programmes d’Äôˆ©tudes supˆ©rieures au Quˆ©bec.

Les ˆ©tudiants suivants ont ˆ©tˆ© retenus pour participer ˆÝ la finale du concours :

Frˆ©dˆ©ric Chiasson (Facultˆ© de musique de l'Universitˆ© de Montrˆ©al) Koechlin dˆ©crivant Scelsi : comment la mˆ©thode de description du timbre de Koechlin peut expliquer l'orchestration d'une oeuvre de musique contemporaine.

Flavia Gervasi (Musicologie, Facultˆ© de musique de l'Universitˆ© de Montrˆ©al) La vocalitˆ© de tradition orale du Salento (Italie du Sud) entre la pratique actuelle et l'apprˆ©ciation des anciens chanteurs paysans.

Michel Valliˆ®res (Music Theory, ˆâcole de musique Schulich de l'Universitˆ© McGill)Fonctionnalitˆ© formelle intrinsˆ®que : approches thˆ©orique et perceptive des dˆ©buts, milieux et fins chez W.A. Mozart.

Kimberley White (Musicologie, ˆâcole de musique Schulich de l'Universitˆ© McGill)The debutante and her critics : Ritual initiation at the Paris Opera, 1830-1850.

La finale se tiendra le 25 mars prochain ˆÝ 17:30 ˆÝ la salle B-421 de la Facultˆ© de musique de l’ÄôUniversitˆ© de Montrˆ©al dans le cadre de la sˆ©rie de confˆ©rences du Cercle de musicologie de cette institution. Les finalistes seront invitˆ©s ˆÝ faire une prˆ©sentation orale de 20 minutes, aprˆ®s quoi il y aura une pˆ©riode de questions de 10 minutes. Le jury attribuera au laurˆ©at une bourse de 500 $. Le gagnant aura aussi l'opportunitˆ© de prˆ©senter la version intˆ©grale de sa confˆ©rence dans le cadre de la sˆ©rie Prˆ©sences de la musique 2010-2011, en plus d'une publication dans Les Cahiers de la SQRM.

Introducing The Artisan Collection by Vincent Bach

The makers of world famous Bach Stradivarius trumpets bring you five exciting new Stradivarius models ’Äì Introducing The Artisan Collection by Vincent Bach

Bach Stradivarius - No other brand evokes more passion, loyalty, and respect. Exceptional tonal color, balanced response, and superb projection are hallmarks of designs by Vincent Bach. Carrying on the legacy and true to the vision of the master craftsman, the makers of today’Äôs Bach Stradivarius proudly introduce The Artisan Collection.

The Artisan Collection features new Bb, C, Eb, tunable bell D/Eb combination, and 4 valve long bell piccolo trumpets. Skillfully handcrafted, Artisan culminates in a unique blend of classic design, elegant styling, and the signature Bach sound.

Design features include a one-piece hand-hammered yellow brass bell with flat rim, special acoustic bell treatment, two-piece nickel/brass valve casing construction, Monel pistons, sets of brass and plastic valve guides, enhanced radius ferrules, 1st slide split ring, unique serial number sequence, and deluxe engraving. All models are outfitted in elegant cases that combine classic Vincent Bach styling, contemporary materials, and exceptional design.

The Artisan Collection

AB190 ’Äì Key of Bb, .459’Äù bore, extended low F 3rd slide rod stop, available in silver-plate as AB190S

AC190 - Key of C, .462’Äù bore, available in silver-plate finish as AC190S

AE190 ’Äì Key of Eb, .462’Äù bore, extra dual bore main tuning slide, available in silver-plate finish as AE190S

ADE190 ’Äì Key of D/Eb, .450’Äù bore, tunable bells with flat rim in D and Eb, separate set of slides for D and Eb, available in silver-plate finish as ADE190S

AP190 ’Äì Key of A/Bb, .450’Äù bore, 4 valves, set of four mouthpipes includes both trumpet and cornet shank mouthpiece receivers, available in silver-plate finish as AP190S

Over a year in the making, development of The Artisan Collection was aided by long-time Bach artists Michael Sachs, principal trumpet, The Cleveland Orchestra, and Phil Smith, principal trumpet, New York Philharmonic Orchestra. Special thanks go to both Michael and Phil for their contributions to acoustic design and testing.

’ÄúPlayers all across the country are giving rave reviews about the sound, the response, and the quality of today’Äôs Bach professional trumpets,’Äù said Jeff Christiana, Director of Marketing for Bach. ’ÄúThe Artisan Collection enhances the entire line of Bach Stradivarius by offering today’Äôs players the look, feel and signature Bach sound of vintage Bach designs. Staying true to key elements of Vincent Bach’Äôs original designs was critical in the development of this new collection.’Äù Whether a passionate enthusiast or performing artist, experience The Artisan Collection and discover the Artisan within.

For complete information, visit http://www.bachbrass.com/. Vincent Bach instruments are handcrafted in the U.S.A. by Conn-Selmer, Inc., the largest manufacturer of band and orchestral instruments and accessories in the United States and a subsidiary of Steinway Musical Instruments, Inc. To contact Conn-Selmer, write to P.O. Box 310, Elkhart, IN 46515-0310 U.S.A. or visit http://www.conn-selmer.com/.

Cameron Live! out June 1, 2010

CAMERON CARPENTER ANNOUNCES
SPRING 2010 TOUR


Includes concerts in the United States, United Kingdom, France, Switzerland, Russia, Germany, and Canada

US Cities Include: Philadelphia, Cleveland, Ithaca, Ann Arbor,
Los Angeles, Chicago, San Francisco, and New York CD release concert

Cameron Carpenter opens his spring 2010 tour at Philadelphia's Kimmel Center Verizon Concert Hall with a solo concert on March 6, and closes his tour with the Edmonton (Alberta) Symphony Orchestra at Winspear Center on June 1. He will play in concert halls, theatres, and churches, and on some of the most important music series in the world.

One of the interesting concerts in his spring tour will be his return to Russia, where he made his Moscow debut in November 2009. In a concert at Tchaikovsky Hall of the Moscow Philharmonic, the audience demanded eight encores. The following week, in a concert in St. Petersburg's Capella, the audience demanded twelve encores. The first classical concert hall built in Russia since the Revolution is "Dom Musica," the Moscow International Performing Arts Center, where he will play a new four-manual pipe organ on May 16. He will also play again in St. Petersburg.

He will make his debut as a lecturer-although he always speaks to his audiences, and greets them prior to a concert-at the Michigan Theatre in Ann Arbor, Michigan (April 1) on the University of Michigan's prestigious Penny Stamps Lecture Series. In the course of the lecture he will perform and demonstrate on the theatre's organ.

Two California concerts are long-awaited by audiences: First Congregational Church in Los Angeles (April 18), which features the largest church pipe organ in the world; and Louise M. Davies Hall in San Francisco (May 2), which features the largest pipe organ in any American concert hall. In both cases, Cameron will choose the varied program during his rehearsal sessions on the instruments.

Finally, he will play William Walton's Crown Imperial and Orb and Sceptre marches, and Francis Poulenc's Organ Concerto with the Edmonton Symphony Orchestra in Edmonton, Alberta (June 1). The second half of this concert will be Cameron solo. His organ and orchestra performances are extraordinary, and have resulted in his being appointed Artist-in-Residence at the Carmel Symphony Orchestra (Carmel, IN) through 2014.

His summer tour, in support of his second Telarc album, CAMERON LIVE!, begins in New York at Le Poisson Rouge on June 8. The new two-disc album includes a DVD featuring a cinema organ and music from Schubert to Sousa-with a new work by Cameron for cinema organ; and a CD, recorded live in New York at St. Mary the Virgin where he performed the world premiere of his "Serenade and Fugue on B.A.C.H.," which ends the live Bach concert recording.

"Genre-bending" is a description that Cameron has gotten from writers and reviewers. The spring tour of 2010 will confirm his position as the most exciting organist on the concert circuit, and feature his work as soloist, arranger, improviser, and composer.Spring Tour Schedule:

PHILADELPHIA, PA
March 6, Saturday at 3:00 PM.
Kimmel Center Presents Series, Verizon Hall

FAIRVIEW PARK, OH
March 11, Thursday at 8:00 PM
Messiah Evangelical Lutheran Church

ITHACA, NY
March 26, Friday at 8:15 PM
Ford Hall, Ithaca College

ANN ARBOR, MI
April 1, Thursday at 5:10 PM
Michigan Theatre, University of Michigan
Penny Stamps Lecture Series

ALPE D'HUEZ, FRANCE
April 8, Thursday at 6:15 PM
Notre-Dame des Neiges, Orgues et Montagnes

BIENNE, SWITZERLAND
April 11, Sunday at 6:00 PM
Eglise du Pasquart, Jeunes Etoiles de l'Orgue

LOS ANGELES, CA
April 18, Sunday at 4:00 PM
First Congregational Church of Los Angeles

EVANSTON, IL
April 23, Friday at 8:00 PM
First United Methodist Church

SAN FRANCISCO, CA
Sunday, May 2 at 6:00 PM
Davies Symphony Hall Concert Series

NEW YORK, NY
Tuesday, May 4 at 7:00 PM
St. Vincent Ferrer

MOSCOW, RUSSIA
Sunday, May 16 at 7:00 PM
Moscow International House of Music

MANCHESTER, ENGLAND
Friday, May 21 at 7:30 PM
International Concert Series at The Bridgewater Hall

DARMSTADT, GERMANY
Monday, May 24 at 5:00 PM
Evangelische Paulusgemeinde

EDMONTON, ALBERTA, CANADA
Tuesday, June 1 at 7:30 PM
Edmonton Symphony OrchestraThe Francis Winspear Centre for Music

New York, NY
CAMERON LIVE! CD RELEASE CONCERT
Tuesday, June 8
Le Poisson Rouge

St. Lawrence Choir to present psalms in music

Three concerts March 20th, 21st and 28th

Montreal, March 6, 2010 - St. Lawrence Choir, under the direction of its artistic director, Michael Zaugg, will present Psalmi, a concert of a cappella music. There will be two performances in Montreal: Saturday, March 20th, at ˆâglise de l’ÄôImmaculˆ©e Conception, 4201 Papineau Ave., and Sunday, March 21st, at Notre-Dame-de-Grˆ¢ce Church, 5333 Notre-Dame-de-Grˆ¢ce Ave. Both begin at 7:00 p.m.; then a third performance in Hudson at 4:00 p.m. on Sunday, March 28th, at St. Thomas Aquinas Church, 413 Main Road.
Featuring texts from the Book of Psalms, the programme spans 400 years of musical history, and presents emotions ranging from despair to hope. The concert is built around a set of three psalms by Mendelssohn, and also includes work by Monteverdi, Rachmaninoff, Gjeilo, Kreek, Poulenc and Bach.

Tickets purchased in advance are $20.00 (adult), $15.00 (senior), and $10.00 (student). To obtain these, go to www.slchoir.qc.ca or contact (514) 483-6922. If bought at the door, tickets are $25.00 (adult), $20.00 (senior), and $10.00 (student).


For further information visit www.slchoir.qc.ca or call (514) 483-6922.

Labels:

Award Winning Modern Jazz Trumpeter Maurice Brown's New Album The Cycle of Love out March 16

http://www.mauricebrown.net/


’ÄúBrown ’Äì who grew up in Harvey (IL) - always has shown a knack for penning insinuating melodic hooks. Not surprisingly, then, the tunes from ’ÄúThe Cycle of Love’Äù linger in memory.’Äù ’ÄìHoward Reich, Chicago Tribune

’ÄúBrown is one of the most exciting young trumpeters in jazz--be it New Orleans or New York. His improvisations are fresh, his chops dynamic and he's writing what could very well become a new generation of hard-bop- meets-new-grooves standards.’Äù -- Jason Koransky, DownBeat Magazine

"Maurice Brown is one of the most talented of his generation. He has the vision to bring a new voice, not only to his instrument, but to jazz in general.’Äù’Äîworld renowned musician Terence Blanchard

New York, N.Y. ’Äì Renowned trumpeter, composer and bandleader Maurice Brown, whose soulful melodies and improvisational rhythms have been electrifying the music scene since his top ten debut album, ’ÄúHip to Bop,’Äù (2004) is releasing his highly anticipated sophomore album titled ’ÄúThe Cycle Of Love’Äù Tuesday, March 16th through his record label Brown Records. ’ÄúTime Tick Tock’Äù is the first single off of the album and can be downloaded for free via his website http://www.mauricebrown.net/.

Brown describes ’ÄúThe Cycle of Love’Äù as ’Äú’Ķ my interpretation of the different stages we go through in our quest for true happiness.’Äù In describing the first single off the album ’ÄúTime Tick Tock,’Äù Brown says, ’ÄúTime Tick Tock refers to the active mind at work when we take the time to weigh the good and the bad.’Äù ’ÄúThe Cycle of Love’Äù is Brown’Äôs official entry into the crossover music world as he combines a unique mix of contemporary jazz with a hip-hop heartbeat and soulful groove. The album showcases Brown’Äôs talents as a trumpeter, composer, and bandleader, and also puts on display his remarkable, lyrical melodies.

Maurice ’ÄúMobetta’Äù Brown has worked with countless jazz greats including Ramsey Lewis, Roy Hargrove, Ellis Marsalis and Curtis Fuller. He has also worked with Aretha Franklin, John Legend, Wyclef Jean, Musiq Soulchild, The Brand New Heavies, The Roots and recently wrapped up a world tour with Laura Izibor. Brown is known for using his signature style which he coined ’ÄúHornification’Äù with the aforementioned crossover popular acts. Says Brown, ’ÄúHornification is a term I came up with to describe my original horn lines and arrangements. I uniquely pile my horn parts to create a complete horn section. The goal of hornification is to compose expressive horn lines that feel like they were always a part of the song.’Äù

Brown’Äôs debut album, ’ÄúHip to Bop’Äù received an overwhelming response from both bebop enthusiasts and hip-hop fans and pushed ’ÄúHip to Bop’Äù onto the top-ten charts across the country. Born in Chicago, Brown began playing trumpet while still a teen. He developed his skills further when he moved to New Orleans (2001), where he held down a weekly slot at the premiere jazz club in town. He moved to New York in 2005 after Hurricane Katrina. He currently resides in Brooklyn, New York where he is preparing for U.S. and International tours this year (dates to be announced).

Additionally, a documentary film featuring Maurice is set to be released later this year. The film, titled ’ÄúBrass Movement: A Modern Jazz Story’Äù follows Brown’Äôs life as a modern-day jazz musician who overcomes tremendous adversity to become a defining voice of a new hip-hop-jazz movement. The Central Brooklyn Jazz Consortium inducted Brown into the Brooklyn Jazz Hall of Fame in 2008 and he is the recipient of numerous awards, including the Deacon Leroy Applin Young Lion/Lioness Award and the ASCAP Foundation Young Jazz Composer Awards

Clˆ©mence Des Rochers et Les Impatients ˆÝ L'Avenir

Montrˆ©al, le mercredi 10 fˆ©vrier 2010 ’Äì Suite au succˆ®s remportˆ© le 6 fˆ©vrier dernier lors d’Äôun ˆ©vˆ©nement en compagnie d’ÄôIsabelle Cyr, Danielle Oddera, Sophie Faucher, Yves Marchand et l’ÄôOpˆ©ra de Montrˆ©al, les Impatients reviennent ˆÝ la Maison de la Culture ˆÝ L’ÄôAvenir. Cette fois-ci, pour mettre ˆÝ nouveau en lumiˆ®re la sortie de la 6e ˆ©dition du coffret Mille mots d’Äôamour, une soirˆ©e de lecture de lettres d’Äôamour aura lieu le samedi 17 avril ˆÝ 19h30 en prˆ©sence de la lˆ©gendaire Clˆ©mence Des Rochers, Sylvie Tremblay, BenoˆÆt Sarrasin, Alain Labontˆ© et des artistes de l’ÄôOpˆ©ra de Montrˆ©al. Un seul soir! Un moment unique!

La Fondation Les Impatients repousse encore et toujours les frontiˆ®res. L’Äôˆ©dition 2010 comprend entre autres des lettres de Ginette Reno, Jacques Attali, Alexandre Despatie, Claudine Mercier, Yves Duteil et un inˆ©dit de Marcel Pagnol. De plus, elle compte dans son aventure la participation du Rˆ©seau communautaire, en collaboration avec l’ÄôOffice rˆ©gional de Santˆ© Sud-Est Inc/ South Eastman Regional Health Authority, de la province du Manitoba ainsi que de quelques personnalitˆ©s du monde du sport afin de faire un clin d’Äô‰ìil aux Jeux Olympiques de Vancouver 2010.

Le coffret Mille mots d’Äôamour est composˆ© de lettres offertes par des ˆ©crivains, des artistes, des mˆ©decins, des Impatients, des journalistes et des gens du grand public. Les lettres du grand public proviennent de diffˆ©rents concours menˆ© par plusieurs parrains et marraines dont Monique Giroux (Espace Musique), Joel Lebigot (Premiˆ®re ChaˆÆne), Roxanne St-Gelais ( V Tˆ©lˆ© ) ainsi que Valˆ©rie Sirois et Jean-Franˆßois BenoˆÆt (Citˆ© Rock Dˆ©tente) et Jeanette Kelly (CBC) qui invitent les auditeurs, lors de leur ˆ©mission quotidienne, ˆÝ y participer.

Mille mots d’Äôamour a pour but de recueillir des fonds pour permettre aux Impatients de poursuivre sa double mission qui est d’Äôoffrir un lieu d’Äôexpression artistique et thˆ©rapeutique aux personnes souffrant de problˆ®mes de santˆ© mentale et de favoriser les ˆ©changes avec la communautˆ© par la diffusion de leurs rˆ©alisations.

Au-delˆÝ de l’Äôimpact financier de l’Äôˆ©vˆ©nement, il s’Äôagit pour le centre Les Impatients de sensibiliser le grand public aux rˆ©alitˆ©s des personnes connaissant des problˆ®mes de santˆ© mentale, qui touchent une personne sur cinq au Quˆ©bec.

Le coffret sera en vente dˆ®s janvier 2010 dans tous les Renaud-Bray du Quˆ©bec ainsi qu’ÄôˆÝ la Fondation Les Impatients ( 100, rue Sherbooke est, 4e ˆ©tage ) au montant de 39,95$.

Pour rˆ©server votre place pour la soirˆ©e de lecture de lettres d’Äôamour : 819 394 3350. L'adresse de La Maison de la Culture de L'Avenir est le 624, rue Principale, L'Avenir.Prix : 25$

Tous les profits de la soirˆ©e seront versˆ©s ˆÝ la Fondation Les Impatients.

Budget du Quˆ©bec 2010 : La culture est partie prenante de la relance ˆ©conomique

Budget du Quˆ©bec 2010 : La culture est partie prenante de la relance ˆ©conomiqueCulture Montrˆ©al rappelle au gouvernement du Quˆ©bec l’Äôimportance d’Äôinvestir dans le secteur

Montrˆ©al, le 9 fˆ©vrier 2010 ’Äì Culture Montrˆ©al profite de la rentrˆ©e parlementaire ˆÝ Quˆ©bec pour rappeler aux ˆ©lus l’Äôimportance de maintenir et de renforcer le soutien de l’Äôˆâtat quˆ©bˆ©cois au secteur culturel dans le cadre du budget 2010-2011.

Au fil des ans, de nombreuses ˆ©tudes ont dˆ©montrˆ© que les arts et la culture constituent de puissants leviers de dˆ©veloppement, tant ˆ©conomique que social. ¬´ Le secteur culturel est prˆ©sent et actif sur tout le territoire. C’Äôest un secteur dynamique, ancrˆ© localement et rˆ©silient. Il est crˆ©ateur d’Äôemplois stimulants et gˆ©nˆ®re des retombˆ©es ˆ©conomiques importantes en plus de porter des valeurs liˆ©es de prˆ®s au dˆ©veloppement durable, prˆ©cise Simon Brault, prˆ©sident de Culture Montrˆ©al. Les investissements publics dans ce secteur sont rentables ˆÝ court, ˆÝ moyen et ˆÝ long terme et ils sont d’Äôune importance capitale pour l’Äôavenir du Quˆ©bec et pour son positionnement international¬ª

Culture Montrˆ©al propose diverses mesures afin de stimuler adˆ©quatement l’Äôactivitˆ© culturelle au Quˆ©bec, et plus spˆ©cifiquement ˆÝ Montrˆ©al, envers laquelle le gouvernement du Quˆ©bec s’Äôest clairement engagˆ©, en 2007, pour qu’Äôelle atteigne sa pleine maturitˆ© ˆÝ titre de mˆ©tropole culturelle. Ainsi, dans le cadre du budget 2010-2011, Culture Montrˆ©al demande que le gouvernement du Quˆ©bec :

1) accˆ©lˆ®re la mise en ‰ìuvre du Plan d’Äôaction 2007-2017 adoptˆ© lors du Rendez-vous novembre 2007- Montrˆ©al, mˆ©tropole culturelle, en portant une attention ˆ©clairˆ©e au dˆ©veloppement du Quartier des spectacles et d’Äôautres quartiers culturels ; au tourisme culturel ; aux projets d’Äôaccueil et de coproduction culturelle internationaux ; et ˆÝ la diffusion internationale de nos artistes, artisans et crˆ©ateurs.

2) mette ˆÝ profit les outils dont il dispose pour soutenir la croissance du secteur artistique et culturel par, notamment, le maintien d’Äôallocations adˆ©quates au Conseil des arts et des lettres du Quˆ©bec (CALQ), ˆÝ la Sociˆ©tˆ© de dˆ©veloppement des entreprises culturelles (SODEC) et au ministˆ®re de la Culture, des Communications et de la Condition fˆ©minine (MCCCFQ), ainsi qu’Äôaux programmes de soutien ˆÝ la crˆ©ation, ˆÝ la production, ˆÝ la diffusion et ˆÝ la formation financˆ©s par ces organismes.

L’Äôappui ˆÝ Tˆ©lˆ©-Quˆ©bec, qui est ˆÝ la fois creuset de crˆ©ation et outil de diffusion exceptionnel d’Äôexpression de l’Äôidentitˆ© quˆ©bˆ©coise, est ˆ©galement essentiel.

3) crˆ©e un ¬´ fonds culturel ¬ª dˆ©diˆ© au dˆ©veloppement de la participation culturelle et ˆÝ de nouvelles initiatives pour le dˆ©veloppement et la pˆ©rennitˆ© des lieux ˆÝ vocation culturelle. Administrˆ© par le Conseil des arts et des lettres du Quˆ©bec, un nouveau ¬´ fonds culturel ¬ª pourrait ˆ�tre crˆ©ˆ© grˆ¢ce ˆÝ la perception de la TVQ sur la vente des produits culturels sur le territoire quˆ©bˆ©cois. L’Äôenveloppe budgˆ©taire ainsi crˆ©ˆ©e servirait ˆÝ stimuler la frˆ©quentation des ‰ìuvres et des ˆ©vˆ©nements artistiques et culturels, notamment auprˆ®s des communautˆ©s culturelles et des ˆ©lˆ®ves du rˆ©seau scolaire quˆ©bˆ©cois; et ˆÝ crˆ©er de nouvelles mesures encourageant le dˆ©veloppement et la pˆ©rennitˆ© des lieux de crˆ©ation, de production et de diffusion sur l’Äôensemble du territoire.

4) mette en ‰ìuvre diverses mesures de dˆ©veloppement culturel novatrices et concrˆ®tes, telles que la crˆ©ation d’Äôun programme de prˆ�t sans intˆ©rˆ�t pour l’Äôachat d’Äôune ‰ìuvre d’Äôart quˆ©bˆ©coise; et l’Äôadoption d’Äôune politique ambitieuse - et dotˆ©e de ressources suffisantes - d’Äôintˆ©gration de l’Äôart public aux projets d’Äôamˆ©nagement urbain.

5) accorde de nouveaux pouvoirs habilitants ˆÝ la Ville de Montrˆ©al, lui permettant ainsi de diversifier ses sources de revenus. Culture Montrˆ©al croit que le partage des revenus fiscaux entre les paliers de gouvernement doit ˆ�tre repensˆ© pour accorder plus de pouvoirs habilitants ˆÝ Montrˆ©al afin de lui permettre de diversifier ses sources de revenus.Le gouvernement du Quˆ©bec doit aller beaucoup plus loin que les timides avancˆ©es de la Loi modifiant diverses dispositions lˆ©gislatives concernant Montrˆ©al. Par exemple, l’Äôaugmentation du taux de la taxe perˆßue sur l’Äôessence constituerait une nouvelle source de revenus pour la Ville de Montrˆ©al, l’Äôaidant ainsi ˆÝ atteindre ses objectifs, notamment en ce qui a trait au dˆ©ploiement de la mˆ©tropole culturelle.

¬´ Nous sommes aujourd’Äôhui ˆÝ la croisˆ©e des chemins, tant ˆÝ Montrˆ©al qu’Äôau Quˆ©bec. Les dˆ©cideurs publics doivent faire des choix qui concilient la nˆ©cessitˆ© d’Äôatteindre l’Äôˆ©quilibre budgˆ©taire et le mieux-ˆ�tre de la population. En ˆ©laborant une vision de l’Äôinvestissement public qui s’Äôappuie sur des indicateurs de performance tant ˆ©conomiques que sociaux ou environnementaux, l’Äôon constatera rapidement que tout montant investi en culture est un investissement gagnant ¬ª, conclut Simon Brault.

Fondˆ© en 2002, Culture Montrˆ©al est un mouvement citoyen et non partisan dont le mandat est d’Äôaffirmer le rˆ¥le central des arts et de la culture dans toutes les sphˆ®res du dˆ©veloppement de Montrˆ©al. Par le biais d’Äôactivitˆ©s de mobilisation, de communication, de recherche et de concertation, Culture Montrˆ©al contribue ˆÝ ˆ©difier l’Äôavenir de Montrˆ©al, mˆ©tropole culturelle. L’Äôorganisation bˆ©nˆ©ficie du soutien de ses membres, du ministˆ®re de la Culture, des Communications et de la Condition fˆ©minine du Quˆ©bec, de la Ville de Montrˆ©al, de la Confˆ©rence rˆ©gionale des ˆ©lus de Montrˆ©al, du Conseil des arts et des lettres du Quˆ©bec et du Cirque du Soleil.

Classiques: ˆâvˆ©nement d'intˆ©rˆ�t communautaire / Community Event

ˆâvˆ©nement d'intˆ©rˆ�t communautaire

ˆâvˆ©nement : Jacques SAINt-Jean, piano ’Äì Coups de c‰ìur

Date : Dimanche 14 mars 2010

Heure : 15:00

Adresse : 176, chemin du Bord-du-Lac ’Äì Lakeshore, Pointe-Claire

Coˆªt : Laissez-passer

Description : Dans le cadre des Rendez-vous du dimanche, Manrico Tedeschi prˆ©sente le pianiste renommˆ© Jacques Saint-Jean pour un aprˆ®s-midi de piˆ®ces toujours fort apprˆ©ciˆ©es du public. Le rˆ©pertoire inclut des ‰ìuvres de Chopin, Gershwin, Donizetti, Liszt et Adinsel.

Organisation : Centre culturel de Pointe-Claire, Stewart Hall

Contact : Rˆ©ceptionniste

Tˆ©lˆ©phone : 514-630-1220

Community Event:

Event: Jacques SAINt-Jean, piano ’Äì All Time Favourites

Date: Sunday, March 14, 2010

Time: 3:00 p.m.

Address: 176 ch. du Bord-du-Lac ’Äì Lakeshore, Pointe-Claire

Cost: Passes

Description: During this Sunday Rendez-Vous, Manrico Tedeschi presents acclaimed pianist Jacques Saint-Jean in an afternoon of piano favourites. The repertoire will include works by Chopin, Gershwin, Donizetti, Liszt, and Adinsel.

Organization: Pointe-Claire Cultural Centre, Stewart Hall.

Contact name: Receptionist

Telephone: 514-630-1220

ˆâvˆ©nement d'intˆ©rˆ�t communautaire

ˆâvˆ©nement : MUSIQUE ET DANSE EN NOUVELLE-FRANCE

Date : Vendredi 26 mars 2010Heure : 20:00 (les portes ouvriront ˆÝ 19:30)

Adresse : 2, avenue Sainte-Anne, Pointe-Claire

Coˆªt : 14$ et 7$

Description : Grand concert ˆÝ l’Äôˆ©glise Saint-Joachim. Dans un programme liant danse, textes et musique, Les Idˆ©es Heureuses vous fait revivre une soirˆ©e dans un salon bourgeois de la Nouvelle-France au 18e siˆ®cle. On y dˆ©couvre une vie musicale fort bien dˆ©veloppˆ©e et ancrˆ©e dans le quotidien de ses habitants. ‰íuvres de Charpentier, Lully, Boismortier et le Livre d’Äôorgue de Montrˆ©al, ponctuˆ©es d’Äôextraits de correspondance de Mme Bˆ©gon, ˆ©pouse du Gouverneur de Trois-Riviˆ®res.!

Organisation: Centre culturel de Pointe-Claire, Stewart Hall

Contact : Rˆ©ceptionniste

Tˆ©lˆ©phone : 514-630-1220

Community Event Event:

MUSIC AND DANCE IN NEW FRANCE

Date: Friday, March 26, 2010

Time: 8:00 p.m. (doors open at 7:30 p.m.)

Address: 2 Sainte-Anne Avenue, Pointe-Claire

Cost: Tickets $14 and $7

Description: Grand Concert. Using a combination of dance, text and music, Les Idˆ©es Heureuses transport their audience to a bourgeois living room in 18th century New France, where you will discover a well-developed sense of musicality anchored in the daily life of the inhabitants. Works by Charpentier, Lully, Boismortier and the Livre d’Äôorgue de Montrˆ©al, are interwoven with extracts of letters by Mme Bˆ©gon, wife of the Governor of Trois-Riviˆ®res.

Organization: Pointe-Claire Cultural Centre, Stewart Hall.

Contact Name: Receptionist

Telephone: 514-630-1220

MNBAQ / Nouvelle expo : Barbie et la mode

Barbie et la mode. 1959-1966

Du 9 fˆ©vrier au 18 avril 2010

CONTACT DE PRESSE
Musˆ©e national des beaux-arts du Quˆ©bec
Parc des Champs-de-Bataille, Quˆ©bec (Quˆ©bec) G1R 5H3
1 866 220-2150
www.mnba.qc.ca

Mark O'Connor Hosts "Dazzling" (Wall St Journal) 'Jam Session,' Out April 13

World-renowned acoustic musicians Mark O'Connor (violin), Chris Thile (mandolin), Frank Vignola (guitar), Bryan Sutton (guitar), Jon Burr (bass) and Byron House (bass) can captivate audiences with just their instruments. But for them, jamming is a meeting of musical minds and genres in communication, a perfect example of holistic American music. Their forthcoming CD 'Jam Session,' out April 13 on OMAC Records, offers "dazzling" (Wall Street Journal) live acoustic recordings that combine bluegrass and gypsy jazz as never before on disc.

The result: a "jam band" for the ages comparable in its rhythmic intoxication and stratospheric solos with the Grateful Dead's 'Live/ Dead' or the Charlie Parker/Dizzy Gillespie/Bud Powell/ Charles Mingus/ Max Roach 'Jazz at Massey Hall.' Perhaps no better jam recordings have been captured on acoustic string instruments in recent memory. Tracks include "Gypsy Fantastic," reminiscent of O'Connor's mentor Stephane Grappelli; the bossa nova-tinged "Soft Gyrations"; and the country swing of "Don't Let The Deal Go Down."

For a press-only mp3 album download, please reply to: asilva@shorefire.com

A standout track, the slow, sly "In The Cluster Blues," features Chris Thile in what O'Connor calls "the greatest improvised mandolin solo of all time," two spectacular guitar solos and O'Connor's soaring and masterful blues violin improvisation.

"Sometimes improvisational exchanges between musicians can escalate to a fever pitch," O'Connor says in the liner notes. "A spontaneous conversation between the players can become an art form." That's exactly what happens on 'Jam Session.'

Many of the melodies on 'Jam Session' bring to mind those showcased in his 'O'Connor Violin Method Vol. I and Vol. II', released this past fall, the first of its kind to use America's classical, jazz and folk music to educate the next generation of musicians so they can feel comfortable playing music in many idioms for a lifetime. Along with a busy concert schedule, O'Connor will be conducting teacher training seminars for the O'Connor Violin Method throughout the spring. Click here for Mark O'Connor's complete schedule: http://markoconnor.com/index.php?page=calendar

The tracks on 'Jam Session', which O'Connor produced, are live concert recordings from Merkin Hall, New York City; Blair School of Music, Nashville; South Street Theatre, Morristown, NJ; and the Rocky Mountain Bluegrass Festival, Lyons, CO.

Meanwhile, O'Connor has officially relaunched his YouTube channel: http://www.youtube.com/user/MarkOConnor

It contains exhaustive clips from all periods of O'Connor's distinguished career.

'Jam Session' Track Listing:
1. Granny White Special - 4:29
2. Gypsy Fantastic - 5:22
3. Macedonia - 6:11
4. Swingin' On The "Ville - 6:03
5. Soft Gyrations - 12:09
6. Pickles On The Elbow - 7:53
7. Don't Let The Deal Go Down - 7:05
8. In The Cluster Blues - 15:56
9. Minor Swing - 6:03

Sunday, March 7, 2010

Vancouver Opera Announces 2010-2011 Season

Highlights include the world premiˆ®re of a new Canadian opera, the appearance of legendary British director Sir Jonathan Miller, the return of Eglise Gutiˆ©rrez, and the Vancouver premiˆ®re of Mozart’Äôs La Clemenza di Tito

Vancouver, BC ~ The world premiˆ®re of a brand-new VO-commissioned opera, the appearance of the prodigiously talented stage director Sir Jonathan Miller, the return of one of opera’Äôs most coveted sopranos, and the Vancouver premiˆ®re of Mozart’Äôs rarely-performed La Clemenza di Tito are just four highlights of Vancouver Opera’Äôs 51st season.

VO’Äôs 2010-2011 season will include Lillian Alling, by composer John Estacio and librettist John Murrell (October 16 ’Äì 23, 2010); Donizetti’Äôs moving Lucia di Lammermoor (December 4 ’Äì 11, 2010); Mozart’Äôs final opera, La Clemenza di Tito (February 5 ’Äì12, 2011); and Verdi’Äôs beloved La Traviata (April 30 ’Äì May 12, 2011).

’ÄúZinn’Äôs clever set is a white room in classical style with a sliding back panel that can be opened to reveal outside scenes...The four young people are in severe black 18th-century dress in the first act, and after the rebellion against Tito, appear in negative image ’Äî tattered white costumes of the same design, a metaphor for their faltering fortunes,’Äù raved the Globe and Mail.

La Traviata ’Äì The VO debut of Sir Jonathan Miller

Directing La Traviata will be the inimitable Sir Jonathan Miller, CBE, famed British physician, television presenter, humorist, sculptor, and theatre and opera director. After completing his medical training, Sir Jonathan began his involvement with the stage in 1962 as part of the British comedy revue Beyond the Fringe, alongside Peter Cook, Dudley Moore and Alan Bennett.

Since then, Sir Jonathan has enjoyed one of the most stellar careers in modern theatre, directing countless plays (including 11 for the BBC’Äôs Shakespeare series) and more than 50 operas at some of the world’Äôs most distinguished venues from La Scala to The Metropolitan Opera.

Sir Miller’Äôs gorgeous La Traviata, a co-production with Glimmerglass Opera, beautifully focuses on the drama of Verdi’Äôs beloved drama of passion, intimacy and tragedy.

DATES, STORIES, CASTING DETAILS

’ÄúThe unveiling of a new Canadian opera, Lillian Alling, to launch the 2010-2011 season will be a fitting culmination of our Golden Anniversary celebrations,’Äù said VO General Director James W. Wright. ’ÄúI am thrilled to present to Vancouver audiences and to the world this beautiful and captivating new work by Canada’Äôs foremost opera-creation team."

Added Wright, ’ÄúWe have been working on Lillian Alling with care and love for more than four years, through an extensive creation process that included five workshops. The production is by far the company’Äôs largest investment in its fifty-year history and, I believe, a valuable contribution to the future of opera in Canada. I am especially pleased to bring together a creative team with a proven track record of audience-pleasing new operas filled with tuneful arias, big chorus numbers and lush orchestration, all in the service of a literate and fascinating libretto based on the true-life experiences of a very mysterious woman!’Äù

The most recent ’Äì and the final ’Äì workshop of the music for Lillian Alling took place in December, 2009. Composer John Estacio is currently orchestrating the opera and will complete the score in time for the start of rehearsals in September, 2010.

SEASON HIGHLIGHTS

Lillian Alling - A World Premiˆ®re

Lillian Alling is the fascinating and often harrowing drama ’Äì based on legend and a true story ’Äì of a Russian immigrant as she crosses the continent on foot in the 1920s from New York City into the rugged landscape of northern British Columbia.

Composer John Estacio and librettist John Murrell are the creators of the highly-praised Frobisher and Filumena. The stage director is acclaimed Canadian theatre and opera director Kelly Robinson and the set and costume designer is Toronto-based Sue LePage. The all-Canadian cast will include superstar mezzo-soprano Judith Forst.

Lucia di Lammermoor ’Äì The Return of Eglise Gutiˆ©rrez

Having stunned audiences with spine-tingling coloratura in 2009’Äôs Rigoletto, Eglise Gutiˆ©rrez will be back to perform one of the most difficult roles in the soprano repertoire. ’ÄúGutiˆ©rrez delivers a ravishing first-act Caro nome, and stellar work thereafter,’Äù raved the Vancouver Sun after her VO debut last season.

Her Lucia has been praised widely, including recently by the Florida Sun-Sentinel: ’ÄúCan the human voice box actually issue the soaring trills that Eglise Gutiˆ©rrez emits in the Florida Grand Opera's production of Lucia di Lammermoor?’ĶSet amid murder, madness and a blood-stained wedding dress, Gutiˆ©rrez's voice swells, ebbs and performs more loop-the-loops than any rollercoaster at Busch Gardens.’Äù

Singing alongside her in the role of Raimondo will be Ms.Gutiˆ©rrez’Äôs husband, celebrated bass-baritone Burak Bilgili. American tenor Michael Fabiano, currently appearing in two productions at The Metropolitan Opera, will sing Edgardo, with Canadian baritone Gregory Dahl as Enrico.

The visually splendid production is from San Francisco Opera.

La Clemenza di Tito ’Äì Vancouver Opera Premiˆ®re

Canadians rule the stage in the VO premiˆ®re of Mozart’Äôs final and most noble opera, La Clemenza di Tito (The Clemency of Titus). Juno Award-winning tenor John Tessier sings Titus, the Roman emperor whose compassionate nature is a model for modern times. Vitellia is sung by New Brunswick soprano Wendy Neilsen. Toronto-based mezzo-soprano Krisztina Szabˆ„ sings Sesto, and BC soprano Kathleen Brett, last seen at VO’Äôs Golden Anniversary Concert & Gala, sings Servilia.

The dramatic and innovative sets and costumes are the product of one of the most exciting production teams in opera: stage director Chas Rader-Shieber and designer David Zinn.

Zinn’Äôs clever set is a white room in classical style with a sliding back panel that can be opened to reveal outside scenes...The four young people are in severe black 18th-century dress in the first act, and after the rebellion against Tito, appear in negative image ’Äî tattered white costumes of the same design, a metaphor for their faltering fortunes,’Äù raved the Globe and Mail.

La Traviata ’Äì The VO debut of Sir Jonathan Miller

Directing La Traviata will be the inimitable Sir Jonathan Miller, CBE, famed British physician, television presenter, humorist, sculptor, and theatre and opera director. After completing his medical training, Sir Jonathan began his involvement with the stage in 1962 as part of the British comedy revue Beyond the Fringe, alongside Peter Cook, Dudley Moore and Alan Bennett.

Since then, Sir Jonathan has enjoyed one of the most stellar careers in modern theatre, directing countless plays (including 11 for the BBC’Äôs Shakespeare series) and more than 50 operas at some of the world’Äôs most distinguished venues from La Scala to The Metropolitan Opera.

Sir Miller’Äôs gorgeous La Traviata, a co-production with Glimmerglass Opera, beautifully focuses on the drama of Verdi’Äôs beloved drama of passion, intimacy and tragedy.

DATES, STORIES, CASTING DETAILS

Lillian Alling Music by John Estacio and Libretto by John Murrell
Sponsored by Teck
In English with SURTITLESTM
October 16, 19, 21, 23, 2010. All performances 7:30pm at the Queen Elizabeth Theatre.

In 1927, young Lillian Alling arrives at Ellis Island, New York from Russia in desperate search of Jozˆ©f. Penniless, she walks across North America and into the wilds of northwestern BC, following Jozˆ©f’Äôs elusive path. During her brave trek, she is embraced by a Norwegian farming community in North Dakota, incarcerated in Oakalla Prison Farm near Vancouver, and loved by Scotty, a lineman along BC’Äôs ’Äòtelegraph trail’Äô.

Principal Cast
Lucia: Eglise Gutiˆ©rrez
Edgardo: Michael Fabiano
Enrico: Gregory Dahl
Raimondo: Burak Bilgili
Conducted by Jonathan Darlington
Directed by Amiel Gladstone
Set design by Gerard Howland
Co-produced with San Francisco Opera

La Clemenza di Tito by W. A. Mozart
Sponsored by the Vancouver Opera Guild
In Italian with English SURTITLESTM
February 5, 8, 10, 12, 2011. All performances 7:30pm at the Queen Elizabeth Theatre.

Roman Emperor Titus’Äôs compassionate nature is severely tested when Vitellia, daughter of the deposed emperor, conspires to have Titus assassinated because he has passed her over as his wife. When the plot fails and the assassin is charged, Titus does not waver from his noble principles, even when Vitellia, now Titus’Äôs intended bride, confesses to the crime.

Principal Cast
Tito: John Tessier
Vitellia: Wendy Neilsen
Servilia: Kathleen Brett
Sesto: Krisztina Szabˆ„
Conducted by Jonathan Darlington
Directed by Chas Rader-Shieber
Set and costume design by David Zinn

La Traviata by Giuseppe Verdi
Sponsored by Mission Hill Family Estate
In Italian with English SURTITLESTM
April 30, May 3, 5, 7, 10, 12, 2011. All performances 7:30pm at the Queen Elizabeth Theatre.
Parisian courtesan Violetta leads a life of wild indulgence until she discovers the love of Alfredo, a true and good-hearted man. When their relationship threatens to disgrace his well-placed family, Alfredo’Äôs father privately pressures Violetta to leave, and the couple is torn apart. After bitterness and misunderstanding, they are reunited in forgiveness, but tragically it is too late: Violetta’Äôs precarious health fails and Alfredo is left alone.

Principal Cast
Violetta: Erin Wall
Alfredo: David Pomeroy
Germont: James Westman
Conducted by Jacques Lacombe
Directed by Sir Jonathan Miller
Set and costume design by Isabella Bywater
Co-produced with Glimmerglass Opera

SUBSCRIPTIONS & TICKETS

Subscriptions for Vancouver Opera’Äôs 2010-2011 season are now on sale at the VO Ticket Centre, 604-683-0222. Renewing subscribers can renew online or by mail, fax, telephone or in person.

Non-subscription tickets to all performances of the four mainstage productions go on sale August 3, 2010. Visit http://www.vancouveropera.ca/ or call 604-683-0222.


Nouvelle exposition : Sur le chemin des lˆ©gendes avec Jean-Claude Dupont

Une rˆ©alisation de Pointe-ˆÝ-Calliˆ®re

ˆÄ la dˆ©couverte des traditions orales francophones et amˆ©rindiennes en Amˆ©rique du Nord

Du 9 fˆ©vrier au 16 mai 2010

Une prˆ©sentation de la Financiˆ®re Sun Life

Montrˆ©al, le 8 fˆ©vrier 2010 ’Äì Pointe-ˆÝ-Calliˆ®re, musˆ©e d’Äôarchˆ©ologie et d’Äôhistoire de Montrˆ©al prˆ©sente, du 9 fˆ©vrier au 16 mai 2010, Sur le chemin des lˆ©gendes avec Jean-Claude Dupont. ˆÄ travers le travail de l’Äôethnologue et peintre Jean-Claude Dupont, le public est invitˆ© ˆÝ dˆ©couvrir la richesse du patrimoine oral francophone et amˆ©rindien en Amˆ©rique du Nord.

Au fil de ses enquˆ�tes de terrain sur le territoire francophone, Jean-Claude Dupont a recueilli des centaines de lˆ©gendes qu’Äôil a fait connaˆÆtre grˆ¢ce ˆÝ la publication d’Äôouvrages spˆ©cialisˆ©s et de recueils, mais aussi par ses propres toiles d’Äôexpression naˆØve. Avec cette exposition, cent lˆ©gendes de notre patrimoine sont prˆ©sentˆ©es, appuyˆ©es de peintures, de reproductions, et de nombreux objets de contexte. Jean-Claude Dupont partage ainsi sa passion pour les lˆ©gendes et coutumes francophones et amˆ©rindiennes.

¬´ Ceux et celles qui ont eu le bonheur de croiser sur leur route ce passionnˆ© de la culture populaire savent qu’Äôil est de ces personnes trop rares qui mˆ®nent sans relˆ¢che la quˆ�te qui les anime, celle de recueillir et de prˆ©server les savoirs traditionnels de l’ÄôAmˆ©rique franˆßaise. Le Musˆ©e est fier de s’Äôy associer et d’Äôen faire profiter le grand public. ¬ª dˆ©clare Francine Leliˆ®vre, directrice gˆ©nˆ©rale de Pointe-ˆÝ-Calliˆ®re.

Jean-Claude Dupont : nourrir la mˆ©moire
Jean-Claude Dupont est nˆ© en 1934 ˆÝ Saint-Antonin (comtˆ© de Riviˆ®re-du-Loup) oˆ¼ il grandit dans le magasin gˆ©nˆ©ral familial. Aprˆ®s des ˆ©tudes en Beauce, au Nouveau-Brunswick et en Nouvelle-ˆâcosse, il rencontre Luc Lacourciˆ®re ˆÝ l’ÄôUniversitˆ© Laval, qui lui enseigne l’Äôenquˆ�te sur le terrain et l’Äôanalyse d’Äôarchives. Jean-Claude Dupont a produit, seul ou en collaboration, au cours des 30 derniˆ®res annˆ©es, un nombre impressionnant d’Äôouvrages sur la culture immatˆ©rielle et matˆ©rielle des francophones d’ÄôAmˆ©rique du Nord. Sa dˆ©marche unique mˆ�lant art et ethnologie (il a illustrˆ© des lˆ©gendes en prˆ®s de 400 tableaux!), lui a valu de nombreuses expositions en Amˆ©rique du Nord, en Europe, en Russie et mˆ�me au Japon. Plusieurs distinctions, dont le Prix du Quˆ©bec en patrimoine, confirment l’Äôimportance de son travail dans la conservation et la sauvegarde de notre patrimoine.

Comme l’Äôensemble de l’Äô‰ìuvre de Jean-Claude Dupont comprend prˆ®s de 400 tableaux et que les lˆ©gendes que l’Äôethnologue a recueillies dans le cadre de ses recherches sont nombreuses, le dˆ©fi de sˆ©lectionner les ‰ìuvres et les lˆ©gendes pour cette exposition ˆ©tait ˆ©norme. C’Äôest ainsi qu’Äôa ˆ©tˆ© privilˆ©giˆ©e la reprˆ©sentativitˆ© des rˆ©gions parcourues par Jean-Claude Dupont ainsi que les thˆ®mes et les personnages les plus exploitˆ©s dans les lˆ©gendes.

Bien avant la tˆ©lˆ©vision et le texto, les lˆ©gendes’Ķ
Les lˆ©gendes de l’ÄôAmˆ©rique francophone ont plusieurs sources d’Äôinspirations. Les colons franˆßais qui s’Äôˆ©tablissent en Nouvelle-France transmettront les rˆ©cits de leurs ancˆ�tres et dˆ©couvriront les riches mythologies amˆ©rindiennes qui existent dˆ©jˆÝ en Amˆ©rique. Si les lˆ©gendes ont perdurˆ©, c’Äôest qu’Äôelles ont une raison d’Äôˆ�tre, et qu’Äôelles ont longtemps fait ˆ©cho au quotidien d’Äôune population. Empreintes de merveilleux et ancrˆ©es dans le rˆ©el, les lˆ©gendes sont transmises pour plusieurs raisons : elles expliquent certains phˆ©nomˆ®nes, et donc rassurent, elles incitent chacun ˆÝ rester dans le droit chemin tracˆ© par l’Äôˆâglise, elles renforcent la communautˆ© et elles ajoutent du merveilleux et de l’Äôhumour ˆÝ un quotidien parfois trˆ®s dur.

Dans les lˆ©gendes, on retrouve souvent la nature comme ˆ©lˆ©ment principal, mais aussi la religion et l’Äôomniprˆ©sence du bien et du mal. Cette dualitˆ© est ainsi reprˆ©sentˆ©e par de nombreux personnages, certains bons, certains peu recommandables, dont le Diable, incontestable vedette. Ces personnages mythiques sont prˆ©sents dans l’Äôexposition : lˆ©gendes illustrˆ©es, racontˆ©es, et mises en contexte grˆ¢ce ˆÝ diffˆ©rents objets. On s’Äôattarde aussi aux lˆ©gendes inspirˆ©es par l’Äôhistoire ou par de rˆ©els faits divers qui ont marquˆ© l’Äôimaginaire. Finalement, l’Äôexposition explore la chasse-galerie par le biais des nombreuses versions et adaptations de ce classique de la littˆ©rature.

Des tˆ©moignages sonores d’Äôune grande valeur
Lors de ses enquˆ�tes sur le terrain, Jean-Claude Dupont a enregistrˆ© de nombreux tˆ©moignages offrant un ˆ©clairage humain et touchant sur ces histoires transmises de gˆ©nˆ©ration en gˆ©nˆ©ration. Ces enregistrements dˆ©montrent ˆÝ quel point les lˆ©gendes font partie du patrimoine culturel spˆ©cifique ˆÝ une rˆ©gion et ˆÝ ses habitants. Le visiteur peut, entre autres, ˆ©couter des gens raconter comment le diable a voulu ¬´ faire ¬ª le notaire ou l’Äôhistoire du loup-garou qui a ˆ©tˆ© vu lˆ©chant la vitre d’Äôune maison. L’Äôexposition propose aussi des extraits musicaux, dont un reel de violon et une complainte sur la lˆ©gende de La mariˆ©e enlevˆ©e... Ces enregistrements ont ˆ©tˆ© captˆ©s il y a plus de 40 ans auprˆ®s de multiples informateurs lors d’Äôune sˆ©rie d’Äôenquˆ�tes sur le territoire. ˆÄ noter que ces enregistrements sont maintenant conservˆ©s aux Archives de folklore et d’Äôethnologie de l’ÄôUniversitˆ© Laval, un fonds unique en Amˆ©rique du Nord sur la culture francophone.

Profession : glaneur de lˆ©gendes
Un ethnologue ˆ©tudie la culture immatˆ©rielle et matˆ©rielle d’Äôune sociˆ©tˆ© en s’Äôassurant de recueillir tout ce qui est tradition, mode de vie et culture de ses ancˆ�tres. Passeur de mˆ©moire, Jean-Claude Dupont a un esprit d’Äôobservation et d’Äôanalyse aiguisˆ©. Ses dˆ©marches et ses recherches sur le terrain font preuve d’Äôune grande minutie et sa cueillette de donnˆ©e rigoureuse nous lˆ®gue un savoir d’Äôune grande valeur. Dans cette exposition, c’Äôest aussi le travail de l’Äôartiste qui est mis de l’Äôavant, par le biais de ses toiles d’Äôexpression naˆØve qui laissent entrevoir la grande sensibilitˆ© de l’Äôhomme. Un art vivant et colorˆ© qui nous enchante et nous charme.

Dimanche Lˆ©gendes, une activitˆ© spˆ©ciale ˆÝ ne pas manquer
Le dimanche 21 mars ˆÝ 14 h, Pointe-ˆÝ-Calliˆ®re propose une activitˆ© trˆ®s spˆ©ciale prˆ©sentˆ©e dans le cadre de l’Äôexposition Sur le chemin des lˆ©gendes avec Jean-Claude Dupont. Dans les vestiges du Musˆ©e, le conteur Eric Michaud raconte des lˆ©gendes quˆ©bˆ©coises et l’Äôhistorien Jacques Lacoursiˆ®re explique leurs origines.

Venez dˆ©couvrir les lˆ©gendes de l’ÄôAmˆ©rique francophone et amˆ©rindienne et contribuez ˆÝ perpˆ©tuer la mˆ©moire collective!

Cette exposition a ˆ©tˆ© rˆ©alisˆ©e dans le cadre d’Äôune entente de partenariat entre Pointe-ˆÝ-Calliˆ®re, musˆ©e d’Äôarchˆ©ologie et d’Äôhistoire de Montrˆ©al et le Musˆ©e quˆ©bˆ©cois de culture populaire et sera prˆ©sentˆ©e ˆÝ Pointe-ˆÝ-Calliˆ®re du 9 fˆ©vrier au 16 mai 2010.

Pointe-ˆÝ-Calliˆ®re remercie Jean-Claude Dupont pour sa trˆ®s gˆ©nˆ©reuse collaboration, ses partenaires : le Musˆ©e quˆ©bˆ©cois de culture populaire, la Commission franco-quˆ©bˆ©coise sur les lieux de mˆ©moire communs et Les ˆâditions GID et ses commanditaires la Financiˆ®re Sun Life, Historia, Via Rail, Archambault et La Presse.

Le Musˆ©e est subventionnˆ© par la Ville de Montrˆ©al.






28e ˆ©dition du FIFA - Prˆ©sentation du jury

UN JURY PRESTIGIEUX ˆÄ LA
28e ˆâDITION DU FIFA


Montrˆ©al, le lundi 8 fˆ©vrier 2010 ’Äì Dans le cadre de la 28e ˆ©dition du Festival International du Film sur l’ÄôArt (FIFA) qui se dˆ©roulera du 18 au 28 mars 2010, le directeur gˆ©nˆ©ral et fondateur Renˆ© Rozon est heureux d’Äôannoncer la nomination de l’Äôartiste multidisciplinaire et ancien lieutenant-gouverneur du Nouveau-Brunswick Hermˆ©nˆ©gilde Chiasson (Nouveau-Brunswick) ˆÝ titre de prˆ©sident du jury. Il sera ˆ©paulˆ© par des jurˆ©s d’Äôexception dont le cinˆ©aste spˆ©cialiste en musique contemporaine Uli Aumˆºller (Allemagne), le cinˆ©aste, ˆ©crivain et journaliste Jean Bergeron (Quˆ©bec), l’Äôhistorienne du cinˆ©ma Angela Dalle Vacche (Italie) et le galeriste Jules Maeght (France).

Bien avant ses prestigieuses fonctions politiques, Hermˆ©nˆ©gilde Chiasson joue un rˆ¥le essentiel dans le dˆ©veloppement culturel en Acadie. La liste de ses crˆ©ations artistiques est impressionnante. En effet, il a participˆ© ˆÝ plus de 100 expositions dont 18 individuelles, et plusieurs de ses ‰ìuvres font partie de collections publiques et privˆ©es. ˆÄ cela s’Äôajoute la rˆ©alisation de 17 films dont plusieurs primˆ©s, parmi lesquels Toutes les photos finissent par se ressembler (1985), Le Grand Jack (1987), Robichaud (1989), Le taxi Cormier (1990), ˆâpopˆ©e (1996), laurˆ©at du Grand prix TV5, et Ceux qui attendent (2002).

Uli Aumˆºller est spˆ©cialisˆ© dans les documents sur la musique contemporaine. Il possˆ®de une feuille de route de plus de 150 productions pour diffˆ©rentes chaˆÆnes radiophoniques allemandes et collabore ˆ©galement avec plusieurs chaˆÆnes de tˆ©lˆ©vision. Deux de ses films ont dˆ©jˆÝ ˆ©tˆ© projetˆ©s au FIFA : Mon cinˆ©ma pour l’Äôoreille ’Äî La musique concrˆ®te de Francis Dhomont et Paul Lansky (20e FIFA) et The Kiss of a Divine Nature (23e FIFA). Son ‰ìuvre A Sudden New Listening Experience sera prˆ©sentˆ©e dans l’Äôˆ©dition de cette annˆ©e.


Jean Bergeron a remportˆ© de nombreux prix en tant que concepteur et rˆ©alisateur publicitaire. En 2000, il a signˆ© un ouvrage de vulgarisation scientifique, Les hˆ©ritiers de Frankenstein. Scˆ©nariste et rˆ©alisateur aˆ©rien du premier film d’Äôaction Imax 3D, Duel au canyon, il se consacre depuis quelques annˆ©es au documentaire d’Äôauteur, un mode d’Äôexpression qui lui sied parfaitement. Son film Achever l’Äôinachevable a ˆ©tˆ© prˆ©sentˆ© ˆÝ l’Äôouverture du 26e FIFA en 2008 et a remportˆ© le Prix ex ˆ¶quo de la Meilleure ‰ìuvre canadienne. En 2009, ce film a ˆ©tˆ© laurˆ©at du prix Gˆ©meau du meilleur documentaire dans la catˆ©gorie nature et sciences.

Angela Dalle Vacche est rˆ©putˆ©e pour avoir ouvert le champ des ˆ©tudes cinˆ©matographiques ˆÝ l’Äôhistoire de l’Äôart. Elle collabore rˆ©guliˆ®rement avec la Cineteca de Bologne, le Nederlands Film Museum, le Anthology Film Archives ˆÝ New York et le DAMS/Gorizia en Italie. Elle a notamment publiˆ© Cinema and Painting: How Art Is Used in Film (1996) et Diva: Defiance, Passion, and Early Italian Cinema (2008), ˆÝ la maison d’Äôˆ©dition The University of Texas Press.

Jules Maeght est le petit-fils de Marguerite et Aimˆ© Maeght, les cˆ©lˆ®bres fondateurs de la Fondation Maeght, institution incontournable des arts du XXe siˆ®cle. En 1998, il devient responsable de la Galerie Maeght. Situˆ©e ˆÝ Barcelone, la programmation de cette galerie est trˆ®s contemporaine et associe la jeune gˆ©nˆ©ration catalane aux artistes internationaux. Passionnˆ© de photographie et de cinˆ©ma, il crˆ©e en 2003 la collection Entretien, dont l’Äôobjectif est de privilˆ©gier la parole de l’Äôartiste autour d’Äôune pensˆ©e, d’Äôun ou plusieurs thˆ®mes. Il est maintenant directeur des ˆâditions Maeght et de l’Äôimprimerie Arte. Parallˆ®lement, il prˆ©sente en DVD des films produits par la Fondation Maeght sur des artistes tels que Mirˆ„, Ubac, Riopelle et Giacometti. ˆÄ ce titre, le public montrˆ©alais aura la chance unique d’Äôassister ˆÝ une rˆ©trospective de 14 films prˆ©sentˆ©s ˆÝ l’Äôoccasion du 45e anniversaire de la Fondation Maeght.

Le Festival International du Film sur l’ÄôArt (FIFA) est une sociˆ©tˆ© ˆÝ but non lucratif vouˆ©e ˆÝ la promotion et ˆÝ la diffusion des meilleures productions mondiales de films sur l’Äôart et d’Äôarts mˆ©diatiques. D’Äôune durˆ©e de 10 jours et de nature compˆ©titive, le FIFA est l’Äôˆ©vˆ©nement annuel le plus important au monde dans son domaine. Il est le rendez-vous des artistes et artisans du milieu des arts et de la cinˆ©matographie aussi bien que des amateurs d’Äôart et de cinˆ©ma.


LE 28e FIFA SE TIENDRA DU 18 AU 28 MARS 2010.

Recipients of the 2010 Governor General’Äôs Performance Arts Awards Announced

Governor General’Äôs Performing Arts Awards
for Lifetime Artistic Achievement

BRYAN ADAMS, FRANˆáOISE FAUCHER, WALTER HOMBURGER,
EDOUARD LOCK, ROBIN PHILLIPS, BUFFY SAINTE-MARIE

Ramon John Hnatyshyn Award for Voluntarism in the Performing Arts

MOHAMMED AND YULANDA FARIS

National Arts Centre Award

YANNICK NˆâZET-SˆâGUIN

MONTREAL, February 23, 2010 ’Äì Bryan Adams, Franˆßoise Faucher, Walter Homburger, Edouard Lock, Robin Phillips and Buffy Sainte’ÄëMarie have been named the 2010 recipients of the Governor General's Performing Arts Awards (GGPAA) for Lifetime Artistic Achievement, the most prestigious artistic honour bestowed in Canadian performing arts. The recipients have propelled their talent and vision to the highest level and made an enduring contribution to culture in Canada. Each year, the Awards shine a spotlight on these phenomenal people who, with their magic, enrich the lives of all Canadians.

The Lifetime Artistic Achievement Awards are accompanied by two special Awards which recognize individuals taking the performing arts in inspiring new directions. The Ramon John Hnatyshyn Award for Voluntarism in the Performing Arts is given this year to Mohammed and Yulanda Faris, and Yannick Nˆ©zet’ÄëSˆ©guin will receive the National Arts Centre (NAC) Award.

The Awards will be presented at Rideau Hall on April 30, 2010 by Governor General Michaˆ´lle Jean. ’ÄúTime will never erase the pathways that these great performing artists have traced, both for us the public and for young generations of creators. For they are pathways of light that cross through our lives and shed a brighter light on everything they touch. And so we thank them for all of those rays of hope they shine on our world, which would otherwise be a darker and duller place," said Her Excellency the Right Honourable Michaˆ´lle Jean, Governor General of Canada.

This year’Äôs recipients of the six Governor General’Äôs Performing Arts Awards for Lifetime Artistic Achievement are:

¬… Bryan Adams (Singer/songwriter, photographer and social activist): One of Canada’Äôs most successful recording artists, rock singers and songwriters, he has established himself as a leading figure on the international popular music scene. With numerous awards and millions of album sales and sold-out concerts worldwide, he is also an accomplished photographer and is actively involved with many social and humanitarian causes through The Bryan Adams Foundation.
¬… Franˆßoise Faucher (Actress, director and broadcaster): From her stage debut in Montreal in 1951, she has personified the dynamic vitality of Quebec theatre. A veritable living legend, she has played a central role in the development of Quebec culture and inspired an entire generation of theatre artists (particularly women) with the unquenchable passion and boundless dedication she has shown for over 60 years. On stage and on screen, she attracted’Äîand, with remarkable energy, continues to attract’Äîa wide and diverse audience of loyal fans.

¬… Walter Homburger (Orchestra manager, impresario and artist manager): A driving force in the development of orchestras and classical music in Canada for over half a century, he has promoted a succession of extraordinary artists (including Glenn Gould, Victor Braun, Jan Rubes, Louis Lortie, and James Ehnes). His unrivalled 25’Äëyear term as managing director of the Toronto Symphony Orchestra set new standards for orchestra management in Canada and became a model for following generations of music directors and managers.

¬… Edouard Lock (Choreographer): A brilliant innovator whose originality and daring have transformed contemporary dance, he has reinvented the art form, bridging contemporary dance and classical ballet to create a unique choreographic language. His influence over the past 30 years has been phenomenal: he has built his company, La La La Human Steps, into one of the world’Äôs most exciting and original dance troupes, and has put Quebec and Canada firmly on the international cultural map.

¬… Robin Phillips (Director, actor, designer and teacher): One of Canada’Äôs greatest English-language stage directors, he has inspired an entire generation of Canadian actors, designers and directors with his creative vision, passion, and discipline, and has set the standard for excellence in staging works both classical and contemporary. In his six seasons with the Stratford Shakespeare Festival he directed 35 productions featuring such outstanding artists as Martha Henry, William Hutt, Brian Bedford, Maggie Smith, Jessica Tandy, and Colm Feore.

¬… Buffy Sainte-Marie (Singer/songwriter, visual artist, educator and social activist): She has achieved international acclaim as a singer/songwriter, visual artist, advocate for Aboriginal rights, and mentor. Her powerful songs of love, hope, protest and triumph have sensitized people around the world to important political and social issues. She continues to tour extensively, capturing audiences everywhere with the energy, intensity, and raw communicative power of her performances.

Each recipient will receive a cash award of $25,000 contributed by the Canada Council for the Arts and a commemorative medallion struck by the Royal Canadian Mint.

Mohammed and Yulanda Faris are this year’Äôs recipients of the Ramon John Hnatyshyn Award for Voluntarism in the Performing Arts. They have been an active force in the Vancouver arts community for close to 40 years. They have liberally donated their time and financial support (often anonymously) to opera, dance, the visual arts, and literature, with a particular focus on young people, arts education, professional training opportunities, and legacy giving. The Farises will receive a specially commissioned work by Canadian glass artist Naoko Takenouchi of Vancouver, British Columbia, and a commemorative medallion struck by the Royal Canadian Mint.
Yannick Nˆ©zet’ÄëSˆ©guin is this year’Äôs recipient of the National Arts Centre Award, presented for exceptional achievement over the past performance year. Yannick Nˆ©zet’ÄëSˆ©guin is one of the fastest-rising stars on the international classical music scene. Acclaimed by musicians, audiences and critics alike for his musicality, dedication and charisma, he is in great demand as a symphonic and operatic conductor and has appeared with leading orchestras around the world. In addition to a commemorative medallion struck by the Royal Canadian Mint and a cash award of $25,000, Maestro Nˆ©zet ’ÄìSˆ©guin will receive an original piece of artwork designed by Canadian ceramic artist Paula Murray of Chelsea, Quebec.

In addition to honouring the 2010 recipients, the Awards feature a unique Mentorship Program, a partnership inaugurated in 2008 between the Governor General’Äôs Performing Arts Awards Foundation (GGPAAF) and Canada’Äôs National Arts Centre. Designed to unite past Lifetime Artistic Achievement Award recipients and talented mid-career artists, the program serves as a creative catalyst and as an investment in future Canadian artistic achievement. Distinguished actor Gordon Pinsent, who received a Governor General’Äôs Performing Arts Award in 2004 (film/theatre), has chosen to mentor Kevin Loring, an extraordinarily talented young actor. The program is a unique opportunity for the potential laureates of tomorrow to benefit from the creativity and experience of icons who have blazed the trail before them.

The 2010 recipients will be honoured at various events in Ottawa from April 29 to May 1. On April 29, the recipients will be introduced in the House of Commons, followed by a Parliamentary Reception. On April 30 at Rideau Hall, Her Excellency the Right Honourable Michaˆ´lle Jean, Governor General of Canada, will present the country’Äôs highest performing arts honour to each recipient at a special ceremony and dinner. On May 1, the National Arts Centre will host a sparkling Gala to celebrate the 2010 recipients, a star-studded celebration featuring superb performances, evocative film portraits, and personal tributes by guest stars.

The National Film Board of Canada (NFB), an important creative concept partner for the Gala since 2008, will once again produce eight unforgettable short films to celebrate the lives of the 2010 recipients, which will be screened at the May 1 Gala. The NFB brings together some of Canada’Äôs most talented documentary filmmakers for this project to create signature films that capture the essence of each Award laureate.

The Awards continue to benefit from the significant partnership established in 2007 with the National Arts Centre (NAC). Dedicated to achieving the highest presence for the Awards, the NAC is responsible for the production of the annual Gala performance as well as the event's fundraising and marketing activities. The NAC's in-house expertise and experience in these key aspects of the annual celebrations significantly enhance the profile of the Awards and their distinguished recipients.

Created in 1992, the Governor General’Äôs Performing Arts Awards are the most prominent artistic honour bestowed upon Canadians in the performing arts. They are administered by the GGPAA Foundation, a private, not-for-profit charitable organization. Nominations for the awards are solicited from the public and the performing arts community. Peer selection committees, representing the various performing arts disciplines and regions of Canada, review the nominations and submit a short list of nominees in the seven award categories to the GGPAA Foundation Board of Directors, which makes the final selection of recipients of the Awards for Lifetime Artistic Achievement and the Ramon John Hnatyshyn Award for Voluntarism in the Performing Arts. Nominations for 2011 are now being accepted at http://www.ggpaa.ca/. The recipient of the National Arts Centre Award is selected by the Board of Trustees of the NAC from a list of candidates proposed by a nominating committee of senior NAC artistic programmers.

The National Arts Centre is proud to produce the 2010 Governor General’Äôs Performing Arts Awards Gala in partnership with the Governor General’Äôs Performing Arts Awards Foundation and the National Film Board of Canada. The Awards are presented with the support of the Department of Canadian Heritage and the Canada Council for the Arts. The GGPAAF gratefully acknowledges National Partners McDonald’Äôs Restaurants of Canada, Pratt & Whitney Canada Corporation and Weber Shandwick Worldwide. The GGPAAF also acknowledges the significant contributions of Enbridge, Gowling Lafleur Henderson LLP, technology partner IBM, Llama Communications, automobile sponsor Mark Motors of Ottawa, Optima, media partner The Ottawa Citizen, and The Royal Canadian Mint. Grateful thanks also go to the National Committee of volunteers, including Co-Chairs M. Ann McCaig, C.M., A.O.E., LL.D and James S. Kinnear.

Tickets for the Governor General’Äôs Performing Arts Awards Gala on Saturday, May 1, 2010 go on sale to the general public on February 23, 2010 at the NAC Box Office and through Ticketmaster, 613-755’Äë1111 or http://www.ticketmaster.ca/.

HATCH Seasn Continues with the Award Winning Praxis Theatre and Section 98

TORONTO, ON (February 23, 2010) ’Äì Harbourfront Centre is excited to present Praxis Theatre’Äôs Section 98, an interactive work-in-progress on civil rights in Canada. The collective creation, directed by Michael Wheeler, Praxis Co-Artistic Director and Tarragon Theatre Director-in-Training, invites the audience to interact with and inform the artistic product. This open source creative model will solicit audience feedback and participation prior, during and following the presentation, through praxistheatre.com, voted #1 Cultural Blog in Canada by the 2009 Canadian Blog Awards.

Section 98 seeks an immediate relationship with the here and now by drawing inspiration from forms of political theatre of the past and juxtaposing them with the present day. Inspired by the Living Newspaper theatrical style made popular New York City as part of the Depression-era Federal Theatre Project, the production focuses on 1930s Communist theatre artists in Toronto, 1970s FLQ activists in Montreal, and reserves a portion of the performance to concern contemporary civil rights issues.
’ÄúThe HATCH program is ideal for a work in this stage of the creation process’Äù said Wheeler. ’ÄúThere is no other opportunity in Toronto to experiment with complex ideas and concepts mid-process with a full array of technical tools and support. We’Äôre quite excited to see which elements resonate and integrate with a live audience.’Äù

Led by groundbreaking feminist Jean ’ÄúJim’Äù Watts, the Progressive Arts Club creates political drama in Depression-era Toronto. The group are pervasive agitators - at one point their sold-out protest play about the imprisonment of Communist Party leader Tim Buck, Eight Men Speak, is shut down by personal authorization of Conservative Prime Minister R.B. Bennett. During the FLQ crisis, Carole de Vault goes from being a FLQ collaborator to an RCMP mole. We experience the effects of The War Measures Act through her transformation and a series of first person interviews with a variety of Quebecers.

Section 98 is designed to allow each iteration of the production to insert material that considers contemporary civil rights questions occurring at the time of performance. In this workshop Praxis Theatre will be exploring the testimony given to the Special Committee on the Canadian Mission in Afghanistan November 25th, 2010 as well as civil rights issues that come to light following the exhaustion of a billion dollar security budget for the 2010 Olympic Games in Vancouver.

Harbourfront Centre is pleased to present Section 98, by Praxis Theatre in the Studio Theatre on March 13, 8 p.m. Tickets are $12 or $10 for students, seniors and arts workers and are available by phone at 416-973-4000 or through www.harbourfrontcentre.com/hatch. The performance will be followed by an artist Q & A.

Praxis Theatre is the Toronto-based award-winning indie theatre company behind Stranger, Dyad, Steel and The Master and Margarita. This production invites you to participate with your cell phone or PDA during the presentation, and online before or after the performance at praxistheatre.com.

Section 98
A work-in-progress presented by Praxis Theatre Created in collaboration with Michael Wheeler, Director; Laura Nordin, Assistant Director; Verne Good, Sound and Lighting Designer; Aislinn Rose, Script and Open Source Coordinator; Brittney Filek-Gibson, Stage Coordinator; and Margaret Evans, Melissa Hood, Greta Papageorgiu, David Tompa, and Alex Fallis, Performers.

About HATCH: emerging performance projects at Harbourfront Centre
Entering its seventh year, the HATCH residency and mentorship programme is a key initiative in Harbourfront Centre’Äôs mission to develop local artists and their unique practices.

The HATCH mentorship provides resources and professional assistance to a new generation of engaging and innovative contemporary artists to reach their next career stage with a comprehensive understanding of process and challenges that artists must embrace.

The HATCH residency package includes one week rent-free in the Studio Theatre, technical and production assistance, box office backing and administrative assistance, marketing and media relations support and workshops, and professional development assistance.

For more information please visit www.harbourfrontcentre.com/hatch

ahdri zhina mandiela's who knew grannie: a dub aria - Obsidian/Factory World Premiere (March 13 - April 4, 2010)

MANDIELA’ÄôS DUB ARIA - OBSIDIAN/FACTORY WORLD PREMIERE

Toronto, ON ’Äì Thursday, February 18, 2010. who knew grannie: a dub aria, written and directed by ahdri zhina mandiela and produced by Obsidian Theatre Company in association with Factory Theatre, has its world premiere March 18 ’Äì April 4, 2010 (with previews on March 13’Äì14 and 16-17). who knew grannie: a dub aria, sponsored by TD Bank Financial Group, is about four cousins who reunite for the burial of their grandmother, the woman who raised them. They go back to Jamaica and reclaim their past and discover who they are through childhood games, songs and powerful memories. On the wings of the symbolic sankofa bird, the cousins go on a powerful cathartic journey full of joy, laughter and pain to the music of the heart and the drums of their homeland. Factory Artistic Director Ken Gass says that the award-winning mandiela ’Äú’Ķ has a unique muscular poetic voice that drives this imaginative and very theatrical new form, the dub aria.’Äù Visit http://www.obsidian-theatre.com/ and http://www.factorytheatre.ca/.

Dub poetry is a type of performance poetry that has its roots in spoken word overlaying reggae rhythms. A dub aria goes one step further and replaces the reggae music with human voices and percussion. Obsidian Theatre Company’Äôs Artistic Director Philip Akin (director of Factory Theatre’Äôs Toronto the Good in 2009 and the current remount of Intimate Apparel by Obsidian/Canadian Stage) elaborates, ’ÄúWhat we have is a new art form that creates lyricism and music through language and chorale work. And yet this aria form is very accessible and understandable. Repetition and clarity of thought allows any audience to easily follow the story and be surrounded by the rich imagery. Yes, some of it may start off sounding a little different’Ķ but listen, release your imagination, let the story sink into your bones and most of all don’Äôt fear the dub. It really isn’Äôt that scary.’Äù u can’Äôt run/run/run from the roots u need to redeem for a future. (Excerpt from who knew grannie: a dub aria by ahdri zhina mandiela).

Mandiela’Äôs who knew grannie: a dub aria cast includes Miranda Edwards (Toronto the Good, The Madonna Painter) as likklebit, Ordena (The Real McCoy; ’Äòda kink in my hair; Adventures of a Black Girl in Search of God) as grannie, Joseph Jomo Pierre (Born Ready; Pusha-Man; Hip-Hop Who Stole the Show) as tyetye, Andrea Scott (For Colored Girls who have Considered Suicide When the Rainbow is Enuf; Omnium Gatherum; Kindness) as vilma and Marcel Stewart (Toronto the Good; Theatre of the Film Noir; MacBeth) as kris. Joining them is musician Amina Alfred (blood.claat;’Äòda kink in my hair; Capturing Freedom) representing the sankofa bird. Julia Tribe is the Set & Costume Designer, Bonnie Beecher is the Lighting Designer, Shauna Japp is the Stage Manager, and Neha Ross is the Apprentice Stage Manager. mandiela’Äôs Assistant Director is Jajube Mandiela. For behind-the-scene blog entries from company theatre artists, see http://whoknewgrannie.blogspot.com/.

Performers (l-r): Amina Alfred, Miranda Edwards, Ordena, Joseph Jomo Pierre, Andrea Scott, Marcel Stewart

Widely known as director and poet/performer, mandiela (director of Factory’Äôs Scratch in 2008) has been working in the Canadian arts scene since the late 1970's. She has received both the Luscombe Award for mentoring and the prestigious Dora Mavor Moore Silver Ticket in 2006. In 2007 she also received the Victor Martyn Staunton-Lynch Prize for mid-career theatre artists from Canada Council for the Arts. mandiela is founder and artistic director of the Toronto-based performance art company, b current and is also the creator of rock.paper.sistahz., a festival of new works.

Who knew grannie: a dub aria is 80 minutes in length, with no intermission, and plays Tuesday ’Äì Saturday at 8 p.m. and Sunday at 2 p.m. (except Sunday, March 14 - 7 p.m. preview) in the Factory Mainspace Theatre. Single tickets run $15 - $35 (discounts for previews, seniors, students or theatre artists as well as groups of ten or more) and may be purchased online at http://www.factorytheatre.ca/ 24 hours a day, or by calling (416) 504-9971 or by visiting the Factory Theatre Box Office in person Tuesday through Saturday, 1 p.m. - 7 p.m., at 125 Bathurst Street (at Adelaide Street), Toronto. In addition, 3’Äìplay subscriptions, Pay-What-You-Can Sunday and a limited number of $10 RUSH tickets (Tuesday, Wednesday and Friday) are available.






Noted Choreographer Rachid Ouramdane Brings His Latest Piece to World Stage

Prominent Choreographer Rachid Ouramdane Delivers a Harrowing Journey About Finding Contemporary Identity with the Solo Dance Piece Loin...(Far...)

TORONTO, ON (Feb. 18, 2010) ’Äì Harbourfront Centre’Äôs World Stage 2009-10 continues with Loin’Ķ(Far’Ķ), the new semi-autobiographical solo project from French/Algerian choreographer Rachid Ouramdane and his company L’ÄôA. World Stage hosts the Canadian premiere of Loin’Ķ(Far’Ķ) at the Enwave Theatre from March 11 through March 13, 2010.

In this hour-long piece, Ouramdame smuggles the audience with him on a quest exploring identity and what it means to be a foreigner. Inspired by a family history perforated with war and colonialism, Loin’Ķ(Far’Ķ) incorporates Ourandame’Äôs personal travels through Vietnam and Cambodia witnessing lives separated by violence.

*MEDIA NOTE: Rachid Ouramdane will not perform this piece at Harbourfront Centre’Äôs World Stage, performing in his stead will be celebrated dance artist Fabrice Lambert.

This meditative expedition occurs within a boundary created by three oscillating loud-speakers, which are accompanied by strobe-like lighting and a large video screen. Within this border, Ouradame interacts with these objects through the use of floor pedals and a microphone, cueing video footage as well as haunting soundscapes and the original music of Alexandre Meyer.

Incorporating bodily movements that invoke captivity and struggle, Loin’Ķ(Far’Ķ) blurs the line between dance and documentary. According to Ouramdane the result achieves ’Äúdepictions of a body pierced by other people’Äôs history.’Äù

Loin’Ķ(Far’Ķ) is one of the first works to emerge from L’ÄôA, a company Ouramdane founded in 2007. Throughout his 13-year career, Ouramdame has become known for his multidisciplinary work which reassesses the definitions of performer and choreographer.

**Media images and resources: http://media.harbourfrontcentre.com/worldstage/

New for World Stage 2009-10: Visit harbourfrontcentre.com/worldstage to learn about Harbourfront Centre’Äôs commitment to developing artists and audiences through World Stage initiatives and programmes, such as special events, artist talks and more.

Loin’Ķ(Far’Ķ)
Choreographed by Rachid Ouramdane/L’ÄôA (France)
Performed by Fabrice Lambert
Mar. 11-13, 8 p.m.
Duration: 60 minutes
Enwave Theatre, 231 Queens Quay West
Tickets: $30

Full Credits
Created and conceived by: Rachid Ouramdane
Performed by: Fabrice Lambert
Music: Alexandre Meyer
Video: Aldo Lee
Lights: Pierre Leblanc
Costume and Make up: La Bourette
Set: Sylvain Giraudeau
Realisation Assistant: Erell Melscoˆ´t
Stage Management and Sound: Sylvain Giraudeau
Video Management: Jenny Teng
Lighting Management: Stˆ©phane Graillot
Administration, Production: Charlotte Giteau
Tour Management: Frˆ©dˆ©ric Pˆ©rouchine
Communication: Eve Beauvallet

Complete information about performance times, single tickets, packages and the Performance Card ($15 tickets for arts workers and students, Tues. ’Äì Thurs. performances only) is available through the Harbourfront Centre box office by phone at 416-973-4000, or harbourfrontcentre.com/worldstage.

Harbourfront Centre’Äôs World Stage 2009-10 gratefully acknowledges the support of Department of Canadian Heritage, Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council and the Westin Harbour Castle, the official hotel of World Stage.

The Odessa Philharmonic at Brooklyn Center - 3/13

Brooklyn Center for the Performing Arts at Brooklyn College continues its 2009-2010 World Stages series with a concert by the acclaimed Odessa Philharmonic on Saturday, March 13, 2010 at 8pm. Making its Brooklyn Center debut as part of its first U.S. tour in ten years, the Odessa Philharmonic perform will a program including Schubert's Symphony No. 8 in B minor ("Unfinished"), Beethoven's Symphony No. 7 in A major, and Saint Sa‹ëns' Cello Concerto featuring soloist William DeRosa.

Founded in 1937, the Odessa Philharmonic performed regularly throughout the Soviet era under such conductors as Nathan Rachlin, Yuri Temirkanov, Kurt Sanderling, Arvid Jansons and Mariss Jansons. Because of Odessa's ranking as a "regional" city by the Soviet government, the orchestra was not allowed to travel outside the borders of the USSR. With the independence of Ukraine, the orchestra's status rose; in January of 1993 the Government of Ukraine formally awarded the Odessa Philharmonic Orchestra federal status, making it the only performing arts organization in Ukraine outside of Kiev to attain this distinction.

Under the baton of Maestro Hobart Earle, the Odessa Philharmonic has performed in major concert halls of the United States, Canada, Australia, Great Britain, Germany, Switzerland, Austria, Spain, France, Greece, Hungary, Bulgaria, Russia and throughout Ukraine. Highlights of Maestro Earle's career include performances in the Musikverein (Vienna), the Philharmonie (Cologne), the Beethovenhalle (Bonn), the Barbican Hall (London), the National Auditorium (Madrid), the Liszt Academy (Budapest) the Great Halls of the Moscow Conservatory and the St. Petersburg Philharmonic Society. In the United States he has appeared in Carnegie Hall, the Kennedy Center, Orchestra Hall in Chicago, Davies Hall in San Francisco and the General Assembly of the United Nations.

About Maestro Hobart Earle
Maestro Hobart Earle is currently in his fifteenth season as Music Director and Principal Conductor of the Odessa Philharmonic Orchestra. He studied under Ferdinand Leitner in Salzburg and Leonard Bernstein and Seiji Ozawa at Tanglewood. He also studied conducting at the Academy of Music in Vienna, received a performer's diploma in clarinet from London's Trinity College of Music, and is a magna cum laude graduate of Princeton University.

In addition to the Odessa Philharmonic, Maestro Earle has led such orchestras as the Vienna Chamber Orchestra, the Vienna Tonkuenstler Orchestra, the Noord-Nederlands Orkest in Holland, the Orchestra della Toscana in Italy, and in the U. S., the Buffalo Philharmonic Orchestra, the North Carolina Symphony, the Florida Philharmonic Orchestra and the San Diego Chamber Orchestra. In recognition of his work with the Odessa Philharmonic Orchestra, Hobart Earle was awarded the title "Distinguished Artist of Ukraine", the first and only foreigner in the history of Ukraine so honored.

About William DeRosa
William DeRosa has established himself as one of the leading cellists of his generation. He has appeared with numerous orchestras including the Los Angeles, Florida, Ekaterinburg, and BBC Philharmonics, the Symphony Orchestras of Milwaukee, Utah, and San Francisco, and Los Angeles Chamber Orchestra. As a recitalist, DeRosa has performed at the Kennedy Center, the Music Center in Los Angeles, Chicago's Orchestra Hall and Boston's Jordan Hall. He is also an active chamber musician, performing with many of the world's leading ensembles including the Artis, Emerson and Cleveland quartets. His festival appearances have taken him to Aspen, Marlboro and Seattle, as well as overseas. He has regularly performed on NPR and has been the subject of documentaries and television specials broadcast on PBS and CBS. DeRosa has recorded for EMI Classics and Audiofon Records. He performs on a rare and pristine cello crafted by Dominico Montangana (Venice, 1739).

About Brooklyn Center for the Performing Arts
Founded in 1954, the mission of Brooklyn Center for the Performing Arts is to present outstanding performing arts and arts education programs, reflective of Brooklyn's diverse communities, at affordable prices. Brooklyn Center's presentations explore both the classical traditions and the boldest contemporary performances, embracing the world culture that defines Brooklyn. Brooklyn Center for the Performing Arts welcomes over 70,000 people to the 2,400 seat Walt Whitman Theatre each season, and boasts one of the largest arts education programs in the borough, serving schoolchildren from over 225 schools annually.

The Odessa Philharmonic at Brooklyn Center for the Performing Arts
Walt Whitman Theatre at Brooklyn College, 2900 Campus Road, Brooklyn
Saturday, March 13, 2010 at 8pm
Tickets: $35, $25

Online orders: BrooklynCenter Online.org Box Office: (718) 951-4500, Tuesday - Saturday, 1PM - 6PM
Groups of 15 or more: (718) 951-4600, ext. 33

Major support for Brooklyn Center for the Performing Arts' World Stages: Music series is provided by National Grid.

Brooklyn Center for the Performing Arts' programs are made possible in part with public funding from the City of New York Department of Cultural Affairs and the National Endowment for the Arts. Funding for the 2009-2010 season is provided by: Target; JP Morgan Chase; Brooklyn Community Foundation; Con Edison; Macy's; TD Bank; the Carnegie Corporation of New York; Air Jamaica; The Harkness Foundation for Dance; and the Lila Acheson Wallace Theater Fund, established in the New York Community Trust by founders of The Reader's Digest Association. Additional support provided by CNG Publications, The Brooklyn Eagle, and WBGO. Marriott New York LaGuardia Airport is the official hotel of Brooklyn Center for the Performing Arts 2009-2010 season. Backstage catering graciously provided by Applebee's.

Brooklyn Center acknowledges the support of Assemblymembers Karim Camara, Steven H. Cymbrowitz, Rhoda Jacobs, Alan Maisel, Joan L. Millman, N. Nick Perry, Annette Robinson, and Helene E. Weinstein, members of the Brooklyn Delegation to the New York State Assembly, and New York State Senators Martine Malavˆ© Dilan, Kevin S. Parker, and John L. Sampson. Special thanks to Council Speaker Christine C. Quinn, Councilman Domenic M. Recchia, Jr. Councilmembers Kendall B. Stewart and Albert Vann, and Cultural Affairs Commissioner Kate D. Levin.

Jonathan Harvey Concert Postponed: New Music Concerts

Replaced by Screening of ’ÄúTowards and Beyond’Äù & Performance
Friday March 12 at 8:00PM at Betty Oliphant Theatre
Admission is Free.

For Immediate Release ’Äì Toronto, February 17, 2010: New Music Concerts regrets to announce that due to health issues, celebrated British composer Jonathan Harvey is unable to travel at this time. As a result, the March 12 concert has been postponed until next season; the date and venue will be confirmed at a later date. In place of the scheduled event, New Music Concerts will present a free screening of ’ÄúTowards and Beyond’Äù, a 48 minute DVD documentary by Barrie Gavin featuring an exclusive interview in which Jonathan Harvey discusses his music and philosophy. As an added treat, Robert Aitken (flute) and David Swan (piano) will perform Harvey's "Run Before Lightning" composed in 2004 for the Concours Rampal flute competition, and Fujiko Imajishi will revisit "Reconciliation", a solo violin piece written for her by Geoffrey Palmer which she first performed for New Music Concerts in 2002. Mr. Palmer, whose flute concerto ’ÄúCancri 55’Äù was to be premiered on the now postponed concert, will be in attendance.



'Towards and Beyond’Äô
Friday March 12 at 8:00PM
Betty Oliphant Theatre: 404 Jarvis Street, Toronto
Harvey: Run Before Lightning; Palmer: Reconciliation;
Gavin: Towards and Beyond (DVD documentary with Jonathan Harvey).
Robert Aitken, flute; David Swan, piano; Fujiko Imajishi, violin.
Free Admission

New Music Concerts
157 Carlton Street, Suite 203 Toronto ON M5A 2K3
416.961.9594 / fax 416.961.9508
New Music Concerts gratefully acknowledges the support of The Canada Council for the Arts; Toronto Arts Council; The Department of Heritage through Arts Presentation Canada; The Province of Ontario through the Ontario Arts Council & the Ontario Arts Foundation Endowment Fund; The Goethe Institut; The Julie-Jiggs Foundation; The Koerner Foundation; The McLean Foundation; Roger D. Moore; The SOCAN Foundation; The Imperial Tobacco Canada Foundation; The Amphion Foundation Inc.; The Aaron Copland Fund for Music, Inc.; Edward Epstein and Gallery 345.

NEXUS percussion group presents World and Canadian premieres at Glenn Gould Studio

Saturday, March 20, 2010
Tickets Now on Sale!

For Immediate Release
February 17, 2010

Toronto, Ont... Canada’Äôs percussion group NEXUS presents Tribute, a mixed program on Saturday, March 20, 2010 at Glenn Gould Studio. It includes the world premiere of R.E.member-ing by NEXUS founding member William Cahn, and the Canadian premiere of Handmade Proverbs by Japanese composer Toru Takemitsu.

The concert also includes performances of John Cage’Äôs Credo in US, additional pieces by Takemitsu, as well as Remembrance and Lullaby for Esmˆ© by NEXUS founding member Robin Engelman. The group will be joined by guest artists, pianist Midori Koga and percussionists Paul Ormandy and Ryan Scott.

The programming for Tribute was inspired by the recent retirement of NEXUS founding member Robin Engelman, due to on-going vision difficulties. During his time with NEXUS Engelman introduced the group to John Cage’Äôs Credo in US and conducted it a number of times. He was a close friend of Toru Takemitsu from the time they met when Engelman was principal percussion in the Toronto Symphony Orchestra, under Seiji Ozawa. Takemitsu invited NEXUS to tour in Japan several times, and composed their most successful concerto From me flows what you call Time. NEXUS performed the piece more than 80 times with orchestras all around the world. It will be Engelman’Äôs arrangements of the pieces by Takemitsu that will be performed in this concert.

The opening piece Ancient Military Aires is a collection of traditional military drum beatings. The performance of this is also a tribute to Engelman as the composer and percussionist has a great interest and expertise in this historical area. He has also composed many pieces in this style (for fife and drums). He brought a great zeal to NEXUS for learning more about the tradition from which NEXUS’Äô instruments and techniques originate.

Robin Engelman’Äôs arrangements of songs by Takemitsu may be heard on NEXUS’Äô most recent CD Wings. His piece Lullaby for Esmˆ© is featured on the NEXUS CD Lullaby, and Remembrance is included on the NEXUS CD NEXUS Now. John Cage’Äôs Credo in US will appear on NEXUS’Äô upcoming CD featuring percussion works of John Cage.

Guest Artists

Midori Koga has been a featured soloist, chamber musician and accompanist in music festivals throughout the world. She is a prize winner in several national competitions. An advocate of 20th century music, she commissions, performs and records with new music ensemble QUORUM. As a lecturer she has presented at several pedagogy conferences. She is currently an Associate Professor of Piano at the University of Toronto’Äôs Faculty of Music.

Paul Ormandy is a multi-faceted percussionist, workshop leader and facilitator with boom, a communications organization that delivers team building and performance management services to corporations. He is also Professor of Cuban Music at York University, Visiting Artist in Percussion at the Etobicoke School of the Arts, and is also affiliated with The Royal Conservatory of Music and the University of Toronto. His musical experience as a percussionist includes performing in the Canadian productions of the musicals The Lion King, The Producers and The Lord of the Rings.

Ryan Scott is an acclaimed marimba and multi-percussion soloist who has performed extensively in North America, Europe, Japan, Indonesia and Africa. He is affiliated with a number of Canadian orchestras, including: the Canadian Opera Company Orchestra, Esprit Orchestra, the National Ballet of Canada Orchestra, the Bob Becker Ensemble, and many others. He has collaborated numerous times with violist Rivka Golani, and has been a guest artist with NEXUS on several occasions. He has recorded with several Canadian record labels. During his undergraduate and graduate studies at the University of Toronto he had the opportunity to study with NEXUS co-founders Russell Hartenberger and Robin Engelman.

NEXUS

Founded in 1971, Canadian percussion group NEXUS has been at the forefront of Canadian chamber music for over three decades. NEXUS is known for the innovation and diversity of their programs, an impressive history of collaborations and commissions, their revival of 1920s novelty ragtime xylophone music, and their influential improvisatory ideas. The group has toured in both Canada and the U.S., as well as to Australia, New Zealand, Asia, Brazil, Scandinavia and Europe. They were the first Western percussion group to perform in the People’Äôs Republic of China.

NEXUS percussion group performs Tribute on Saturday, March 20, 2010 at 7:30 p.m. at Glenn Gould Studio, 250 Front Street West. General admission tickets are $10 for students, $20 for seniors and $40 for adults. They can be purchased in advance through Roy Thomson Hall’Äôs box office, online at http://www.roythomson.com/ or by phone by calling 416-872-4255.

For more information on NEXUS and upcoming concert dates log on to http://www.nexuspercussion.com/

Inaugural Digital Strategies Conference to take place in Toronto on We...

www.digitalstrategiesconference.com

TORONTO, Feb. 8 /CNW/ - The Digital Strategies Conference, focused on effectively marketing products and services in the Digital Age, will take place Wednesday, March 10, at the Fairmont Royal York Hotel in Toronto. From start-ups to Fortune 500 companies, online marketing is key to business success. Presented by Digital Media Wire, in association with the Canadian Association for the Advancement of Music & the Arts (CAAMA), marketers and business owners will learn how to use the latest e-business tools and make smart investment decisions with limited marketing dollars.

This full-day event will feature appearances from media executives discussing top digital media and marketing trends. Panellists will highlight how to maximize revenues by leveraging social media communities, online analytic tools, search engine marketing strategies and video platform tools.

Confirmed to keynote at the conference are two best-selling authors Bob Garfield and Scott Fox, Louise Clements and Anthony Soohoo.

Bob Garfield is a columnist, critic, essayist, pundit, international lecturer, and inveterate broadcaster. He recently published the book The Chaos Scenario which outlines the new landscape for media and advertising in a digital world. On television, he is the advertising analyst for ABC News and on radio, he is the co-host of NPR's On The Media.

Scott Fox is an entrepreneur and online marketing and e-commerce success coach. A best-selling author, he has held the number one spot on both Amazon.com's E-commerce list and Hi-Tech Careers list. Publisher's Weekly calls his book e-Riches 2.0 "a godsend to those intimidated by digital media." His expertise is based on personal experience building multi-million dollar e-businesses, ranging from small web startups to the online division of a major corporation.

Louise Clements is Head of Sales for Facebook in Canada. Clements is responsible for building strategies and solutions for Facebook's advertisers, one of the key steps in Facebook's on-going success in leveraging the power of its users.

Anthony Soohoo is Senior Vice President and General Manager of CBS Interactive's Entertainment & Lifestyle division. Soohoo joined CBS in 2007 with the acquisition of Dotspotter, one of the fastest growing community-powered pop culture properties on the web. Prior to founding Dotspotter, Anthony was Vice President and General Manager at Yahoo.

Additional speakers include Jack Rotherham, SVP, Strategic Development and Partnerships, Metacafe; Ned Sherman, CEO and Publisher, Digital Media Wire Inc.; Jay Baage, VP, Content, Digital Media Wire; Phil Miano, National Sales Director, Mobile Advertising, AOL; Michael O'Donnell, CEO, Skytide; Laura Coltrin, Senior Search Engine Optimization Manager, MySpace Canada; Richard Sussman, Director, Media & Entertainment, Nielsen Online; Bob Johnson, VP & Principal Analyst, IDG Connect; Matthew Snyder, CEO & Founder, ADObjects; Will Page, Chief Economist, PRS for Music; Mark Ghuneim, CEO & Founder, Wiredset/Trendrr; Giovanni Gallucci, Social Media Ninja, Author & Guest Speaker; Colin Gillis, Director of Research & Senior Tech Analyst, BGC Financial; Paul Cormack, Consumer Marketing Manager, Family + Playhouse Disney, Astral Television Networks; Tim O'Shaughnessy, CEO & Co-Founder, LivingSocial; Adam Cahan, CEO, Auditude; Andrew Goodman, Founder & Principal, Page Zero; David U.K., Managing Director, Worldwide; Maurizio Angelone, CEO, Member of the Board of Directors, MyScreen Mobile Inc.; Chris Williams, Managing Director, Media Contacts, Havas Digital; Ned Bigelow, Sales Manager, Mojiva; Sean MacPhedran, Director of Creative Strategy, Fuel Industries; and Sonny Mayugba, Bus. Dev. Director, Sacramento Press.

Registration information and up-to-date details on the speakers can be accessed by visiting the Digital Strategies Conference website:


Please add this information to your listings. We are presently confirming interviews. Thank you!

Digital Media Wire, Inc. launched in early 2000 with a simple yet compelling proposition to provide busy executives with a daily briefing of the most important news stories about the business of digital media. On July 20, 2000, we published the first issue of Digital Media Wire Daily - our daily email newsletter dedicated to objective coverage of news stories about the convergence of media, entertainment and technology. Today, we are a full scale media company that owns and produces 8 major conferences, publishes daily newsletters and directories, and operates the popular www.dmwmedia.com news and community portal.

The Canadian Association for the Advancement of Music & the Arts (CAAMA) is a national organization representing the interests of artists and SMEs in Canada's music and entertainment businesses. CAAMA provides access to industry leaders, key buyers and timely information on developing trends, technologies and emerging markets. CAAMA empowers its members with the critical tools to facilitate growth and success in today's digital economy while fostering international trade relationships and initiatives. For more information, visit www.caama.org.

Le Festival Orford 2010 prˆ©sente La semaine Kent Nagano et l'OSM

Du samedi 31 juillet au dimanche 8 aoˆªt - Un grand ˆ©vˆ©nement dans le cadre du Festival Orford avec 13 spectacles dans 2 lieux

Kent Nagano et l'OSM pour deux grands concerts avec Till Fellner et Christian Tetzlaff
Le nouvel Orchestre de l'Acadˆ©mie Orford - OAO! dirigˆ© par Kent Nagano et Jean-Franˆßois Rivest

Rˆ©citals avec la soprano Andrienne Pieczonka et le pianiste
Aldo Ciccolini

La soprano Suzie LeBlanc dans une soirˆ©e consacrˆ©e ˆÝ Monteverdi
Musique de chambre avec le Quatuor Pacifica et Mari Kodama

Tafelmusik et la violoniste Aisslinn Nosky
Jˆ�rg Widman, compositeur et musicien ˆÝ l'honneur
Classe de maˆÆtre avec Christian Tetzlaff

MONTRˆâAL, le 5 fˆ©vr. /CNW Telbec/ - Du 31 juillet au 8 aoˆªt prochain, dans le cadre du Festival Orford 2010 qui sera prˆ©sentˆ© du 18 juin au 15 aoˆªt, le public est conviˆ© ˆÝ La semaine Kent Nagano et l'OSM, vˆ©ritable "festival dans un festival". Cette collaboration entre le Centre d'arts Orford (CAO) et l'Orchestre symphonique de Montrˆ©al a ˆ©tˆ© annoncˆ©e aujourd'hui ˆÝ Montrˆ©al en prˆ©sence de Kent Nagano, directeur musical de l'OSM, Jean-Franˆßois Rivest, directeur artistique du CAO, Madeleine Careau, chef de la direction de l'OSM et Mathieu Bouchard, prˆ©sident du CA du CAO.

"L'ˆ©quipe du Centre d'arts Orford est ravie de ce nouveau partenariat avec l'Orchestre symphonique de Montrˆ©al. Il constitue l'une des pierres angulaires de notre plan stratˆ©gique en vue de bonifier notre offre culturelle de qualitˆ© et d'ˆ�tre un moteur ˆ©conomique encore plus puissant pour la rˆ©gion des Cantons-de-l'Est" dˆ©clare Mathieu Bouchard, prˆ©sident du conseil d'administration du Centre d'arts Orford.


13 spectacles dont 2 concerts avec Kent Nagano et l'OSM

La semaine Kent Nagano et l'OSM propose aux mˆ©lomanes une riche variˆ©tˆ© de manifestions musicales et artistiques. La semaine s'ouvre avec le pianiste Till Fellner dans un rˆ©cital consacrˆ© aux trois derniˆ®res sonates de Beethoven ˆÝ la salle de concert Gilles-Lefebvre.

En clˆ¥ture, le public retrouve ce grand interprˆ®te, cette fois avec l'OSM et Kent Nagano ˆÝ l'ˆâglise Saint-Patrice de Magog. Le violoniste allemand Christian Tetzlaff se joint ˆÝ l'OSM pour le second concert de l'Orchestre.

Le public est ˆ©galement conviˆ© ˆÝ deux autres rˆ©citals, celui du grand pianiste Aldo Ciccolini et de la soprano Andrienne Pieczonka; ˆÝ deux concerts de musique de chambre avec le Quatuor Pacifica et Mari Kodama puis avec les professeurs de l'Acadˆ©mie Orford. L'orchestre de chambre de Toronto, Tafelmusik, se produira ˆÝ la salle de concert Gilles-Lefebvre ainsi que la soprano Suzie LeBlanc et le Nouvel Opˆ©ra dirigˆ© par Alexander Weimann dans une soirˆ©e consacrˆ©e ˆÝ la musique de Monteverdi. Une classe de maˆÆtre ouverte au public sera ˆ©galement donnˆ©e par le violoniste Christian Tetzlaff.

Le directeur musical de l'OSM Kent Nagano explique : "J'ai voulu faire de cette semaine un lieu de rencontre oˆ¼ les jeunes musiciens de talent pourraient cˆ¥toyer les meilleurs interprˆ®tes et ˆ©changer avec eux; un lieu de rencontre oˆ¼ le public serait invitˆ© ˆÝ entendre les prestations de grands artistes internationaux. Je remercie le Centre d'arts Orford pour son accueil et tiens ˆÝ souligner la prˆ©cieuse collaboration de son directeur artistique, Jean-Franˆßois Rivest."

Le nouvel Orchestre de l'Acadˆ©mie Orford - OAO!

La semaine Kent Nagano et l'OSM sera aussi l'occasion de mettre en lumiˆ®re une grande nouveautˆ© ˆÝ l'Acadˆ©mie : l'Orchestre de l'Acadˆ©mie Orford - OAO! Cette formation permettra aux stagiaires d'expˆ©rimenter tous les aspects de la vie de musicien d'orchestre. Plusieurs musiciens de l'OSM dont les violons solos Andrew Wan et Richard Roberts partageront leur expertise avec cette nouvelle gˆ©nˆ©ration d'interprˆ®tes. En grande premiˆ®re, Jean-Franˆßois Rivest et Kent Nagano dirigeront ce nouvel Orchestre de l'Acadˆ©mie Orford.

"Kent Nagano est un trˆ®s grand chef d'orchestre. Son implication ainsi que celle de l'organisation de l'OSM et de ses musiciens, la programmation haut de gamme ainsi que le lien ˆ©troit que dˆ©veloppera Maestro Nagano avec les jeunes de l'Orchestre de l'Acadˆ©mie Orford - OAO!, tˆ©moignent avec ˆ©loquence de la profondeur de sa vision artistique et de sa compatibilitˆ© avec les idˆ©aux qui animent le Centre d'arts Orford", dˆ©clare Jean-Franˆßois Rivest, directeur artistique du Centre d'arts Orford.

La chef de la direction Madeleine Careau a soulignˆ© "qu'avec ce partenariat, l'OSM et le Centre d'arts d'Orford mettent en commun un savoir-faire d'excellence et poursuivent leur mission respective. La "Semaine Kent Nagano et l'OSM", sera l'occasion pour le public d'entendre de grands musiciens d'ici et de la scˆ®ne internationale".

Billets en vente dˆ®s maintenant

Les billets sont en vente dˆ®s maintenant ˆÝ la billetterie du Centre d'arts Orford. Un abonnement, c'est la chance d'obtenir les meilleurs siˆ®ges, d'ˆ©conomiser jusqu'ˆÝ 20% sur le prix rˆ©gulier des billets et d'obtenir de nombreux privilˆ®ges dont des laissez-passer pour assister aux concerts prˆ©sentˆ©s par les stagiaires de l'Acadˆ©mie Orford. Abonnez-vous et courez la chance de gagner votre abonnement ou encore un magnifique panier cadeau offert par Bleu Lavande.
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RˆâSERVEZ DˆàS MAINTENANT
1 800 567-6155 ou le 819 843-3981.


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La programmation complˆ®te du Festival Orford 2010 sera annoncˆ©e lors d'une confˆ©rence de presse ˆÝ Orford le mardi 13 avril prochain.

Pour obtenir tous les dˆ©tails et horaires consultez le site Internet: http://www.arts-orford.org/

Le Festival Orford est prˆ©sentˆ© par Hydro-Quˆ©bec.

Saturday, March 6, 2010

Dancap presents Miss Saigon

DANCAP PRODUCTIONS INC.
IN ASSOCIATION WITH PITTSBURGH CLO
PRESENT TONY AWARD®-WINNER
MISS SAIGON
Music by CLAUDE-MICHEL SCHˆñNBERG
Lyrics by RICHARD MALTBY Jr. and ALAIN BOUBLIL
July 9 to August 1, 2010
at the Four Seasons Centre for the Performing Arts


Toronto (February 4, 2010) - Dancap Productions in association with Pittsburgh CLO proudly announces a limited engagement of the Tony Award®-winning sensation MISS SAIGON, from July 9 to August 1, 2010, at the Four Seasons Centre for the Performing Arts.
"Miss Saigon is one of the most successful musicals in the history of British theatre and I am thrilled to be bringing this eye-popping production to the Four Seasons Centre. It is the perfect east-meets-west themed companion piece to our presentation of Rodger's & Hammerstein's South Pacific," said Dancap Productions President Aubrey Dan.

Dancap's inaugural Summer Broadway Series at the Four Seasons Centre for the Performing Arts will feature MISS SAIGON from July 9 to August 1, 2010 followed by Rodger's & Hammerstein's South Pacific from August 12 to September 5, 2010. Pre-sale opportunities begin Saturday, February 6, with individual show tickets and two-show packages starting from only $106.00.

Set in 1975 during the final days of the American occupation of Saigon, MISS SAIGON is an epic love story. An American soldier and a Vietnamese girl fall in love, only to be separated during the fall of Saigon. Their struggles to find each other over the ensuing years end in tragedy for her, and a fighting chance for the child he never knew he had. MISS SAIGON features show-stopping numbers like "I Still Believe", "Why God Why?" and "The American Dream".

A modern interpretation of Puccini's Madame Butterfly, creators Alain Boublil and Claude-Michel Schˆ�nberg (Les Misˆ©rables) were first inspired by a photo of a Vietnamese mother leaving her daughter at a departure gate for a plane headed to the United States, and, presumably, a better life. The idea of a mother's ultimate sacrifice is a central theme in MISS SAIGON.

Launched in 2007 by Aubrey Dan, Dancap Productions Inc., based in Toronto Canada, (http://www.dancaptickets.com/), is a commercial theatre company dedicated to producing and presenting the best of Broadway-style theatre created in collaboration with acclaimed artists and award-winning creative teams. Current and upcoming Broadway shows with producing and investment credits include: The Addams Family, Memphis, West Side Story, A Little Night Music and Come Fly Away. Past Broadway and international credits include: Wicked, Tom Stoppard's Rock 'n' Roll, [Title of Show], Tony Award®-winner In The Heights and multi-award winning JERSEY BOYS, with productions on Broadway, First National Tour, Las Vegas, London's West End, Melbourne and the long-running Dora Award-winner in Toronto.

Since 1946, the Pittsburgh CLO has been the driving force behind live musical theatre in Pittsburgh and the entire Southwestern Pennsylvania region. Under the direction of Van Kaplan, since 1997, this not-for-profit arts organization appreciates the support of nearly 200,000 patrons each year and produces a subscription series, educational programs, national tours and develops and invests in new works, including 11 Broadway shows (12 Tony Awards®) and currently Come Fly Away and The Addams Family. Its dedication to the musical theatre art form extends to include such programs as the CLO Academy, the CLO Mini Stars, the Gene Kelly Awards, the Richard Rodgers Award, The National High School Musical Theater Awards, the Construction Center for the Arts and the CLO Cabaret. PittsburghCLO.org

DANCAP PRODUCTIONS INC.
IN ASSOCIATION WITH PITTSBURGH CLO
By arrangement with
CAMERON MACKINTOSH
Present
MISS SAIGON
Music by CLAUDE-MICHEL SCHˆñNBERG
Lyrics by RICHARD MALTBY Jr. and ALAIN BOUBLIL
Additional Material by RICHARD MALTBY Jr.
Orchestrations by WILLIAM D. BROHN
Originally produced for the stage by CAMERON MACKINTOSH LTD.

Four Seasons Centre for the Performing Arts,
145 Queen St. W (University Avenue -- Osgoode Subway)
July 9 to August 1, 2010
Tuesday to Saturday at 7:30pm, Wednesday, Saturday and Sunday at 2pm
Individual Tickets: $28.00-$175.00
For package and individual show ticket information, call 416.644.3665, or visit http://www.dancaptickets.com/
For groups of 12 or more, call 416.644.3666

Prestigieuse programmation pour Jazz en Rafale - DŸçs le 18 mars

Montrˆ©al, le jeudi 4 fˆ©vrier 2010 ’Äì Le festival Jazz en Rafale est fier de vous dˆ©voiler la programmation de sa sˆ©rie principale qui, pour ce 10ˆ®me anniversaire, dˆ©mˆ©nage ˆÝ l’ÄôAstral (la nouvelle maison des Festivals). Cette annˆ©e, des concerts au Upstairs et au Diˆ®se Onze ainsi que des classes de maˆÆtres s’Äôajoutent ˆÝ la programmation. Le festival se dˆ©roulera, comme ˆÝ son habitude, sur deux week-ends consˆ©cutifs, les 18, 19, 20 et 25, 26, 27 mars 2010.

Pour son 10ˆ®me anniversaire, Des rencontres tous les soirs ˆÝ partir de 20h ˆÝ l’ÄôAstral !

Cette sˆ©rie propose des concerts totalement inˆ©dits et uniques, rˆ©unissant sur la mˆ�me scˆ®ne des artistes locaux et internationaux. ˆâchanges, dialogues musicaux, ˆ©motions et surprises seront au rendez-vous tous les soirs. (cf. prˆ©sentation du programme et des artistes en annexe).

18 mars : Yaron Herman (France) Trio + Quatuor ˆÝ cordes19 mars : Duo piano Jean-Michel Pilc (NY) + Franˆßois Bourassa20 mars : Andrˆ© Leroux Quartet + Ari Hoenig (NY)25 mars : Karen Young et ses duos Michel Donato, Norman Lachapelle et ˆâric Auclair26 mars : Richard Gagnon ¬´ Trombones Actions ¬ª + Steve Davis (NY)27 mars : 1ˆ®re partie - Rafael Zaldivar trio 2e partie - duo guitare Sylvain Luc + + Sylvain Provost.

Le Upstairs : dˆâvoilement de la programmation

Grˆ¢ce ˆÝ notre nouveau partenariat de coproduction avec le Upstairs, la programmation du festival s’Äôenrichit de concerts et de rencontres surprises dans ce lieu prestigieux du jazz montrˆ©alais tous les soirs ˆÝ 21h.

18 mars - Dave Watts Quintet - lancement de son album Will It Rain?19 et 20 mars - Samuel Blais invite Larry Grenadier (NY)25 mars - Michel et Jeannette Lambert invite Reg Schwager (Toronto)26 et 27 mars - Brian Hurley invite Peter Bernstein (NY)

Diˆ®se Onze Jazz club

Pour la premiˆ®re fois, Jazz en Rafale s’Äôassocie au Diˆ®se Onze, jazz club situˆ© au c‰ìur du plateau Mont-Royal, pour une sˆ©rie de concerts prˆ©sentant des artistes locaux ˆ©mergents et confirmˆ©s.

5ˆ®me Concours de la Relˆ®ve Jupiter-Vandoren

Ce concours participe ˆÝ l’Äôˆ©mergence d’Äôartistes jazz du Quˆ©bec et opˆ®re comme un vˆ©ritable tremplin en accompagnant ces jeunes artistes vers la professionnalisation. Les gagnants du concours se voient offrir un album et une place dans le catalogue Effendi.
Retrouvez en 1ˆ®re partie de chaque concert ˆÝ l’ÄôAstral, la 5ˆ®me ˆ©dition du Concours de la Relˆ®ve Jupiter-Vandoren, de 19h ˆÝ 19h45. Les rˆ©sultats seront dˆ©voilˆ©s le 27 mars aprˆ®s la prestation du Rafael Zaldivar trio, grand gagnant de l’Äôˆ©dition 2009.

Les inscriptions au concours de la Relˆ®ve Jupiter-Vandoren sont ouvertes jusqu’Äôau 5 fˆ©vrier 2010. Les conditions de participation et le formulaire sont disponibles sur http://www.jazzenrafale.com/

Masterclasses

Pour fˆ�ter son 10ˆ®me anniversaire, Jazz en Rafale organise des masterclasses uniques en collaboration avec les meilleurs artistes internationaux de la sˆ©rie. Pour cette premiˆ®re ˆ©dition, cinq artistes se prˆ�tent au jeu: Yaron Herman (piano), Sylvain Luc (Guitare), Ari Hoenig (batterie), Steve Davis (trombone) et Larry Grenadier (Contrebasse).

Billetterie Les billets sont prˆ©sentement en vente par Internet sur le rˆ©seau TicketPro et ˆÝ la billetterie de l’ÄôAstral (514-288-8882).

Outdoor Opera and Ballet on Rhine for All in Dˆºsseldorf

Live outdoor gala broadcast from Dˆºsseldorf’Äôs opera house Deutsche Oper and major summer outdoor event in city’Äôs historic Old Town continue after last year’Äôs successful premier. Ballet added opera.

Dˆºsseldorf, Germany -- On Friday, July 16, 2010, a major opera gala featuring international stars will be visible in two Dˆºsseldorf locations at once: At the Deutsche Oper, one of Germany’Äôs premier opera houses, and on a giant outdoor screen in Dˆºsseldorf’Äôs castle square in the heart of the city’Äôs historic Old Town.

With the event at the opera house for ticket holders and the live broadcast a free event open to anyone, Dˆºsseldorf joins other major German opera cities in an effort to make opera more accessible. This has led to attracting a wider audience and opening the art form to more people in Dˆºsseldorf than would fit in the opera house; hence, the name ’ÄúOpera and Ballet for All.’Äù More than 10,000 people gathered for last year’Äôs outdoor broadcast.

Musical director Axel Kober will conduct Dˆºsseldorf Symphonic Orchestra that night, and Martin Schluepfer will direct the ’ÄúBallet on the Rhine.’Äù Solo Performers include Vesselina Kasarova, one of the world’Äôs most sought-after mezzo soprano singers.

Why Not Theatre's world premiere of I'm So Close‰Ý opens March 23

Why Not Theatre presents the world premiere of I'm So Close‰Ý
Part of The Theatre Centre's Free Fall 2010
in partnership with Harbourfront Centre's World Stage
Opens Tuesday March 23 to Saturday, April 3, 2010

Toronto, March 1, 2010- Winner of the Spotlight Award at the 2008 SummerWorks Festival in Toronto and named by NOW Magazine as an Outstanding Ensemble in its "best of the fest" list, I'm So Close‰Ý is a newly devised, physical, tragic-comedy conceived and created by Toronto-based Why Not Theatre's award-winning international ensemble: Ravi Jain (Canada - who the Toronto Star named one of "2010's People to Watch"), Katrina Bugaj (United States) and Troels Hagen Findsen (Denmark).

The trio have collectively written, direct and star in this world premiere running March 23-April 3 at The Theatre Centre as part of its annual Free Fall Festival, in partnership with Harbourfront Centre's World Stage, and will tour directly afterwards to the Tremors festival in Vancouver for April 2010.

Part of the Theatre Centre's 2-year Residency Program, I'm So Close‰Ý has been substantially reworked since its 2008 Summerworks and Dublin Fringe incarnations (under the title I'm So Cose It's Not Even Funny) where it garnered much acclaim:

"impressively talented in their chosen genre of physical theatre" - Sunday Independent (Dublin)
" a collage of absurdist meditations on human strictures like time, technology... The company peppers the performance with delightfully unpredictable stage stunts..." -Now Magazine.

I'm So Close‰Ý is a heartbreaking love song, droned out by the hum of the technological landscape that is bringing us together and pushing us apart.

Steve, an inventor driven to make the world a greener place, is on the cusp of a breakthrough that could be a "game-changer" for the industry. As Steve finds himself plunged into the fast-paced world of billion dollar business, with a new IVA - "Indian Virtual Assistant" - named Raj who works in New Delhi, his success propels him to dive more and more into his iPhone and to drift further and further away from his wife Stella.

We are living in a world where we are more connected than we have ever been. Technology allows us to communicate instantly across oceans, and develop relationships with those who we have never even met. But at what cost? As techological advances hit the market at an accelerating rate one has to ask: how connected are we really?
Why Not Theatre's acclaimed productions include The Prince Hamlet and Spent, among others. Additionally, Co-Artistic Director Ravi Jain directed Greenland by Nicolas Billon for SummerWorks 2009 where it won the SummerWorks Prize for Outstanding Production and NOW Magazine's Audience Choice Award.
Why Not Theatre ranges from entirely devised work to theatrical adaptations and revivals of classic texts. By combining various media with explosive physical energy, Why Not Theatre creates stories that inspire alternative visions of existence.

Why Not Theatre presents the world premiere of I'm So Close‰Ý
Created as part of The Theatre Centre Residency Program.
Written by, directed by and starring Ravi Jain (Canada),
Katrina Bugaj (United States) and Troels Hagen Findsen (Denmark)
Co-writer and Dramaturgy by Nicolas Billon (Canada)
Lighting design by Gina Scherr (U.S.), Sound design by M.L Dogg (U.S.)
Costume design by Kelsey Hart (Canada), Projections designed by Jamie Nesbitt (Canada)

Part of The Theatre Centre's Free Fall Festival, in partnership with Harbourfront Centre's World Stage.
Opens Tuesday March 23 and runs to Saturday, April 3, 2010
Tuesdays through Sundays as follows during the festival:
Tuesday, March 23, 8pm; Wednesday, March 24, 8:30pm
Friday, March 26, 7pm; Saturday, March 27, 9pm
Sunday, March 28, 2pm
THEREAFTER:
Tuesday March 30 - Saturday April 3 at 8pm


The Theatre Centre, 1087 Queen Street West
Tickets: $20 (Discounts for students, seniors, groups, equity) with Sunday Pay-What-You-Can Matinee.
Box Office: 416-973-4000 or online at http://www.theatrewhynot.org/

New International Festival Name Tied to Its Roots

Fort Macleod, Alberta ’Äì A musical phenomenon only found in Alberta’Äôs west is branded a new name tying its roots to its growing international stature.

The Fort Macleod International Festival, formerly known as Windy Mountain Music, is the fresh name chosen for the chamber music festival held every May in Fort Macleod and other select southern Alberta locations.

’ÄúWe spent a great deal of time deliberating a new name for the festival,’Äù says Gerard Gibbs, Empress Theatre executive director. ’ÄúWe want to tie the event with the location and its international scope.’Äù

Rivka Golani, Fort Macleod International Festival music director and world renowned viola player, recognized the need for a name change several years ago. The name, after undergoing several minor changes over the years was recently finalized.

’ÄúWe chose this name because part of our philosophy is based on appreciation and deepening of the ties of our place, namely Fort Macleod,’Äù says Golani. ’ÄúThe place has offered us fertile soil in which to grow and cultivate our festival, which has also slowly been gaining international notoriety.’Äù

The five day event, now in its fifth year, is known to attract musicians who perform internationally on the world’Äôs top stages and are recording artists at the leading edge of classical music.

Audience members are treated to an interactive concert delight outside the concert norm. Musical preludes providing unique insight into the background of the composers, music and musicians is only a small part of this special event. Concert goers get up close and personal.

With musicians, travel to unique locations to witness extraordinary performances and enjoy a selection of international cuisine and comradery.

The festival is scheduled to host five concerts May 27 ’Äì 31, 2010, with several new venues added including The Galt Museum, Lethbridge, Head Smashed in Buffalo Jump, Fort Macleod and the Eckhardt-Gramatte¬¥ Hall, Calgary. All the exciting event details will be launched on a new website fortmacleodinternationalfestival.com in the coming days.

One Night Only - Mariachi Live! with the Victoria Symphony

Victoria, BC ’Äì On Saturday, March 13, Mariachi Del Sol reunites with the Victoria Symphony for a passionate and rhythmic live performance at UVic Centre. This 10-member band, fully dressed in charro costumes, will ignite the evening with classical panache, from soft romantic ballads to lively ranchero songs.

Mariachi Del Sol, one of Canada’Äôs outstanding Mexican music ensembles, joins forces with the Victoria Symphony for the second time in five years. Mariachi Del Sol will be playing all-time favourites, tribute medleys to their composers, and powerful showpieces. The festive and exuberant evening includes Jesus Cisneros’Äô ’ÄúSoy Mexico,’Äù Spanish composer Manuel de Falla’Äôs famous ’ÄúRitual Fire Dance’Äù from his opera.

El amor brujo, and Ruben Fuentes’Äô mariachi anthem ’ÄúSones de Jalisco’Äù. Audiences will also hear ’ÄúLluvia (Rain),’Äù written by band leader, singer/songwriter and guitarist Octavio Carrillo, which was inspired by the weather of British Columbia and Mexico.

Mariachi Del Sol (Mariachi Canada), founded in 1992, is a mixture of Mexican and Canadian musicians. The core musicians include founder Octavio Carrillo, Johnny Guzman, Edurdo Rincon, Miguelito Valdex, Antonio Bernal, Cameron Wilson, Eduardo Galdames, Robert Clark, Mark Ferris and Sandra Fiddes. Since its formation, Mariachi Del Sol has performed at countless public, private and charitable functions in Canada, Mexico, the US and overseas, in front of all types of audiences. Upcoming performance includes the International Mariachi Festival Guadalajara City in Jalisco, Mexico in August 2010.

The Victoria Symphony is Vancouver Island’Äôs largest and most active arts organization performing for more than 125,000 people each year, including 10,000 schoolchildren. Showcasing the outstanding talents of its musicians and guest artists, the Victoria Symphony’Äôs 2009-2010 season offers a diverse and exciting line-up of over 50 concerts led by its vibrant Music Director Tania Miller.

The Victoria Symphony wishes to acknowledge the generous support of series sponsor The Bay Centre. Meet members of Mariachi Del Sol at The Bay Centre on March 12 between 2 pm and 4 pm, where they will be performing a taste of their music and available for autographs and photos.

Mariachi Live!
March 13, 8:00 pm
UVic Centre
$26 Adults, $21 Students
$12.00 (vsSoundcheck)

Lakeshore Arts' 1000acts-of-art.ca Launch-March 8!

LAKESHORE ARTS
CORDIALLY INVITES YOU TO THE
1000acts-of-art.ca
Launch & Kick-Off Party Monday, March 8!

Lakeshore Arts launches an innovative community-building initiative, using art as the catalyst, with 1000-acts-of-art.ca as a forum for creativity and distribution.

1000acts-of-art.ca is an interactive on-line arts hub created to inspire local Etobicoke residents and artists to "commit" an act of art and record it onto the site.

1000acts-of-art.ca allows users to track their own acts of art, write comments, and upload pictures and video, and list their services and events to create a community art hub.
Free to join and easy to access, 1000acts-of-art.ca will be a major resource with listings of local arts-related organizations (theatres, dance studios/schools, libraries, community centres, etc.), arts-friendly businesses (restaurants, cafes, bakeries, banks,etc.), and individuals who create art. Different arts-related events will be highlighted each month.

Generously funded by the Ontario Trillium Foundation, this community-building initiative covers the Lakeshore areas of South Etobicoke: Mimico by the Lake, Mimico Village, New Toronto, Long Branch and Alderwood.

1000acts-of-art.ca
Launch & Kick-Off Party Monday, March 8, 2010
6PM - 7:30 PM

The Big Guy's Little Coffee Shop
2861 Lake Shore Blvd. West (at Fifth St., East of Islington)
Admission: Free

Cleveland Orchestra to join Orchestras Feeding America to benefit the Cleveland Foodbank

America’Äôs orchestras will partner with Feeding America in a national food drive for second consecutive year

Concertgoers and community members invited to drop off food at events on March 9, 14, 18 and 20

CLEVELAND, February 26, 2010 ’Äì The Cleveland Orchestra will hold a food drive March 9-20 to collect goods to be donated to the Cleveland Foodbank. The partnership is part of Orchestras Feeding America, a national food drive by America’Äôs symphony orchestras. This is the second consecutive year that America’Äôs orchestras have mobilized their musicians, staff, volunteers, and audiences to help alleviate hunger in communities across the country.

Non-perishable food donations will be collected at the Cleveland Orchestra High School concert on Tuesday, March 9, at 12:00 p.m.; Family Concert on Sunday, March 14, at 2:00 p.m.; Cleveland Orchestra Youth Orchestra and Youth Chorus concert on Sunday, March 14, at 7:00 p.m.; and the Cleveland Orchestra concerts on Thursday, March 18, and Saturday, March 20, at 8:00 p.m. For information about the types of food that can be accepted, please visit clevelandorchestra.com.

To date, 94 orchestras are participating in Orchestras Feeding America, and the number of participants is growing daily. Most orchestras will conduct their food drives during the month of March. The project is organized by the League of American Orchestras, which represents the nation’Äôs professional, volunteer, and youth orchestras, and Feeding America’Äôs network of over 200 food banks and 63,000 agencies. In 2009, 250 orchestras in all 50 states collected more than 200,000 pounds of food. Last year, The Cleveland Orchestra collected nearly 1,000 pounds of food, all of which was donated to the Cleveland Foodbank.

’ÄúThe length and severity of the economic downturn has impacted many of us, individuals and businesses alike, but now is the time for us to help our neighbors most in need,’Äù said Cleveland Orchestra Executive Director Gary Hanson. ’ÄúThis food drive is just one way our orchestra can give back to the Northeast Ohio community.’Äù
According to the most recent USDA study, 49.1 million Americans (of which 16.7 million were children) lived in food-insecure households in 2008. Each week, approximately 5.7 million people receive emergency food assistance from an agency served by a Feeding America member. This is a 27 percent increase over numbers reported in Hunger in America 2006, which reported that 4.5 million people were served each week.

* * *

Long considered one of America’Äôs great orchestras, The Cleveland Orchestra stands today among the world’Äôs most revered symphonic ensembles. In concerts at home in Severance Hall, at Blossom Music Center, in residence in Miami, and on tour, The Cleveland Orchestra continues to set standards of performing excellence and imaginative programming that serve as models for audiences and performers alike.

The Cleveland Orchestra’Äôs Community Music Initiative is a series of artistic initiatives and new programs aimed at diversifying the Orchestra’Äôs offerings and reaching more children, adults, teachers, students, musicians, and families than ever before. These innovative programs offer everyone, from preschool children to adults, the opportunity to experience music in a variety of ways, throughout their lives, and throughout the community.

For more information, visit clevelandorchestra.com.

Duo Brazil o perform at Christ Church Cathedral Ottawa on March 13th - 8: 00 P.M.

OTTAWA, Feb. 26 /CNW Telbec/ - Cathedral Arts is pleased to announce that DUO BRAZIL, the exciting new ensemble created by Ottawa's internationally renowned soprano, Donna Brown, along with guitar virtuoso, Andrew Mah in 2007, will perform music of Brazil at Christ Church Cathedral, 420 Sparks Street, on Saturday, March 13th at 8:00 P.M.

These two great Canadian musicians will present a night of evocative tropical magic, showcasing some of the very best Brazilian music across both popular and classical idioms. The programme will include music by Baden Powell, Jobim, Villa Lobos, Garoto and others.

Tickets at $40, $30, $20 and $15 (students) are available through the Cathedral Arts office at 613-567-1787, or, purchase online at cathedralarts@yahoo.ca. Members of the audience are invited to bring non-perishable items to support the Dalhousie Food Cupboard.

The Oberlin Conservatory of Music Awarded 2009 National Medal of Arts

OBERLIN, OHIO (February 25, 2010)’ÄîThe Oberlin Conservatory of Music is a recipient of the 2009 National Medal of Arts, the highest award given by the United States government to artists and arts patrons in recognition of the wealth and depth of their creative expressions. President Barack Obama is presenting the award to Dean of the Conservatory David H. Stull at a White House ceremony today in the East Room. Those in attendance include Oberlin College President Marvin Krislov, Robert Lemle, chair of Oberlin College's Board of Trustees, and trustee Stewart Kohl. A gala dinner celebrating the honorees took place at the National Museum of American History yesterday evening, sponsored by the President's Committee on the Arts and the Humanities.


The Oberlin Conservatory of Music is the only professional music school to be so honored by President Obama. The other honorees for 2009 are: singer and songwriter Bob Dylan; director and actor Clint Eastwood; graphic designer Milton Glaser; architect and sculptor Maya Lin; singer, dancer, and actress Rita Moreno; soprano Jessye Norman; arts patron and design advocate Joseph P. Riley Jr.; painter and sculptor Frank Stella; conductor Michael Tilson Thomas; composer and conductor John Williams; and the School of American Ballet.


The National Endowment for the Arts (NEA) administrates the National Medal of Arts.


’ÄúThese individuals and organizations show us how many ways art works every day. They represent the breadth and depth of American architecture, design, film, music, performance, theatre, and visual art,’Äù says NEA Chairman Rocco Landesman. ’ÄúThis lifetime honor recognizes their exceptional contributions, and I join the President and the country in saluting them.’Äù


Oberlin College President Marvin Krislov, who was appointed by President Obama to the National Council on the Humanities in 2009, says: ’ÄúBeing awarded the National Medal of Arts is a tremendous honor for the Oberlin Conservatory of Music. It is a great tribute to the conservatory’Äôs faculty, staff, and students, past and present, whose relentless dedication to achieving excellence is the hallmark of music at Oberlin.’Äù


Renowned internationally as a professional music school of the highest caliber, the Oberlin Conservatory of Music has been called a ’Äúnational treasure’Äù by the Washington Post. Established in 1865 as one of the two divisions of Oberlin College in Oberlin, Ohio, the conservatory is America’Äôs oldest continuously operating conservatory of music and is the only major music

school in the U.S. devoted primarily to the education of undergraduate musicians.


’ÄúThis is an extraordinary moment in the history of the Oberlin Conservatory of Music,’Äù says Dean Stull. ’ÄúIt is directly attributable to the brilliant work undertaken by generations of faculty, students, and alumni since our founding more than 140 years ago. We should all take great pride in receiving the highest honor in the land for artistic excellence and achievement. I offer my deepest gratitude to President Obama for his recognition of Oberlin, and for including us in his first group of honorees to receive the National Medal of Arts.’Äù


The conservatory prepares artistically talented and intellectually gifted students for professional careers in music and a lifetime of effective advocacy for the arts. The degree programs of the conservatory are designed to develop understanding and insight into the arts, as well as the knowledge, skills, and technical competence essential to professional musicians. The members of the conservatory’Äôs internationally distinguished faculty are dedicated to both teaching and professional performance. Central to its mission are the more than 500 performances and events Oberlin produces each year by ensembles, students, and faculty of the conservatory and by guest artists, including residencies by Distinguished Professor of Voice Marilyn Horne, Professor of Conducting Robert Spano, and guest conductor Sir Simon Rattle.


The effectiveness of an Oberlin Conservatory education can be measured in the success of its students and graduates. Among recent awards won by conservatory students and recent graduates are the Metropolitan Opera National Council Audition Grand Prize (2008, 2007, 2003, 2002); Fischoff National Chamber Music Competition Grand Prize (2007, 1996); Fulbright Scholarships (nine in the last five years); and Javits Fellowships (three in the last four years). In 2008, eighth blackbird, a contemporary music ensemble fully formed at Oberlin, won the Grammy Award for Best Chamber Music Performance.


Oberlin has performed at Carnegie Hall to rave reviews (Oberlin’Äôs performance of the Bartˆ„k Concerto for Orchestra was described as ’Äústellar’Äù by the New York Times); launched a national record label (Oberlin Music) distributed on iTunes and other digital media channels; performs annually at the Kennedy Center as part of the Conservatory Project Series; and undertook a nine-day tour of China with its 66-member student orchestra, performing to critical acclaim and capacity audiences in five cities, including Beijing and Shanghai. The conservatory supports innovative student-developed performance projects and arts initiatives through the Creativity & Leadership project, Oberlin’Äôs new entrepreneurship program, funded by a $1.1 million grant from the Ewing Marion Kauffman and Burton D. Morgan Foundations.


A leader in music education, Oberlin offered the country’Äôs first four-year degree program in public school music (1921); introduced the Suzuki method of string pedagogy to the U.S. (1958); was the first U.S. undergraduate institution to establish a program in electronic music (1969); and is building the world’Äôs first gold-level LEED-certified (Leadership in Energy and Environmental Design) music teaching facility, the Litoff Building. Oberlin was the first professional music school to admit African Americans, including Pulitzer Prize winning alumnus George Walker. An Oberlin graduate founded the Cleveland Orchestra, and its extraordinary concert facility’ÄîSeverance Hall’Äîcarries his family name.


Conservatory alumni and faculty have won countless Grammy Awards and international competitions, gained national and international stature as performers, conductors, composers, scholars, educators, and arts administrators. Graduates hold leadership positions and perform with all major orchestras including Boston, Cleveland, Philadelphia, the National Symphony, and the New York Philharmonic, and with distinguished opera companies such as Lyric Opera Chicago, the Metropolitan, and San Francisco. Other alumni have pursued successful careers in jazz, chamber music, or the film industry. Many others teach in schools, colleges, universities, and conservatories around the country, and Oberlin leads all undergraduate institutions in the number of graduates who go on to earn doctorates in music.


ABOUT THE NATIONAL MEDAL OF ARTS

The National Medal of Arts is designed to honor exemplary individuals and organizations that have encouraged the arts in America and offered inspiration to others through their distinguished achievement, support, or patronage. Unlike other awards, it is not limited to a single field or area of artistic endeavor. Congress established the award in 1984 to honor ’Äúindividuals or groups who, in the President’Äôs judgment, are deserving of special recognition by reason of their outstanding contributions to the excellence, growth, support, and availability of the arts in the United States.’Äù The National Council on the Arts is responsible for making recommendations to the President of worthy individuals and organizations to receive the medal, which was designed by internationally renowned sculptor Robert Graham (1938-2008), who created the Olympic Gateway for the 1984 Olympic Games in Los Angeles. The Robert Graham Studio, located in Venice, California, produces the medals.


Past recipients of the National Medal of Arts include actors, architects, artists, art historians, arts patrons, choreographers and dancers, composers, musicians, poets and writers, ensembles, arts organizations, and schools. The pantheon of individuals and groups honored with the award include, among others, the actors Jessica Tandy, Julie Harris, and James Earl Jones; artists Georgia O’ÄôKeefe, Romare Bearden, and Willem de Kooning; composers Elliott Carter Jr. and Aaron Copland; composer and lyricist Stephen Sondheim; dancers and choreographers Martha Graham, Jerome Robbins, and Merce Cunningham; musicians Dave Brubeck, Dizzy Gillespie, Wynton Marsalis, Rudolf Serkin, and Isaac Stern; singers Ella Fitzgerald, Marilyn Horne (Distinguished Visiting Professor of Voice at Oberlin), and Barbra Streisand; writers Saul Bellow, Eudora Welty, and John Updike; National Public Radio, and, this year, the Oberlin Conservatory of Music.


ABOUT OBERLIN COLLEGE AND THE OBERLIN CONSERVATORY OF MUSIC

Ranked consistently among the nation’Äôs top liberal arts schools, Oberlin College is committed to rigorous academics, artistic and musical excellence, and social justice. Founded in 1833, Oberlin was the first institution of higher education in America to adopt a policy to admit students of color (1835) and the first college to award bachelor’Äôs degrees to women (1841) in a coeducational program. Oberlin’Äôs distinct history of challenging intellectual and social conventions shapes the student experience today, which fosters strong bonds among a diverse community of bright and talented students from around the world. Oberlin’Äôs combination of a leading liberal arts college and a world-class music conservatory creates an unparalleled learning environment.

Friday, March 5, 2010

Prochain concert du Club musical de Quˆ©bec, l'Ensemble Boby Lakatos, le 15 mars

Une vˆ©ritable tornade! L’ÄôEnsemble Boby Lakatos au Club musical de Quˆ©bec, le 15 mars

Le CLUB MUSICAL DE QUˆâBEC prˆ©sente, pour la premiˆ®re fois ˆÝ Quˆ©bec, le spectaculaire Ensemble Roby Lakatos, le lundi 15 mars prochain ˆÝ la salle Louis-Fˆ©chette du Grand Thˆ©ˆ¢tre de Quˆ©bec.

Descendant d'une lˆ©gendaire famille de violonistes tziganes, Roby Lakatos est un artiste indˆ©finissable. ˆÄ la fois acrobate et poˆ®te du violon, il triomphe sur toutes les grandes scˆ®nes. Lui et son prodigieux ensemble dˆ©fient les lois de la gravitˆ© et galvanisent leur public partout oˆ¼ ils vont. La salle Louis-Frˆ©chette se transformera le temps d'une soirˆ©e pour vous offrir une exceptionnelle dˆ©couverte signˆ©e encore une fois Club musical.


Au programme des ‰ìuvres de Michel Legrand, Jˆ„zsef Suha Balogh, Vladimir Cosma, Grigoras Dinicu, Vittorio Monti et, bien sˆªr, Roby Lakatos lui-mˆ�me. La musique tzigane ˆÝ son meilleur!

En 2010, les plus GRANDS se succˆ®dent toujours au Club musical de Quˆ©bec, avec l’Äôensemble Boby Lakatos, le 15 mars, au Grand Thˆ©ˆ¢tre de Quˆ©bec.

Il reste encore de trˆ®s bonnes places pour ce concert. Les billets sont en vente ˆÝ la billetterie du Grand Thˆ©ˆ¢tre de Quˆ©bec, en composant le 643-8131 ou 1-877-643-8131 ou encore dans le rˆ©seau BILLETECH (billetech.com).


clubmusicaldequebec.com http://www.robylakatos.com
http://www.robylakatos.com
Photos disponibles / Possibilitˆ©s d’Äôentrevues
Source : Louise Forand-Samson, directrice artistique
Tel : 418-653-7869 / louisefsamson@videotron.ca


L’ÄôEnsemble Roby Lakatos
ROBY LAKATOS,
premier violon
LˆÅSZLO BˆìNI,
second violon
JENˆñ ISTVˆÅN LISZTES
cymbalom
LˆÅSZLˆì BALOGH,
guitare
LˆÅSZLˆì LISZTES, contrebasse
FRANTISEK JˆÅNOSKA, piano


Le violoniste tzigane Roby Lakatos est non seulement un immense virtuose, mais ˆ©galement un musicien d'une extraordinaire polyvalence. ˆâgalement ˆÝ l’Äôaise dans la musique classique, le jazz et le folklore de sa Hongrie natale, Lakatos est un des rares musiciens qui outrepassent les dˆ©finitions: violoniste tzigane, virtuose classique, improvisateur jazz, compositeur, arrangeur, rˆ©incarnation du XIXe siˆ®cle... il est tout ˆßa ˆÝ la fois! Il est l'archˆ©type du musicien universel, que l'on rencontre rarement de nos jours, un musicien dont les forces comme interprˆ®te proviennent de ses activitˆ©s d'improvisateur et de compositeur.


Nˆ© en 1965 au sein d'une lˆ©gendaire famille de violonistes gitans descendant de Janos Bihari, le ¬´ roi des violonistes gitans ¬ª, Roby Lakatos dˆ©buta la musique dˆ®s sa plus tendre enfance et fit ses dˆ©buts sur scˆ®ne ˆÝ l'ˆ¢ge de neuf ans comme premier violon d'un ensemble tzigane. Ses qualitˆ©s de musicien ne se dˆ©veloppˆ®rent pas seulement dans le milieu familial, mais ˆ©galement au Conservatoire Bˆ©la Bartˆ„k de Budapest, oˆ¼ il obtient en 1984 le Premier Prix de violon. Entre 1986 et 1996, lui et son prodigieux ensemble se sont produits aux Ateliers de la Grande ˆéle de Bruxelles, qui devint ˆÝ cette ˆ©poque leur rˆ©sidence. Il a collaborˆ© avec le violoniste Vadim Repin et le jazzman Stˆ©phane Grappelli et il comptait parmi ses admirateurs Sir Yehudi Menuhin, qui se faisait un point d'honneur de visiter les Ateliers lors de ses sˆ©jours bruxellois. En mars 2004, s’Äôest produit avec le London Symphony Orchestra sous la direction de Maxim Vengerov au sein d'un festival consacrˆ© au violon.


Lui et son ensemble jouent aussi frˆ©quemment sur les plus grandes scˆ®nes d'Europe, d'Asie et d'Amˆ©rique. Cette saison-ci, en plus d'une tournˆ©e canadienne qui les mˆ®ne ˆÝ Toronto, Edmonton, Quˆ©bec et au Mont Orford et d’Äôune vaste tournˆ©e mexicaine, ils s’Äôexˆ©cutent ˆÝ Pˆ©cs en Hongrie, ˆÝ Gˆ�teborg en Suˆ®de ainsi qu'au Savannah Music Festival. Roby Lakatos a ˆÝ son actif une douzaine d’Äôenregistrements, en solo, avec son ensemble ou avec d’Äôautres musiciens ˆ©mˆ©rites, la plupart ayant ˆ©tˆ© produits par Deutsche Grammophon.

Programmation de la 28e ˆ©dition du FIFA

LE FESTIVAL INTERNATIONAL DU FILM SUR L'ART se tiendra du 18 au 28 mars 2010 et promet une sˆ©lection internationale de films de grande qualitˆ© ˆÝ la portˆ©e de tous !

Montrˆ©al, le jeudi 25 fˆ©vrier 2010 ’Äì Renˆ© Rozon, directeur et fondateur du Festival International du Film sur l’ÄôArt (FIFA), est heureux d’Äôannoncer la programmation de la 28e ˆ©dition qui se tiendra du 18 au 28 mars prochain. Prˆ©sentˆ©e en association avec ARTV, l’Äôˆ©dition 2010 du FIFA proposera au public une sˆ©lection exceptionnelle de 230 films provenant de 23 pays. Ces ‰ìuvres magistrales permettront aux spectateurs, qu’Äôils soient d’Äôardents cinˆ©philes ou de simples amateurs, de dˆ©couvrir l’Äôart sous toutes ses formes, art portˆ© ˆÝ l’Äôˆ©cran par de talentueux rˆ©alisateurs.

Pendant dix jours, se succˆ®deront dans de nombreux sites de diffusion diffˆ©rents types de films. Que l’Äôon pense aux biographies, aux enquˆ�tes, aux hommages, aux films d’Äôanimation ou aux portraits de personnalitˆ©s marquantes, chacun des films prˆ©sentˆ©s entraˆÆnera le spectateur dans un voyage unique. De la musique ˆÝ la peinture, de l’Äôarchitecture ˆÝ l’Äôart contemporain, de la danse ˆÝ la littˆ©rature et l’Äôanimation, cette ˆ©dition cˆ©lˆ®brera en grandes pompes la crˆ©ativitˆ© des artistes d’Äôici et d’Äôailleurs.

Aperˆßu de la sˆ©lection
Le FIFA, c’Äôest aussi le thˆ©ˆ¢tre d’Äôune grande compˆ©tition internationale qui mettra cette annˆ©e de l’Äôavant 43 films provenant de 14 pays dont 9 productions canadiennes parmi lesquelles se retrouvent 8 productions quˆ©bˆ©coises. Dans cette liste, on retrouve Blanc, Noir ou Rien, un duo portˆ© ˆÝ l’Äôˆ©cran par Jeanne Renaud, pionniˆ®re de la danse contemporaine au Quˆ©bec, et par l’Äôartiste multidisciplinaire Mario Cˆ¥tˆ©, mettant en vedette deux danseurs exceptionnels : Louise Bˆ©dard et Sylvain ˆâmard; Bull’Äôs eye, un peintre ˆÝ l’Äôaffˆªt de Bruno Boulianne dˆ©montre la dˆ©marche unique de l’Äôartiste visuel canadien Marc Sˆ©guin, oscillant entre la ville et la nature, la figuration et l’Äôabstraction; Symphonie Montrˆ©al de Bettina Ehrhardt propose les temps forts de la 75e saison de l’ÄôOrchestre symphonique de Montrˆ©al, dirigˆ©e par le chef Kent Nagano; Hubert Vos et l’ÄôImpˆ©ratrice, rˆ©alisˆ© par Micaela van Rijckevorsel, illustre la restauration du tableau du peintre sur la puissante Cixi, impˆ©ratrice de Chine, tout en saisissant l’Äôesprit de l’Äôˆ©poque; King of Spies ’Äì John Le Carrˆ© de Werner Kˆ�hne et Andrˆ© Shˆ§fer porte ˆÝ l’Äôˆ©cran la rencontre avec ce maˆÆtre de l’Äôespionnage, ˆÝ la fois radical, redoutable, analytique, drˆ¥le et intelligent; The New Rijksmuseum d’ÄôOeke Hoogendijk met de l’Äôavant les premiˆ®res annˆ©es de ce qui est considˆ©rˆ© comme le plus important chantier culturel des Pays-Bas; Or, les murs du rˆ©alisateur Julien Sallˆ© se penche sur l’Äô‰ìuvre puissante du compositeur franˆßais Thierry Machuel, qui s’Äôintˆ©resse ˆÝ l’Äôinsertion sociale des prisonniers ˆÝ partir d’Äôactivitˆ©s de poˆ©sie et de crˆ©ations musicales; Romy Schneider ’Äì une femme en trois notes, du rˆ©alisateur Frederick Baker, propose un portrait de cette grande actrice dans toute sa complexitˆ©; Save the Last Dance for Me: Company of Elders de Fran Landsman trace l’Äôexistence d’Äôune compagnie de danse inusitˆ©e qui met en vedette des danseurs ˆ¢gˆ©s de 61 ˆÝ 85 ans; et Vivre avec l’Äôart’Ķ un art de vivre d’ÄôAnne-Marie Tougas prˆ©sente le portrait du collectionneur Bernard Landriault ˆÝ travers ses rˆ©flexions, sa relation avec les ‰ìuvres et les artistes de sa collection.

ˆâvˆ©nements spˆ©ciaux
Les ˆ©vˆ©nements spˆ©ciaux du FIFA demeurent de grands incontournables. La projection du film Antonine Maillet ’Äì Les possibles sont infinis, une rˆ©alisation de Ginette Pellerin, sera prˆ©sentˆ©e en grande premiˆ®re quˆ©bˆ©coise le vendredi 19 mars 2010 en prˆ©sence de l’Äôartiste. Ce documentaire se veut une incursion complice dans l’Äôunivers de l’Äôˆ©crivaine acadienne devenue cˆ©lˆ®bre en 1971 avec La Sagouine et par l’Äôattribution du prix Goncourt en 1979. Le visionnement sera suivi d’Äôune rencontre animˆ©e par Jean Fugˆ®re, chroniqueur littˆ©raire, avec la rˆ©alisatrice Ginette Pellerin et l’Äôˆ©crivaine Antonine Maillet. La projection du film Offre-moi ton corps de Bernar Hˆ©bert et Renˆ©e Claude Riendeau raconte la dˆ©marche de photographes qui utilisent le corps humain pour exprimer certaines prˆ©occupations humaines et sociales. Elle sera suivie du vernissage de l’Äôexposition de photographies en prˆ©sence de certains artistes du film dont Elinor Carruci, Elena Dorfman et ˆâliane Excoffier. L’Äôˆ©vˆ©nement Quarantaine proposera une rencontre entre Marie-Christine Trottier et l’Äôˆ©quipe de crˆ©ation interdisciplinaire de ce film composˆ©e entre autres des rˆ©alisateurs Marlene Millar et Philip Szporer et du comˆ©dien Marc Bˆ©land. The Holocaust Memorial: Inner States, ˆ©vˆ©nement reliˆ© au film Expansive Grounds, rˆ©alisˆ© par Gerburg Rohde-Dahl, rassemble Phyllis Lambert, architecte, directeur-fondateur et prˆ©sident du conseil des fiduciaires du CCA, et Ursula Feist, survivante de l’ÄôHolocauste. Elles partagent, avec le public, leur perception du controversˆ© monument berlinois conˆßu par l’Äôarchitecte Peter Eisenman ˆÝ la mˆ©moire des victimes de la Shoah. Learning from Light: The Vision of I.M. Pei, qui retrace les ˆ©tapes de la conception du Musˆ©e d’Äôart islamique de Doha au Qatar, sera suivi d’Äôune table ronde. L’Äôˆ©vˆ©nement Magasin gˆ©nˆ©ral, animˆ© par Catherine Perrin, invitera le public ˆÝ rencontrer la joyeuse bande des artisans de ce documentaire dont font partie les co-rˆ©alisteurs Adeline Le Guellaud et Dominique Tripier-Mondancin et les auteurs et crˆ©ateurs de la bande dessinˆ©e, Rˆ©gis Loisel et Jean-Louis Tripp. L’Äôˆ©vˆ©nement The Ground is Moving proposera le vernissage de l’Äôinstallation vidˆ©o de l’Äôartiste Suisse Christoph Oertli. Finalement, l’Äôˆ©vˆ©nement L’ÄôArt de Chopin (bicentennaire cette annˆ©e) ,animˆ© par Catherine Perrin, suscitera une discussion sur le talent du gˆ©nie musical et du film rˆ©alisˆ© par Gˆ©rald Caillat.

Les diverses disciplines
Le FIFA, c’Äôest ˆ©galement plusieurs disciplines du domaine des arts portˆ©es ˆÝ l’Äôˆ©cran. Il propose cette annˆ©e l’Äôart de l’Äôarchitecture avec le film Jean Nouvel, les traits de l’Äôarchitecte et l’Äôart actuel avec les projections de Chine, l’Äôempire de l’Äôart?, About Jenny Holzer et Art:21-Art in the Twenty-first Century: Transformation. L’Äôart trˆ®s populaire de la BD sera mis en lumiˆ®re avec Loisel et Tripp, traits complices et The Man without a Home: Study of a Portrait of Hugo Pratt, alors que l’Äôart de la danse ˆ©mergera de Carolyn Carlson, le regard du geste, Aurˆ©lie Dupont, l’Äôespace d’Äôun instant, Israˆ´l Galvan et Sidi Larbi Cherkaoui ’Äì Rˆ�ve de Babel. L’Äôart du design introduira Milton Glaser: To Inform and Delight et Il ˆ©tait deux fois un jardin, alors que l’Äôhistoire de l’Äôart allemand depuis la Deuxiˆ®me Guerre mondiale, est ˆ©voquˆ©e via la trˆ®s belle production Germany’Äôs Cold War Cultures 1945-1989. L’Äôart de la musique jazz sera ˆÝ l’Äôhonneur dans Boris Vian, la vie jazz et Harlem ˆÝ Montmartre : une histoire du jazz ˆÝ Paris. Trois trˆ®s beaux films porteront sur l’Äôart de la musique avec Juliette Grˆ©co, ¬´ Je suis comme je suis ¬ª, La musique, avenir du Venezuela : El Sistema et The Real World of Peter Gabriel. L’Äôart de la peinture prˆ©sentera six incontournables dont David Hockney: A Bigger Picture, Botero ’Äì Born in Medellin, Magritte, le jour et la nuit, Gauguin ˆÝ Tahiti et aux Marquises, Views on Vermeer ’Äì 12 short Stories et La vie cachˆ©e des ‰ìuvres ’Äì Rembrandt. L’Äôart du cinˆ©ma sera reprˆ©sentˆ© par Andrzej Wajda: Chronicler of Poland, Disney.Pixar, Juliette Binoche dans les yeux, Life and Work of Milos Forman, The Magnificent Tati et Philippe Noiret, gentleman saltimbanque. L’Äôart de la photographie vivra grˆ¢ce ˆÝ la prˆ©sentation de Studio Malick : un regard sur l’Äôautre Afrique. Malick Sidibˆ© vient tout rˆ©cemment de gagner le prestigieux 1er prix de la World Press Photo 2010.

Hommage
Au cours de l’Äôˆ©dition 2010, le FIFA rendra un vibrant hommage ˆÝ Andrˆ© S. Labarthe, critique, scˆ©nariste, producteur et surtout rˆ©alisateur. Ce crˆ©ateur complexe, curieux de tous les domaines intellectuels et artistiques qu’Äôil analyse, exprime cette ˆ©rudition dans son champ d’Äôexpertise : le cinˆ©ma. Une dizaine de ses films, notamment sur Arthur Penn, Carolyn Carlson, Samuel Fuller, Alfred Hitchock, John Ford, John Cassavetes, Pierre Perrault et Martin Scorsese, sera au programme.

De plus, le 45e anniversaire de la Fondation Maeght, dont la mission est de prˆ©senter l’Äôart contemporain et moderne sous toutes ses formes, sera mis ˆÝ l’Äôhonneur au 28e FIFA dans la prˆ©sentation de quatorze films de choix portant sur des artistes tels que Calder, Miro, Chagall, Giacometti, Braque, Malraux et Riopelle. Le FIFA aura ce grand privilˆ®ge d’Äôaccueillir nul autre qu’Äôun des membres de la cˆ©lˆ®bre famille, M. Jules Maeght, (membre du jury) lors de ces dix jours de festivitˆ©s. Et dans la section panorama, la premiˆ®re d’Äôune ‰ìuvre tant attendue depuis prˆ®s de 40 ans sera prˆ©sentˆ©e. Il s’Äôagit d’Äôun film de Charles Gagnon tournˆ© en 1969, restˆ© inachevˆ© du vivant de l’Äôartiste et terminˆ©, ˆÝ titre posthume, par sa fille Monika. Un hommage sera aussi consacrˆ© ˆÝ Daniel Olson, cet artiste prolifique de Montrˆ©al reconnu pour ses vidˆ©os, ses installations, ses photographies et ses performances.

Partenaires
Le FIFA est heureux de compter sur des partenaires fidˆ®les sans qui la rˆ©ussite de l’Äôˆ©vˆ©nement ne serait pas possible. Le FIFA remercie notamment le Musˆ©e des beaux-arts pour la tenue des matinˆ©es du festival, souligne sa toute nouvelle collaboration avec l’ÄôUniversitˆ© Concordia et salue la collaboration ˆ©troite avec la Cinˆ©mathˆ®que Quˆ©bˆ©coise pour la prˆ©sentation des films dˆ©diˆ©s au 7e art. Le FIFA remercie ˆ©galement quelques-uns de ses partenaires mˆ©dias dont ARTV, le Devoir, Tˆ©lˆ©-Quˆ©bec, The Gazette et le journal Mˆ©tro. Il dˆ©sire aussi remercier tous ses partenaires privˆ©s et publics ainsi que tous ceux et celles qui contribuent ˆÝ la rˆ©alisation et au succˆ®s de l’Äôˆ©dition 2010.

Lieux de projections et billetterie
Le 28e FIFA prendra l’Äôaffiche ˆÝ compter du 18 mars 2010, dans neuf salles du centre-ville, soit la Bibliothˆ®que nationale du Quˆ©bec, le Centre canadien d’Äôarchitecture, le Cinˆ©ma de l’ÄôOffice national du film du Canada, la Cinˆ©mathˆ®que quˆ©bˆ©coise, le Goethe-Institut, le Musˆ©e d’Äôart contemporain, le Musˆ©e des beaux-arts, la Place des Arts et l’ÄôUniversitˆ© Concordia.

Les billets seront disponibles dˆ®s le 27 fˆ©vrier ˆÝ midi aux guichets de la Place des Arts ainsi qu’Äôen ligne au www.artfifa.com ou par tˆ©lˆ©phone au (514) 842-2112. Le coˆªt rˆ©gulier des billets est de 12$ l’Äôunitˆ© et de 80$ pour l’Äôachat d’Äôun carnet de 8 billets. Des tarifs jeunesse et aˆÆnˆ©s sont ˆ©galement disponibles. Le FIFA vendra ˆ©galement des billets sur place aux neuf salles lors de projections et ce, une heure avant les reprˆ©sentations. Finalement, un nouveau passeport Arts mˆ©diatiques est disponible au coˆªt de 25$ et permettra l’Äôaccˆ®s ˆÝ cinq sˆ©ances diffˆ©rentes.

Obtenez de plus amples informations en consultant www.artfifa.com ou par tˆ©lˆ©phone au (514) 874-1637 ou aux kiosques du FIFA qui seront en place dˆ®s le 1er mars ˆÝ la Place des Arts et dˆ®s le 9 mars ˆÝ l’ÄôUniversitˆ© Concordia et ˆÝ la Grande Bibliothˆ®que.

Michael Tilson Thomas Wins National Medal of Arts

Nation’Äôs Highest Award for Artistic Achievement Presented Today by President Barack Obama in White House Ceremony

(Washington, D.C.’ÄîFebruary 25, 2010) Michael Tilson Thomas (MTT), Music Director of the San Francisco Symphony, Founder and Artistic Director of the New World Symphony, America’Äôs Orchestral Academy, and Principal Guest Conductor of the London Symphony Orchestra, has been awarded the National Medal of Arts, the nation’Äôs highest award for artistic achievement. The award will be presented by President Barack Obama at a ceremony in the East Room of the White House, where Tilson Thomas will be recognized for his contributions to American culture.

’ÄúI am grateful to have the opportunity to share the deep and ongoing tradition of classical music with all Americans,’Äù said Tilson Thomas. ’ÄúI receive this award with gratitude to President Obama, the National Endowment for the Arts and to my many musical colleagues throughout the country whose devotion makes all this possible. I especially want to thank the San Francisco Symphony and the New World Symphony families for our special collaborations over these many years.’Äù

Michael Tilson Thomas is acclaimed as a conductor, composer and educator. Currently in his 15th season as music director of the San Francisco Symphony, he is also the Founder and Artistic Director of the New World Symphony, the premier orchestral academy for gifted young musicians. With a background that includes grandparents, Boris and Bessie Thomashefsky, founding members of the Yiddish Theater in America, and working relationships with legendary composers of the 20th century, such as Igor Stravinsky, Aaron Copland and Leonard Bernstein, MTT’Äôs wide ranging perspectives on music have won him respect and trust among musicians and audiences worldwide.

He conducts and has recorded musical works ranging from Bach, Tchaikovsky and Beethoven to Gershwin, Ives and Reich. The recordings of the complete Mahler symphony cycle by MTT and the San Francisco Symphony have been recognized with seven Grammys, including three this year for Symphony No. 8.

MTT’Äôs commitment to music education is longstanding. He was Director of the New York Philharmonic’Äôs Young People’Äôs Concerts from 1971 to 1977, helped to create the Discovery Series with the London Symphony Orchestra and is currently creating the Keeping Score Project with the San Francisco Symphony. Keeping Score includes the nationally televised PBS series, radio programming, interactive websites and a K-12 education program, all designed to make classical music more accessible to people of all ages and musical backgrounds. His Keeping Score radio series, The MTT Files, won a Peabody Award in 2008.

In 1987, he founded the New World Symphony (NWS) ’Äì an orchestral academy dedicated to the artistic, personal and professional development of outstanding young instrumentalists. There, in addition to a full season of master classes and concerts, he employs Internet2 technology to bring conductors, soloists and coaches from across the globe into virtual collaboration with NWS fellows. Hundreds of NWS alumni are working in 175 professional orchestras around the world. A new Frank Gehry-designed campus will open in Miami Beach in January, 2011.

MTT served as artistic director of the YouTube Symphony Orchestra (YTSO), a 96-member ensemble selected from 3,000 video auditions created by musicians from 30 countries and all walks of life and the first orchestra auditioned entirely online. He conducted the YTSO in April 2009 at a Carnegie Hall concert, which received global coverage.

He has won ten Grammys for his recordings and is a Chevalier dans l’Äôordre des Arts et des Lettres of France. He has been named by Musical America as both ’ÄúMusician of the Year’Äù and ’ÄúConductor of the Year’Äù and is a Fellow of the American Academy of Arts and Sciences.

For more information, visit www.michaeltilsonthomas.com or www.facebook.com/michaeltilsonthomas

NY Festival Of Song, 3/16 "The Sweetest Path"

MERKIN CONCERT HALL AT KAUFMAN CENTER AND NEW YORK FESTIVAL OF SONG PRESENT

THE SWEETEST PATH
The Great Flowering of French Art Song: Faurˆ©, Bizet, Ravel, Debussy,
many more
Tuesday, March 16 at 8 PM at Merkin Concert Hall at Kaufman Center

CULMINATION OF CARAMOOR’ÄôS VOCAL RISING STARS PROGRAM, FEATURING SINGERS INVITED FROM AROUND THE U.S.

Artists: John Brancy, Charlotte Dobbs, Rebecca Jo Loeb, Matthew Peˆ±a
Steven Blier and Michael Barrett


Kaufman Center and New York Festival Of Song (NYFOS, www.nyfos.org) present The Sweetest Path, on Tuesday, March 16 at 8 PM at Kaufman Center’Äôs Merkin Concert Hall. The concert, celebrating the first great flowering of French art song, with the lush, poetic music of Faurˆ©, Ravel, Debussy, Bizet, Gounod and many other composers, culminates the second season of Caramoor’Äôs Vocal Rising Stars program, a week-long residency for young professionals devoted to guiding and inspiring the next generation of vocal talent. The Caramoor Center for Music and the Arts in Katonah, New York is the program’Äôs sponsor, and will present The Sweetest Path on Saturday, March 13 in the Music Room at Caramoor. The initial season of the Caramoor Vocal Rising Stars Program will be underwritten, in part, by the Terrance W. Schwab Fund for Young Vocal Artists. Leading the week’Äôs events will be NYFOS Artistic Directors and pianists Steven Blier and Michael Barrett, working with a select group of young singers from around the country.

Tickets for The Sweetest Path at Merkin Concert Hall are $40-$55, with $15 student discount tickets a half-hour before performances, as available. There are also $15 student tickets available in advance by calling (646) 230-8380. Merkin Concert Hall at Kaufman Center is at 129 West 67th Street (between Broadway and Amsterdam Avenue, New York, NY 10023. Telephone (212) 501-3330, or visit www.kaufman-center.org.

The artists are Charlotte Dobbs, soprano, featured last summer as the Governess in The Turn Of the Screw under the baton of Lorin Maazel; Rebecca Jo Loeb, mezzo-soprano, featured in NYFOS’Äôs Latin Lovers, and hailed by Opera News as ’Äúa singer to watch’Äù; Matthew Peˆ±a, an award-winning tenor who can be heard on the Albany Records recording of The Turn Of the Screw; John Brancy, baritone, a Liederkranz Foundation winner; and NYFOS Artistic Director Steven Blier (’ÄúA national treasure when it comes to the art of song’Äù ’Äì The New York Times) and Associate Artistic Director Michael Barrett, General Director of Caramoor, as pianists/hosts.

Upcoming events at NYFOS include its April 12 gala Let Yourself Go, at Weill Recital Hall at Carnegie Hall, celebrating the music of Irving Berlin; and on May 4 and 6 at Merkin Concert Hall, The Newest Deal, the premiere of Pulitzer Prize finalist Harold Meltzer’Äôs song cycle Beautiful Ohio*, created for and performed by tenor Paul Appleby, winner of the 2009 Metropolitan Opera National Council Auditions, and recently featured in Where We Come From.

Program:

The Great Outdoors
Gabriel Faurˆ© Le plus doux chemin
Emmanuel Chabrier Les cigales
Edouard Lalo Au fond des halliers
Chabrier Lied

The Purple Years
Charles Gounod O ma belle rebelle
Cˆ©sar Franck Le mariage des roses
Alfred Bachelet Chˆ®re nuit
Georges Bizet N'oublions pas!

Spanish Weekend
Albert Roussel Le bachelier de Salamanque
Pauline Viardot L'absence
Maurice Ravel Vocalise en forme de habanera
Chabrier Espaˆ±a
New Voices
Maurice Ravel Deux ˆ©pigrammes de Clˆ©ment Marot
1. D'Anne qui me jecta de la neige
2. D'Anne jouant de l’Äôespinette
Erik Satie Daphˆ©nˆ©o
Max d’ÄôOllone L'enfant Eros
Francis Poulenc La petite servante

Encounters
Faurˆ© En sourdine
Georges Auric Attendez le prochain bateau
Albert Roussel Sarabande
Claude Debussy Colloque sentimental



After Hours
Maurice Ravel Fascination
Renˆ© Sylvano
and Lucien Boyer,
lyrics by
Yvette Guilbert Partie carrˆ©e

Composers:

Georges Auric (1899 ’Äì 1983) was part of the French avant-garde, and composed music for ballet, musical theater, opera and classic films such as Cocteau’Äôs Beauty and the Beast. Many of his songs became popular hits.

Alfred Bachelet (1864 ’Äì1944) is considered a key figure in early 20th century French opera, with a post-Romantic style similar to Richard Strauss.

Georges Bizet (1838-1875), a Romantic Composer influenced by Gounod and Schubert, is best known for his operas, including Carmen and The Pearl Fishers, as well as such instrumental works as Symphony In C.

Emanuel Chabrier (1841-1894) was an important Romantic composer who created operas (notably L’Äôˆ©toile), songs, orchestral works and piano music. And who influenced several succeeding generations of French composers, especially in his use of musical humor and wit.

Claude Debussy (1862-1918), one of the most prominent figures in impressionist music, was famous for his uniquely sensuous style in works such as the opera Pˆ©lleas and Mˆ©lisande and orchestral works such as La Mer.

Max d’ÄôOllone (1875-1959) was a composer, conductor and musicologist. His work was influenced by Massenet and Wagner, but his many operas and ballets showed his own sharply dramatic style.

Gabriel Faurˆ© (1845-1924) is considered the master of French art song, using a uniquely subtle, yet repetitive harmonic and melodic style which greatly influenced 20th century music.

Cˆ©sar Franck (1822-1890) a major figure of late French Romantic music, developed and composed works in ’Äúcyclic form,’Äù in which successive themes germinate from a main motif, and used harmonies influenced by Liszt and Wagner. Among his best known works are his Symphony in D and his violin concerto.

Charles Gounod 1818-1893) achieved fame as a Romantic composer through his operas Faust and Romˆ©o et Juliette and vocal works such as his adaptation of the first prelude of Bach’Äôs Well-Tempered Clavier, which he used as the foundation for his world famous Ave Maria.

Yvette Guilbert (1865-1944) was one of the greatest stars of French cabaret, singing songs of tragedy and lost love. She was painted by Tolouse Lautrec, adored by Verdi, starred in silent films, wrote best-selling novels and sometimes composed her own music and lyrics, many of which were big hits.

Eduard Lalo (1823-1892) whose most famous vocal work is the opera Le Roi D’ÄôY’Äôs, was noted for his strong melodies and colorful orchestration.

Francis Poulenc (1899-1963) was a member of the Paris group of composers called Les Six and applied Dadaist techniques to music, frequently blurring the lines between classical and popular idioms.

Maurice Ravel (1875-1937), another important figure in French impressionist music, was noted for his complex orchestral and instrumental textures, in works such as Daphnis and Chloe and La Valse.

Albert Roussel (1869-1937) wrote a variety of instrumental and vocal works. Influenced by impressionist composers, he reinvented in his own neoclassical style and jazz-oriented pieces.

Erik Satie (1866-1925), one of the most influential artists of the French avant-garde crowd, was noted for his minimalist pieces, which provided the inspiration for succeeding generations of French composers.

Pauline Viardot (1821 ’Äì 1910), a glamorous figure in late 19th Century opera, arranged works by Brahms, Schubert and other important composers. She also created songs and salon operas which were intended to be private exercises for her vocal students, but were discovered by Franz Liszt and eventually reached the public.

Bios

Hailing from Mullica Hill, New Jersey, John Brancy is in his third year of undergraduate studies at The Juilliard School. Mr. Brancy’Äôs many scholarships include the E. & G. Valentine scholarship, the Mary Isabelle Kemp scholarship, and the Michael L. Brunetti memorial scholarship in voice. Other awards include an encouragement award in the 2008 Lotte Lenya competition, the First place prize in the 2007 Classical Singer competition, The Gold Award from NFAA, an encouragement award from Opera Index, and recently the Second Place prize in the Liederkranz Foundation opera competition. Mr. Brancy’Äôs recent engagements have taken him to Carnegie Hall for two consecutive performances in last year’Äôs season with Mid-America productions.

Charlotte Dobbs made her European debut this past summer as Corinna in Il viaggio a Reims at the Pesaro Rossini Festival, and returned to Italy in the fall to sing Rosina in the theaters of Jesi, Fermo, and Ravenna with the Fondazione Pergolesi Spontini. She also made her debut this season with the Chicago Opera Theater, as Servilia in La clemenza di Tito. Other recent credits include Donna Elvira, the title role in Tchaikovsky's Iolanta, Nuria in Ainadamar, and the Countess in Le nozze di Figaro with the Curtis Opera Theater. In 2008, she appeared in recital with Mitsuko Uchida at the Marlboro Music Festival, where she performed Schoenberg's Book of the Hanging Gardens. Also at Marlboro, she gave her first performance of Schoenberg's Second String Quartet. Her recent appearances also include the title role in Iphigˆ©nie en Aulide, Elettra in Idomeneo, and Juno in La Calisto, all at the Juilliard School. Miss Dobbs made her Kimmel Center and Carnegie Hall debuts in Nielsen's Third Symphony with the Curtis Symphony Orchestra under the direction of Alan Gilbert in 2008. She has appeared on two NYFOS programs: Songs of Peace and War and No Song Is Safe From Us.

Hailed as a ’Äúsinger to watch’Äù (Opera News) and a ’Äúdusky-toned mezzo’Äù (the New York Times) Rebecca Jo Loeb is a recent graduate of The Juilliard School. Included in her 2009-10 season are performances as the Second Fairy in A Midsummer Night’Äôs Dream with the New York City Ballet, her Carnegie Hall debut as the alto soloist in Bach’Äôs B minor Mass with the Saint Cecilia Chorus and Orchestra, performing in a workshop of The Enchanted Island with The Metropolitan Opera, and performing Bolcom’Äôs Cabaret Songs at Alice Tully Hall with the Riverside Symphony. This summer she will return to Glimmerglass Opera to perform in The Tender Land and Le nozze di Figaro. She has performed with the Boston Pops, the Mark Morris Dance Company, Central City Opera, as fellow at the Tanglewood Music Center, and as a Young American Artist at Glimmerglass Opera. Ms. Loeb made her Broadway debut in a program entitled Ladies Who Sing Sondheim starring Angela Lansbury. She performed Carrie in Carousel and Petra in A Little Night Music with the Boston Pops. Ms. Loeb has won the Kurt Weill Foundation’Äôs Lotte Lenya competition and was a 2009 Career Bridges grant winner.

Matthew Peˆ±a enjoys a diverse repertoire in opera, concert and recital of standard, new, and unjustly obscure repertoire. His operatic credits include roles with Anchorage Opera, Virginia Opera, Chautauqua Opera, Opera Santa Barbara, and the Des Moines Metro Opera. He was a recent member of the Steans Institute at the Ravinia Festival and has appeared in concert and recital with the American Classical Orchestra, the Choral Society of New York, the San Jose Music Club, the Cleveland Singers Club and The Song Continues Festival of the Marilyn Horne Foundation. This summer, he will be an Apprentice Artist with the Santa Fe Opera. Mr. Peˆ±a has won several awards, including a grant from the Lˆ©ni Fˆ© Bland Foundation, the San Jose Music Study Club Competition, and the Charles A. Lyman Vocal Competition. He is a graduate of Oberlin College and Conservatory and the Manhattan School of Music. His recordings includeLee Hoiby’Äôs A Month in the Country and Spohr’Äôs Zemire and Azor, both available through Albany Records.


Steven Blier
Artistic director Steven Blier co-founded the New York Festival of Song (NYFOS) in 1988 with Michael Barrett. Since the Festival’Äôs inception he has programmed, performed, translated and annotated over one hundred vocal recitals with repertoire spanning the entire range of American song, art song from Schubert to Szymanowski, and popular song from early vaudeville to Lennon-McCartney.

Mr. Blier also enjoys an eminent career as an accompanist and vocal coach. His recitals with Renˆ©e Fleming, Cecilia Bartoli, Samuel Ramey, Susan Graham, Frederica von Stade, and Jessye Norman have taken him to the stages of Carnegie Hall, La Scala, and London’Äôs Wigmore Hall. He has premiered works of John Corigliano, Ned Rorem, William Bolcom, John Musto, Paul Moravec, Tobias Picker, Robert Beaser, and Lee Hoiby, many of which were commissioned by NYFOS.

In addition to his many recordings with NYFOS, Mr. Blier’Äôs discography includes four volumes of songs by Charles Ives with baritone William Sharp (Albany Records), a Grammy-nominated CD of American songs with Mr. Sharp (New World Records), and first recordings of music by Busoni and Borodin with cellist Dorothy Lawson (Koch International). His two most recent releases are The Land Where the Good Songs Go with Sylvia McNair and Hal Cazalet, and Spanish Love Songs with Joseph Kaiser and the late Lorraine Hunt Lieberson (Bridge Records).

Mr. Blier is on the faculty of The Juilliard School, and has been active in encouraging young recitalists at summer programs, including the Wolf Trap Opera Company, Glimmerglass Opera, and the San Francisco Opera Center.

Michael Barrett
NYFOS co-founder and Associate Artistic Director Michael Barrett is Chief Executive and General Director of the Caramoor Center for Music and the Arts. In 1992, he co-founded the Moab Music Festival with his wife, violist Leslie Tomkins. From 1994 to 1997, he was the Director of the Tisch Center for the Arts at the 92nd Street Y in New York.

A protˆ©gˆ© of Leonard Bernstein, Mr. Barrett began his long association with the renowned conductor and composer as a student in 1982. He is currently the Artistic Advisor for the estate of Leonard Bernstein. Mr. Barrett has been a guest conductor with the Orchestra of St. Luke’Äôs, the New York Philharmonic, the London Symphony, the Israel Philharmonic and the Orchestre National de France, among others. He also has served variously as conductor, producer, and music director of numerous special projects, including the world premiere of Volpone by John Musto.

Mr. Barrett’Äôs discography includes: Spanish Love Songs, recorded live at Caramoor with Lorraine Hunt Lieberson, Steven Blier, and Joseph Kaiser; Live from the Moab Music Festival; the Grammy-nominated Evidence of Things Not Seen (New World Records); Aaron Jay Kernis: 100 Greatest Dance Hits (New Albion); On the Town (Deutsche Grammophon); Kaballah (Koch Classics) by Stewart Wallace and Michael Korie; Schumann Lieder with Lorraine Hunt and Kurt Ollman (Koch); and Arias and Barcarolles (Koch) by Leonard Bernstein (Grammy Award).


New York Festival of Song was founded in 1988 by Steven Blier and Michael Barrett. NYFOS is dedicated to creating intimate song concerts of great beauty, humor and originality, combining music, poetry, and history to entertain, educate and create community among audiences and performers. With a far-ranging repertoire of art songs, concert works and theater pieces, its thematic recitals have included programs from Brahms to the Beatles, from the nineteenth-century salons of Paris to Tin Pan Alley, from Russian art song to Argentine tangos, from sixteenth-century lute songs to new music. NYFOS particularly celebrates American song literature and culture, and specializes in premiering and commissioning new American works.
###

NYFOS’Äôs New York City concert series is funded, in part, by the New York City Department of Cultural Affairs, in partnership with the City Council, and by the New York State Council on the Arts.

The May 4 and 6, 2010 performances of The Newest Deal are made possible, in part, by a generous grant from the National Endowment for the Arts.

*Beautiful Ohio is commissioned by the ASCAP Foundation Charles Kingford Fund.
The second season of the Caramoor Vocal Rising Stars program will be underwritten, in part, by The Terrance W. Schwab Fund for Young Vocal Artists.
Paul Appleby appears with the cooperation of The Metropolitan Opera Lindemann Young Artist Development Program.

Infinitheatre prˆ©sente FATHER LAND

INFINITHˆâˆÇTRE prˆ©sente la premiˆ®re mondiale de FATHER LAND, ˆ©crit par Arthur Holden et dirigˆ© par Guy Sprung, au Bain St-Michel du 9 au 28 mars.

Avec
Dylan Gouze

Neil Napier

Howard Rosenstein

Dˆ©cors & costumes James Lavoie
Lumiˆ®res Sarah Yaffe
Sonorisation Keith Thomas
Rˆ©gie Sarah-Marie Langlois

Dates & Heures Le 9 ˆÝ 28 mars
Prˆ©vues March 9 & 10 Payez-que-vous-pouvez
Premiˆ®re March 11
Mardi ˆÝ samedi 20:00
Dimanche Matinˆ©e 14:00
Lundi FERMˆâ

Billets
Admission Gˆ©nˆ©ale $20
ˆâtudiants & Aines $15
Groupes (6 et lus) $10

Lieu
Bain St-Michel
5300, St-Dominique

Guichet Site Web
(514) 987 ’Äì 1774 www.infinitheatre.com
box-office@infinitheatre.com

The High Park Choirs of Toronto welcomes Caitlin Smith as new Choir Manager

TORONTO, Feb. 24 /CNW/ - The High Park Choirs of Toronto is pleased to announce the appointment of their new Choir Manager, Caitlin Smith. Caitlin is a talented Toronto-based musician. She recently returned from New York City, where she spent 2008-2009 on a study grant from the Canada Council for the Arts. While there, she studied composition with the renowned pianist and composer Jim McNeely, was a participant in the BMI Jazz Composers' Workshop, and studied orchestral conducting with Gary Fagin and Alan Pierson.

As Choir Manager of the High Park Choirs of Toronto, Caitlin will work closely with Artistic Director Zimfira Poloz and will be instrumental in ensuring that the day-to-day management of the choirs is efficient and effective. She will take on many administrative tasks and facilitate internal communications.

Caitlin is a graduate of the jazz program at Humber College in Toronto, where she studied composition and woodwind performance. Caitlin has also studied composition with Dave McMurdo and film composer Christopher Dedrick. She holds certificates in classical clarinet, harmony and theory through the Royal Conservatory of Music.

Caitlin's talents are multi-faceted. She is a composer, conductor, arranger, copyist, teacher, and performer. She leads the 20-piece Tiny Alligator Large Band and is co-founder of the new The Wireless Orchestra. She was the conductor of the Hart House Jazz Ensemble at the University of Toronto for 2007-2008. Her compositions and arrangements have been performed by orchestras at home and abroad and her music has been played on CBC Radio One and on JazzFM 91.1.

About Zimfira Poloz

Zimfira Poloz has been the Artistic Director for the High Park Choirs of Toronto since 2004, and under her direction, the choirs have earned praise nationally and internationally. She is a highly respected conductor, educator and adjudicator with a distinguished international reputation. She has been decorated with numerous awards in her long career, including the Honoured Representative of Education of the Republic of Kazakhstan Award, the city of Hamilton's V.I.P. Award and the Leslie Bell Prize Award for Choral Conducting from the Ontario Arts Council. She is invited regularly to serve as clinician for festivals, lead workshops for educators, and jury International Choir Competitions, including the renowned Choir Olympics.

About High Park Choirs

The High Park Choirs was founded in 1986 as a girls' choir and now comprises over one-hundred-and-twenty boys and girls aged five to eighteen arranged in five skill-based divisions. The choirs develop the children's choral and musical ability while promoting inclusiveness, fun, teamwork, cultural diversity and choral excellence. The result is a group of children who have confidence in themselves and each other and produce a beautiful and unique sound that has impressed local and international audiences.


The choirs are guided by highly acclaimed artistic staff whose talent and choice of innovative repertoires has drawn singers from 71 schools across the GTA. The choirs have also benefited from collaborations with renowned Canadian and international composers and are the children's choir-in-residence at the Faculty of Music, University of Toronto. Children interested in joining the choirs are encouraged to attend an open rehearsal and audition at Runnymede United Church.

Revenue Canada Charitable Registration Number
88621 7793 RR0001

Compositeur de taille olympique au Th×ô×ítre Centennial

Stephan Moccio, compositeur de taille olympique au Thˆ©ˆ¢tre Centennial

Page du spectacle http://www.ubishops.ca/centennial/program/stephan-moccio-fr.html

Sherbrooke, le 24 fˆ©vrier janvier 2010. ’Äì Bien aprˆ®s la clˆ¥ture des Jeux Olympiques de Vancouver, la piˆ®ce thˆ®me de la station CTV ¬´ I believe/J’Äôimagine¬ª, interprˆ©tˆ©e par Annie Villeneuve et composˆ©e par le pianiste Stephan Moccio retentira dans le c‰ìur des athlˆ®tes et de la population canadienne. C’Äôest dans l’Äôintimitˆ© du Thˆ©ˆ¢tre Centennial ˆÝ Sherbrooke que se produira le pianiste Stephan Moccio le vendredi 19 mars prochain dˆ®s 20 h. Pour l’Äôoccasion, il interprˆ®tera des piˆ®ces de son premier disque Exposure et sans doute une version piano du thˆ®me olympique. En 2008, le Thˆ©ˆ¢tre Centennial prˆ©sentait Stephan Moccio en premiˆ®re partie de la chanteuse jazz Sophie Milman.

Compositeur recherchˆ©, Stephan Moccio est aussi reconnu pour avoir ˆ©crit pour Cˆ©line Dion (co-auteur de ¬´ A New has Come ¬ª), Josh Groban, Sarah Brightman ainsi que pour Annie Villeneuve. Il s’Äôagit d’Äôune deuxiˆ®me collaboration entre le pianiste et l’Äôex-acadˆ©micienne. En effet, Moccio signe la piˆ®ce ¬´ Mon hˆ©ro ¬ª, sur l’Äôalbum ˆ©ponyme de l’Äôex-acadˆ©micienne.

Exposure, le premier album de Stephan Moccio, sur lequel il compose pour le piano solo, a ˆ©tˆ© certifiˆ© Disque d’Äôor en aoˆªt 2009. De plus, on retrouve la musique du compositeur torontois sur le disque ¬´ Berceuse pour Philou ¬ª auquel on dˆ©cernait, en novembre dernier, un prix Fˆ©lix Album de l’ÄôAnnˆ©e- Instrumental. Un deuxiˆ®me album est prˆ©sentement en production.

Les dˆ©tails du spectacle de Stephan Moccio se retrouve sur le site Web du thˆ©ˆ¢tre Centennial www.centennialtheatre.ca . On se procure des billets en composant le 819-822-9692.

Stephan Moccio auThˆ©ˆ¢tre Centennial (Universitˆ© Bishop)
Vendredi 19 mars 2010 20 h

www.stephanmoccio.com

Rˆ©gulier $23.00, AˆÆnˆ© (60+) $15.00, ˆâtudiant (avec carte) $15.00
Billetterie : 819-822-9692

Festival Guitare Alla Grande

Gatineau, le 24 fˆ©vrier 2010 ’Äî Aprˆ®s le franc succˆ®s du festival Guitare Alla Grande 2009, la grande fˆ�te annuelle de la guitare revient du 18 au 21 mars 2010, au grand plaisir de tous les amateurs ! Le Conservatoire de musique de Gatineau vous invite ˆÝ venir ˆ©couter des concerts qui traverseront tous les styles musicaux, du flamenco ˆÝ la musique nouvelle, et ce, en compagnie des meilleurs guitaristes de la rˆ©gion qui joueront en solo, en ensembles et mˆ�me en orchestre de guitares ! Ce sera aussi l’Äôoccasion d’Äôassister ˆÝ des cours de maˆÆtres offerts par les membres du prestigieux Amadeus Guitar Duo, en provenance de l’ÄôAllemagne, et de les entendre en rˆ©cital.

Le Amadeus Guitar Duo est un des duos de guitare les plus reconnus sur la scˆ®ne internationale. Dale Kavanagh (Canada) et Thomas Kirchhoff (Allemagne) ont dˆ©butˆ© leur collaboration en 1991 et ont donnˆ© depuis plus de 750 concerts ˆÝ travers le monde. Les critiques musicaux soulignent particuliˆ®rement la virtuositˆ© pˆ©tillante de leur jeu ainsi que la richesse et la chaleur de leur son qui remplit les salles les plus grandes.

Les ˆ©vˆ©nements ont lieu au Conservatoire de musique de Gatineau (430, boul. Alexandre-Tachˆ©) ainsi qu’ÄôˆÝ la Salle Freiman (610, rue Cumberland) et au pavillon Tabaret (550, rue Cumberland) de l’ÄôUniversitˆ© d’ÄôOttawa. L’Äôentrˆ©e est libre pour toutes les activitˆ©s, sauf le concert du Amadeus Guitar Duo (billets 20 $, aˆÆnˆ©s et membres de la Sociˆ©tˆ© de guitare d’ÄôOttawa 15 $).

¬´ ’Ķ the Guitar Alla Grande Festival (2009) was a great success. In a jam packed four days we had seen a great deal of musical talent’Ķ This little festival definitely packs quite a punch! We look forward to next year’Äôs edition. ¬ª Classical Guitar, juillet 2009

HORAIRE du festival guitare alla grande
(ˆâgalement disponible sur notre site ˆÝ conservatoire.gouv.qc.ca
Le jeudi 18 mars, ˆÝ 20 h :
Concert d’Äôouverture avec les ˆ©lˆ®ves de l’ÄôUniversitˆ© d’ÄôOttawa et du Conservatoire de musique de Gatineau
‰íuvres de musique nouvelle ’Äî Salle Freiman

Le vendredi 19 mars, de 13 h 30 ˆÝ 15 h 30 :
Atelier de guitare flamenco avec Patrice Servant ’Äî Salle Fernand-Graton
de 16 h ˆÝ 17 h :
Rˆ©cital de Bruno Roussel, guitariste
‰íuvres de Coste, Roux, Malatset Kleynjans ’Äî Salle Fernand-Graton
ˆÝ 19 h 30 :
Rˆ©cital de Patrice Servant, guitariste
‰íuvres de Amigo, Servant, Lecuona et danses flamenco traditionnelles ’Äî Salle Fernand-Graton

Le samedi 20 mars, de 9 h 30 ˆÝ 12 h 30 :
Cours de maˆÆtres avec le Amadeus Guitar Duo ’Äî Salle Fernand-Graton et local 1.05 du Conservatoire
ˆÝ 20 h :
Concert du Amadeus Guitar Duo
‰íuvres de Telemann, Haendel, Jolivet, Kavanagh et autres ’Äî Pavillon Tabaret
Billets en vente ˆÝ l’Äôentrˆ©e de la salle

Le dimanche 21 mars, de 11 h ˆÝ 14 h :
Salon des luthiers et exposants ’Äî Pavillon Tabaret
ˆÝ 15 h :
Concert de clˆ¥ture du festival Guitare Alla Grande
Variˆ©tˆ© d’Äôensembles de guitares et orchestre Guitare Alla Grande ’Äî Pavillon Tabaret

Consultez sans tarder le calendrier complet de nos activitˆ©s sur notre site Web ˆÝ conservatoire.gouv.qc.ca. Ce site vous offre de vous abonner ˆÝ un fil RSS, une faˆßon simple et pratique d’Äôˆ�tre informˆ© sur nos activitˆ©s. Procurez-vous ˆ©galement notre dˆ©pliant de la programmation 2009-2010 en tˆ©lˆ©phonant au 819 772-3283.

Renˆ©e Fleming sings Arcade Fire, Mars Volta + more on new album

RENˆâE FLEMING VISITS A NEW UNIVERSE ON 'DARK HOPE', OUT THIS SPRING ON DECCA

One of the World's Most Celebrated Voices Puts An Indelible Signature On Songs By Arcade Fire, Band of Horses, Death Cab For Cutie, The Mars Volta, Muse, and Leonard Cohen

Renˆ©e Fleming's new album 'Dark Hope', which the opera star describes as a "visit to a new, parallel universe," will be released by Decca this spring. The album was recorded in close collaboration with producer David Kahne (Regina Spektor, The Strokes, The Bangles, Sublime, and countless others) in New York City, and features a diverse and adventurous track listing of songs.



Endlessly (Muse)
No One's Gonna Love You (Band of Horses)
Oxygen (Willy Mason)
Today (Jefferson Airplane)
Intervention (Arcade Fire)
With Twilight As My Guide (The Mars Volta)
Mad World (Tears for Fears)
In Your Eyes (Peter Gabriel)
Stepping Stone (Duffy)
Soul Meets Body (Death Cab For Cutie)
Hallelujah (Leonard Cohen)

Fleming, the superstar soprano known as "the people's diva," says of 'Dark Hope': "I've always been inspired by artists who have shown musical and intellectual curiosity and the courage to take risks. Because everything about the voice interests me, I felt it would be fascinating to learn a completely different style of singing."

Producer Kahne was a true collaborator during the recording process, driving most of the arrangements and coaching Fleming in this music. Also joining Fleming on the album are her two daughters and sister, who sing backup on several songs.

Fleming says that for the recording of this album, "Singing in a small, acoustic booth, with a microphone that's very close, in this very intimate style, is the complete opposite of how I usually sing."

There were similarities to how she prepares dramatically for an opera role, however. Fleming points out that for each track on 'Dark Hope' "we found an interpretation that enabled the point of view to sound authentic coming from me. Every song has a story, so this whole idea of enacting or playing a role is doubly true for this music."

Renˆ©e Fleming, a Fulbright Scholar and three-time Grammy award winner, has captivated audiences at leading opera houses and concert halls around the world. Last year, the acclaimed soprano was a featured performer at President Obama's Inaugural Celebration. Fleming has also had a longtime interest in jazz and has recorded jazz repertoire on 'Haunted Heart', the lauded collaboration with pianist Fred Hersch and guitarist Bill Frisell.

http://www.shorefire.com/clients/rfleming/
http://reneefleming.com/



Photo credit: Andrew Eccles

Rebecca Northan in Blind Date Extended by Popular Demand

Held Over! One of the Most Daring and Exhilarating Undertakings in the Scope of Modern Theatre ’Äì Rebecca Northan in Blind Date Extended Mar. 9 through Mar. 12

TORONTO, ON (Feb. 24, 2010) ’Äì Harbourfront Centre’Äôs World Stage today announced the extension of Rebecca Northan in Blind Date, the hilarious and sexy show adored by audiences and critics alike.

Held over by popular demand, Blind Date has been extended for a third week, Mar. 9 through Mar. 12. After a sold-out run in 2009, audiences will have four additional opportunities in 2010 to see Northan’Äôs brilliant improvisational mastery.


Rebecca Northan in Blind Date
Feb. 24 ’Äì 27, Mar. 2 ’Äì 6, Mar. 9 ’Äì 12 All Shows 8 p.m. (Doors at 7 p.m.)
Harbourfront Centre’Äôs York Quay Centre, 235 Queens Quay West
Tickets: $30

Facultˆ© de musique UdeM : nomination du nouveau doyen

Nos fˆ©licitations ˆÝ Sylvain Caron !

Ce lundi, le 22 fˆ©vrier, le Conseil de l’ÄôUniversitˆ© de Montrˆ©al
a nommˆ© le professeur Sylvain Caron
au poste de doyen de sa Facultˆ© de musique.
Monsieur Caron entrera en fonction le 1er juin prochain.

Vous trouverez, en piˆ®ce jointe, le communiquˆ© dˆ©taillˆ©
ˆ©mis par la Facultˆ© de musique ˆÝ cette occasion.

Adventures In Music Brings Culture to Kids!

Winnipeg, MB ’Äì February 23, 2010 ’Äì Offered by the Education & Outreach Department (E&O) of the Winnipeg Symphony Orchestra (WSO), the Adventures in Music program will host their first concert of the season tomorrow, Wednesday, February 24!

Spanning over seven dates from February to April in three Manitoba cities (Winnipeg, Brandon and Winkler), the Adventures in Music concerts will provide over 13,000 students in Grades 4-8 the opportunity see the full Winnipeg Symphony Orchestra perform live! Over 500 of those students will perform with the orchestra on recorder, strings and percussion, by singing and with choreographed movement and dance!

As part of this year’Äôs concert programming, the students and the WSO will share the stage with the Rusalka Ukrainian Dance Ensemble, Viva Brasil (Brazilian martial arts & dance group), Young Stars (musical theatre group) and Xiao-Nan Wang (Chinese flute-master). Because of the popularity and demand of this program, an eighth concert has been added to the Winnipeg schedule!

In their music classes, children learn the programmed pieces along with interactive activities and a Study Guide their music teachers receive at the beginning of the school year. This Study Guide is created with the school curriculum in mind, and is provided to the teachers at a workshop that is presented by the Manitoba Orff Chapter. Additionally, throughout the school year, students create artwork inspired by the piece, Estacio’Äôs Frenergy. While they are being performed on stage, the artwork will be displayed on stage for thousands of people to see!
In honour of the Olympic Games in Vancouver, this year’Äôs theme of Adventures in Music is Orchestra Games. The program celebrates culture and sport with pieces such as Williams’Äô Olympic Fanfare and Theme, Vangelis’Äô Chariots of Fire and Menken’Äôs Go the Distance from Hercules.

Adventures in Music dates:

Centennial Concert Hall in Winnipeg
February 24 1:00 pm
February 25 10:30 am; 1:00 pm
March 23 10:30 am; 1:00 pm
March 24 10:30 am; 1:00 pm
March 25 10:30 am

Westman Centennial Auditorium in Brandon
April 28 10:30 am; 1:00 pm
P.W. Enns Concert Hall in Winkler
April 28 10:30 am; 1:00 pm

The Winnipeg Symphony Orchestra is committed to reaching audiences of all ages through their Education and Outreach programs. The WSO is the largest performing arts organization offering music education outreach programs in the province of Manitoba. These programs are designed to make symphonic music exciting and accessible to all.

Ben Harper and Relentless7 Live from the Montreal International Jazz Festival CD/DVD - English & French Press Releases

On July 12, 2009, Ben Harper and Relentless7 captivated a massive crowd of 250,000 with a blistering performance that outshone the fireworks that accompanied it to close the Montreal International Jazz Festival on its 30th Anniversary. "What a memorable show. Ben Harper's Relentless7 sublimely inspired, rocking like hell," raves Andrˆ© Mˆ©nard, Creative Director of Le Festival de Jazz de Montrˆ©al.

Urgent. Infectious. Energized. That’Äôs how Ben Harper and Relentless7 have been characterized and this special CD/DVD combo perfectly captures their impassioned artistry. Music critics praised the band's performance with statements such as: "Ben Harper and the Restless 7: worthy of fireworks" (Journal de Montreal) and "Ben Harper powerfully espresses himself. Uncompromisingly intense, the pedal to the metal." (Le Devoir).

The band too were incredibly moved by their experience of closing the esteemed Montreal Jazz Festival. "One of the greatest festivals in the world, in one of the greatest cities in the world, the Montreal International Jazz Festival has long been a musical home for me. This show was exceptionally special to myself and band because it felt like the entire city was there with us that night," says Ben Harper.

The CD/DVD which will be released on March 9, 2010 gives those who attended the opportunity to relive the excitement of this unforgettable performance. It also allows fans who missed the event a chance to still experience the magic, including exciting covers of 'Under Pressure' & 'Red House.'

'BEN HARPER AND RELENTLESS7 - LIVE FROM THE MONTREAL INTERNATIONAL JAZZ FESTIVAL' TRACKLISTING:

CD:
Faster Slower Disappear Come Around
Number With No Name
Shimmer and Shine
Lay There & Hate Me
Why Must You Dress In Black
Red House
Another Lonely Day
Keep It Together
Boots Like These
Under Pressure
Up To You Now
Faithfully Remain
Serve Your Soul

DVD:
Faster Slower Disappear Come Around
Number With No Name
Shimmer and Shine
Lay There & Hate Me
Why Must You Dress In Black
Red House
Another Lonely Day
Skin Thin
Fly One Time
Keep It Together
Boots Like These
Under Pressure
Up To You Now
Faithfully Remain
Serve Your Soul


Four outstanding pianists perform together on stage in rare concert event - Mar. 10


Piano Spectacular
Wednesday, March 10th ’Äì 7:30 pm

Edmonton, AB ’Ķ Your Edmonton Symphony Orchestra (ESO) embraces the diversity of great pianists and composers in a rare evening celebrating all things pianistic. Four dazzling musicians perform on four beautiful Steinway pianos at the Francis Winspear Centre for Music in this one-night only event. Music Director William Eddins will take on a dual role of conductor and performer, and in doing so will share the stage and the same ivory keys with extraordinary pianists Jon Kimura Parker, Angela Cheng, and Michael Massey.

When not conducting the orchestra from the podium, Bill Eddins leads from the piano when he plays the final movement from Mozart’Äôs Piano Concerto in D minor, which features both a restless rippling melody contrasted by a bright cheerful melody. In an extremely rare solo performance, with only a piano and himself on stage, Mr. Eddins will play the energetic, vigorous, carefree, yet dignified El pelele by Enrique Granados.

Internationally acclaimed concert pianist Jon Kimura Parker will be backed by the ESO in Rachmaninoff’Äôs fiercely virtuosic Rhapsody on a Theme of Paganini and in Mozart’Äôs final movement of his final work for piano and orchestra, Piano Concerto in B-flat Major. Mr. Parker will then perform two solo piano works ’Äì a movement from Beethoven’Äôs Eighth Sonata, nicknamed ’ÄúThe Pathˆ©tique’Äù and famous for its famous melancholic melody, and his own arrangement of music from Stravinsky’Äôs lively Petroushka, based on an old Russian folk tale.

One of Canada’Äôs brightest pianists returns to the Winspear stage to play works by a composer who wrote almost exclusively for piano, and a composer who himself was a brilliant pianist. Edmonton’Äôs own Angela Cheng will be accompanied by the orchestra in a movement of Chopin’Äôs Second Piano Concerto, but will perform as a soloist in Chopin’Äôs First Ballade, a romantic piece of music cast in shadows of darkness. Ms. Cheng and the orchestra also present the beautifully sublime Andante movement from Mozart’Äôs Piano Concerto in C Major.

Current Music Director of the Edmonton Youth Orchestra, Michael Massey takes to the ivory keys in Finzi’Äôs Eclogue, a simple work yet rich in texture which is unfailingly moving in performance. Once the orchestra clears the stage for solo performances, Mr. Massey brings two of Medtner’Äôs ’ÄúFairy Tales’Äù to life, or Skazi as Medtner knew them.

Piano Spectacular will be recorded for broadcast on CBC’Äôs In Concert, with host Bill Richardson. In Concert can be heard every Sunday from 11:00 am to 3:00 pm on CBC Radio Two, 90.9 FM in Edmonton. The air-date will be announced on our website, EdmontonSymphony.com, once confirmed.

Please note that there will be two intermissions during this concert. Ticket prices range from $24 ’Äì $69 (agency fees apply), and are available through the Winspear Centre Box Office. Purchase by phone at (780) 428-1414, toll-free at 1-800-563-5081, or online at EdmontonSymphony.com.

The next Symphony Special will take place on April 13th, 2010. Contemporary Christian artist Sandi Patty performs timeless hymns and inspirational classics with your ESO.

Thank you to our season media sponsors CBC and the Edmonton Journal, and performance sponsors Piano Centre and Global TV.

Sponsorship inquiries can be directed to Marc Carnes, Director of Development, at (780) 401-2518.

The Edmonton Symphony Orchestra, marking its 58th season in 2009-2010, has taken its place as one of Canada's foremost orchestral ensemble. Its current roster includes 56 musicians from Canada and around the world, performing a wide-ranging repertoire from the great classical masterworks to pops and children's concerts. The presence of the orchestra and its enrichment of the community's quality of life are key elements in the stature and profile of Edmonton on the national and international scene.

Media Contact:
Pamela Pecush, Publicist
Edmonton Symphony Orchestra
Office: (780) 401-2532; Cell: (780) 952-2532
Pamela.Pecush@winspearcentre.com

Winspear Centre Box Office:
#4 Sir Winston Churchill Square
(780) 428-1414 or 1-800-563-5081
www.edmontonsymphony.com


Biographies

Internationally acclaimed concert pianist Jon Kimura Parker’Äôs extraordinary career has taken him from Carnegie Hall and London’Äôs Royal Festival Hall to Baffin Island and Zimbabwe. An Officer of The Order of Canada, Mr. Parker has given two command performances for Queen Elizabeth II, and has performed for the Prime Ministers of Canada and Japan. Mr. Parker has performed as guest soloist with the New York Philharmonic, the Cleveland Orchestra, the Philadelphia Orchestra, the Warsaw Philharmonic, the NHK Tokyo Orchestra, and with other major orchestras in Atlanta, Baltimore, Boston, Cincinnati, Dallas, Los Angeles, Minneapolis, Montrˆ©al, San Diego, Salt Lake City, and Toronto. An active media personality, Mr. Parker has hosted the classical music television series Whole Notes, on the Bravo! network. He also hosted CBC Radio Two’Äôs five-part series Up And Coming, showcasing young musicians. Mr. Parker was also seen on CNN performing in war-torn Sarajevo, and documented on PBS’Äôs The Visionaries.

Jon Kimura Parker is Professor of Piano at The Shepherd School of Music at Rice University in Houston. He is also the E. Stephen Purdom Distinguished Visiting Artist at the Schwob School of Music at Columbus State University, and Honorary Co-Chair of the Piano Pedagogy Research Laboratory at the University of Ottawa. ’ÄúJackie’Äù Parker received all of his early education with his uncle, Edward Parker and his mother, Keiko Parker. He studied with Lee Kum-Sing at the Vancouver Academy of Music and University of British Columbia, Marek Jablonski at The Banff Centre, and with renowned pedagogue Adele Marcus at The Juilliard School, where he received his doctorate. He won the Gold Medal at the 1984 Leeds International Piano Competition. He was born, raised, and educated in Vancouver. He lives in Houston with his wife, violinist Aloysia Friedmann and their daughter Sophie. For further information, please see
www.kimura.com and www.oicmf.org.

Mr. Parker last appeared with the ESO in February 2009.


Consistently cited for her brilliant technique, tonal beauty and superb musicianship, Edmonton-raised pianist Angela Cheng is one of Canada's brightest stars. She has appeared as soloist with virtually every orchestra in Canada, as well as the Birmingham Symphony, Buffalo Philharmonic, Colorado Symphony, Houston Symphony, Indianapolis Symphony, Jacksonville Symphony, Louisiana Philharmonic, Saint Louis Symphony, Syracuse Symphony, Utah Symphony, and the Israel Philharmonic, among others. The frequency with which she is re-engaged is remarkable.

Ms. Cheng's debut recording of two Mozart concertos with Mario Bernardi and the CBC Vancouver Orchestra received glowing reviews. Other CDs include Clara Schumann's Concerto in A Minor with JoAnn Falletta and the Women's Philharmonic (for Koch International); selected works of Clara and Robert Schumann, four Spanish concertos with Hans Graf and the Calgary Philharmonic, and both Shostakovich concertos with Mario Bernardi and the CBC Radio Orchestra (all for CBC). Angela Cheng was the 1986 Gold Medal winner at the Arthur Rubinstein International Piano Masters Competition as well as the first Canadian to win the prestigious Montrˆ©al International Piano Competition (1988). In the same year, the Canada Council awarded Ms. Cheng its coveted Career Development Grant. For her outstanding interpretations of Mozart, she received the Medal of Excellence at the Mozarteum in Salzburg in 1991.

Ms. Cheng last appeared with the ESO in June 2007.


Michael Massey was born in England and emigrated to Canada in 1957. Studies at the University of Alberta earned him a Bachelor of Music degree and the gold medal in piano performance of the Western Board of Music. Following his graduation he spent two years studying at the Geneva Conservatory where he was unanimously awarded the "Premier Prix de Virtuositˆ©." Mr. Massey has performed as a soloist and chamber musician throughout Canada, England and Scotland. He has been the orchestral pianist with the Edmonton Symphony Orchestra for over 25 years. Since 1977, he has been Music Director of the Edmonton Youth Orchestra program. In 1988 and 1996 Mr. Massey wrote and published The Canadian Repertoire Manual, a source book and analysis of Canadian music suitable for youth orchestras. In 2002, for his contribution to the cultural life of the city, Mr. Massey was inducted into the Edmonton Cultural Hall of Fame as an Artist’ÄìBuilder and also received the Queen's Golden Jubilee Medal.

Mr. Massey last appeared as a soloist with the ESO in April 2009.


Under Music Director William Eddins’Äô charismatic and energetic direction, the Edmonton Symphony has attained a level of musicianship and profile in the community it has rarely achieved. He has conducted performances in nearly every subscription series the ESO has presented, as well as a wide variety of special concerts and galas.

Bill’Äôs musical life began at age five when his parents bought a Wurlitzer Grand piano at a garage sale. He attended the Eastman School of Music, graduating at age eighteen, making him the youngest graduate in the history of the institution. He also studied conducting with Daniel Lewis at the University of Southern California. Previous positions include a five-year tenure as Principal Guest Conductor of the RTˆâ National Symphony Orchestra (Ireland) and as Resident Conductor of the Chicago Symphony Orchestra and Associate Conductor of the Minnesota Orchestra.

Bill Eddins continues to pursue many varied interests, both personally and professionally. While conducting has been his principal pursuit, he continues to perform on piano in Edmonton and elsewhere. He recently built a state of the art recording studio and has begun work on a series of chamber music recordings. He blogs regularly on
insidethearts.com and has done a series of podcasts called Classical Connections available at williameddins.com.

Committed to his leadership of the ESO, Mr. Eddins accepts a limited number of guest appearances elsewhere. He led a highly-acclaimed production of Porgy and Bess for Opˆ©ra de Lyon in June 2008, which he will reprise during the summer of 2010. His latest recording, of American music for Cello and Piano, has been released on the Naxos label.

A native of Buffalo, New York, Bill currently resides in Minneapolis with his wife Jen, a clarinetist, and their two boys, Raef and Riley.

Thursday, March 4, 2010

A Line in the Sand

Set in the desert just outside of Doha, Qatar in the Persian Gulf, the three-hander is the story of Mercer, a troubled Canadian soldier and Sadiq, a teenage Palestinian black marketeer, who meet in the fall of 1990 during Operation Desert Shield. Overlooking vast cultural differences against a backdrop of global conflict, the two develop a secret friendship that is violently severed by the torture and murder of the 16-year-old Palestinian boy inside the Canadian base. Mercer was, at the very least, a witness to the atrocity, perhaps even a willing participant in his friend’Äôs death, and the Colonel is determined to unearth the truth.

Performance Information

Dates & Times March 8 - 21

Previews March 8

Opening March 9

Mon. through Thurs. 20:00

Friday DARK

Sat. & Sun. 20:00

Sunday Matinˆ©e 14:00

Tickets

General Admission $22

Seniors, Students, QDF, CAEA $15

Groups (10 or more) $14

Venue

Segal Centre Studio

5170, ch. de la Cˆ¥te-Ste-Catherine

Box Office Web Sites

(514) 848 - 9696 www.tableaudhotetheatre.ca


www.cshow.ca www.segalcentre.org

Art of Time presents The Kreutzer Sonata in dance & music & theatre

Featuring Ted Dykstra in his adaptation of Leo Tolstoy's novella of the same nameand the choreography of James Kudelka danced by Coleman Lemieux & Compagnie to Beethoven's Kreutzer Sonata, performed byAndrew Burashko on piano and violinist Marie Bˆ©rard.


Toronto, February 24, 2010 - Capitalizing on the tremendous sold-out success of The Kreutzer Sonata last season, the Art of Time Ensemble, under the artistic direction of founder Andrew Burashko, re-stages this outstanding concert evening inspired by and featuring Ludwig Van Beethoven's Kreutzer Sonata (Sonata for violin and piano No. 9 in A Major, Op. 47) at Harbourfront Centre's Enwave Theatre from March 18-21, 2010.

Sponsored by BMO Financial, this unique evening moves in a bold direction with a collage of theatre, dance and music that features a dramatic adaptation of Leo Tolstoy's passionate novella, The Kreutzer Sonata, written and performed by award-winning actor/director Ted Dykstra.
The second half features James Kudelka's 15 Heterosexual Duets: a virtuosic work choreographed by one of Canada's most eminent choreographers to Beethoven's Kreutzer Sonata, and danced by the acclaimed Coleman Lemieux & Compagnie to the accompaniment of Andrew Burashko on piano and Marie Bˆ©rard on violin. Like the Tolstoy story, it explores the male/female relationship.

Coleman Lemieux & Compagnie is led by Bill Coleman and Laurence Lemieux, who are also life partners. 15 Heterosexual Duets features some of the most talented dancers in the country:
Kate Alton
Valerie Calam
Michael Caldwell
Lauren Chin
Bill Coleman
Luke Garwood
Andrew Giday
Jones Henry
Sylvain Lafortune
Laurence Lemieux
Graham McKelvie


Founded by Artistic Director Andrew Burashko, the Art of Time Ensemble is now in its 11th season. Art of Time provides a unique musical experience that breaks down barriers between artistic and musical disciplines, and reveals the vibrancy of classical music as a contemporary artistic expression, appealing to a range of audiences. Its concerts are provocative, engaging and accessible to people unfamiliar with classical music, but also immensely fulfilling to aficionados. Currently, Art of Time is on tour with singer Steven Page in support of the release this month of its latest CD, A Singer Must Die.
The 2009/2010 season features performances by Emilie-Claire Barlow, Coleman Lemieux & Compagnie, Guinga, Kevin Hearn, Gregory Hoskins, Raine Maida, Andy Maize, Peter Mettler, Andrea Nann, Steven Page, Alejandra Ribera, Sarah Slean, John Southworth and R.H. Thomson, plus some of the finest classical and jazz musicians in the country.



Art of Time Ensemble

-Andrew Burashko, Artistic Director-

presents The Kreutzer Sonata

Inspired by and featuring Beethoven's Kreutzer Sonata

Featuring Ted Dykstra and the choreography of James Kudelka danced by Coleman Lemieux & Compagnie, accompanied by Andrew Burashko on piano and violinist Marie Bˆ©rard.




Thursday March 18 - Sunday March 21, 2010

Thursday-Saturday at 8 PM with a Sunday matinee at 2 PM

Enwave Theatre 231 Queens Quay West

Tickets: $19-$49 ; Box Office: 416-973-4000 AND http://www.artoftimeensemble.com/


Wednesday, March 3, 2010

Performance Spring Festival at Factory April

Toronto, ON ’Äì Wednesday, March 3, 2010... Factory Theatre’Äôs Performance Spring, April 1 ’Äì 25, is a festival of groundbreaking works for Toronto from the national scene. Sponsored by TD Bank Financial Group, the festival lineup features three major productions and diverse new works: Where the Blood Mixes and A Fabulous Disaster in the Mainspace Theatre; this time in the Studio Theatre; and, CrossCurrents in the Studio Theatre. Artistic Director Ken Gass says, ’ÄúThe lineup brings together some of Canada’Äôs most extraordinary playwrights and theatre artists in a festival format. I’Äôm particularly pleased to welcome Kevin Loring’Äôs Where The Blood Mixes back to the Factory after its all too brief showing during LuminaTO two years ago. This is a play that speaks from the heart to a burning issue and I sincerely hope it will continue to spark the vital conversations necessary to help heal the wounds of our shared past.’Äù For behind-the-scenes perspectives by the artists involved, see http://performancespring.blogspot.com; for ticket information, visit www.factorytheatre.ca or call (416) 504-9971.
Where the Blood Mixes plays for 11 performances only, April 7 ’Äì 18. This show is produced by the Vancouver Playhouse Theatre Company and The Belfry Theatre in association with The Savage Society and presented by Factory Theatre and the Vancouver 2010 Cultural Olympiad. Governor General Award-winning playwright Kevin Loring, born in Lytton, British Columbia, writes about a survivor of the residential school system, suddenly reuniting with his daughter after two decades, and together they confront the pain of the past. Set during the salmon run where the Fraser and Thompson Rivers meet, Where the Blood Mixes offers an irreverent, funny and brutally honest look into the heart of a people. In 2008, Loring’Äôs debut play was the hit of the LuminaTO Festival in Toronto and the Magnetic North in Vancouver, and is currently playing at the Vancouver 2010 Cultural Olympiad. Directed by Glynis Leyshon, the show stars Ben Cardinal as Mooch, Kim Harvey as Christine, Margo Kane as June, Billy Merasty as Floyd, and Tom McBeath as George. Lighting design is by Itai Erdal, set design is by Robert Lewis, projection design is by Jamie Nesbitt, and costume design is by Patricia Smith. Visual art in the production is by Carl Stromquist, and the music is composed and played by Jason Burnstick. Where the Blood Mixes was co-developed by the Vancouver Playhouse Theatre Company; LuminaTO Festival of Arts & Creativity; The Savage Society; and Western Canada Theatre (Kamloops). The piece, originally titled The Ballad of Floyd, was part of Factory Theatre’Äôs CrossCurrents 2004.
A Fabulous Disaster, written and performed by Denise Clarke and produced by One Yellow Rabbit Performance Theatre of Calgary, plays April 20 ’Äì 24. Gass says, ’ÄúDenise Clarke’Äôs much loved Sign Language was a highlight of Performance Spring 2007, and I am very happy to have this Canadian dance-theatre icon back with her solo show, A Fabulous Disaster.’Äù This is a fast-paced, highly entertaining dance-theatre work that follows a recently jilted woman stranded in a forest during a wildfire, battling to save the animals, herself and her broken heart. Poignant and elegant, A Fabulous Disaster bounces through the themes of love, jealousy and belonging and is a unique theatrical event that everyone and their pets can relate to.

Single tickets for Where the Blood Mixes, and A Fabulous Disaster, are $25 Tuesday ’Äì Thursday, 8 p.m., and $35 Friday ’Äì Saturday, 8 p.m.; $10 limited RUSH Tickets are available on Tuesday, Wednesday and Friday (7 p.m. lineup and 7:50 p.m. purchase).
adelheid’Äôs this time, choreographed by Factory Dance-Artist-in-Residence Heidi Strauss, plays April 1 ’Äì 4 and 8 ’Äì 10, 8 p.m. (tickets are $22 adult and $18 for student/senior/CADA members), and April 11, 2 p.m. (tickets are P-W-Y-C or $25 in advance). this time is a new contemporary dance work loosely based on Light, a wordless one-act play by Ken Gass (1970). Dancers Brendan Wyatt (Toronto) and Justine Chambers (Vancouver) are caught in an unstable environment with a mounting tension that challenges them and their relationship, driving them to unexpected forms of escape and freedom. The environment is created by composer John Mark Sherlock, sound and video designer Jeremy Mimnagh and lighting designer Rebecca Picherack. Gass comments, ’ÄúStrauss’Äô as it is world premiere in last year’Äôs Performance Spring Festival received billing in NOW Magazine’Äôs Top 10 Dance Shows of 2009. I’Äôm excited to see the birth of this time, her new work.’Äù
CrossCurrents is curated by Factory Theatre Dramaturge Iris Turcott, and runs throughout April. The dynamic new play development festival of brave and raw works represents the great artistic and cultural diversity of Canadian theatre creators and playwrights. In addition to readings, there are symposiums and other public events. CrossCurrents 2010 features an impressive roster of artists including Byron Abalos, Nina Lee Aquino, Charlotte Corbeil Coleman, Meegwun Fairbrother, Jani Lauzon, Amy Lee Lavoie, Daniel MacIvor, ahdri zhina mandiela, Adam Pettle, Joseph Jomo Pierre, Michele Riml and Pamela Sinha. Factory is also hosting new work by bcurrent, Cahoots Theatre Company, fu-GEN Asian-Canadian Theatre Company, Native Earth Performing Arts and Obsidian Theatre Company as part of CrossCurrents. Admission is by donation ($10 suggested minimum).
Closing the season is the revival of George F. Walker’Äôs outrageous comedy, Featuring Loretta, directed by Ken Gass (May 1 ’Äì June 27), Factory Mainspace Theatre, and a Gala Event celebrating Factory Theatre’Äôs 40th Birthday scheduled for May 10, 2010.