LSM Newswire

Friday, October 9, 2009

Tchaikovsky Piano Trio No. 50 &
Rachmaninov Trio élégiaque
All-Star Trio Collaborate on Pianist’s First Chamber Music Recording Released on
October 20


Rebecca Davis PR Presents Lang Lang









NEW YORK, NY – On October 20th, Deutsche Grammophon will release a recording which reveals a side of pianist Lang Lang’s prodigious talent rarely heard before—his finesse as a collegial interpreter of chamber music. In this, his first chamber music recording, Lang Lang revisits two stellar exponents of Russia’s Romantic musical soul, Tchaikovsky and Rachmaninov. Making the news of Lang Lang‘s first ever chamber music recording bigger is the fact that he is joined by two giants of the violin and cello: Vadim Repin and Mischa Maisky. Lang Lang could not be in better company to reveal the inexhaustible inventiveness of Tchaikovsky’s Piano Trio No. 50 in A minor or the tender consolations of Rachmaninov’s Trio élégiaque in G-minor, a short early masterpiece composed before Rachmaninov was twenty.

People have often bracketed Tchaikovsky’s great A minor Trio together with RacRebecca Davis Public Relations presents Lang Langhmaninov’s first Trio élégiaque, and in Lang Lang’s view this is appropriate. Rachmaninov’s teenage work reflects a huge influence by the older composer, he says, and the trios inhabit the same emotional world: “Both works are tragic, but what really makes you cry is their beauty.” Lang Lang, Mischa Maisky and Vadim Repin first performed these works together at the Verbier Festival in Switzerland on July 21st of this year. “We are trying to live through them together,” says Repin. “This is our essential preparation for the recording.”

This concert may have been their first joint foray, but the chemistry is already good. It needs to be, since their personalities are big, their backgrounds are diverse, and – with Maisky at 61, Repin at 38, and Lang Lang at 27 – they effectively represent three generations. The ebullient Maisky, born in Riga, has had a highly unconventional career: his inbuilt rebelliousness led to his being put in jail by the Soviet authorities, then in a work camp, then in a mental hospital, before what he calls his “repatriation” in 1972 to Israel, from where his career as a soloist and chamber player took off. Repin, whose playing is now routinely compared with that of his hero David Oistrakh, only gravitated to the violin because when he was five and wanted to attend the music school in his hometown of Novosibirsk, the one available place was for that instrument. Lang Lang’s well-documented rise from obscure provincial origins in China has catapulted him into non-stop global orbit: he brings not only a different generational approach to this music, but a profoundly different cultural perspective as well. “Lang Lang’s youthfulness makes his playing shine, as though it’s full of light,” says Repin. “Mischa and I are trying to harness that quality.”

In the past ten years, Lang Lang has become an international phenomenon, playing sold out recitals and concerts in cities around the world. His influence and status in China has helped to inspire over 35 million Chinese children to learn to play piano—a phenomenon dubbed by NBC’s The Today Show as "the Lang Lang effect." Earlier this year, Time magazine included Lang Lang in its 2009 list of the "100 Most Influential People in the World."

On October 27th, just a week after the release of this recording, Lang Lang will perform the Tchaikovsky Trio at Carnegie Hall with emerging and established Chinese and Chinese-American musicians in a program entitled “Lang Lang and Friends.” This concert is one of three in which Lang Lang will star during Carnegie’s expansive Ancient Paths, Modern Voices: A Festival Celebrating Chinese Culture presented together with the Philharmonic Society of Orange County in Costa Mesa, California. “Lang Lang and Friends” will also be presented there on November 3rd. These engagements are part of a busy performing schedule for Lang Lang in the US this fall which also includes appearances in Denver, Seattle, Los Angeles and Washington DC before the end of November.

For more information about this recording, please visit: 
www.deutschegrammophon.com/langlang-repin-maisky

Lang Lang in Performance USA Fall 2009

October 27, 2009
New York Carnegie Hall

Lang Lang and Friends: Schubert, Tchaikovsky, Bizet & Chinese Pieces



October 28, 2009
New York Carnegie Hall

Chen: Piano Concerto, Julliard Orchestra , Michael Tilson Thomas

October 30th
Denver Boettcher Concert Hall

Beethoven: Piano Concerto no. 3, Colorado Symphony, Jeffrey Kahane

November 1, 2009
Seattle Benaroya Hall 

Beethoven: Piano Concerto no. 2 , Seattle Symphony, Gerard Schwartz

November 3, 2009
Segerstrom Hall (Orange County Performing Arts Center)

Lang Lang and Friends: Schubert, Tchaikovsky, Bizet & Chinese Pieces

November 8, 2009
Los Angeles Walt Disney Concert Hall

Beethoven: Piano Sonata op. 2; Piano Sonata op. 57; Albéniz: "Iberia" Book 1; Prokofiev: Piano Sonata op. 83

November 10, 2009
New York Carnegie Hall

Tan Dun: Piano Concerto, China Philharmonic, Long Yu

November 13, 2009
Washington Kennedy Center 

Beethoven: Piano Concerto no. 1; Prokofiev: Piano Concerto no. 3 National Symphony Orchestra, Andrew Litton

November 14, 2009
Purchase SUNY Purchase College / Performing Arts Center

Beethoven: Piano Sonata op. 2; Piano Sonata op. 57; Albéniz: "Iberia" Book 1; Prokofiev: Piano Sonata op. 83


Vadim Repin in Performance USA Fall 2009



October 28-31, 2009
San Francisco Davies Symphony Hall

Sibelius: Violin Concerto, San Francisco Symphony Orchestra, Osmo Vänskä

November 5-7, 2009
Washington Kennedy Center

Brahms: Violin Concerto, National Symphony Orchestra, Alexander Vedernikov

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Thursday, July 9, 2009

Brooklyn Center Announces 2009/2010 Season

Brooklyn Center for the Performing Arts

2009-2010 Performance Calendar

Brooklyn Center for the Performing Arts at Brooklyn College announces its 55th season of music, dance, theater, and family programming reflecting the multicultural diversity of Brooklyn. The outstanding line-up features performances from Jamaica, Cuba, Israel, and Ukraine as well as the United States, and includes both Brooklyn premieres and returning favorites.

"Like all Brooklyn Center seasons, 2009-2010 offers something for everyone," says Brooklyn Center Managing Director Frank Sonntag. "There are fantastic jazz artists on the season, and plenty for Brooklyn's Jewish, Ukrainian, Caribbean, and African-American communities. We are bringing back a major international orchestra for the first time in many years, and our family programs are always popular. We strive to bring an astounding variety of stellar artists that reflect the tremendous diversity of our Borough at prices that are within reach for most families. This year, in particular, I believe we have succeeded spectacularly."

Brooklyn Center for the Performing Arts' 2009-2010 season includes:
* I Love a Piano
* The Adventures of Harold and the Purple Crayon
* Luna Negra Dance Theater with the Turtle Island Quartet and Paquito D'Rivera
* Virsky Ukrainian National Dance Company
* Of Mice and Men
* The Colonial Nutcracker
* The Clark Sisters
* Hairspray
* The Israel Ballet - Don Quixote
* National Dance Theater Company of Jamaica
* Odessa Philharmonic
* David Gonzalez's Sleeping Beauty
* Poncho Sanchez Latin Jazz Band
* David Broza in concert
* In the Mood
* Dirty Sock Funtime Band
* Chinese Acrobats of Hebei
* Tap Kids
* United States Air Force Band of Liberty

I Love a Piano - September 13, 2009 at 3pm
Showcasing the music of legendary songwriter Irving Berlin, this musical captures the spirit of America from the Ragtime rhythms of the early 20th century through the innocent optimism of the 1950s. Including timeless classics such as "White Christmas," "God Bless America," "Puttin' On the Ritz," and "There's No Business Like Show Business," I Love a Piano does more than define the music of a generation - it defines the music of our country.
Tickets $25

The Adventures of Harold and the Purple Crayon - October 11, 2009 at 2pm
Enchantment Theatre Company returns to Brooklyn Center with a new theatrical adaptation of Crockett Johnson's beloved children's classic. Using life-size puppets, masks, magic and music, this family musical tells the story of Harold, a brave and resourceful little boy who creates the world he wants to explore using only a big purple crayon and his sky's-the-limit imagination.
Tickets $6

Luna Negra Dance Theater with the Turtle Island Quartet and Paquito D'Rivera - October 25, 2009 at 2pm
Dedicated to the works of Latino choreographers, Luna Negra Dance Theater celebrates its 10th anniversary by teaming up with the bold Turtle Island Quartet and legendary jazz musician Paquito D'Rivera, both multiple Grammy Award winners, in a celebration of the rich music and dance traditions of Cuba with their newest work entitled Danzón.
Tickets $30

Virsky Ukrainian National Dance Company - November 8, 2009 at 2pm
Direct from Kiev, this spectacular company of 65 dancers and musicians combines brilliant ballet techniques with traditional folk dance in a tribute to the culture, beauty and spirit of the Ukraine.
Tickets $35, $25

Of Mice and Men - November 22, 2009 at 3pm
John Steinbeck's literary masterpiece about a unique friendship between two migrant workers and their quest for the American Dream is brought to life by the Tony® Award-winning Barter Theatre.
Tickets $25

The Colonial Nutcracker - December 13, 2009 at 2pm
An annual holiday favorite at Brooklyn Center, Dance Theatre in Westchester performs an abridged, narrated version of Tchaikovsky's classic ballet set in wintry colonial Yorktown.
Tickets $6

The Clark Sisters - January 23, 2010 at 8pm
One of the top female gospel groups in the country, the Clark Sisters have pioneered contemporary gospel music for the past three decades. They bring their Grammy-winning harmonies and inspirational message to Brooklyn in an uplifting evening of music and praise.
Tickets $40, $30

Hairspray - January 24, 2010 at 3pm
Pleasantly plump Tracy Turnblad has only one desire - to dance on the "Corny Collins Show." But she's got obstacles to overcome - all without denting her 'do! Don't miss Broadway's musical comedy phenomenon that inspired a major motion picture and won eight Tony® Awards, including Best Musical.
Tickets $40, $30

The Israel Ballet - Don Quixote - February 21, 2010 at 2pm
Making their first U.S. tour in 25 years, the acclaimed Israel Ballet performs one of the most beloved full-length ballets in the classical repertoire, Don Quixote, featuring choreography by the legendary Russian Imperial Ballet Master Marius Petipa.
Tickets $30, $20

National Dance Theater Company of Jamaica - March 6, 2010 at 8pm and March 7, 2010 at 2pm
Always a Brooklyn Center favorite, this jewel of the Caribbean blends the lore, music and dance of Jamaica, Africa, and the American south with modern and classical forms. Under the direction of Professor Rex Nettleford, they will present two programs combining new works with favorites from their extensive repertoire.
Tickets $40, $30

Odessa Philharmonic - March 13, 2010 at 8pm
Directed by maestro Hobart Earle, the brilliant Odessa Philharmonic returns to the United States for the first time in ten years with a program including Shubert's Ninth Symphony (Unfinished), Beethoven's Seventh Symphony, and Saint Saëns' cello concerto featuring soloist William DeRosa.
Tickets $35, $25

David Gonzalez's Sleeping Beauty - March 14, 2010 at 2pm
Master storyteller David Gonzalez puts a new spin on the classic fairy tale, using live and electronic music, dance, image projections, and exquisite lighting to create a magical multimedia world in which a beautiful princess is awakened by true love's kiss.
Tickets $6

Poncho Sanchez Latin Jazz Band - March 20, 2010 at 8pm
Widely acknowledged as the most popular Latin jazz artist in the world today, Grammy Award winner Poncho Sanchez brings his explosive congas and legendary ensemble to Brooklyn for a sizzling hot evening of Afro-Cuban jazz, salsa, and vintage Latin soul.
Tickets $35, $25

David Broza - March 21, 2010 at 2pm
A superstar in his homeland of Israel, this multi-platinum selling singer/songwriter's unique compositions combine Middle Eastern pop and folk influences with flamenco and American country, rock and blues to create a true world music sound.
Tickets $25

In the Mood - March 28, 2010 at 2pm
Recall the music that moved a nation's spirit in this nostalgic 1940s revue. Featuring such favorites as "Sing, Sing, Sing," "Moonlight Serenade," and "Stardust," the sensational String of Pearls Big Band Orchestra and the talented cast of In the Mood take audiences on a sentimental journey in an afternoon of swing, jitterbug, and big band classics.
Tickets $25

Dirty Sock Funtime Band - April 11, 2010 at 2pm
Nominated Best Kid's Band by Time Out New York Kids, the Dirty Socks captivate children and parents alike with their high-energy concerts full of rockin' singalong jams and audience participation.
Tickets $6

Chinese Acrobats of Hebei - April 18, 2010 at 3pm
The world-class gymnasts, contortionists, and jugglers from Hebei combine gravity-defying acrobatics with the discipline of martial arts to create a spellbinding kaleidoscope of color, drama and skill for the whole family.
Tickets $30

Tap Kids - April 25, 2010 at 2pm
Eight of the nation's most talented young tap dancers take to the stage in this rousing, joyous celebration of American youth culture. Hip, contemporary and uplifting, this electrifying performance takes tap to dizzying new heights of passion and precision
Tickets $6

United States Air Force Band of Liberty - May 16, 2010 at 2pm
For the past 25 years, the United States Air Force Band of Liberty has served the nation with its inspirational repertoire ranging from symphonic band masterworks, to traditional military marches, to pops and jazz. Tickets to this event must be requested by sending a self-addressed, stamped envelope to Brooklyn Center, PO Box 100163, Brooklyn, NY 11210, attn: Air Force Band Tickets. No phone orders.
Tickets FREE

Brooklyn Center's 2009-2010 season ticket packages include Theater Subscriptions (I Love a Piano, Of Mice and Men, and Hairspray) for $75; Arts in the Afternoon Subscriptions (The Israel Ballet, David Broza, and In the Mood) for $60; and the WorldPack (a minimum of three performances from Brooklyn Center's World Stages series, priced $73-$165 depending on performances selected). All seats for all performances in Brooklyn Center's Target FamilyFun series are $6. Multibuy packages (three or more performances) save up to 15% off individual ticket prices. Multibuy discounts do not apply to Target FamilyFun performances. Discounts are available for seniors, students, Brooklyn College faculty/staff/ alumni, and groups of 15 or more.

About Brooklyn Center for the Performing Arts
Founded in 1954, the mission of Brooklyn Center for the Performing Arts is to present outstanding performing arts and arts education programs, reflective of Brooklyn's diverse communities, at affordable prices. Brooklyn Center's presentations explore both the classical traditions and the boldest contemporary performances, embracing the world culture that defines Brooklyn. Brooklyn Center for the Performing Arts welcomes over 70,000 people to the 2,400 seat Walt Whitman Theatre each season, and boasts one of the largest arts education programs in the borough, serving schoolchildren from over 225 schools annually with its SchoolTime series.
Brooklyn Center for the Performing Arts
Walt Whitman Theatre at Brooklyn College
2900 Campus Road, Brooklyn

Online orders: BrooklynCenterOnline.org
Box Office: (718) 951-4500, Tuesday - Saturday, 1PM - 6PM
Subscription Orders/Season Brochure Requests: (718) 951-4600, ext. 25
Groups of 15 or more: (718) 951-4600, ext. 22


Brooklyn Center for the Performing Arts' programs are made possible in part with public funding from the City of New York Department of Cultural Affairs and the National Endowment for the Arts. Funding for Brooklyn Center for the Performing Arts' 2009-2010 season is provided by: Target; JP Morgan Chase; Independence Community Foundation; Con Edison; National Grid; TD Bank; Macy's; The Harkness Foundation for Dance; Air Jamaica; the Carnegie Corporation of New York; and the Lila Acheson Wallace Theater Fund, established in the New York Community Trust by founders of The Reader's Digest Association. Additional support provided by Courier-Life Publications, The Brooklyn Eagle, The Brooklyn Paper, and WBGO.
Marriott New York LaGuardia Airport is the official hotel of Brooklyn Center for the Performing Arts 2009-2010 season.
Backstage catering graciously provided by Bettina Harris of The Corn Bread Diner and by Applebee's.

Brooklyn Center gratefully acknowledges generous support from the Members of the Brooklyn Delegation to the New York State Assembly and Speaker Sheldon Silver; Members of the Brooklyn Delegation to the New York State Senate and Majority Leader Malcolm Smith; Members of the Brooklyn Delegation to the New York City Council and Speaker Christine C. Quinn; Cultural Affairs Committee Chairman Domenic M. Recchia, Jr. and Commissioner of Cultural Affairs Kate Levin.

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Sunday, May 24, 2009

Laitman's Early Snow in Rising Soprano's Carnegie Debut June 18

Lori Laitman is one of America's most prolific and widely performed composers of art song. She has composed nearly 200 songs, setting the words of classical and contemporary poets. Her cycle, Early Snow, to three poems by Pulitzer Prize winner Mary Oliver, will be presented as part of a program celebrating American song by rising American soprano Courtney Huffman in her solo recital debut at Carnegie Hall on June 18, 2009.


The cycle, commissioned by Dr. Adelaide Whitaker for soprano Jennifer Check, was completed by Laitman in 2003 and saw its premiere at the Juilliard School of Music in April 2003. It was released on Laitman's CD "Becoming a Redwood" in 2006 on the Albany Records label.


The poetry of Mary Oliver, in the words of Steve Brockman and John Campbell of Artsong Update online magazine "...has a psychological subtlety rarely found in romantic poets of the past. These poems... are about being fully alive in this moment and open to present experience." The poems in this cycle reflect on nature, and in speaking about these settings, Laitman says: "My goal in all settings is the primacy of the text. This means that meters shift constantly to follow the natural rhythms of the poem, melodies are structured to emphasize the most important words in a phrase, tempos are flexible and harmonies change to color the emotional content. In this way, every word in every poem is bound inextricably to the music."


Since launching her career in 1991, Laitman's music has been performed frequently in the U.S. and abroad. Some recent US venues include The Frye Art Music and Benaroya Hall in Seattle, WA; The Kennedy Center and The Phillips Collection in Washington, DC; Weill Recital Hall and Merkin Hall in New York, NY; and The USC Fisher Art Gallery in Los Angeles, CA. Her discography also continues to grow, with releases on Albany Records, Naxos, Channel Classics and other labels, showcasing the talents of some of today's top musicians.


Laitman recently completed her first full-length opera, "The Scarlet Letter," to poet David Mason's new libretto, based on Nathaniel Hawthorne's literary masterpiece. The opera was commissioned by The University of Central Arkansas and premiered on November 6, 2008 to critical acclaim. The Arkansas Democrat-Gazette wrote of the opera: "Composer Lori Laitman has written gorgeous music that works hand-in-glove with the words of librettist David Mason and underpins the very essence of this psychological-social drama...the few arias are at key moments and are stunningly effective."


Early Snow will be performed by soprano Courtney Huffman, the 2008 NATS Artist Award winner, in a program of works by American composers Dominick Argento, Irving Berlin, Tom Cipullo, George Gershwin, Ricky Ian Gordon, Lee Hoiby, Charles Ives, Lori Laitman and Libby Larsen. A consummate vocalist, Huffman made her professional operatic debut to critical acclaim in June 2008 with the Intimate Opera Company of Pasadena, California, as Violetta in Verdi's La Traviata. She reprised the role with the Bakersfield Symphony Orchestra in February 2009 and tackled the demanding role of Teutile in Vivaldi's Motezuma with the Long Beach Opera in 2009 to rave reviews. The soprano made her international debut in Shanghai and Hong-Kong in 2006, followed by a performance of Dalbavie's Sextine Cyclus at the Aspen Music Festival. Her repertoire includes Betty in Lowell Liebermann's Miss Lonelyhearts, Frasquita in Carmen, Belinda in Dido and Aeneas, Drusilla in L'Incoronazione di Poppea, Zerlina in Don Giovanni and Johanna in Sweeney Todd. She has appeared with the Aspen Opera Theater Center, USC Thornton School of Music Opera, and the Illinois Opera Theatre, among others. Courtney Huffman is scheduled to perform a winner's recital at the NATS National Convention in Salt Lake City, UT in July 2010.


Courtney Huffman's Carnegie Hall Debut Solo Recital, with pianist Tali Tadmor.


Date: Thursday, June 18 at 8:00 PM

Place: Weill Recital Hall (Carnegie Hall)

Address: 154 W. 57th Street, New York, NY 10019

Tickets: (212) 247-7800 or order online at:
www.carnegiehall.org

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Thursday, May 14, 2009

Anne-Marie McDermott Two Premieres

"FREE FOR ALL AT TOWN HALL" OPENS ITS SEVENTH SEASON

WITH A PERFORMANCE BY PIANIST ANNE-MARIE McDERMOTT

SUNDAY, MAY 31, 2009 AT 5PM

PROGRAM INCLUDES THE WORLD PREMIERE OF CHARLES WUORINEN'S FOURTH PIANO SONATA AND THE NEW YORK PREMIERE

OF CLARICE ASSAD'S "WHEN ART SHOWED UP"

SERIES FILLS TWO GAPS, BEGINNING JUST WHEN OTHERS ARE ENDING, AND BEING FREE TO THE PUBLIC

The 2009 "Free For All at Town Hall" series will open on Sunday, May 31, 2009, at 5 p.m. with pianist Anne-Marie McDermott performing a solo recital that includes the

world premiere of Charles Wuorinen's Fourth Piano Sonata, which was written for Ms. McDermott; the New York premiere of Clarice Assad's "When Art Showed Up;" and three Haydn piano sonatas, in honor of the 200th anniversary of the death of the composer.

Ms. McDermott, with Nadja Salerno-Sonnenberg, performed the inaugural concert of "Free For All at Town Hall" in 2003. The series, described in The New Yorker as "the price-is-right concert series," is now in its seventh year of providing New York audiences with high quality, free concerts.

The May 31 program is as follows:

Haydn: Piano Sonata Hob. XVI: 40, in G Major

Haydn: Piano Sonata Hob. XVI: 20, in c minor

Charles Wuorinen: Fourth Piano Sonata (World Premiere)

Intermission

Haydn: Piano Sonata Hob. XVI: 52, in E-Flat Major

Clarice Assad: "When Art Showed Up" (New York Premiere)

Rounding out the 2009 "Free For All at Town Hall" series of concerts on Sunday, June 14, at 2 p.m. will be Hilary Hahn in her only New York recital this season. Ms. Hahn will perform works by Brahms, Bartók, Ives and Ysaÿe.

"Free For All at Town Hall" concludes the series with an all-Schubert program performed by the esteemed Emerson String Quartet on Sunday, June 21, at 5 p.m.

The Town Hall is located near Times Square at 123 West 43rd Street (between 6th Avenue and Broadway). Tickets to all "Free for All" concerts are available only on the day of the concert, at the Town Hall Box Office, starting at noon. Tickets are distributed on a first-come, first-served basis, limit two to a customer, no reservations.

About Anne-Marie McDermott

A fearless elegance surrounds pianist Anne-Marie McDermott as she has proven to be a force to reckon with, exuding an approachable confidence that showcases her versatility and sophistication seen in her solo performances as well as chamber music ensembles. She has a versatile career encompassing over 100 concerts each year in a combination of solo recitals, concerti and chamber music performances. Her repertoire choices are eclectic, spanning works from Bach and Haydn to Prokofiev and Scriabin, to Kernis, Hartke, Tower and Wuorinen.

McDermott debuted with the New York Philharmonic in 1997 under Christian Thielemann and has since appeared with the orchestras of Atlanta, Baltimore, Dallas, Houston, Pittsburgh, and Seattle. In the 2008-2009 season, McDermott will perform with The Philadelphia Orchestra, Buffalo Philharmonic, North Carolina Symphony, Alabama Symphony, San Diego Symphony, the Oregon Mozart Players, and tour with the New Century Chamber Orchestra.

McDermott was named an Artist Member of the Chamber Music Society of Lincoln Center in 1995. She continues her long standing collaboration with violinist, Nadja Salerno- Sonnenberg, including a CD titled "LIVE" released on the NSS label. McDermott also continues her collaboration with Opus One, a piano quartet with Ida Kavafian, Peter Wiley and Steven Tenenbom.

McDermott is the Artistic Director of the Avila Chamber Music Celebration in Curacao, Dutch Antilles, as well as the Ocean Reef Chamber Music Festival.

A winner of the Young Concert Artists Auditions, McDermott was also the recipient of the Avery Fisher Career Development Award, the Andrew Wolf Memorial Chamber Music Award, the Joseph Kalichstein Piano Prize, the Paul A. Fish Memorial Prize, the Bruce Hungerford Memorial Prize, and the Mortimer Levitt Career Development Award for Women Artists.

McDermott has recorded the complete Prokofiev Piano Sonatas, which has just been released in a 3-CD set by Bridge Records. She has also recorded Bach's English Suites and Partitas (named Gramophone Magazine's Editor's Choice), and Gershwin's Complete Works for Piano and Orchestra with the Dallas Symphony and Justin Brown (also named Gramophone Magazine's Editor's Choice).

McDermott began playing the piano at age 5. By 12 she had performed the Mendelssohn Concerto in g minor with the National Orchestral Association at Carnegie Hall. She studied at the Manhattan School of Music as a scholarship student with Dalmo Carra, Constance Keene and John Browning..

About Charles Wourinen

Charles Wuorinen (b. 1938, New York) is one of the world's leading composers. His many honors include a MacArthur Foundation Fellowship and the Pulitzer Prize (the youngest composer to receive the award). His compositions encompass every form and medium, including works for orchestra, chamber ensemble, soloists, ballet, and stage. His newest works include "Time Regained," a fantasy for piano and orchestra for Peter Serkin, James Levine and the MET Opera Orchestra; Second Piano Quintet for Peter Serkin and the Brentano Quartet; Eighth Symphony for the Boston Symphony Orchestra; and the Fourth Piano Sonata, a 17-minute work in four movements, commissioned by Anne-Marie McDermott for premiere on "Free for All at Town Hall." His earlier piano sonatas are the Third written for Alan Feinberg in 1986; the Second written for Jeffrey Swann in 1976; and Sonata (1969) written for Robert Miller. His next project is an opera on Annie Proulx's "Brokeback Mountain."

About Clarice Assad

Clarice Assad is a classical and jazz composer, arranger, pianist, and vocalist.

A native of Rio de Janeiro, Clarice Assad was born into one of Brazil's most famous musical families (she is the daughter of Sergio Assad, one of today's preeminent guitarists and composers), and has performed professionally since the age of seven. Formal piano studies began with Sheila Zagury in Brazil; she then studied with Natalie Fortin and had additional instruction in jazz and Brazilian piano under the tutelage of Leandro Braga.

As a composer, her works have been published in France (Editions Lemoine), Germany (Trekel), and in the United States (Virtual Artists Collective Publishing), and have been performed in Europe, South America, the United States and Japan. Miss Assad's works often have a thematic core, and explore the physical and psychological elements of the chosen story, object or concept.

About "Free For All at Town Hall"
"Free For All at Town Hall" is a production of Twin Lions, Inc., a non-profit concert production company founded by Omus Hirshbein and Jacqueline Taylor. Their goal is to present great musicians in concerts that are free to the public in spaces that are good for both the music and the audience.

The inspiration for this venture came from Ms. Taylor's experience directing a project at the Chamber Music Society of Lincoln Center called "Beethoven 2000." To celebrate the year 2000, the Chamber Music Society presented the Orion String Quartet performing all of Beethoven's string quartets in six concerts. As a gift to the City of New York, the concerts were free. "People thought I was crazy," commented Ms. Taylor. "After all, it is relatively easy to sell the Beethoven String Quartets at Lincoln Center in New York City, so why give them away?" The answer came when the public arrived to pick up their tickets. Four thousand tickets were given away in under two hours, with the line at Alice Tully Hall stretching from Broadway to Amsterdam Avenue.

Twin Lions, Inc. chose to begin in New York's Town Hall - a McKim, Mead and White building completed in 1921 - for several reasons: one, because they believe it to be one of New York City's finest acoustical spaces; and second, the size of the hall (1,500 seats) would allow them to have large audiences. But, perhaps most important, is Town Hall's history. For a long time it was the place for an important young musician to make their New York debut. The list of people who have performed there is staggering, including Marian Anderson, Leonard Bernstein, Isaac Stern, Sergei Rachmaninoff, and Igor Stravinsky, to name only a few.

For listings

"FREE FOR ALL AT TOWN HALL"

ANNE-MARIE McDERMOTT, piano

Sunday, May 31 at 5 p.m.

The Town Hall

123 West 43rd Street (between 6th Avenue and Broadway)

New York, NY 10036

Tickets to all "Free for All" concerts are available only on the day of the concert, at the Town Hall Box Office, starting at noon. Tickets are distributed on a first-come, first-served basis, limit two to a customer; no reservations.

"FREE FOR ALL AT TOWN HALL"

HILARY HAHN, violin

Sunday, June 14 at 2 p.m.

The Town Hall

123 West 43rd Street (between 6th Avenue and Broadway)

New York, NY 10036

Tickets to all "Free for All" concerts are available only on the day of the concert, at the Town Hall Box Office, starting at noon. Tickets are distributed on a first-come, first-served basis, limit two to a customer; no reservations.

"FREE FOR ALL AT TOWN HALL"

EMERSON STRING QUARTET

Sunday, June 21 at 5 p.m.

The Town Hall

123 West 43rd Street (between 6th Avenue and Broadway)

New York, NY 10036

Tickets to all Free for All concerts are available only on the day of the concert, at the Town Hall Box Office, starting at noon. Tickets are distributed on a first-come, first-served basis, limit two to a customer; no reservations.


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Thursday, March 19, 2009

Music for all Seasons - 20 April 2009


MUSIC FOR ALL SEASONS "CONVERSATIONS" SERIES FEATURES

THE JUILLIARD STRING QUARTET

WITH NEW MEMBER NICK EANET,

IN CONVERSATION WITH NANCY SHEAR


MONDAY, APRIL 20, 2009, 6:30 to 9 P.M. AT STEINWAY HALL


The Juilliard String Quartet, one of the most prominent and revered ensembles of all time, will appear before the public in its newest incarnation -- with new member Nick Eanet as first violinist -- in an interview with Nancy Shear, as part of Music For All Seasons' popular and acclaimed "Conversations" series. The event will be held on Monday, April 20, from 6:30 to 9 p.m., at Steinway Hall, 109 West 57th Street (between Sixth and Seventh Avenues), the magnificent and historic flagship showroom of Steinway & Sons. The members of the Quartet will discuss the inner workings of the ensemble, from achieving instrumental balance to negotiating repertory and issues of interpretation, to the delights and trials of traveling and other rarely-discussed aspects of membership in this renowned ensemble.



The evening's program includes a question-and-answer session and a Meet-the-Artist reception with drinks and substantial hors d'oeuvres for all members of the audience.


Tickets to the Juilliard String Quartet event are $75 ($30 tax deductible). Seating is limited. For information and reservations, please call MFAS at 908-322-6300, or toll-free at 1-866-524-(MFAS).


Music For All Seasons' popular and acclaimed "Conversations" series is an innovative program that has an enthusiastic and devoted following. Guests who have appeared include André Previn, Lorin Maazel, André Watts, Steven Isserlis, Dawn Upshaw, Nadja Salerno-Sonnenberg, Richard Stoltzman, Peter Schickele, Barbara Cook and Marni Nixon. Each of the "Conversations" is held in an attractive, unusual venue in New York City. Current and past locations include Steinway Hall, CFM Gallery, Bond #9, Bösendorfer New York, the New York Society for Ethical Culture, and BMI.


MUSIC FOR ALL SEASONS

Music For All Seasons, now celebrating its 17th season, is active in New York, New Jersey, Connecticut, Pennsylvania and California. By bringing live musical performances to a wide range of institutions including children's hospitals, retirement facilities, shelters for victims of domestic violence, juvenile detention centers, nursing homes, medical centers, halfway houses and hospices, MFAS aids the physical, mental and spiritual healing processes. MFAS brings together a wide variety of people and styles of music, provides opportunities for young professional artists to serve special audiences, and creates volunteer opportunities that serve local communities.


The conversations, led by distinguished writer and broadcaster Nancy Shear, provide rare insights into the careers and lives of the guests and offer a behind-the-scenes look into the music world. The interviews benefit Music For All Seasons, which has received support from the NEA, the New Jersey State Council on the Arts, and donations and grants from corporations, foundations and individuals.


Additional Information


JUILLIARD STRING QUARTET

The Juilliard String Quartet is internationally renowned and admired for performances characterized by a clarity of structure, beauty of sound, purity of line and an extraordinary unanimity of purpose. Celebrated for its performances of works by composers as diverse as Beethoven, Schubert, Bartók and Elliott Carter, it has long been recognized as the quintessential American string quartet.


The current season sees the Juilliard String Quartet in performances throughout the U.S., with dates including its annual returns to Philadelphia Chamber Music Society, performing world premieres by Richard Wernick and Melinda Wagner; in concert at the Kennedy Center Baylor University, Cornell, and Oberlin Conservatory of Music; and at the Mikazaki International Music Festival in Japan. The JSQ also performs in New York City, Phoenix, Cincinnati, New Jersey and elsewhere. Appearances abroad include a tour of Australia and a European tour with dates in Istanbul, Vienna, Haarlem, Madrid, Helsinki and at the Konzerthaus Berlin.


In 2007/08, the Juilliard String Quartet offered special programming in recognition of Elliott Carter's 100th birthday – a composer with whom they have had a long and remarkable collaboration – with special celebrations of his work at the Ravinia Festival and the Juilliard School, where it performed the world premiere of his new Clarinet Quintet with Charles Neidich. As ardent advocates of Carter's complex and visionary string quartets, the Juilliard's landmark recording of Quartets Nos. 1-4 was released by Sony in 1991. The Quartet toured throughout the US, with notable appearances at the National Gallery in Washington, D.C.; at the Philadelphia Chamber Music Society; the La Jolla Music Society; Chamber Music Society of Detroit; in Florida, Massachusetts, Ohio, Michigan, and elsewhere. A tour of Europe featured performances at the Concertgebouw in Amsterdam, a performance at the Cité de la musique in Paris with an accompanying two-day residency at the Conservatoire National Supérieur de Musique, and a return to Spain, where they performed, for the second time, on the Royal Family's matched set of inlaid Stradavari at the Palacio Real in Madrid.


In January 2008 Chamber Music America honored the Juilliard String Quartet with its highest honor, the Richard J. Bogomolny National Service award, in recognition of the Quartet's artistry, dedication and exemplary influence in chamber music.



The 2006/07 season marked the Juilliard Quartet's 60th anniversary, with a year-long celebration distinguished by the Quartet's performance of seven complete Bartók cycles (The Juilliard Quartet played the American premiere of the Bartók cycle at Tanglewood in 1948) in major cities throughout the U.S. and Japan. The Juilliard Quartet also celebrated Mozart's 250th birthday, performing quartets K. 421, K. 428 and K. 465, newly informed by first-edition parts recently donated to the Juilliard School.


Other recent highlights include a pair of concerts presented by the Los Angeles Philharmonic in Disney Hall; the world premiere of Ezequiel Viñao's Quartet II, "The Loss and the Silence," commissioned for them by the Juilliard School in honor of its 2006 centennial; and international performances of Bach's "Art of the Fugue."


At Carnegie Hall, the Quartet appeared in Maurizio Pollini's "Perspectives" series with pianist Martha Argerich, and in the Hall's 100th anniversary gala. Annual guests at Tanglewood's Seiji Ozawa Hall, the Juilliards played in the Hall's opening concert and are the lead-off artists in the recent recording celebrating its 10th anniversary. They are frequent guests at the Miyazaki Festival in Japan, and at festivals in Europe including the Lucerne Festival and the Schubertiade in Feldkirch. In a departure from the classical norm, the Juilliard Quartet has twice been the featured ensemble – comedic and musical – on Garrison Keillor's "Prairie Home Companion."


As Quartet in Residence at New York City's Juilliard School, the Juilliard String Quartet is widely admired for its seminal influence on aspiring string players around the world. The Quartet continues to play an important role in the formation of new American ensembles, and was instrumental in the formation of the Alexander, American, Concord, Emerson, La Salle, New World, Mendelssohn, Tokyo, Brentano, Lark, St. Lawrence, Shanghai and Colorado string quartets.


In a momentous occasion at Tanglewood in 1997, the Juilliard String Quartet's founder and first violinist Robert Mann retired from the group after fifty years. Earlier that season, Musical America named the Quartet "Musicians of the Year."


In its history, the Juilliard String Quartet has performed a comprehensive repertoire of some 500 works, ranging from the great classical composers to masters of the current century. An ardent champion of contemporary American music, the Quartet has premiered more than 60 compositions of American composers, including works by some of America's finest jazz musicians.


The ensemble has been associated with Sony Classical, in its various incarnations, since 1949. With more than 100 releases to its credit, the ensemble is one of the most widely recorded string quartets of our time; and its recordings of the complete Beethoven quartets, the complete Schoenberg quartets, and the Debussy and Ravel string quartets have all received Grammy Awards. Inducted into the Hall of Fame of the National Academy for Recording Arts and Sciences in 1986 for its recording of the complete Bartók string quartets, the Juilliard Quartet was awarded the Deutsche Schallplattenkritik Prize in 1993 for Lifetime Achievement in the recording industry. In 1994, its recording of quartets by Ravel, Debussy, and Dutilleux was chosen by the Times of London as one of the 100 best classical CDs ever recorded.


The members of the Juilliard String Quartet are all American-born and trained.


NANCY SHEAR

Nancy Shear is well-known as writer, lecturer, producer, broadcaster and director of a performing arts production and public relations company. She has lectured for the New York Philharmonic, Philadelphia Orchestra and Caramoor Festival; has hosted broadcasts of the New York Philharmonic, New Jersey Symphony, Frick Collection series and Naumburg Foundation; had her own interview programs on WNYC; and has been a commentator for the American Public Radio Network. Her articles have appeared in major publications such as Musical America, Ovation, the New York Times, Lincoln Center Stagebill and Symphony Magazine. She wrote entries for the 1992 Encyclopedia of New York (co-published by Yale University Press and the New-York Historical Society), and has written a book on the cultural phenomenon of The Three Tenors. Ms. Shear has taught at New York University's School of Continuing Education, NYU's Vernon Center for Foreign Affairs and The New School, and frequently lectures at educational institutions such as The Juilliard School, Manhattan School of Music and Mannes College of Music on the business and art of music, and music in an historical context. She has hosted special events including benefits at the Rainbow Room and, with André Previn, co-hosted a gala at the Caramoor Music Festival. Her rich background includes almost two decades as orchestra librarian, for The Philadelphia Orchestra, Curtis Institute, and privately for Leopold Stokowski and other major figures of the current and recent past generations. Ms. Shear has also lectured on the life and work of Eleanor Roosevelt and on various travel subjects.

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Wednesday, March 4, 2009

OPERA America Celebrates Honorees at 2009 National Opera Trustee Recognition Evening

 

New York, NYOPERA America, the national service organization for opera, honored the four recipients of its 2009 National Opera Trustee Recognition award at a dinner and reception in New York City on Saturday, February 21. In its second year, the award honors trustees of U.S. opera companies for exemplary leadership, generosity and audience building efforts on behalf of their respective companies.

 

The 2009 National Opera Trustee Recognition honorees are Mr. John T. Cody, Jr. of The Dallas Opera, Mr. Richard Holland of Opera Omaha, Mrs. Beth Ingram of Lyric Opera of Kansas City, and Mr. C. Guy Rudisill, III of Piedmont Opera.

 

In welcoming the evening’s honorees and guests, OPERA America Board of Directors Vice-Chairman Dr. Frayda B. Lindemann said, “We initiated this program two years ago based on our first-hand knowledge that healthy opera companies are built on the foundations of strong boards. What we didn’t know was that this year, in light of the economic turmoil, strong boards and dedicated trustees would be more important than ever. The winners of this year’s awards demonstrate the highest standard of leadership, dedication and generosity.”

 

“The guidance and generous support provided by dedicated board members are more valuable than ever, given the current economic conditions,” stated Marc A. Scorca, president & CEO of OPERA America. “We are pleased to recognize the long-standing achievements of these trustees as they continue to help ensure the cultural and economic vitality of our communities.”

 

Joining Dr. Lindemann and Mr. Scorca in honoring these exceptional trustees were the honorees’ respective General Directors, family and friends, the OPERA America Board of Directors, OPERA America Ambassador Circle donors and trustees and staff representing OPERA America member companies.

 

In addition to the award presentations, the Trustee Recognition dinner and reception featured excerpts from Stephen Schwartz’s Séance on a Wet Afternoon, performed by baritone Michael Zegarski, and Lee Hoiby’s Lady of the Harbor, performed by soprano Adrienne Danrich. Pianist Kelly Horsted accompanied the singers.

 

OPERA America is committed to recognizing strong trustee leaders and to understanding the pivotal role they play in the success of their opera companies and the communities they serve. In acknowledging and celebrating the dedication of board members at the national level, the National Opera Trustee Recognition Program seeks to strengthen the relationships between opera companies and their trustees and to inspire exemplary service to opera companies across the United States.

 

OPERA America’s dedication to recognizing excellence in governance is shared by its sister organization Opera.ca, the Canadian national association for opera. During Saturday’s reception, the Canadian Opera Company’s Mr. J. Rob Collins was honored as the first recipient of Opera.ca’s National Opera Directors Recognition Program.

 

Photo: J. Rob Collins, Canadian Opera Company; Dr. Frayda B. Lindemann, OPERA America; Beth Ingram, Lyric Opera of Kansas City; C. Guy Rudisill, III, Piedmont Opera; and John T. Cody, Jr., The Dallas Opera. Photo by Jon Simon, courtesy OPERA America.

 

To obtain a high-resolution version of this photo, please contact Patricia Kiernan Johnson at pkjohnson@operaamerica.org.

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Tuesday, March 3, 2009

home. the body as place

HOME. The body as place
A site-specific performance (using the body as the site)
   by Noémie Lafrance

WHEN:        April 1-5, 8-12 at 7:30 & 9:30 PM (Wednesday - Sunday)
WHERE:     For tickets & location - www.sensproduction.org
TICKETS:   $45 Priority, $30 Regular, $15 Student
CONTACT:  (718) 302-5024   info@sensproduction.org

Brooklyn, NY — Site-specific choreographer Noémie Lafrance, known for her large-scale site-specific work staging urban architecture and public spaces, uses the body as the performance site in her new solo work: Home. The Home performances invite the audience to convene around the body, interact with the performer and explore the body as a place. Home is a progressive work that has evolved in open rehearsals and is in continuing development throughout this performance series with the participation of the audience.
                                                          
Home introduces the audience members to an intimate experience of the human body, calling their attention to the physical confines of our inner and outer selves. Interactions with the audience construct a ritualized event, transporting the participants into a journey through the physical realm.  By way of a series of mise en scene that depict the micro and the macro body(ies), the subject and object body(ies), the body(ies) as public vs. private space, Home unfolds as a surreal and sensual voyage on the body’s infinite landscapes.  Home is conceived, choreographed and written by Noémie Lafrance, produced by Natalie Galazka and presented by Sens Production. Performers include Noémie Lafrance, Maré Hieronimus and Celeste Hastings, with original sound by Brooks Williams, lighting by Thomas Dunn and props by Carlos Ancalmo. 
 
Site-specific Choreographer Noémie Lafrance is best known for having reopened the historic McCarren Park Pool in Brooklyn with her ambitious works Agora & Agora II (2005-06) and for the choreography of the Grammy Award-nominated FEIST "1234" video.  Previous works include Noir (2004), part of the Whitney Biennial, staged in the Essex Municipal Parking Garage, and two-time Bessie Award winning Descent (2001-03), performed in the stairwell of the New York City Court Building Clock Tower.  Her work Melt, originally created in 2003 at the Black & White Gallery in Brooklyn has toured to festivals internationally.  In 2008, Lafrance was commissioned to create Rapture using the architecture of the Frank Gehry-designed Fisher Center for the Performing Arts at Bard College in the Hudson Valley, NY.  A series of Rapture performances sponsored by Tiffany & Co. is being developed by Ms. Lafrance to stage other Gehry designs worldwide. 
 
SENS Production is an award winning non-profit experimental arts organization founded by Ms. Lafrance in 2001. SENS' mission is to create and produce innovative site-specific dance performances that both engage audiences in spatial participation and explore the dynamic of movement in public spaces by integrating choreography into urban landscapes.

Home is produced by Sens Production and is made possible, in part, by public funds from the Canada Council for the Arts, New York State Council for the Arts, New York City Department of Cultural Affairs and from the support of many individuals.

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Thursday, January 8, 2009

Time for Three performing at Joe's Pub 2 MARCH 2009

"Simply put, they're a knockout! Three benevolent monsters, monsters of ability and technique surely. But also conveyers of an infectious joy that I find both touching and moving. I would recommend them not only for entertainment value, but also for anyone looking to see how all types of American Music can develop, when life and passion such as this are breathed into it." --Sir Simon Rattle

TIME FOR THREE TO PERFORM AT INTIMATE NEW YORK
NIGHTCLUB, JOE'S PUB,
MONDAY, MARCH 2, 2009, 7:30 P.M.
The groundbreaking, category-shattering trio Time for Three will bring its eclectic blend of styles and genres that have been thrilling audiences all over the country to Joe's Pub, one of New York's premiere showcase venues for live music, on Monday, March 2, 2009, 7:30 p.m.
Time for Three, self-described as "a classically trained garage band," is comprised of violinists Zach De Pue and Nick Kendall and bassist Ranaan Meyer who met while studying at Philadelphia's Curtis Institute of Music. They gained wide attention by giving a spontaneous performance during a power failure at a Philadelphia Orchestra concert at the Mann Music Center in 2003.
A Time for Three set runs the gambit between traditional tunes such as "Orange Blossom Special" and "Jerusalem's Ridge" and signature takes on classical pieces such as Bach's "Double" Concerto or Brahms' Hungarian Dance No. 5, to original compositions like "Philly Phunk" and "Wyoming 307." They also offer new life to popular songs like Leonard Cohen's "Hallelujah" and the Beatles' "Blackbird."
Joe's Pub at The Public Theater is located at 425 Lafayette Street in Manhattan, between E. 4th and Astor Place. Tickets for the March 2 show are available online at www.joespub.com, by phone at 212/967-7555 or in person at The Public Theater Box Office (425 Lafayette Street). For dinner/table reservations, call 212/967-7555. Please note that the purchase of a ticket does NOT guarantee seating; seating as well as standing-room is available only on a first-come, first-served basis for all shows without a dinner reservation. A two-drink or $12 food minimum per person is standard. Tickets: $20. All tickets are non-refundable.
About Time for Three
The groundbreaking, category-shattering trio Time for Three transcends traditional classification, with elements of classical, country western, gypsy and jazz idioms forming a blend all its own. The members -- Zachary (Zach) De Pue, violin; Nicolas (Nick) Kendall, violin; and Ranaan Meyer, double bass -- carry a passion for improvisation, composing and arranging, all prime elements of the ensemble's playing.
What started as a trio of musicians who played together for fun while students at Philadelphia's Curtis Institute for Music evolved into Time for Three, or Tf3 for short -- a charismatic ensemble with a reputation for limitless enthusiasm and no musical boundaries. Violinists Zachary De Pue and Nicolas Kendall first discovered their mutual love of fiddling in the country western and bluegrass styles. Then bassist Ranaan Meyer introduced them to his deep roots in jazz and improvisation. After considerable experimentation, the three officially formed Tf3. The ensemble gained instant attention in July 2003, during a lightning-induced power failure at Philadelphia's Mann Center for the Performing Arts. While technicians attempted to restore onstage lighting, Ranaan and Zach, who were both performing with The Philadelphia Orchestra, obliged with an impromptu jam session that included works as far afield from the originally scheduled symphony as "Jerusalem's Ridge," "Ragtime Annie," and "The Orange Blossom Special." The crowd went wild.
To date, the group has performed more than two hundred engagements as diverse as its music: from featured guest soloists with The Philadelphia Orchestra to opening for k.d. lang.
Tf3 sets itself apart not only with its varied repertoire performed with astonishing technical acuity, but also through its approach. Its high-energy performances are free of conventional practices, drawing instead from the members' differing musical backgrounds. The trio also performs its own arrangements of traditional repertoire and Ranaan Meyer provides original compositions to complement the trio's offerings.
Tf3 has performed on many of the nation's important stages, including the Isabella Stewart Gardner Museum in Boston, the 92nd Street Y in New York, and the Kennedy Center in Washington, D.C. The group recorded the soundtrack to the History Channel's production, The Spanish-American War, and will soon release its third CD. Their first recording, titled Time for Three, was released in October 2002, followed by a second CD released in January 2006, We just burned this for you!
The ensemble has begun a major commissioning program to expand its unique repertoire for both symphony orchestras and concert series. One of these projects has involved a new work written by celebrated composer Jennifer Higdon, premiered in six performances by Tf3 with The Philadelphia Orchestra and Christoph Eschenbach in January 2008.
Other highlights of Tf3's recent past seasons include the Beethoven Society in Washington, D.C.; Cerritos Center in Los Angeles; Joanne Woodward's Westport Playhouse; the Philadelphia Folk Festival; Wyoming's Grand Teton Music Festival; and Chicago's "Music in the Loft" series. This past season (which included more than 100 engagements), the trio performed with the Cleveland Pops in Severance Hall; the San Francisco Symphony; at the Saratoga Performing Arts Center; in a two-week residency at the University of Michigan; a New Year's Eve concert with the Indianapolis Symphony; in Memphis with the IRIS Chamber Orchestra; in three cities in Florida with the Sunshine Pops; with the New World Symphony conducted by Michael Tilson Thomas; and with the Philly Pops and Peter Nero.
In addition to its demanding performing schedule, the trio is committed to reaching younger audiences and has participated in a number of educational residencies and outreach concerts including Paul Newman's Hole In The Wall Gang Camp (involving Whoopi Goldberg, Alec Baldwin, Mikhail Baryshnikov and Joanne Woodward); The Fox Channel's "Good Morning Philadelphia" telecast from the Kimmel Center; the Liberty Awards Ceremony honoring Colin Powell; and the Philadelphia Chamber of Commerce's morning debate banquet for gubernatorial candidates Edward Rendell and Mike Fisher. Tf3 was also featured in the Pennsylvania Society's televised annual gala from New York's Waldorf-Astoria.
Time for Three has been seen and heard frequently on various television and radio broadcasts throughout the country, including numerous times on Public Television and NPR, and was featured in a documentary film about Philadelphia's Rittenhouse Square directed by Robert Downey, Sr.
Zach De Pue comes from a musical family: in addition to the De Pue Brothers, his father is a composer and professor emeritus of music composition at Bowling Green State University in Ohio. Born in Bowling Green, Zach graduated in 2002 from the Curtis Institute of Music, where he studied with renowned violinists Ida Kavafian and Jaime Laredo. He was the recipient of a merit-based full-tuition scholarship and held the Institute's David H. Springman Memorial Fellowship.
Prior to entering Curtis, Mr. De Pue attended the Cleveland Institute of Music. He made his solo debut with the Toledo Symphony Orchestra in 1994 and performed as soloist with the World Youth Symphony Orchestra in 1995. Mr. De Pue has performed at the Isaac Stern Music Workshop; the Angel Fire, La Jolla and Sarasota music festivals; and at the Chautauqua Institution and Interlochen Arts Academy. In September 2007, he was appointed Concertmaster of the Indianapolis Symphony Orchestra.
Nick Kendall studied at the Curtis Institute with the internationally renowned violinist Victor Danchenko. He maintains a strong interest in other musical instruments and genres and is an enthusiastic teacher who utilizes elements from both classical and non-traditional repertoires in his popular workshops.
Recent highlights of his career include performances with Israel's Jerusalem Symphony under conductor James Judd; an acclaimed Philadelphia recital debut under the auspices of Astral Artistic Services; a quartet performance at Carnegie Hall; performances as a member of the Astral Trio at both the Los Angeles Chamber Music Festival and at the Kimmel Center's Verizon Hall; and a guest artist appearance on tour with the Metamorphosen Chamber Orchestra. Nick debuted with the National Symphony Orchestra and the Saint Louis Symphony Orchestra as the winner of their Young Artists competitions. He has since performed in the concert halls of Anchorage, Chapel Hill, Chicago, Cleveland, Indianapolis, Louisville, San Francisco and Tokyo. In addition to his extensive recording and performance activities as a member of Tf3, Nick is also a member of both the East Coast Chamber Orchestra (ECCO) and the Dryden String Quartet.
Ranaan Meyer began his musical studies at the piano at age four and, when he was big enough to hold it, took up the double bass at 11. He attended the Manhattan School of Music and graduated from Curtis in 2003. Beyond regular appearances with ensembles such as the Minnesota Orchestra, Baltimore Symphony and The Philadelphia Orchestra, Mr. Meyer is increasingly in demand as a composer, creating unique new works for Tf3 as well as for other ensembles and for solo bass. Most recently, Ranaan completed a commission, "My Zayda" (for violin, piano and double bass), for the Kingston Chamber Music Festival in Rhode Island. Other recently completed commissions include a solo double bass piece for Network for New Music, a double bass and harp duet, a set of pieces for Astral Artistic Services, and a Tf3 composition for the City of Pittsburgh and the Pittsburgh Symphony, "Of Time and Three Rivers." All commissions have been expedited through the American Composers Forum.
Ranaan is also an accomplished jazz musician who has performed with Jane Monheight, Victor Lewis, Jason Moran, Mark O'Connor, Ari Hoenig, Duane Eubanks, Mickey Roker and many others. At age 19, Ranaan produced, directed and performed in the very first Washington Township Jazz Festival that was also broadcast live on Philadelphia's WRTI. An avid teacher, Ranaan has held adjunct Double Bass professorships at both Princeton University and the University of Delaware. He spent several summers teaching alongside Hal Robinson, Principal Bass of The Philadelphia Orchestra, at the Strings International Music Festival in Bryn Mawr, Pennsylvania. He has also taught at the Intermountain Suzuki Camp in Sandy, Utah, and at Mark O'Connor's String Camp in San Diego, California.
Ranaan is the founder of a new program called Project Interactive (PI), whose purpose is to culturally connect communities' artistic possibilities. He is also committed to expanding the double bass repertoire and will compose eight new works for the instrument by May 2008. In the summer of 2008, he will launch a double bass camp along with Eric Larson (of the Houston Symphony) and Hal Robinson.
Please visit www.tf3.com.
About Joe's Pub
Joe's Pub at The Public Theater debuted in October 1998 and has quickly become one of New York City's most celebrated and in-demand showcase venues for live music and performance. With its genre-blind booking and vast diversity of interests, the stage at Joe's Pub gives voice to a world of varied and stellar artists.
With impeccable sound and lights, the warm and intimate candlelit atmosphere of Joe's Pub is filled with plush velvet couches, softly glowing lucite tables and beautifully understated architecture. Joe's Pub is open seven days a week, regularly hosting as many as three shows a day. Dinner and drink service is available during every performance; the venue offers a classic Italian dinner menu and a fully stocked bar.
The Village Voice voted Joe's Pub the "Best Excuse to Let a Single Venue Dictate Your Taste." Newsweek calls the club "one of the country's best small stages" and New York Magazine raves "you never know what you'll find next at Joe's Pub, but you can count on the fact that it will be good, very good."
In addition to its reputation of presenting internationally known stars, Joe's Pub has also developed into a premier showcase stage for up-and-coming musicians and emerging artists from a variety of disciplines.
Please visit www.joespub.com.
FOR LISTINGS:
TIME FOR THREE AT JOE'S PUB
Monday, March 2, 2009 Time for Three Plays Joe's Pub
7:30 p.m.
Joe's Pub at The Public Theater, 425 Lafayette Street, NYC
Tickets $20 available online at www.joespub.com, by phone: (212) 967-7555, or in person at The Public Theater Box Office (425 Lafayette Street) Tues-Sat from 1:00 p.m. to 7:30 p.m. Sun & Mon from 1:00 p.m. to 6:00 p.m. For Dinner Reservations call (212) 967-7555. Note: Purchase of a ticket does NOT guarantee seating; seating, as well as standing-room, is available only on a first-come, first-served basis for all shows without a dinner reservation. Two drink or $12 food minimum per person is standard. All tickets are non-refundable.

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Wednesday, January 7, 2009

Comedian and World's Funniest Accountant Stevie G.B Brings His "Great BIG Variety Show" to McGuires



Comedian and World's Funniest Accountant Stevie G.B Brings His "Great BIG Variety Show" to McGuires in Bohemia - Thursday January 22nd

Bohemia, NY (January 7 2009) The self proclaimed "World's Funniest Accountant", Stevie G.B announced today that his next Great BIG Variety show will be held on Thursday January 22nd at McGuires Comedy Club in Bohemia. The event begins at 8pm and features the laugh till you cry comedy stylings of the aforementioned Stevie G.B, plus some of Long Island's most unusual talent including Lois Morton, Harry Mandel, Sparky, SeeSaw Improv, Adam Mancuso & Joyful Noize.

Past performances by Stevie G.B have netted him this great praise such as "His act mainly consisted of his providing dry, observational humor including commercials on News 12 Long Island. Very funny material" (Perpetual Toxins magazine) and "Stevie's clever juxtapositions left the crowd of over 280 rolling in the aisles. Our BEST Corporate event. We highly reccommend him" (Hauppauge Industrial Assoc)

Come see what the buzz is all about on this one night only engagement!!

Don't forget to check http://www.steviegb.com for regular updates.

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DETAILS:
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Thursday January 22nd
Stevie G.B's Great BIG Variety Show
@ McGuires Comedy Club
http://www.mcguirescomedyshows.com
1627 Smithtown Ave (Corner of Smithtown Ave and Vets Hwy)
Bohemia, NY 11716
631-467-5413

$10 admission/all ages/8pm showtime

Featuring Stand-up comedy from:
Stevie G.B. "The World's Funniest Accountant"

Plus some of Long Island's most unusual talent:
Lois Morton, Harry Mandel, Sparky, SeeSaw Improv, Adam Mancuso & Joyful Noize

ABOUT STEVIE GB:
Winner of the Audience Choice award at the 2006 Huntington Arts Council Laff-Off, he has also been featured on News12 Long Island, and has been seen on The Long Island Comedy Festival. Stevie GB has a unique approach to Comedy; it involves how we deal with everyday life, from working for a living to voice mail, HMO's, married life and living on Long Island. Stevie is also a champion for local causes on Long Island having already played events for Breast Cancer Help, American Diabetes Assoc, Leukemia Lymphoma Foundation, Long Island Cares, Kent Animal Shelter, Cat Rescue Organization, American Cancer Society, Teddy Fund, Avalon Gardens Nursing Home, The Arbors Assisted Living, Rotary Clubs and several Firehouse fundraisers.


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Tuesday, January 6, 2009

Parsons Dance presents Remember Me, a World Premiere collaboration with EVOC - Jan 6-18



PARSONS DANCE

presents

REMEMBER ME

a World Premiere collaboration

with the lead vocalists and music of the

Grammy Award-nominated

EAST VILLAGE OPERA COMPANY

The Joyce Theater, January 6 – 18, 2009

Parsons Dance presents the World Premiere of REMEMBER ME, a collaboration with the lead vocalists of East Village Opera Company (EVOC), featuring the music of the acclaimed rock opera band. Program A premieres the new evening-length work with EVOC’s two lead vocalists live onstage with Parsons Dance. Program B will feature Parsons Dance favorites: the jazzy Fill the Woods with Light, Swing Shift, Ebben, My Sweet Lord, Shining Star, and the stroboscopic Caught.

David Parsons, Tyley Ross (lead male vocalist and co-founder of EVOC) and AnnMarie Milazzo (lead female vocalist) have created a storyline that connects EVOC’s signature operatic arias (fifteen songs from the band’s albums) with David Parsons’ original choreography. REMEMBER ME is a thoroughly modern re-telling of a classic story of a tragic love triangle. With contemporary dance, aerial dance, live and recorded music, video projections, complex digital lighting and visual effects, REMEMBER ME is the most ambitious production created by Parsons Dance in its 22 year history.

“Nearly two years ago, I had the pleasure of meeting the members of East Village Opera Company. We realized that a great deal of artistic synchronicity existed between our companies, and we began to discuss the possibility of creating a work together. Peter Kiesewalter’s brilliant arrangements have proven to be incredibly inspirational. Now we are about to present this World Premiere in January,” said David Parsons, artistic director of Parsons Dance.

“David Parsons’ choreography marries tradition and renewal in a way that physically represents what we try to evoke as a band. It’s exciting to see our music take a three dimensional kinesthetic shape in his hands,” said Tyley Ross. EVOC recently received a 2008 Grammy Award nomination, Best Classical Crossover Album, for their album Olde School (2008, Decca Records).

“This piece is a strong departure from David Parsons’ signature themes, representing a paradigm shift in the work of a legendary choreographer, showcasing David’s maturation as an artist and expressing the breadth of his enormous creative range,” said David Harrison, executive director of Parsons Dance.

EVOC’s signature works re-imagine opera arias as popular songs, including pieces by Verdi, Puccini, Mozart and Schubert. These classics collide with electric sounds from the golden era of rock and roll, pop, R&B, and soul, exploding into a mosaic of sound in a triumphant musical celebration. They have received commissions to pen new works from both the New York Public Theatre and New York City Opera, with whom they have also performed at Lincoln Center. EVOC alternately headlines in prestigious classical concert halls and rock clubs, and records exclusively for Decca/Universal records. They have released three CD’s, and are currently on tour supporting their newest release Olde School.

Parsons Dance creates American works of extraordinary artistry that are engaging and uplifting to audiences throughout the world. It is the goal of Parsons Dance to make contemporary dance accessible to the widest possible audiences. In addition to choreography and performance, Parsons Dance positively impacts children, students, and communities through student performances, lecture-demonstrations, master classes, post-show discussions and more. Parsons Dance has a company of eleven full-time dancers and maintains a repertory of more than 70 works choreographed by David Parsons, twenty of which feature originally commissioned scores by leading composers and musicians, including Dave Matthews, Michael Gordon and Milton Nascimento. Parsons Dance has collaborated with many other leading artists, including Julie Taymor, William Ivey Long, Annie Leibovitz, Donna Karan and Alex Katz (to name a few). The New York Times called David Parsons “one of the great movers of modern dance.” New York Magazine referred to him as “one of modern dance’s great living dance-makers.”

Parsons Dance dancers are Julie Blume, Eric Bourne, Sarah Braverman, John Corsa, Kevin Fitzgerald Ferguson, Patty Foster, Zac Hammer, Natalie Lomonte, Miguel Quinones, Abby Silva, Billy Smith, apprentice dancer Steven Vaughn, and understudy Trista Jennings.

The two programs follow:

Program A:

Thu 1/8, Fri 1/9 and Sat 1/10 at 8pm; Sun 1/11 at 2pm and 7:30pm; Wed 1/14 at 7:30pm;

Thu 1/15, Fri 1/16 and Sat 1/17 at 8pm; Sun 1/18 at 7:30pm

World Premiere of REMEMBER ME featuring the music of EVOC: Overture, La Danza, Maria, Mari!, Habanera, Che Gelida Manina, Flower Duet, La Donna E Mobile, Ave Maria, O Mio Babbino Caro, Una Furtiva Lagrima, Un Del Di, Ebben? Ne Andro Lontana, When I Am Laid in Earth, Butterfly Duet

Program B:

Tue 1/6 and Wed 1/7 at 7:30pm; Tue 1/13 at 7:30pm; Sat 1/17 and Sun 1/18 at 2pm

Family Matinee: Sat 1/10 at 2pm

Swing Shift, Ebben (an excerpt from Program A), My Sweet Lord, Fill the Woods with Light, Caught, and Shining Star

Swing Shift, created for four couples and featuring compelling solos for female dancers, explores the human journey toward self-discovery through social interaction, as dancers “swing” and “shift” in order to couple, uncouple and couple again with another. Ebben is an excerpt from REMEMBER ME. My Sweet Lord is based on the song of the same title by George Harrison and was originally choreographed for American Ballet Theatre. Fill the Woods with Light was inspired by David Parsons’ love of jazz and dramatic lighting effects. This ensemble piece features a commissioned score by Phil Woods, recorded by the Phil Woods Little Big Band. The dancers occupy the nocturnal world of jazz music, lighting each other with a variety of hand-held lighting instruments. Caught is an internationally renowned stroboscopic dance masterpiece that features a solo dancer performing more than 100 leaps in less than six minutes. Each leap is “caught” by the flash of a strobe light, to create a breathtaking illusion of flight. Caught has been performed thousands of times, worldwide, for more than 27 years. Shining Star is an upbeat, high-energy romp set to a series of disco-era hits by Earth, Wind & Fire. The choreography blends social dancing with a jazzy, smooth style that celebrates the party scene of the 1970s.

Parsons Dance will perform January 6 – 18, 2009 at The Joyce Theater, with performances Tuesday, Wednesday and Sunday at 7:30pm; Thursday, Friday and Saturday at 8pm; and Saturday and Sunday at 2pm. There is a Family matinee performance on Saturday, January 10 at 2pm. The Joyce Theater is located at 175 Eighth Avenue (at 19th Street), NYC. Tickets are $59, $35, and $19 (Joyce Members $44, $26) and are available by phone at 212-242-0800 or joyce.org.

Parsons Dance is committed to building new audiences for contemporary dance by creating American works of extraordinary artistry that are engaging and uplifting to audiences throughout the world. The company tours regionally, nationally and internationally. Since 1985, Parsons Dance has toured an average of 32 weeks per year, to a total more than 235 cities, 30 countries, six continents and millions of audience members. Many others have seen Parsons Dance on PBS, Bravo, A&E Network, and the Discovery Channel. Millions watched Parsons Dance perform live in Times Square as part of the internationally broadcast, 24-hour Millennium New Year’s Eve celebration. In New York City, Parsons Dance has been featured at The Joyce Theater, City Center, New Victory Theater, Central Park Summerstage, Guggenheim Museum, Metropolitan Museum of Art and The World Trade Center.

David Parsons (Artistic Director/Founder) has enjoyed a remarkable career as a performer, choreographer, teacher, director and producer of dance. Mr. Parsons was born in Chicago and raised in Kansas City. He was a leading dancer with The Paul Taylor Dance Company, where Mr. Taylor created many roles for him in works such as Arden Court, Last Look and Roses. He is a recipient of the 2000 Dance Magazine Award, as well as the 2001 American Choreography Award, for his work as a co-producer of AEROS, a production featuring the Romanian Gymnastic Federation that was featured on Bravo. Mr. Parsons has created more than 70 works for Parsons Dance. He has received commissions over the years from The American Ballet Theatre, New York City Ballet, Alvin Ailey American Dance Theater, the American Dance Festival, Jacob’s Pillow, the Spoleto Festival and Het Muziektheater in Amsterdam, to name a few. His work has been performed by Paris Opera Ballet, Joffrey Ballet, Nederlands Danse Theatre, National Ballet of Canada, Hubbard Street Dance and BatSheva Dance Company of Israel, among many others. In June 2007, Mr. Parsons was honored to be the very first contemporary choreographer ever to stage work at the centuries-old Arena di Verona, in Verona Italy, where he choreographed Verdi’s Aida. The Arena is one of Italy’s most respected operatic venues. In September 2007, he directed and choreographed Gotham Chamber Opera’s production of María de Buenos Aires, which made its world premiere at a sold-out engagement in New York, at NYU’s Skirball Center for the Arts.

East Village Opera Company was formed in New York City’s East Village in 2004 by Canadians Peter Kiesewalter and Tyley Ross. The East Village Opera Company turned the heads of New York’s music community with a series of electric genre defying shows at Joe’s Pub, the intimate venue housed by the Public Theatre. Initially meant as a one-off project, they were quickly signed to Decca/Universal records and met with universal praise from both classical and rock critics and fans. The Washington Post proclaimed that “Opera crossover acts are becoming a veritable cottage industry, but the East Village Opera Co. is markedly different.” They have toured the world with a unique live show, combining a seemingly incongruous classical string section with a powerhouse rock band. Time Out New York stated that the group “electrifies the classics for a new generation.” The Associated Press mused the band was “dramatic” and “mesmerizing” while the Wall Street Journal agreed, noting “The band rocks hard, and deranges the opera stuff with savvy skill.” In a rare feat not many artists can claim, EVOC headlines around the world in both eclectic rock clubs as well as some of the most prestigious classical concert halls. The band’s appeal is evident in both cases. The Chicago Tribune raved “Nobody puts a fresher, friskier contemporary spin on opera’s greatest hits than the East Village Opera Company.” The band has also performed at esteemed events such as the Sundance Film Festival, the Miss USA pageant (nationally televised on NBC), and the world-premiere of “The Da Vinci Code” in Hong Kong. EVOC’s PBS Special “EVOC LIVE” was celebrated with an Emmy at the 2006 Emmy Awards. Their most recent Decca album entitled Olde School was nominated for a Grammy in the Classical Crossover Album category.

Tyley Ross (Male Vocalist / EVOC co-founder) A native of OttawaCanada, Tyley started performing professionally in his early teens while still a student at Canterbury’s school of the Arts. In the years since then, has been a street busker, a cartoon and voice artist, acted for the small and large screen, written and recorded two solo albums (his composition You Take My Breath Away was featured in the film Woman Wanted directed by Kiefer Sutherland and starring Holly Hunter), and he has performed as a guest soloist with orchestras across Canada and in the USA. After being discovered by Pete Townshend of The Who in 1994, Tyley was cast in the title role of the Canadian premiere of the Who’s Tommy. For his work in that show, he was honored with the Dora Award for Outstanding Performance in a Musical. He spent the next ten years on musical stages across North America, including starring roles at the Shaw and Stratford Festivals, and on Broadway. In 2001, Tyley was introduced to Peter Kiesewalter and they began experimenting with recording opera arias in a variety of modern contexts. This project led to the release of the CD La Donna and the unveiling of the East Village Opera Company in 2004 with a series of acclaimed performances at New York’s Joe’s Pub. Within a year the band had signed a multi-record deal with Decca/Universal, and has since released two CD’s: East Village Opera Company (2005) and Olde School (2008). Tyley has his master’s degree in voice studies from London’s Central School of Speech and Drama.

AnnMarie Milazzo (Female Vocalist) is a singer, arranger, composer and lyricist living in NYC. She has done the vocal arrangements for Spring Awakening, the Broadway musical at the Eugene O’Neill Theater; Next To Normal, which premiered Off Broadway at Second Stage Theatre; Bright Lights, Big City at New York Theatre Workshop; and the Paramount feature film “The Marc Pease Experience” starring Ben Stiller. Some of her most recent work includes a new musical Pretty Dead Girl, which premiered at The Sundance Film Festival and is now being produced by the Araca Group in New York City, book by David Henry Wang. Also currently in progress is the musical Sea Change based on the Lois Gould novel, book by Karen Hartman. AnnMarie is the lyricist for Franco Dragone’s Carmen,Madrid, 2009. She is currently writing lyrics for Cirque du Soleil’s, Le Reve, at the Wynn Hotel in Las Vegas. AnnMarie’s singing credits include working with artists such as Angelique Kidjo on her Black Ivory Soul Tour also singing with Carlos Santana. She also toured with Jonatha Brooke and performed on her DVD Back In The Circus, shot live in NYC. which premiered at The Jolla Playhouse and will open in

The Joyce Theater Foundation, Inc., a non-profit organization, has proudly served the dance community and its audiences since 1982. The founders, Cora Cahan and Eliot Feld, acquired and renovated the Elgin Theater in Chelsea, which opened as The Joyce Theater in 1982. The Joyce is named in honor of Joyce Mertz, beloved daughter of LuEsther T. Mertz. It was LuEsther’s clear, undaunted vision and abundant generosity that made it imaginable and ultimately possible to establish the theater. One of the only theaters built by dancers for dance, The Joyce Theater has provided an intimate and elegant New York home for more than 290 domestic and international companies. The Joyce has also commissioned more than 130 new dances since 1992. In 1996, The Joyce created Joyce SoHo, a dance center providing highly subsidized rehearsal and performance space to hundreds of dance artists. New York City public school students and teachers annually benefit from The Joyce’s Dance Education Program, and adult audiences get closer to dance through pre-engagement Dance Talks and post-performance Humanities discussions. The Joyce Theater now features an annual season of approximately 48 weeks with over 340 performances for audiences in excess of 135,000. Additionally, for the last five years The Joyce has co-produced Evening Stars as part of the River To River Festival in Battery Park.

The World Premiere production is made possible by lead commissioning support from The Ellsworth Kelly Foundation; and Dr. and Mrs. Edward Prostic, in honor and memory of their daughter Elizabeth Anne Prostic.

For more information, visit parsonsdance.org and eastvillageoperacompany.com.

PARSONS DANCE

The Joyce Theater, 175 Eighth Avenue (at 19th Street), NYC

January 6-18, 2009

Tue, Wed and Sun at 7:30pm; Thu, Fri and Sat at 8pm; and Sat and Sun at 2pm

Family matinee performance on Saturday, January 10 at 2pm.

Tickets: $59, $35, $19 (Joyce Members $44, $26)

JoyceCharge: 212-242-0800

joyce.org


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Tuesday, December 30, 2008

Free concerts: New Music, Classics, Jazz

Chamber Music America (CMA)—the national service organization for the chamber music profession—will present the following free events in conjunction with its 2009 National Conference, in New York City, January 16-18:

Date: Friday, January 16, 2009

Event: New Music Concert

Time: 8:00 p.m.

Location: St. Luke’s Lutheran Church, 308 W. 46th St.

Charge: FREE

Performers : Jazz pianist Vijay Iyer and the Vijay Iyer Quartet; the Minnesota-based male vocal ensemble Cantus; and Opus 21, the Michigan new-music ensemble, performing its Frederic Rzewski commission, Natural Things.

Contact: Marc Giosi (212) 242-2022 ext.14 or mgiosi@chamber-music.org

Date: Sunday, January 18, 2009

Event: American Masterpieces: Chamber Music Concert

Time: 4:00 p.m.

Location: St. Luke’s Lutheran Church, 308 W. 46th St.

Charge: FREE

What: The Parker Quartet (Corigliano String Quartet No. 1); String Trio of New York

Contact: Marc Giosi (212) 242-2022 ext.14 or mgiosi@chamber-music.org

Adam Reifsteck
Director of Marketing and Member Services
Chamber Music America
Office: 212.242.2022 ext. 28
Fax: 212.242.7955
areifsteck@chamber-music.org

re-imagining our future
C H A M B E R M U S I C A M E R I C A
31st A N N U A L C O N F E R E N C E
J A N U A R Y 15 – 18, 2 0 0 9
www.chamber-music.org/events

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Thursday, December 18, 2008

Parsons Dance presents World Premiere collaboration with EVOC - Jan 6-18

Parsons Dance presents the World Premiere of an as-yet-untitled collaboration with the lead vocalists of East Village Opera Company (EVOC), featuring the music of the acclaimed rock opera band. Program A premieres the new evening-length work with EVOC’s two lead vocalists live onstage with Parsons Dance. Program B will feature Parsons Dance favorites: the jazzy Fill the Woods with Light, Swing Shift, Ebben, My Sweet Lord, Shining Star, and the stroboscopic Caught.

David Parsons, Tyley Ross (lead male vocalist and co-founder of EVOC) and AnnMarie Milazzo (lead female vocalist) have created a storyline that connects EVOC’s signature operatic arias (fifteen songs from the band’s albums) with David Parsons’ original choreography. untitled is a thoroughly modern re-telling of a classic story of a tragic love triangle. With contemporary dance, aerial dance, live and recorded music, video projections, complex digital lighting and visual effects, untitled is the most ambitious production created by Parsons Dance in its 22 year history.

“Nearly two years ago, I had the pleasure of meeting the members of East Village Opera Company. We realized that a great deal of artistic synchronicity existed between our companies, and we began to discuss the possibility of creating a work together. Peter Kiesewalter’s brilliant arrangements have proven to be incredibly inspirational. Now we are about to present this World Premiere in January,” said David Parsons, artistic director of Parsons Dance.

“David Parsons’ choreography marries tradition and renewal in a way that physically represents what we try to evoke as a band. It’s exciting to see our music take a three dimensional kinesthetic shape in his hands,” said Tyley Ross. EVOC recently received a 2008 Grammy Award nomination, Best Classical Crossover Album, for their album Olde School (2008, Decca Records).

“This piece is a strong departure from David Parsons’ signature themes, representing a paradigm shift in the work of a legendary choreographer, showcasing David’s maturation as an artist and expressing the breadth of his enormous creative range,” said David Harrison, executive director of Parsons Dance.

EVOC’s signature works re-imagine opera arias as popular songs, including pieces by Verdi, Puccini, Mozart and Schubert. These classics collide with electric sounds from the golden era of rock and roll, pop, R&B, and soul, exploding into a mosaic of sound in a triumphant musical celebration. They have received commissions to pen new works from both the New York Public Theatre and New York City Opera, with whom they have also performed at Lincoln Center. EVOC alternately headlines in prestigious classical concert halls and rock clubs, and records exclusively for Decca/Universal records. They have released three CD’s, and are currently on tour supporting their newest release Olde School.

Parsons Dance creates American works of extraordinary artistry that are engaging and uplifting to audiences throughout the world. It is the goal of Parsons Dance to make contemporary dance accessible to the widest possible audiences. In addition to choreography and performance, Parsons Dance positively impacts children, students, and communities through student performances, lecture-demonstrations, master classes, post-show discussions and more. Parsons Dance has a company of eleven full-time dancers and maintains a repertory of more than 70 works choreographed by David Parsons, twenty of which feature originally commissioned scores by leading composers and musicians, including Dave Matthews, Michael Gordon and Milton Nascimento. Parsons Dance has collaborated with many other leading artists, including Julie Taymor, William Ivey Long, Annie Leibovitz, Donna Karan and Alex Katz (to name a few). The New York Times called David Parsons “one of the great movers of modern dance.” New York Magazine referred to him as “one of modern dance’s great living dance-makers.”

Parsons Dance dancers are Julie Blume, Eric Bourne, Sarah Braverman, John Corsa, Kevin Fitzgerald Ferguson, Patty Foster, Zac Hammer, Natalie Lomonte, Miguel Quinones, Abby Silva, Billy Smith, apprentice dancer Steven Vaughn, and understudy Trista Jennings.

The two programs follow:

Program A:

Thu 1/8, Fri 1/9 and Sat 1/10 at 8pm; Sun 1/11 at 2pm and 7:30pm; Wed 1/14 at 7:30pm;

Thu 1/15, Fri 1/16 and Sat 1/17 at 8pm; Sun 1/18 at 7:30pm

World Premiere of untitled featuring the music of EVOC: Overture, La Danza, Maria, Mari!, Habanera, Che Gelida Manina, Flower Duet, La Donna E Mobile, Ave Maria, O Mio Babbino Caro, Una Furtiva Lagrima, Un Del Di, Ebben? Ne Andro Lontana, When I Am Laid in Earth, Butterfly Duet

Program B:

Tue 1/6 and Wed 1/7 at 7:30pm; Tue 1/13 at 7:30pm; Sat 1/17 and Sun 1/18 at 2pm

Family Matinee: Sat 1/10 at 2pm

Swing Shift, Ebben (an excerpt from Program A), My Sweet Lord, Fill the Woods with Light, Caught, and Shining Star

Swing Shift, created for four couples and featuring compelling solos for female dancers, explores the human journey toward self-discovery through social interaction, as dancers “swing” and “shift” in order to couple, uncouple and couple again with another. Ebben is an excerpt from untitled. My Sweet Lord is based on the song of the same title by George Harrison and was originally choreographed for American Ballet Theatre. Fill the Woods with Light was inspired by David Parsons’ love of jazz music and dramatic lighting effects. This ensemble piece features a commissioned score by Phil Woods, recorded by the Phil Woods Little Big Band. The dancers occupy the nocturnal world of jazz music, lighting each other with a variety of hand-held lighting instruments. Caught is an internationally renowned stroboscopic dance masterpiece that features a solo dancer performing more than 100 leaps in less than six minutes. Each leap is “caught” by the flash of a strobe light, to create a breathtaking illusion of flight. Caught has been performed thousands of times, worldwide, for more than 27 years. Shining Star is an upbeat, high-energy romp set to a series of disco-era hits by Earth, Wind & Fire. The choreography blends social dancing with a jazzy, smooth style that celebrates the party scene of the 1970s.

Parsons Dance will perform January 6 – 18, 2009 at The Joyce Theater, with performances Tuesday, Wednesday and Sunday at 7:30pm; Thursday, Friday and Saturday at 8pm; and Saturday and Sunday at 2pm. There is a Family matinee performance on Saturday, January 10 at 2pm. The Joyce Theater is located at 175 Eighth Avenue (at 19th Street), NYC. Tickets are $59, $35, and $19 (Joyce Members $44, $26) and are available by phone at 212-242-0800 or joyce.org.

Parsons Dance is committed to building new audiences for contemporary dance by creating American works of extraordinary artistry that are engaging and uplifting to audiences throughout the world. The company tours regionally, nationally and internationally. Since 1985, Parsons Dance has toured an average of 32 weeks per year, to a total more than 235 cities, 30 countries, six continents and millions of audience members. Many others have seen Parsons Dance on PBS, Bravo, A&E Network, and the Discovery Channel. Millions watched Parsons Dance perform live in Times Square as part of the internationally broadcast, 24-hour Millennium New Year’s Eve celebration. In New York City, Parsons Dance has been featured at The Joyce Theater, City Center, New Victory Theater, Central Park Summerstage, Guggenheim Museum, Metropolitan Museum of Art and The World Trade Center.

David Parsons (Artistic Director/Founder) has enjoyed a remarkable career as a performer, choreographer, teacher, director and producer of dance. Mr. Parsons was born in Chicago and raised in Kansas City. He was a leading dancer with The Paul Taylor Dance Company, where Mr. Taylor created many roles for him in works such as Arden Court, Last Look and Roses. He is a recipient of the 2000 Dance Magazine Award, as well as the 2001 American Choreography Award, for his work as a co-producer of AEROS, a production featuring the Romanian Gymnastic Federation that was featured on Bravo. Mr. Parsons has created more than 70 works for Parsons Dance. He has received commissions over the years from The American Ballet Theatre, New York City Ballet, Alvin Ailey American Dance Theater, the American Dance Festival, Jacob’s Pillow, the Spoleto Festival and Het Muziektheater in Amsterdam, to name a few. His work has been performed by Paris Opera Ballet, Joffrey Ballet, Nederlands Danse Theatre, National Ballet of Canada, Hubbard Street Dance and BatSheva Dance Company of Israel, among many others. In June 2007, Mr. Parsons was honored to be the very first contemporary choreographer ever to stage work at the centuries-old Arena di Verona, in Verona Italy, where he choreographed Verdi’s Aida. The Arena is one of Italy’s most respected operatic venues. In September 2007, he directed and choreographed Gotham Chamber Opera’s production of María de Buenos Aires, which made its world premiere at a sold-out engagement in New York, at NYU’s Skirball Center for the Arts.

East Village Opera Company was formed in New York City’s East Village in 2004 by Canadians Peter Kiesewalter and Tyley Ross. The East Village Opera Company turned the heads of New York’s music community with a series of electric genre defying shows at Joe’s Pub, the intimate venue housed by the Public Theatre. Initially meant as a one-off project, they were quickly signed to Decca/Universal records and met with universal praise from both classical and rock critics and fans. The Washington Post proclaimed that “Opera crossover acts are becoming a veritable cottage industry, but the East Village Opera Co. is markedly different.” They have toured the world with a unique live show, combining a seemingly incongruous classical string section with a powerhouse rock band. Time Out New York stated that the group “electrifies the classics for a new generation.” The Associated Press mused the band was “dramatic” and “mesmerizing” while the Wall Street Journal agreed, noting “The band rocks hard, and deranges the opera stuff with savvy skill.” In a rare feat not many artists can claim, EVOC headlines around the world in both eclectic rock clubs as well as some of the most prestigious classical concert halls. The band’s appeal is evident in both cases. The Chicago Tribune raved “Nobody puts a fresher, friskier contemporary spin on opera’s greatest hits than the East Village Opera Company.” The band has also performed at esteemed events such as the Sundance Film Festival, the Miss USA pageant (nationally televised on NBC), and the world-premiere of “The Da Vinci Code” in Hong Kong. EVOC’s PBS Special “EVOC LIVE” was celebrated with an Emmy at the 2006 Emmy Awards. Their most recent Decca album entitled Olde School was nominated for a Grammy in the Classical Crossover Album category.

Tyley Ross (Male Vocalist / EVOC co-founder) A native of Ottawa Canada, Tyley started performing professionally in his early teens while still a student at Canterbury’s school of the Arts. In the years since then, has been a street busker, a cartoon and voice artist, acted for the small and large screen, written and recorded two solo albums (his composition You Take My Breath Away was featured in the film Woman Wanted directed by Kiefer Sutherland and starring Holly Hunter), and he has performed as a guest soloist with orchestras across Canada and in the USA. After being discovered by Pete Townshend of The Who in 1994, Tyley was cast in the title role of the Canadian premiere of the Who’s Tommy. For his work in that show, he was honored with the Dora Award for Outstanding Performance in a Musical. He spent the next ten years on musical stages across North America, including starring roles at the Shaw and Stratford Festivals, and on Broadway. In 2001, Tyley was introduced to Peter Kiesewalter and they began experimenting with recording opera arias in a variety of modern contexts. This project led to the release of the CD La Donna and the unveiling of the East Village Opera Company in 2004 with a series of acclaimed performances at New York’s Joe’s Pub. Within a year the band had signed a multi-record deal with Decca/Universal, and has since released two CD’s: East Village Opera Company (2005) and Olde School (2008). Tyley has his master’s degree in voice studies from London’s Central School of Speech and Drama.

AnnMarie Milazzo (Female Vocalist) is a singer, arranger, composer and lyricist living in NYC. She has done the vocal arrangements for Spring Awakening, the Broadway musical at the Eugene O’Neill Theater; Next To Normal, which premiered Off Broadway at Second Stage Theatre; Bright Lights, Big City at New York Theatre Workshop; and the Paramount feature film “The Marc Pease Experience” starring Ben Stiller. Some of her most recent work includes a new musical Pretty Dead Girl, which premiered at The Sundance Film Festival and is now being produced by the Araca Group in New York City, book by David Henry Wang. Also currently in progress is the musical Sea Change based on the Lois Gould novel, book by Karen Hartman. AnnMarie is the lyricist for Franco Dragone’s Carmen, which premiered at The Jolla Playhouse and will open in Madrid, 2009. She is currently writing lyrics for Cirque du Soleil’s, Le Reve, at the Wynn Hotel in Las Vegas. AnnMarie’s singing credits include working with artists such as Angelique Kidjo on her Black Ivory Soul Tour also singing with Carlos Santana. She also toured with Jonatha Brooke and performed on her DVD Back In The Circus, shot live in NYC.

The Joyce Theater Foundation, Inc., a non-profit organization, has proudly served the dance community and its audiences since 1982. The founders, Cora Cahan and Eliot Feld, acquired and renovated the Elgin Theater in Chelsea, which opened as The Joyce Theater in 1982. The Joyce is named in honor of Joyce Mertz, beloved daughter of LuEsther T. Mertz. It was LuEsther’s clear, undaunted vision and abundant generosity that made it imaginable and ultimately possible to establish the theater. One of the only theaters built by dancers for dance, The Joyce Theater has provided an intimate and elegant New York home for more than 290 domestic and international companies. The Joyce has also commissioned more than 130 new dances since 1992. In 1996, The Joyce created Joyce SoHo, a dance center providing highly subsidized rehearsal and performance space to hundreds of dance artists. New York City public school students and teachers annually benefit from The Joyce’s Dance Education Program, and adult audiences get closer to dance through pre-engagement Dance Talks and post-performance Humanities discussions. The Joyce Theater now features an annual season of approximately 48 weeks with over 340 performances for audiences in excess of 135,000. Additionally, for the last five years The Joyce has co-produced Evening Stars as part of the River To River Festival in Battery Park.

The World Premiere production is made possible by lead commissioning support from The Ellsworth Kelly Foundation; and Dr. and Mrs. Edward Prostic, in honor and memory of their daughter Elizabeth Anne Prostic.

For more information, visit parsonsdance.org and eastvillageoperacompany.com.

PARSONS DANCE

The Joyce Theater, 175 Eighth Avenue (at 19th Street), NYC

January 6-18, 2009

Tue, Wed and Sun at 7:30pm; Thu, Fri and Sat at 8pm; and Sat and Sun at 2pm

Family matinee performance on Saturday, January 10 at 2pm.

Tickets: $59, $35, $19 (Joyce Members $44, $26)

JoyceCharge: 212-242-0800

joyce.org


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Friday, December 12, 2008

Gotham Chamber Opera presents L'isola disabitata at John Jay College


GOTHAM CHAMBER OPERA

in collaboration with the Gerald W. Lynch Theater at John Jay College

presents

the New York City stage premiere of

Joseph Haydn’s

L’ISOLA DISABITATA

(Desert Island)

February 18 – 28, 2009

In February of 2009, in honor of the bicentennial of Joseph Haydn’s death, Gotham Chamber Opera will present the New York City stage premiere of L’isola disabitata (Desert Island) in a new production staged by Mark Morris at the Gerald W. Lynch Theater at John Jay College.

L’isola disabitata is Mark Morris’s first collaboration with Gotham Chamber Opera. The work, with a libretto by Metastasio, calls for four singers and a typical early classical orchestra, but neither chorus nor dancers. L’isola disabitata features sopranos Takesha Meshé Kizart and Valerie Ogbonnaya, tenor Vale Rideout, and bass-baritone Tom Corbeil, and is conducted by Neal Goren, artistic director of Gotham Chamber Opera. Set design is by Allen Moyer, costume design is by Liz Kurtzman and lighting design is by Michael Chybowski.

“This is the quintessential Haydn score: sunny, invigorating, with virtuosic vocal and instrumental writing, and its brevity makes it all the more appealing. Add Mark Morris and four spectacular, gorgeous singers and I don’t think opera gets any better,” said Neal Goren.

Thirteen years before the action begins, Costanza and her infant sister Silvia were shipwrecked on a deserted island. Costanza has raised Silvia to hate and fear men. Now a man arrives…

L’isola disabitata had its premiere at the Esterhazy palace in 1779 and was Haydn’s favorite of his own operas.

Gotham Chamber Opera is New York City’s leading company dedicated to the highest quality productions of chamber operas rarely performed in opera houses today. The company’s mission is to present vibrant, fully-staged productions of works from the Baroque era to the present that are intended for intimate venues.

Founded by conductor and Artistic Director Neal Goren in 2000, in its short history, the Gotham Chamber Opera has presented six U.S. premieres of 18th- and 20th-century operas, including such masterpieces as Mozart’s Il Sogno di Scipione; Darius Milhaud’s Les Malheurs d’Orphée; Czech composer Bohuslav Martinu’s Dada opera, Les Larmes du Couteau; and Swiss composer Heinrich Sutermeister’s Die schwarze Spinne. In February 2005, Gotham presented the U.S. stage premiere of Handel’s Arianna in Creta. Also in 2005, Lincoln Center Festival and Spoleto Festival USA presented Gotham Chamber Opera’s U.S. premiere of Ottorino Respighi’s fantastical puppet opera, La bella dormente nel bosco featuring the puppetry of Basil Twist. In the spring of 2006, Benjamin Britten’s Albert Herring received its first professional staging in New York in more than 30 years, and in winter 2007, Rossini’s Il signor Bruschino received its first major professional New York staging in over a half century. Last season, the Gotham Chamber Opera celebrated dance with productions of Astor Piazzolla’s tango opera María de Buenos Aires, directed by David Parsons and featuring Parsons Dance, and with a new work entitled Ariadne Unhinged, directed by Karole Armitage and featuring members of Armitage Gone! Dance.

In the future, Gotham Chamber Opera will present Haydn at the Hayden: Il mondo della luna, an operatic trip to the moon in partnership with the American Museum of Natural History, followed by Montsalvatge’s El gato con botas (Puss in Boots), a collaboration with Basil Twist and Moisés Kaufman.

Performances of L’isola disabitata are made possible in part with public funds from the New York City Department of Cultural Affairs; the New York State Council on the Arts, a state agency; the National Endowment for the Arts; and through generous gifts in honor of Donald Gellert from his family.

Mark Morris was born on August 29, 1956, in Seattle, Washington, where he studied as a young man with Verla Flowers and Perry Brunson. In the early years of his career, he performed with Lar Lubovitch, Hannah Kahn, Laura Dean, Eliot Feld, and the Koleda Balkan Dance Ensemble. He formed the Mark Morris Dance Group in 1980, and has since created more than 120 works for the company. From 1988-1991, he was Director of Dance at the Théâtre Royal de la Monnaie in Brussels, the national opera house of Belgium. Among the works created during his tenure were three evening-length dances: The Hard Nut; L’Allegro, il Penseroso ed il Moderato; and Dido and Aeneas. In 1990, he founded the White Oak Dance Project with Mikhail Baryshnikov. Morris is also much in demand as a ballet choreographer. He has created seven works for the San Francisco Ballet since 1994 and received commissions from American Ballet Theatre, and the Boston Ballet, among others. His work is also in the repertory of the Pacific Northwest Ballet, Ballet British Columbia, Dutch National Ballet, New Zealand Ballet, Houston Ballet, English National Ballet, and The Royal Ballet. Morris is noted for his musicality and has been described as “undeviating in his devotion to music.” He has worked extensively in opera, directing and choreographing productions for The Metropolitan Opera, New York City Opera, English National Opera, and The Royal Opera, Covent Garden. Morris was named a Fellow of the MacArthur Foundation in 1991. He has received eight honorary doctorates to date. In 2006, Morris received the New York City Department of Cultural Affairs Mayor’s Award for Arts & Culture and a WQXR Gramophone Special Recognition Award. He is the subject of a biography by Joan Acocella (Farrar, Straus & Giroux) and Marlowe & Company published a volume of photographs and critical essays entitled “Mark Morris’ L’Allegro, il Penseroso ed il Moderato: A Celebration.” Morris is a member of the American Academy of Arts and Sciences and the American Philosophical Society. In 2007, he received the Samuel H. Scripps/American Dance Festival lifetime achievement award.

The Gerald W. Lynch Theater is a premier performing arts venue which celebrates its first performing arts presenting season in 2008-2009 with a partnership with Gotham Opera. The Theater has hosted events in the Lincoln Center Festival since its first season in 1996, as well as New York City Opera, Great Performers at Lincoln Center, Metropolitan Opera Guild, Alvin Ailey American Dance Theater and Ailey II. The Gerald W. Lynch Theater has also been the home for the A&E-produced Live By Request and Comedy Central’s Premium Blend.

L’isola disabitata will run from February 18-28, 2009 at the Gerald W. Lynch Theater, John Jay College, with performances Wednesday, February 18 at 7:30pm (Opening Night); Saturday, February 21 at 8pm; Wednesday, February 25 at 8pm; Friday, February 27 at 8pm; and Saturday, February 28 at 8pm. The Gerald W. Lynch Theater, John Jay College is located at 899 Tenth Avenue, NYC. Tickets are $75-$30 and are available through Ticket Central at (212) 279-4200 or www.ticketcentral.com. Opening Night and after-party tickets are $300 ($200 tax-deductible) and are available by calling (212) 868-4460.

For more information, visit www.gothamchamberopera.org.

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Wednesday, December 10, 2008

Honens International Piano Competition in NYC | 27-30 March 2009

THE NEXT GENERATION:

MORE THAN 35 OUTSTANDING PIANISTS TO PERFORM IN THE PRELIMINARY ROUND – STAGE ONE – OF THE SIXTH

HONENS INTERNATIONAL PIANO COMPETITION

AT NEW YORK CITY'S SYMPHONY SPACE,

FRIDAY, MARCH 27, THROUGH MONDAY, MARCH 30, 2009


More than 35 pianists from around the world will perform individual 40-minute solo recitals as part of the preliminary round – called Stage One – of the sixth Honens International Piano Competition. These performances will take place Friday, March 27, through Monday, March 30, 2009, at New York City's Peter Norton Symphony Space (2357 Broadway at 95th Street) in the Leonard Nimoy Thalia Theater. Similar Stage One sessions will take place in Calgary, Munich, and Shanghai in the spring of 2009.


Honens International Piano Competition is one of the highest ranking musical competitions in the world. Its uniqueness lies in its mission to find the complete artist – one who possesses technical mastery as well as expressiveness in a wide range of musical forms and styles – one whose music-making possesses imagination, innovation and relevance in today's world.


Tickets are specially priced to allow a wide range of music lovers to attend the performances: $25 for a four-day pass, $10 for a one-day pass, and $5 for a single session. Passes may be purchased by calling 212/864-5400, online at SYMPHONYSPACE.ORG, or at the door.


The schedule is as follows:


Friday, March 27

Session 1 - 10 am to 1:10 pm (pianists 1 to 4)

Session 2 - 2 pm to 5:10 pm (pianists 5 to 8)

Session 3 - 7 pm to 9:20 pm (pianists 9 to 11)


Saturday, March 28

Session 1 - 10 am to 1:10 pm (pianists 11 to 14)

Session 2 - 2 pm to 5:10 pm (pianists 15 to 18)

Session 3 - 7 pm to 10:20 pm (pianists 19 to 22)


Sunday, March 29

Session 1 - 10 am to 1:10 pm (pianists 23 to 26)


Monday, March 30

Session 1 - 10 am to 1:10 pm (pianists 27 to 30)

Session 2 - 2 pm to 5:10 pm (pianists 31 to 34)

Session 3 - 7 pm to 10:20 pm (pianists 35 to 38)


(Schedule is subject to change)


There are three components to Honens International Piano Competition: a selection by application and reference letters only; Stage One recitals in the four cities previously listed; and finally the Quarterfinals, Semifinals and Finals performances in Calgary from October 22 to November 6, 2009. Prize winners of the Competition are announced on stage after the performances on the second evening of the Finals.


The Stage One performances in all four cities will be recorded on digital video under as similar conditions as possible. The Honens recording team will consist of an audio-visual engineer and a representative of the competition. The latter will ensure that conditions are as uniform as possible, and will note the state of instruments, the acoustical qualities of the rooms in which applicants perform, and any unusual circumstances that may exist (such as extreme temperatures). Members of the Stage One jury, or First Jury, will meet at The Banff Centre from June 1-6, 2009, to view the Stage One performance videos, then to choose 21 pianists who will be invited to advance to the Quarterfinals in Calgary which begins on October 22, 2009. Members of the First Jury are Angela Cheng, Chairwoman (Canada); Katherine Chi (First Laureate of the 2000 Honens International Piano Competition; Canada), Matthias Kirschnereit (Germany), Ronan O'Hora (United Kingdom).


The Second Jury, which will be the judges of the Quarterfinals, Semifinals, Finals in Calgary, are William Aide, Chairman (Canada), Jean-Efflam Bavouzet (1992 Honens Laureate; France), Iain Burnside (United Kingdom), Hung-Kuan Chen (Taiwan), Jane Coop (Canada), Aleksandar Madžar (Serbia), and one more to be announced.

At the Quarterfinals, each pianist will perform an 8-minute work by a Canadian composer that has been commissioned specially for this Honens Competition, and will play a recital for violin and piano; the Semifinals will include performances of art songs and lieder; the Finals will require concerto performances.

Collaborating artists for the Competition include: Quarterfinals: Brian Current, composer (Canada) and Erika Raum, violin (Canada); Semifinals: Marie-Nicole Lemieux, contralto (Canada); and Finals: Calgary Philharmonic Orchestra (Canada) and Christoph Campestrini, conductor (Austria)

Concert by Minsoo Sohn, Honens Laureate, April 1, 2009

Minsoo Sohn, First Laureate of the 2006 Honens International Piano Competition, will make his Weill Recital Hall at Carnegie Hall debut in a solo recital on Wednesday, April 1, 2009. The works of Beethoven, as well as Liszt transcriptions of works by Bach, Schubert and Mozart, will be included.


Stephen McHolm, Executive Director of Honens, said: "We like to think of Honens as the 'musician's competition' -- a search to reveal to the public musicians who add knowledge, audacity, risk, individuality and the widest perspective to all they do. We search for artists whose interpretations grow from a wide cultural context and keen imagination, whose art is formed by a fascination for life outside the practice studio, and whose talent inspires the heart and engages the intellect.


"After identifying such artists, Honens nurtures their budding careers for no fewer than three seasons, limiting the number of professional engagements to begin with, while providing our winners with opportunities to build their profiles without pushing the limits of their professional obligations. During the 2006 cycle, Competition laureates performed at chamber music festivals, toured with string quartets, violinists and dance companies. Eventually, we encourage laureates to create 'out-of-the-box' projects that may range from celebrations of obscure composers to musical collaborations to theatrical presentations. Life is changing quickly and, of course, art is changing with it. We are preparing musicians for the 21st century, with audiences for the 21st century in mind."


The Sixth Honens International Piano Competition is presented by Nexen Inc. and supported by Steinway & Sons, Macleod Dixon LLP, and Enbridge.


Background Information


Honens International Piano Competition

Founded in 1992, Honens International Piano Competition has grown to be one of the world's great music competitions, known for its pursuit of the "complete artist" – not only an accomplished soloist, but a musician whose interpretations reflect a wide cultural context, whose well-balanced programs are designed with knowledge and imagination, and who excels in chamber and ensemble performance. Every three years, 21 pianists between the ages of 20 and 30, from all parts of the globe, compete for more than $100,000 CAD (approximately $84,000 USD) in cash prizes, including a comprehensive three-season Artistic and Career Development Program for the laureates, preparing the for the rigors and realities of a professional life in music. This includes arranging performance engagements, production of recordings, residencies at The Banff Centre, promotional and publicity support, professional development opportunities for self-management, and networking opportunities with presenters and artist managers.

Honens searches for musicians whose talent, in the credo of the Competition, "inspires the heart and engages the intellect," whose understanding of his or her art will stem not only from knowledge of a particular composition itself but also from a wide knowledge of related music, of musical literature as a whole, of the other arts, the humanities, and of contemporary culture. Honens is not a series of tests, but rather, a compelling festival of music.

Past Honens Laureates include Maxim Philippov who, in June, 2001, won the Silver Medal at the Van Cliburn Competition; Albert Tiu, who won Juilliard's prestigious William Petschek Award, giving him a debut recital at Alice Tully Hall; Sergei Babayan, appointed Artist-in-Residence at The Cleveland Institute of Music, who founded the Sergei Babayan International Piano Academy in Cleveland and his own chamber music festival in Mexico (Babayan has recorded on the Connoisseur Society, Propiano and Discover International labels); Krzysztof Jablonski, who has recorded two CDs as part of the Polish National Edition of the complete works of Chopin (he has recorded 14 more CDs in Germany, Japan and Poland); Jean-Efflam Bavouzet, who has recorded several CDs of music by Haydn, Schumann, Ohana, Debussy and Chopin, the complete piano works of Ravel, and the recently critically acclaimed complete piano works of Debussy on the Chandos label (he has been nominated Professor-for-Life at the Detmold Hochschule in Germany); 2003 Laureate Winston Choi, Head of Piano Studies at Chicago's Roosevelt University, whose debut CD of the complete piano works of Elliott Carter received rave reviews, and whose CD of the music of Jacques Lenot was awarded the Grand Prix du Disque de l'Académie Charles Cros; Xiang Zou, 2003 First Laureate, who teaches at the Central Conservatory in Beijing; and Honens 2000 First Laureate, Katherine Chi.


Honens is now launching an online radio channel featuring past laureates, competition and concert highlights, and is recording many of the most important laureate engagements to create podcasts, thereby providing an additional promotional outlet for the musicians. Its "Music as a Second Language" concert series is used as a model for other presenters across Canada to introduce classical music to non-classical audiences. As presenter, Honens will feature Gabriela Montero's improvisational talents during the Competition in 2009; will present the North American premiere of the third Mendelssohn Piano Concerto; and will present one of only five North American dates of pianist Leif Ove Andsnes' performance project, "Pictures at an Exhibition – Reframed," featuring multimedia artwork by South African artist Robin Rhode, specially commissioned for Lincoln Center's 50th anniversary by StatoilHydro.


The Competition is named for Esther Honens, born in Pittsburgh and educated in Calgary, who became a successful businesswoman. She married John Hillier, who died in the 1970s, then Harold Honens, with whom she developed real estate holdings in Calgary. In 1991, Esther Honens made a capital gift to establish the international piano competition. She died five days after the first competition in 1992. After five competitions, Honens has distinguished itself as one of the most prominent competitions of its kind, worldwide. Additional information is available on-line at honens.com.

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Friday, November 7, 2008

Chants Libres - L'Enfant des glaces à New York


L'Electr'opéra L'Enfant des glaces à New York.


Chants Libres, la seule compagnie lyrique de création au Québec est heureuse d'annoncer que :


Chants Libres, qui célébrera ses 20 ans d'existence en 2010, a été invitée à présenter L'Électr'opéra l'Enfant des glaces, un spectacle multimédia de Pauline Vaillancourt sur une musique de Zack Settel et créé par Chants Libres en 2000. Invité par le Center for Contemporary Opera de New-York, qui œuvre tant au niveau de la création que de la production d'opéras contemporains, l'Enfant des glaces sera présenté pour la 1ère fois sur Broadway les 26 et 27 juin 2009, au Peter Jay Sharp Theater de New York. Les interprètes seront Jean Maheux et Michèle Motard.


À noter, le Directeur artistique du CCO, Eric Salzman, lancera le livre qu'il a écrit avec Thomas Dési intitulé « The New Music Theater » publié par Oxford Press, le 10 décembre 2009, dans lequel la compagnie Chants Libres et surtout la Directrice artistique et générale Pauline Vaillancourt ont fait une contribution importante.


Autres événements de la saison :


Chants Libres présentera son événement bi annuel Opér'actuel 08 Works In Progress, les 16 et 17 décembre 2008 à l'Usine C de Montréal à 20h00.


De plus, Chants Libres travaille actuellement à la première mondiale de l'Opéra Féerie 'L'eau qui danse, la pomme qui chante et l'oiseau qui dit la vérité'

du compositeur Gilles Tremblay et du librettiste Pierre Morency, sur une mise en scène de Robert Bellefeuille, création qui sera présentée du 19 au 22 novembre 2009 au Monument National de Montréal.


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Thursday, October 30, 2008

Welcome Back Alice! Lincoln Center’s Alice Tully Hall Re-opens With Two Weeks of Concerts & Events February 22-March 8, 2009


Lincoln Center's Alice Tully Hall, one of New York's premier concert venues, has been closed since May 2007 for major renovations. It will reopen in mid-February 2009 with two weeks of performances designed to showcase the dramatically transformed space. Performances in a wide range of genres—chamber music, orchestral, opera, early music, world music, lieder and popular song, along with film and a site-specific sound installation—by world-renowned artists, are scheduled from February 22 through March 8, 2009. A total of 18 events, a number of them free, and the remainder with a $25 ticket price, will take place during the "Opening Nights" festival. Among the highlights are:


●"First Look," on February 22 with the Emerson String Quartet, Jordi Savall and Hespèrion XXI, pianist Leon Fleisher, Artist Members of the Chamber Music Society of Lincoln Center, and the Juilliard Orchestra, David Robertson conductor in a program of works of Sephardic traditional music, Bach, Stravinsky, Bartók and Osvaldo Golijov


●Lieder recital by Mark Padmore, tenor singing an all-Schubert program (February 25)


●U.S. premiere of Vladimir Martynov's opera Vita Nuova, featuring the London Philharmonic Orchestra, Vladimir Jurowski, conductor (February 28)


Deutsche Kammerphilharmonie Bremen, Paavo Järvi, conductor, with two all-Beethoven evenings (March 1 and March 2)


●A new music concert by Alarm Will Sound, Bang On a Can All-Stars and Steve Reich & Musicians featuring four New York premieres and two world premieres—Lincoln Center commissions--by Caleb Burhans and Michael Gordon (March 3)


●Innovative American string quartet ETHEL in a site-specific composition by Phil Kline and sound artist Jody Elff (March 3)


●Opening night of the Film Society of Lincoln Center's annual Rendez-Vous with French Cinema series (March 5)


●An evening with popular songwriter/singer Stew, creator and star of the 2007 Tony Award-winning Broadway musical Passing Strange. (March 6)


● "Night of World Music" featuring sitar virtuoso Ustad Shujaat Khan, multi-instrumentalist/ composer Karsh Kale, pianist Vijay Iyer, and bassist Jonathan Maron (March 7)




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Tuesday, October 28, 2008

Parsons Dance presents World Premiere collaboration with EVOC - Jan 6-18


PARSONS DANCE

presents a World Premiere collaboration with

The Lead Vocalists of

EAST VILLAGE OPERA COMPANY

The Joyce Theater, January 6 – 18, 2009

TICKETS NOW ON SALE!

Parsons Dance presents the World Premiere of an all-new, as-yet-untitled collaboration with the lead vocalists of East Village Opera Company (EVOC), featuring the music of the acclaimed rock opera band. Program A premieres the new evening-length work with EVOC’s two lead vocalists live onstage with Parsons Dance. Program B will feature Parsons Dance favorites, including Caught and Nascimento.

“Nearly two years ago, I had the pleasure of meeting the members of East Village Opera Company. We realized that a great deal of artistic synchronicity existed between our companies and we began to discuss the possibility of creating a work together. Peter Kiesewalter’s brilliant arrangements have proven to be incredibly inspirational. Now we are about to present this World Premiere in January,” said David Parsons, artistic director of Parsons Dance.

“David Parsons’ choreography marries tradition and renewal in a way that physically represents what we try to evoke as a band. It’s exciting to see our music take a three dimensional kinesthetic shape in his hands,” said Tyley Ross, lead male vocalist and co-founder of EVOC.

David Parsons, Tyley Ross and AnnMarie Milazzo (lead female vocalist) have created a storyline that connects EVOC’s signature operatic arias with David Parsons’ original choreography.

EVOC’s signature works re-imagine opera arias as popular songs, including pieces by Verdi, Puccini, Mozart and Schubert. These classics collide with electric sounds from the golden era of rock and roll, pop, R&B, and soul, exploding into a mosaic of sound in a triumphant musical celebration. They have received commissions to pen new works from both the New York Public Theatre and New York City Opera, with whom they have also performed at Lincoln Center. EVOC alternately headlines in prestigious classical concert halls and rock clubs, and records exclusively for Decca/Universal records. They have released three CD’s, and are currently on tour supporting their newest release Olde School.

Parsons Dance creates American works of extraordinary artistry that are engaging and uplifting to audiences throughout the world. It is the goal of Parsons Dance to make contemporary dance accessible to the widest possible audiences. In addition to choreography and performance, Parsons Dance positively impacts children, students, and communities through student performances, lecture-demonstrations, master classes, post-show discussions and more. Parsons Dance has a company of eleven full-time dancers and maintains a repertory of more than 70 works choreographed by David Parsons, twenty of which feature originally commissioned scores by leading composers and musicians, including Dave Matthews, Michael Gordon and Milton Nascimento. Parsons Dance has collaborated with many other leading artists, including Julie Taymor, William Ivey Long, Annie Leibovitz, Donna Karan and Alex Katz (to name a few). The New York Times called David Parsons “one of the great movers of modern dance.” New York Magazine referred to him as “one of modern dance’s great living dance-makers.”

Parsons Dance dancers are Julie Blume, Eric Bourne, Sarah Braverman, John Corsa, Kevin Fitzgerald Ferguson, Patty Foster, Zac Hammer, Natalie Lomonte, Miguel Quinones, Abby Silva, Billy Smith, and apprentice Steven Vaughn.

The two programs follow:

Program A:

Thu 1/ 8, Fri 1/9 and Sat 1/10 at 8pm; Sun 1/11 at 2pm and 7:30pm; Wed 1/14 at 7:30pm;

Thu 1/15, Fri 1/16 and Sat 1/17 at 8pm; Sun 1/18 at 7:30pm

as-yet-untitled World Premiere

Program B:

Tue 1/6 and Wed 1/7 at 7:30pm; Tue 1/13 at 7:30pm; Sat 1/17 and Sun 1/18 at 2pm

Fill the Woods with Light, Slow Dance, Swing Shift, an excerpt from the as-yet-untitled World Premiere collaboration with East Village Opera Company, Caught, and Nascimento

Parsons Dance will perform January 6 – 18, 2009 at The Joyce Theater, with performances Tuesday, Wednesday and Sunday at 7:30pm; Thursday, Friday and Saturday at 8pm; and Saturday and Sunday at 2pm. There is a Family matinee performance on Saturday, January 10 at 2pm. The Joyce Theater is located at 175 Eighth Avenue (at 19th Street), NYC. Tickets are $59, $35, and $19 (Joyce Members $44, $26) and are available by phone at 212-242-0800 or joyce.org.

Parsons Dance is committed to building new audiences for contemporary dance by creating American works of extraordinary artistry that are engaging and uplifting to audiences throughout the world. The company tours regionally, nationally and internationally. Since 1985, Parsons Dance has toured an average of 32 weeks per year, to a total more than 235 cities, 30 countries, six continents and millions of audience members. Many others have seen Parsons Dance on PBS, Bravo, A&E Network, and the Discovery Channel. Millions watched Parsons Dance perform live in Times Square as part of the internationally broadcast, 24-hour Millennium New Year’s Eve celebration. In New York City, Parsons Dance has been featured at The Joyce Theater, City Center, New Victory Theater, Central Park Summerstage, Guggenheim Museum, Metropolitan Museum of Art and The World Trade Center.

David Parsons (Artistic Director/Founder) has enjoyed a remarkable career as a performer, choreographer, teacher, director and producer of dance. Mr. Parsons was born in Chicago and raised in Kansas City. He was a leading dancer with The Paul Taylor Dance Company, where Mr. Taylor created many roles for him in works such as Arden Court, Last Look and Roses. He is a recipient of the 2000 Dance Magazine Award, as well as the 2001 American Choreography Award, for his work as a co-producer of AEROS, a production featuring the Romanian Gymnastic Federation that was featured on Bravo. Mr. Parsons has created more than 70 works for Parsons Dance. He has received commissions over the years from The American Ballet Theatre, New York City Ballet, Alvin Ailey American Dance Theater, the American Dance Festival, Jacob’s Pillow, the Spoleto Festival and Het Muziektheater in Amsterdam, to name a few. His work has been performed by Paris Opera Ballet, Joffrey Ballet, Nederlands Danse Theatre, National Ballet of Canada, Hubbard Street Dance and BatSheva Dance Company of Israel, among many others. In June 2007, Mr. Parsons was honored to be the very first contemporary choreographer ever to stage work at the centuries-old Arena di Verona, in Verona Italy, where he choreographed Verdi’s Aida. The Arena is one of Italy’s most respected operatic venues. In September 2007, he directed and choreographed Gotham Chamber Opera’s production of María de Buenos Aires, which made its world premiere at a sold-out engagement in New York, at NYU’s Skirball Center for the Arts.

East Village Opera Company was formed in New York City’s East Village in 2004 by Canadians Peter Kiesewalter and Tyley Ross. The East Village Opera Company turned the heads of New York’s music community with a series of electric genre defying shows at Joe’s Pub, the intimate venue housed by the Public Theatre. Initially meant as a one-off project, they were quickly signed to Decca/Universal records and met with universal praise from both classical and rock critics and fans. The Washington Post proclaimed that “Opera crossover acts are becoming a veritable cottage industry, but the East Village Opera Co. is markedly different.” They have toured the world with a unique live show, combining a seemingly incongruous classical string section with a powerhouse rock band. Time Out New York stated that the group “electrifies the classics for a new generation.” The Associated Press mused the band was “dramatic” and “mesmerizing” while the Wall Street Journal agreed, noting “The band rocks hard, and deranges the opera stuff with savvy skill.” In a rare feat not many artists can claim, EVOC headlines around the world in both eclectic rock clubs as well as some of the most prestigious classical concert halls. The band’s appeal is evident in both cases. The Chicago Tribune raved “Nobody puts a fresher, friskier contemporary spin on opera’s greatest hits than the East Village Opera Company.” The band has also performed at esteemed events such as the Sundance Film Festival, the Miss USA pageant (nationally televised on NBC), and the world-premiere of “The Da Vinci Code” in Hong Kong. EVOC has also been celebrated at the 2006 Emmy Awards with an award for their PBS Special “EVOC LIVE.”

Tyley Ross (Male Vocalist / EVOC co-founder) A native of Ottawa Canada, Tyley started performing professionally in his early teens while still a student at Canterbury’s school of the Arts. In the years since then, has been a street busker, a cartoon and voice artist, acted for the small and large screen, written and recorded two solo albums (his composition You Take My Breath Away was featured in the film Woman Wanted directed by Kiefer Sutherland and starring Holly Hunter), and he has performed as a guest soloist with orchestras across Canada and in the USA. After being discovered by Pete Townshend of The Who in 1994, Tyley was cast in the title role of the Canadian premiere of the Who’s Tommy. For his work in that show, he was honored with the Dora Award for Outstanding Performance in a Musical. He spent the next ten years on musical stages across North America, including starring roles at the Shaw and Stratford Festivals, and on Broadway. In 2001, Tyley was introduced to Peter Kiesewalter and they began experimenting with recording opera arias in a variety of modern contexts. This project led to the release of the CD La Donna and the unveiling of the East Village Opera Company in 2004 with a series of acclaimed performances at New York’s Joe’s Pub. Within a year the band had signed a multi-record deal with Decca/Universal, and has since released two CD’s: East Village Opera Company (2005) and Olde School (2008). Tyley has his master’s degree in voice studies from London’s Central School of Speech and Drama.

AnnMarie Milazzo (Female Vocalist) is a singer, arranger, composer and lyricist living in NYC. She has done the vocal arrangements for Spring Awakening, the Broadway musical at the Eugene O’Neill Theater; Next To Normal, which premiered Off Broadway at Second Stage Theatre; Bright Lights, Big City at New York Theatre Workshop; and the Paramount feature film “The Marc Pease Experience” starring Ben Stiller. Some of her most recent work includes a new musical Pretty Dead Girl, which premiered at The Sundance Film Festival and is now being produced by the Araca Group in New York City, book by David Henry Wang. Also currently in progress is the musical Sea Change based on the Lois Gould novel, book by Karen Hartman. AnnMarie is the lyricist for Franco Dragone’s Carmen, which premiered at The Jolla Playhouse and will open in Madrid, 2009. She is currently writing lyrics for Cirque du Soleil’s, Le Reve, at the Wynn Hotel in Las Vegas. AnnMarie’s singing credits include working with artists such as Angelique Kidjo on her Black Ivory Soul Tour also singing with Carlos Santana. She also toured with Jonatha Brooke and performed on her DVD Back In The Circus, shot live in NYC.

The Joyce Theater Foundation, Inc., a non-profit organization, has proudly served the dance community and its audiences since 1982. The founders, Cora Cahan and Eliot Feld, acquired and renovated the Elgin Theater in Chelsea, which opened as The Joyce Theater in 1982. The Joyce is named in honor of Joyce Mertz, beloved daughter of LuEsther T. Mertz. It was LuEsther’s clear, undaunted vision and abundant generosity that made it imaginable and ultimately possible to establish the theater. One of the only theaters built by dancers for dance, The Joyce Theater has provided an intimate and elegant New York home for more than 290 domestic and international companies. The Joyce has also commissioned more than 130 new dances since 1992. In 1996, The Joyce created Joyce SoHo, a dance center providing highly subsidized rehearsal and performance space to hundreds of dance artists. New York City public school students and teachers annually benefit from The Joyce’s Dance Education Program, and adult audiences get closer to dance through pre-engagement Dance Talks and post-performance Humanities discussions. The Joyce Theater now features an annual season of approximately 48 weeks with over 340 performances for audiences in excess of 135,000. Additionally, for the last five years The Joyce has co-produced Evening Stars as part of the River To River Festival in Battery Park.

The World Premiere production is made possible by lead commissioning support from The Ellsworth Kelly Foundation; and Dr. and Mrs. Edward Prostic, in honor and memory of their daughter Elizabeth Anne Prostic.

For more information, visit parsonsdance.org and eastvillageoperacompany.com.

PARSONS DANCE

The Joyce Theater, 175 Eighth Avenue (at 19th Street), NYC

January 6-18, 2009

Tue, Wed and Sun at 7:30pm; Thu, Fri and Sat at 8pm; and Sat and Sun at 2pm

Family matinee performance on Saturday, January 10 at 2pm.

Tickets: $59, $35, $19 (Joyce Members $44, $26)

JoyceCharge: 212-242-0800

joyce.org

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Wednesday, October 22, 2008

Nov 25: Classical Recording Foundation 2008 Awards in New York at Carnegie Hall


Classical Recording Foundation Announces 2008 Award Winners

Seventh Annual Awards Ceremony & Benefit


Tuesday, November 25 at 8 pm

Carnegie's Weill Recital Hall

57th Street & 7th Avenue, NYC



Paul Chihara

CRF Composer of the Year

for Paul Chihara (Bridge 9267)


Anne-Marie McDermott, piano

Classical Recording Foundation Award

for George Gershwin: Complete Music for Piano & Orchestra

(Bridge 9252) with the Dallas Symphony Orchestra; Justin Brown, conductor


Paula Robison, flute

Samuel Sanders Collaborative Artist Award

for Places of the Spirit: The Holy Land (Picker Gallery ISBN: 1-879985-19-5)


Mikhail Simonyan, violin

CRF Young Artist of the Year

for Prokofiev Sonatas for Violin and Piano (Delos 3385)


What: Classical Recording Foundation 2008 Awards Ceremony & Benefit

Program: Performances by pianist Anne-Marie McDermott, flutist Paula Robinson,

violinist Mikhail Simonyan, and the Claremont Trio performing Paul Chihara's Ain't No Sunshine

When: Tuesday, November 25, 2008 at 8 pm

Where: Weill Recital Hall at Carnegie Hall (57th Street & 7th Avenue, NYC)

Tickets & Information: $75 donation (Award Ceremony only) and $200+ donation (Award Ceremony and Reception). Call 914.738.8754 or visit www.classicalrecordingfoundation.org.


Praise for the Classical Recording Foundation:

"The Classical Recording Foundation (is) devoted to the proposition that posterity is despoiled when artists are

denied the chance to record their own interpretations of certain repertoire." – The New Yorker


October 22, 2008 —New York, NY—The Classical Recording Foundation (CRF) is pleased to announce the 2008 winners of its annual Classical Recording Foundation Awards – Paul Chihara, CRF Composer of the Year; pianist Anne-Marie McDermott, CRF Award; flutist Paula Robison, Samuel Sanders Collaborative Artist Award; and Mikhail Simonyan, CRF Young Artist of the Year. The awards will be presented at the Foundation's Seventh Annual Awards Ceremony at 8:00 pm on Tuesday, November 25, 2008 at Carnegie Hall's Weill Recital Hall (57th Street & 7th Avenue, NYC). A benefit reception will follow.


The ceremony, for which the public may purchase tickets, will feature performances by the award winners, with the Claremont Trio (Emily Bruskin, violin; Julia Bruskin, 'cello; Donna Kwong, piano) performing Paul Chihara's Ain't No Sunshine. Pianist Anne-Marie McDermott will play Gershwin's Piano Preludes. Flutist Paula Robison (collaborating with violinist Adam Abeshouse, pianist Steve Beck, and guitarist Fred Hand) will present a range of music from Places of the Spirit: The Holy Land. A trip to Jerusalem with painter Jim Schantz including Shall We Gather at the River, The King of Love My Shepherd Is, plus the New York premiere of Blue by Bruce Stark. Violinist Mikhail Simonyan will perform Prokofiev's Violin Sonata No 2.


Paul Chihara, the CRF Composer of the Year, will be honored for his self-titled Bridge Records release. The album features his trio Ain't No Sunshine (2006) for piano, violin and 'cello; Piano Quintet ("La Foce") (2007); Minidoka (1996) for clarinet, viola, harp and percussion; and his orchestral work An Afternoon on the Perfume River (2002). Los Angeles Times critic Mark Swed writes: "It is almost easier to think of Paul Chihara as several different composers. There is the Chihara whose sensitivity to exquisite instrumental color has made him a favorite with such performers as conductor Seiji Ozawa and the Sequoia String Quartet. There is, however, a strong theatrical side to Chihara which expresses itself in works for dance, musical theater and film. And there is Chihara's love for American popular music of the 30s and 40s." Many of these traits are evident in this panoramic survey of Paul Chihara's recent chamber and orchestral music: The piano trio Ain't No Sunshine is based on a blues ballad; Piano Quintet is based on an Italian WWII diary; Minidoka is based on Chihara's memories of his childhood years spent at the American WWII camp for Japanese Americans, Minidoka; and An Afternoon on the Perfume River, commissioned by the Orpheus Chamber Orchestra, takes its title from a poem by a North Vietnamese poet.


Pianist Anne-Marie McDermott will receive the CRF Award for her recent release, George Gershwin: Complete Music for Piano & Orchestra, a collaboration with conductor Justin Brown and the Dallas Symphony Orchestra. David Patrick Stearns of The Philadelphia Inquirer writes that in the recording, "McDermott finds little worlds of meaning in every phrase," while All Music Guide notes that "McDermott is simply awesome," and that the album is "outstanding in every respect." The disc was chosen as an Editor's Choice by Gramophone, and in an October 2008 review, the magazine noted that the performances "fly off the page with verve and confidence, rhythmic precision and real style."


The recipient of the Samuel Sanders Collaborative Artist Award is flutist Paula Robison. She receives the honor in support of her Places of the Spirit: The Holy Land. A trip to Jerusalem with painter Jim Schantz, a book of images and CD of music inspired by her spring 2005 journey. It was released by Boston's Pucker Gallery in April 2008. Ms. Robison is "a rare artist who can make the flute sound both sensuous and classically pure . . . an absolute wonder," according to The New York Times. One of her favorite continuing projects is With Art, collaborations with visual artists in unusual spaces.


The 2008 winner of the CRF Young Artist of the Year Award is violinist Mikhail Simonyan. He receives the award for his debut recording of the Prokofiev Sonatas for Violin and Piano, with Alexei Podkorytov, to be released by Delos in January 2009. The Miami Herald declared, "Mikhail Simonyan . . . played with the poise, perfection and inner burning fire of a master like David Oistrakh – in his prime on a good night." Performing and recording both Prokofiev Violin Sonatas is an undertaking near and dear to Mr. Simonyan's heart. He worked intensely on this repertoire with his mentor, violinist Victor Danchenko, a student of the great David Oistrakh for whom both sonatas were written.


The Classical Recording Foundation applies the universal model of philanthropically-supported live concerts to the recording of new classical performances. Since 2002, when it was founded by Grammy Award winning producer Adam Abeshouse, it has supported more than 20 new recordings. Each Award is tied to a fund administered by the Foundation and the participating record company, to accomplish the tasks of recording and promoting the awardee's recording project. The Award selection process begins with nominations by internationally renowned artists and scholars. Nominees are considered by an anonymous Grant Award Committee, which annually decides on the recipients and Award amounts. Criteria for Classical Recording Foundation Awards include artistic merit of the project, historic significance, strategic value to the artist's career, and breadth of interest.


2008 has been an exciting year for the Classical Recording Foundation and its award recipients from previous years. Pianist Simone Dinnerstein, who was honored in 2006 and 2007, recently received the prestigious Diapason D'or Award for her Bach Goldberg Variations recording. Cellist Zuill Bailey, also honored in 2006 and 2007, signed an exclusive record contract with Telarc, and will soon be releasing a recording of the Tchaikovsky and Shostakovich Cello Concerti, supported by CRF with the San Francisco Ballet Orchestra. Last year's CRF Composer of the Year, Justin Dello Joio, has been commissioned to write a piano concerto for Garrick Ohlsson. CRF, in collaboration with Bridge records, received its first Latin Grammy Nomination for Best Contemporary Composition for Barcelonazo, music for orchestra by Jorge Liderman. The Foundation was fortunate to receive a Copland Grant that provided partial funding of this recording. In 2008, CRF was awarded three Aaron Copland Grants, an Argosy Grant, and received continued support from the National Endowment for the Arts for its work on a new DVD release about eminent American composer George Crumb.


Artists who have benefited from CRF's support in previous years include the Kalichstein-Laredo-Robinson Trio, the Kalish-Krosnick Duo, St. Luke's Chamber Ensemble, Anne-Marie McDermott, Benita Valente, The Juilliard String Quartet, Andres Díaz, Judith Gordon, George Crumb, the Harmonie Ensemble, Paul Moravec, Inon Barnatan, Stephen Jaffe, Benjamin Verdery, Giora Schmidt, Rohan De Silva, Simone Dinnerstein, Zuill Bailey, The Daedalus String Quartet, Michael Harrison, Vassily Primakov, Justin Dello Joio, and Richard Wernick.


CRF does not benefit from record sales or royalties, and depends entirely on support from generous individuals and corporations, as well as merit-based grants from public and private sources. The Classical Recording Foundation gives American classical artists means to record music about which they are passionate.


Classical Recording Foundation Board Members include Robert W. Jones; Dr. Julius H. Jacobson II, MD; Neil Yelsey,; Dimitri Sogoloff; and Adam Abeshouse, producer. The proceeds from the 2008 Classical Recording Foundation Award Ceremony and Benefit will go toward making the 2009 Awards possible.


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Monday, October 13, 2008

Met Opera singers in "Fugitives"


New York Festival of Song Presents
Fugitives
Concert, Theater, and Film Music by Composers Fleeing Hitler's Europe:
Kurt Weill, Erich Korngold, and Many Others

November 18 and 20 at Merkin Concert Hall

Artists: Metropolitan Opera's Joseph Kaiser and Kate Lindsey, pianist/host Steven Blier


New York Festival of Song, whose recent A Bernstein/Bolcom Celebration was performed with "Comic and dramatic flair," (The New York Times) presents Fugitives, songs by composers who fled Hitler's Europe, on November 18 and 20 at the newly restored Merkin Concert Hall. The program will feature music from Broadway, the concert stage and Berlin cabaret by Kurt Weill, Erich Korngold, Alexander Zemlinsky, Arnold Schoenberg and many others.


Fugitives will be sung by two of the Metropolitan Opera's rising young stars. Tenor Joseph Kaiser currently appears as Narraboth in Salome and was last season's Roméo opposite Anna Netrebko. Mezzo-soprano Kate Lindsey will be featured in Met productions of The Magic Flute, Rusalka and The Ring Cycle, and makes her guest artist debut with the New York Philharmonic in a concert performance of L'enfant et les sortilèges, conducted by Lorin Maazel. Once again, New York Festival Of Song Artistic Director Steven Blier, a "national treasure when it comes to the art of song," (The New York Times) will be the pianist/host for the evening.

Curtain time for both concerts is 8 PM. Tickets for Fugitives are $40 - $55. Call (212) 501-3330, or visit www.kaufman-center.org. Merkin Concert Hall at Kaufman Center is at 129 West 67tg Street, New York, NY 10023. There are also a limited number of $15 student tickets available by calling (646) 230-8380. For more information about New York Festival Of Song (NYFOS), please visit their website at www.nyfos.org.

Program

Altdeutsches Minnelied (Old German Love Song) Alexander von Zemlinsky
Meeraugen (Eyes of the Sea) Zemlinsky
Gefasster Abschied (Calm Departure) Erich Korngold
Sommer (Summer) Korngold
Unendliche Liebe (Eternal Love) Franz Schreker
Rosentod (The Death of Roses) Schreker
The Lottery Agent's Tango (from Silbersee) Kurt Weill
Waldsonne (Sun in the Forest) Arnold Schoenberg
Erwartung (Expectation) Schoenberg
Wenn der alte Motor wieder takt (When the old car starts
up again) Friedrich Hollaender
Die Ballade von Wasserad (The Song of the Water Wheel) Hanns Eisler
Ändere die Welt, sie braucht es
(The World is in Need of Change) Eisler






O schöne Hand, Kelch, dessen Duft Musik  (Oh lovely                                      Viktor Ullmann hand, chalice of music's scent)      
Fünf Lieder (Five Songs) Hans Krása
Ihr Mädchen seid wie die Gärten (Your Girl is like a Garden)
An die Brüder (To a Brother)
Mach, dass etwas uns geschieht! (Pray that something happens to us!)
Die Liebe (Love)
Vice versa
The Sleepless Lady Kurt Tucholsky



How Can You Tell an American,
from Knickerbocker Holiday Weill
O mistress mine Korngold
Elend (Misery) Zemlinsky
Black Market Frederick Hollaender
Love Song, from Love Life Weill
Wie lange noch? (How much longer?) Weill
Arizona Marsch, from Arizona Lady Emmerich Kálmán

(Program subject to change)


Canadian-born tenor JOSEPH KAISER starred as Tamino in the Kenneth Branagh film adaptation of The Magic Flute. This season he will make two highly anticipated debuts: at the Los Angeles Opera as Tamino under the baton of James Conlon, and at the Bayerische Staatsoper in Jen fa. He returns to the Salzburg Festival as Septimius in a new Christoph Loy production of Handel's Theodora. His concert schedule includes performances of the Berlioz Requiem under Marek Janowski, Beethoven's Symphony No. 9 with Christoph von Dohnányi and the Boston Symphony Orchestra, and Mendelssohn's Elijah with Yannick Nézet-Séguin and the Orchestre Métropolitain du Grand Montréal. Mr. Kaiser has appeared at the Caramoor Festival in a joint program with Lorraine Hunt Lieberson, which was presented under the auspices of the New York Festival of Song (available on Bridge Records), in Chicago at the Chicago Humanities Festival, in Montreal with the André Turp Society, and on the Debut Series of the National Arts Centre in Ottawa.

KATE LINDSEY made her debut this summer at the Tanglewood Festival in a concert version of Les Troyens conducted by James Levine, and appeared in two other chamber music concerts at the festival. Other recent engagements have included appearances at the Metropolitan Opera as Cherubino in Le nozze di Figaro (opposite Bryn Terfel) and Stéphano in Roméo et Juliette (with Mr. Kaiser and Anna Netrebko); debuts with the Boston Lyric Opera as Cherubino, the Boston Symphony Orchestra in a new commission by John Harbison conducted by James Levine, the Cleveland Orchestra in performances of Haydn's Harmoniemesse conducted by Franz Welser-Möst, and the Met Chamber Ensemble in Zankel Hall. She also appeared as Rosina in Il barbiere di Siviglia and Stéphano at the Opera Theatre of Saint Louis, and Angelina in La Cenerentola at the Wolf Trap Opera.


NYFOS Artistic Director STEVEN BLIER also enjoys an eminent career as an accompanist and vocal coach. Among the many artists he has partnered in recital are Renée Fleming, Cecilia Bartoli, Lorraine Hunt Lieberson, Susan Graham, Frederica von Stade, Jessye Norman and Samuel Ramey. He has performed throughout North America and Europe, including recitals at Carnegie Hall, La Scala, Milan, and a Live From Lincoln Center telecast. Mr. Blier co-founded the New York Festival of Song (NYFOS) in 1988 with Michael Barrett. Since the Festival's inception he has programmed, performed, translated and annotated over one hundred vocal recitals with repertoire spanning the entire range of song. His discography includes the premiere recording of Leonard Bernstein's Arias and Barcarolles (Koch International), which won a Grammy Award; the NYFOS discs of Blitzstein, Gershwin, and German Lieder (Unquiet Peace); Gershwin's Lady Be Good! (Nonesuch Records); four albums of songs by Charles Ives in partnership with baritone William Sharp (Albany Records); first recordings of music by Busoni and Borodin with cellist Dorothy Lawson (Koch International); and Spanish Love Songs with Joseph Kaiser and the late Lorraine Hunt Lieberson (Bridge Records). In December, Bridge will release the original cast recording of Bastianello / Lucrezia, the acclaimed John Musto and William Bolcom operas with libretti by Mark Campbell, commissioned and premiered by NYFOS.

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Monday, October 6, 2008

Composers young and younger

Composers Young and Younger!


Music by three generations of American composers

works by

Elizabeth Bell, Canary Burton, Stephen Feigenbaum,Daniel Haldar & Max Lifchitz

Lisa Hansen, flute; Mioi Takeda, violin; John Pickford Richards, viola;

Bruce Wang, cello; & Max Lifchitz, piano

Sunday, October 12 at 3 PM


Christ & St Stephen’s Church

120 West 69th St (bet Bway & Columbus), NYC

Free Admission. No tickets required.


North/South Consonance, Inc. will inaugurate its 29th consecutive season with a special event scheduled for Sunday, October 12 at 3 PM.

The concert will feature members of the acclaimed North/South Consonance Ensemble performing music by three generations of American composers. It will be held at the auditorium of Christ & St. Stephen’s Church (120 West 69th St) in Manhattan. Admission is free.

Two extremely talented teen-age composers will participate in the concert: Daniel Haldar –- the 17 year old composer from Cleveland, OH – and Stephen Feigenbaum — the 19 year old composer born in Boston and now an undergraduate at Yale University.

Mr. Haldar’s recently completed four movement Sonata for Piano will be heard in New York City for the first time. An ambitious and virtuosic work, its music is both somewhat dissonant and highly evocative. Haldar has studied piano and composition at the Preparatory Division of the Cleveland Institute of Music. A high-school senior, his other interests include mathematics, science and languages. He also serves as captain of his school’s Lincoln-Douglas debate team.

Stephen Feigenbaum will be represented on the program by his Trap for solo viola, a composition that explores “the paradox of being trapped by a sense of freedom.” Born in 1989, Feigenbaum was recently commissioned to write a work for the Palo Alto Chamber Orchestra in California. He has won several scholarships and prizes and has also appeared on the popular NPR show “From the Top.”

The concert will mark the 80th birthday of Elizabeth Bell (b. 1948, Cincinnatti, OH) whose River Fantasy for flute, violin, viola and cello will open the second half of the program. A graduate of Wellesley College and The Juilliard School, Ms. Bell resides in Westchester County with her husband and their Siamese cat. The American Record Guide called her “one of our country’s leading composers.” And Fanfare Magazine referred to her as “a fine composer with a vivid, highly entertaining sense of instrumental color.” Ms. Bell is one of the founders of New York Women Composers, Inc. and also served on the Board of Governors of the American Composers Alliance for several years. Her works have been performed throughout the US as well as Armenia, Brazil and Russia. River Fantasy was premiered by the North/South Consonance Ensemble as part of an all Elizabeth Bell concert presented at Merkin Hall in 1993 and eventually recorded on a CD featuring some of her vocal and instrumental works (North/South Recordings 1042).

The music of long time Cape Cod, MA resident Canary Burton (b.1943) will open the concert. Her recently completed piano piece The Broken Record will be heard for the first time. Ms. Burton found inspiration for the work in one of her old jazz tunes as well as quotes from We Shall Overcome. In a manner somewhat similar to Charles Ives’ musical collages, Burton also employs quotes from military tunes and childhood songs. Burton studied jazz at the University of Idaho. Her work has progressed through jazz, pop and sound art into post-modern classical music.

The program will also include some works by Max Lifchitz, the Mexican-born composer and conductor who founded North/South Consonance, Inc. in 1980. A New York City resident since 1966, Mr. Lifchitz studied at Juilliard and Harvard and has taught at Columbia University, the Manhattan School of Music, New School University, Columbus State University and the University at Albany, SUNY. A tireless advocate of today’s composers, Lifchitz appears as conductor or pianist on more than 40 critically acclaimed albums.

Commissioned by the Organization of American States, Lifchitz’s Yellow Ribbons No. 22 (1982) for viola and piano belongs to a series of compositions being written as homage to the former American hostages in Iran. His Transformations No. 2 for solo violin was commissioned by the late Mexican virtuoso Manuel Enriquez. And his Mosaico Latinoamericano for flute and piano is built around folk-tunes from Mexico, the Caribbean and Central America. The work was written at the request of flutist Lisa Hansen for a concert that took place in Zurich, Switzerland.

Flutist Lisa Hansen graduated from The Juilliard School before accepting the position of principal flutist with the Mexico City Philharmonia. She has performed and recorded with North/South Consonance since her return to New York in 1988. Ms. Hansen is the featured soloist in the recording of Harold Schiffman’s Concertino for Flute and Chamber Orchestra recently released on the North/South Recordings label (N/S R 1045).

Violinist Mioi Takeda studied with Itzhak Perlman at The Juilliard School and Brooklyn College. Much in demand as chamber and orchestral musician throughout the tri-state area, she performs regularly with The American Symphony Orchestra and the St Luke’s Orchestra.

John Pickford Richards studied at the Eastman School and has performed throughout the US and Europe. He collaborated with Pierre Boulez on a recent performance of Luciano Berio’s Chemins for viola and chamber ensemble at the Luzerne Festival in Switzerland.

Cellist Bruce Wang is a graduate of The Curtis Institute of Music and The Juilliard School. He has performed as soloist and chamber musician throughout the country, Asia, Europe and Australia. He has also recorded music for many feature films, theater and media projects.

The composers will be on hand to introduce their works and meet with the audience during intermission and after the concert. All participants in the event are available to the press for interviews and may be contacted through our office at (212) 663-7566 or by e-mail at <ns.concerts@att.net>

North/South Consonance’s 2008-09 season is made possible in part with public funds from the New York State Council on the Arts and the New York City Department of Cultural Affairs. Additional support comes from the Alice M. Ditson Fund at Columbia University in the City of NY; the Music Performance Funds of Local 802 of the American Federation of Musicians; and from many generous individuals.


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Monday, August 18, 2008

Bernstein Opens NY Festival Of Song 9/23


NEW YORK FESTIVAL OF SONG 2008-2009, 21st SEASON
OPENS SEPTEMBER 23 IN NYC WITH A BERNSTEIN / BOLCOM CELEBRATION

NEW YORK CONCERTS AT MERKIN CONCERT HALL, WEILL RECITAL HALL, THE JUILLIARD SCHOOL

SASHA COOKE, JOAN MORRIS AND WILLIAM BOLCOM, KATE LINDSEY,
JOSEPH KAISER, DINA KUZNETSOVA, RINAT SHAHAM AMONG GUEST ARTISTS

NATIONALLY: TOURING TO KENNEDY CENTER, CARAMOOR FESTIVAL, CONNECTICUT, MARYLAND, MASSACHUSETTS, UTAH

BRIDGE RECORDS CD OF BASTIANELLO / LUCREZIA SCHEDULED FOR DECEMBER RELEASE

New York Festival Of Song (NYFOS, www.nyfos.org), co-founded and directed by pianists Steven Blier and Michael Barrett, who "reinvented the song recital during the 1990's with daring and dramatic programming" (The New Yorker), announces its 21st season (2008-2009).

The company's New York City concerts begin on September 23 at the newly renovated Merkin Concert Hall at Kaufman Center, with A Bernstein / Bolcom Celebration. The concert pays tribute to two of NYFOS's guiding lights, Leonard Bernstein and William Bolcom; Bolcom and his wife, mezzo-soprano Joan Morris, will cap the evening with a selection of songs from their vast repertoire. The program also celebrates the ninetieth birthday of NYFOS's Founding Advisor, Leonard Bernstein, who bestowed the American premiere of his last work, Arias and Barcarolles, to the newly-formed company. Their subsequent recording of the work in 1989, with Judy Kaye and William Sharp, earned the composer a posthumous Grammy Award for Best New Composition.

Other concert programs this year include Fugitives (Nov. 18 and 20), works by composers who fled Europe during Hitler's rise to power; Voices of the Jewish Diaspora (Feb. 10 and 12), songs in many languages from the worldwide Jewish community; Songs of the Irish Poets, scheduled for St. Patrick's Day, featuring the lyricism of the Emerald Isle's greatest writers set to music by Beethoven, Britten and others; and The Welcome Shore (May 19 and 21), songs of rivers and oceans, by composers ranging from Brahms to Noël Coward. Special events include Latin Lovers (January 14), the fourth annual NYFOS@Juilliard concert. The collaboration between NYFOS and The Juilliard School's Vocal Arts Department celebrates the students' creative energy and superior vocal talent; alumni of the program have begun to participate in NYFOS's regular season concerts. NYFOS will also have a Gala Concert on April 17 at Weill Recital Hall, program to be announced.

In December, 2008, Bridge Records will release an original cast recording of John Musto's Bastianello and William Bolcom's Lucrezia, the critically acclaimed one-act comic operas commissioned and premiered by NYFOS last season. Both operas have librettos by Mark Campbell. Bastianello is a family fable of love and folly based on a poignant Italian folk tale; Lucrezia retells Machiavelli's La Mandragola from the point of view of its wise and captivating heroine. This wickedly funny seduction story is set in Argentina – "A Latin American zarzuela as imagined by the Marx Brothers," according to the composer. The recording features soprano Lisa Vroman, mezzo-soprano Sasha Cooke, tenor Paul Appleby, baritone Patrick Mason and bass Matt Boehler, with pianists Steven Blier and Michael Barrett.

Curtain time for all concerts is 8 PM. Merkin Concert Hall at Kaufman Center is at 129 West 67th Street, New York, NY 10023. Single tickets are available by calling (212) 501-3330, or visiting www.kaufman-center.org. Student discounts are available. Free tickets for the January 14 concert at Juilliard will be available at The Juilliard School's box office beginning January 5.

Guest artists at NYFOS for 2008-2009 include mezzo-soprano Sasha Cooke, the Lucrezia in Bastianello / Lucrezia last spring, and soon to sing Kitty Oppenheimer in the Metropolitan Opera's New York Premiere of Doctor Atomic; mezzo-soprano Kate Lindsey, who will be seen as Cherubino and in many other roles at the Metropolitan this season; tenor Joseph Kaiser, the Tamino of the Kenneth Branagh film version of The Magic Flute, and Narraboth in the Met's Salome this year as well as at Covent Garden; soprano Dina Kuznetsova, featured in NYFOS's Obsession à la Russe, who will star as Alice Ford in a new production of Falstaff at Glyndebourne, and will appear with the Chamber Music Society of Lincoln Center; and mezzo-soprano Rinat Shaham, who will be featured in opera and concert at Paris' Theatre de la Champs-Élysées and the Lucerne Festival.

On its touring schedule, NYFOS brings Bastianello / Lucrezia, the acclaimed double-bill of one-act comic operas by William Bolcom and John Musto with librettos by Mark Campbell, to the Moab Music Festival in Utah on September 5; The Last Time I Saw Paris, French song from The Jazz Age to post-World War II, to the Robbie Colomore Concert Series in Chester, Connecticut (October 26) and the Andover Chamber Music Series in Massachusetts (November 9); Fugitives to the Kennedy Center in Washington, D.C., presented by the Vocal Arts Society (November 14); Voices of the Jewish Diaspora to the Clarice Smith Performing Arts Center at the University of Maryland at College Park (February 15); and Songs of the Irish Poets to the Caramoor Center for Music and the Arts in Katonah, NY (March 14), which culminates a week-long professional training residency, Caramoor Vocal Rising Stars, sponsored by and presented at Caramoor. Leading the week's events will be NYFOS artistic directors and pianists Steven Blier and Michael Barrett who will be working with a select group of young singers from around the country invited to participate in this auspicious project. The program will be repeated as part of NYFOS's New York City 2008-2009 concert season at Merkin Concert Hall on March 17, 2009.
The initial season of the Caramoor Vocal Rising Stars Program will be underwritten, in part, by The Terrance W. Schwab Fund for Young Vocal Artists.


NEW YORK SEASON SCHEDULE

Tuesday and Thursday, SEPTEMBER 23 & 25, 2008
Merkin Concert Hall
"A Bernstein / Bolcom Celebration"
A tribute to two of New York Festival of Song's guiding lights, Leonard Bernstein and William Bolcom, quintessential American composers and great spirits who have long provided wisdom, guidance, and music to NYFOS. Songs from Bernstein's Peter Pan, 1600 Pennsylvania Avenue, Songfest, Wonderful Town, On the Town, Arias and Barcarolles; Bolcom's Cabaret Songs, I Will Breathe a Mountain, Briefly It Enters, McTeague; and a special appearance by Joan Morris and William Bolcom, who will share signature songs from their repertoire.
Artists: Sari Gruber, soprano; Rebecca Jo Loeb, mezzo-soprano; Joan Morris, mezzo-soprano; Renée Tatum, mezzo-soprano; Alex Mansoori, tenor; William Sharp, baritone; Marc Webster, bass; William Bolcom, Steven Blier and Michael Barrett, piano


Tuesday and Thursday, NOVEMBER 18 & 20, 2008
Merkin Concert Hall
"Fugitives"
An evening of songs from the concert stage, the movies, Broadway, and Berlin's cabarets that trace the varied fortunes of the gifted composers who fled destruction during Hitler's rise to power--some to begin new lives and brilliant careers abroad, others to meet with darker fates. Music by Kurt Weill, Franz Schreker, Arnold Zemlinsky, Kurt Tucholsky, Erich Korngold, Hanns Eisler, Friedrich Hollaender, Emmerich Kálmán, and many others.
Artists: Kate Lindsey, mezzo-soprano; Joseph Kaiser, tenor; Steven Blier, piano

WEDNESDAY, JANUARY 14, 2009
Peter Jay Sharp Auditorium at The Juilliard School
"Latin Lovers: An Evening of Cuban and South American Song," the fourth annual NYFOS@Juilliard concert.
Songs by Guastavino, Astor Piazzolla, Carlos López-Buchardo, Heitor Villa-Lobos, Ernesto Lecuona, and many others.

Tuesday and Thursday, FEBRUARY 10 & 12, 2009
Merkin Concert Hall
"Voices of the Jewish Diaspora"
Songs in many languages celebrate the culturally diverse Jewish communities that flourished as the tribes of Israel spread out across the globe. Sephardic melodies arranged by Alberto Hemsi and Roberto Sierra; Second Avenue specialties by Irving Berlin and Joseph Rumshinsky; art songs by Ravel, Milhaud, and Rubinstein; plus music by Gershwin and Bernstein.
Artists: Dina Kuznetsova, soprano; Rinat Shaham, mezzo-soprano; Steven Goldstein, tenor; Steven Blier and Michael Barrett, piano

Tuesday, MARCH 17, 2009
Merkin Hall
"Songs of the Irish Poets"
The lyricism of the Emerald Isle's greatest writers, including Thomas Moore, W.B. Yeats, James Joyce, and Paul Muldoon, as set to music by Beethoven, Britten, Balfe, Barber and others; with a group of traditional Irish songs featuring the fiddle playing of Paul Woodiel.
Artists: Paul Appleby, tenor; other members of Caramoor's Terrence W. Schwab Vocal Rising Stars Program; Steven Blier and Michael Barrett, piano

TUESDAY, APRIL 14, 2009
Weill Recital Hall at Carnegie Hall
Spring Gala
Program TBA

Tuesday and Thursday, MAY 19 & 21, 2009
Merkin Concert Hall
"The Welcome Shore"
A hymn to rivers and oceans stirs the heart and the imagination as the summer season draws near. Music by Elgar (the magnificent Sea Pictures), Fauré, Guastavino, Rachmaninoff, Brahms, Noël Coward, Pauline Viardot, and many others.
Artists: Michelle Areyzaga, soprano; Sasha Cooke, mezzo-soprano; Philip Cutlip, baritone; Steven Blier and Michael Barrett, piano

New York Festival of Song
was founded in 1988 by Steven Blier and Michael Barrett. NYFOS is dedicated to creating intimate song concerts of great beauty, humor and originality, combining music, poetry, and history to entertain, educate and create community among audiences and performers. With a far-ranging repertoire of art songs, concert works and theater pieces, its thematic recitals have included programs from Brahms to the Beatles, from the nineteenth-century salons of Paris to Tin Pan Alley, from Russian art song to Argentine tangos, from sixteenth-century lute songs to new music. NYFOS particularly celebrates American song literature and culture, and specializes in premiering and commissioning new American works. They have produced five recordings on the Koch label, including a Grammy Award-winning disc of Bernstein's Arias and Barcarolles, as well as the Grammy-nominated recording of Ned Rorem's Evidence of Things Not Seen on New World Records, and the Bridge Records release of the NYFOS program Spanish Love Songs. NYFOS's concert series, touring programs, radio broadcasts, recordings, and educational activities have inspired a new interest in the creative possibilities of the song program, and have inspired the creation of thematic vocal series around the world.

Artistic Director Steven Blier has programmed, performed, translated and annotated over 100 song programs with repertoire spanning the entire range of American song, art song from Schubert to Szymanowski, and popular song from early vaudeville to Lennon-McCartney. In addition, Mr. Blier enjoys an eminent career as an accompanist and vocal coach. Among the many artists he has partnered in recital are Renée Fleming, Cecilia Bartoli, Samuel Ramey, Lorraine Hunt Lieberson, Susan Graham and Frederica von Stade. Associate Artistic Director Michael Barrett is also the CEO of Caramoor Center for Music and the Arts, and General Director of the Caramoor International Music Festival. In 1992 Mr. Barrett and his wife Leslie Tomkins founded The Moab Music Festival in Utah, for which he serves as music director. He has conducted major orchestras here and abroad in the symphonic, operatic, and dance repertoire, and is the former director of the Tisch Center for the Arts at the 92nd Street Y. Mr. Barrett has conducted and played premieres by Bernstein, Blitzstein, Bolcom, Kernis, Sellars, Harrison, Takemitsu, Del Tredici and John Corigliano.

Funding for the Bastianello / Lucrezia CD release on Bridge Records was provided by the Aaron Copland Fund for Music, Inc. Commission and first performance of Bastianello by John Musto and Mark Cambell and Lucrezia by William Bolcom and Mark Campbell by New York Festival of Song, Inc. were supported by the New York State Music Fund, established by the New York State Attorney General at Rockefeller Philanthropy Advisors.

NYFOS's New York City concert series is funded, in part, by the City of New York Department of Cultural Affairs and New York State Council on the Arts.




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Wednesday, June 11, 2008

ASCAP to Add Six Music Greats to Jazz Wall of Fame on June 17

ASCAP TO ADD SIX MUSIC GREATS TO JAZZ WALL OF FAME AT JAZZ AT

LINCOLN CENTER EVENT

NEW INDUCTEES ARE: LIVING LEGENDS RON CARTER, BILL HOLMAN AND
SONNY ROLLINS AND JAZZ GIANTS OF THE PAST BUNNY BERIGAN, ART
BLAKEY AND TADD DAMERON

GONZALO RUBALCABA TO BE RECOGNIZED WITH THE ASCAP FOUNDATION
VANGUARD AWARD

Event Will Also Celebrate Recipients of the Sixth Annual ASCAP Foundation
Young Jazz Composer Awards, Sponsored by the Gibson Foundation

New York, June 11, 2008. ASCAP President and Chairman Marilyn Bergman
announced that ASCAP will add six music greats to the ASCAP Jazz Wall of
Fame on Tuesday, June 17, 2008. The invitation-only event will be hosted by
Ms. Bergman in The Allen Room, Frederick P. Rose Hall, Home of Jazz at
Lincoln Center in Manhattan beginning at 6:30 PM.

The event will be highlighted by the induction of three Jazz Living Legends:
bassist Ron Carter, composer-arranger and saxophonist Bill Holman, and tenor
saxophonist Sonny Rollins. The latest group of inductees also includes three
posthumous honorees: trumpeter Bunny Berigan, drummer Art Blakey, and
arranger/composer/pianist Tadd Dameron. Participating in the event as
presenters and/or performers will be Kenny Washington, Vanessa Rubin, Javon
Jackson, Randy Sandke, Jay Leonhart, Jim Rotondi, Russell Malone and
Stephen Scott.

In addition, critically acclaimed pianist /composer Gonzalo Rubalcaba will be
presented with The ASCAP Foundation Vanguard Award for his innovative
musical activity as a pianist and composer in the field of Jazz.

The reception will also celebrate the recipients of the sixth annual ASCAP
Foundation Young Jazz Composer Awards. The program was established in
2002 to encourage the jazz creators of the future. The ASCAP Foundation
Young Jazz Composer Awards recognize composers less than 30 years of age
whose works are selected through a national competition. The recipients
receive cash awards. The Young Jazz Composer Awards are in their third
year of sponsorship by Gibson Foundation, the philanthropic arm of musical
giant Gibson Guitar Corp. The Gibson Foundation supports The ASCAP
Foundation Young Jazz Composer Awards in fulfillment of its commitment to
educational excellence through music and the arts.

The award recipients are:

Roy Assaf, 25 (New York, NY); Sharel Cassity, 29 (New York, NY); Michael
Dease, 25 (New York, NY); Jesse Elder, 24 (New York, NY); Quamon Fowler,
27 (Ft. Worth, TX); Ross Garren, 22 (Los Angeles, CA); Tyler Gilmore, 25
(Denver, CO); Nicholas Grondin, 25 (Lee, NH); Alex Heitlinger, 27 (New York,
NY); Bryson Kern, 25 (Astoria, NY); Pascal Le Boeuf, 21 (Santa Cruz, CA);
Remy Le Boeuf, 21 (Santa Cruz, CA); Ben Markley, 25 (Longmont, CO); Linda
Oh, 23 (New York, NY); Rick Parker, 29 (Brooklyn, NY); Joshua Richman, 21
(Hatfield, PA); Sherisse Rogers, (New Castle, DE); Kendrick Scott, 27 (New
York, NY); Jaleel Shaw, 29 (Paterson, NJ); Stephen Smith, 27 (Wichita Falls,
TX); and Omar Thomas, 23 (Bear, DE).

The youngest ASCAP Foundation Young Jazz Composers, ages 14 to 16, are:
Lucas Apostoleris, 14 (MA); Joel Carini, 15 (NY); Grace Kelly, 15 (MA); Noah
Kellman, 16 (NY); David Lantz, 16 (PA); and Elijah Shiffer, 16 (NY).

Composers receiving Honorable Mention are: Patrick Cornelius, 29 (Astoria,
NY); Shaul Einav, 25, (Rochester, NY); Eric Hirsh, 23 (Durham, NC); James
Hirschfeld, 26, (New York, NY); Jimmy Macbride, 16 (CT); Adam Ratner, 20
(Encino, CA); Matt Savage, 15, (NH); and Ted Taforo, 18, (CA).

Commenting on the awards, Marilyn Bergman said, "The young jazz creators
recognized through this program represent the future of this uniquely
American art form. We congratulate the recipients and extend thanks to the
dedicated panel of ASCAP composers who selected the honorees."

The ASCAP composer/judges for the 2007/2008 competition were: Jay
Leonhart, John Fedchock and Rufus Reid.

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Thursday, May 29, 2008

Charlie Parker Jazz Festival - Free in NYC this August

Charlie Parker Jazz Festival

2008 PERFORMANCE SCHEDULE

The Charlie Parker Jazz Festival annually assembles some of the finest musicians in the world who reflect Parker's musical individuality and genius, to promote appreciation for this highly influential and world-renowned artist. The two days of free concerts take place in neighborhoods where Charlie Parker lived and worked, in Historic Harlem's Marcus Garvey Park and in Tompkins Square Park within Manhattan's Lower East Side. The festival is produced by the City Parks Foundation.

FREE. All programs throughout the festival begin at 3:00 p.m.

Marcus Garvey Park

124th St. & Mt. Morris Park

Saturday, August 23rd

Hank Jones

Henry "Hank" Jones believes that when you listen to a pianist, each note "should have a soul of its own." Jones' precise interpretations have been called "Eloquent, lyrical, and impeccable." The highest accolades possible have been given to this legendary musician, including the "NEA Jazz Masters" award from the National Endowment for the Arts, and a "Jazz Living Legend" award from The American Society of Composers, Authors, and Publishers. Mr. Jones has over sixty albums to his credit and countless others on which he has appeared, including collaborations with legends Ella Fitzgerald, Frank Sinatra, and Charlie Parker.

Vanessa Rubin

Jazz musicians are talking about Vanessa Rubin. They all want her unique phrasing and velvety smooth tone to make their compositions come alive. After leaving Cleveland and moving to New York, she almost immediately began gigging with greats like the Pharaoh Sanders Quartet. She has eight albums to her credit, and has amassed a list of outstanding collaborations, partnering with Lionel Hampton, the Mercer Ellington Orchestra and Grover Washington, Jr. Ms. Rubin recently completed international tours with Herbie Hancock, the Woody Herman Orchestra, and the Jazz Crusaders.

Rashied Ali

Rashied Ali is the father of "free jazz" drumming and one of the most harmonic and innovative drummers to ever grace the world of jazz. He has sat in and collaborated with many R&B and jazz experimenters, most famously with the great John Coltrane. As the leader of the Rashied Ali Quintet, he continues to refine his art while discovering and nurturing new talent.

Robert Glasper

Pianist Robert Glasper is a perfect example of how old and new school can create the future. Classically trained, but moved by his own muse, Glasper has commanded the stage of jazz festivals throughout the world. The profundity of Glasper's talent is no longer a secret, making him an in-demand musician for numerous hip hop and R&B greats including Mos Def, Common, Jay Z, Erykah Badu and Me'Shell Ndegeocello. Robert Glasper's three albums have been met with widespread acclaim and his most recent, In My Element, has been called "ravishing."

Tompkins Square Park

E. 8th St. Between Aves. A & B

Sunday, August 24th

Randy Weston

Inspired by Jamaican roots and global travels, Randy Weston's jazz is like none other. Although Weston cites Duke Ellington and Thelonious Monk as inspirations, what makes him unique is his unusually percussive and highly rhythmic piano compositions. In 2002, Weston performed with bassist James Lewis for the inauguration of the Bibliotheca Alexandrina in Alexandria, Egypt. In June 2006, he was awarded the honorary degree of Doctor of Music by Brooklyn College, CUNY. His great compositions include "Hi-Fly," "Little Niles," "Berkshire Blues," "African Sunrise," "The Healers," "Blue Moses," and "African Cookbook."

Jerry Gonzales and Fort Apache

"I am bilingual...I can play blues and I can play Rumba," says Jerry Gonzales of his multi-cultural sound. After several attempts at finding a musical home, Gonzalez finally found his voice in his own band. Their 1989 release, Rumba Para Monk, received critical acclaim and was honored by The Academie Du Jazz, naming it "Jazz Album of the Year." They have also been nominated for two Latin Jazz Grammy's for Rumba Para Monk and Y Los Pyratas de Flamenco.

Eric Lewis

With profound intensity, Eric Lewis is already a prodigious jazz pianist. A musical contortionist, Lewis' compositions twist, turn, and careen between styles, sounds, and emotions, resulting in a stunning aural experience. At the age of 22, Lewis began touring with legends Wynton Marsalis and Cassandra Wilson. At the age of 26 he won the Thelonious Monk International Piano Competition and became a member of the Lincoln Center Jazz Orchestra. Mr. Lewis will perform a work specially commissioned by City Parks Foundation to premier at the 2008 Charlie Parker Jazz Festival.

Gretchen Parlato

Herbie Hancock says of Gretchen Parlato's voice that it is "a deep, almost magical connection to the music." She combines classic Sinatra-esque vocals with insightful forays into melodey, unexpected scatting and Afro-Latin rhythms. In 2004 she walked away with first place at the Thelonious Monk Jazz Vocal Competition and has teamed up with Diane Reeves, Roy Hargrove's Big Band and Terence Blanchard. All About Jazz magazine has called Gretchen Parlato's vocal musings "delicious."


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Sunday, May 25, 2008

The North/South Chamber Orchestra Premieres Four Works by American Composers on June 10 (Tuesday) at 8 PM!

Ethnic Echoes
Chamber Orchestra Works by Three Generations of American Composers
premieres by

Hayg Boyadjian, Max Lifchitz,
Hilary Tann, & Mary Jeanne van Appledorn

Lisa Hansen, alto flute;
Virginia Shaw,
oboe;
Claudia Schaer,
violin
Max Lifchitz, conductor

The North/South Chamber Orchestra
Tuesday, June 10 at 8 PM

Christ & St Stephen's Church

120 West 69th St (bet Bway & Columbus), NYC
Free Admission. No tickets required.
http://www.northsouthmusic.org


North/South Consonance, Inc. continues its 28th season with a concert featuring music by three generations of American composers The North/South Chamber Orchestra under the direction of conductor Max Lifchitz will be joined by guest artists flutist Lisa Hansen; oboist Virginia Shaw; and violinist Claudia Schaer.

The event will be held on Tuesday, June 10 at 8 PM at the auditorium of Christ & St. Stephen's Church (120 West 69th St) in Manhattan. Admission is free.

The program will open with the New York premiere of Ayre for strings by Texas based Mary Jeanne van Appledorn who is celebrating her 80th birthday this season. Born in Holland, MI, van Appledorn studied with Howard Hanson at the Eastman School of Music. She has taught at Texas Tech University in Lubbock since 1951 and has earned yearly ASCAP Award for the last 25 years. Her works have been performed throughout the US, Japan, Russia and Latin America and appear on many recordings including those issued by the North/South label. Commissioned by he Music Teachers National Association, Ayre is a single-movement work inspired by 19th century American Hymns. Its simplicity and directness is both moving and refreshing.

The program will continue with the US premiere of Sevan for alto flute, strings and timpani by Hayg Boyadjian, the Armenian-American composer. Born in 1938 in Paris to Armenian parents, Boyadjian lived in Argentina before settling in the Boston area in 1958. His composition teachers included Alberto Ginastera, Seymour Shiffrin, Alvin Lucier and Edward Cohen. His works have been performed in Argentina, Armenia, Brazil, Europe, Korea, Japan and throughout the US. The Boston Globe referred to his music "as displaying the fine craftsmanship associated with a master like Hindemith." Sevan is the name of the large lake in the Caucasus Mountains of Armenia that provided inspiration to the composer.

Flutist Lisa Hansen will be the featured Sevan soloist. Ms. Hansen's recent recording of Nielsen's Flute Concerto was warmly praised by Fanfare Magazine and her recording of Rodrigo's Concerto Pastoral for the EMI label has been broadcast by radio stations throughout the world. A graduate of The Juilliard School, Ms. Hansen has performed with North/South Consonance since 1988.

English oboist Virginia Shaw will be the featured soloist in the US premiere of Shakkei, a recently completed concerto by Welsh-born Hilary Tann. The John Howard Payne Professor of Music at Union College in Upstate New York, Ms. Tann's orchestral compositions have been performed by prominent ensembles including among others, the Royal Liverpool Philharmonic; the European Women's Orchestra; the National Orchestra of Wales; the San Francisco Women's Philharmonic; and the KBS Philharmonic in Seoul, Korea.

Shakkei, a term used in Japanese landscape design, means "borrowed scenery." The first movement of the work was inspired by Mount Hiei as viewed from Shoden-ji, a temple with a dry landscape garden. The second movement was inspired by the hills of Arashimaya as viewed from Tenryu-ji, a temple with a lush garden. Its musical language is somewhat reminiscent of Impressionism.

Oboist Virginia Shaw was joint first prize winner of the 1995 Isle of Wight International Oboe Competition. A founder of the new music collective Okeanos, Ms. Shaw has premiered several oboe concerti written especially for her by British composers including Kenneth Leighton and John McCabe.

The concert will close with the New York premiere of Intervencion (Intervention) for violin and chamber orchestra by North/South Consonance's founder Max Lifchitz. Born in Mexico City, Mr. Lifchitz has resided in New York since 1966 where he maintains an active career as performer and composer. A graduate of The Juilliard School and Harvard University, Lifchitz has received grans and fellowships from among others, the ASCAP, Ford and Guggenheim Foundations; the New York State Council on the Arts and the National Endowment for the Arts.

Canadian violinist Claudia Schaer will be the featured soloist. A graduate of The Juilliard School and SUNY Stony Brook, Ms. Schaer and taught has performed throughout the US, Canada, Europe and China where she was named guest professor at the Guangxi Arts College of Nanning. An advocate of contemporary music, Ms. Schaer has performed at the Lucerne Music Festival under the baton of Pierre Boulez.

Intervencion was composed in the summer of 1976 under a grant from the National Endowment for the Arts commemorating the US Bicentennial. The title of the three movement work refers to the instrumental plan of the work: while the solo violin clearly dominates the first movement of the composition, the ensemble gradually "intervenes" in the soloist's territory eventually assuming an equal role to that of the solo instrument in the closing movement. Intervencion was premiered in Minneapolis, MI on September 28, 1976 by violinist Romuald Tecco and the Saint Paul Chamber Orchestra under the direction of Dennis Russell Davies.

The composers will be on hand to introduce their works and meet with the audience during intermission and after the concert. All participants in the event are available to the press for interviews and may be contacted through our office at (212) 663-7566 or by e-mail at ns.concerts@att.net

North/South Consonance's 2007-08 season is made possible in part with public funds from the New York State Council on the Arts and the New York City Department of Cultural Affairs. For further information about its activities, including concerts and recordings, please visit http://www.northsouthmusic.org/

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Monday, May 19, 2008

C4: the Choral Composer/Conductor Collective Concert Press Release

For Immediate Release
May 13, 2008
Contact: Jonathan David, (917) 596-9931
info@c4ensemble.org

C4 Presents Hit It!
New York’s Premier New Music Chorus Offers up Voices + Crotales, Lion’s Roar, Tam-tam, Spatulae, Marimba, Coffee Grinders, and a Plethora of Other Percussion

Saturday, June 7, 2008
St. Joseph’s Church
404 East 87th Street between 1st and York Avenues, NYC
8 PM
$10
Closest Subway: 4, 5 or 6 to 86th St. Station

C4: the Choral Composer/Conductor Collective will present the third concert of its season on Saturday, June 7, offering a wide range of music by living composers in collaboration with percussionists Levy Lorenzo and Dennis Sullivan.

The concert will include five world premieres, by C4 composers Jonathan David, Asia Mei, Ian Moss, Malina Rauschenfels, and Karen Siegel. David’s Kallyope Yell sets the ecstaticly deranged words of eccentric Amercian poet Nicholas Vachel Lindsay, complete with a whip-snapping reciter/ringmaster and a battery of circus percussion. Eine kleine morning music captures Rauschenfels’s morning routine, from that first cup of coffee to her daily fried eggs. Siegel’s Hellgate Beach, a mini-concerto for two percussionists and choral obbligato, is inspired by a moment in time at the deserted Queens beach. In Remember Eternity, Mei offers a sumptuous treatment of a mystical poem by Andres D.S. Wilson. Moss’s She Didn’t Mean To Do It represents a departure from his usual intricate and thickly-textured style, racing through a tale of deception with a cynical, hard-edged sheen.

The evening will also feature the East Coast premiere and second performance of Lisa Bielawa’s The Marriage of Heaven and Hell. In this multi-movement work for chorus and percussion, commissioned and premiered by the Dale Warland Singers, Bielawa sets excerpts from William Blake’s monumental, Dante-inspired guidebook to Hell. She draws on musical techniques from the ancient to the modern to illuminate the texts that Blake himself illustrated with his remarkable copper-plate etchings. The concert will also include favorite choral works by Veljo Tormis and Eric Whitacre, both of which include prominent roles for percussion.

C4 is a unique chorus that is directed and operated collectively by its singing members, functioning not only as a presenting ensemble in its own right but also as an ongoing workshop and recital chorus for the emerging composers and conductors who form the core of the group. The ensemble exists in both 16-voice chamber choir and larger symphonic chorus formats, allowing for flexibility in presentation depending on the needs of each work. It is the first organization of its kind and one of the few choral groups in the nation to focus exclusively on the music of our time.

For booking, interviews and complimentary tickets for reviews, please contact:
Jonathan David, (917) 596-9931
info@c4ensemble.org
www.c4ensemble.org


Samuel D. McCoy
Litigation Paralegal
Akin Gump Strauss Hauer & Feld LLP
590 Madison Avenue
New York, New York 10022
212-407-3142


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Tuesday, April 8, 2008

SANCTUS: Amanda Pabyan featured in Heiligmesse (Haydn), Silete Venti (Handel), Sanctus settings w/Riverside Choral Society & Orchestra 5/17/08 8pm

The Riverside Choral Society is excited to announce our spring concert: SANCTUS, featuring one of America’s most distinguished, new lyric-coloratura sopranos AMANDA PABYAN, described by the New York Times as “a brilliant coloratura” and “technically agile, clarion toned and incisive.”

Pabyan will be featured in two infrequently performed choral gems: FJ Haydn’s Heiligmesse and Handel’s operatic motet, Silete Venti.

This will be an concert of masterworks from the classical to the contemporary, including Franz Joseph Haydn, George Frideric Handel, Felix Mendelssohn, Heitor Villa-Lobos, William Albright, and Jan Sandström, in Latin, Italian, and German. Everyone is invited to experience the exultation and mystery of these settings of the Mass, and Sanctus in particular. This is a rare opportunity to hear one of New York City’s leading symphonic choirs present a gorgeous and historic performance of Haydn’s gem, the Heiligmesse, Handel’s ravishing Sileti Venti, and compare settings of the Sanctus spanning millennia and continents, including Gregorian Chant, Baroque, German Romanticism, 20th Century Latin romance and neo-mysticism. Featuring acclaimed soprano Amanda Pabyan, RCS’s SANCTUS will be divinely delightful. We can’t wait to sing for you and see you there!

Riverside Choral Society, now in its 27th year, has gained a reputation as one of New York City’s premier choruses. In addition to its regular concert season under the baton of Dr. Patrick Gardner, RCS is frequently chosen as guest ensemble. Most recently Dr. Gardner prepared the chorus to join the Mannes Orchestra in Stravinsky’s Symphony of Psalms at Carnegie Hall November 2007. In 2005 and 2006 RCS appeared with Kirov Opera Orchestra and the Rotterdam Philharmonic under the baton of Valery Gergiev for six concerts at Lincoln Center and NJPAC, including performances of Mahler’s Second Symphony and Shostakovich’s Symphonies 2, 3, and 13. In recent years RCS has also appeared regularly at Lincoln Center’s Mostly Mozart Festival, and has been featured in collaborations with the Mark Morris Dance Company and at special events at the Museum of Jewish Heritage. For more information, please visit www.RiversideChoral.org.

Please post the concert announcement information and posters (below) to bulletin boards, newsletters, newspapers, departmental announcements, websites, event listings, classrooms, and anywhere they might be seen or searched, and forward this email to those who will find it of interest and can make such posts. Interest categories/tags: Settings of the Mass and Sanctus from the Baroque to the present, Catholic & Christian liturgy, Latin, choral music, classical music, religion, upcoming concerts and events.

Tickets can be purchased at the door, although advance ticket orders are strongly encouraged.

Looking forward to seeing you there!

ORDERING TICKETS

Advance tickets can be ordered online here.

Night of the Performance: Cash (check, or money order made out to Riverside Choral Society) are accepted at the concert box office at the entrance to Holy Trinity Church (213 West 82nd Street) between 7-8pm.

QUESTIONS, GROUPS and SPECIAL REQUESTS: phone 347 404 5544 and email RiverSideChoralSociety@gmail.com

PS: Singing with the RCS is a delight and an excellent education in choral singing, vocal technique, and classical repertoire. Those interested in singing with us, please explore our website where you can learn more about RCS, our repertoire (symphonic choral classics with an emphasis on liturgical), rehearsal schedule (Tuesdays 7-9:30pm, W100th St – come sit in), and schedule an audition with our director, Dr. Patrick Gardner. While the site mentions main auditions in August, they can happen at any time.

SANCTUS

Franz Josef Haydn - Heiligmesse

George Frideric Handel - Silete Venti

Amanda Pabyan, soprano

William Albright - Sanctus from the Chichester Mass

Felix Mendelssohn - Heilig

Jan Sandström - Sanctus

Heitor Villa-Lobos - Sanctus and Benedictus from Missa São Sebastião

Amanda Pabyan, soprano

Kirsten Solleck, alto

Kurt Alakulppi, tenor

Brian McIntosh, bass-baritone

Patrick Gardner, Conducting

with Chamber Orchestra

Saturday, May 17, 2008 at 8:00 PM

Holy Trinity Roman Catholic Church

213 W. 82nd Street

(between Broadway and Amsterdam Avenue)

Tickets: $35, $25 ($10 for students with ID)

Ticket Orders: RiversideChoralSociety@gmail.com

Box Office Open 7-8pm prior to concert

www.RiversideChoral.org

Printable PDFs:

HeiligemessLandscape2.gif http://www.riversidechoral.org/images/SANCTUSPosterBlack.pdf

cid:image005.jpg@01C8953F.895D4AD0 http://www.riversidechoral.org/images/SANCTUSPosterWhite.pdf

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Friday, February 22, 2008

Pianist Joel Fan to Present Daring Program in his New York Solo Debut

CONTACT:

Nell Mulderry, Tel. 212-741-7959, e-mail: nell@bosssounds.com
Widya Widjaja, Tel. 212-741-7959, e-mail: widya@bosssounds.com



FOR IMMEDIATE RELEASE
DATE: February 22, 2008


PIANIST JOEL FAN TO PERFORM WORLD-INFLUENCED PROGRAM FOR METROPOLITAN MUSEUM'S ACCOLADES SERIES ON MARCH 14, 2008

A Member of Yo-Yo Ma's Silk Road Ensemble, Fan Makes His New York City Solo Recital Debut, Including Premiere of Leon Kirchner's Sonata No. 3, The Forbidden, Written for Fan in 2006


NEW YORK, NY, February 22, 2008 -- Pianist
Joel Fan will give his New York City solo debut as part of the Metropolitan Museum's Accolades Young Artists Series on March 14, 2008 at 7:00 PM, offering a program of world-influenced music and a profound cross-cultural experience of Western and non-Western connections. Inspired by his experience with Yo-Yo Ma's Silk Road Ensemble, Fan will present an amalgam of repertoire ranging from Chopin to Dia Succari, Beethoven to Villa-Lobos, Prokofiev to Adnan Saygun, Liszt to Qigang Chen, and more.

Eclectic programming has become a Fan trademark. His recital program mixes the familiar with the unfamiliar and expresses two themes: varied, folk-influenced contemporary classical works are placed amidst great sonatas from the classical canon, culminating with the New York premiere of Leon Kirchner's Sonata No. 3,
The Forbidden, written for Fan in 2006. The Saygun piece blends Turkish "aksak" rhythm with a pentatonic theme that might be found in a piece from China; the Succari and Chen pieces blend native qualities from Syria and China, the latter revealing the composer's influence stemming from his studies in France with Messiaen, as his last pupil. Villa-Lobos contains an indigenous element with use of a South American Indian melody in the middle theme.

Joel Fan combines virtuosity with a gift for lyricism. He's been called "superb" (Boston Globe), "a soaring talent" and "technical wonder" (Los Angeles Times), and a "versatile and sensitive pianist" (Washington Post). Much of the recital program repertoire can be heard on Fan's debut solo album,
World Keys, released on Reference Recordings in 2006, which jumped to #3 on the Billboard Classical Chart and met with wide critical acclaim. On it he plays additional works by William Bolcom (U.S.), Peteris Vasks (Latvia) and Peter Sculthorpe (Australia). Fan's recording of the Kirchner sonata is included on the album Leon Kirchner: Works for Solo Piano (Albany), released in 2007. Fan's recordings with the Silk Road Ensemble are available on Sony BMG Masterworks.

About the Artist

Fan is a native New Yorker who began his performing career at age 11 with the New York Philharmonic after winning the orchestra's Young People's Concert Auditions. He has been guest artist with orchestras throughout the United States as well as in Europe and the Far East. Recent notable performances include: May 2006, performing the Beethoven Triple Concerto with the New York Philharmonic and cellist Yo-Yo Ma under conductor David Zinman; August 2006, his debut at the Saito Kinen Festival of Matsumoto, Japan; and November 2006, performing the world premiere of Kirchner's Sonata No. 3 in Cambridge, Massachusetts. Fan will appear with conductor Alan Gilbert and the Royal Stockholm Philharmonic in Messiaen's Turangalîla Symphony in April 2008. As a member of Yo-Yo Ma's Silk Road Ensemble Fan has appeared at venues such as Carnegie Hall, the Kennedy Center in Washington, D.C., the Concertgebouw in Amsterdam, and on the national television programs
Good Morning America and Late Show with David Letterman.

He completed Pre-College studies at Juilliard, earned a bachelor's degree from Harvard University, and holds a Masters in Music degree in piano performance from the Peabody Conservatory, studying under Maestro Leon Fleisher. His repertoire spans the traditional piano classics, piano concertos, his own piano transcriptions and cadenzas, and newly commissioned works.

Fan is a prizewinner of several international competitions, such as the D'Angelo Young Artists International Competition in the United States and Busoni International Piano Competition in Italy. In addition he was named a Presidential Scholar by the National Foundation for the Arts.

The Metropolitan Museum Accolades Young Artist Series

The
Accolades series continues the tradition of young artists at the Museum. The Metropolitan Museum has been championing young artists for more than half a century -among the artists who have made debuts in its series are Richard Goode, Peter Serkin, Arnold Steinhardt, and Murray Perahia. The Xerox Foundation makes this series possible. For tickets and more information please call the Concerts & Lectures Department at (212) 570-3949, or visit www.metmuseum.org/tickets, for updated schedules and programs.

March 14, 2008 at 7:00 PM - Friday evening
Metropolitan Museum of Art
1000 Fifth Avenue. New York, New York 10028

Concert Program
Adnan Saygun - Pentatonic Sketch on Aksak Rhythm #10 (1976) (Turkey)
Prokofiev - Sonata No. 3 in A Minor, Opus 28
Dia Succari - La Nuit du Destin (1978) (Syria)
Qigang Chen - "Instants d'un Opera Pekin" (2000) (China)
Beethoven - Sonata in A flat Major, Opus 110
-
Intermission -
Villa-Lobos - Choros No. 5, "Alma Brasileira"
Leon Kirchner - Sonata No. 3, "The Forbidden" (2006)
Chopin - Sonata No. 2 in B flat Minor, Op. 35 ("Funeral March")
Liszt - Concert Paraphase of Verdi's Rigoletto



To learn more about Joel Fan call or email Nell Mulderry, 212-741-7959, nell@bosssounds.com; or Widya Widjaja, 212-741-7959, widya@bosssounds.com.

Nell Mulderry, President
Boss Sounds, LLC
1133 Broadway Suite 630
New York, NY 10010
212.741.7959 (ph)
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Tuesday, February 12, 2008

[New York] Celebrating Harold Schiffman on March 9 at the Morgan Library & Museum

Harold Schiffman at 80!
performers will include

Gail Seaton, soprano; Jane Perry-Camp, piano;
The North/South Consonance Ensemble

Sunday, March 9 at 3 PM

The Morgan Library & Museum

225 Madison Ave (at 36th St)
New York City

Free Admission – RESERVATIONS REQUIRED!
E-mail reservation requests to ns.concerts@att.net
or

http://www.northsouthmusic.org


North/South Consonance, Inc. will mark the 80th birthday of the distinguished American composer Harold Schiffman on Sunday afternoon March 9.

The program will include vocal and instrumental works by Mr. Schiffman written between 1951 and 2007.

The concert will start at 3 PM and will take place at the Gilder Lehrman Hall at The Morgan Library & Museum (225 Madison Ave) in Manhattan.

While admission to the event is free, reservations are required.

E-mail reservation requests directed to ns.concerts@att.net will be accepted until Friday evening, March 7.

Harold Schiffman (b. 1928; Greensboro, NC) studied composition with Roger Sessions and Ernst von Dohnányi. Following three years of service in the army, Schiffman joined the faculty of Florida State University in 1959 where he taught until 1983.

Schiffman has composed in virtually all media and has received commissions from among others, the Artea Chamber Orchestra in San Francisco; the North/South Chamber Orchestra in New York; the Mallarmé Chamber Players in North Carolina; and the Györ Philharmonic in Hungary.

In addition to performances throughout the US, Schiffman's music has been performed in Europe, Latin America and the Far East. A member of ASCAP, His publishers include Associated/G. Schirmer; Southern Music Co.; Robert King/Alphonse Leduc; and Harp Hungarica. His works are available on the Centaur and North/South Recordings labels.

The March 9 program will feature the premiere of Blood Mountain, a song-cycle based on poetry by Kathryn Stripling Byer, North Carolina's state poet. The recently completed song-cycle will be performed by soprano Gayle Seaton and pianist Jane Perry-Camp. Ms. Seaton is a versatile singer who has performed many operatic roles and now directs the Music Theatre Program at Florida State University. Pianist Jane Perry-Camp studied with Edward Kilenyi and Ernst von Dohnány. She has performed throughout the US and Europe and has recorded several Schiffman works.

The varied program will also include the world premiere of Duo Concertante for violin and clarinet; the Fantasy-Suite for solo viola; and Seven Bagatelles for flute and oboe. These works will be performed by members of the grammy nominated North/South Consonance Ensemble including Aaron Boyd, violin; Richard Goldmith, clarinet; Lisa Hansen, flute; Gary Hamme, oboe; and Ah-Ling Neu, viola.

The concert will conclude with a performance of Schiffman's monumnetal Sonata No. 1 for piano written in 1951. Pianist Max Lifchitz – who the American Record Guide referred to as "one of America's finest exponents of American piano music" – will be the featured performer.

Mr. Schiffman will be on hand to introduce his works to the audience. He will be joined by poet Kathryn Stripling Byer. All the artists will meet with the audience following the concert.

North/South Consonance's 2007-08 season is made possible in part with public funds from the New York State Council on the Arts and the New York City Department of Cultural Affairs. For further information about its activities, including concerts and recordings, please visit http://www.northsouthmusic.org


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Friday, January 4, 2008

[New York] Gotham Chamber Opera's SCENES OF GYPSY LIFE at The Morgan - Jan 16 & 17

FOR IMMEDIATE RELEASE
January 4, 2008

GOTHAM CHAMBER OPERA
in collaboration with THE MORGAN LIBRARY & MUSEUM
presents
SCENES OF GYPSY LIFE
{a cautionary tale featuring music of Janáèek and Dvoøák}
PLEASE JOIN US:
Wednesday, January 16, 2008 at 7:30pm
Thursday, January 17, 2008 at 7:30pm
RSVP to Michelle Brandon, michellembrandon@yahoo.com

Gotham Chamber Opera, in collaboration with The Morgan Library & Museum, presents a new production, SCENES OF GYPSY LIFE {a cautionary tale featuring music of Janáèek and Dvoøák}, on January 16 and 17, 2008.

Specifically conceived for the Gilder Lehrman Hall at the Morgan by Artistic Director Neal Goren and Stage Director Eric Einhorn, SCENES OF GYPSY LIFE retells a familiar story — wholesome farm boy bewitched by sultry Gypsy temptress — in a new, fully staged format. Consisting of Janáèek's Diary of One Who Disappeared and Dvoøák's Gypsy Songs, we see and hear the young man speaking to himself as the events unfold, along with interpolations by the Gypsy and her friends. Like Carmen's Don José, our protagonist, played by Garrett Sorensen, abandons his life and, guilt-laden, joins the Gypsy clan to satisfy his passion.

Scenic design is by Cameron Anderson, costume design is by Candida Nichols, lighting design is by Shawn Kaufman, and choreography is by Seán Curran. The role of Zefka is played by Abigail Nims with Leah Edwards, Amanda Crider and Hannah Penn portraying her gypsy friends.

Gotham Chamber Opera's 2007/2008 season began in September with a new production of a rarely performed work, Astor Piazzolla's MARÍA DE BUENOS AIRES. The production, staged by David Parsons, danced by Parsons Dance, and choreographed by David Parsons along with celebrated tango choreographer Pablo Pugliese, played to sold-out houses at the Skirball Center for the Performing Arts, New York University.

In May 2008, the company will continue its celebration of opera and dance with ARIADNE UNHINGED: Music of Monteverdi, Haydn, and Schoenberg, staged by maverick director/choreographer Karole Armitage. Featuring one singer, six musicians, and the Armitage Gone! Dance Company, the production has sets by internationally-renowned photographer Vera Lutter. Mezzo sopranos Emily Langford Johnson and Brenda Patterson will perform the role of Ariadne in alternating performances. Costume design is by Peter Speliopoulos and lighting design is by Clifton Taylor.

Ariadne has just been abandoned by her lover and savior, Theseus, on the island of Naxos, where she alternates between near-madness and madness. In ARIADNE UNHINGED, Gotham's new version of the classic story, three musical works from different centuries intertwine to reflect Ariadne's emotional and psychological states: Monteverdi's Lamento d'Arianna, Haydn's solo cantata Arianna a Naxos, and Schoenberg's Pierrot Lunaire. In another first, internationally renowned photographer Vera Lutter provides the stunning visual backdrop for this daring exploration. This production was conceived by Artistic Director Neal Goren for the Gotham Chamber Opera as a continuation of the company's ongoing series of operas based on the myth of Ariadne. The first installment in this series was the US stage premiere of Handel's Arianna in Creta, performed in February 2005; audiences can look forward to a Gotham production of Strauss's original 1912 version of Ariadne auf Naxos in a future season, among other Ariadne offerings.

Gotham Chamber Opera is New York City's leading company dedicated to the highest quality productions of chamber operas rarely performed in opera houses today. The company's mission is to present vibrant, fully-staged productions of works from the Baroque era to the present that are intended for intimate venues.

Founded by conductor and Artistic Director Neal Goren in 2000, in its short history, the Gotham Chamber Opera has presented six U.S. premieres of 18th- and 20th-century operas, including such masterpieces as Mozart's Il Sogno di Scipione; Darius Milhaud's Les Malheurs d'Orphée; Czech composer Bohuslav Martinu's Dada opera, Les Larmes du Couteau; and Swiss composer Heinrich Sutermeister's Die schwarze Spinne. In February 2005, Gotham's U.S. stage premiere of Handel's Arianna in Creta played to packed theaters. Also in 2005, Lincoln Center Festival and Spoleto Festival USA presented Gotham Chamber Opera's U.S. premiere of Ottorino Respighi's fantastical puppet opera, La bella dormente nel bosco featuring the puppetry of Basil Twist. In the spring of 2006, Benjamin Britten's Albert Herring received its first professional staging in New York in more than 30 years, and in winter 2007, Rossini's Il signor Bruschino received its first major professional New York staging in over a half century. Future productions include operas by Cavalli, Mussorgsky, and Haydn.

SCENES OF GYPSY LIFE
will be presented on January 16 and 17, 2008 at 7:30pm at the Gilder Lehrman Hall, The Morgan Library & Museum, 225 Madison Avenue, NYC. Tickets are $35 for members of The Morgan Library and $45 for non-members. Tickets are available at
www.themorgan.org or by phone at 212-685-0008 x560.

ARIADNE UNHINGED
will run from May 7-11, 2008 at The Playhouse, Abrons Arts Center, with performances Wednesday, May 7 at 7:30pm (Opening Night); Thursday, May 8 at 8pm; Friday, May 9 at 8pm; Saturday, May 10 at 2pm and 8pm; and Sunday, May 11 at 2pm. The Playhouse, Abrons Arts Center is located at 466 Grand Street, NYC. Tickets are $70-$30 ($300 for Opening Night gala seats) and are available through Ticket Central at (212) 279-4200 or
www.ticketcentral.com.

For more information, visit
www.gothamchamberopera.org.
Contact: Michelle Brandon, (646) 765-4773, michellembrandon@yahoo.com

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