LSM Newswire

Tuesday, April 21, 2009

Death and the Maiden, Altera Vitae at MainLine Theatre- May 13-24

Death and the Maiden

By Ariel Dorfman

Directed by Jesse Corbeil

Wednesday, May 13 - Sunday, May 24

"During all those years not an hour has passed that I haven't heard it, that same voice, next to me, next to my ear, that voice mixed with saliva, you think I'd forget a voice like his?" - Paulina

Montreal, April 2009- Altera Vitae is proud to present their third production, Death and the Maiden, playing at MainLine Theatre from May 13 to 24. Directed by Jesse Corbeil, the capable cast includes Sam Croitoru (Dr. Roberto Miranda), Carolyn Fe (Paulina Salas) and William Ward (Paulina's husband, Gerardo Escobar). Altera Vitae produces works of theatre that engage and service the community. With each new production, the company partners itself with a valuable, charitable organization whose mandate is similar to themes in the play. For Death and the Maiden, Altera Vitae supports RIVO, assisting the organization in their public awareness strategies. Carolyn Fe, Altera Vitae's artistic director, wants the public to know about this vital intervention network of therapists and community workers concerned with the well being of survivors of torture and other forms of organised political violence. "RIVO helps people like Paulina get on with their lives and thrive…not forgetting the past but moving onto the future with pride."

Years after the fall of a dictatorship, a woman gets the chance to confront her torturer. Is this a time for forgiveness or revenge? Death and the Maiden is an inquest into the darker side of humanity – one in which everyone is implicated and justice seems like a fragile, ambiguous invention. Winner of the 1992 Olivier Award for Best Play, Ariel Dorfman's explosively, provocative drama is set in a country that has only recently returned to democracy. Gerardo Escobar has just been chosen to head the commission that will investigate the crimes of the old regime when his car breaks down and the benevolent doctor Roberto Miranda picks him up. But Gerardo's wife, Paulina Salas, thinks she recognizes another man – the one who raped and tortured her as she lay blindfolded in a military detention center years before. What would you do?

Director Jesse Corbeil comments on the unfortunate timelessness of the story, "Though it's not explicitly mentioned anywhere in the text, the play references the forces that were at work in Chile during the early post-Pinochet years; but the themes are still very fresh today." He continues, "Torture and the presumption of guilt are everywhere, and habeas corpus is becoming nothing more than a notion." Jesse would like audience members to come away questioning what it is that moves people to make assumptions where guilt and innocence are concerned, especially with so many people still imprisoned on the strength of extremely flimsy evidence.

Death and the Maiden is about survival and survivors' will to live and show the strength in humanity. Producer/actor Carolyn Fe is passionate about the play on many levels, "It amazes me how much the human body and mind can take when there is a goal, a promise, a hope or objective that is held onto." For Carolyn it is also deeply personal, "I've chosen to do this play to bring out the silent scream in everybody." She continues, "This play makes you listen to that scream in the dark that nobody hears after barricading yourself for too long. Yes, it is political, but it also speaks to those who lack confidence." Carolyn believes if you have a goal and you remain focused on it, you can attain anything.

Rounding out the team is stage manager and lighting designer Mindy Sirois, sound designer Dan Legault, fight choreographer Vladimir Cara, technical director Scott Drysdale, technical assistant Jeffery Farrer and photographer Litratista.

"If he's innocent? Then he's really screwed." - Paulina

Death and the Maiden

Altera Vitae Productions

Playing at MainLine Theatre

3997 Blvd. St. Laurent

Tuesday to Sunday, 8:00 pm

Matinees: Saturday and Sunday, 2:00 pm

$20 regular, $15 student/senior

Pay-what-you-can: Wed. May 13 preview and May 16 and 17 matinees, to help spread word of mouth

Reservations: 514 849-3378 or www.mainlinetheatre.ca

Showtimes: May 13, 14, 15, 16, 17, 19, 20, 21, 23 at 8:00 pm

Matinées: May 16, 17, 23, 24 at 2:00 pm

www.alteravitae.com

RIVO- http://www.web.net/~rivo/EngFramesHome.htm

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Friday, March 20, 2009

Hold the dates: Death and the Maiden , Altera Vitae at MainLine Theatre- May 13-24

From the 2009 World Theatre Day Message (March 27) by Augusto Boal

Theatre is the Hidden Truth. When we look beyond appearances, we see oppressors and oppressed people, in all societies, ethnic groups, genders, social classes and casts; we see an unfair and cruel world. We have to create another world because we know it is possible. But it is up to us to build this other world with our hands and by acting on the stage and in our own life. We are all actors: being a citizen is not living in society, it is changing it.

Hold the Dates!

Altera Vitae Productions

Presents

Death and the Maiden

By Ariel Dorfman

Directed by Jesse Corbeil

Mark these dates in your spring calendar

Wednesday, May 13 – Sunday, May 24, 2009

Years after the fall of a dictatorship, a woman gets the chance to confront her torturer.

Is this a time for forgiveness or revenge?

Altera Vitae – helping those who need to be heard

Each Altera Vitae production is partnered with a community organization whose mandate is similar to the theme of the play. For this production, Altera Vitae is proud to support RIVO, a network of therapists and community workers concerned with the well being of survivors of torture and other forms of organised political violence.

Death and the Maiden

Altera Vitae Productions

At MainLine Theatre

3997 Blvd. St. Laurent

Tuesday to Sunday, 8:00 pm

Matinees: Saturday and Sunday, 2:00 pm

Pay-what-you-can: Wed. May 13 preview and May 8 and 9 matinees

Reservations: 514-849-3378 or www.mainlinetheatre.ca

www.alteravitae.com

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Monday, February 16, 2009

The Assumption of Empire, Unwashed Grape at MainLine Theatre- March 3-22

Unwashed Grape presents

The Assumption of Empire

A new play by Ann Lambert

Directed by Paul Hawkins

March 3-22, 2009

"Isn't it amazing how many lives we have?" -Sophie

Montreal, February 2009- Unwashed Grape is mounting Ann Lambert's most ambitious play, The Assumption of Empire, at MainLine Theatre March 3-22, directed by Paul Hawkins. Former head of the National Theatre School's playwriting program, Ann Lambert returned to writing for the stage two years ago in Unwashed Grape's acclaimed double-bill of Two Short Women and The Wall. She is collaborating with them once again, exploring where the political and the personal intersect in a world rocked by violence and dizzying change—the shifting of tectonic plates—sometimes all too close to home.

Lambert is excited about her ongoing exploration of this theme: "Over the past 25 years as a writer, I have examined this intersection of political and personal and whether the two can even be separated. I am interested in how people's lives change in ways they could never have anticipated, and how they face those changes."

The Assumption of Empire takes place in and around Montreal from 1978 to 2008, spanning the Revolution in Iran, the 1st referendum for independence in Quebec, the fall of the Berlin Wall and the Dawson shooting. These events form the backdrop for the life of Sophie Wiseman, who is taken back in time when she learns of the mysterious death of her ex-husband's wife.

Sophie Wiseman, married to Steve, is haunted by her first marriage to Ivan. What happened to her dream of love and changing the world? How did she settle for the daily compromises that erode her? How does she come to terms with growing older and the struggle to feel like her life has added up to something? Lambert stresses however that more than anything, this play is a love story: "Although the backdrop of the play reflects some world events, this is really a love story about the many forms love can take in one lifetime- a love from the past that haunts the present, a married love that can feel like a limited substitute for the real thing, a love for a child that is a constant source of joy and torment and the passionate need to find meaning in a world that has changed so overwhelmingly in just 30 years."

"Ann Lambert has her finger on the pulse of the moment," notes director Hawkins, "but as well, she explores the choices that define Sophie's journey from her past to her present." He continues, "The Assumption of Empire is in search of lost time as Sophie is in search of meaning and orientation now. When Lambert writes about the past, it is with an uncanny and prophetic anticipation of the present world and its problems. Her topical situations unfold with surprise, humour and sometimes horror."

The Assumption of Empire marks Lambert's second collaboration with director Paul Hawkins and her fourth collaboration with leading actor Laura Mitchell, playing Sophie (a writer and actor, Laura has co-written and performed four theatre cabarets with TITTERS, co-wrote a feature film and co-produced, co-wrote and narrated Unbuckling My Bible Belt, which premiered at the Festival du Nouveau Cinema). Spanning the years with Mitchell are veteran performers Bill Croft as Steve (recently seen in Cat on a Hot Tin Roof at the Segal Centre) and Tim Hine as Ivan (seen in Fallen Angels at the Segal Centre), and newcomer Alice Abracen in her first professional production as Sophie's daughter Eliot. Ann is especially thrilled to be working with Alice, her real-life daughter.

Rounding out the team is set and costume designer Louise Arsenault, a playwright with a love of design; lighting designer Steve Schon, currently technical director at Dawson College, Black Theatre Workshop and the Just for Laughs Festival; original music and soundscape composer Eduardo Pipman who has performed and recorded with various jazz and contemporary improvisational musicians and won the prestigious award for the Montreal Jazz Festival in 2000 and stage manager Anton Golikov, in his final semester studying Cinema & Communications.

The Assumption of Empire

Unwashed Grape

At MainLine Theatre

3997 Blvd. St Laurent

Reservations: 514-849-3378 or www.mainlinetheatre.ca

Tuesday to Saturday, 8:00 pm

Matinees: Saturday and Sunday, 2:00 pm

Tickets: $20 regular, $17 student/senior, group rates available

$10 shows: Tuesdays (Mar. 3, 10, 17); Wed. preview Mar. 4; Sat. matinee, Mar. 7 at 2pm

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Friday, February 6, 2009

Hold the dates: The Assumption of Empire, Unwashed Grape at Mainline Theatre- March 3-22

Hold the dates!

Unwashed Grape presents

The Assumption of Empire

A new play by Ann Lambert

Directed by Paul Hawkins

Mark these dates in your winter calendar

Tuesday, March 3 – Sunday, March 22, 2009

Unwashed Grape (Dating Jesus; Two Short Women and the Wall; Biss-ous; Cuthbert's Last Stand-UNCUT!) is pleased to present its upcoming show, The Assumption of Empire, by Ann Lambert.

The Assumption of Empire is 'in search of lost time', exploring where the political and the personal intersect in a world rocked by violence and dizzying change, sometimes all too close to home. Taking place in and around Montreal from 1978 to 2008, The Assumption of Empire spans the Revolution in Iran, the 1st referendum for independence in Quebec, the fall of the Berlin Wall, the Dawson shooting and the election of Obama. These events form the backdrop for the life of Sophie Wiseman, who is taken back in time when she learns of the mysterious death of her ex-husband's wife.

With Laura Mitchell, Tim Hine, Bill Croft and Alice Abracen.

The Assumption of Empire

Unwashed Grape

At MainLine Theatre

3997 Blvd. St Laurent

Reservations: 514-849-3378 or www.mainlinetheatre.ca

Tuesday to Saturday, 8:00 pm

Matinees: Saturday and Sunday, 2:00 pm

Tickets: $20 regular, $17 student/senior

$10 shows: Tuesdays (Mar. 3, 10, 17); Wed. preview Mar. 4; Saturday matinee, Mar. 7 at 2pm

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