document.write ("<table border = '0' width = '153' cellpadding = '3' cellspacing = '0' bgcolor = '#003366'><tr><td><font color = '#ffffcc' size = '2' face = 'arial'><center><b>In This Issue<br>February-March 2015</b></center></font></td></tr><tr><td><center><a class = 'effectslnk3' href='http://www.scena.org/lsm/content.asp?Vol=20&No=5&lan=2'>Vol. 20, No.5<br><img src='http://www.scena.org/lsm/sm20-5/images/sm20-5cover-sm.jpg' border='0' align='bottom'></a></center><br><center><a class = 'effectslnk3' href='http://www.scena.org/pdf-files/sm20-5.pdf'>Download PDF Version</a></center></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm20-5/sm20-5_tabassian_en.html'>Kiya Tabassian: A Musician Without Borders</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm20-5/sm20-5_editorial_en.html'>From the Editor</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm20-5/sm20-5_industry_en.html'>Industry News</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm20-5/sm20-5_PalacioQuintin_en.html'>Cléo Palacio-Quintin : Between Humans and Machines</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm20-5/sm20-5_compositrices_en.html'>The Eternal Struggle: Women and Musical Creation</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm20-5/sm20-5_Michaels_en.html'>Sean Michaels: Electric Atmosphere</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm20-5/sm20-5_brott_en.html'>Alexander Brott - The Creator</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm20-5/sm20-5_BRAMS_en.html'>Science and Music: The Mystery of Amusia</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm20-5/sm20-5_aiglon_en.html'>L’Aiglon: A Reflection on Patriotism</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm20-5/sm20-5_Goyette_en.html'>ATMA’s Johanne Goyette: A Renaissance Woman</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm20-5/sm20-5_Labbe_en.html'>Analekta’s Mario Labbé Predicts the Future</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm20-5/sm20-5_petitsviolons_en.html'>Les Petits Violons All Grown Up</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm20-5/sm20-5_lagamme_en.html'>LAGAMME.MU: A New Co-operative for Quebec’s Professional Musicians</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm20-5/sm20-5_amour_en.html'>Listening Suggestions: Love Transfigured</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm20-5/sm20-5_jazz_en.html'>Jazz: Hot Sounds to Chase the Winter Chill</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm20-5/sm20-5_camps.html'>Prochainement… Upcoming camp activities</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm20-5/sm20-5_suzuki_en.html'>Institut Suzuki Montréal</a></td></tr></table>");