document.write ("<table border = '0' width = '153' cellpadding = '3' cellspacing = '0' bgcolor = '#003366'><tr><td><font color = '#ffffcc' size = '2' face = 'arial'><center><b>In This Issue<br>February/March 2013</b></center></font></td></tr><tr><td><center><a class = 'effectslnk3' href='http://www.scena.org/lsm/content.asp?Vol=18&No=5&lan=2'>Vol. 18, No.5<br><img src='http://www.scena.org/lsm/sm18-5/images/sm18-5cover-sm.jpg' border='0' align='bottom'></a></center><br><center><a class = 'effectslnk3' href='http://www.scena.org/pdf-files/SM18-5_lr.pdf'>Download PDF Version</a></center></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm18-5/sm18-5_dupuis_en.html'>Étienne Dupuis: the Philosopher</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm18-5/sm18-5_editorial_en.html'>Editorial</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm18-5/sm18-5_mchardy_en.html'>Allyson McHardy on Dead Man Walking and Sister Helen</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm18-5/sm18-5_spotlight_en.html'>Spotlight on Dead Man Walking</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm18-5/sm18-5_industry_en.html'>Industry News</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm18-5/sm18-5_previews_en.html'>Concert Previews</a></td></tr><tr><td><font face = 'arial' color = '#ffffff' size = 1>*</font><a class = 'effectslnk3' href = 'http://www.scena.org/lsm/sm18-5/sm18-5_martenot_en.html'>Le chant des ondes: Keeping the Martenot’s Song Alive</a></td></tr></table>");