Jean-François Lapointe is Taking On Onegin by Daniel Turp
/ October 1, 2011
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After an eight-year
absence, Quebec’s own baritone, Jean-François Lapointe, is back on
stage in his native land - not only once, but twice! After distinguishing
himself on the European scene for over two years, Grégoire Legendre,
Opéra de Québec’s general and artistic director, invited Lapointe
to take the title role in Eugene Onegin, by Pyotr Illyich Tchaikovsky,
and then to play Ford in Giuseppe Verdi’s Falstaff
next spring.
During a telephone
interview with La Scena Musicale, Lapointe, who was in Amsterdam
at the time rehearsing for Gluck’s Iphigénie en Tauride, said
he was delighted to return to his homeland. He recalled that his last
appearance on Quebec’s opera stage was in May 2004, when he sang Lescaut
in Manon by Jules Massenet, directed by Yannick Nézet-Séguin.
The singer is particularly
happy about his upcoming part in Eugene Onegin, a Russian opera
based on the novel by Alexander Pushkin. This has been a dream of his
for some time, a dream that he once mentioned in 2007 interview with
Opéra Magazine, stating that “…if he had his wish, he would
be able to take on Eugene Onegin with ease.” What was once
a dream has now turned into a challenge he will tackle in front of his
Quebec City audience. The baritone has said that he has been feverishly
preparing this role for several months now, a project that he finds
intellectually stimulating. Undoubtedly, his flair for romanticism will
serve him well.
His ability to sing
well in Russian, a language that is so rich, is something that Lapointe
takes to heart. In fact, his visit to Quebec City this past summer gave
him a chance to work with Tania Mogilevskaya, who teaches Russian at
Université Laval. He’s worked with Mogilevskaya before, while preparing
for his performance as Prince Yeletsky in The Queen of Spades
by the Monte-Carlo Opera in 2009.
He is facing an even
greater challenge now, as he will share the stage with two singers who
know Russian back to front. Singing the magnificent Letter aria in the
first act, Tatiana Larina, a Georgian soprano, will be playing her namesake,
Tatyana. What’s more, Dmitry Trunov, a Russian tenor, will join Lapointe
in a spectacular duet, followed by the famous duel where, of the two
old friends, “…full of hate as if they had always been enemies,” Onegin
emerges as the winner. Many Quebec opera lovers will surely remember
the performances by Dimitri Hvorotosky, Renée Fleming and Ramon Vargas
in the MET Live in HD series screened in February 2007. So expectations
run high for Jean-François Lapointe and the rest of the cast!
Meanwhile, Lapointe
is also looking forward to working with director Jacques Leblanc for
his role in Falstaff, which he played at the Théâtre des Champs-Élysées
in 2010.
A Busy Vocalist
Jean-François Lapointe says that he was tremendously pleased with his
2010-2011 season, which he kicked off at Barcelona’s Gran Teatre del
Liceu performing in Bizet’s Carmen and closed at the
Théâtre de la Monnaie in Bruxelles playing in Les Huguenots
by Giacomo Meyerbeer. As one of the opera’s seven star performers,
he has nothing but praise for this staging of Meyerbeer’s great historical
work, especially for the production itself. He also has fond memories
of Opéra de Marseille’s production of Don Giovanni, in which
he held the title role. He particularly enjoyed singing with his colleague,
Marianne Fiset, who played Donna Elvira.
He sang Chorèbe
in Hector Berlioz’s Les Troyens
at the Deutsche Opera in Berlin, replacing baritone Marcus Brück on
short notice. This was a rich learning experience for Lapointe, who
had the opportunity to work under maestro Donald Runnicles.
The 2011-2012 is
another demanding season for Jean-François Lapointe. He has three roles
lined up: Oreste in Iphigénie en Tauride by Gluck at Amsterdam’s
Nederlandse Theater (September 2011), Eugene Onegin at the Opéra
de Québec (October 2011) and Raimbaud in Le Comte Ory by Rossini
in Geneva (December 2011) and in Marseilles (March 2012).
Moreover, as a lover
of French opera, Lapointe is relishing the opportunity to play Garrido
in Jules Massenet’s rarely staged work, La Navarraise.
We conclude our conversation
with Jean-François Lapointe’s heartfelt defence of the French lyrical
repertoire. “It’s my life’s mission,” he says. He is proud to
have championed the French opera repertoire to date. For Lapointe, who
has put on great performances as Pelléas, the French repertoire conceals
an untold wealth of works to be rediscovered. He believes it’s the
duty of Quebec’s artistic directors to include French works in their
programming for opera companies and festivals. He also dreams of having
a French opera house in Quebec City, just like in New York, that would
endeavour to showcase French opera’s highly contemporary and accessible
style.
Translation: Elisabeth
Gillies
Jean-François Lapointe
will play the title role in Eugene Onegin by Pyotr Illyich Tchaikovsky at the Grand théâtre de Québec’s Salle Louis-Fréchette October
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