el Sistema: Sististics by Jonathan Govias
/ March 18, 2011
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Less than 24 hours after arriving in
Caracas on my first visit, I attended a security briefing at the US
Embassy. It wasn’t the most reassuring of introductions to the city
or nation: the officer leading the presentation gave a very frank assessment
of the local security situation. “Welcome to the most dangerous city
in the western hemisphere,” he said.
It wasn’t an exaggeration. Caracas
has been dubbed the “murder capital of the world,” with CNN reporting
more than 500 victims in one month alone in 2008. In recent years,
violent crime has skyrocketed by as much as 300% according to some accounts,
in parallel with increases in income disparity. It’s against this
dire social and economic backdrop that el Sistema operates, leading
many to wonder if social engagement through music is even possible,
let alone effective, in a situation spiraling so rapidly out of control.
In short, does el Sistema
work? The previous article in this series examined cognitive factors
at the micro or individual level, but not economic or social results
at the macro level—in other words, only the how, not the
what. The latter certainly hasn’t been ignored: in 2007 the Inter-American
Development Bank released a study investigating the community impact
of el Sistema as a preliminary step in negotiating a $150 million
USD loan to the program for long term development projects. Unsurprisingly,
the results were positive across all areas investigated, including academic
achievement, employability, social capital and socioeconomic profiles
of participants. Students in el Sistema
had one quarter the school dropout rate of their peers outside the program,
and half the level of disciplinary incidents. Economically speaking,
the study established a 1.68:1 return on investment for every dollar
invested.
Discussions of economic benefit
are risky for the purposes of advocacy. If value is measured only in
financial terms, then funding can only be assured in the absence of
more lucrative investments; but the numbers a still compelling, establishing
that as bad as the situation might be in Venezuela, it would be worse
without el Sistema.
Statistics are ultimately essential,
but numbers dehumanize a very human situation. In 2010 the Fesnojiv
family lost three members to violent crime, and a senior member of the
administration had a narrow escape after taking a bullet to the leg
during an attempted kidnapping. A highly capable cultural manager trained
in the UK with impeccable English language skills, the administrator
would be a welcome immigrant to most of the developed world. As arguments
for a change in scenery go, a bullet is probably the most forceful.
But he was undaunted, back at work shortly thereafter. Most remarkably,
he’s not a musician; he’s simply passionate about what Fesnojiv
does. As a sample size of one he makes for poor statistics, but he remains
a powerful example of the compelling nature of el Sistema’s
mission.
Jonathan Govias is a conductor,
consultant and educator for el Sistema programs on four continents.
For more resources on el Sistema please visit
www.jonathangovias.com
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