Renée Fleming in Recital Helen Yorke,
piano
by Philip Anson
Renée
Fleming gave her only east coast recital this summer on July 24 at
Tanglewood's Seiji Ozawa Hall. The program included three Schubert
lieder found on Fleming's recent Schubert disc, and songs by
Rachmaninov, Debussy, Barber, and Richard Strauss. I am a great fan
of Ms. Fleming's singing. Her opera work is absolutely mesmerizing,
especially when she finds a role that suits her personality. In
recital Fleming can scale her huge, rich voice down to a whimper but
there is no disguising the fact that she is still deploying an
instrument of formidable power. She can't help turning Schubert's
little songs into opera arias, which is just fine, if you are not a
lieder purist. Fleming has a wide emotional palette and the beauty
of her tone transforms the seconds of silence into palpably precious
moments of anticipation. Fleming's encores were the best part: "Will
There Really Be a Morning?", Dvorak's "Song to the Moon",
Ellington's "It Don't Mean A Thing If It Ain't Got That Swing," and,
inevitably, Gershwin's "Summertime". In the appreciative audience
was composer André Previn whose A Streetcar Named Desire Fleming will premiere next year in San Francisco.
|