Songs by Haas, Krása and
Schulhoff Petr Matuszek, baritone Supraphon: SU
33342231 (SRI)
Entartete Musik - music written by
communists, leftists, and Jews banned by the Nazis - is the latest
growth industry in classical recording, to judge by the number of
new releases. The disc under review presents a brief sampling of
songs by three Czech-born Jewish composers who perished in Nazi
concentration camps. In the case of Pavel Haas and Hans Krása, the
disc includes works written both before and during their
imprisonment, while from Schulhoff, who was a well-established
composer before his imprisonment, we get a song cycle dating from
the height of his career .
This is a disc of contemporary
(read: atonal) music by three fairly minor composers who shared a
tragic fate. The works by Haas offer some beautiful moments
comparable to the best of Wolf and Berg. They also carry us from
Haas's life to his death. The Chosen One, op. 8, dates from
1927 when he was 28 years old in Brno, Czechoslovakia. Seven
Songs in the Folk Tone, op. 18, dates from just before his
transport to the Terezín concentration camp. Four Songs on
Chinese Poetry was written and premiered in Terezín three months
before the composer was gassed. The carefree idiom of the early
compositions contrasts sharply with the darkness and profundity of
the prison music.
Krása and Schulhoff are not well
represented on this disc. We get only 7.5 minutes of Krása and one
ten-minute cycle by Schulhoff. Considering the disc is only 55
minutes long, it is a pity we didn't get more Schulhoff, who
experimented in many post-World War I musical idioms. The 34-year
old Czech baritone Petr Matuszek is apparently a specialist in
twentieth-century vocal performance. This is basically a recital
disc showcasing Matuszek's talent. His voice is well-suited to the
wide range of styles in this repertoire, from deadpan cabaret to
serious dramatic lieder. He is a good interpreter but not a
world-class voice, and there is straining in some of the high notes.
Piano and chamber ensemble accompaniment is good. This is
essentially a disc that will interest devoted fans of an obscure
corner of the modern repertoire that is slowly coming to light for
political as much as aesthetic reasons. Have a dictionary handy if
you don't speak Czech: biographies are in English, German, and Czech
but song texts are in Czech only. Alki
Sarantinos |