Notes
December 13, 2007
Yannick Nézet-Séguin’s new appointment
Conductor Yannick Nézet-Séguin
was recently appointed the London Philharmonic Orchestra’s (LPO) principal
guest conductor. On the heels of being named Rotterdam Philharmonic’s
new music director, the news came as a surprise to many.
The young 32 year-old wunderkind,
who still serves as artistic director of the Orchestre Métropolitain
du Grand Montréal, apparently impressed the powers-that-be during his
LPO conducting debut with his “outstanding musicality, knowledge and
technique,” according to LPO chief executive and artistic director
Timothy Walker.
Yannick’s performance was “impressive,”
described Walker, and anyone who witnessed his “debut with the London
Philharmonic Orchestra will understand the motivation for this appointment.”
Nézet-Séguin’s genius “lies in his ability to move players to
exceptional performance and to communicate a strength and vitality of
vision to the listener that is totally engrossing.” MV
Pianist Alfred Brendel to retire
Alfred Brendel, one of the world’s
greatest piano virtuosos, announced in late November he will be retiring
from the concert stage at the age of 77. To close his extraordinary
60-year career, he plans to give his final concert in Vienna on December
18, 2008 with a performance of Mozart’s Piano Concerto # 9
in E flat K271 (“Jeune homme”). The location of Brendel’s final
farewell is befitting, as his significance towards the central European
piano tradition of the Austro-German repertoire is unmistakable. Also
befitting is Brendel’s choice not to close his career with a farewell
tour. According to his spokesman: “It has always been Mr Brendel’s
intention to stop performing while still at the peak of his powers,
and he makes this decision while continuing to attract capacity audiences
throughout the world. He dislikes the idea of farewell tours.”
Brendel, who was the first to record
Beethoven’s complete piano works, is also an accomplished poet and
essayist, and plans to concentrate the rest of his life on his literary
career. However, he will continue to lead the occasional masterclass,
and has also committed to continue teaching promising pianists such
as Till Fellner, Paul Lewis, Imogen Cooper, and Kit Armstrong. MV
Paris Opera Strike
The Opéra National de Paris has
been hit to the tune of 2.2 million Euros in losses due to labor actions
in France in the last month. Labour unrest at the opera house is part
of the waves of walkouts that have crippled the transportation, hospital,
education and other sectors of the French economy over the past two
months. National unions are protesting President Nicolas Sarkozy’s
plan to reform long established social pension plans that workers unions
have previously negotiated.
On November 14, 18 and 24,
stagehands, scenery and lighting workers from the CGT union walked out
of the theatre, forcing the cancellation of all matinee and evening
performance of The Nutcracker by the Paris Opera Ballet. The concert
on the 19th did go through, but only with a single décor, and without
costumes.
Out of the theatre’s scheduled
seven Tosca performances, four have been cancelled, and the remaining
three being presented in costume but with no décor. The October
27th production of the La Traviata at Opera Garnier was also
cancelled.
The union FO released a statement,
quoted by AFP, saying that its members were taking care that the upcoming
new production of Wagner’s Tannhäuser — directed by Robert
Carsen, conducted by Seiji Ozawa and opening Dec. 6 at the Bastille —
would not be in danger of rehearsal cancellations. MV
Ottawa City Council Sets deadline
for concert hall
City staff in Ottawa has recommended
that if the deadline of November 30 given to the Ottawa Chamber Music
Society does not yield some good news, the city should consider withdrawing
its pledge of $6 million for a new concert hall. The Chamber Music Society
is spearheading the project, which would see a $33 million, 925-seat
hall at the corner of Elgin and Gloucester streets. In addition to the
city’s pledge, the society has received $6.5 million from the Ontario
government, is awaiting word from the federal government on a $10-million
request, and has independently raised close to $5 million in donations
and pledges. The OCMS has asked the city for an extension of this deadline,
claiming this will allow them to secure federal funding as well as a
title sponsor, which would contribute roughly $6.5 million for its name
on the midsize hall. The society has called on the community to show
its support for the project, which would be operated by the OCMS (although
over 30 Ottawa arts groups have already shown their support, saying
they would regularly host concerts at the venue).
KUDOS for La Scena Musicale and Editor
Wah Keung Chan!
La Scena Musicale and La SCENA
founding publisher and editor Wah Keung Chan will be honoured in Montreal
by Vanier College, one of his alma maters; the CEGEP is dedicating its
10th Annual Big Band Benefit Concert (April 14, 2008) to the publisher/editor
for his work in promoting music through La Scena Musicale. The
Vanier Stage Band, under its director Jocelyn Couture, will perform
along with many special guest performers. 514-744-7500
BPO discloses Nazi Past
The Berlin Philharmonic Orchestra, led
by conductor Simon Rattle, has admitted their past association with
the Nazis in a concert commemorating works banned as “degenerate”
by Hitler. Featured in the concerts accompanying an exhibition, the
truth emerged showing 1938 Nazi propaganda denouncing Stravinsky and
others blacklisted for being Jewish or enemies of the regime. It also
showed the Nazi propaganda minister Joseph Goebbels, paying the orchestra
to maintain their roles as musicians, instead of joining the wartime
effort. “The solution offered by Goebbels meant material and financial
security for the orchestra,” noted Misha Aster, author of The Berlin
Philharmonic and the Third Reich. “That naturally meant a major
compromise.”
The orchestra’s 125th anniversary concert
of works condemned by the Nazi regime ended triumphantly with a particularly
emotional rendition of Stravinsky’s Rite of Spring. MV
Maurice Béjart: 1927-2007
Legendary French choreographer Maurice
Béjart passed away on November 22nd after being hospitalized the week
before due to heart and kidney complications. He made his mark in the
dance world by eagerly offering ballet to a much wider and newer audience.
His output consists of a remarkable number of creations (roughly 220),
covering a variety of styles and influences. In 1987, he founded the
Béjart Ballet Lausanne in Switzerland, one of the most successful dance
companies in the world. Béjart was 80 years old and leaves behind a
legacy of remarkable growth for the world of dance. His last creation,
Round the World in 80 Minutes, will be premiered in Lausanne on
December 20th.
Toronto art auction fetches $19 million
The Vancouver-based Heffel Fine Art Auction
House found huge success at Toronto’s Park Hyatt Hotel on November
23rd as five Canadian paintings were sold for over $1 million each.
Group of Seven member Lawren Harris’s Grey Day, North Shore, Lake
Superior was the evening’s top buy at $1,782,500, while works
by other legends of Canadian art history, David Milne and Tom Thomson,
also reached seven figures. The grand total of the sales from the auction
was the second highest in Canadian history, as Heffel set that record
in May with a $22.8-million auction. Other well-known Canadian artists
that fared well include Emily Carr, Jean-Paul Riopelle, as well as other
Group of Seven members J.E.H. MacDonald and A.Y. Jackson (22 and 10
works sold, respectively). The second-highest sell of the day was Milne’s
Snow Patches, Boston Corners, NY at $1,437,500, which is over three
times the previous record for a Milne work. The auction represents another
major success in a remarkable year for Canadian art and art auctions.
As David Heffel, president of the auction house, stated, “Tonight’s
sale shows that the Canadian art market continues strong.” Heffel
went on to cite the international competition for the Canadian works
and said the evening was “frenetically paced.”
Controversy over federal government’s
plans for Portrait Gallery of Canada
Governmental plans to set up a national
portrait gallery in the nation’s capital have shifted several times;
the latest turn in the saga sees the federal government issuing an invitation
to nine major cities across the country (Halifax, Quebec City, Montreal,
Ottawa-Gatineau, Winnipeg, Edmonton, Calgary, and Vancouver) to compete
for the prize of being home to the national gallery. Library and Archives
Canada has developed the collection, which features works that span
back to the 1880s, with the intent of honouring important personalities
that have been central to Canada’s development. The collection is
currently in Ottawa, out of the view of the public, in a building operated
by Library and Archives Canada. Those objecting to this latest announcement,
made in early November, include the mayor of Charlottetown, who claims
that his city be allowed to compete for the distinction, complaints
that this a cost-cutting measure by the Conservatives to distance themselves
from investing in the arts, and the sentiments of many Canadians that
such a national treasure trove should remain in the capital city. The
project began under Jean Chrétien’s Liberals in 2001, and by 2006,
$11 million had been spent on the portrait gallery. At that time, the
Conservatives cited rising costs and a reduction in cultural spending
and the project was put on hiatus. An announcement of the winning city
is expected before the summer of 2008.
Saskatchewan theatre
director returns home to head Persephone in Saskatoon
Del Surjik, born in North Battleford,
has been named the new artistic director of Persephone Theatre in Saskatoon,
a city where he clearly has deep roots in the theatre community. Educated
at the University of Saskatchewan, Surjik was the first recipient of
a BFA in theatre at the school and helped to found the city’s Saskatoon
Soaps company as well as the Shakespeare on the Saskatchewan Festival.
Having lived in Vancouver since 1989, where he has been artistic director
of the independent Pi Theatre Company for the last 10 years, Surjik
is clearly thrilled to be returning home to what he describes as “the
plum artistic director position in the country right now.” The 47-year-old
director won an intensive national competition for the job that saw
35 applicants; in spite of the grueling selection process, the committee’s
choice was unanimous. The appointment comes at an ideal time, as Persephone
is entering a new era in its 32-year history; a new building, years
in the making, is opening soon on the city’s riverbank. Former artistic
director Tibor Feheregyhazi, who passed away in July after battling
prostate cancer, heralded the new facility as “the most ambitious
production in the history of Persephone Theatre”. Surjik said of his
predecessor, “I look forward to building on his legacy and taking
us to a very exciting future, which is what I’m sure he wanted.”
New Arts Facility in St. Catharines
?
The city of St. Catharines, Ontario,
is investigating the possibility of building a new performing arts centre
downtown. The proposed project would be in conjunction with Brock University’s
School for Fine and Performing Arts, which is currently desperately
short of space. City councilors and other officials all agree that there
is a legitimate need for the centre, and, naturally, the university
is enthusiastic about the possibility of freeing up badly-needed space
on campus, while raising its arts profile through a new facility. “Right
now, the only fine art centre in St. Catharines is at Brock, so it’s
understandable that we would be partners in this discussion,” said
Jack Lightstone, President and Vice-Chancellor of Brock University.
“We’re not going to operate competing centres for the arts so ideally
there has to be some sort of partnership.” On November 19th, city
councilors approved grants to 18 groups and individuals, totaling $121,000.
Rebecca Cann, St. Catharines cultural planning supervisor, claims that
this money will help develop talent for the proposed centre. |
|