2010-02-08

• Opera review: Plácido Domingo sparkles as baritone in 'Boccanegra' (Review, Anne Midgette - Washington Post)
• Memorials will show why Mahler matters (Article, Tom Service - Sydney Morning Herald)
• Young musicians impress in Sphinx Competition at Orchestra Hall (Review, Oralandar Brand-Williams - Detroit News)
• Orchestra to pursue audience to Florida (Article, Tom Buckham - Buffalo News)
• Czech National Symphony Orchestra/Pešek (Review, Guy Dammann - Guardian Unlimited)
• Scrapping a Program, Breaking Into Solos (Review, Steve Smith - New York Times)
• Neo-Classical Stravinsky Joins Bachian Rhythms (Article, Allan Kozinn - New York Times)
• A Quartet Illuminates the Passion of Beethoven (Review, Vivien Schweitzer - New York Times)
• Donizetti Returns, Offering Plenty of Chemistry and Nine High C’s (Review, Vivien Schweitzer - New York Times)
• Love (and Arias) With a Proper Swine (Review, Anthony Tommasini - New York Times)

2010-02-07

• Maciejewski's Requiem (Review, Andrew Clements - Guardian Unlimited)
• San Diego Symphony broadening its reach (Review, James Chute - San Diego Union-Tribune)
• Ruddigore, Grand Theatre, Leeds Barenboim and the Staatskapelle Berlin, Royal Festival Hall, London Jurowski/OAE, Roundhouse, London (Review, Anna Picard - The Independent)
• Critic's picks - classical music (Upcoming Events, Jeremy Eichler - Boston Globe)
• Detroit Symphony Orchestra to bring a bold sound to the Sunshine State (Review, Mark Stryker - Detroit Free Press)
• Cleveland Orchestra finding its place in the sun of Miami (Review, Zachary Lewis - The Plain Dealer (Cleveland))
• Daniel Barenboim/Staatskapelle Berlin; Rienzi/Deutsche Opera (Review, Fiona Maddocks - Guardian Unlimited)
• Karen Heller: Slogan strikes wrong chord (Article, Karen Heller - Philadelphia Inquirer)
• New Year's Concert 2010: Vienna Philharmonic Orchestra/Prêtre (CD Review, Fiona Maddocks - Guardian Unlimited)
• Composer’s Intent? Get Over It (Review, Allan Kozinn - New York Times)
• Operatic Style Designed to Suit Your Living Room (Review, Matthew Gurewitsch - New York Times)